Disc 1 | ||||||
---|---|---|---|---|---|---|
1. |
| 3:47 | ||||
Mis-shapes, mistakes, misfits.
Raised on a diet of broken biscuits, oh we don't look the same as you, we don't do the things you do, but we live around here too, Oh really. Mis-shapes, mistakes, misfits, we'd like to go to town but we can't risk it, oh cos they just want to keep us out. You could end up with a smack in the mouth just for standing out, Oh really. Brothers, sisters, can't you see? The future's owned by you and me. There won't be fighting in the street. They think they've got us beat, but revenge is going to be so sweet. We're making a move, we're making it now, we're coming out of the side-lines. Just put your hands up - it's a raid yeah. We want your homes, we want your lives, we want the things you won't allow us. We won't use guns, we won't use bombs, we'll use the one thing we've got more of - that's our minds. Check your lucky numbers, that much money could drag you under, oh. What's the point of being rich, if you can't think what to do with it? Cos you're so bleeding thick. Oh we weren't supposed to be, we learnt too much at school now we can't help but see, that the future that you've got mapped out is nothing much to shout about. We're making a move, we're making it now, we're coming out of the side-lines. Just put your hands up - it's a raid yeah. We want your homes, we want your lives, we want the things you won't allow us. We won't use guns, we won't use bombs, we'll use the one thing we've got more of - that's our minds Brothers, sisters, can't you see? The future's owned by you and me. There won't be fighting in the street. They think they've got us beat, but revenge is going to be so sweet. We're making a move. We're making it now. We're coming out of the sidelines. Just put your hands up - it's a raid. We want your homes, we want your lives, we want the things you won't allow us. We won't use guns, we won't use bombs, we'll use the one thing we've got more of - that's our minds. And that's our minds. Yeah. |
||||||
2. |
| 3:11 | ||||
When you raise your pencil skirt,
like a veil before my eyes, like the look upon his face as he's zipping up his flies. Oh I know that you're engaged to him. Oh but I know that you want something to play with baby. I'll be around when he's not in town, I'll show you how you're doing it wrong, I really love it when you tell me to stop. Oh it's turning me on. You can tell me some lies, about the good times that you've had, but I've kissed your more than twice, and now I'm working on your Dad. Oh baby. I'll be around when he's not in town, I'll show you how you're doing it wrong, I really love it when you tell me to stop. Oh it's turning me on. If you look under the bed, then I can see my house from here, so just lie against the wall, and watch my conscience disappear now baby I'll be around when he's not in town, I'll show you how you're doing it wrong, I really love it when you tell me to stop. Oh it's turning me on. I only come here cause I know it makes you sad. I only do it cause I know you know it's bad. Oh yes I know, that it's ugly and it shouldn't be like that. Oh but oh it's turning me on. |
||||||
3. |
| 5:50 | ||||
she came from Greece she had a thirst for knowledge,
she studied sculpture at Saint Martin's College, that's where I, caught her eye. she told me that her Dad was loaded, i said "In that case i'll have a rum and coca-cola." she said "fine." and in thirty seconds time she said, "i want to live like common people, i want to do whatever common people do, i want to sleep with common people, i want to sleep with common people, like you." well what else could I do - i said "I'll see what I can do." i took her to a supermarket, i don't know why but I had to start it somewhere, so it started there. i said pretend you've got no money, she just laughed and said, "oh you're so funny." i said "yeah? well I can't see anyone else smiling in here. are you sure you want to live like common people, you want to see whatever common people see, you want to sleep with common people, you want to sleep with common people, like me." but she didn't understand, she just smiled and held my hand. rent a flat above a shop, cut your hair and get a job. smoke some fags and play some pool, pretend you never went to school. but still you'll never get it right, cos when you're laid in bed at night, watching roaches climb the wall, if you call your Dad he could stop it all. you'll never live like common people, you'll never do what common people do, you'll never fail like common people, you'll never watch your life slide out of view, and dance and drink and screw, because there's nothing else to do. sing along with the common people, sing along and it might just get you through, laugh along with the common people, laugh along even though they're laughing at you, and the stupid things that you do. because you think that poor is cool. i want to live with common people, i want to live with common people etc |
||||||
4. |
| 5:55 | ||||
I spy a boy, I spy a girl.
