Disc 1 | ||||||
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1. |
| 3:53 | ||||
Kilometers from nowhere on a scented avenue -
Lined with poppy girls. I didn't stop, stop to say hello. Curious vendors - waving bric-a-brac - Looked me over - Thought it best, best that I should go. Don't wake me: I'm falling. Slow spiral into morning. Who's out there? Can't hear you. Ears covered - early warning. Alarm bells ringing. Time to make my peace with the dreary day. I waited atbles - I was tipped in roubles. Wine to water Was the best that I could do. Wild office parties split the silence. Loaves and fishes at an empty table laid for two. Down the spiral, spinning madly. Gathering momentum On a disneyesque adventure ride. I fly in colours from richer palettes. Famous artists running scared as worlds collide. |
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2. |
| 4:27 | ||||
It's a wide world out there
So much wider than imagined I can't quite put my finger on the pulse Of your heart softly beating Just beneath the raw silk sheen That reflects the tints of autumn from the hills. So punch my name. And in case you wonder - I'll be yours - yours, dot com. Executive accommodation Bland but nonetheless appealing Waiters discretely at your beck and call Place the tall sun-down potion Lightly by your velvet elbow While you compose a message on the wall. So punch my name. And in case you wonder - I'll be yours - yours, dot com. With your handmade leather valise Packed and ready, ready waiting Showered and dressed down lightly for the heat Gice a clue; leave a kind word Hint as to a destination A domain where our cyber-souls might meet. So punch my name. And in case you wonder - I'll be yours - yours, dot com. |
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3. |
| 5:21 | ||||
Stormy-eyed on the edge of dawn:
Nose pressed against the triple glaze. Floor to ceiling, wall to wall, Silent traffic streams both ways. Along the fussy freeway drivers Dream of sunday barbecues. Of a sudden, seems I can barely Face my self: no face to lose. Call the bosses. call supervisors. Won't be in today to work for you. E-mail that girl who's working nights. She can dress down for this wind and rain. Leave her new korean compact: Let some cabbie take the strain. Take a shower. take big espresso. Take to the hills, and take a view. Little black dress stretching over Hard crystal peaks: soft valleys too. Call the bosses. call for nurses. Unfit today to work for you. No wet excuses. absent without leave. I'll be her dayshift driver: exotic engineer. Stormy-eyed on the edge of night: (december, eastern time: late afternoon.) Atlantic city tight behind. Trump casina calls pontoon. Gristle-burger, frazzled fries End this romantic interlude. Tomorrow morning's sweet awakening Could hardly prove to be as rude. Make the journey. make amends. Work some hasty overtime in lieu. No wet excuses. absent without leave. I'll be her dayshift driver: exotic engineer. |
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4. |
| 0:57 | ||||
5. |
| 4:43 | ||||
6. |
| 4:03 | ||||
Hey little buddies:
soft and silky night walkers. Dangerous species - Tiptoe menace long grass stalkers on my bed: no butter melting in your jaws. Bonding monster - Lethal weapon wearing claws. Let's go out to hunt by numbers. Tabby, spotted, black as coal - Serval, Margy, Caracal. Moggie in the moonlight listens: whiskered sensory miracle. Felis, befriend us - Egyptian Mau - Freya's familiar. Long in the future - Cloned disciples, the castle guard. Now, let's go out and hunt by numbers. |
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7. |
| 3:52 | ||||
Hot mango flush.
Ladies with ice cream hair - Gyroscopic pink neon beams - Everybody's happy about something. The crowd moves like a flock of startlings: they switch direction as one. Jive on the jukebox - Jack and Joker split the night air with whoop and holler. Faint aroma - wood smoke, old fish, diesel harbour, roadside mongrel, painted man with buttons barely holding, bursting belly bulging. Doe-eyed ragamuffin mumbling - Scolded for some vague infraction. Stole a penny candy-coloured sweetheart kiss down at the market. Down at the market all the world seems to simmer: Hot mango flush. |
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8. |
| 4:44 | ||||
9. |
| 4:59 | ||||
Hand in the snake pit - black mamba chase.
Head through the lion's cage - head on a plate. Two feet on the hot coals - last dance at the ball. Blindfold on the tightrope - whenever you call. Be my slippery slider, Black Mamba crawl over me. Dark thoughts of the sleepless - hung out to dry. Slip through the bedclothes - unblinking eye. Long tongue flickering - fixed stare grip. Sweet venomous potion, held to my lip. Be my slippery slider, Black Mamba crawl over me. A tropical whisper. A sibilant kiss. Soft strike teasing. Dangerous bliss. |
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10. |
| 1:16 | ||||
Hot Mango Flush
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11. |
| 4:54 | ||||
She's catching the wind: the gentlest of breezes.
It's a sensitive passage she's sailing - Through stormy straits, navigates my unfathomable failings. She rises before me, reading me clearly. Empty nest left pressed in the pillow. She can shift, she can sway and bend like a willow. I'm swept in the riptide, caught in a fish trap. Gift-wrapped in my soft self centre. Summer sun leaves me as one who can only taste winter. She's a good, a good God-send: she can bend like a willow. With a fully armed angel to cover me quickly. I'm cool under enemy fire. If I fall, she can crawl right under the wire. When I'm caustic and cold, she might dare to be bold - ease me round to her warm way of thinking: fill me up from the cup of love that she's drinking. And I find, given time. I can bend like a willow. She bends like a willow. |
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12. |
| 4:09 | ||||
Placing people in their dreamscape
with fantasies of foreign fields Lofty spires all well appointed In off-season special deals. To far Alaska: down to Rio in the Carnival Norwegian fjords in the ever-light of Solstice call A part of me might travel with you in a freebie bucket seat for one Business First - at last, forever Hopeless thoughts of flying fun Now get me out of here I cry in air rage psycho-doom I'm only dream-arranging from the safety of my room Pick a place or stick a pin in any corner of the sphere Post me cards and tell me nicely Say you wish that I was here To far Alaska: down to Rio in the Carnival Norwegian fjords in the ever-light of Solstice call |
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13. |
| 3:35 | ||||
Rusted and ropy.
Dog-eared old copy. Vintage and classic, or just plain Jurassic: all words to describe me. Relaxed in the knowledge that happily present are all things to sustain me, nurture and claim me: roll back the mileage. You have settled beside me. To the far and the wide of me. A matter of choosing, of finding and losing on the rough ride with me. Take whisky with water, kick stones down the gutter. Think back to long days with stale breath recycled in my face. Rattling through airways - plastic on cold trays. Watching through windows, deep landscapes below await another time and space. There must come some time to walk through the night line. Hands tight: heads high. These are the dog-ear years. Don't turn back. Don't linger. For God's sake keep moving. Primitive shadows sidle beside. |
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14. |
| 9:37 | ||||
I count the hours: you count the days.
Together, we count the minutes in this Passion Play. Walk dusty miles. And I ride that train on a first class ticket, just to be with you again. Picking up tired feet. Back from a far horizon. Cleaned up and brushed down. Dressed to look the part. Fresh from God's garden, I bring a gift of roses: To stand in sweet spring water and press them to your heart. Like the Kipling cat, I walk alone - Never inviting trouble, never casting the stone. But this badge of honour is of tarnished tin. Light your guiding beacon to bring this fisher in. |