Disc 1 | ||||||
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1. |
| 18:37 | ||||
This song is called Alice's Restaurant, and it's about Alice, and the
restaurant, but Alice's Restaurant is not the name of the restaurant, that's just the name of the song, and that's why I called the song Alice's Restaurant. You can get anything you want at Alice's Restaurant You can get anything you want at Alice's Restaurant Walk right in it's around the back Just a half a mile from the railroad track You can get anything you want at Alice's Restaurant Now it all started two Thanksgivings ago, was on - two years ago on Thanksgiving, when my friend and I went up to visit Alice at the restaurant, but Alice doesn't live in the restaurant, she lives in the church nearby the restaurant, in the bell-tower, with her husband Ray and Fasha the dog. And livin' in the bell tower like that, they got a lot of room downstairs where the pews used to be in. Havin' all that room, seein' as how they took out all the pews, they decided that they didn't have to take out their garbage for a long time. We got up there, we found all the garbage in there, and we decided it'd be a friendly gesture for us to take the garbage down to the city dump. So we took the half a ton of garbage, put it in the back of a red VW microbus, took shovels and rakes and implements of destruction and headed on toward the city dump. Well we got there and there was a big sign and a chain across across the dump saying, "Closed on Thanksgiving." And we had never heard of a dump closed on Thanksgiving before, and with tears in our eyes we drove off into the sunset looking for another place to put the garbage. We didn't find one. Until we came to a side road, and off the side of the side road there was another fifteen foot cliff and at the bottom of the cliff there was another pile of garbage. And we decided that one big pile is better than two little piles, and rather than bring that one up we decided to throw our's down. That's what we did, and drove back to the church, had a thanksgiving dinner that couldn't be beat, went to sleep and didn't get up until the next morning, when we got a phone call from officer Obie. He said, "Kid, we found your name on an envelope at the bottom of a half a ton of garbage, and just wanted to know if you had any information about it." And I said, "Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope under that garbage." After speaking to Obie for about fourty-five minutes on the telephone we finally arrived at the truth of the matter and said that we had to go down and pick up the garbage, and also had to go down and speak to him at the police officer's station. So we got in the red VW microbus with the shovels and rakes and implements of destruction and headed on toward the police officer's station. Now friends, there was only one or two things that Obie coulda done at the police station, and the first was he could have given us a medal for being so brave and honest on the telephone, which wasn't very likely, and we didn't expect it, and the other thing was he could have bawled us out and told us never to be see driving garbage around the vicinity again, which is what we expected, but when we got to the police officer's station there was a third possibility that we hadn't even counted upon, and we was both immediately arrested. Handcuffed. And I said "Obie, I don't think I can pick up the garbage with these handcuffs on." He said, "Shut up, kid. Get in the back of the patrol car." And that's what we did, sat in the back of the patrol car and drove to the quote Scene of the Crime unquote. I want tell you about the town of Stockbridge, Massachusets, where this happened here, they got three stop signs, two police officers, and one police car, but when we got to the Scene of the Crime there was five police officers and three police cars, being the biggest crime of the last fifty years, and everybody wanted to get in the newspaper story about it. And they was using up all kinds of cop equipment that they had hanging around the police officer's station. They was taking plaster tire tracks, foot prints, dog smelling prints, and they took twenty seven eight-by-ten colour glossy photographs with circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. Took pictures of the approach, the getaway, the northwest corner the southwest corner and that's not to mention the aerial photography. After the ordeal, we went back to the jail. Obie said he was going to put us in the cell. Said, "Kid, I'm going to put you in the cell, I want your wallet and your belt." And I said, "Obie, I can understand you wanting my wallet so I don't have any money to spend in the cell, but what do you want my belt for?" And he said, "Kid, we don't want any hangings." I said, "Obie, did you think I was going to hang myself for littering?" Obie said he