I spy the worst place in the world, in the whole wide world. Oh you didn't do bad, you made it out, I'm still stuck here oh but I'll get out. Oh yeah I'll get out. Can't you see the giant that walks around you seeing through your petty lives? Do you think I do these things for real? I do these things just so I survive. And you know I will survive. It may look to the untrained eye, I'm sitting on my arse all day. I'm biding time until I take you all on. My Lords and Ladies, I will prevail, I cannot fail. Cos I spy. Oh I've got your numbers, taken notes, I know the ways your minds work; I've studied. And your minds are just the same as mine except that you are clever swines, you never let mask slip, you never admit to it, you're never hurried. Oh no no no. And every night I hone my plan how I will get my satisfaction, how I will blow your paradise away away, away. Cos I spy. And it's just like in the old days - I used to compose my own critical notices in my head. "The crowd gasp at Cocker's masterful control of the bicycle, skilfully avoiding the dog turd next to the corner shop." Imagining a blue plaque above the place I first ever touched a girl's chest, but hold on, you've got to wait for the best. You see you should take me seriously. Very seriously indeed. Cause I've been sleeping with your wife for the past sixteen weeks, smoking your cigarettes, drinking your brandy, messing up the bed that you chose together. And in all that time I just wanted you to come home unexpectedly one afternoon, and catch us at it in the front room. You see I spy for a living, and I specialise in revenge, on taking the things I know will cause you pain. I can't help it, I was dragged up. My favourite parks are car parks, grass is something you smoke, birds are something you shag. Take your "Year in Provence" and shove it up your arse. Your Ladbroke Grove looks turn me on, yeah. With roach burns in designer dresses, skin stretched tight over high cheek-bones, and thousands of tiny dryness lines beating a path to the corners of your eyes. And every night I hatch my plan, it's not a case of woman v man. It's more a case of haves against haven'ts. And I just happen to have got what you need, just exactly what you need yeah. La la la la la la la la la la, in the midnight hour. La la la la la la la la la la, I will come to you, I will come to you, I will take you from this sickness, dinner parties and champagne, I'll hold your body and make it sing again. Come on - sing again, let's sing again, oh yeah, Cos I spy, yes, I spy. I spy a boy, and I spy a girl. I spy the chance, to change the world, to change your world. |
||||||
5. |
| 4:34 | ||||
Well we were born within an hour of each other
Our mothers said we could be sister and brother Your name is Deborah. Deborah - it never suited you Oh and they said that when we grew up We'd get married and never split up We never did it, although I often I thought of it Oh Deborah, do you recall? Your house was very small with wood-chips on the wall When I came around to call you didn't notice me at all And I said "Let's all meet up in the year 2000 Won't it be strange when we're all fully grown? Be there two o'clock by the fountain down the road" I never knew that you'd get married I would be living down here on my own On that damp and lonely Thursday years ago You were the first girl in school to get breasts Martyn said that you were the best The boys all loved you but I was a mess I had to watch them try to get you undressed We were friends that was as far as it went I used to walk you home sometimes but it meant Oh, it meant nothing to you - cos you were oh so popular Oh Deborah, do you recall? Your house was very small with wood-chips on the wall When I came around to call you didn't notice me at all And I said "Let's all meet up in the year 2000 Won't it be strange when we're all fully grown? Be there two o'clock by the fountain down the road" I never knew that you'd get married I would be living down here on my own On that damp and lonely Thursday years ago Oh yeah, oh yeah Oh Deborah, do you recall? Your house was very small with wood-chips on the wall When I came around to call you didn't notice me at all And I said "Let's all meet up in the year 2000 Won't it be strange when we're all fully grown? Be there two o'clock by the fountain down the road" I never knew that you'd get married I would be living down here on my own On that damp and lonely Thursday years ago Oh, what are you doing Sunday, baby? Would you like to come and meet me maybe? You can even bring your baby, oh. Oh, what are you doing Sunday, baby? Would you like to come and meet me maybe? You can even bring your baby. |
||||||
6. |
| 3:30 | ||||
She doesn't have to go to work,
