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from Aimee Mann - @#%&! Smilers (2008)
Thirty-one today
What a thing to say Drinking Guinness in the afternoon Taking shelter in the black cocoon I thought my life would be different somehow I thought my life would be better by now I thought my life would be different somehow I thought my life would be better by now But it's not, and I don't know where to turn Called some guy I knew Had a drink or two And we fumbled as the day grew dark I pretended that I felt a spark I thought my life would be different somehow I thought my life would be better by now I thought my life would be different somehow I thought my life would be better by now But it's not, and I don't know where to turn No, it's not, and I don't know where to turn No, it's not, and I don't know where to turn Easter comes and goes Maybe Jesus knows So you roll on with the best you can Getting loaded, watching CNN I thought my life would be different somehow I thought my life would be better by now I thought my life would be different somehow I thought my life would be better by now But it's not, and I don't know where to turn No, it's not, and I don't know where to turn No, it's not, and I don't know where to turn No, it's not, and I don't know |
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from Aimee Mann - Whatever (2001)
Today's the fourth of July
Another June has gone by And when they light up our town I just think what a waste of gunpowder and sky I'm certain I am alone In harbouring thoughts of our home It's one of my faults that I can't quell my past I ought to have gotten it gone Oh, baby I wonder if when you are older Someday You'll wake up and say "My God, I should have told her What would it take? But now here I am and the world's gotten colder And she's got the river down which I sold her" So that's today's memory lane With all the pathos and pain Another chapter in a book where the chapters are endless And they're always the same A verse, then a verse, and refrain Oh, baby I wonder if when you are older Someday You'll wake up and say "My God, I should have told her What would it take? But now here I am and the world's gotten colder And she's got the river down which I sold her..." |
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3:29 | ||||
from Aimee Mann - Live At St. Anne (2004)
Today's the fourth of July
Another June has gone by And when they light up our town I just think what a waste of gunpowder and sky I'm certain I am alone In harbouring thoughts of our home It's one of my faults that I can't quell my past I ought to have gotten it gone Oh, baby I wonder if when you are older Someday You'll wake up and say "My God, I should have told her What would it take? But now here I am and the world's gotten colder And she's got the river down which I sold her" So that's today's memory lane With all the pathos and pain Another chapter in a book where the chapters are endless And they're always the same A verse, then a verse, and refrain Oh, baby I wonder if when you are older Someday You'll wake up and say "My God, I should have told her What would it take? But now here I am and the world's gotten colder And she's got the river down which I sold her..." |
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from Aimee Mann - I`M With Stupid (1996)
Though I let you steer
You, a cavalier Inch became a light year It was pathetic Well, you can write the play At every word I say But I don't have to stay To see the credits 'Cause it's all over now (All over now) Yes, it's all over now (All over now) And I'm free I was one of few Who'd stick up for you And so you never knew You were a punch line I could not convince or trust you To pick up on my hints, must you Leave your fingerprints On everything I call mine? Well, that's all over now (All over now) Yes, it's all over now (All over now) And I'm free Yes, I'm free From your interference Which had the appearance Of making it clear that It's got nothing to do with me It's got nothing to do with me (It's got nothing) It's got nothing to do with me It's got nothing to do with me And I warn you now The velocity I'm gathering |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - I`M With Stupid (1996)
I'm told the case is now closed
So I can come to my senses But when the question is posed I'll have this meager defense I was hoping that you'd know better than that I was hoping, but you're an amateur I was hoping that you'd know better But I've been wrong before Despite conclusions I drew There was a chance you'd surprise me And you'd be better than new 'Cause I'd have left otherwise I was hoping that you'd know better than that I was hoping, but you're an amateur I was hoping that you'd know better But I've been wrong before So I wasn't thinking clearly So you didn't think at all I thought that was protocol I was hoping that you'd know better than that I was hoping, but you're an amateur I was hoping that you'd know better But I've been wrong before I was hoping that I was hoping, but you're an amateur I was hoping that you'd know better But I've been wrong before |
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4:49 | ||||
from Sliding Doors (슬라이딩 도어즈) by David Hirschfelder [ost] (1998)
I'm told the case is now closed
So I can come to my senses But when the question is posed I'll have this meager defense I was hoping that you'd know better than that I was hoping but you're an amateur I was hoping that you'd know better But I've been wrong before Despite conclusions I drew There was a chance you'd surprise me And you'd be better than you 'Cause I'd have left otherwise I was hoping that you'd know better than that I was hoping but you're an amateur I was hoping that you'd know better But I've been wrong before So I wasn't thinking clearly So you didn't think at all I thought that was protocol -piano/guitar solo- I was hoping that you'd know better than that I was hoping but you're an amateur I was hoping that you'd know better But I've been wrong before I was hoping that I was hoping but you're an amateur I was hoping that you'd know better But I've been wrong before |
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4:42 | ||||
from Aimee Mann - Live At St. Anne (2004)
I'm told the case is now closed So I can come to my senses But when the question is posed I'll have this meager defense I was hoping that you'd know better than that I was hoping but you're an amateur I was hoping that you'd know better But I've been wrong before Despite conclusions I drew There was a chance you'd surprise me And you'd be better than you 'Cause I'd have left otherwise I was hoping that you'd know better than that I was hoping but you're and amateur I was hoping that you'd know better But I've been wrong before So I wasn't thinking clearly So you didn't think at all I thought was protocol I was hoping that you'd know better than that I was hoping but you're an amateur I was hoping that you'd know better But I've been wrong before I was hoping that I was hoping but you're an amateur I was hoping that you'd know better But I've been wrong before -
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
I've got some cookies from our junk food run
