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6:38 | ||||
from Yes, Yes - Yessongs [live] (1973) | |||||
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- | ||||
from Yes - 9012 Live [video, live] (1985) | |||||
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- | ||||
from John Lennon & The Plastic Ono Band - Feeling The Space (2001) | |||||
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- | ||||
from Yes - Don'T Kill The Whale [single] (1978) | |||||
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4:02 | ||||
from Yes, Yes - Tormato (1978)
Something's goin on
I don't know what it is But my phone just rang and I didn't get no call No call. Just waiting here Abilene, it's got a lot of what you don't need It's got lots of space Still nothing seems misplaced You've got a face You are spacey You got to take it as it comes to you Don't need no act of contemplation Just keep it off your wasteful way for now (? ) It's not you who has got to change It's not your way at all It's got to be you It's got to be you The look in your eyes, The feel of your body close to me It's got to be you Who tells me the world spin away without love You... Reason, oh, reason for being once more together It's got to be you. It's got to be you The look in your eyes, The feel of your body close to me It's got to be you Who tells me the world spin away without love You... Reason, oh, reason for being once more together It's got to be you. It's got to be you. It's got to be you. It's got to be you. |
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- | ||||
from John Lennon & The Plastic Ono Band - Approximately Infinite Universe (2000) | |||||
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5:01 | ||||
from Yes, Yes - Big Generator (1987)
Who was it organizing the right To follow my leader Seems we look and stand around waiting For a sign from God Speaking for myself The christian need The muslim need The buddhist need To testify the need for brotherly love I know there's so many hundred things Things to talk about Making us laugh Just like a shakespeare revolution Please organize our spiritual evolution So that you'll feel it And we'll feel it Appreciate it's almost like love It's almost like love It's almost like love It's almost like love Saint or sinner Makes no difference in who you believe In a world of superstition Caught in a total nuclear greed Pioneers of the twenty first century Looking on and looking fast To try and fix and try and help This very need I know there's so many ways That we can work it out Making us laugh and cry Whether we live or die Please organize the simple evolution so there's got to be so we can see to be free It's almost like love It's almost like love It's almost like love So promised in a hundred letters Should be getting to you any time now So promised a surprise for you For getting so far from now It's almost like love The way the first one out discovers It's almost like How many times can you recover It's almost It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like It's almost like love |
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2:36 | ||||
from Yes, Yes - Going For The One (1977)
Amazing grace! How sweet the sound
That saved a wretch like me. I once was lost, but now am found, Was blind, but now I see. 'Twas grace that taught my heart to fear, And grace my fears relieved. How precious did that grace appear The hour I first believed. Through many dangers, toils and snares I have already come; 'Tis grace has brought me safe thus far And grace will lead me home. The Lord has promised good to me His word my hope secures; He will my shield and portion be, As long as life endures. Yea, when this flesh and heart shall fail, and mortal life shall cease, I shall possess within the veil, A life of joy and peace. When we've been there ten thousand years Bright shining as the sun, We've no less days to sing God's praise Than when we've first begun. |
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10:30 | ||||
from Yes - Saving My Heart [single] (1991)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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10:28 | ||||
from Yes - America [single] (1996)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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4:45 | ||||
from Yes - America [single] (1996)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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|
- | ||||
from Weber:Ten Scottish Melodies/28 Songs/Chamber Music (1997) | |||||
|
- | ||||
from Yes - Live 1975 At Q.P.R. Vol. 2 [video, live] (2001) | |||||
|
9:34 | ||||
from Yes, Yes - Yessongs [live] (1973)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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|
11:23 | ||||
from Yes, Yes - House Of Yes [live] (2000)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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|
- | ||||
from Yes - Symphonic Live [video, live] (2002)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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|
11:23 | ||||
from Yes - Yesspeak [video, live] (2003)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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|
11:08 | ||||
from Yes - Songs From Tsongas Yes 35Th Anniversary Concert [video, live] (2004)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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- | ||||
from Yes - Live At Montreux 2003 [video, live] (2007)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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11:27 | ||||
from Yes - In the Present (Live From Lyon) [live] (2011)
I Cord of Life
