|
4:40 | ||||
from Shrek 3 (슈렉 3) [ost] (2007) | |||||
|
5:45 | ||||
from Evita [Movie] (에비타) [ost] (1996)
Oh what a circus, oh what a show
Argentina has gone to town Over the death of an actress called Eva Peron We've all gone crazy Mourning all day and mourning all night Falling over ourselves to get all of the misery right Oh what an exit, that's how to go When they're ringing your curtain down Demand to be buried like Eva Peron It's quite a sunset And good for the country in a roundabout way We've made the front page of all the world's papers today But who is this Santa Evita? Why all this howling, hysterical sorrow? What kind of goddess has lived among us? How will we ever get by without her? She had her moments, she had some style The best show in town was the crowd Outside the Casa Rosada crying, "Eva Peron" But that's all gone now As soon as the smoke from the funeral clears We're all gonna see and how, she did nothing for years Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia Hail, oh queen, mother of mercy Our life, sweetness, and hope Hail, hail, oh queen To you we cry, exiled sons of Eve To you we sigh, mourning and weeping Oh clement, oh loving one You let down your people Evita You were supposed to have been immortal That's all they wanted, not much to ask for But in the end you could not deliver Sing you fools, but you got it wrong Enjoy your prayers because you haven't got long Your queen is dead, your king is through And she's not coming back to you Show business kept us all alive Since seventeen October 1945 But the star has gone, the glamour's worn thin That's a pretty bad state for a state to be in Instead of government we had a stage Instead of ideas, a prima donna's rage Instead of help we were given a crowd She didn't say much, but she said it loud Sing you fools, but you got it wrong Enjoy your prayers because you haven't got long Your queen is dead, your king is through She's not coming back to you Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Peron Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia Don't cry for me Argentina For I am ordinary, unimportant And undeserving of such attention Unless we all are, I think we all are So share my glory, so share my coffin So share my glory, so share my coffin It's our funeral too |
|||||
|
5:21 | ||||
from Evita [Movie] (에비타) [ost] (1996)
(Eva:)
To think that a man as famous as you are Could love a poor little nothing like me Chorus: (Eva:) I wanna be a part of B.A. Buenos Aires, Big Apple (Eva's family:) She wants to be a part of B.A. Buenos Aires, Big Apple (Che:) Just listen to that, they're on to you Magaldi I'd get out while you can (Eva:) It's happened at last, I'm starting to get started I'm moving out with my man (Magaldi:) Now Eva don't get carried away (Eva:) Monotony past, suburbia departed Who could ever be fond of the back of beyond? (Magaldi:) Don't hear words that I didn't say (Eva's family:) What's that? You'd desert the girl you love? (Magaldi:) The girl I love? What are you talking about? (Eva's family:) She really brightened up your out-of-town engagement She gave you all she had, she wasn't in your contract You must be quite relieved that noone's told the papers, so far (Eva:) I wanna be a part of B.A. Buenos Aires, Big Apple Would I have done what I did If I hadn't thought, if I hadn't known We would stay together (Eva's brother:) Seems to me there's no point in resisting She's made up her mind, you've no choice Why don't you be the man who discovered her You'll never be remembered for your voice (Magaldi:) The city can be paradise for those who have the cash The class and the connections, what you need to make a splash The likes of you get swept up in the morning with the trash If you were rich or middle class ... (Eva:) Screw the middle classes! I will never accept them! My father's other family were middle class And we were kept out of sight, hidden from view at his funeral. (Eva's brother:) Do all your one night stands give you this trouble? (Magaldi:) Eva beware of the city It's hungry and cold, can't be controlled, it is mad Those who are fools are swallowed up whole And those who are not become what they should not become Changed, in short, they go bad. (Eva:) Bad is good for me I'm bored, so clean, and so ignored I've only been predictable, respectable Birds fly out of here, so why oh why oh why the hell can't I? I only want variety, of society (chorus) (Magaldi:) Five years from now I shall come back And finally say, "You have your way, come to town." But you'll look at me with a foreigner's eyes The magical city, a younger girl's city A fantasy long since put down (Eva:) All you've done to me, was that a young girl's fantasy? I played your city games alright, didn't I? I already know what cooks, how the dirty city feels and looks I tasted it last night, didn't I? I'm gonna be a part of B.A. Buenos Aires, Big Apple (Eva and family:) She's gonna be a part of B.A. Buenos Aires, Big Apple (Magaldi:) Eva beware your ambition It's hungry and cold, can't be controlled, will run wild This in a man is danger enough, but you are a woman Not even a woman, not very much more than a child And whatever you say, I'll not steal you away |
