Disc 1 | ||||||
---|---|---|---|---|---|---|
1. |
| 7:27 | ||||
I am the assassin, with tongue forged from eloquence
I am the assassin, providing your nemesis On the sacrificial altar to success, my friend Unleash a stranger from a kiss, my friend No incantations of remorse, my friend Unsheathe the blade within the voice, my friend Who decorates the scarf with the fugi knot Who camouflaged emotion in a thousand yard stare Who gouged the notches from the family tree Who hypnotised the guilt in career rhythm trance Assassing, assassing, assassing, assassing Listen as the syllables of slaughter cat with calm precision Patterned frosty phrases rape your ears and sow the ice incision Apocalyptic alphabet casting spell the creed of tempered diction Adjectives of annihilation bury the point beyond redemption Venomous verbs of ruthless candour plagiarise assassins fervour A friend in need is a friend that bleeds Let bitter silence infect the wound You were a sentimental mercenary in a free fire zone Parading a Hollywood conscience You were a fashionable objector with a uniform fetish Pavlovian slaver at the cash till ring of success A non com observer - I assassin the collector - defector So you resigned yourself to failure, my friend And I emerged the chilling stranger, my friend To eradicate the problem, my friend Unsheathe the blade within the voice I am the assassin I am the assassin And what do you call assassins who accuse assassins anyway, my friend |
||||||
2. |
| 8:44 | ||||
When footlights dim in reverence to prescient passion forewarned
My audience leaves the stage, floating ahead perfumed shift Within the stammering silence, the face that launched a thousand frames Betrayed by a porcelain tear, a stained career You played this scene before, you played this scene before I the mote in your eye, I the mote in your eye A misplaced reaction The darkroom unleashes imagination in pornographic images In which you will always be the star, always be the star, untouchable Unapproachable, constant in the darkness Nursing an erection, a misplaced reaction With no flower to place before this gravestone And the walls become enticingly newspaper thin But that would be developing the negative view And you have to be exposed in voyeuristic colour The public act, let you model your shame On the mannequin catwalk, catwalk Let the cats walk, and the cat walks I've played this scene before, I've played this scene before I the mote in your eye, I the mote in your eye A misplaced reaction, satisfaction You can't brush me under the carpet, you can't hide me under the stairs The custodian of your private fears, your leading actor of yesteryear Who as you crawled out of the alleys of obscurity Sentenced to rejection in the morass of anonymity You who I directed with lovers will, you who I let hypnotise the lens You who I let bathe in the spotlights glare You who wiped me from your memory like a greasepaint mask Just like a greasepaint mask But now I'm the snake in the grass, the ghost of film reels past I'm the producer of your nightmare and the performance has just begun It's just begun Your perimeter of courtiers jerk like celluloid puppets As you stutter paralysed with rabbits eyes, searing the shadows Flooding the wings, to pluck elusive salvation from the understudy's lips Retrieve the soliloquy, maintain the obituary My cue line in the last act and you wait in silent solitude Waiting for the prompt, waiting for the prompt You've played this scene before |
||||||
3. |
| 5:46 | ||||
On the rebound, fumbling all the lines
The light at the end of the bottle - alcoholic alphabet Through the looking glass the proof in my own reflection Five senses down and reeling on the Cinderella search On the rebound, fumbling all the lines Decay on the vertical hold with a horizontal aim Conversation needs translation Three dimensions down dissolving on the Cinderella search, Cinderella search On the rebound, *writing* all the lines Dreaming bartenders, bourbon and saxophone Out of luck, out of charm, out the game of rejections in a cigarette city Only courting the homing of direction on the Cinderella search, Cinderella search But the Samaritan of the heartbroken, heartbroken Swam through the nicotine seize, and we exchanged the kiss of life Resurrection in a trance, the model, the Grail, in a Marquee of promises I touched the dream, I hold the dream, I have the dream To end the Cinderella search, Cinderella search, oh no more, no more! Exposing bedside manners on a work extension Awaiting development with paranoid Polaroid eyes, Polaroid eyes The footman memorised the number But the prince still holds both the slippers And would you leave a palace for a bed sit And Canterbury Tales, Canterbury Tales? Maybe it was infatuation or the thrill of the chase Maybe you were always beyond my reach and my heart was playing safe But was that love in your eye I saw or the reflection of mine? I'll never really know for sure, you never really gave me time Give me time, won't you give me that time! Welcome back to the circus Welcome back to the circus Welcome back to the circus I always use the cue sheets but never the nets always the cue sheets but never the nets Never the nets, never the nets Nevertheless, nevertheless, nevertheless, nevertheless, nevertheless Welcome back to the circus! |
||||||
4. |
| 5:26 | ||||
To be the prince of possession in the gallery of contempt
Suffering your indiscreet discretions and you ask me to relent As you accumulate flirtations with the calculated calmness of the whore I am the harlequin - diamonded costume dripping shades of green I am the harlequin - sense strangers violate my sanctuary Prowl my dreams Plundering your diaries, I'll steal your thoughts innocence Ravaging your letters, unearth your plots innocence To don the robes of Torquemada, resurrect the inquisition In that tortured subtle manner inflict questions within questions Looking in shades of green through shades of blue I trust you trust in me to mistrust you Through the Silk Cut haze to the smeared mascara A 40 watt sun on a courtroom drama And the coffee stains gather till the pale kimono Set the wedding rings dancing on the cold linoleum And accusations moths that circle on the light Char their wings and spiral senseless suicidal flight You packed your world within a suitcase, hot tears melt this icy palace Dissolve a crystal swallowed by the night Looking in shades of green through shades of blue Looking in shades of green through shades of blue |
