SONY BMG 에서 새롭게 선보이는 캠페인 시리즈로, 전세계적으로 엄선한 15개의 타이틀을 처음으로 선보입니다.
SIMPLE IS THE BEST / MUSIC MADE SIMPLE 을 모토로 가진 캠페인으로 음악을 사랑하는 팬들에게 소장가치 높은 아이템이 될 것입니다. 카드 지갑 형태의 "아름다운 디자인"으로 직수입 음반에, 소비자 분들께 미드 프라이스 가격으로 선사합니다. .... ....
I keep a close watch on this heart of mine I keep my eyes wide open all the time I keep the ends out for the tie that binds Because you're mine, I walk the line
I find it very, very easy to be true I find myself alone when each day is through Yes, I'll admit that I'm a fool for you Because you're mine, I walk the line
As sure as night is dark and day is light I keep you on my mind both day and night And happiness I've known proves that it's right Because you're mine, I walk the line
You've got a way to keep me on your side You give me cause for love that I can't hide For you I know I'd even try to turn the tide Because you're mine, I walk the line
I keep a close watch on this heart of mine I keep my eyes wide open all the time I keep the ends out for the tie that binds Because you're mine, I walk the line
Hey, get rhythm! When you get the blues! C'mon get rhythm! When you get the blues!
Get a rock and roll feeling in your bones, Put taps on your toes, and get goin' Get rhythm! When you get the blues!
A little shoe-shine boy he never gets low-down, But he's got the dirtiest job in town! Bending low at the peoples' feet, On a windy corner of a dirty street.
Well, I asked him while she shined my shoes, How'd he keep from getting the blues. He grinned as he raised his little head, He popped a shoe-shine rag, and he said
Get rhythm! When you get the blues! C'mon get rhythm! When you get the blues!
A jumpy rhythm makes you feel so fine, It'll shake all your troubles from your worried mind. Get rhythm! When you get the blues!
Get rhythm! When you get the blues! C'mon get rhythm! When you get the blues!
Get a rock and roll feeling in your bones, Put taps on your toes, and get goin' Get rhythm! When you get the blues!
Well, I had to listen to the shoe-shine boy, And I thought I was gonna jump for joy! Slapped on the shoe polish left and right, He took a shoe-shine rag and he held it tight. He stopped once to wipe the sweat away, I said, you're a mighty little boy to be a-workin' that way! He said I like it, with a big wide grin, Kept on a-poppin' and he said again,
Get rhythm! When you get the blues! C'mon get rhythm! When you get the blues!
It only costs a dime, just a nickel a shoe. It does a million dollars worth of good for you. Get rhythm! When you get the blues!
[CHORUS] Wish I had a-known ya When you were a little younger Around me you might have learned a thing or two If I had known you longer You might be a little stronger And maybe you'd shoot straighter than you do Maybe you'd shoot straighter than you do
As he walked into the poolroom, you could tell he didn't fit In his handmade boots, custom suits, and pearl handled shooting stick Tonight there'd be a showdown, then everyone would know Who shoots the meanest game around - The Baron or Billy Joe
Billy Joe looked edgy, about to lose his cool But the Baron's hands were steady, as the two began to duel Yeah, he was like a general on a battlefield of slate And he'd say to Billy Joe each time he sunk the eight He'd say...
[CHORUS]
Now Billy Joe was busted, but he hadn't felt the sting And from the far end of the table, he threw his mother's wedding ring And he said "you won my money, but it ain't gonna do the trick I'll bet this ring on one more game against your fancy stick"
The Baron's eyes got foggy as the ring rolled on the felt And he almost doubled over like he had been hit below the belt Twenty years ago, it was the ring his wife had worn And he didn't know before he left that a son would soon be born
It sounded just like thunder when the Baron shot the break But it grew thickly quiet as he lined up the eight Then a warm hand touched his shoulder and it chilled him to the bone When he turned and saw the woman who had loved him for so long
The game was never finished; the eight ball never fell The Baron calmly picked it up and put it on the shelf Then he placed the ring in the hands that held him long ago And he tossed that fancy shooting stick to his son Billy Joe and he said...