And here's a couple beers so Let's go create some fun Supplies are limited and I'm all out Of any explanation Of what I'm on about I'm tired Of having to try To convince you if I Go along with you it all will Backfire I know you had plans Your intentions were grand But it's out of my hands And it isn't the way I pictured it Either Well things felt weird but you said that's alright That it was not a problem And we could just sit tight And when you said that I was sure I cringed 'Cause you had no suspicion That I had come unhinged Or just tired-- I cannot say which But there's always a hitch That will cause the whole thing to Backfire I know you had plans Your intentions were grand But it's out of my hands now It's out of my hands now I know you'd like to be the St. Bernard Who rushes to the rescue When there's an avalanche But in my panic I may pull too hard And the novice lifeguard Gets rushed off in the ambulance I'm tired I cannot seem to Get a message to you That the rescue you planned has just Backfired I know you had plans Your intentions were grand But it's out of my hands now It's out of my hands now And it isn't the way I pictured it Either... |
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3:25 | ||||
from Aimee Mann - Bachelor No.2 (2001)
I've got some cookies from our junk food run
And here's a couple beers so Let's go create some fun Supplies are limited and I'm all out Of any explanation Of what I'm on about I'm tired Of having to try To convince you if I Go along with you it all will Backfire I know you had plans Your intentions were grand But it's out of my hands And it isn't the way I pictured it Either Well things felt weird but you said that's alright That it was not a problem And we could just sit tight And when you said that I was sure I cringed 'Cause you had no suspicion That I had come unhinged Or just tired-- I cannot say which But there's always a hitch That will cause the whole thing to Backfire I know you had plans Your intentions were grand But it's out of my hands now It's out of my hands now I know you'd like to be the St. Bernard Who rushes to the rescue When there's an avalanche But in my panic I may pull too hard And the novice lifeguard Gets rushed off in the ambulance I'm tired I cannot seem to Get a message to you That the rescue you planned has just Backfired I know you had plans Your intentions were grand But it's out of my hands now It's out of my hands now And it isn't the way I pictured it Either... |
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from Aimee Mann - @#%&! Smilers (2008)
It must be hard ringing the bells
Of doors that don't swing wide anymore It must be hard hearing the sound Of voices just inside of the door A man who couldn't hold your coat Once hung on every anecdote So it must be hard watching the fellows gloat Ballantines It must be hard seeing the same old crowd Just pass you by in the street It must be tough knowing your stuff Could only horrify the elite You cut off everyone you know Boy you told 'em all where to go Now it must be hard getting the same heave-ho Ballantines Well, patrons at the bar in Lexington, Kentucky Once sprung for every drink you downed With things the way they are it's not that kind of party If what you've got just might be going around The fat cats won't be getting thin Seeing the kind of jam you're in Though the angels dance on the head of another pin Ballantines Ballantines Ballantines |
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3:48 | ||||
from Aimee Mann - The Forgotten Arm (2005)
You pulled up and parked your El Dorado
We said "hi" and kissed with some bravado I got out my camera and was laughing Happy it was you I'm photographing And we drove to the ferry Like the cat and canary I said, "Baby, it's scary When it's so beautiful Why does it hurt me To feel so much tenderness? Beautiful You little wonder, you" Maybe then I held your hand and kissed you I know once I just hauled off and hit you 'Cause I can't even stand it 'Cause I don't want to end it To be perfectly candid ? Baby, you're beautiful Sometimes it hurts me To feel so much tenderness Beautiful Wish you could see it, too And all I have to do today Is make you happy The only thing you have to say Is, "It's all lovely, baby" Late that night, we checked into the Bellevue Held you close, but, baby ? couldn't tell you And we stayed in our Calvins And we swore we'd be best friends And I looked through the zoom lens And thought you were beautiful Sometimes it hurts me To feel so much tenderness Beautiful Baby, I'm dazzled By the view Beautiful You don't need to tell me I'm completely powerless Beautiful I wish you could see it, too I wish you could see it, too I wish you could see it, too Baby, how I see you |
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from Aimee Mann - @#%&! Smilers (2008)
Get up, the needle has pricked a little finger.
She wants the beautiful child the blood will bring her. You ask a question in the mirror. Alas, no answer could be clearer. Get up, get up, you're borrowing time. Get up, get up, you're borrowing time. Get up, a substitute artist just reprieved you Beware the flattery ruses have deceived you. The kings of yesterday falling, But you'll come when destiny's calling. Get up, get up, you're borrowing time. Get up, get up, you're borrowing time. I don't want anything anyway. I was happy with what I had yesterday. Who wants the whole weight of the world When it'll drag you down… Underground? Today she's singing a song called Hallelujah You stay, she's bringin' the poison apple to ya. Sun's up and reveille's playing You know what everyone's saying. Get up, get up, you're borrowing time. Get up, get up, you're borrowing time. Get up, get up, you're borrowing time. Get up, get up, you're borrowing time. |
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4:25 | ||||
from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
She's been a long time on the phone Courting disaster in an undertone She's feeling nostalgic and feeling that fall How could anyone ever fight it Who could ever expect to fight it when she Builds that Wall Maybe it's one where time will tell Maybe it's one where it's just fare-thee-well I hear her coming As she walks down the hall How could anyone ever fight it Who could ever expect to fight it when she Builds that Wall I know the choice is made I can tell, I said By your guilty face And I never was one to fight it How does anyone ever fight it You couldn't pin this one on me You knew my thoughts so far as I could see Well, I'd say it's hopeless But you make the call 'Cause I never was one to fight it And if given the chance I guess I'll learn to Build that wall Ahhhhhh Ahhhhhh Build that Wall Ahhhhhh Build that Wall Ahhhhhh Build that Wall Ahhhhhh Build that Wall Ahhhhhh Oooooooooo Build that Wall Ahhhhhh Build That Wall |
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4:11 | ||||
from Aimee Mann - Bachelor No.2 (2001) | |||||
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4:10 | ||||
from Sex And The City (섹스 앤 더 시티) [omnibus, ost] (2000)
He's a serious Mister shake his hand and he'll twist your arm with monopoly money we'll be buying the funny farm So I'll do flips, and get paid in chips from a diamond as big as the Ritz-- then I'm calling it quits Eyes the color of candy lies to cover the handicap though your slippers are ruby you'll be led to the booby trap And there's no prize, just a smaller size so I'm wearing the shoe til it fits-- then I'm calling it quits Now he's numbering himself among the masterminds cause he's hit upon the leverage of valentines lifting dialogue from Judy Garland storylines where get-tough girls turn into goldmines But oh, those polaroid babies taking chances with rabies happy to tear me to bits-- well, I'm calling it quits Yes, I'm calling it quits.
