사운드트랙 영화 얼터너티브 락 실험 음악 보컬 재즈 기타 드림 팝 싱어송라이터 락 팝 재즈 인디 팝 글램 락 포크
ALSO KNOWN AS:
숏버스
INDEX:
406
INTRODUCTION
[헤드윅] "존 카메론 미첼" 감독의 화제의 신작 [숏버스]O.S.T 2006 칸영화제 비경쟁 부문 초청작 '숏버스'라는 이름의 비밀스러운 지하 정기모임을 중심으로 어딘가 남들과 다른 고민을 가진 다양한 사람들의 이야기 "2006 칸영화제에서 처음으로 [숏버스]가 세상에 공개된 후, 관객들은 마치 옛날 밀라노의 관객들이 베르디를 들쳐 업었던 것처럼 감독과 배우를 메고 칸의 거리를 행진했을 만큼 작품에 대한 사랑을 고백해 많은 화제를 일으켰다." 첫 작품 [헤드윅]에서 각본, 감독, 주연을 모두 훌륭하게 소화하며 세상을 놀래켰던 "존 카메론 미첼"의 개성은 여전하고, 음악은 더욱 훌륭하며, 성"性"적으로 감히 도전하기 힘든 높은 수위의 연기를 모든 배우들이 훌륭하게 소화해내고 있다. "SCOTT MATTHEW"의 신곡 5곡과, "YO LA TENGO", 극중 소피아 역을 맡았던 "숙인 리"가 직접부른 『BEAUTIFUL』, 재즈곡 『IS YOU IS OR IS YOU AIN'T MY BABY』,드림팝듀오 "AZURE RAY", 등 파격적인 영화내용을 감싸듯 감성적이고, 약간은 우울한 느낌의 음악들,여타의 영화음악과는 달리 연주곡 보다는 보컬이 들어간 곡이 주를 이루어, 굳이 영화를 보지 않은 사람들이 들어도 충분히 공감할 수 있을 만큼의 퀄리티를 선사한다. .... ....
I walk a tight rope and live with a high hope that somehow we still feel the same through this catastrophe it's quietly telling me welcome that first word again
I don't care if the worlds upside down if you're lost or you're found I know your feet will stay far from the ground If you just stick around
I know the shots you call gentle cause I could fall and break you'll hear what they say
I read between the lines It's just like a hate crime And tell me the dateline today
I don't care if the worlds upside down if you're lost or you're found I know your feet will stay far from the ground If you just stick around
Let's talk and we'll fill the air The imagery that lasts forever So this is love and that's a lovely thought You have to care for it to keep it together
And if you fall, will you get up Stuck in a dream, will you wake up And if you've found love will you hold on to it And if it's cold, will you stay warm Drift too far, will you swim towards the shore And if you've found love will you hold on to it
Let's just sing and we'll fill the air The melodies that blend together I speak so sweet of words so delicate Like the glass I hope will never shatter
And if you fall, will you get up Stuck in a dream, will you wake up And if you've found love will you hold on to it And if it's cold, will you stay warm Drift too far, will you swim towards the shore And if you've found love will you hold on to it
I love this light in winter time, The frost cakes in the carpet in winter time we'll have our ways tombstones the mean belong in No falls snowfalls that ruin my day It’s masked up from the street wire and winter’s glow where could she be She’s warm underneath my pocket Just a calm and modern day In early, early morning Rush to her, and rush to him, Am I a better person? even in the whole take on the loss is better said I pulled the boy out of above She made that boy a man
It's a beautiful day today Woke up this morning with sunshine on my face And since the storm clouds have lifted I keep drifting back to you Yeh, you
And you alone have the power to redeem me I was lost And I’m still lost But I can’t deny the feeling.. It’ll be ok My friend My brother ‘til the end It’ll be ok
It’s a beautiful day today.. ahhh.. You always say you shouldn’t be here.. ahhh.. Your brush with death was far too near, dear And it left you looking pretty in an ugly sort of way And all that can go wrong Never pinned you to the ground You cheated death, broke every bone Now your body’s on the mend And I can’t wait to see you again
It’s a beautiful day today.. ahhh.. There’s only two of us left standing.. ahhh.. And when the others turned and went away Well I can count on you to stay Cause you And you alone have the power to redeem me I was lost AND I’M STILL LOST! But I can’t deny the feeling.. It’ll be ok My friend My brother ‘til the end It’ll be ok My friend My brother ‘til the end It’ll be ok My friend My brother ‘til the end
The sidewalk is rushing at my head again I’m lying on the street in the rain and wind From doing forward rolls down Avenue A With my guitar on my back don’t let it end this way
Somehow I dialed my cell I didn’t know I could get service in hell How quickly can you get here Don’t know where I am dear Finally the world actually seems to be revolving around me
Shooby dooby doo op I overdid it at the sodashop thanks for being my girl at the I don't know when to stop sock hop
you held my head over the edge of the bed I remember it now but at the time I thought I was dead you put a pan there and held back my hair how can I repay you for saving me? and my hardwood floor
Shooby dooby doo op I overdid it at the sodashop thanks for being my girl at the I don't know when to stop sock hop and when the world stops spinning round I pick the pan off of the ground I read my upheaves they're much like tea leaves they said its over so get sober or you'll die