A man conceived a moment's answer to the dream Staying the flowers daily, sensing all the themes As a foundation left to create the spiral aim A movement regained and regarded both the same All complete in the sight of seeds of life with you Changed only for a sight of sound, the space agreed Between the picture of time behind the face of need Coming quickly to terms of all expression laid Emotions revealed as the ocean maid All complete in the sight of seeds of life with you Coins and crosses (Turn round tailor, assaulting) Never know their fruitless worth (all the mornings of the interest shown, presenting one another to the cord) Cords are broken (All left dying, rediscovered Of the door that turned round) Locked inside the mother Earth (To close the cover, all the interest shown) They won't hide, hold, they won't tell you (To turn one another, to the sign at the time float your climb) Watching the world, watching all of the world Watching us go by And you and I climb over the sea to the valley And you and I reached out for reasons to call II Eclipse Coming quickly to terms of all expression laid Emotions revealed as the ocean maid As a movement regained and regarded both the same All complete in the sight of seeds of life with you III The preacher, the teacher Sad preacher nailed upon the coloured door of time Insane teacher be there reminded of the rhyme There'll be no mutant enemy we shall certify Political ends as sad remains will die Reach out as forward tastes begin to enter you Oooh, ooh I listened hard but could not see Life tempo change out and inside me The preacher trained in all to lose his name The teacher travels, asking to be shown the same In the end we'll agree, we'll accept, we'll immortalize That the truth of man maturing in his eyes All complete in the sight of seeds of life with you Coming quickly to terms of all expression laid As a moment regained and regarded both the same Emotion revealed as the ocean maid A clearer future, morning, evening, nights with you IV Apocalypse And you and I climb, crossing the shapes of the morning And you and I reach over the sun for the river And you and I climb, clearer towards the movement And you and I called over valleys of endless seas |
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- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
4:05 | ||||
from Some Time In New York City (1973) | |||||
|
5:24 | ||||
from Yes - Union (1991)
Out of the brightest tree the moon became the morning sun,
And there again reflected on the dreams of everyone. Out of the starlight night the telling of all our lives, And racing faster than the Northwestern World. Starpoint to signal our endlessness Starpoint to signal this evermore Starpoint to compass: We look to the North To return to the centre: Angkor Wat. (Cambodian Poetry) |
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|
- | ||||
from John Lennon & The Plastic Ono Band - Feeling The Space (2001) | |||||
|
- | ||||
from John Lennon & The Plastic Ono Band - Plastic Ono Band (2000) | |||||
|
- | ||||
from John Lennon & The Plastic Ono Band - Approximately Infinite Universe (2000) | |||||
|
6:08 | ||||
from Yes, Yes - Tormato (1978)
I could not take it oh so seriously really When you called and said you'd seen a UFO But then it dawned on me the message in writing Spelt out a meeting never dreamed of before I looked out, in the night Strange and startling Was the voice of time just saying There's got to be a linking of everyone Got to be a centre It all comes flooding back Arriving thru the eons of times immortal power of the future to behold Vessels of a different impression, none that we could ever hope to have known So look out, in the night Once they arrive Oh that perennial light Impress a bolder Empire of Energy In the ships we see The coming of outer space You say there's no reason to conjure With the force as it has been known to be seen You say I'm a fool a believer Put your feet on the earth it is green But look out, in the night Wait for they arrive To start such sciences anew Here it is the coming of outer space Such a pure delight The coming of outer space |
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|
8:49 | ||||
from Yes - In the Present (Live From Lyon) [live] (2011)
And in the ruins of the balloon
Stood a man with glasses held high Wondering when to do it again Have another fly into the sky Somewhere flying high Astral traveller Leaving without her Wondering where lights go Leave out the body load Once in the air, people who dare Get a great respect in the end (astral traveller) Heavenly flight, wonderous night And all the sights worth seeing Just believe in Astral traveller Leaving without her Wondering where lights go Leave out the body load Once in the air, people who dare Get a great respect in the end (astral traveller) Heavenly flight, wonderous night And all the sights worth seeing Just believe in Astral traveller Leaving without her Wondering where lights go Leave out the body load |
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|
2:53 | ||||
from Some Time In New York City (1973)
What a waste of human power
What a waste of human lives Shoot the prisoners in the towers Forty-three poor widowed wives Attica State, Attica State, we're all mates with Attica State Media blames it on the prisoners But the prisoners did not kill "Rockefeller pulled the trigger" That is what the people feel Attica State, Attica State, we're all mates with Attica State Free the prisoners, jail the judges Free all prisoners everywhere All they want is truth and justice All they need is love and care Attica State, Attica State, we're all mates with Attica State They all live in suffocation Let's not watch them die in sorrow Now's the time for revolution Give them all a chance to grow Attica State, Attica State, we're all mates with Attica State Come together join the movement Take a stand for human rights Fear and hatred clouds our judgement Free us all from endless night Attica State, Attica State, we're all mates with Attica State Attica State, Attica State, we all live in Attica State Attica State, Attica State, Attica, Attica, Attica State |
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|
6:36 | ||||
from Some Time In New York City (1973)
Good night!