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
He's a serious mister
Shake his hand and he'll twist your arm. With Monopoly money We'll be buying the funny farm. So I'll do flips, and get paid in chips From a diamond as big as the Ritz-- Then I'm calling it quits. (Calling it quits) Eyes the color of candy, Lies to cover the handicap. Though your slippers are ruby, You'll be led to the booby trap. And there's no prize, Just a smaller size, So I'm wearing the shoe 'til it fits, Then I'm calling it quits. Yes, I'm calling it quits. Yes, I'm calling it quits. Now he's numbering himself among the masterminds (Calling it quits) 'Cause he's hit upon the leverage of valentines. (Calling it quits) Lifting dialogue from Judy Garland storylines ...Where get-tough girls turn into gold mines. All those Polaroid babies, Taking chances with rabies, Happy to tear me to bits-- Well, I'm calling it quits. Yes I'm calling it quits. Yes I'm calling it quits. Yes I'm calling it quits. Yes I'm calling it... |
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4:11 | ||||
from Aimee Mann - Bachelor No.2 (2001)
He's a serious mister
Shake his hand and he'll twist your arm. With Monopoly money We'll be buying the funny farm. So I'll do flips, and get paid in chips From a diamond as big as the Ritz-- Then I'm calling it quits. (Calling it quits) Eyes the color of candy, Lies to cover the handicap. Though your slippers are ruby, You'll be led to the booby trap. And there's no prize, Just a smaller size, So I'm wearing the shoe 'til it fits, Then I'm calling it quits. Yes, I'm calling it quits. Yes, I'm calling it quits. Now he's numbering himself among the masterminds (Calling it quits) 'Cause he's hit upon the leverage of valentines. (Calling it quits) Lifting dialogue from Judy Garland storylines ...Where get-tough girls turn into gold mines. All those Polaroid babies, Taking chances with rabies, Happy to tear me to bits-- Well, I'm calling it quits. Yes I'm calling it quits. Yes I'm calling it quits. Yes I'm calling it quits. Yes I'm calling it... |
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4:01 | ||||
from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
I heard the sidewalk Santa say
Merry Christmas, merry Christmas Salvation's coming cheap today Merry Christmas, merry Christmas I searched the skyline for a star Merry Christmas, merry Christmas And, baby, I wondered where you are Merry Christmas, merry Christmas 'Cause comfort's not possible when You look past the joy to the end Calling on Mary is voluntary Unless you're alone like me If there's a star above, then it can look like love When they light up the Christmas tree When I was young, I couldn't see Merry Christmas, merry Christmas All that my true love gave to me Merry Christmas, merry Christmas She offered sight to the blind But I'm not the miracle kind Calling on Mary is voluntary Unless you're alone like me If there's a star above, then it can look like love When they light up the Christmas tree And to all the lost souls down below Merry Christmas, merry Christmas What's one more drifter in the snow? Merry Christmas, merry Christmas Merry Christmas, merry Christmas If there's a star above, then it can look like love When they light up the Christmas tree If there's a star above, then it can look like love When they light up the Christmas tree |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - I`M With Stupid (1996)
Skip the cloak and dagger bit
Don't you know we're sick of it? As much as I would like to stay The message light just blinks away And while I'm here you won't push play So you leave me no choice in the matter You leave me no choice in the matter You leave me no choice in the matter You leave me no option to indulge in this Exercise in cowardice Ignorance without the bliss 'Cause you leave me no choice in the matter You leave me no choice in the matter You leave me no choice in the matter You leave me no ... 'Cause I know where this boat will go Pulled down by the undertow It's lucky I know how to row (so row, row, row your boat gently down the stream. i hope you drown and never come back.) 'Cause you leave me no choice in the matter You leave me no choice in the matter You leave me no choice in the matter You leave me no |
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3:19 | ||||
from Aimee Mann - One More Drifter In The Snow [ccm] (2006) | |||||
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4:24 | ||||
from Aimee Mann - The Forgotten Arm (2005) | |||||
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from Aimee Mann - @#%&! Smilers (2008)
Storefront, streetcars rattle
One more losing battle What is Columbus Avenue to you now? Last call tattoo parlor Deathbed sword swallower What is Columbus Avenue to you now? The place where you failed To make your story go over The place where you bailed And let the bottom drag you under Drag you under Cheap shot paranoia Exiled from Victoria What is Columbus Avenue to you now? The place where you failed To make your story go over The place where you bailed And let the bottom drag you under Drag you under Where you moved with a ghastly precision To the echoes of bones in the air Finding hope in an X-ray division Of a world that's not there Cafe sinners bother you Empty pockets follow you What is Columbus Avenue to you now? The place where you failed To make your story go over The place where you bailed And let the bottom drag you under Drag you under What is Columbus Avenue to you now? |
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from Aimee Mann - Whatever (2001) | |||||
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3:07 | ||||
from Aimee Mann - The Forgotten Arm (2005)
Cotton candy was king
On the midway that spring When I saw you in the ring on the lawn Dear John Throwing kisses so Richmond's unfortunates can go on Oh, the lectures I gave So the girls would behave While the band played all your favorite songs Dear John Throwing kisses so Richmond's unfortunates can go on But numbers come up and you're left to the fates Though I always thought you were one of the greats Once somebody stationed in Kuala Lumpur Said he thought you went out, but he couldn't be sure And the midway I knew Where the sky was so blue With the memory of you is gone Dear John Throwing kisses so Richmond's unfortunates can go on Throwing kisses so Richmond's unfortunates can go on Throwing kisses so Richmond's unfortunates can go on Throwing kisses so Richmond's unfortunates can go on Throwing kisses so Richmond's unfortunates can go on |
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5:28 | ||||
from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
Now that I've met you
would you object to never seeing each other again cause I can't afford to climb aboard you no one's got that much ego to spend So don't work your stuff because I've got troubles enough no, don't pick on me when one act of kindness could be deathly deathly definitely Cause I'm just a problem for you to solve and watch dissolve in the heat of your charm but what will you do when you run it through and you can't get me back on the farm So don't work your stuff because I've got troubles enough no, don't pick on me when one act of kindness could be deathly deathly definitely You're on your honor cause I'm a goner and you haven't even begun so do me a favor if I should waver be my savior and get out the gun Just don't work your stuff because I've got troubles enough no, don't pick on me when one act of kindness could be deathly deathly definitely |
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
Now that I've met you
Would you object to Never seeing each other again 'Cause I can't afford to Climb aboard you No one's got that much ego to spend So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately 'Cause I'm just a problem For you to solve and Watch dissolve in the heat of your charm But what will you do when You run it through and You can't get me back on the farm So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately You're on your honor 'Cause I'm a goner And you haven't even begun So do me a favor If I should waver Be my savior And get out the gun So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately |
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5:38 | ||||
from Aimee Mann - Bachelor No.2 (2001)
Now that I've met you
