Disc 1 | ||||||
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1. |
| 2:31 | ||||
I sat upon the evening hill
The shadows set, the night grew still And as I sat, guitar on knee A voice of flowers called to me Sing, sing to me your song Sing, for I belong to the night In the gray morning light, I'll be gone I turned with eyes that strained for sight And there amid the failing light Dimly saw a figure small Heard a voice of magic call Sing, sing to me your song Sing, for I belong to the night In the gray morning light, I'll be gone My fumbling fingers found the chords My trembling lips fought for the words I stopped to ask the stranger how He softly said, "No questions now" Sing, sing to me your song Sing, for I belong to the night In the gray morning light, I'll be gone Then with the magic of the elves My fingers danced among themselves A heart with lightness thus endowed Formed melodies I know not how Song played the whole night long Thus he danced and laughed through the night And with gray morning light, he was gone Now, the whispering wind plays over the hill And the evening sounds again grow still A year or more has passed since then Oh, he will not pass my way again So, I sing, sing to you my song Sing for I belong to the night In the gray morning light, I'll be gone |
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2. |
| 2:53 | ||||
Turn into earth
Oh your restless hungry eyes Speak of cloudy summer skies The morning dew Turns into rain Lonely winds will blow my name Dying leaves are seasons gone Losing life as they drift on Too soon in life Return to earth Only they can know their worth Distant dreams of things to be Wandering thoughts that can't be free I blew my mind Turning away To the darkness of my day (humming) |
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3. |
| 3:20 | ||||
The subway station's closed again
Sleeps beneath its veil of rain My footprints broken trail behind Steals the nightlights from my mind The dark deserted streets then clear Today has lived and died in here So I leave the chapel gloom To find the shelter of my tiny room But it's alright while the lights of the city shine so bright It's all right till the last winding train fades from sight Then alone in my room I must stay to lose or win While these wild bedsitter images come back to hem me in The paneled patterns on the door Chase shivering shadows to the floor Upon the pillow worn and thin The memories of hopes begin The carpet with its flowers in shreds Expires a foot before my bed The crack that won't return again Advancing through my broken window pane But it's alright while the lights of the city shine so bright It's all right till the last winding train fades from sight Then alone in my room I must stay to lose or win While these wild bedsitter images come back to hem me in The friends I've left back home all write With laughing words that warm my sight Saying "Tell us, how's the city life?" And I reply and say just fine And so you see I can't go back Until I either win or crack I'm standing in a one way street The stage is set The story incomplete But it's alright while the lights of the city shine so bright It's alright till the last winding train fades from sight Then alone in my room I must stay to lose or win While these wild bedsitter images come back to hem me in |
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4. |
| 4:00 | ||||
On a Christmas cake day one
Friday in August In a bookshop in Charing Cross Road I first set eyes on a girl and at once I did know She had eyes like a poet and hair like a rainbow Reflecting the lights that did glow And the sadness she kept in her eyes Struck my senses a blow And so as by chance at the touch of a glance We could find ourselves out in the road With no crush of time to defeat us and no place to go And I couldn't say how but the coffee bar crowd Had appeared through the silence that broke And she said "Oh my father's a judge in St Albans you know." "Oh well, then perhaps I could help you You know that St. Albans is miles away And I've got a room in Swiss Cottage in which you could stay "She laughed "Oh I couldn't do that, For I've got to be up in the morning you see. "So I rang up to find out the first morning train she could take And so in the gloom of a candlelit room With spaghetti, two forks and a plate She said "Oh I really would like to be free and escape." "Oh well if it's like thatYou don't have to go back And you're perfectly welcome to stay" "But I've not finished school yet." she said as she got into bed And so as she slept and the pure morning crept Through the windows to take her away I thought you can't make people be what you want them to be I could see my self nailed to a dormitory tale Of a holiday night's escapade And just yesterday she had seemed like a woman to me And so like a child with the sleep in her eyes Where the sadness of age had once been She left on the train with a "See you again" and a smile And I couldn't say what I had won or I lost Or even just what I had seen But when I'm alone I just think of her once in awhile. |
