Jajinhanip is old Korean term meaning Sakdaeyeop, the third one among original repertoire of classic vocal music (gagok) Mandaeyoep, Jungdaeyeop, and Sakdaeyeop. However, it now refers to six specific musical pieces that were derived from gagok but performed without vocal part. The music is also called Sagwanpungnyu when played by samhyeonyukgak, the six-musician wind ensemble band. Various names in classical Chinese term applied when each repertory combines differently or forms medley: Gyeongpungnyeon for Ujodugeo and Byeonjodugeo; Yeomyangchun for Gyemyeondugeo; Suryongeum for Pyeongrong, Gyerak, Pyeonsudaeyeop.
The term pyeongjo indicates key or register of the music rather than its concept for a mode, and thus the scale is similar to that of Pyeongjo hoesang.
Instrumentation as well as melody had changed significantly for wind ensemble music that loud hyangpiri substituted sepiri and daegeum melody rearranged an octave higher pitch.
This album features Pyeongjo jajinhanip that was rearranged and manuscripted in 2004 by the National Gugak Center Orchestra to solve acoustic problems arising when performed with string ensemble. This recording works only with the daegeum, gayageum, geomungo, and janggu, and hopefully another version for large scale orchestra can generate with more research on melodies of other instruments.
가야금 l 김형섭
한국예술종합학교 전통예술원 교수
Gayageum / Kim Hyung Sub
Professor at Korea National University of Arts School of Korean Traditional Arts
거문고 l 이웅
국립국악원 정악단 부수석
Geomungo / Lee Woong
Musician at National Gugak Center Court Music Orchestra
장구 l 정택수
국립국악원 정악단 부수석
Janggu / Jung Taek Soo
Musician at National Gugak Center Court Music Orchestra
크레딧 ....
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