Would you object to Never seeing each other again 'Cause I can't afford to Climb aboard you No one's got that much ego to spend So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately 'Cause I'm just a problem For you to solve and Watch dissolve in the heat of your charm But what will you do when You run it through and You can't get me back on the farm So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately You're on your honor 'Cause I'm a goner And you haven't even begun So do me a favor If I should waver Be my savior And get out the gun So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately |
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7:03 | ||||
from Aimee Mann - Live At St. Anne (2004)
Now that I've met you
Would you object to Never seeing each other again 'Cause I can't afford to Climb aboard you No one's got that much ego to spend So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately 'Cause I'm just a problem For you to solve and Watch dissolve in the heat of your charm But what will you do when You run it through and You can't get me back on the farm So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately You're on your honor 'Cause I'm a goner And you haven't even begun So do me a favor If I should waver Be my savior And get out the gun So don't work your stuff Because I've got troubles enough No, don't pick on me When one act of kindness could be Deathly Deathly Definately |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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3:46 | ||||
from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
At least you know
you were taken by a pro I know just how you feel She talked a perfect game deflecting all the blame you took the jack and changed the flat and got behind the wheel-- now you're Driving sideways taken in by the scenery as you're propelled along And your companion will not help you to navigate for fear she may be wrong And you will say that you're making headway and put it in overdrive but you're mistaking speed for getting what you need and never even noticing you never do arrive cause you're Driving sideways if you roll down the window you'll see you're where you don't belong And your companion will not help you to navigate for fear she may be wrong And you're powered by the hopeful lie that it's just around the bend and when this, by default comes screeching to a halt let's hope that you know what to do to start it up again Driving sideways hitting scan on the radio so she can sing along and she'll sit thinking you're going to handle it until she's proven wrong until she's proven wrong until you prove her wrong |
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3:52 | ||||
from Aimee Mann - Bachelor No.2 (2001)
At least you know
You were taken by a pro I know just how you feel She talked a perfect game Deflecting all the blame You took the jack And changed the flat And got behind the wheel Now you're Driving sideways Taken in by the scenery As you're propelled along And your companion Will not help you to navigate For fear she may be wrong For fear she may be wrong And you will say That you're making headway And put it in overdrive But you're mistaking speed For getting what you need And never even noticing You never do arrive 'Cause you're Driving sideways If you roll down the window, you'll see You're where you don't belong And your companion Will not help you to navigate For fear she may be wrong For fear she may be wrong And you're powered by The hopeful lie That it's just around the bend And when this, by default Comes screeching to a halt Let's hope that you Know what to do To start it up again Driving sideways Hitting scan on the radio So she can sing along And she'll sit Thinking you're gonna handle it Until she's proven wrong Until she's proven wrong Until you prove her wrong (Driving sideways) |
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from Aimee Mann - Whatever (2001)
Fifty years after the fair
The picture I have is so clear Underneath the clouds in the air Rose the Trylon and the Perisphere And that for me was the finest of scenes The perfect world across the river in Queens Fifty years after the fair I drink from a different cup But it does no good to compare Cause nothing ever measures up I guess just for a second we thought That all good things would rise to the top And how beautiful it was, tomorrow We'll never have a day of sorrow We got through the '30s but our belts were tight We conceived of a future with no hope in sight We've got decades ahead of us to get it right, I swear Fifty years after the fair Fifty years after the fair I live in tomorrow town Even on a wing and a prayer The future never came around It hurts to even think of those days The damage we do by the hopes that we raise But how beautiful it was, tomorrow We'll never have a day of sorrow We got through the '30's but our belts were tight We conceived of a future with no hope in sight We've got decades ahead of us to get it right, I swear Fifty years after the fair |
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from Aimee Mann - I`M With Stupid (1996)
(I still have the shake in my voice
And I'm going to sing you this song) I don't know you from Adam, it could make my day If you leave me a message I'll give it away 'Cause the most perfect strangers that you can talk to Are the ones who pretend that you're not really you Are with any attempts here to play Frankenstein Come with plenty of chances for changing your mind When you're building your own creation Nothing's better than real than a real Imitation I won't find it fantastic or think it absurd When the gun in the first act goes off in the third 'Cause it's rare that you ever know what to expect From a guy made of corpses with bolts in his neck If the creature is limping the parts are in place With a mind of its own and a fist for a face Say hello to your new creation Now it's better than real It's a real imitation You may wonder what the catch is As we batten down the hatches And when later we find that the thing we devised Has the villagers clamouring for it's demise We will have to admit the futility of Trying to make something more of this jerry-built love And you'll notice it bears a resemblance to Everything I imagined I wanted from you But at least it's my own creation And it's better than real It's a real imitation |
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from Aimee Mann - @#%&! Smilers (2008)
You've got a lot of money but you can't afford the freeway
The road to Orange Country leaves an awful lot of leeway Where everyone's a doctor or a specialist in retail They'll sell you all the speed you want if you can take the blackmail You know it I know it Why don't you Just show it You got a lot of money but you can't afford the freeway You got a lot of money but you can't afford the freeway You've got a lot of money but you cannot keep your bills paid The sacrifice is worth it just to hang around the arcade You found yourself a prophet but you left him on the boardwalk Another chocolate Easter bunny, hollowed out by your talk You know it I know it Why don't you Just show it You got a lot of money but you can't afford the freeway You got a lot of money but you can't afford the freeway And everything I do is wrong But at least I'm hanging on You got a lot of money that you can't afford You got a lot of money that you can't afford You got a lot of money but you can't afford the freeway You got a lot of money but you can't afford the freeway You got a lot of money but you can't afford You got a lot of money but you can't afford |
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
Finals blew, I barely knew
My graduation speech And with college out of reach If I don't find a job It's down to Dad and Myrtle Beach So I'm bailing this town Or tearing it down Or probably more like hanging around Hanging around Everyone I know is acting weird Or way too cool They hang out by the pool So I just read a lot and ride my bike Around the school 'Cause I'm bailing this town Or tearing it down Or probably more like hanging around Hanging around And all that I need now is someone With the brains and the know-how To tell me what I want... anyhow 12th of June, a gibbous Moon Was this the longest day? I'll walk down to the bay And jump off of the dock and watch The summer waste away Then I'm bailing this town Or tearing it down Or probably more like hanging around Then I'm bailing this town Or tearing it down Or probably more like hanging around Hanging around Hanging around Hanging around So tell me what I want |