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5. |
| 2:52 | ||||
Mr Carmichael says that he loves his wife, I believe he does
Gives her everything that a man can give But Mr Carmichael beggars himself on the altar of his love And you can tell him that that's not the way to live And oh how the wind has blown The leaves from the linden tree And oh when the night grows free Why does Mrs Carmichael come to me? Mrs Carmichael rises at ten, takes her time, is at her ease Drinking coffee in slippers and negligee Opens the door and the milkman brings her dreams, there's no-one sees Except the statue of Venus and she won't say And oh how the wind has blown The leaves from the linden tree And oh when the night grows free Why does Mrs Carmichael come to me? Oh Mr Carmichael, captain and star of his office billiards team Smiles to greet the applause as his ball goes in Hurrying back, bringing his victory home but there's no-one here And supper waits on the table inside a tin And oh how the linden leaves Lie tossed as the night wind blows And struck in his silent pose Mr Carmichael weeps and there's no-one knows |
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6. |
| 3:06 | ||||
The Gothenburg streets were like silver sheets
As I kicked my feet through the snowy world And in that land there I held the hand of my Scandinavian Girl We stood as part of a bleak facade Though the city's heart was still beating And for a while there I shared a smile with my Scandinavian Girl And I stood there quite surprised To see reflected in her eyes The very thought I left unsaid as too unwise. And so we passed through a world of glass And the moment passed and was lost to time Time too soon with his broken moon took my Scandinavian Girl |
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7. |
| 3:40 | ||||
In England's pleasant green
Like a picture postcard scene To childhood spread with fond maternal care From the day that he was born Proud relations came to fawn And compliment his pretty golden hair In boyhood sent away To a boarding school to stay Its crumbling proud traditions forced to bear And his friends in this new world Said he looks more like a girl With those blue eyes and pretty golden hair Fades secluded youth Into manhood's search for truth His mother's eyes now wet had turned to stare For he said I must be bound This day for London town For I believe my fortune's waiting there So like an eager cutting knife He plunged in a new life Oh never known beforehand anywhere And the thought that he might trip In his ignorance and slip Never struck beneath his pretty golden hair Ah the days soon grew thinAnd boredom fast set in His job was thrown away without a care For a man who softly said You'll earn twice as much instead With those blue eyes and pretty golden hair Well London town possessed Of many a tempter's nest And thus he fell with scarce another care As so easily he slipped Into prostitution's grip Foundationed by his pretty golden hair Ah but the years quickly flew And his mind slowly grew From early freedom into deep despair As the money ceased to roll A tired and lonely soul Poured curses on his pretty golden hair Ah the years stole their time Now the living's hard to find And early friends have vanished in the air And the gay parties's ease Changed to public lavatories Have turned to grey his pretty golden hair Oh his life was only used And his body just abused By those who never think and never care But though his file said suicide No, that wasn't why he died It was murder by his pretty golden hair |
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8. |
| 3:19 | ||||
9. |
| 4:00 | ||||
10. |
| 2:53 | ||||
Constancy dwells in
Realms of perfection I hear the call Life is free and love is all Cleave to me Harmony holds forth Pleasures abounding And love is free Neath the weeping willow tree Cleave to me Blow thou winds my good fortunes bring Mind the hours such as minstrels sing Come fair thoughts let heart take wing My lady calls to me. Emily only Dreams and is lonely Dark is the night And from now unto the light Cleave to me |
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11. |
| 3:28 | ||||
Maid, truly I see
Now it must be a long way down And with love's burnt shore Must all dalliance hither Crumble and wither Oh strange, Methought it strange Thou couldst deprive me of my crown Thou cast upon me as linden bears fruit of bitter strain And I would go forsooth to the dragon's tooth If thus a chance were gained To resurrect that part of your wanton heart To whose grave my own is chained And hold, ere thou dost go Were not thy moments gilded too? And in honesty didst thou not measure for measure Countenance pleasure? Cold wert thou so cold Lest thy mind be frozen too And will not spring be reborn But might the sun for the frost here That all be not lost herein And I would rather, zounds It were hell's own hounds Whose foul breath upon my face Did portent my doom Than to bear the gloom Of a world stripped of thy grace And so in truth I know Yes it will be a long way down And if go thou must Ere we should meet accidental Prithee be gentle And though distant now Perchance the hand of time may soothe And though lost at six If I should live to be seven I might forget Stephanie |
