Disc 1 | ||||||
---|---|---|---|---|---|---|
1. |
| - | ||||
2. |
| - | ||||
Come gather 'round friends
And I'll tell you a tale Of when the red iron pits ran plenty. But the cardboard filled windows And old men on the benches Tell you now that the whole town is empty. In the north end of town, My own children are grown But I was raised on the other. In the wee hours of youth, My mother took sick And I was brought up by my brother. The iron ore poured As the years passed the door, The drag lines an' the shovels they was a-humming. 'Til one day my brother Failed to come home The same as my father before him. Well a long winter's wait, From the window I watched. My friends they couldn't have been kinder. And my schooling was cut As I quit in the spring To marry John Thomas, a miner. Oh the years passed again And the givin' was good, With the lunch bucket filled every season. What with three babies born, The work was cut down To a half a day's shift with no reason. Then the shaft was soon shut And more work was cut, And the fire in the air, it felt frozen. 'Til a man come to speak And he said in one week That number eleven was closin'. They complained in the East, They are paying too high. They say that your ore ain't worth digging. That it's much cheaper down In the South American towns Where the miners work almost for nothing. So the mining gates locked And the red iron rotted And the room smelled heavy from drinking. Where the sad, silent song Made the hour twice as long As I waited for the sun to go sinking. I lived by the window As he talked to himself, This silence of tongues it was building. Then one morning's wake, The bed it was bare, And I's left alone with three children. The summer is gone, The ground's turning cold, The stores one by one they're a-foldin'. My children will go As soon as they grow. Well, there ain't nothing here now to hold them. |
||||||
3. |
| - | ||||
4. |
| - | ||||
"Oh, help me in my weakness,"
I heard the drifter say, As they carried him from the courtroom And were taking him away. "My trip hasn't been a pleasant one And my time it isn't long, And I still do not know What it was that I've done wrong." Well, the judge, he cast his robe aside, A tear came to his eye, "You fail to understand," he said, "Why must you even try?" Outside, the crowd was stirring, You could hear it from the door. Inside, the judge was stepping down, While the jury cried for more. "Oh, stop that cursed jury," Cried the attendant and the nurse, "The trial was bad enough, But this is ten times worse." Just then a bolt of lightning Struck the courthouse out of shape, And while ev'rybody knelt to pray The drifter did escape. |
||||||
5. |
| - | ||||
(Bob Dylan)
I pity the poor immigrant who wishes he would have stayed home who uses all his power to do evil but in the end is always left so alone that man whom with his fingers cheats and whom lies with every breath who passionately hates his life and likewise fears his death I pity the poor immigrant whose strength is spent in vain whose heaven is like ironsides whose tears are like rain Who eats but is not satisfied who hears but does not see who falls in love with wealth itself and turns his back on me I pity the poor immigrant who tramples through the mud who fills his mouth with laughing and who fills his town with blood whose visions in the final end must shatter like the glass I pity the poor immigrant when his gladness comes to pass |
||||||
6. |
| - | ||||
We carried you in our arms
On Independence Day, And now you'd throw us all aside And put us on our way. Oh what dear daughter 'neath the sun Would treat a father so, To wait upon him hand and foot And always tell him, "No"? Tears of rage, tears of grief, Why must I always be the thief? Come to me now, you know We're so alone And life is brief. We pointed out the way to go And scratched your name in sand, Though you just thought it was nothing more Than a place for you to stand. Now, I want you to know that while we watched, You discover there was no one true. Most ev'rybody really thought It was a childish thing to do. Tears of rage, tears of grief, Must I always be the thief? Come to me now, you know We're so low And life is brief. It was all very painless When you went out to receive All that false instruction Which we never could believe. And now the heart is filled with gold As if it was a purse. But, oh, what kind of love is this Which goes from bad to worse? Tears of rage, tears of grief, Must I always be the thief? Come to me now, you know We're so low And life is brief. |
||||||
7. |
| - | ||||
With your mercury mouth in the missionary times,
And your eyes like smoke and your prayers like rhymes, And your silver cross, and your voice like chimes, Oh, who among them do they think could bury you? With your pockets well protected at last, And your streetcar visions which you place on the grass, And your flesh like silk, and your face like glass, Who among them do they think could carry you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I put them by your gate, Or, sad-eyed lady, should I wait? With your sheets like metal and your belt like lace, And your deck of cards missing the jack and the ace, And your basement clothes and your hollow face, Who among them can think he could outguess you? With your silhouette when the sunlight dims Into your eyes where the moonlight swims, And your match-book songs and your gypsy hymns, Who among them would try to impress you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? The kings of Tyrus with their convict list Are waiting in line for their geranium kiss, And you wouldn't know it would happen like this, But who among them really wants just to kiss you? With