was making sure, and friends Obie was, cause he took out the toilet seat so I couldn't hit myself over the head and drown, and he took out the toilet paper so I couldn't bend the bars roll out the - roll the toilet paper out the window, slide down the roll and have an escape. Obie was making sure, and it was about four or five hours later that Alice (remember Alice? It's a song about Alice), Alice came by and with a few nasty words to Obie on the side, bailed us out of jail, and we went back to the church, had a another thanksgiving dinner that couldn't be beat, and didn't get up until the next morning, when we all had to go to court. We walked in, sat down, Obie came in with the twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one, sat down. Man came in said, "All rise." We all stood up, and Obie stood up with the twenty seven eight-by-ten colour glossy pictures, and the judge walked in sat down with a seeing eye dog, and he sat down, we sat down. Obie looked at the seeing eye dog, and then at the twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one, and looked at the seeing eye dog. And then at twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one and began to cry, 'cause Obie came to the realization that it was a typical case of American blind justice, and there wasn't nothing he could do about it, and the judge wasn't going to look at the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. And we was fined $50 and had to pick up the garbage in the snow, but thats not what I came to tell you about. Came to talk about the draft. They got a building down New York City, it's called Whitehall Street, where you walk in, you get injected, inspected, detected, infected, neglected and selected. I went down to get my physical examination one day, and I walked in, I sat down, got good and drunk the night before, so I looked and felt my best when I went in that morning. 'Cause I wanted to look like the all-American kid from New York City, man I wanted, I wanted to feel like the all-, I wanted to be the all American kid from New York, and I walked in, sat down, I was hung down, brung down, hung up, and all kinds o' mean nasty ugly things. And I waked in and sat down and they gave me a piece of paper, said, "Kid, see the phsychiatrist, room 604." And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill, KILL, KILL." And I started jumpin up and down yelling, "KILL, KILL," and he started jumpin up and down with me and we was both jumping up and down yelling, "KILL, KILL." And the sargent came over, pinned a medal on me, sent me down the hall, said, "You're our boy." Didn't feel too good about it. Proceeded on down the hall gettin more injections, inspections, detections, neglections and all kinds of stuff that they was doin' to me at the thing there, and I was there for two hours, three hours, four hours, I was there for a long time going through all kinds of mean nasty ugly things and I was just having a tough time there, and they was inspecting, injecting every single part of me, and they was leaving no part untouched. Proceeded through, and when I finally came to the see the last man, I walked in, walked in sat down after a whole big thing there, and I walked up and said, "What do you want?" He said, "Kid, we only got one question. Have you ever been arrested?" And I proceeded to tell him the story of the Alice's Restaurant Massacre, with full orchestration and five part harmony and stuff like that and all the phenome... - and he stopped me right there and said, "Kid, did you ever go to court?" And I proceeded to tell him the story of the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and the paragraph on the back of each one, and he stopped me right there and said, "Kid, I want you to go and sit down on that bench that says Group W .... NOW kid!!" And I, I walked over to the, to the bench there, and there is, Group W's where they put you if you may not be moral enough to join the army after committing your special crime, and there was all kinds of mean nasty ugly looking people on the bench there. Mother rapers. Father stabbers. Father rapers! Father rapers sitting right there on the bench next to me! And they was mean and nasty and ugly and horrible crime-type guys sitting on the bench next to me. And the meanest, ugliest, nastiest one, the meanest father raper of them all, was coming over to me and he was mean 'n' ugly 'n' nasty 'n' horrible and all kind of things and he sat down next to me and said, "Kid, whad'ya get?" I said, "I didn't get nothing, I had to pay $50 and pick up the garbage." He said, "What were you arrested for, kid?" And I said, "Littering." And they all moved away from me on the bench there, and the hairy eyeball and all kinds of mean nasty things, till I said, "And creating a nuisance." And they all came back, shook my hand, and we had a great time on