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12. |
| 4:24 | ||||
13. |
| 6:57 | ||||
I could have gone to Cambridge with Lionel
I think I tried to raise a pound Just to see the University And find the scenes she hung around Is your mind a menagerie Perhaps, I mean it's hard to say A pterodactyl built its nest on me I'm feeling strange but quite OK On this beleeka doodle day Archimedes and his orchestra Loudly disapprove of life Got mad when I called them unmusical Tried to land me with a wife Out in San Francisco's wonderland The purple poet kneels to pray But I just hang around your city and I don't have anything to say On this beleeka doodle day I had a week once in Italy With Mike and Robin and some songs I had a girl once in Sweden but I haven't seen her for too long I drift down to the Cousins and The usual people were all there I saw a girl in the soft red light I smiled but she looked away On my beleeka doodle day I wrote a song just before the dawn And then I lost it now its gone I spent all day playing Monopoly It seemed to feel like getting on Sometimes I wonder how it feels to be Paul McCartney or the Queen I wonder how they'd feel if they were me I think its gonna start to rain On this beleeka doodle day Oh Jack the Ripper and Hippocrates They're out to get me in the end I think they'll find me by the ruined trees Without a candle or a friend Then they'll bring me to the wizard's cave Softly mould me into clay And lock me in with no telephone And laugh and throw the keys away On my beleeka doodle day So to Avril and I would like to give My thanks for lending me your room I stayed one night, ah but I had to go I think I'll maybe come back soon Of all the girls that I have ever known There wasn't one who didn't play They came and went just like the newspapers And left me here to find my way Through my beleeka doodle day |
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14. |
| 2:32 | ||||
Baby come tell me 'bout your tree-house
And your candy-strped pet mouse And your car that has feet Hey come tell me 'bout your eyebrows that meet And my baby won't you tell me 'bout your chilblains And your right eyeball's growing pains And your purple tractor that sings Hey come tell me all of those things But if you want to tell me some more Think you can Oh babe tell me 'bout your lover man You know I'm talking 'bout him He's one that's strutting around Each time I get out of town You know the one that I mean He's one that's stealing my scene away Baby I'm talking 'bout him Oh baby won't you tell me 'bout your black rose And the garden where your love grows Among the cabbages and beans Hey come tell me why your primroses are green But if you want to tell me some more Think you can Oh babe tell me 'bout your lover man You know I'm talking 'bout him He's one that's strutting around Each time I get out of town You know the one that I mean He's one that's stealing my scene away Baby I'm talking 'bout him He's one that's stealing my cream away Baby I'm talking 'bout him Talking 'bout your lover man Talking 'bout him |
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15. |
| 2:41 | ||||
The rain came down like beads
Bouncing on the noses of the People from the train A flock of salty ears Sparkled in the traffic lights Feet squelched soggy leaves across the grain I took my love to Clifton in the rain And all along the way Wanderers in overcoats with Collars on parade And steaming in the night The listeners in the Troubadour Guitar player weaves a willow strain I took my love to Clifton in the rain Jacqueline Bisset I saw your movie Wondered if you really felt that way Do you ever fear The images of Hollywood? Have you felt a shadow of its pain? I thought of you in Clifton in the rain |
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16. |
| 3:42 | ||||
'Oh I come from Pittsburgh to study astrology,'