|||||
|
4:18 | ||||
from Evita [Movie] (에비타) [ost] (1996)
Che:)
Goodnight and thank you Huevo She is in every magazine Been photographed, seen, she is known We don't like to rush, but your case has been packed If she's missed anything, you could give her a ring But she won't always answer the phone (Eva:) Oh but it's sad when a love affair dies But we have pretended enough It's best that we both stop fooling ourselves (Che:) Which means ... (Che and Eva:) There is noone, noone at all Never has been, and never will be a lover, male or female Who hasn't an eye on, in fact they rely on Tricks they can try on their partner They're hoping their lover will help them or keep them Support them, promote them Don't blame them, you're the same (Che:) Goodnight and thank you Emilio You've completed your task What more can we ask of you now? Please sign the book on the way out the door And that will be all, if she needs you she'll call But I don't think that's likely somehow (Eva:) Oh but it's sad when a love affair dies But when we were hot, we were hot I know you'll look back on the good times we've shared Which means ... (Eva:) There is no soap, no soap like Zaz No detergent, lotion, or oil with such power in the shower It's the mother and father of luxury lather The talk of the bath, the great ointment One little frolic with new Zaz carbolic You're scented, you'll be sent (Che:) Goodnight and thank you Senor Jabon We are grateful you found her a spot on the sound radio We'll think of you every time she's on the air We'd love you to stay but you'd be in the way So do up your trousers and go (Eva:) Oh but it's sad when a love affair dies The decline into silence and doubt Our passion was just too intense to survive (Che:) Which means ... (Lovers:) This is a club I should never have joined Someone has made us look fools Argentine men call the sexual shots Someone has altered the rules (Eva:) Fame on the wireless as far as it goes Is all very well but every girl knows (Che:) She needs a man she can monopolize With fingers in dozens of different pies (Lovers:) Oh but it's sad when a love affair dies |
|||||
|
5:18 | ||||
from Evita [Movie] (에비타) [ost] (1996)
(Che:) At the watering holes of the well-to-do
I detect a resistance to (Aristocrats:) Precisely (Che:) Our heroine's style (Aristocrats:) We're glad you noticed (Che:) The shooting sticks of the upper-class (Aristocrats:) Give her an inch (Che:) Aren't supporting a single ass That would rise for the girl (Aristocrats:) She'll take a mile (Aristocrats:) Such a shame she wandered into our enclosure How unfortunate this person has forced us to be blunt No we wouldn't mind seeing her at Harrod's But behind the jewelry counter, not in front (Che:) Could there be in our fighting corps A lack of enthusiasm for (Army:) Exactly (Che:) Peron's latest flame (Army:) You said it brother (Che:) Should you wish to cause great distress In the tidiest officer's mess Just mention her name (Army:) That isn't funny Peron is a fool, breaking every taboo Installing a girl in the army H.Q. And she's an actress, the last straw Her only good parts are between her thighs She should stare at the ceiling, not reach for the skies Or she could be his last whore The evidence suggests She has other interests If it's her who's using him He's exceptionally dim Bitch! Dangerous Jade (Aristocrats:) We have allowed ourselves to slip We have completely lost our grip We have declined to an all-time low Tarts have become the set to know (Eva:) I am only a radio star with just one weekly show But speaking as one of the people I want you to know We are tired of the decline of Argentina With no sign of a government able to give us the things we deserve (Army:) It's no crime for officers to do as they please As long as they're discreet and keep clear of disease We ignore, we disregard But once they allow a bit on the side To move to the center where she's not qualified We are forced to mark his card She should get into her head She should not get out of bed She should know that she's not paid To be loud but to be laid Slut! Dangerous Jade (Che:) This has really been your year, Miss Duarte Tell us where you go from here, Miss Duarte Which are the roles that you yearn to play? Whom did you sleep ... dine with