Well, I woke up Sunday morning With no way to hold my head that didn't hurt. And the beer I had for breakfast wasn't bad, So I had one more for dessert. Then I fumbled in my closet through my clothes And found my cleanest dirty shirt. Then I washed my face and combed my hair And stumbled down the stairs to meet the day.
I'd smoked my mind the night before With cigarettes and songs I'd been picking. But I lit my first and watched a small kid Playing with a can that he was kicking. Then I walked across the street And caught the Sunday smell of someone frying chicken. And Lord, it took me back to something that I'd lost Somewhere, somehow along the way.
On a Sunday morning sidewalk, I'm wishing, Lord, that I was stoned. 'Cause there's something in a Sunday That makes a body feel alone. And there's nothing short a' dying That's half as lonesome as the sound Of the sleeping city sidewalk And Sunday morning coming down.
In the park I saw a daddy With a laughing little girl that he was swinging. And I stopped beside a Sunday school And listened to the songs they were singing. Then I headed down the street, And somewhere far away a lonely bell was ringing, And it echoed through the canyon Like the disappearing dreams of yesterday.
On a Sunday morning sidewalk, I'm wishing, Lord, that I was stoned. 'Cause there's something in a Sunday That makes a body feel alone. And there's nothing short a' dying That's half as lonesome as the sound Of the sleeping city sidewalk And Sunday morning coming down.
(Johnny Cash and June Carter) We got married in a fever, hotter than a pepper sprout, We've been talkin' 'bout Jackson ...
(Johnny Cash) ...ever since the fire went out. I'm goin' to Jackson, I'm gonna mess around, Yeah, I'm goin' to Jackson, Look out Jackson town.
(June Carter) Well, go on down to Jackson; go ahead and wreck your health. Go play your hand you big-talkin' man, make a big fool of yourself, Yeah, go to Jackson; go comb your hair!
(Johnny Cash) Honey, I'm gonna snowball Jackson.
(June Carter) See if I care.
(Johnny Cash) When I breeze into that city, people gonna stoop and bow. (Hah!) All them women gonna make me, teach 'em what they don't know how, I'm goin' to Jackson, you turn-a loosen my coat. 'Cos I'm goin' to Jackson.
(June Carter) "Goodbye," that's all she wrote.
But they'll laugh at you in Jackson, and I'll be dancin' on a Pony Keg. They'll lead you 'round town like a scalded hound, With your tail tucked between your legs, Yeah, go to Jackson, you big-talkin' man. And I'll be waitin' in Jackson, behind my Jaypan Fan.
(Johnny Cash and June Carter) Well now, we got married in a fever, hotter than a pepper sprout, We've been talkin' 'bout Jackson, ever since the fire went out. I'm goin' to Jackson, and that's a fact. Yeah, we're goin' to Jackson, ain't never comin' back.
(Johnny Cash) Well, we got married in a fever, hotter than a pepper sprout ...