She said as she stood on my instep, 'I could show you New York with a walk between Fourth Street and Nine.' Then out of her coat taking seven harmonicas She sat down to play on a doorstep saying 'Come back to my place I will show you the stars and the signs' So I followed her into the black lands Where the window frames peel and flake And the old Jewish face behind the lace Even now trying to get to see what's cooking Just John the Baptist in the park getting laid thinking there's no-one looking And its eighty degrees and I'm down on my knees in Brooklyn Her house was a dusty collection of rusty Confusion with landings and tunnels And leaning bookcases and spaces and faces and things Where twenty-five Puerto Ricans, Manhattan Mohicans And Jewish-Italian Pawnbrokers Lead their theatrical lives in their rooms in the wings While outside in the black lands The violent day runs wild And the black and white minstrels run through the crazy Alleys while the cops go booking And ruthless toothless agents sneak around and there's no-one looking And it's eighty degrees and I'm down on my knees in Brooklyn And oh, I'm back in the city again You can tell by the smell of the hamburger stand in the rain She spoke of astrology while muttering apologies For coffee that tasted of hot dogs I said 'That's OK, mine was cold anyway, and just grand' Then she lay on the bed while the radio fed Us with records and adverts for cat food And I looked at her, holding my thoughts in the palm of my hand And outside in the black lands The evening came and went And the bums in the street begging money for one last drink Are hanging round the liquor stores trying to get a foot in And the girl from Pittsburgh and I made love on a mattress with the new moon looking And in the cool evening breeze I was down on my knees in Brooklyn |
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17. |
| 4:25 | ||||
Oh your pictures they don't really do you justice little girl
For you're careful not to let the camera touch your private world And there's just a hint of sadness in your smile through the dark As you slip your dress off slowly for the sailor or the clerk And it could have been so different, and at times you feel bad For you really did have something that the others never had And the circle turns and turns and turns so mad, little girl Ah you must have been just fifteen when you made your mind up first That you'd make it in the movies and you couldn't lose the thirst And it took you to the attic where the Agent King holds Court And his courtesans are fully paid up losers of a sort He looks at you and tells you that you just might get the part But you don't get things for nothing and he doesn't want your heart And the circle turns and turns and turns so mad, little girl Mmm, you made it to the silver screen and yet you're not a star And advertising corsets didn't get you too far But money has its favourites and yours went back to them So you modeled in a studio in Greek Street for the rent There you met Antonio, your lover from afar Who put you on the streets to make the money for his car And the circle turns and turns and turns so fast, little girl Ah, your pictures they don't really do you justice any more For they're crumpled now and faded and were taken long ago And that faintly coy expression has now left without a trace Ah there's little of it buried in the ruins of your face It could have been so different, and at times you feel bad For you really did have something that the others never had And the circle turns and turns and turns so mad, little girl For the circle turns and turns and turns so sad, little girl. Oh the circle turns and turns and it's too bad, little girl. |
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18. |
| 9:25 | ||||
19. |
| 5:46 | ||||
Mr. Willoughby, whose only luxury is the sugar in his tea
Teaches history at High Worthington School His clothing has remained unnoticeably plain His common room technique suitably restrained, though maybe too cool Work done in the summery sun, see the cricket ball fly Intently, like a strange demented bird towards the sun Considering its flight, he pauses for a while Ah, but Mr. Willoughby, we've never seen you smile Tell me how come? Ah well, sometimes it must get lonely Ah, but it's life and life only "Maurice," said Renee, "Why didn't you say that you'd be so late The supper that I made is ruined again. Is there anything you'd like?". "No, nothing", he replied Standing by the stairs, not looking in her eyes, so stupidly male All dark and lying in bed, "You've been with her again" She blurts out, then turning on her side begins to cry At first he doesn't stir but then mumbling his words He reaches for her hand, she shivers, but doesn't take it away Ah, for sometimes it does get lonely Ah, but it's life and life only Oh Smithy Smithers-Bell; clerk from Clerkenwell On the beach at Bournemouth thinks he very well May be next year in France Inspired for a while, he decides to risk a smile at Mr. Willoughby Who passes, polishing his glasses, studiously averting his glance Renee, several deckchairs away, wonders if they would be better While Maurice is with the kids out in the sea And I was feeling small, sitting on the wall Looking at them all and wondering who will I be? Ah, but sometimes it does get lonely Ah, but it's life and life only Ah, but it's life and life only Ah, but it's life and life only Ah, but it's life and life .. |
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Disc 2 | ||||||
1. |
| 3:01 | ||||
She said "Don't you think we're going downhill?
