그룹 Van Der Graaf Generator의 재결성의 시기에 제작된 1983년작으로 데뷔작 [Fools Mate] 이후 줄곧 추구해 왔던, 피터 해밀이 가고자 했던 음악적인 방향을 선회하지 않았던 80년대 수작앨범. 가이 에반스의 드럼, 데이빗 잭슨의 색소폰 연주가 특히 빛을 발하고 있으며 선명하고 명백한 키보드 워킹을 바탕으로 한 MIDI 사운드가 주를 이루었던 작품으로 기억된다. 예술의 종말을 노래한 'Painting By Numbers', 해밀의 오랜 음악적 동료 Chris Judge-Smith의 역량이 빛을 발한 아름다운 트랙 'Four Pails'는 본작의 백미이다. - 전곡 리마스터 .... ....
There's a shiver down the spine of the body map... how come everything gets so physical? With your finger on the pulse and your head in the clouds everything's so tactile in your private world, in your little world.
Under the skin you search for paradise, under the skin some kind of parasite remains concealed. Under the skin a true identity, a memory will soon be revealed, under the skin.
Hit that button, no time to lose ? everything's so immediate. You'd have it all right now if you got to choose in your private world, such a tiny world.
Under the skin you search for paradise, under the skin some kind of parasite remains concealed. Under the skin a true identity, a memory will soon be revealed, under the skin.
Is something out to get you under the skin? Full of the promise of paradise? Paradise now?
Everything gets so physical, everything's so immediate in your private world, such a tiny world.
Under the skin you search for paradise, under the skin some kind of parasite remains concealed. Under the skin a true identity, a memory will soon be revealed, under the skin.
He made a bit of money, that's something you might like to know... He'll be drinking in the cafe on the corner after the show.
He's been so many people, he wore them all like poisoned vests, still playing the soliloquy from Hamlet close to his chest.
Where do the actors go after the show? Where do the actors go?
He had his hour of glory, that's something you should keep in mind... When he's drinking in the cafe on the corner there's no sense of time, just waiting on for Godot, convinced he's been here years before... he's taken that philosophy in German square on the jaw.
Where do the actors go after the show? Where do the actors go?
He made a bit of money, that's something you might like to know; he'll be drinking in the cafe on the corner after the show.
Where do the actors go after the show? Where do the actors go?
It's not that complicated, no more than a clench of fist ? she want to paint her heart out, she want to tell it as she sees it is. Authority condemns her, they say to paint's a waste without a base, some bedrock of idea.
Painting by numbers doesn't add up, Painting by numbers doesn't add up, it's passionless bed-rest, work-body that's headless, a head that's without heart ? painting by numbers doesn't add up to art.
Her constant vows mean nothing, not content alone that sells ? The Market Theory beckons, no-one remembers what the story tells; no-one remembers passion, we just recite the line that art is fine and fashion costly.
Painting by numbers doesn't add up; safety in numbers, put your hands up in mute surrender... they'll break her or bend her for the heart on her sleeve. Painting by numbers all the modern world believes.
And the whole thing falls apart when the movement's more important than the art; when we're more concerned with what's been thought than said this is the moment when the culture's dead.
It's not that complicated, it's simple as can be: she want to paint her heart out, they want a programme for the BBC where academic critics can talk of art that's fine like holy wine ? the Blessed Intellectuals!
Painting by numbers, safety in numbers... The poets from Venus assume that they've seen us ? they're quick to depart. Painting by numbers doesn't add up to art.
Turn a card, turn a page, the action sure to start, second-stage reaction to illogical thoughts on random lines ? in a Borges dream we move toward the writing of lives.
Leave it out, leave it in, no edits ? with a shout, with a grin I said it was a certainty that I'd arrive in an Escher sketch we walk around the drawing of lines.
The character uncertainty as he contemplates his lot and tries to move with urgency though he's rooted to the spot.
On the brink, on the edge, but lately what I think, what I said escapes me in a flash, a tiger burning bright ? does the visionary trance obscure the burgeoning night?
And she said "What are you doing?" And he said "What do you think?" Oh, no, what on earth are we doing?
The characters procrastinate on the threshold of the door; there's something here that fascinates, though the meaning's still unsure and the plot so thick. Is it some kind of history? Sketch the thumbnail to the quick. Oh, even though it's full of contradiction, though it's flawed in the design this is no fiction, it's a lifeline.
Here we are, there we went, full circle, shooting stars, heaven-sent, turned turtle on the beach our shells are left behind life a library, like a memory of our ghost-written lives.
All the words in the world wouldn't make you stay this evening; though I scrabble around for any I can say, so hard to take our leave, so hard to stop believing.
I guess we know this silence well enough, and you'll be going by and by; I'm scared that anything I offer might be taken for a lie.
All said and done, and there's no way to make it any different. I hold my tongue as you're walking away. So goodbye comes ? oh, I don't want to make it difficult but nothing's easy when there's nothing left to say.
Now we only talk as though time were heavy weather with a storm-cloud brewing on each hasty phrase... all the words in the world wouldn't put us back together.
Maybe we had our opportunities... most of those chances passed us by; I'm scared that anything I offer might be taken as a bribe.
All said and done, and there's no way to make it any different. I hold my tongue as you're walking away. So goodbye comes ? oh, I don't want to make it difficult but nothing's easy when there's nothing left to say.
In the here and now... Between sensation at the nerve-ends and arrival of information at the cortex time elapses. So, you see, each time we touch we did so in the past.
Now, lover, slicing through time in a perfect curve, due for a moment of energy; somehow we'll get what we most deserve in the here and now.
In the here and now, although completely different people in the moments before and after having sex, we are time-locked. Cracked, forgotten statues, we are strangled in the undergrowth, lost in ancient magic, we are motion, we are wonderful flow. We are time-locked, unknowing of the code, but addicted to the pulse.
Now, lover, melt in the crucible, flesh and blood bodies consumed by the catalyst. Somehow we'll raise our sights from the mud, we are always now, we are Always Now!
If we were always here and now, instead of slightly, now and then... so immaterial, so lost, embracing all the grace that comes before the fall.
If we were always here and now, electric shiver in the spine, how could we turn away, see life as grey and drab? How come we don't see what we have?
If we were always here and now, soul to soul and skin to skin... Is it some kind of make-believe, is it some kind of dream we're in, with a mint copy of original sin?
In the here and now, between sensation at the nerve-ends and the arrival of information at the cortex time elapses.
Cracked, forgotten statues, we are strangled in the undergrowth; lying on the mattress of the magic and the wonderful, nothing really matters as we're sucked in by the undertow... We are Motion, we are Feeling, we are Now!
Although completely different people in the moments before and after having sex we are time-locked, we are time-locked... Though we know each time we touch we did so in the past.
Now come on, come on, lover, slicing through time in a perfect curve, due for a moment of energy... somehow we'll get what we most deserve in the here and now. Melt in the crucible, flesh and blood bodies consumed by the catalyst, surrender to nothing, welcome the flood of the here and now. Slicing through time in a perfect curve, due for a moment of energy, somehow we'll get what we most deserve; melt in the crucible, flesh and blood bodies, consumed by the catalyst, surrender to nothing, nip the thought in the bud. We are always now, We are Always Now!