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3:32 | ||||
from Aimee Mann - Bachelor No.2 (2001)
Finals blew, I barely knew my graduation speech and with college out of reach if I can't find a job I'm left with Dad and Myrtle Beach So, I'm bailing this town--or tearing it down--or probably more like hanging around Everyone I know is acting weird or way too cool they hang out by the pool so I just read a lot and ride my bike around the school Yeah, I'm bailing this town--or tearing it down--or probably more like hanging around And all that I need now is someone with the brains and the know-how to tell me what I want.. anyhow 12th of June, a gibbous moon is this the longest day? I walked down to the bay and jumped off of the dock and watched the summer waste away Yeah, I'm bailing this town--or tearing it down--or probably more like hanging around |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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2:07 | ||||
from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
God rest ye merry, gentlemen
Let nothing you dismay Remember, Christ, our Saviour Was born on Christmas day To save us all from Satan's power When we were gone astray O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy In Bethlehem, in Israel, This blessed Babe was born And laid within a manger Upon this blessed morn The which His Mother Mary Did nothing take in scorn O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy From God our Heavenly Father A blessed Angel came; And unto certain Shepherds Brought tidings of the same: How that in Bethlehem was born The Son of God by Name. O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy "Fear not then," said the Angel, "Let nothing you affright, This day is born a Saviour Of a pure Virgin bright, To free all those who trust in Him From Satan's power and might." O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy The shepherds at those tidings Rejoiced much in mind, And left their flocks a-feeding In tempest, storm and wind: And went to Bethlehem straightway The Son of God to find. O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy And when they came to Bethlehem Where our dear Saviour lay, They found Him in a manger, Where oxen feed on hay; His Mother Mary kneeling down, Unto the Lord did pray. O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy Now to the Lord sing praises, All you within this place, And with true love and brotherhood Each other now embrace; This holy tide of Christmas All other doth deface. O tidings of comfort and joy, Comfort and joy |
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2:54 | ||||
from Aimee Mann - Live At St. Anne (2004)
Something isn't right
I don't know how I know But baby, it's despite Your dog-and-pony show I can hear it coming You're only going through the motions, baby With your engines humming You're just going through the motions, baby Feel like I'm in jail With you and Mr. Hyde A guy who leaves a trail About a mile wide So it starts already That you're just going through the motions, baby You can throw confetti But you're still going through the motions, baby Going through the motions, baby They'll have a big parade For every day that you stay clean But when the trumpets fade You'll go under like a submarine And you won't see it coming No, you won't see it coming You could have it made Up there in San Rafael But baby, I'm afraid I'll never see you well Because I've seen the tally And you're just going through the motions, baby To a big finale That comes from going through the motions, baby Going through the motions, baby Going through the motions, baby You're just going through the motions, baby |
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2:58 | ||||
from Aimee Mann - The Forgotten Arm (2005)
Something isn't right
I don't know how I know But baby, it's despite Your dog-and-pony show I can hear it coming You're only going through the motions, baby With your engines humming You're just going through the motions, baby Feel like I'm in jail With you and Mr. Hyde A guy who leaves a trail About a mile wide So it starts already That you're just going through the motions, baby You can throw confetti But you're still going through the motions, baby Going through the motions, baby They'll have a big parade For every day that you stay clean But when the trumpets fade You'll go under like a submarine And you won't see it coming No, you won't see it coming You could have it made Up there in San Rafael But baby, I'm afraid I'll never see you well Because I've seen the tally And you're just going through the motions, baby To a big finale That comes from going through the motions, baby Going through the motions, baby Going through the motions, baby You're just going through the motions, baby |
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3:54 | ||||
from Aimee Mann - The Forgotten Arm (2005)
Put on your shoes, girl
I'm goin' to the coast Where every loser Gives up what hurts the most And all those haunted Unlucky guys get told Who's really wanted And who just can't stay sold Goodbye, Caroline You're my favorite faith healer Goodbye, everything Say I gave to the house dealer Who could only really let you down Put on your coat, babe My luck is winding down I'll get your suitcase And pull the car around Goodbye, Caroline You're my favorite faith healer Goodbye, everything Say I gave to the house dealer Who could only really let you down Where it's lit day for night And the clocks wear their faces bowed Where the hands and cuffs gleam white As they hang on a nicotine cloud Goodbye, Caroline Goodbye, everything Goodbye, Caroline You're my favorite faith healer Goodbye, everything Say I gave to the house dealer Who could only really let you down Who could only really let you down Who could only Let you down Let you down Let you down Let you down |
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from Aimee Mann - @#%&! Smilers (2008)
Go, honey go -
Into the ocean Go, honey go - Into the great beyond Til you're good and gone And you can hide away for When everything goes wrong Honey - go Go, honey go - If I were you I would Leave this neighborhood Away from people who never Treat you like they should Honey - go Go In the woods or in the ice and snow Where there is No one else you know You've really nowhere Else to go So honey go Go, honey go Cause it's a dead end street And it's a street in a town Where winning isn't sweet And every win Is the beginning of defeat So honey - go Go |
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3:11 | ||||
from Aimee Mann - Lost In Space (2005)
Guys like me
We don't know how it feels Absentee Even closing the deal With every player there's a payoff in the final reel But never with guys like me Cause guys like me We look good at the gate But you'll agree With the odds on the slate And put your money on a bona-fide heavyweight And take it off guys like me Take off guys like me They'll pull you close but never really Looking warm but feeling chilly You'll describe us as "impassioned" When it's just a front we've fashion Cause guys like me We all vow to become Clear and free of the fife and the drum And block the circulation till we're all completely numb Let's hear it for guys like me Let's hear it for guys like me Let's hear it for guys Guys like me |
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from Aimee Mann - Lost In Space (2005) | |||||
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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3:55 | ||||
from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
Have yourself a merry little Christmas,
Let your heart be light From now on, our troubles will be out of sight Have yourself a merry little Christmas, Make the Yule-tide gay, From now on, our troubles will be miles away. Here we are as in olden days, Happy golden days of yore. Faithful friends who are dear to us Gather near to us once more. Through the years We all will be together, If the Fates allow Hang a shining star upon the highest bough. |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - Lost In Space (2005) | |||||
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from Aimee Mann - Lost In Space (2005) | |||||
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3:15 | ||||
from Aimee Mann - Lost In Space (2005)
The monkey knows how you'll react