your childhood flames on your midnight rug, And your Spanish manners and your mother's drugs, And your cowboy mouth and your curfew plugs, Who among them do you think could resist you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? Oh, the farmers and the businessmen, they all did decide To show you the dead angels that they used to hide. But why did they pick you to sympathize with their side? Oh, how could they ever mistake you? They wished you'd accepted the blame for the farm, But with the sea at your feet and the phony false alarm, And with the child of a hoodlum wrapped up in your arms, How could they ever, ever persuade you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? With your sheet-metal memory of Cannery Row, And your magazine-husband who one day just had to go, And your gentleness now, which you just can't help but show, Who among them do you think would employ you? Now you stand with your thief, you're on his parole With your holy medallion which your fingertips fold, And your saintlike face and your ghostlike soul, Oh, who among them do you think could destroy you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? |
||||||
8. |
| - | ||||
Seems like only yesterday
I left my mind behind Down in the Gypsy Cafe With a friend of a friend of mine Who sat with a baby heavy on her knee Yet spoke of life most free from slavery With eyes that showed no trace of misery A phrase in connection first with she occurred That love is just a four-letter word Outside a rattling store-front window Cats meowed to the break of day Me, I kept my mouth shut, To you I had no words to say My experience was limited and underfed You were talking while I hid To the one who was the father of your kid You probably didn't think I did, but I heard You say that love is just a four-letter word I said goodbye unnoticed Pushed forth into my own games Drifting in and out of lifetimes Unmentionable by name Searching for my double, looking for Complete evaporation to the core Though I tried and failed at finding any door I must have thought that there was nothing more Absurd than that love is just a four-letter word Though I never knew just what you meant When you were speaking to your man I can only think in terms of me And now I understand After waking enough times to think I see The Holy Kiss that's supposed to last eternity Blow up in smoke, it's destiny Falls on strangers, travels free Yes, I know now, traps are only set by me And I do not really need to be Assured that love is just a four-letter word |
||||||
9. |
| - | ||||
Words and Music by Bob Dylan
I dreamed I saw St. Augustine alive as you our me, Tearing through these quarters in the utmost misery. With a blanket underneath his arm and coat solid gold, Searching for the very souls whom already had been sold. "Arise, arise," he cried so loud with a voice without restraint. "Come out, you gifted kings and queens and hear my sad complaint. No martyr is among you now whom you can call your own Go on you way accordingly, but you know you're not alone. I dreamed I saw St. Augustine alive with fiery breath And I dreamed I was amongst the ones that put him out to death. Oh, I awoke in anger so alone and terrified. I put my fingers against the glass and bowed my head and I cried. |
||||||
10. |
| - | ||||
11. |
| - | ||||
Dear landlord,
Please don't put a price on my soul. My burden is heavy, My dreams are beyond control. When that steamboat whistle blows, I'm gonna give you all I got to give, And I do hope you receive it well, Dependin' on the way you feel that you live. Dear landlord, Please heed these words that I speak. I know you've suffered much, But in this you are not so unique. All of us, at times, we might work too hard To have it too fast and too much, And anyone can fill his life up With things he can see but he just cannot touch. Dear landlord, Please don't dismiss my case. I'm not about to argue, I'm not about to move to no other place. Now, each of us has his own special gift And you know this was meant to be true, And if you don't underestimate me, I won't underestimate you. |
||||||
12. |
| - | ||||
ONE TOO MANY MORNINGS
words and music Bob Dylan Down the street the dogs are barkin' And the day is a-gettin' dark. As the night comes in a-fallin', The dogs 'll lose their bark. An' the silent night will shatter From the sounds inside my mind, For I'm one too many mornings And a thousand miles behind. From the crossroads of my doorstep, My eyes they start to fade, As I turn my head back to the room Where my love and I have laid. An' I gaze back to the street, The sidewalk and the sign, And I'm one too many mornings An' a thousand miles behind. It's a restless hungry feeling That don't mean no one no good, When ev'rything I'm a-sayin' You can say it just as good. You're right from your side, I'm right from mine. We're both just too many mornings An' a thousand miles behind. |
||||||
13. |
| - | ||||
They say ev'rything can be replaced,
Yet ev'ry distance is not near. So I remember ev'ry face Of ev'ry man who put me here. I see my light come shining From the west unto the east. Any day now, any day now, I shall be released. They say ev'ry man needs protection, They say ev'ry man must fall. Yet I swear I see my reflection Some place so high above this wall. I see my light come shining From the west unto the east. Any day now, any day now, I shall be released. Standing next to me in this lonely crowd, Is a man who swears he's not to blame. All day long I hear him shout so loud, Crying out that he was framed. I see my light come shining From the west unto the east. Any day now, any day now, I shall be released |
||||||
14. |
| - | ||||
Well I'm sailin away my own true love.