but she doesn't want to stay in bed, cos it's changed from something comfortable, to something else instead. This bed has seen it all, from the first time to the last, the silences of now, and the good times of the past. And it only cost ten pounds, from a shop just down the road, but that was seven years ago, and things were very different then. It didn't get much rest at first, the headboard banging in the night. The neighbours didn't dare complain, oh everything was going right. Now there's no need to complain, cos it never makes a sound. Something beautiful left town, and she doesn't even know its name. Now every night she plays the sad game ooh ah ah, called pretending nothing's going wrong oh, oh but she knows, if this show was televised, no one would watch it, not tonight but sven years ago. La la la la la la la Now there's no need to complain, cos it never makes a sound, something beautiful left town, and she never even knew its name. She doesn't have to go to work, but she doesn't want to stay in bed, cos it's changed from something comfortable, to something else instead. |
||||||
7. |
| 3:19 | ||||
I wrote this song two hours before we met
I didn't know your name or what you looked like yet Oh, I could have stayed at home and gone to bed I could have gone to see a film instead You might have changed your mind and seen your friends Life could have been very different but then something changed Do you believe that there's someone up above? And does he have a timetable directing acts of love? Why did I write this song on that one day? Why did you touch my hand and softly say "Stop asking questions that don't matter anyway Just give us a kiss to celebrate here today something changed?" Oh, when we woke up that morning we had no way of knowing that in a matter of hours we change the way we were going Oh, where would I be now? Where would I be now if we never met? Would I be singing this song to someone else instead? I don't know, but like you just said something changed. |
||||||
8. |
| 3:48 | ||||
Oh is this the way they say the future's meant to feel?
Or just 20,000 people standing in a field. And I don't quite understand just what this feeling is. But that's okay cos we're all sorted out for E's and wizz. And tell me when the spaceship lands cos all this has just got to mean something. In the middle of the night, it feels alright, but then tommorow morning. Oh then you come down. Oh yeah the pirate radio told us what was going down. Got the tickets from some fucked up bloke in Camden Town. Oh and no-one seems to know exactly where it is. But that's okay cos we're all sorted out for E's and wizz. At 4 o'clock the normal world seems very, very, very far away. Alright. In the middle of the night, it feels alright, but then tommorow morning. Oh then you come down. Just keep on moving... Everybody asks your name, they say we're all the same and it's "nice one," "geezer" but that's as far as the conversation went. I lost my friends, I dance alone, it's six o'clock, I wanna go home. But it's "no way," "not today," makes you wonder what it meant. And this hollow feeling grows and grows and grows and grows, and you want to phone your mother and say, "Mother, I can never come home again, cos I seem to have left an important part of my brain somewhere, somewhere in a field in Hampshire." Alright. In the middle of the night, it feels alright, but then tommorow morning. Oh then you come down. What if you never come down? |
||||||
9. |
| 6:01 | ||||
The room is cold,
and has been like this for several months. If I close my eyes, I can visualise everything in it, right down, right down to the broken handle on the third drawer down of the dressing table. And the world outside this room, has also assumed a familiar shape, the same events shuffeled in a slightly different order each day. Just like a modern shopping centre. And it's so cold - yeah it's so cold. It's so cold yeah, it's so cold. What is this feeling called love. Why me, why you, why here, why now. It doesn't make no sense no. It's not convenient no. It doesn't fit my plans no. It's something I don't understand oh. F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E. Oh what is this thing that is happening to me. And as I'm standing across this room, I feel as if my whole life has been leading to this one moment. And as I touch your shoulder tonight, this room has become the centre of the entire universe. So what do I do? I've got a slightly sick feeling in my stomach, like I'm standing on top of a very high building, oh yeah. All the stuff they tell you about in the movies, but this isn't chocolate boxes and roses. It's dirtier than that, like some small animal that only comes out at night. And I see flashes of the shape of your breasts, and the curve of your belly, and I may have to sit down and catch my breath. Oh. What is this feeling called love. Why me, why you, why here. And why now. It doesn't make no sense no. It's not convenient no. It doesn't fit my plans, but I got that taste in my mouth again oh. F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E. What is this thing that is happening to me F.E.E.L.I.N.G. C.A.double L.E.D. L.O.V.E. What is this thing that is happening to me. Oh yeah, oh yeah, oh yeah, oh yeah. |