And I would hate it to be run-of-the mill" Oh love me or leave me but please don't deceive me For if you do, I'll know, believe me I want you to know I don't want you to go anyway And yes I was doing alright up until now I'm beginning to think you should have listened to Al She picked up her things and said "let's be friends For all the good and the bad things have their ends" Then she went lazily leaving me crazily Wandering lost, the night was hazy And everyone else looking sure of themselves but not me And yes I was doing alright up until now I'm beginning to think you should have listened to Al Oh she left me the keys and a dozen LPs A phone bill warning left for the morning And I left the dark on a seat in the park feeling very strange And yes I was doing alright up until now I'm beginning to think you should have listened to Al You should have listened to Al Oh, you should have listened to Al |
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2. |
| 18:05 | ||||
I can remember the first girl that I did love
It was Stephanie In kindergarten arithmetic classes she used to Sit next to me I'd pass her sticky sweets under the table Where the teacher couldn't see Although she wouldn't remember me now Sometimes I wonder where she can be I can remember the first girl I kissed It was Christine when I was ten I'd been told we were moving away I thought I'd never see her again Oh don't forget me I'll be back when they let me Before you learn how to lie when you're leaving Love is so much easier then And at school would you believe three hundred boys And no girls at all But you're a fool if you should leave Just think of the joys of rugby football And prep in the morning and Brylcreem and acne And cross-country running to kill evil thoughts I'm surprised that I survived I ran ten thousand miles with my back to the wall I can remember the first girl that I made love to It was in a park In the lower pleasure gardens in Bournemouth In summer just after dark My mind was reeling: Oh what a feeling. I missed the bus and walked twelve miles home And it really didn't seem far And all through my seventeenth summer Running together from crowds and ties Taking our clothes off and feeling each other With fingers and senses and mouths and eyes Incurring the glances of old disapproval From elderly local inhabitant's eyes Oh time, time we hardly even knew you You didn't touch us with your lies In the halcyon days of my late adolescence My goal seemed clearly in sight Playing electric guitar with a beat group We set the ballrooms alight Camping it up for the dyed blonde receptionists Who told us we were al-ri-yi-yight On an ego trip for a teenage superstar On thirty shillings a nigh-yight And so it fell that I came up to London To look for fortune and fame Starry eyed in my seaside successes And much too sure of the game First girl I met there I thought I'd get there But the first girl was nearly the last girl She left my eyes in the drain She sat on my floor in the dead of the night Rolling a joint and looking round for a light Her clothes were so black and her face was so white How could I know what was right? And I sat all huddled upon my bed Watching her in my innocence And it was no sense at all, but too much sense That took me to the bridge of impotence Oh Artaud's anthology lay spread on the floor And the thoughts that she gave me, I'd not met before And stranded half hypnotised, I watched her in awe Of everything that she stood for And I wanted more than anything to be like her with every sense But it was no sense at all, but too much sense That took me to the bridge of impotence She came over to me and kissed me in play Taking my hand between her legs as she lay And she looked in my eyes but I turned them away Finding no words fit to say And I hated myself, but could not move Shattered in my confidence But it was no sense at all, but too much sense That took me to the bridge of impotence Now the stare of the lightbulb tore holes in my brain As she got up in the silence that hung like a stain And I wanted to speak, or to call out her name But how could I begin to explain? And my prosecuting room still holds A strand of her hair in evidence But it was no sense at all, but too much sense That took me to the bridge of impotence Oh I still think about her when the night fills with rain And speaks in its voices uneasy and vain And I think were I maybe to find her again Oh I'd probably see her more plain And I should have known she was just like me It was after all only common-sense But it was no sense at all, but too much sense That took me to the bridge of impotence But it was no sense at all, but too much sense That took me to the bridge of impotence At first I didn't go out much at all I just stayed at home in my chains Picking over the threads of my confidence And searching for the remains And when I couldn't stand any more of it Going down to a club Mixing in with the sounds and the crowds I let the music cover me up And only, lonely, the harlequins and painted phonies Pick their ways, through the haze Of highs and lows and blues And all that I could do was to pick my way to you Though I didn't tell you You were just a thing to prove I was hungry when found you, but I'm alright now They sigh, they lie, the refugees and superheroes On ice, so nice to see you, what's your name? And all that I could do was to say the same to you Take you for the moment, though the moment wasn't true But I was hungry when I found you and I'm alright now Though the street lamp cut