Well I left Kentucky back in '49 and Went to Detroit workin' on the assembly line The first year they had me puttin' wheels on Cadillacs Every day I'd watch them beauties roll by And sometimes I'd hang my head and cry Cuz I always wanted me one that was long and black One day I devised myself a plan That should be the envy of most any man I'd sneak it outta there in a lunchbox in my hand Now gettin' caught meant gettin' fired But I figured I'd have it all by the time I retired I'd have me a car worth at least 100 grand
I'd get it one piece at a time And it wouldn't cost me a dime You'll know it's me when I come through your town I'm gonna ride around in style I'm gonna drive everybody wild Cuz I'll have the only one there is around
So the very next day when I punched in With my big lunchbox and with help from my friend I left that day with a lunchbox full of gears I've never considered myself a thief But GM wouldn't miss just one little piece Especially if I strung it out over several years The first day I got me a fuel pump And the next day I got me an engine and a trunk Then I got me a transmission and all the chrome The little things I could get in my big lunchbox Like nuts and bolts and all 4 shocks But the big stuff we snuck out my buddy's mobile home Now up to now my plan went alright 'Til we tried to put it all together one night And that's when we noticed that somethin' was definitly wrong The transmission was a '53 and The motor turned out to be a '73 and When we tried to put in the bolts all the holes were gone So we drilled it out so that it would fit and With a little help from an adapter kit We had that engine runnin' just like a song Now the headlights, they was another sight We had 2 on the left and 1 on the right But when we pulled out the switch all 3 of 'em come on The back end looked kinda funny too But we put it together and when we got through Well that's when we noticed that we only had 1 tail fin About that time my wife walked out and I could see in her eyes that she had her doubts But she opened the door and said "Honey, take me for a spin" So we drove uptown just to get the tags and I headed her right on down main drag I could hear everybody laughin' for blocks around But up there at the court house they didn't laugh Cuz to type it up it took the whole staff and When they got through the title weighed 60 pounds
I got it one piece at a time And it didn't cost me a dime You'll know it's me when I come through your town I'm gonna ride around in style I'm gonna drive everybody wild 'Cause I'll have the only one there is around.
Ugh! Yow, RED RYDER This is the COTTON MOUTH In the PSYCHO-BILLY CADILLAC Come on
Huh, This is the COTTON MOUTH And negatory on the cost of this mow-chine there RED RYDER You might say I went right up to the factory And picked it up, it's cheaper that way Ugh!, what model is it?
Look a-yonder comin' Comin' down that railroad track Hey, look a-yonder comin' Comin' down that railroad track It's the Orange Blossom Special Bringin' my baby back
Well, I'm going down to Florida And get some sand in my shoes Or maybe Californy And get some sand in my shoes I'll ride that Orange Blossom Special And lose these New York blues
"Say man, when you going back to Florida?" "When am I goin' back to Florida? I don't know, don't reckon I ever will." "Ain't you worried about getting your nourishment in New York?" "Well, I don't care if I do-die-do-die-do-die-do-die."
Hey talk about a-ramblin' She's the fastest train on the line Talk about a-travellin' She's the fastest train on the line It's that Orange Blossom Special Rollin' down the seaboard line
I hear the train a comin' It's rolling round the bend And I ain't seen the sunshine since I don't know when, I'm stuck in Folsom prison, and time keeps draggin' on But that train keeps a rollin' on down to San Antone..
When I was just a baby my mama told me "Son, Always be a good boy, don't ever play with guns." But I shot a man in Reno just to watch him die When I hear that whistle blowin', I hang my head and cry..
I bet there's rich folks eating in a fancy dining car They're probably drinkin' coffee and smoking big cigars. Well I know I had it coming, I know I can't be free But those people keep a movin' And that's what tortures me...
Well if they freed me from this prison, If that railroad train was mine I bet I'd move it on a little farther down the line Far from Folsom prison, that's where I want to stay And I'd let that lonesome whistle blow my blues away...
Well, my daddy left home when I was three And he didn't leave much to Ma and me Just this ole guitar and an empty bottle of booze
Now, I don't blame him 'cause he run and hid But the meanest thing that he ever did Was before he left he went and named me Sue.