||||||
10. |
| 4:06 | ||||
Why don't you shut the door,
and close the curtains, cos you're not going anywhere. He's coming up the stairs, and in a moment he'll want to see your underwear. You couldn't stop it now. There's no way to get out. He's standing far too near. How the hell did you get here. Semi-naked in somebody else's room. I'd give my whole life to see it. Just you, stood there, only in your underwear. If fashion is your trade, then when you're naked, I guess you must be unemployed yeah. Cos once it's underway, there's no escaping, the fact that you're a girl and he's a boy. You couldn't stop it now. There's no way to get out. He's standing far too near. How the hell did you get here. Semi-naked in somebody else's room. I'd give my whole life to see it. Just you, stood there, only in your underwear. If you close your eyes and just remember, that this is what you wanted last night. So why is it so hard for you to touch him. For you to go and give yourself to him? I couldn't stop it now. There's no way to get out. He's standing far too near. How the hell did you get here, semi-naked in somebody else's room. I'd give my whole life to see it. Just you, stood there, only in your underwear. Do, do do do do. Do, do. Do, do. Do, do, do, do, do. Do, do. Do, do. Oh yeh, I want to see you. Want to see you only in your underwear. |
||||||
11. |
| 4:17 | ||||
There's nothing to do so you just stay in bed,
oh poor thing, why live in the world when you can live in your head? Mmm when you can go out late from Monday, till Saturday turns into Sunday, and now you're back here at Monday, so we can do it all over again. And you go aah ah ah I want a refund, I want a light, I want a reason, to make it through the night, alright. And so you finally left school, so now what are you going to do? Now you're so grown up, yeah you're oh oh oh oh oh so mature oh. Going out late from Monday, chuck up in the street on Sunday, you don't want to live till Monday, and have to do it all again. and you go aah ah ah I want a refund, I want a light, I want a reason for all this night after night after night after night. Oh I know that it's stupid but, I just can't seem to spend a night at home, cos my friends left town, and I'm here all alone ow. Oh yeah they say the past must die for the future to be born, in that case die little mother, die - ooh. Stomach in, chest out, on your marks, get set, go. Now, now that you're free, what are you going to be? And who are you going to see? And where, where will you go? And how will you know, You didn't get it all wrong? Is this the light of a new day dawning? A future bright that you can walk in? No it's just another Monday morning. Do it all over again, oh baby. La la la la la la Do do do do do do |
||||||
12. |
| 3:43 | ||||
Now if you can stand,
I would like to take you by the hand, yeah, and go for a walk, past people as they go to work. Oh, let's get out of this place, before they tell us that we've just died. Move, move quick, you've gotta move. Come on it's through, come on it's time. Oh look at you, you, you're looking so confused, just what did you lose? If you can make an order could you get me one? Two sugars would be great, cos I'm fading fast, and it's nearly dawn. If they knocked down this place, this place, it'd still look much better than you. Move, move quick, you've gotta move. Come on it's through, come on it's time. Oh look at you, you, you're looking so confused, what did you lose? Oh, it's ok it's just your mind. If we get through this alive, I'll meet you next week, same place, same time. Oh move, move quick you've gotta move. Come on it's through, come on it's time. Oh look at you, you, you're looking so confused, what did you lose? That's what you get from clubbing it. You can't go home and go to bed, because it hasn't worn off yet, and now it's morning. There's only one place we can go. It's around the corner in Soho, where other broken people go. Let's go. |
||||||
Disc 2 | ||||||
1. |
| 7:37 | ||||
