| Disc 1 | ||||||
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| 1. |
| 4:00 | 
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we know of an ancient radiation.
that haunts dismembered constellations, a faintly glimmering radio station. while frank sinatra sings stormy weather, the flies and spiders get along together, cobwebs fall on an old skipping record. beyond the suns that guard this roof, beyond your flowers of flaming truths, beyond your latest ad campaigns, an old man sits collecting stamps in a room all filled with chinese lamps. he saves what others throw away. he says that he'll be rich some day. we know of an ancient radiation that haunts dismembered constellations, a faintly glimmering radio station. we know of an ancient radiation that haunts dismembered constellations, a faintly glimmering radio station. while frank sinatra sings stormy weather, the flies and spiders get along together, cobwebs fall on an old skipping record. |
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| 2. |
| 2:59 |
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Reluctantly crouched at the starting line,
engines pumping and thumping in time. the green light flashes, the flags go up. churning and burning, they yearn for the cup. they deftly maneuver and muscle for rank, fuel burning fast on an empty tank. reckless and wild, they pour through the turns. their prowess is potent and secretly stern. as they speed through the finish, the flags go down. the fans get up and they get out of town. the arena is empty except for one man, still driving and striving as fast as he can. the sun has gone down and the moon has come up, and long ago somebody left with the cup. but he's driving and striving and hugging the turns. and thinking of someone for whom he still burns. he's going the distance. he's going for speed. she's all alone in her time of need. because he's racing and pacing and plotting the course, he's fighting and biting and riding on his horse, he's going the distance. no trophy, no flowers, no flashbulbs, no wine, he's haunted by something he cannot define. bowel-shaking earthquakes of doubt and remorse, assail him, impale him with monster-truck force. in his mind, he's still driving, still making the grade. she's hoping in time that her memories will fade. cause he's racing and pacing and plotting the course, he's fighting and biting and riding on his horse. the sun has gone down and the moon has come up, and long ago somebody left with the cup. but he's striving and driving and hugging the turns. and thinking of someone for whom he still burns. cause he's going the distance. he's going for speed. she's all alone in her time of need. because he's racing and pacing and plotting the course, he's fighting and biting and riding on his horse. he's racing and pacing and plotting the course, he's fighting and biting and riding on his horse. he's going the distance. he's going for speed. he's going the distance. |
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| 3. |
| 3:21 |
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to me, coming from you,
friend is a four letter word. end is the only part of the word that i heard. call me morbid or absurd. but to me, coming from you, friend is a four letter word. to me, coming from you, friend is a four letter word. end is the only part of the word that I heard. call me morbid or absurd. but to me, coming from you, friend is a four letter word. when I go fishing for the words i am wishing you would say to me, i'm really only praying that the words you'll soon be saying might betray the way you feel about me. but to me, coming from you, friend is a four letter word. |
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| 4. |
| 3:45 |
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she's writing, she's writing,
she's writing a novel. she's writing, she's weaving, conceiving a plot. it quickens, it thickens. you can't put it down now. it takes you, it shakes you, it makes you lose your thought. but you're caught in your own glory. you are believing your own stories. writing your own headlines. ignoring your own deadlines. but now you've gotta write them all again. you think she's an open book, but you don't know which page to turn to, do you? you think she's an open book, but you don't know which page to turn to, do you? do you? do you? you want her, confront her. just open your window. unbolt it, unlock it, unfasten your latch. you want it, confront it. just open your window. all you really have to do is ask. but you're caught in your own glory. you are believing your own stories. timing your contractions. inventing small contraptions that roll across your polished hardwood floors. you think she's an open book, but you don't know which page to turn to, do you? you think she's an open book, but you don't know which page to turn to, do you? do you? do you? you think she's an open book, but you don't know which page to turn to, do you? do you? do you? do you? |
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| 5. |
| 3:44 |
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when you tried to kiss me
i only bit your tongue. when you tried to get me together i only came undone. when you tried to tell me the one for me was you, i was in your mattress back in 1982. daria, I won't be soothed. daria, I won't be soothed over like, smoothed over like milk, silk, a bedspread, or a quilt, icing on a cake, or a serene translucent lake. daria, daria, daria, i won't be soothed. i won't be soothed. when you tried to tell me of all the love you had, i was cleaning oil from beaches seeing only what was bad. when you tried to feed me i only shut my mouth. food got on your apron and you told me to get out. daria, I won't be soothed. daria, I won't be soothed over like, smoothed over like milk, silk, a bedspread, or a quilt, icing on a cake, or a serene translucent lake. daria, daria, daria, daria, daria, daria, daria, i won't be soothed. i won't be soothed. |
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| 6. |
| 1:20 |
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the land of race car ya-yas.