||||||
5. |
| 10:35 | ||||
Armalite, street lights, nightsights
Searching the roofs for a sniper, a viper, a fighter Death in the shadows he'll maim you, he'll wound you, he'll kill you For a long forgotten cause, on not so foreign shores Boys baptised in wars Morphine, chill scream, bad dream Serving as numbers on dogtags, flakrags, sandbags Your girl has married your best friend, loves end, poison pen Your flesh will always creep, tossing turning sleep The wounds that burn so deep Your mother sits on the edge of the world W when the cameras start to roll Panoramic viewpoint resurrect the killing fold Your father drains another beer, he's one of the few that cares Crawling behind a Saracen's hull from the safety of his living room chwair Forgotten sons, forgotten sons, forgotten sons And so as I patrol in the valley of the shadow of the tricolour I must fear evil, for I am but mortal and mortals can only die Asking questions, pleading answers from the nameless faceless watchers That stalk the carpeted corridors of Whitehall Who orders desecration, mutilation, verbal masturbation I in the guarded bureaucratic wombs Minister, minister care for your children, order them not into damnation To eliminate those who would trespass against you For whose is the kingdom, the power, the glory forever and ever, Amen Halt who goes there, Death, approach friend You're just another coffin on its way down the emerald aisle When your children's stony glances mourn your death in a terrorist's smile The bomber's arm placing fiery gifts on the supermarket shelves Alley sings with shrapnel detonate a temporary hell Forgotten Sons From the dole queue to the regiment a profession in a flash But remember Monday signings when from door to door you dash On the news a nation mourns you unknown soldier, count the cost For a second you'll be famous but labelled posthumous Forgotten sons, forgotten sons Peace on earth and mercy mild, Mother Brown has lost her child Just another Forgotten Son |
||||||
6. |
| 6:31 | ||||
Garden party held today
Invites call the debs to play Social climbers polish ladders Wayward sons again have fathers Hello, Dad, hello, dad Edgy eggs and queuing cumbers Rudely wakened from their slumbers Time has come again for slaughter O on the lawns by still Cam waters A slaughter, it's a slaughter Champagne corks are firing at the sun again Swooping swallows chased by violins again Straafed by Strauss they sulk in crumbling eaves again Oh God not again Aperitifs consumed en masse Display their owners on the grass Couples loiter in the cloisters social leeches quoting Chaucer Doctor's son a parson's daughter W where why not and should they oughta Please don't lie upon the grass Unless accompanied by a fellow May I be so bold as to perhaps suggest Othello Punting on the Cam is jolly fun they say Beagling on the downs, oh please do come they say Rugger is the tops, a game for men they say I'm punting, I'm beagling, I'm wining, reclining, I'm rucking, I'm fucking So welcome, it's a party Angie chalks another blue Mother smiles she did it too Chitters chat and gossips lash Posers pose, pressmen flash Smiles polluted with false charm, locking on to Royal arms Society columns now ensured, returns to mingle with the crowds Oh what a crowd Punting on the Cam, oh please do come they say Beagling on the downs, oh please so come they say Garden party held today they say Oh please do come, oh please do come, they say |
||||||
7. |
| 7:30 | ||||
I found smog at the end of my rainbow
I found my thoughts shift slowly into phase Declared the constitution of the walkway I realise it's time to plan the day I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my pretty warriors and follow me I got a golden handshake that nearly broke my arm I left the ranks of shuffling graveyard people I got rust upon my hands from the padlocked factory gates Silent chimneys provide the silent steeples Cause I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my pretty children and follow me, follow me I am your Antichrist show me allegiance, Are you following me? I am your Antichrist pledge to me defiance, Are you following me? Suffer my pretty warriors, Suffer my fallen child, Are you following me? The time has come to conquer and I'll provide your end We march I give peace signs when I wage war in the disco I'm the warrior in the ultra violet haze Armed with antisocial insecurity I plan the path of destiny from this maze Cause I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my fallen angels and follow me I'm the Market Square hero, I'm the Market Square hero We are Market Square Heroes, to be Market Square Heroes |
||||||
Disc 2 | ||||||
1. |
| 5:46 | ||||
You pick out your credit cards and check into the night
A dozen tequilas and you're feeling all right So you swim to the disco, out of your depth jaded gigolo Your lucky charms are tarnished so you leave alone But there's one place left to go before the taxi home After all you've made your marks One night you'll play Elizabeth Taylor The next night you're Marilyn Monroe Forever kissing frogs that think they're princes Oh, Lady Nina, where did all the romance go? Your little sister baby-sits, your husband picks you up at six The make-up hides the bruises and the tears so they never show 'Cos your beauty is the only thing you've ever owned It's the only way you've ever known to make your marks You made your marks, you made your marks We believe it's for real Ich liebe dich, liebst du mich Lady Nina, I'd love to take you home with me But I love my wife and I love my family I've got a good job, responsibilities And I need to keep respect from society I know you'll never act with me I know that you're in love with me So how do I compare to the sailors of the ships of the night? Was I all right? Did you come tonight, Lady Nina? You made your marks, you made your marks Ebony flowers pinned to a velvet cushion in a red light And Edith Piaf sings a lullaby for the night Just making marks, just making marks Just making marks, just making marks You made your marks |
||||||
2. |
| 4:08 | ||||
Have you ever met a lady, screaming angst potential?