She came from Greece she had a thirst for knowledge she studied sculpture at St Martin's college that's where I caught her eye She told me that her Dad was loaded I said "In that case I'll have rum and coca-cola." she said "Fine," and then in thirty seconds time she said "I want to live like common people I want to do whatever common people do I want to sleep with common people I want to sleep with common people like you." Well what else could I do? I said "I'll see what I can do." I took her to a supermarket I don't know why, but I had to start it somewhere so it started there I said "Pretend you've got no money." but she just laughed an said "Oh you're so funny." I said "Yeah? Well I can't see anyone else smiling in here Are you sure you want to live like common people you want to see whatever common people see you want to sleep with common people you want to sleep with common people like me?" But she didn't understand she just smiled and held my hand Rent a flat above a shop cut your hair and get a job Smoke some fags and play some pool pretend you never went to school But still you'll never get it right `cos when you're laid in bed at night watching roaches climb the wall if you called your Dad he could stop it all Yeah You'll never live like common people you'll never do what common people do you'll never fail like common people you'll never watch your life slide out of view and then dance, and drink, and screw because there's nothing else to do Sing along with the common people sing along and it might just get you through Laugh along with the common people laugh along even though they're laughing at you and the stupid things that you do because you think that poor is cool Like a dog lying in a corner they will bite and never warn you Look out they'll tear your insides out [muffled: I'm sorry, Mr Dalton, there's no need to be concerned] `cos everybody hates a tourist especially one who thinks it's all such a laugh yeah and the chip stain's grease will come out in the bath You will never understand how it feels to live your life with no meaning or control and with nowhere else to go You are amazed that they exist and they burn so bright whilst you can only wonder why Rent a flat above a shop cut your hair and get a job Smoke some fags and play some pool pretend you never went to school But still you'll never get it right `cos when you're laid in bed at night watching roaches climb the wall if you called your Dad he could stop it all You'll never live like common people you'll never do what common people do you'll never fail like common people you'll never watch your life slide out of view and dance, and drink, and screw because there's nothing else to do I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you Aa-aa-ah la la la la... Oh yeah.
|
||||||
2. |
| 4:32 | ||||
We didn't have no where to live,
we didn't have nowhere to go 'til someone said "I know this place off Burditt Road." It was on the fifteenth floor, it had a board across the door. It took an hour to pry it off and get inside. It smelt as if someone had died; the living-room was full of flies, the kitchen sink was blocked, the bathroom sink not there at all. Ooh, it's a mess alright, yes it's Mile End. And now we're living in the sky! I'd never thought I'd live so high, just like Heaven (if it didn't look like Hell.) The lift is always full of piss, the fifth floor landing smells of fish (not just on Friday, every single other day.) Below the kids come out tonight, they kick a ball and have a fight and maybe shoot somebody if they lose at pool. Ooh, it's a mess alright, yes it's Mile End. [mumbled mutterings... you love it...] Oo-ooh Nobody wants to be your friend 'cause you're not from round here, ooh as if that was something to be proud about. The pearly king of the Isle of Dogs feels up children in the bogs. Down by the playing fields, someone sets a car on fire I guess you have to go right down before you understand just how, how low, how low a human being can go. Ooh, it's a mess alright, yes it's Mile End. (don't do that! Leave it out!) Bababa... Lalala... |
||||||
3. |
| 3:16 | ||||
I know I'm getting on / and you're so very young / but would you like to stay
until next Saturday / or Sunday? I'll give you your own room / it's next door to my room and some time in the night / well, maybe I just might Oh take your clothes off won't you please? You don't have to talk to me / just leave the light on so I can see You've got everything I need / Oh yeah You know I can't forget / that special night we met / at the local P.T.A. when your mother came to say / that you'd been taking days off school I turned and looked at you, I said "Yes, I understand / I'm gonna take this girl in hand." Oh take your clothes off, one two three No you don't have to talk to me / just leave the light on so I can see You've got everything you need / Oh yeah 'Cause I've never had a woman before I was too scared to touch