Creating want by holding back Like some reverse pyromaniac Let me try, baby, try I propped my window up and then I turned my back to lure you in To rifle through what I might have been Let me try, baby, try Baby please, let me begin Let me be your heroin Hate the sinner but love the sin Let me be your heroin We have crossed the Rubicon Our ship awash, our rudder gone The rats have fled but I'm hanging on Let me try, baby, try Baby please, let me begin Let me be your heroin Hate the sinner but love the sin Let me be your heroin |
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
I can't do it
I can't conceive You're everything you're Trying to make me believe 'Cause this show is Too well designed Too well to be held With only me in mind Chorus: And how - how am I different? How - how am I different? How - how am I different? Verse 2: I can't do it So move along Do you really want to wait until I Prove you wrong? And don't tell me - Let me guess I could change it all around if I Would just say yes Chorus: But how am I different? How am I different? How am I different? Bridge: And just one question Before I pack - When you fuck it up later Do I get my money back? Verse 3: I can't do it And as for you - Can you in good conscience Even ask me to? 'Cause what do you care About the great divide As long as you come down On the winner's side Chorus: And how am I different? How am I different? How am I different? Coda: Different, different, different, different Different, different (3x) And just one question Before I pack - When you fuck it up later Do I get my money back? |
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5:04 | ||||
from Aimee Mann - Bachelor No.2 (2001)
I can't do it
I can't conceive You're everything you're Trying to make me believe 'Cause this show is Too well designed Too well to be held With only me in mind Chorus: And how - how am I different? How - how am I different? How - how am I different? Verse 2: I can't do it So move along Do you really want to wait until I Prove you wrong? And don't tell me - Let me guess I could change it all around if I Would just say yes Chorus: But how am I different? How am I different? How am I different? Bridge: And just one question Before I pack - When you fuck it up later Do I get my money back? Verse 3: I can't do it And as for you - Can you in good conscience Even ask me to? 'Cause what do you care About the great divide As long as you come down On the winner's side Chorus: And how am I different? How am I different? How am I different? Coda: Different, different, different, different Different, different (3x) And just one question Before I pack - When you fuck it up later Do I get my money back? |
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5:04 | ||||
from Aimee Mann - Bachelor No.2 (2001) | |||||
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4:01 | ||||
from Aimee Mann - Lost In Space (2005)
Say you were split, you were split in fragments
And none of the pieces would talk to you Wouldn't you want to be who you had been Well, baby I want that too So better take the keys and drive forever Staying won't put these futures back together All the perfect drugs and superheroes Wouldn't be enough to bring me up to zero Baby, you're great, you've been more than patient Saying it's not a catastrophe But I'm not the girl you once put your faith in Just someone who looks like me So better take the keys and drive forever Staying won't put these futures back together All the perfect drugs and superheroes Wouldn't be enough to bring me up to zero So get out while you can Get out while you can Baby I'm pouring quicksand And sinking is all I had planned So better just go Oh better take the keys and drive forever Staying won't put these futures back together All the perfect drugs and superheroes Wouldn't be enough to bring me up to zero All the king's horses and all the king's men Couldn't put baby together again All the king's horses and all the king's men Couldn't put baby together again |
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from Aimee Mann - Lost In Space (2005) | |||||
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from Aimee Mann - Lost In Space (2005) | |||||
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3:37 | ||||
from Aimee Mann - The Forgotten Arm (2005)
I want to believe
If you tell me so I want to believe 'Cause you oughta know That kicking is hard But the bottom's harder So I'm taking your card But I cannot get my head around it, baby I cannot get my head around it, baby 'Cause that's just not the way You make me feel I want to believe But, baby, I'm dry I want to believe But you testify And I'll pour the drinks Like a true believer Whose god never blinks But I cannot get my head around it, baby I cannot get my head around it, baby 'Cause that's just not the way You make me feel No, that's just not the way You make me feel No, that's just not the way You make me feel Like way more real than real The world inside the glass That struggles to conceal The wreckage on the overpass I cannot get my head I cannot get my head I cannot get my head around it, baby 'Cause that's just not the way You make me feel No, that's just not the way You make me feel No, that's just not the way You make me feel |
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4:52 | ||||
from Aimee Mann - The Forgotten Arm (2005)
That summer was just crazy hot
We walked the fairground parking lot And with our secret handshakes Sealed the deal completely But I'm too close to know just what Will keep Pandora's boxes shut And so I'll fail you badly When you really need me 'Cause I don't know What I should know ? That I can't help you anymore No, I can't help you anymore No, I can't help you anymore I'll get a pen and make a list And give you my analysis But I can't write this story With a happy ending Was I the bullet or the gun Or just a target drawn upon A wall that you decided Wasn't worth defending? And I should know But I don't know That I can't help you anymore No, I can't help you anymore No, I can't help you anymore Anymore No, I can't help you 'Cause baby, look what I have done The ruins just go on and on I've got to let it go now, or it will drag me under So I can't help you anymore No, I can't help you anymore No, I can't help you anymore Anymore No, I can't help you anymore |
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from Aimee Mann - Whatever (2001) | |||||
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from Aimee Mann - Whatever (2001) | |||||
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from Aimee Mann - Whatever (2001) | |||||
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3:19 | ||||
from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
I'm dreaming tonight
Of a place I love Even more than I usually do. And although I know It's a long road back I promise you I'll be home for Christmas. You can count on me. Please have snow and mistletoe And presents under the tree. Christmas Eve will find me Where the love-light gleams. I'll be home for Christmas If only in my dreams. Oh oh ah I'll be home for Christmas. You can count on me. Please have snow and mistletoe And presents under the tree. Oh Christmas Eve will find me Where the love-light gleams. I'll be home for Christmas If only in my dreams. If only yeah Well now, if only, only, only, only If only in my dreams. If only Well, well, well Lord If only oh |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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4:59 | ||||
from Aimee Mann - Lost In Space (2005)
There comes a time when you swim or sink
So I jumped in the drink 'Cause I couldn't make myself clear Maybe I wrote in invisible ink Oh, I've tried to think How I could have made it appear But another illustration is wasted 'Cause the results are the same I feel like a ghost who's trying to move your hands Over some Ouija board in the hopes I can spell out my name What some take for magic at first glance Is just sleight-of-hand depending on what you believe Something gets lost when you translate It's hard to keep straight Perspective is everything And I know now which is which and what angle I oughta look at it from I suppose I should be happy to be misread Better be that than some of the other things I have become But nobody wants to hear this tale The plot is cliched, the jokes are stale And baby we've all heard it all before Oh, I could get specific but Nobody needs a catalog With details of love I can't sell anymore And aside from that, this chain of reaction, Baby, is losing a link Though I'd hope you'd know what I tried to tell you And if you don't I could draw you a picture in invisible ink But nobody wants to hear this tale The plot is cliched, the jokes are stale And baby we've all heard it all before Oh, I could get specific but Nobody needs a catalog With details of love I can't sell anymore |