Good night, thank you! Thank you We'd like to thank Frank for having us on here Yeah, he's great, isn't he? He's the greatest |
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|
15:38 | ||||
from Yes, Yes - Going For The One (1977)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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19:01 | ||||
from Yes - The Union Tour Live [video, live] (1991)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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17:34 | ||||
from Yes, Yes - House Of Yes [live] (2000)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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- | ||||
from Yes - Yesspeak [video, live] (2003)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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- | ||||
from Yes - Live At Montreux 2003 [video, live] (2007)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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- | ||||
from John Lennon & The Plastic Ono Band - Double Fantasy (2007) | |||||
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- | ||||
from John Lennon & The Plastic Ono Band - Double Fantasy (2007) | |||||
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- | ||||
from John Lennon & The Plastic Ono Band - It`S Alright (2001) | |||||
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- | ||||
from Yes 21집 - Heaven & Earth (2014) | |||||
|
4:33 | ||||
from Yes, Yes - Big Generator (1987)
Verse 1 Such a strange pre-occupation Such a strange peculiar breed How it's shining in its armour Made of gold and made of steel It can strike a chord inside you Like a generation's need Speaking happy words of promise Chorus 1 Big generator Lives out of sight Big generator Hands upon the wheel Moving to the left Movin' Moving to the right Big generator moving through the night Second nature sacrifice Even if you close your eyes We exist through this strange disguise Verse 2 I have heard it said to someone Or maybe it was me There is a reason to experience Psychedelic so we could see To be growing up before us Like the black and white of love Be the focus Be the chorus Chorus 2 Big generator Hands upon the wheel Big generator In for the kill Second nature comes alive Even if you close your eyes We exist through this strange device Moving to the left Moving to the right Big generator Moving through the night We are the voices of the big generator Moving through the night Movin' Flying out the soft machine, we offer All surprise to you Praise oh praise this anthem generator Moving through the night Movin' We are the voice of every. . . |
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- | ||||
from Yes - Yes Acoustic [video, live] (2004) | |||||
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4:06 | ||||
from John Lennon & The Plastic Ono Band - Live Peace In Toronto [live] (1969)
Well, it's a one for the money, two for the show,
Three to get ready, now go, cat, go! Don't you step on my blue suede shoes. Well, you can do anything But lay off them blue suede shoes. Well, you can knock me down, step in my face, Slander my name all over the place; Do anything that you wanna do, But, aw-aw, honey, lay off them shoes. Don't you step on my blue suede shoes. Well, you can do anything But lay off them blue suede shoes. Well, you can burn my house, steal my car, Drink my liquor from the old fruit jar. Do anything that you wanna do, But, aw-aw, honey, lay off them shoes. Don't you step on my blue suede shoes. Well, you can do anything But lay off them blue suede shoes. Well, hey! Well, it's blue, blue, blue suede shoes, Hey, blue, blue, blue suede shoes, Hey, blue, blue, blue suede shoes, Hey, blue, blue, blue suede shoes. Well, you can do anything But lay off my blue suede shoes |
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4:03 | ||||
from Some Time In New York City (1973)
We're born in a prison
Raised in a prison Sent to a prison called school We cry in a prison We love in a prison We dream in a prison like fools Wood becomes a flute when it's loved Reach for yourself and your battered mates Mirror becomes a razor when it's broken Look in the mirror and see your shattered fate We live with no reason Kicked around for no reason Thrown out without reason like tools We work in a prison And hate in a prison And die in a prison as a rule Wood becomes a flute when it's loved Reach for yourself and your battered mates Mirror becomes a razor when it's broken Look in the mirror and see your shattered fate We live in a prison Among judges and wardens And wait for no reason for you We laugh in a prison Go through all four seasons And die with no vision of truth Wood becomes a flute when it's loved Reach for yourself and your battered mates Mirror becomes a razor when it's broken Look in the mirror and see your shattered fate |
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1:32 | ||||
from Yes - The Ladder (1999) | |||||
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2:58 | ||||