the girls in the Poly And I don't know what it's like to be young 'Cause all my life I've been knocking on forty Oh yeah / Oh yeah / Oh yeah / Oh yeah <i>[Jarvis:]</i> So if I / put my hand / on your bosom... <i>[Candida:]</i> Yeah? <i>[Jarvis:]</i> ...would that / give you an orgasm? No that's not right / But, but if we / if we kissed with tongues <i>[Candida: giggles]</i> <i>[Jarvis:]</i> won't that / wouldn't that make / wouldn't that make you come? Oh take your clothes off won't you please? / No you don't have to talk to me just leave the light on so I can see / You've got everything I need Oh oh oh / Just one touch was all it took No you can't learn it from a book / Let's go upstairs and have a / look Oh you've got everything I need / Oh yeah / Oh yeah, oh yeah Oh yeah, oh yeah / Oh yeah / Hit me. |
||||||
4. |
| 4:01 | ||||
Oh I know I don't own you
but I don't even know if I should phone you Someone's sending me letters saying you've been going with other fellers. And babe I want you. But I don't wanna cry. Or talk for an hour to a machine on the end of a telephone line. Oh it just kills me when all you got to do is call Oh do it any time cos there's never no-one home never no-one home Leave your message on the ansaphone. I'm not trying to be clever but at least we're not still living together All those calls in the evening if I answered they'd hang up without speaking And babe I want you, But I don't want to cry or talk for an hour to a machine on the end of a telephone line Oh it just kills me when all you got to do is call Oh do it any time cos there's never no-one home never no-one home Leave your message on the ansaphone *Beep* "Hello, its me. I just wanted to call and say it doesn't matter what you're up to. I just want you to stay in touch. That's all." Are you really not at home? Or are you there but not alone? Screening calls you don't want to receive meaning calls calls that come from me Oh I need to see you It's not enough for me just to hear you You said you'd be here by ten thirty but you want to stay out and be dirty Oh it just kills me when all you got to do is call Oh do it any time cos there's never no-one home never no-one home Leave your message on the ansaphone. |
||||||
5. |
| 3:35 | ||||
Hey hey Paula, I never thought we'd last this long.
Your voice annoys me and your hair's all wrong, so wrong. Oh and Paula, I don't like any of your friends. Yes, and horoscopes just send me fast asleep. Oh funny how we still spend the night together, oh even though we don't see one thing the same. But we still do it again. Oh yeah we do it again. Oh Paula, I just can't get it through my head how you can look so bad but be so good in bed. So good. Oh funny how we still spend the night together, oh even though we don't see one thing the same. But still we do it again. Oh yeah we do it again, yeah. Oh funny how we still spend the night together, oh even though we don't see one thing the same. And still we do it again. Oh yeah we do it again. Oh now Paula. I think it's time that you should go. Until tonight at least and then we can go to bed. Let's go to bed. Ooooooo. Ooooooo. La-la-la-la-la-la-la-la-la. La-la-la-la-la-la-la-la-la (x3). Oh. |
||||||
6. |
| 6:40 | ||||
Straight down the Parkway follow your nose to a place where nobody wants to go
It's a fare and a half; they're having a larf Everybody's broken or they're a dwarf Mirror mirror on the wall who is the ace-est of them all? The Catcliffe girl who gets out before her 18th birthday There's a little old man by the side of the road Just where he came from nobody knows He's so picturesque a physical wreck a dirty old bloke with no self-respect Ow! Oh god! You'd better leave town before you get caught in the Catcliffe Shakedown Yeah It's a step to the left; a step to the right You do the Catcliffe Shakedown with all of your might Oh, baby, shakedown shakedown shakedown Pudgy 12 year-olds in Union Jack shorts addicted to coffee-whitener and frankfurters. And those boys who said "Mister we just want your car 'cos we're taking a girl to the reservoir" are outside the pub. Fine figures of men; exercising and dieting just doesn't suit them. Have a meal in a glass we're having a laugh just come over here and your face we will smash Oh! Oh god! You'd better leave town before you get caught in the Catcliffe Shakedown Yeah Shakedown Shakedown Shakedown Oh no, it's not that bad really: Not if you've been living in Bosnia for the last year. Homebrew is still big news round these parts - no airing cupboard should be without it. They were going to open an airport - can you imagine it? "Whilst in the area why not stock up on string or try some of our duty-free Parkin?" Oh yeah. Let's go. See the rainbow high above