again
Shooby dooby doo op I overdid it at the sodashop thanks for being my girl at the I don't know when to stop sock hop
Is you is or is you ain't my baby Well, the way you're acting lately, well it makes me doubt You were still my baby, baby But it seems like my flame in your heart, well it's just gone out
A man is a creature That has always been strange Just when you're sure of one You'll find that he's gone and made a change
Is you is or is you ain't my baby Well, maybye my baby found somebody new Or is my baby still my baby too
Om man a"r fo"dd bland proleta"rer (Ola) Och go"r narkotikaaffa"rer Och man a"r redan en ga*ng straffad Sa* a"r det la"tt att man blir haffad Till och fra*n
Jag vill ka"nna mig fri, fri, fri (Martin) Det a"r min filosofi, fi, fi Kolla, kolla att Jag a"r en reko kille A"ven om jag kanske sitter pa* ka*ken idag (Sylvester) Fa*r ni ha*lla med om att Det var inte det jag ville Nej, jag tar ett jobb pa* fo"rsta ba"sta sta"lle (Ola) La"derfa*to"lj och egen telefon Na"r jag kommer ha"rifra*n (Ola & Sylvester) Ta"nkte jag mitt dumma fa*n Och trodde jag var stark Men jag hamna i en park Och levde pa* att sa"lja... (Jepson)
Hadela"tten da" da", umpampa (Leari) Fa*r man inte go"ra, inte bra Hadela"tten da" da", umpampa Det va det jag sa, det var inte bra
Vilken idioti, ti, ti (Sylvester) Att sa"lja av ett parti, ti, ti Kolla, kolla att Jag har mej sja"lv att skylla A"ven om jag inte gillar lokalen sa* bra (Martin) Fa*r vi ha*lla med om att Den har en funktion att fylla Fa*ngva*rden statuerar ett exempel (Ola) Kna"cker en kille Sa"tter sta"mpel pa*'n Sa* na"r jag kommer ha"rifra*n Va"rker det i hja"rtevra*n Det sticker som en dolk Na"r man tra"ffar lite folk Och meckar sig en redig... (Jepson)
Hadela"tten da" da", umpampa (Leari) Fa*r man inte go"ra, inte bra Hadela"tten da" da", umpampa Det va det jag sa, det var inte bra (umpampa) Hadela"tten da" da", umpampa (Leari) Fa*r man inte go"ra, inte bra Hadela"tten da" da", umpampa Det va det jag sa, det var inte bra (umpampa)
Men a"r man hederlig ista"llet (Jepson) Och jobbar pa* i tjuvsamha"llet Och bara a"r tillra"ckligt gniden Sa* blir man miljona"r med tiden I den ma*n...
Man o"verhuvudtaget kommer ha"rifra*n (Ola) Bara tar ett sparbanksla*n Flytta till Skano"r Sla* sig fram som fabriko"r Och leva tills man... (Jepson)
Okej, okej, kej, kej (Sylvester) Ta a* titta pa* mej, mej, mej Kolla, kolla att Jag a"r redan ma"rkt fo"r livet A"ven om jag kanske kommer i frihet en dag (Ola) Fa*r ni ha*lla med om att Det a"r inte o"verdrivet La"tt att va flitig, arbetsam och pra"ktig Lika bra jag ko"r direkt i a*n Sa* na"r jag kommer ha"rifra*n I en stulen Amazon Tar vi fo"rsta dan Till att dundra in till stan Och sla"ppa loss av bara...
Hadela"tten aj, aj, umpampa (Alla) Fa*r man inte go"ra, inte bra Hadela"tten aj, aj, umpampa Det va det jag sa, det var inte bra (umpapa) Hadela"tten aj, aj, umpampa Fa*r man inte go"ra, inte bra Hadela"tten aj, aj, umpampa Det va det jag sa, det var inte bra Umpapa!
Wanted to be near you through any situation The horrors and the pleasures you know I'd be there If you have one doubt I'd harrow through these treasures, live only for your leisure… you know I'd always be there. Won’t you come into this house
Believe in all you think and what is real, wont you see all the fillowy pillowy stuff that you thought you wanted was a dream, Contact every spacial being tell 'em we need some space down here Won’t you come into this house...
You've been watching over me Saying you're keeping me company I should be grateful, I suppose and compare you to a summer's rose
You've been talking sweet to me about peace and loving harmony But I know what you say about me So now I tell you cause I gotta break free
That I can't give you no false affection I can do without your phony charm This train ain't moving in your direction This piece of poetry is meant to do harm
Please don't give me no warm reception What you call peace to me is a call to arms Some are singing to raise affection But this piece poetry is meant to do harm
So with what shall I compare thee? Summer's clay or winter's sleet? You made a non-believer out of me, Now you ask for my sympathy?
No, take your words and take your vows Take your flake-fuelled buddhist bows Let the cool winds roughly shake out all darling buds of fake
I can't give you no false affection I can do without your phony charm This train ain't moving in your direction This piece of poetry is meant to do harm
And don't you give me no warm reception What you call peace to me is a call to arms I'm not singing to raise affection This piece of poetry is meant to do harm