through the curfew It shed no light on our mind It would have been so easy to love you At any other time Only, lonely, you came to me the night hung coldly In your eyes, some other time I might have stayed with you But all that I could do was to turn around to you Thanks for what you gave me now it's time to say "Adieu" I was hungry when I found you but I'm alright now. Ba ba ba alright now And so it came that I stood disillusioned By everything I'd been told I just didn't believe love existed They were all just digging for gold Widows and bankers and typists and businessmen Loved each other they said But all it was though was just a manoeuvre The quickest way into bed And so I followed the others' example And jumped into the melee In the hunting grounds of Earls Court and Swiss Cottage I did my best to get laid Beer cans and parties, deb girls and arties Bouncing around in the social confusion Missing and making the grade The very first time I must confess I thought you'd be like all of the rest And we'd be strangers once again By the time we were dressed But when you'd smoked your cigarette And talked of some people that we'd met I found myself asking was it set, did you have to go yet And so you laughed and then kissed me And stayed for the whole weekend Although the bed was so narrow We had to sleep end to end And so the weeks passed through my brain In their dadaistic chain I found myself seeing you again, and again and again And all you gave you gave it free Asking for nothing back from me You gave yourself unselfishly as a part of me And where I thought that just plucking The fruits of the bed was enough It grew to be less like fucking And more like making love Of all the girls I ever knew some loved and some denied me And all the words I ever said have been no use to hide me And all the songs I ever sung each one of them untied me And all the girls I ever loved have left themselves inside me |
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3. |
| 5:14 | ||||
I was in a bar called Paradise
When the fiddler from the band Asked me "Why do you stand there crying?" I answered him: "Musician, this may come as a surprise I was trying to split the difference And it split before my eyes And my enemies have sweet voices Their tones are soft and kind When I hear my heart rejoices I do not seem to mind" I was playing Brag in Bedlam And the doctor would not deal Asking me: "Why do you kneel down there bleeding?" I answered him "Physician, I think you would have cried I was falling back on failure The failure stepped aside And my enemies have sweet voices Their tones are soft and kind When I hear my heart rejoices I do not seem to mind" I was blind side to the gutter And Merlin happened by Asking me "why do you lie down there bleeding?" I answered him "Magician, as a matter of a fact I was jumping to conclusions And one of them jumped back And my enemies have sweet voices Their tones are soft and kind When I hear my heart rejoices I do not seem to mind" |
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4. |
| 2:00 | ||||
Said the apple to the orange:
"Oh I wanted you to come Close to me and kiss me to the core Then you might know me like no other orange Has ever done before" |
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5. |
| 5:27 | ||||
In Gloucester Cathedral, on Saturday night
I came to your flower show, blown like a kite And I stood by the tombstones, and gazed at the lights On the altar And the horse-faced old ladies and tweedy-toned men Of county society they came and they went With pamphlets and leaflets of Christian events For the fall But ain't it all just like Jesus Crying in the rain? Ain't it all just Gethsemane again? Oh the half-a-crown programmes on sale at the door Were clutched in the teeth of the rich and the poor As they swayed in an undertone conscience-free Forward together And the outstretching hands of the swains of the Lord Sold the communing commuters the word With LPs of Mary and photos of God In the hall But ain't it all just like Jesus Crying in the rain? Ain't it all just Gethsemane again? Oh the flowers hushed the air as the columns advanced To the clinking of coins in a ritual dance On flagstones that ached for a chance of a chance Of escaping And the mystical statues looked down so depressed At the endless possessors becoming possessed And the costumed confessors who never confessed To the wall But ain't it all just like Jesus Crying in the rain? Ain't it all just Gethsemane again? Oh I saw a blue hair-rinse, I saw a black tooth I saw a false face in a telephone booth And the stark white-faced roses that screamed out the truth Of their dying And a walrus's dreams and a carpenter's love Absorbed like a hand in a great rubber glove And flown like a flag over battlefields Factories and all Ain't it all just like Jesus Crying in the rain? Ain't it all just Gethsemane again? Oh I dodged the collection box choirboy and out To the streets where the wind shook my hair with a shout And the dusty-faced daisies were blowing about So freely And Christ in the ruins was wandering again As he walked with the beggars and talked to the lame And danced with the children and sailors who came At his call But ain't it all just like Jesus Crying in the rain? Ain't it all just Gethsemane again? Ain't it all just like Jesus Crying in the rain? Ain't it all just Nazareth again? |
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6. |
| 3:18 | ||||
7. |
| 3:47 | ||||
Shots split the night, a bullet lodged in his brain