from Yes - Magnification (2001)
Can you imagine what it's like seeing life
From the other side Do you imagine darkened light, starless night? You might need a guide And will the illusion confuse you, play with your thoughts And alter your mind Or become a delusion, exclude you Change your existence For another kind See what you see for yourself, 'til your heart Is open wide Wish what you wish for yourself, and you find it there And you believe it And you believe it Can you imagine what it's like, seeing life From the other side Do you imagine light darkened, starless night You might need a guide And will the illusion confuse you, play with your thoughts And alter your mind Or become a delusion, excuse you Change your existence For another kind See what you see for yourself, till your heart Is open wide Wish what you wish for yourself, and you find it here And you believe it And you believe it |
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- | ||||
from John Lennon & The Plastic Ono Band - Starpeace (2001) | |||||
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- | ||||
from John Lennon & The Plastic Ono Band - Approximately Infinite Universe (2000) | |||||
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- | ||||
from John Lennon & The Plastic Ono Band - Double Fantasy (2007) | |||||
|
6:20 | ||||
from Yes, Yes - 90125 (1983)
I'm moving through some changes
I'll never be the same Something you did touched me There's no one else to blame The love we had has fallen The love we used to share We've given up pretending As if you didn't care Change changing places Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes I look into the mirror I see no happiness All the warmth I gave you Has turned to emptiness The love we had has fallen The love we used to share You've left me here believing In love that wasn't there Change changing places Root yourself to the ground Word to the wise - Well you get what's coming One word can bring you round Changes When I look into your eyes and try to find out how There's no way to save it now And everything I feel Changes Keep looking for Changes Changes For some reason you're questioning why I always believe it gets better One difference between you and I Your heart is inside your head One word from you One word from me A clear design on your liberty Who could believe when love has gone How we move on like everyone Only such fools Only such jealous hearts Only through love changes come Change changing places Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes One road to loneliness It's always the same One road to happiness It's calling your name Change changing places - Changes Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes Change changing places Changes Root yourself to the ground Word to the wise - Well you get what's coming One word - One word can bring you round Changes |
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- | ||||
from Yes - 9012 Live [video, live] (1985)
I'm moving through some changes
I'll never be the same Something you did touched me There's no one else to blame The love we had has fallen The love we used to share We've given up pretending As if you didn't care Change changing places Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes I look into the mirror I see no happiness All the warmth I gave you Has turned to emptiness The love we had has fallen The love we used to share You've left me here believing In love that wasn't there Change changing places Root yourself to the ground Word to the wise - Well you get what's coming One word can bring you round Changes When I look into your eyes and try to find out how There's no way to save it now And everything I feel Changes Keep looking for Changes Changes For some reason you're questioning why I always believe it gets better One difference between you and I Your heart is inside your head One word from you One word from me A clear design on your liberty Who could believe when love has gone How we move on like everyone Only such fools Only such jealous hearts Only through love changes come Change changing places Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes One road to loneliness It's always the same One road to happiness It's calling your name Change changing places - Changes Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes Change changing places Changes Root yourself to the ground Word to the wise - Well you get what's coming One word - One word can bring you round Changes |
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|
7:00 | ||||
from Yes - 9012 Live [live] (1985)
I'm moving through some changes