the viaduct, glowing with all the colours of a bottle of spilt milk Oh, it's so beautiful, but I don't know what it means Oh, rainbow high above - what exactly are you advertising? And our idea of sophisticated humour is setting fire to our farts with disposable lighters. Why not try our delicious lager-style drink with a chocolate-flavoured candy-covered biscuit? "Look at those buttercups over there mummy!" "Hold one under your chin." "What's butter mummy?" "Oh, it's just a different make of margarine" See the rainbow high above the viaduct, glowing with all the colours of a bottle of spilt milk Oh, it's so beautiful, but I don't know what it means Oh, rainbow high above - what exactly are you advertising? The film now cuts to reveal who is watching this docudrama. A middle class couple sit in wonder as the titles roll. "All nicotine stains and beer-bellies in this programme were real." But upstairs in his room, amongst the Airfix planes, is a small boy. He sits in the dark, listening for the sound of the train that crosses the viaduct at four o'clock every morning. The train that carries the dismembered remains, the dismembered remains of Matchstick Men and Matchstick Cats & Dogs, and it's coming, and it's coming, coming... Oh yeah. "What you looking at?" "I don't know - label's fell off" "I'm going aht" "Am I so beautiful you can't stop looking at me?" "Am I so beautiful?" "You don't scare me" "I'll take you all on" "You and whose army?" "Me - me and my fist-y" Catcliffe you don't intimidate me, your Parkway and your shopping centre, your Panda Pops and pottery, your motorway junction, overwhelming stench of failure. Lives that never left first base, stunted by vapours from the cooling towers And I will do everything, everything in my power to get way from you. Oh yeah |
||||||
7. |
| 3:50 | ||||
We have made a choice - no we don't want to die
We want to look the future firmly in the eye Speaking personally I have to say that I would like to dance again Yeah, we know that 99% is crap But we're the other 1% What you gonna do about that? We want something to happen We want it to come fast We want to dance again Oh, we can dance again Take a chance again If you can make it outdoors You can do it once more It's all right again And if you hold me tight I might just stay the night And we'll forget where we've been All the crap we have seen It's all right again All right again All right Can you believe that it was only yesterday That there was nothing going on - nothing to play We don't want trouble - no We only want to say: We'd like to dance again So although it doesn't mean a single thing Oh well, it might just make us laugh and it might just make us sing and it might help us forget that we don't know where we're going if we dance again Dance again Oh yeah Oh, we can dance again Take a chance again If you can make it outdoors You can do it once more It's all right again And if you hold me tight I might just stay the night We'll forget where we've been All the crap we have seen It's all right again Alright again Alright La la la la Oh, it's okay Oh, it's not the end of the world It's just some boys and some girls making fools of themselves Everybody's singing! We can dance again Take a chance again If you can make it outdoors You can do it once more It's all right again And if you hold me tight I might just stay the night We'll forget where we've been All the crap we have seen It's all right again All right again All right Oh, we can dance again Hold my hand Yeah it's all right Your hair is beautiful, yeah Ooh ooh ooh ooh Oh yeah, we can dance again Hold my hand Yeah it's all right Your hair is beautiful, yeah Ooh ooh ooh ooh La la la la la la |
||||||
8. |
| 3:09 | ||||
(Do it)
Don't lose it He wants to use it But don't change a single thing He wants to put it down on paper and put it in a song to sing How your father went away How your mother got her way How your brothers never let you join in Didn't do too well at school Feel a failure but you'll Be famous if you let him touch you Don't lose it babe Don't go too straight Don't throw it away No, don't think it's all wrong No, no, don't lose it babe Don't throw it away It means more than a song They're pinheads Have you met them? But they've got nothing to say Oh, he just stands there in the corner and never dares join your game He wants to take you out to find out what it's all about 'cos he can see that you've got something But don't let him take you in he's only after just one thing and that's the thing that makes you different Don't lose it babe Don't go too straight Don't throw it away No, don't think it's all wrong Baby, don't lose it babe Don't throw it away It means more than a song So don't lose it Lose it These things are worthless You see them in a magazine T-t-trainers, slip-slip-dresses But you know what it means Oh They want a piece of something they've never felt Something they can't have and then you go And in the end they want to suck you dry 'Cos they know you turned out well And you don't wanna, don't wanna, don't wanna, don't wanna Don't lose it baby Don't give it away Don't go too straight Don't think it's all wrong Baby, don't lose it babe Don't throw it away It means more than a song Don't lose it Don't lose it Lose it Lose it Lose it Lose it Lose it Lose it Lose it |