Well, he musta thought that it was quite a joke, An' it got a lot of laughs from lots a folks Seems I had to fight my whole life through
Some gal would giggle and I'd get red And some guy'd laugh and I'd bust his head I'll tell ya, life ain't easy for a boy named Sue
Well, I grew up quick and I grew up mean My fist got hard and my wits got keen I roamed from town to town to hide my shame
But I made me a vow to the Moon and stars I'd search the honky-tonks and bars And kill that man that gave me that awful name
Well, it was Gatlinburg in mid-July And I'd just hit town and my throat was dry I thought I'd stop and have myself a brew
In an old saloon on a street of mud There at a table dealin' stud Sat the dirty, mangy dog that named me Sue
Well I knew that snake was my own sweet dad From a worn out picture that my mother had And I knew that scar on his cheek and his evil eye
He was big and bent and grey and old And I looked at him and my blood ran cold, and I said "My name is Sue! How do you do? Now you gonna die!" Yeah! That's what I told him
Well, I hit him hard right between the eyes And he went down but to my surprise Came up with a knife an' cut off a piece o' my ear
I busted a chair right across his teeth And we crashed through the wall and into the street Kickin' and a gougin' in the mud and the blood and the beer
I tell ya, I've fought tougher men But I really can't remember when He kicked like a mule and he bit like a crocodile
Well, I heard him laugh and then I heard him cuss He went for his gun but I pulled mine first He stood there lookin' at me and I saw him smile
And he said, "Son, this world is rough And if a man's gonna make it he's gotta be tough And I know I wouldn't be there to help you along
So I gave you that name and I said good-bye I knew you'd have to get tough or die And it's that name that helped to make you strong"
Yeah! He said, "Now you just fought one hell of a fight And I know you hate me and ya got the right To kill me now and I wouldn't blame you if you do
But you oughta thank me before I die For the gravel in your gut and the spit in the eye 'Cause I'm the son-of-a-bitch that named you Sue" Yeah, what could I do? What could I do?
I got all choked up and threw down my gun Called him my Pa and he called me his son And I came away with a different point of view
And I think about him now and then Every time I try and every time I win And if I ever have a son, I think I'm gonna name him Bill or George, anything but Sue! I still hate that name!
A young cowboy named Billy Joe grew restless on the farm A boy filled with wanderlust who really meant no harm He changed his clothes and shined his boots and combed his dark hair down And his mother cried as he walked out
Don't take your guns to town son Leave your guns at home Bill Don't take your guns to town
He laughed and kissed his mom and said, "your Billy Joe's a man" I can shoot as quick and straight as anybody can But I wouldn't shoot without a cause; I'd gun nobody down" But she cried again as he rode away
Don't take your guns to town son Leave your guns at home Bill Don't take your guns to town
He sang a song as on he rode his guns hung at his hips He rode into a cattle town, a smile upon his lips He stopped and walked into a bar and laid his money down But his mother's words echoed again
Don't take your guns to town son Leave your guns at home Bill Don't take your guns to town
He drank his first strong liquor then to calm his shaking hand And tried to tell himself he had become a man A dusty cowpoke at his side began to laugh him down And he heard again his mothers words
Don't take your guns to town son Leave your guns at home Bill Don't take your guns to town
Filled with rage then Billy Joe reached for his gun to draw But the stranger drew his gun and fired before he even saw As Billy Joe fell to the floor, the crowd all gathered 'round And wondered at his final words
Don't take your guns to town son Leave your guns at home Bill Don't take your guns to town
Now I taught the weeping willow how to cry, And I showed the clouds how to cover up a clear blue sky. And the tears that I cried for that woman are gonna flood you Big River. Then I'm gonna sit right here until I die.
I met her accidentally in St. Paul (Minnesota). And it tore me up every time I heard her drawl, Southern drawl. Then I heard my dream was back Downstream cavortin' in Davenport, And I followed you, Big River, when you called.
Then you took me to St. Louis later on (down the river). A freighter said she's been here but she's gone, boy, she's gone. I found her trail in Memphis, but she just walked up the bluff. She raised a few eyebrows and then she went on down alone.
Now, won't you bat it down by Baton Rouge, River Queen, roll it on. Take that woman on down to New Orleans, New Orleans. Go on, I've had enough; dump my blues down in the gulf. She loves you, Big River, more than me.