I'll never be the same Something you did touched me There's no one else to blame The love we had has fallen The love we used to share We've given up pretending As if you didn't care Change changing places Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes I look into the mirror I see no happiness All the warmth I gave you Has turned to emptiness The love we had has fallen The love we used to share You've left me here believing In love that wasn't there Change changing places Root yourself to the ground Word to the wise - Well you get what's coming One word can bring you round Changes When I look into your eyes and try to find out how There's no way to save it now And everything I feel Changes Keep looking for Changes Changes For some reason you're questioning why I always believe it gets better One difference between you and I Your heart is inside your head One word from you One word from me A clear design on your liberty Who could believe when love has gone How we move on like everyone Only such fools Only such jealous hearts Only through love changes come Change changing places Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes One road to loneliness It's always the same One road to happiness It's calling your name Change changing places - Changes Root yourself to the ground Capitalize on this good fortune One word can bring you round Changes Change changing places Changes Root yourself to the ground Word to the wise - Well you get what's coming One word - One word can bring you round Changes |
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- | ||||
from John Lennon & The Plastic Ono Band - Starpeace (2001) | |||||
|
2:07 | ||||
from Yes, Yes - 90125 (1983) | |||||
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- | ||||
from Yes - 9012 Live [video, live] (1985) | |||||
|
1:58 | ||||
from Yes, Yes - House Of Yes [live] (2000) | |||||
|
4:31 | ||||
from Yes, Yes - Tormato (1978)
The day the Circus of Heaven came to town Local folks lined the streets in a Midwestern town Waiting anxiously for the parade to begin all round On the very last day A Unicorn headed the Mystical way Surrounded by what seemed a thousand golden angels at play Behind were Centaurs, elves, bright fairies all in colours of Jade On the very final day For what seemed only just a moment in time Seven solemn flying silvered regal horses rode by Seven golden chariots in tow, a wonder to behold The Seven Lords of the Mountains of time There then arose where nothing really stood there before A giant tent rising one thousand feet high from the floor Towns people flocked inside with their eyes all amazed To greet the Seventh Lord of the Seventh age A fanfare rang out in an incredible sound Bringing out the strangest visions perfect harmony round Any dreams he asked would they like to have seen From historical or mythical scenes Then there above their heads just as vivid as life Each vision transported in multitudes inventing light Grecian galleons, The Sack of Troy, to the Gardens of Babylon A play of millions roared along The gigantic dreams of Alexander the Great Civil wars where brothers fought and killed their friendship in hate All seen by Zeus performing scenes of the magical way The day the circus came to town Outside great animals as tame as the trees Angels high in starlight dancing streets Tuning their colours with indigo and gold Dropping violet, red and emerald snow As the circus finally changed its invisible course A new world to be found On the dreamy ground we walked upon I turned to my son and said "Was that something beautiful, amazing, wonderful, extraordinary beautiful?" "Oh! it was OK!! But there were no clowns, no tigers, lions or bears, candy-floss, toffee apples, no clowns." |
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- | ||||
from Yes - Live In Philadelphia 1979 [video, live] (1979)
The day the Circus of Heaven came to town Local folks lined the streets in a Midwestern town Waiting anxiously for the parade to begin all round On the very last day A Unicorn headed the Mystical way Surrounded by what seemed a thousand golden angels at play Behind were Centaurs, elves, bright fairies all in colours of Jade On the very final day For what seemed only just a moment in time Seven solemn flying silvered regal horses rode by Seven golden chariots in tow, a wonder to behold The Seven Lords of the Mountains of time There then arose where nothing really stood there before A giant tent rising one thousand feet high from the floor Towns people flocked inside with their eyes all amazed To greet the Seventh Lord of the Seventh age A fanfare rang out in an incredible sound Bringing out the strangest visions perfect harmony round Any dreams he asked would they like to have seen From historical or mythical scenes Then there above their heads just as vivid as life Each vision transported in multitudes inventing light Grecian galleons, The Sack of Troy, to the Gardens of Babylon A play of millions roared along The gigantic dreams of Alexander the Great Civil wars where brothers fought and killed their friendship in hate All seen by Zeus performing scenes of the magical way The day the circus came to town Outside great animals as tame as the trees Angels high in starlight dancing streets Tuning their colours with indigo and gold Dropping violet, red and emerald snow As the circus finally changed its invisible course A new world to be found On the dreamy ground we walked upon I turned to my son and said "Was that something beautiful, amazing, wonderful, extraordinary beautiful?" "Oh! it was OK!! But there were no clowns, no tigers, lions or bears, candy-floss, toffee apples, no clowns." |