the land where you can't change lanes. the land where large, fuzzy dice still hang proudly like testicles from rear-view mirrors. the land of race car ya-yas. the land where you can't change lanes. the land where large, fuzzy dice still hang proudly like testicles from rear-view mirrors. the land of race car ya-yas. ya-yas. the land of race car ya-yas. the land of race car ya-yas. race car ya-yas. |
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| 7. |
| 5:10 |
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At first I was afraid
I was petrified I kept thinking I could never live Without you by my side But then I spent so many nights Just thinking how you'd done me wrong I grew strong I learned how to get along And so you're back from outer space I just walked in to find you here Without that look upon your face I should have changed my fucking lock I would have made you leave your key If I'd have known for just one second You'd be back to bother me Oh now go Walk out the door Just turn around now You're not welcome anymore Weren't you the one Who tried to break me with desire? Did you think I'd crumble? Did you think I'd lay down and die? Oh not I * I will survive As long as I know how to love I know I'll be alive I've got all my life to live I've got all my love to give I will survive I will survive It took all the strength I had Just not to fall apart. I'm trying hard to mend The pieces of my broken heart And I spent oh so many nights Just feeling sorry for myself I used to cry. But now I hold my head up high And you'll see me with somebody new I'm not that stupid little person Still in love with yo And so you thought you'd just drop by, And you expect me to be free But now I'm saving all my lovin' For someone who's lovin' me Oh now go Walk out the door Just turn around now You're not welcome anymore Weren't you the one Who tried to break me with desire? Did you think I'd crumble? Did you think I'd lay down and die? Oh not I * Repeat |
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| 8. |
| 2:08 |
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stickshifts and safetybelts,
bucket seats have all got to go. when we're driving in the car, it makes my baby seem so far. i need you here with me, not way over in a bucket seat. i need you to be here with me, not way over in a bucket seat. but when we're driving in my malibu, it's easy to get right next to you. i say, "baby, scoot over, please." and then she's right there next to me. i need you here with me, not way over in a bucket seat. i need you to be here with me, not way over in a bucket seat. well a lot of good cars are japanese. but when we're driving far, i need my baby, i need my baby next to me. well, stickshifts and safetybelts, bucket seats have all got to go. when we're driving in the car, it makes my baby seem so far. i need you here with me, not way over in a bucket seat. i need you to be here with me, not way over in a bucket seat. |
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| 9. |
| 2:23 |
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You won't admit you love me.
And so how am I ever to know? You only tell me Perhaps, perhaps, perhaps. A million times I ask you, And then I ask you over again. You only answer Perhaps, perhaps, perhaps. If you can't make your mind up, We'll never get started. And I don't wanna wind up Being parted, broken-hearted. So if you really love me, Say yes. But if you don't, dear, confess. And please don't tell me Perhaps, perhaps, perhaps. If you can't make your mind up, We'll never get started. And I don't wanna wind up Being parted, broken-hearted. So if you really love me, Say yes. But if you don't, dear, confess. And please don't tell me Perhaps, perhaps, perhaps, Perhaps, perhaps, perhaps, Perhaps, perhaps, perhaps |
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| 10. |
| 3:44 |
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it's coming down.
it's coming down. it's raining outside. you've nowhere to hide. she's asking you why you think it's funny. it's coming down. it's coming down. she's leaving your house. she had to get out. she's mad, and she'll take her mattress with her. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. you lie on the floor. she's slamming your door. she's gone, and she's wearing your red sweater. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. it's coming down. |
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| 11. |
| 3:58 |
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heads of state who ride and wrangle,
who look at your face from more than one angle, can cut you from their bloated budgets like sharpened knives through chicken mcNuggets. now heads of state who ride and wrangle, who look at your face from more than one angle, can cut you from their bloated budgets like sharpened knives through chicken mcNuggets. shut the fuck up. shut the fuck up. learn to buck up. shut the fuck up. learn to buck up. now nimble fingers that dance on numbers will eat your children and steal your thunder, while heavy torsos that heave and hurl who crunch like nuts in the mouths of squirrels. now nimble fingers that dance on numbers will eat your children and steal your thunder, while heavy torsos that heave and hurl who crunch like nuts in the mouths of squirrels. shut the fuck up. shut the fuck up. learn to buck up. shut the fuck up. learn to buck up. now simple feet that flicker like fire and burn like candles in smoky spires do more to turn my joy to sadness than somber thoughts of burning planets. now clever feet that flicker like fire and burn like candles in smoky spires do more to turn my joy to sadness than somber thoughts of burning planets. |
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| 12. |
| 2:24 |
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last night i said to her
i didn't want to live inside a lie. if she wants him more than she wants me, let this be. she'll come back to me. she'll come back to me. she'll come back. all day i wait and wait to hear her footsteps on my walkway. she never came. she never even called. she'll come back to me. she'll come back to me. she'll come back. somehow i know it won't last. somehow i know it won't last too long. she'll come back to me. she'll come back to me. she'll come back to me. she'll come back to me. |
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| 13. |
| 5:50 |
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she doesn't care
whether or not he's an island. she doesn't care, just as long as his ship's coming in. she doesn't care whether or not he's an island. if they laugh, they make money. he's got a gold watch. she's got a silk dress and healthy breasts that bounce on his italian leather sofa. she doesn't care whether or not he's a good man. she doesn't care, just as long as she still has her friends. she doesn't care whether or not he's an island. if they laugh, they make money. he's got a gold watch. she's got a silk dress and healthy breasts that bounce on his italian leather sofa. she's got a serrated edge that she moves back and forth. it's such a simple machine. she doesn't have to use force. when she gets what she wants she puts the rest on a tray in a zip-loc bag. she's got a serrated edge that she moves back and forth. it's such a simple machine. she doesn't have to use force. when she get what she wants she puts the rest on a tray in a zip-loc bag in the freezer. she doesn't care whether or not he's an island. she doesn't care, just as long as his ship's coming in. she doesn't care whether or not he's an island. if they laugh, they make money. he's got a gold watch. she's got a silk dress and healthy breasts that bounce on his italian leather sofa. |
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| 14. |
| 3:15 |
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i'm writing a song all about you.
a true song as real as my tears. but you've no need to fear it cause no one will hear it. sad songs and waltzes aren't selling this year. i'll tell all about how you cheated. i'd like for the whole world to hear. i'd like to get even with you cause you're leavin'. but sad songs and waltzes aren't selling this year. it's a good thing that i'm not a star. you don't know how lucky you are. though my record may say it, no one will play it. sad songs and waltzes aren't selling this year. it's a good thing that i'm not a star. you don't know how lucky you are. though my record may say it, no one will play it. sad songs and waltzes aren't selling this year. |
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