Now I taught the weeping willow how to cry, cry, cry And I showed the clouds how to cover up a clear blue sky. And the tears that I cried for that woman are gonna flood you Big River. Then I'm gonna sit right here until I die.
Without love I am half human without love I'm all machine Without love there's nothing doin' I will die without love Without love I am an island all by myself in a heartbreak sea Without love there's no denyin' I am dyin' without love For there is nowhere I can run and there is no hiding place Sticking out like a sore thumb by that gloomy look upon my face Without love I'm incomplete without love I am not whole Without love I'm barely on my feet I am dyin' without love [Guitar] For there is nowhere I can run... I am dyin' without love
My name is Joe Roberts, I work for the state I'm a sergeant out on Perenville barracks number 8 I've always done an honest job, honest as I could Got a brother named Frankie, Frankie ain't no good
Ever since we were young kids, it's been the same come down I'd get a call on the short wave, Frankie's in trouble downtown Well, if it was any other man, I'd put him straight away But sometimes when it's your brother, you look the other way
Yeah, me and Frankie laughin' and drinkin', nothin' feels better than blood on blood Takin' turns dancin' with Maria while the band played "The Night of the Johnstown Flood" I catch him when he's strayin', like any brother should Man turns his back on his family, he ain't no good
Well, Frankie went into the army back in 1965 I got a farm deferment, settled down, took Maria for my wife But them wheat prices kept on droppin', 'til it was like we's gettin' robbed Frankie came home in '68, and me, I took this job
Yeah, me and Frankie laughin' and drinkin', nothin' feels better than blood on blood Takin' turns dancin' with Maria while the band played "The Night of the Johnstown Flood" I catch him when he's strayin', teach him how to walk that line Man turns his back on his family ain't no friend of mine
The night was like any other, I got a call 'bout a quarter to nine There was trouble at a roadhouse out on the Michigan line There was a kid on the floor, lookin' bad, bleedin' hard from his head There was a girl cryin' at a table, it was Frankie, she said
I ran out and I jumped in my car, then I hit the lights I must have done about a hundred and ten to Michigan County that night It was down by the crossroads, out by willow bank Seen the Buick with Ohio plates, behind the wheel was Frank
Well, I chased him through them county roads, 'til the sign said Canadian border five miles from here Pulled over to the side out the highway, watched the taillights disappear
Yeah, me and Frankie laughin' and drinkin', nothin' feels better than blood on blood Takin' turns dancin' with Maria while the band played "The Night of the Johnstown Flood" I catch him when he's strayin', like any brother should Man turns his back on his family, he ain't no good
Well, you wonder why I always dress in black, Why you never see bright colors on my back, And why does my appearance seem to have a somber tone. Well, there's a reason for the things that I have on.
I wear the black for the poor and the beaten down, Livin' in the hopeless, hungry side of town, I wear it for the prisoner who has long paid for his crime, But is there because he's a victim of the times.
I wear the black for those who never read, Or listened to the words that Jesus said, About the road to happiness through love and charity, Why, you'd think He's talking straight to you and me.
Well, we're doin' mighty fine, I do suppose, In our streak of lightnin' cars and fancy clothes, But just so we're reminded of the ones who are held back, Up front there ought 'a be a Man In Black.
I wear it for the sick and lonely old, For the reckless ones whose bad trip left them cold, I wear the black in mournin' for the lives that could have been, Each week we lose a hundred fine young men.
And, I wear it for the thousands who have died, Believen' that the Lord was on their side, I wear it for another hundred thousand who have died, Believen' that we all were on their side.
Well, there's things that never will be right I know, And things need changin' everywhere you go, But 'til we start to make a move to make a few things right, You'll never see me wear a suit of white.
Ah, I'd love to wear a rainbow every day, And tell the world that everything's OK, But I'll try to carry off a little darkness on my back, 'Till things are brighter, I'm the Man In Black.