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4:52 | ||||
from Yes, Yes - 90125 (1983)
City of love City of love City of love
Once bitten twice shy No - No regrets at all Justice - Body smooth take over Good girls they work the city Good guys they spike you hard How they jive and jingle When you're in their backyard Street corner wonder lust Beckoning the good guy Take this get that Have a good time He young and tactile He ready for anything that is How they jive and jingle They've read the book that gives We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come Supervise this good treatment Alternative line by line So the street guys so observant Take him for a ride Have a good time Like a legend the man he sharp His women gladly watching As he strides out of the dark Better be quick get away We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come Good timing has its good price One trick and you're stuck with the dice How they jive and jingle When you're their sacrifice Fast as lightning Go - Go get high - He's looking good Once bitten twice shy No woman no cry No woman don't cry We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come |
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- | ||||
from Yes - 9012 Live [video, live] (1985)
City of love City of love City of love
Once bitten twice shy No - No regrets at all Justice - Body smooth take over Good girls they work the city Good guys they spike you hard How they jive and jingle When you're in their backyard Street corner wonder lust Beckoning the good guy Take this get that Have a good time He young and tactile He ready for anything that is How they jive and jingle They've read the book that gives We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come Supervise this good treatment Alternative line by line So the street guys so observant Take him for a ride Have a good time Like a legend the man he sharp His women gladly watching As he strides out of the dark Better be quick get away We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come Good timing has its good price One trick and you're stuck with the dice How they jive and jingle When you're their sacrifice Fast as lightning Go - Go get high - He's looking good Once bitten twice shy No woman no cry No woman don't cry We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come |
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|
6:32 | ||||
from Yes - Rhythm Of Love [ep] (1987)
City of love City of love City of love
Once bitten twice shy No - No regrets at all Justice - Body smooth take over Good girls they work the city Good guys they spike you hard How they jive and jingle When you're in their backyard Street corner wonder lust Beckoning the good guy Take this get that Have a good time He young and tactile He ready for anything that is How they jive and jingle They've read the book that gives We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come Supervise this good treatment Alternative line by line So the street guys so observant Take him for a ride Have a good time Like a legend the man he sharp His women gladly watching As he strides out of the dark Better be quick get away We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come Good timing has its good price One trick and you're stuck with the dice How they jive and jingle When you're their sacrifice Fast as lightning Go - Go get high - He's looking good Once bitten twice shy No woman no cry No woman don't cry We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come We'll be waiting for the night We'll be waiting for the night to come |
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|
6:26 | ||||
from Yes - The Union Tour Live [video, live] (1991) | |||||
|
- | ||||
from Yes - Live At Montreux 2003 [video, live] (2007) | |||||
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- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
|
- | ||||
from John Lennon & The Plastic Ono Band - Double Fantasy (2007) | |||||
|
11:18 | ||||
from Yes - Magnification (2001) | |||||
|
18:14 | ||||
from Yes, Yes - Yessongs [live] (1973)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
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19:59 | ||||
from Yes - Live 1975 At Q.P.R. Vol. 1 [video, live] (2001)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
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from Yes - Symphonic Live [video, live] (2002)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
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from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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from John Lennon & The Plastic Ono Band - Feeling The Space (2001) | |||||