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from Aimee Mann - Lost In Space (2005) | |||||
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from Aimee Mann - Lost In Space (2005) | |||||
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
As we were speaking of the devil
You walked right in Wearing hubris like a medal You revel in But it's me at whom you'll level Your javelin' Wasn't that just our dear friend Ron? Throwing your weight around the sun Happier now that you've become What you hated I'm surprised I even thought I Had half a chance I was just one in a million Of also-rans Who was sure to be your victim Of circumstance Once you were just our dear friend Ron Selling the soul you swore upon Spreading the word that you've become What you hated And if I don't understand... Well, I guess it takes all kinds I would like to keep this vision Of you intact When we'd hang around and listen To Bacharach And you loved the world you lived in And it loved you back Once you were just our dear friend Ron Now you look out for number one Who would've guessed that you'd become What you hated And I guess it takes all kinds |
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4:07 | ||||
from Aimee Mann - Bachelor No.2 (2001)
As we were speaking of the devil
You walked right in Wearing hubris like a medal You revel in But it's me at whom you'll level Your javelin' Wasn't that just our dear friend Ron? Throwing your weight around the sun Happier now that you've become What you hated I'm surprised I even thought I Had half a chance I was just one in a million Of also-rans Who was sure to be your victim Of circumstance Once you were just our dear friend Ron Selling the soul you swore upon Spreading the word that you've become What you hated And if I don't understand... Well, I guess it takes all kinds I would like to keep this vision Of you intact When we'd hang around and listen To Bacharach And you loved the world you lived in And it loved you back Once you were just our dear friend Ron Now you look out for number one Who would've guessed that you'd become What you hated And I guess it takes all kinds |
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3:28 | ||||
from Aimee Mann - Lost In Space (2005)
I keep going round and round on the same old circuit
A wire travels underground to a vacant lot Where something I can't see interupts the current And shrinks the picture down to a tiny dot And from behind the screen, it can look so perfect But it's not So here I'm sitting in my car at the same old stop light I keep waiting for a change, but I don't know what So red turns into green turning into yellow But I'm just frozen here on the same old spot And all I have to do is to press the pedal But I'm not No, I'm not People are tricky, you can't afford to show Anything risky, anything they don't know The moment you try, well, kiss it goodbye So baby kiss me like a drug, like a respirator And let me fall into the dream of the astronaut Where I get lost in space that goes on forever And you make all the rest just an afterthought And I believe it's you who could make it better though it's not No, it's not No, it's not |
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from Aimee Mann - @#%&! Smilers (2008)
Everything's beautiful
Every day's a holiday The day you live without it Everything changes up Everything shifts and falls Unless you care about it But you sit there in the darkness And you make plans but they're hopeless And you blame God when you're lonely And you'll call it fate When you show up too late and it's over Here on the boulevard You were the golden boy A mix of brains and muscle That was a lucky break Luck is a thing you make Not just another hustle But you sit there in the darkness And you make plans but they're hopeless And you blame God when you're lonely And you'll call it fate When you show up too late and it's over 'Cause nothing can wait forever They don't give unlimited chances in life They hand you the knife And tell you to cut it or run So baby let's fly Baby let's run Baby let's run 'Cause everything's beautiful Every day's a holiday But days are getting shorter The moon and the stars report The boulevard's last resort And now your last supporter But you sit there in the darkness And you make plans but they're hopeless And you blame God when you're lonely And you'll call it fate When you show up too late and it's over |
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from Aimee Mann - I`M With Stupid (1996) | |||||
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from Aimee Mann - Lost In Space (2005) | |||||
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from Aimee Mann - Whatever (2001) | |||||
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from Aimee Mann - Whatever (2001) | |||||
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
So maybe I wasn't
That good a friend But you were one of us And I will wonder Just like anyone If there was something Else I could've done So maybe it's true that Your cry for help Was oh, so very faint But still I heard And knew something was wrong Just nothing you could put your finger on And I will wonder Just like anyone Just like anyone |
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1:22 | ||||
from Aimee Mann - Bachelor No.2 (2001)
So maybe I wasn't
That good a friend But you were one of us And I will wonder Just like anyone If there was something Else I could've done So maybe it's true that Your cry for help Was oh, so very faint But still I heard And knew something was wrong Just nothing you could put your finger on And I will wonder Just like anyone Just like anyone |
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5:41 | ||||
from Aimee Mann - Live At St. Anne (2004)
The king of the jailhouse
And the queen of the road Think sharing the burden will lighten the load So they pack up their troubles In an old Cadillac That's her in the mirror, asleep in the back Baby, there's something wrong with me Baby, there's something wrong with me Baby, there's something wrong with me That I can't see That I can't see And they don't give the answers At the end of the test So you can't simply stand there and hope for the best So wake me up at the border When we reach Mexico I'll tell you a secret I don't even know Baby, there's something wrong with me Baby, there's something wrong with me Baby, there's something wrong with me That I can't see That I can't see Honey, I don't wanna turn around And go back there ? do you? I think you know something I don't know That I need to Baby, there's something wrong with me Baby, there's something wrong with me Baby, there's something wrong with me That I can't see That I can't see That I can't see |
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5:20 | ||||
from Aimee Mann - The Forgotten Arm (2005)
The king of the jailhouse
And the queen of the road Think sharing the burden will lighten the load So they pack up their troubles In an old Cadillac That's her in the mirror, asleep in the back Baby, there's something wrong with me Baby, there's something wrong with me Baby, there's something wrong with me That I can't see That I can't see And they don't give the answers At the end of the test So you can't simply stand there and hope for the best So wake me up at the border When we reach Mexico I'll tell you a secret I don't even know Baby, there's something wrong with me Baby, there's something wrong with me Baby, there's something wrong with me That I can't see That I can't see Honey, I don't wanna turn around And go back there ? do you? I think you know something I don't know That I need to Baby, there's something wrong with me Baby, there's something wrong with me Baby, there's something wrong with me That I can't see That I can't see That I can't see |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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3:49 | ||||
from Aimee Mann - The Forgotten Arm (2005)
From the 22nd floor