I'm sailin' away in the mornin' Is there something I can send you from across the sea, From the place where I'll be landin'? No, there's nothing you can bring me my own true love. There's nothing I wish to be ownin'. Just carry yourself back to me unspoiled from across that lonesome ocean. Well I just though you might want something fine made of silver or of golden either from the mountains of Madrid or the coast of Barcelona. If I had the stars from the darkest night and the diamonds from the deepest ocean, I'd foresake them all for your sweet kiss, for that's all I'm wishin' to be ownin' That I might be gone a long old time, and it's only that I'm askin'. Is there something I can give you to remember me by, To make your time more easy passin'? Oh how can, how can you ask me again? It only brings me sorrow. For the same thing that I want from you today I would want again tomorrow. Well I got a letter on a lonesome day. It was from her ship a'sailin'. Sayin' "I don't know when I'll be comin' back again. It depends on how I'm feelin'." Well if you my love must think that a'way I'm sure your mind is a'roamin'. I'm sure your heart is not with me but with the country where you're goin'. So take heed, take heed of the Western wind. Take heed of the stormy weather. And yes, there's something you can send back to me; SPANISH BOOTS OF SPANISH LEATHER. |
||||||
15. |
| - | ||||
Well, I'm walkin' down the line,
I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I got a heavy-headed gal I got a heavy-headed gal I got a heavy-headed gal She ain't feelin' well When she's better only time will tell Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. My money comes and goes My money comes and goes My money comes and goes And rolls and flows and rolls and flows Through the holes in the pockets in my clothes Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I see the morning light I see the morning light Well it's not because I'm an early riser I didn't go to sleep last night Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I got my walkin' shoes I got my walkin' shoes I got my walkin' shoes An' I ain't a-gonna lose I believe I got the walkin' blues Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. |
||||||
16. |
| - | ||||
Bob Dylan
from the album The Times They Are A-Changin' Oh all the money that in my whole life I spent Be it mine right or wrongfully I'd let it slip gladly past the hands of my friends To tie up the time most forcefully But the bottles are done, we've killed each one And the table is full and overflowed And the corner sign says it's closing time So I'll bid farewell and be down the road Oh every boy that ever I've touched I did not do it harmfully And every boy that ever I've hurt I did not do it knowingly But to remain as friends, you need the time To make amends and stay behind And since my feet are now fast And point away from the past I'll bid farewell and be down the line Oh every foe that ever I faced The cause was there before we came And every cause that ever I fought I fought it full without regret or shame But the dark does die as the curtain is drawn And somebody's eyes must meet the dawn And if I see the day I'd only have to stay So I'll bid farewell in the night and be gone Oh a false clock tries to tick out my time To disgrace, distract and bother me And the dirt of gossip blows into my face And the dust of rumors covers me But if the arrow is straight and the point is slick It can pierce through the dust no matter how thick So I'll make my stand and remain as I am And bid farewell and not give a damn |
||||||
17. |
| - | ||||
How many roads must a man walk down
Before you call him a man? How many seas must the white dove sail Before she sleeps in the sand? How many times must the cannonballs fly Before they're forever banned? The answer, my friend, is blowing in the wind The answer is blowing in the wind How many years can a mountain exist Before it's washed to the sea? How many years must some people exist Before they're allowed to be free? And how many times can a man turn his head And pretend that he just doesn't see? The answer The answer, my friend, is blowing in the wind The answer is blowing in the wind How many times can a man look up Before he sees the sky? How many ears must one person have Before he can hear people cry? And how many deaths will it take 'til he knows That too many people have died? The answer, my friends, is blowing in the wind The answer is blowing in the wind Oh, the answer, my friends, is blowing in the wind The answer is blowing in the wind |
||||||
18. |
| - | ||||
Go away from my window, leave at your own chosen speed.
I'm not the one you want, babe, I'm not the one you need. You say you're looking for someone, never weak but always strong, to protect you and defend you, whether you are right or wrong. Someone to open each and every door. But it ain't me, babe, no, no, no, it ain't me, babe, it ain't me you're looking for, babe. Go lightly from the ledge, babe, go lightly on the ground. I'm not the one you want, babe, I will only let you down. You say you're looking for someone, who will promise never to part. Someone to close his eyes for you, someone to close his heart. Someone who will die for you and more. + CHORUS Go, melt back in the night, babe, everything inside is made of stone. There's nothing in here moving, and anyway I'm not alone. You say you're looking for someone, who'll pick you up each time you fall. To gather flowers constantly, and to come each time you call. A love of your life and nothing more. + CHORUS (Joan Baez) undefined undefined More... GeoCities Premium Services [Close] [Close] GeoCities Premium Services |