the bench, talkin about crime, mother stabbing, father raping, all kinds of groovy things that we was talking about on the bench. And everything was fine, we was smoking cigarettes and all kinds of things, until the Sargeant came over, had some paper in his hand, held it up and said. "Kids, this-piece-of-paper's-got-47-words-37-sentences-58-words-we-wanna- know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing- you-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting- officer's-name-and-any-other-kind-of-thing-you-gotta-say", and talked for forty-five minutes and nobody understood a word that he said, but we had fun filling out the forms and playing with the pencils on the bench there, and I filled out the massacre with the four part harmony, and wrote it down there, just like it was, and everything was fine and I put down the pencil, and I turned over the piece of paper, and there, there on the other side, in the middle of the other side, away from everything else on the other side, in parentheses, capital letters, quotated, read the following words: ("KID, HAVE YOU REHABILITATED YOURSELF?") I went over to the sargent, said, "Sargeant, you got a lot a damn gall to ask me if I've rehabilitated myself, I mean, I mean, I mean that just, I'm sittin' here on the bench, I mean I'm sittin here on the Group W bench 'cause you want to know if I'm moral enough join the army, burn women, kids, houses and villages after bein' a litterbug." He looked at me and said, "Kid, we don't like your kind, and we're gonna send you fingerprints off to Washington." And friends, somewhere in Washington enshrined in some little folder, is a study in black and white of my fingerprints. And the only reason I'm singing you this song now is cause you may know somebody in a similar situation, or you may be in a similar situation, and if your in a situation like that there's only one thing you can do and that's walk into the shrink wherever you are ,just walk in say "Shrink, You can get anything you want, at Alice's restaurant.". And walk out. You know, if one person, just one person does it they may think he's really sick and they won't take him. And if two people, two people do it, in harmony, they may think they're both faggots and they won't take either of them. And three people do it, three, can you imagine, three people walking in singin a bar of Alice's Restaurant and walking out. They may think it's an organization. And can you, can you imagine fifty people a day,I said fifty people a day walking in singin a bar of Alice's Restaurant and walking out. And friends they may thinks it's a movement. And that's what it is , the Alice's Restaurant Anti-Massacre Movement, and all you got to do to join is sing it the next time it come's around on the guitar. With feeling. So we'll wait for it to come around on the guitar, here and sing it when it does. Here it comes. You can get anything you want, at Alice's Restaurant You can get anything you want, at Alice's Restaurant Walk right in it's around the back Just a half a mile from the railroad track You can get anything you want, at Alice's Restaurant That was horrible. If you want to end war and stuff you got to sing loud. I've been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I'm not proud... or tired. So we'll wait till it comes around again, and this time with four part harmony and feeling. We're just waitin' for it to come around is what we're doing. All right now. You can get anything you want, at Alice's Restaurant Excepting Alice You can get anything you want, at Alice's Restaurant Walk right in it's around the back Just a half a mile from the railroad track You can get anything you want, at Alice's Restaurant Da da da da da da da dum At Alice's Restaurant |
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2. |
| 6:26 | ||||
3. |
| 2:50 | ||||
by Arlo Guthrie
Hey brothers, hear me call It ain't that I had to fall Wasn't no one's fault last night When I looked up and felt the light Here's hoping you'll understand I want to fell like a natural man Get up early in the morning to do what I can You can't help no one with money If you can't with your hands And you got to be there brothers, yes you do If the world is turning under you Ain't no good to sit around And bring it up or down You got to be there brothers, yes you do Hey brothers, now and then There's something that oughta move you More than a pen You don't need no school or knowledge You've got something else to lend And all the people in the world Can make it better again And it ain't easy, yes I know It's a hard and rugged road Don't be swindled, don't be fooled Just be honest and stay cool 'Cause you got to be there brothers, yes you do If the world is turning under you Ain't no good to sit around And bring it up or down You got to be there brothers, yes you do |