Walking down the corridor Looking out the picture window down On Sycamore While perspective lines converge Rows of cars and buses merge All the sweet green trees of Atlanta burst Like little bombs Or little pom-poms Shaken by a careless hand That drives them off And leaves again Life just kind of empties out Less a deluge than a drought Less a giant mushroom cloud Than an unexploded shell Inside a cell Of the Lennox Hotel On the 22nd floor Found a notice on my door While outside, the sun is shining on Those little bombs Those little pom-poms Life just kind of empties out Less a deluge than a drought Less a giant mushroom cloud Than an unexploded shell Inside a cell Of the Lennox Hotel Inside a cell Of the Lennox Hotel Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Inside a cell Of the Lennox Hotel Inside a cell Of the Lennox Hotel |
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from Aimee Mann - @#%&! Smilers (2008)
Little tornado
Bane of the trailer park Lifting houses To leave your mark Little tornado Noah can build his ark But he will never Disembark Make it go faster Baby, go faster Make it go twice the speed Of you and me Little tornado You and the hurricane Close your eyes and Go campaign Make it go faster Baby, go faster Make it go twice the speed Of you and me Oh, no, no, we don't, no, we don't know (We don't know, we don't know) No, no, no, we don't, no, we don't know (We don't know, we don't know) No, no, no, we don't, no, we don't know Little tornado Blew out the windowpane Left the inside To the rain Make it go faster Baby, go faster Make it go twice the speed Of you and me Oh, no, no, we don't, no, we don't know (We don't know, we don't know) No, no, no, we don't, no, we don't know (We don't know, we don't know) Oh, no, no, we don't, no, we don't know |
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from Aimee Mann - I`M With Stupid (1996)
(Five six seven fifty)
You fucked it up You should've quit Till circumstances Had changed a bit You fucked it up You jumped the gun I swore you off but You climbed back on And when you said Of course you know Could I be blamed If I'd wished it so I don't think so You fucked it up Or was it you 'Cause when you said it I said it too What of it And all that stuff I knew before Just turned into Please love me more Please love me more Please love me more Please love me more Please love me more Please love me more Please love me |
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5:32 | ||||
from Aimee Mann - Live At St. Anne (2004)
(Five six seven fifty)
You fucked it up You should've quit Till circumstances Had changed a bit You fucked it up You jumped the gun I swore you off but You climbed back on And when you said Of course you know Could I be blamed If I'd wished it so I don't think so You fucked it up Or was it you 'Cause when you said it I said it too What of it And all that stuff I knew before Just turned into Please love me more Please love me more Please love me more Please love me more Please love me more Please love me more Please love me |
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from Aimee Mann - @#%&! Smilers (2008)
Macka wants to ride on the Mouse and the Tilt-A-Whirl
Canada is looking for a smile from a pin-up girl But I ain't looking for nothing Just spend the money I made I ain't gotta do nothing today Everybody's waiting for their thing just to come along They all got something they can pin all their feelings on But I ain't looking for nothing Just spend the money I made I ain't looking for nothing today I got high on the Ferris Wheel Didn't like how it made me feel So alone Another cog in the loading zone Macka went on home when the fireworks and rides were done Canada got busted with a girl who was way too young But I wasn't looking for nothing Not trouble, money or thrills ‘Cause when you're looking for nothing Babe, it's not the speed that kills Oh, I'm not looking for nothing Just spend my money and go I'm not looking for nothing To put me in the rodeo |
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3:26 | ||||
from Aimee Mann - Lost In Space (2005)
Lost in space
A bubble drifting Into a place Where planets shift and The moon's erased Its features lift in the glare But I'm the stuff Of happy endings Though mostly bluff Belief suspending But close enough For just pretending to care And I'm pretending to care When I'm not even there Gone, but I don't know where Well, she's the face And I'm the double Who keeps the pace And clears the rubble And, lost in space Fills up the bubble with air By just pretending to care Like I'm not even there Gone, but I don't know where You split like a cell And then cannot tell The line from its parallel So baby, beware I'm just pretending to care Like I'm not even there Gone, but I don't know where Gone, but I don't know where Gone, but I don't know where |
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from Aimee Mann - Lost In Space (2005) | |||||
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3:34 | ||||
from I Am Sam (아이 엠 샘) [ost] (2002)
Picture yourself in a boat on a river
With tangerine trees and marmalade skies Somebody calls you, you answer quite slowly, A girl with kaleidoscope eyes Cellophane flowers of yellow and green, Towering over your head Look for the girl with the sun in her eyes, And she's gone Lucy in the sky with diamonds Lucy in the sky with diamonds Lucy in the sky with diamonds Follow her down to a bridge by a fountain Where rocking horse people eat marshmallow pies, Everyone smiles as you drift past the flowers That grow so incredibly high. Newspaper taxis appear on the shore Waiting to take you away Climb in the back with your head in the clouds And you're gone Lucy in the sky with diamonds Lucy in the sky with diamonds Lucy in the sky with diamonds Picture yourself on a train in a station With plasticine porters with looking glass ties Suddenly someone is there at the turnstile The girl with the kaleidoscope eyes Lucy in the sky with diamonds Lucy in the sky with diamonds Lucy in the sky with diamonds.................... |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - @#%&! Smilers (2008)
The day you left and you called me bitch
I called you selfish, better pull that switch Put my son on amphetamines He came home crying and there's your proof Crying 'bout nothing but a missing tooth I did the right thing. You shade the truth almost everyday Phone calls at night “it's going to be ok” Are you saddened, baby, under the bridge? Are you saddened, baby, on Lake Street? Black marker on cardboard Little drawing of a medicine wheel But everything that's good you steal Everything that's good you steal Maybe you'll wake up in jail alone And hold the handle of the one pay phone And do the right thing Like I once tried but I bent the truth A five dollar dent for a little lost tooth There's a payback in front of me Because once you were like a walking high Breaking in motion through the parking lot Are you saddened, baby, under the bridge? Are you saddened, baby, on Lake Street? Black marker on cardboard Little drawing of a medicine wheel Everything that's good you steal Everything that's good you steal Words of encouragement are just as real Saving my faith does have a smooth group appeal Are you saddened, baby, under the bridge? Are you saddened, baby, on Lake Street? Black Marker on cardboard Little drawing of a medicine wheel Everything that's good you steal Everything that's good you steal Everything that's good you steal From me |
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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3:28 | ||||
from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
Oh, for the sake of momentum
I've allowed my fears to get larger than life And it's brought me to my current agendum Whereupon I deny fulfillment has yet to arrive And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture I've got my routine Oh, for the sake of momentum Even though I agree with that stuff about seizing the day But I hate to think of effort expended All those minutes and days and hours I have frittered away. And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture I've got my routine But I can't confront the doubts I have I can't admit that maybe the past was bad And so, for the sake of momentum I'm condemning the future to death So it can match the past. when I can't confront the doubts I have I can't admit that maybe the past was bad And so, for the sake of momentum I'm condemning the future to death So it can match the past. |