Have you ever dreamed of romance, no matter how experimental? Have you ever felt an alien drifting back into your hometown? Did you think you were buying safety when you bought that piece of ground? She said all the best freaks are here She said all the best freaks are here, please stop staring at me So I said all the best freaks are here All the best freaks are here, please stop staring at me Have you ever woke up, sweating in the middle of the night? You search the darkness and you're scrambling for the light Have you ever walked down the street, heard bootsteps following you? Don't worry my son, you've got the spook squad looking after you He said all the best freaks are here He said all the best freaks are here, please stop staring at me So I said all the best freaks are here All the best freaks are here, please stop staring at me Stop staring at me Airport terminal, patiently waiting on the last call You feel the eyes burn the back of your head Sign the autograph, get out of the picture, gonna have the last laugh Feel the whispers as you head for the plane Stop staring at me Love and linen sheets seem so very far away You save your pennies and you buy another day But after all it's only hide and seek, just another game There's so much fun to be had when you're living with a name All the best freaks are here, all the best freaks are here Please stop staring at me All the best freaks are here, all the best freaks are here Please stop staring at me They said all the best freaks are here All the best freaks are here, please stop staring at me |
||||||
3. |
| 4:10 | ||||
Do you remember chalk hearts melting on a playground wall
Do you remember dawn escapes from moonwashed college halls Do you remember the cherry blossom in the market square Do you remember, I thought it was confetti in our hair By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, is it too late to say I'm sorry And Kayleigh, could we get it together again I just can't go on pretending that it came to a natural end Kayleigh, oh I never thought I'd miss you And Kayleigh, I thought that we'd always be friends We said our love would last forever so how did it come to this bitter end Oh oh yeah Do you remember, barefoot on the lawn with shooting stars Do you remember the loving on the floor in Belsize Park Do you remember dancing in Stilletos in the snow Do you remember, you never understood I had to go By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, I just wanna say I'm sorry But Kayleigh, I'm too scared to pick up the phone To have hear you've found another lover to patch up our broken home Kayleigh, I'm still trying to write that love song Kayleigh, it's more important to me, now you're gone Maybe it'll prove that we were right or it'll prove that I was wrong |
||||||
4. |
| 8:31 | ||||
Vodka intimate, an affair with isolation in a Blackheath cell
Extinguishing the fires in a private hell Provoking the heartache to renew the licence Of a bleeding heart poet in a fragile capsule Propping up the crust of the glitter conscience Wrapped in the christening shawl of a hangover Baptised in the tears from the real Drowning in the liquid seize on the Piccadilly line, rat race Scuttling through the damp electric labyrinth Caress Ophelia's hand with breathstroke ambition An albatross in the marrytime tradition Sheathed within the Walkman wear the halo of distortion Aural contraceptive aborting pregnant conversation She turned the harpoon and it pierced my heart She hung herself around my neck From the Time-Life-Guardians in their conscience bubbles Safe and dry in my sea of troubles Nine to five with suitable ties Cast adrift as their side-show, peepshow, stereo hero Becalm bestill, bewitch, drowning in the real The thief of Baghdad hides in Islington now Praying deportation for his sacred cow A legacy of romance from a twilight world The dowry of a relative mystery girl A Vietnamese flower, a Dockland union A mistress of release from a magazine's thighs Magdalenes contracts more than favours The feeding hands of western promise hold her by the throat A son of a swastika of '45 parading a peroxide standard Graffiti conjure disciples testaments of hatred Aerosol wands whisper where the searchlights trim the barbed wire hedges This is Brixton chess A knight for Embankment folds his newspaper castle A creature of habit, begs the boatman's coin He'll fade with old soldiers in the grease stained roll call And linger with the heartburn of Good Friday's last supper Son watches father scan obituary columns in search of absent school friends While his generation digests high fibre ignorance Cowering behind curtains and the taped up painted windows Decriminalised genocide, provided door to door Belsens Pandora's box of holocausts gracefully cruising satellite infested heavens Waiting, the season of the button, the penultimate migration Radioactive perfumes, for the fashionably, for the terminally insane, insane Do you realise? Do you realise? Do you realise, this world is totally fugazi Where are the prophets, where are the visionaries, where are the poets To breach the dawn of the sentimental mercenary |
||||||
5. |
| 8:52 | ||||