He must have died instantly, he felt no pain A crowd quickly gathered to the feast of the gun Waiting for the ambulance and cops to come Hm mmm mmm mmm mmm mmm mmm Sirens wail in the concrete Hm mmm mmm mmm mmm mmm mmm Electric Los Angeles sunset, the sunset, the sunset, oh-o-oh Headlight lit the faces by the tabernacle door Gazing at the bloodstains on the damp sidewalk As the crowd turned to go, a man was heard to say "He must have had it comin' to him anyway" Hm mmm mmm mmm mmm mmm mmm Blood wagon rolls through the dragnet Hm mmm mmm mmm mmm mmm mmm Electric Los Angeles sunset, the sunset, the sunset, oh-o-oh Cadillacs roll through the smoggy perfume The buildings are choking on oxygen fumes Evangelists praying in rented rooms, in the afternoon Which way do the signposts read African eyes in the sunrise The gates of the city are rusted over and mouldering The violence of the evening decays into the night While shadows press like moths against the neon light Movie queues diffuse into the Cinerama haze While libertines read pornozines in street cafes Hm mmm mmm mmm mmm mmm mmm The madman swings in the pulpit Hm mmm mmm mmm mmm mmm mmm Electric Los Angeles sunset, the sunset, the sunset, oh-o-oh |
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8. |
| 4:45 | ||||
Prince Louis Battenberg is burning the Admiralty lights down low
Silently sifting through papers sealed with a crown Admiral Lord Fisher is writing to Churchill, calling for more Dreadnoughts The houses in Hackney are all falling down And my grandmother sits on the beach in the days before the war Young girl writing her diary, while time seems to pause Watching the waves as they come one by one to die on the shore Kissing the feet of England Oh the lights of Saint Petersburg come on as usual Although the air seems charged with a strangeness of late, yet there's nothing to touch And the Tsar in his great Winter Palace has called for the foreign news An archduke was shot down in Bosnia, but nothing much And my grandmother sits before the mirror in the days before the war Smiling a secret smile as she goes to the door And the young man rides off in his carriage, homeward once more And the sun sets gently on England Ah the day we decided to drive down to Worthing, it rained and rained Giving us only a minute to stand by the sea And crunching my way through the shingles, it seemed there was nothing changed Though the jetty was maybe more scarred that I'd known it to be And Mandi and I stood and stared at the overcast sky Where ten years ago we had stood, my Grandfather and I And the waves still rushed in as they had the year that he died And it seemed that my lifetime was shrunken and lost in the tide As it rose and fell on the side of England Prince Louis Battenberg is burning the Admiralty lights |
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9. |
| 1:21 | ||||
Hey, won't you come look at the sunrise
Peeping up into the blue skies Washing away the morning chill That hangs like a cloak over Black Hill |
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10. |
| 1:47 | ||||
Anna, turns out the light
Sits down alone The echo of his foot on the stair Turning to stone No, he didn't take very much Just your flesh from the bone It's gonna be hard for a while Trying to get by On your own |
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11. |
| 3:52 | ||||
12. |
| 5:30 | ||||
She's a mollusk,
a seamstress, a princess, a priestess, a negress, she knows her position She's a swallow, a willow, a cello, a pillow, a bow and also a physician She takes your eyes and mends your head She draws the wine and breaks the bread She has no lies to tell you and no truths to sell you She's a girl, she's almost a woman And Zero she flies as the morning sighs Spreads her wings like a seagull From the mountain he watches her, biding his time But his eyes are the eyes of an eagle He's a hawthorn, a raven, a scarecrow, a haven for moon-blessed thought and opinion He will laugh like the fountains, the bones of the mountains lie deep in his forest religion You will call his name when evening falls And the ground sets hard and the night wind calls You will feed him and heed him, at times you will need him Say you were almost his woman And Zero she flies as the morning sighs Spreads her wings like a seagull From the mountain he watches her, biding his time But his eyes are the eyes of an eagle In the shuddering mad red blood-let sunset a tired man is leaving his cover And the soft eyes of Zero are cut by the sounds of the vanishing feet of her lover And the door slams shut and the air grows tight And her throat is gripped by the hands of night And all that is left is the clock on the shelf As it ticks one day into another And Zero she sighs as the morning dies With the broken wings of a seagull From the mountain he watches her, sensing his time But his eyes are the eyes of an eagle At the pall of the day the man of the mountain is nearing the end of his travel And the fence is down on the westland bounds and a footfall pounds in the gravel Comes a knock three times and the air grows still As he steps inside from the sudden chill And the moment is caught in the net of the night For the coming of dawn to unravel And Zero she flies as the morning sighs Spreads her wings like a seagull From the mountain he's coming, judging his time And his eyes are the eyes of an eagle Oh Zero she flies as the morning dies Spreads her wings like a seagull From her window he watches her, a man in his time But his eyes are the eyes of an eagle |