||||||
9. |
| 4:47 | ||||
As I was goin' over the Cork and Kerry mountains
I met Captain Farrell and his money he Was countin' I first produced my pistol and then produced my wager I said stand and Deliver or the devil he may take ya Oh ring dumb a doo dumb a da Wept for my daddy-o Wept for my daddy-o There's whiskey in the jar-o I took all of his money and it was a Pretty penny I took all of his money and I brought it home to Molly She swore that She'd love me, never would she leave me But the devil take that woman 'Cause you know she Tricks me easy Oh ring dumb a doo dumb a da Wept for my daddy-o Wept for my daddy-o There's whiskey in the jar-o Being drunk and weary I went to Molly's chamber I lay Down on the bed and I never knew the danger For about six or maybe seven in walked Captain Farrell I jumped up, grabbed hold of my pistols and I shot him with both barrels Oh ring dumb a doo dumb a da Wept for my daddy-o Wept for my daddy-o There's whiskey In the jar-o Now some men like fishin' and some men like a fowlin' And some men like Ta hear a cannon ball a rollin' Me I like sleepin' specially in my Molly's chamber But Here I am in prison, here I am with a ball and chain yeah Oh ring dumb a doo dumb a da Wept for my daddy-o Wept for my daddy-o There's whiskey in the jar-o Ahlalalala, Lalala... |
||||||
10. |
| 4:21 | ||||
11. |
| 6:18 | ||||
She came from Greece she had a thirst for knowledge she studied sculpture at St Martin's college that's where I caught her eye She told me that her Dad was loaded I said "In that case I'll have rum and coca-cola." she said "Fine," and then in thirty seconds time she said "I want to live like common people I want to do whatever common people do I want to sleep with common people I want to sleep with common people like you." Well what else could I do? I said "I'll see what I can do." I took her to a supermarket I don't know why, but I had to start it somewhere so it started there I said "Pretend you've got no money." but she just laughed an said "Oh you're so funny." I said "Yeah? Well I can't see anyone else smiling in here Are you sure you want to live like common people you want to see whatever common people see you want to sleep with common people you want to sleep with common people like me?" But she didn't understand she just smiled and held my hand Rent a flat above a shop cut your hair and get a job Smoke some fags and play some pool pretend you never went to school But still you'll never get it right `cos when you're laid in bed at night watching roaches climb the wall if you called your Dad he could stop it all Yeah You'll never live like common people you'll never do what common people do you'll never fail like common people you'll never watch your life slide out of view and then dance, and drink, and screw because there's nothing else to do Sing along with the common people sing along and it might just get you through Laugh along with the common people laugh along even though they're laughing at you and the stupid things that you do because you think that poor is cool Like a dog lying in a corner they will bite and never warn you Look out they'll tear your insides out [muffled: I'm sorry, Mr Dalton, there's no need to be concerned] `cos everybody hates a tourist especially one who thinks it's all such a laugh yeah and the chip stain's grease will come out in the bath You will never understand how it feels to live your life with no meaning or control and with nowhere else to go You are amazed that they exist and they burn so bright whilst you can only wonder why Rent a flat above a shop cut your hair and get a job Smoke some fags and play some pool pretend you never went to school But still you'll never get it right `cos when you're laid in bed at night watching roaches climb the wall if you called your Dad he could stop it all You'll never live like common people you'll never do what common people do you'll never fail like common people you'll never watch your life slide out of view and dance, and drink, and screw because there's nothing else to do I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you Aa-aa-ah la la la la... Oh yeah.
|