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4. |
| 6:32 | ||||
words and music by Arlo Guthrie
CHORUS: I don't want a pickle Just want to ride on my motorsickle And I don't want a tickle 'Cause I'd rather ride on my motorsickle And I don't want to die I just want to ride on my motorcy...cle It was late last night the other day I thought I'd go up and see Ray So l went up and I saw Ray There was only one thing Ray could say, was: CHORUS Just last week I was on my bike I run into a friend named Mike Run into my friend named Mike Mike no longer has a bike. He cries: 1 |
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5. |
| 3:08 | ||||
Coming in from London from over the pole
Flying in a big airliner Chicken flying everywhere around the plane Could we ever feel much finer Coming into Los Angeles Bringing in a couple of ki's Don't touch my bags if you please Mister customs man, yeah There's a guy with a ticket to Mexico No, he couldn't look much stranger Walking in the hall with his things and all Smiling, said he was the Lone Ranger Coming into Los Angeles Bringing in a couple of ki's Don't touch my bags if you please Mister customs man Hip woman walking on the moving floor Tripping on the escalator There's a man in the line and she's blowing his mind Thinking that he's already made her Coming into Los Angeles Bringing in a couple of ki's Don't touch my bags if you please Mister customs man Coming in from London from over the pole Flying in a big airliner Chicken flying everywhere around the plane Could we ever feel much finer Coming into Los Angeles Bringing in a couple of ki's Don't touch my bags if you please Mister customs man, yeah, all right |
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6. |
| 3:08 | ||||
by Arlo Guthrie
I want to hop on the last train in the station Won't need to get yourself prepared When you're on that last train to glory You'll know you're reasonably there Maybe you ain't walked on any highway You've just been flyin' in the air But if you're on that last train to glory You'll know you've paid your fare Maybe you've been Iying down in the jailhouse Maybe you've been hungry and poor Maybe your ticket on the last train to glory Is the stranger whose been sleeping on your floor I ain't a man of constant sorrow I ain't seen trouble all day long We are only passengers on the last train to glory That will soon be long, long gone I want to hop on the last train in the station Won't need to get yourself prepared When you're on the last train to glory You'll know you're reasonably there |
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7. |
| 4:34 | ||||
8. |
| 4:10 | ||||
It's the tenth of January and I still ain't had no sleep
She comes waltzing in the nighttime, made of wings She is dressed up like a bandit with a hundred sparkling rings Looking for my company to keep Coming closer to me, she doesn't say a word In the shadow of the carved rock tower Where the sounds of the night were the only things we heard In my darkest hour She don't want to hear no secrets, she would guarantee me that She knows there ain't no words that can describe her With her white silk scarves and her black Spanish hat She knows there ain't no way I can deny her Yes, her blue velvet perfume, filling up the night The guards are all asleep that watch the tower The moonlight held her breast as she easily undressed In my darkest hour Her father's in his chambers with his friends all gathered 'round They are plotting their enemy's demise With their last detail done, they await the coming sun While I am staring in my lover's eyes Her brothers and her sisters are all through for tonight Pretending that they've just come to power But she, far most of all, knows that they can only fall In my darkest hour Hungry wings, their melodies, while my love awakens me In the midst of the sunburst first light And her hands are holding up the skies as I hid my opened eyes Every move just for herself, and that's so right Soon I went along my way with no words that could explain As she began descending to the tower Her safety now concerns me, her circumstance to blame In my darkest hour |
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9. |
| 2:36 | ||||
By Arlo Guthrie
Lonely sunshine, days come easy, Spend my time alone at rest, And if I were the last to leave here, Now would these roads be any less? Oh, I'm the last to leave. Now would these ribbon highway roads Be less wonderful to me? Why must I always be so slow? Many friends come and go, You know there's a lot of feelings that I've left behind, And it's a lonely world, I know, When your friends are hard to find. But take the time, my memory fails, And soak my eyes in the morning rain, Like a sailor, sailing over Jordan, On the road back home again. Oh, I'm the last to leave. Would these ribbon highway roads Be less wonderful to me? Why must I always be so slow? |