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3:30 | ||||
from John Lennon & The Plastic Ono Band - Live Peace In Toronto [live] (1969)
Temperature's rising
Fever is high Can't see no future Can't see no sky My feet are so heavy So is my head I wish I was a baby I wish I was dead Cold turkey has got me on the run My body is aching Goose-pimple bone Can't see no body Leave me alone My eyes are wide open Can't get to sleep One thing I'm sure of I'm in at the deep freeze Cold turkey has got me on the run Cold turkey has got me on the run Thirty-six hours Rolling in pain Praying to someone Free me again Oh I'll be a good boy Please make me well I promise you anything Get me out of this hell Cold turkey has got me on the run Oh, oh, oh, oh |
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6:37 | ||||
from Some Time In New York City (1973)
Temperature's rising
Fever is high Can't see no future Can't see no sky My feet are so heavy So is my head I wish I was a baby I wish I was dead Cold turkey has got me on the run My body is aching Goose-pimple bone Can't see no body Leave me alone My eyes are wide open Can't get to sleep One thing I'm sure of I'm in at the deep freeze Cold turkey has got me on the run Cold turkey has got me on the run Thirty-six hours Rolling in pain Praying to someone Free me again Oh I'll be a good boy Please make me well I promise you anything Get me out of this hell Cold turkey has got me on the run Oh, oh, oh, oh |
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3:49 | ||||
from Yes - In the Present (Live From Lyon) [live] (2011) | |||||
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3:11 | ||||
from Yes, Yes - Tormato (1978) | |||||
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3:47 | ||||
from Imagine (1971)
You can shine your shoes and wear a suit
You can comb your hair and look quite cute You can hide your face behind a smile One thing you can't hide is when you're crippled inside You can wear a mask and paint your face You can call yourself the human race You can wear a collar and a tie One thing you can't hide is when you're crippled inside Well now you know that your cat had nine lives babe Nine lives to itself But you only got one And a dog's life ain't fun Mamma take a look outside. You can go to church and sing a hymn Judge me by the colour of my skin You can live a lie until you die One thing you can't hide is when you're crippled inside. |
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3:49 | ||||
from Imagine (1971)
You can shine your shoes and wear a suit
You can comb your hair and look quite cute You can hide your face behind a smile One thing you can't hide is when you're crippled inside You can wear a mask and paint your face You can call yourself the human race You can wear a collar and a tie One thing you can't hide is when you're crippled inside Well now you know that your cat had nine lives babe Nine lives to itself But you only got one And a dog's life ain't fun Mamma take a look outside. You can go to church and sing a hymn Judge me by the colour of my skin You can live a lie until you die One thing you can't hide is when you're crippled inside. |
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23:21 | ||||
from Yes, Yes - Tales From The Topographic Oceans (1974) | |||||
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3:16 | ||||
from Yes - Drama (1980) | |||||
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3:39 | ||||
from Yes - Union (1991)
(Jon Anderson, Jonathan Elias)
Come into the light, passing through wisdom. Hoping for love, all at the knees. You come across; you get too much. Everybody needs it; don't show your body. So dangerous - This fear of love So dangerous - Can you handle it? So dangerous - To love So dangerous - Everyone else can do it Walking the street, you're breaking your love. Lose your heart, all in a mess. In the middle of the night, looking for a little And to the some; don't show your body. Death defying - Hurt by love Passing through shadows - Don't lose your body So dangerous - This fear of love So dangerous - Can you handle it? So dangerous - To keep this fear of love So dangerous - To let it go I don't imagine I see it; don't get confused. In the light, through the night... Look in the light, through the night Of what you're searching for. Hide from your heart here in the arms of wanting. Hide from the dark here in the arms of love. Run from the fear inside the darkest reaches. Look to yourself; you'll see the light of fear. So dangerous - This fear of love So dangerous - Can you handle it? So dangerous - To love So dangerous - Everyone else can do it So dangerous - Give to the hear of love. |
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1:00 | ||||
from Yes, Yes - Tormato (1978) | |||||
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from John Lennon & The Plastic Ono Band - Double Fantasy (2007) | |||||
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from John Lennon & The Plastic Ono Band - Approximately Infinite Universe (2000) |