yesterday? (Eva:) Acting is limiting, the line's not mine That's no help to the Argentine (Che:) Can we assume then that you'll quit? Is this because of your involvement with Colonel Peron? (Heavies:) Goodnight and thank you (Army:) She won't be kept happy by her nights on the tiles She says it's his body, but she's after his files So get back on to the street She should get into her head She should not get out of bed She should know that she's not paid To be loud but to be laid The evidence suggests She has other interests If it's her who's using him He's exceptionally dim (Aristocrats:) Things have reached a pretty pass When someone pretty lower-class Graceless and vulgar, uninspired Can be accepted and admired |
|||||
|
3:32 | ||||
from Evita [Movie] (에비타) [ost] (1996)
(Che:)
High flying, adored So young, the instant queen A rich beautiful thing, of all the talents A cross between a fantasy of the bedroom and a saint You were just a backstreet girl Hustling and fighting, scratching and biting High flying, adored Did you believe in your wildest moments All this would be yours That you'd become the lady of them all? Were there stars in your eyes When you crawled in at night From the bars, from the sidewalks From the gutter theatrical Don't look down, it's a long, long way to fall High flying, adored What happens now, where do you go from here? For someone on top of the world The view is not exactly clear A shame you did it all at twenty-six There are no mysteries now Nothing can thrill you, noone fulfill you High flying, adored I hope you come to terms with boredom So famous so easily, so soon It's not the wisest thing to be You won't care if they love you It's been done before You'll despair if they hate you You'll be drained of all energy All the young who've made it would agree (Eva:) High flying, adored That's good to hear but unimportant My story's quite usual Local girl makes good, weds famous man I was stuck in the right place at the perfect time Filled a gap, I was lucky But one thing I'll say for me Noone else can fill it like I can |
|||||
|
3:48 | ||||
from Evita [Movie] (에비타) [ost] (1996)
(Che:)
And the money kept rolling in from every side Eva's pretty hands reached out and they reached wide Now you may feel it should have been a voluntary cause But that's not the point my friends When the money keeps rolling in, you don't ask how Think of all the people guaranteed a good time now Eva's called the hungry to her, open up the doors Never been a fund like the Foundation Eva Peron (Workers:) Rollin' rollin' rollin', rollin' rollin' rollin' Rollin' rollin' rollin', rollin' rollin' rollin' Rollin' rollin' rollin', rollin' rollin' rollin' Rollin' rollin' rollin', rollin' rollin' rollin' Rollin' on in, rollin' on in Rollin' on in, rollin' on in On in (Che:) Would you like to try a college education? Own your landlord's house, take the family on vacation? Eva and her blessed fund can make your dreams come true Here's all you have to do my friends Write your name and your dream on a card or a pad or a ticket Throw it high in the air and should our lady pick it She will change your way of life for a week or even two Name me anyone who cares as much as Eva Peron Rollin' on out, rollin' on out Rollin' on out, rollin' on out On out (Che:) And the money kept rolling out in all directions To the poor, to the weak, to the destitute of all complexions Now cynics claim a little of the cash has gone astray But that's not the point my friends When the money keeps rolling out you don't keep books You can tell you've done well by the happy grateful looks Accountants only slow things down, figures get in the way Never been a lady loved as much as Eva Peron Rollin' on out, rollin' on out Rollin' on out, rollin' on out On out (Che:) Eva!!! When the money keeps rolling out you don't keep books You can tell you've done well by the happy grateful looks Accountants only slow things down, figures get in the way Never been a lady loved as much as Eva Peron Rollin' on out, rollin' on out Rollin' on out, rollin' on out Rollin' on out, rollin' on out On out |
|||||
|
4:13 | ||||
from Evita [Movie] (에비타) [ost] (1996)
(Che:)
Tell me before I waltz out of your life Before turning my back on the past Forgive my impertinent behavior But how long do you think this pantomime can last? Tell me before I ride off in the sunset There's one thing I never got clear How can you claim you're our savior When those who oppose you are stepped on, Or cut up, or simply disappear? (Eva:) Tell me before you get onto your bus Before joining the forgotten brigade How can one person like me, say, Alter the time-honored way the game is played? Tell me before you get onto your high horse Just what you expect me to do I don't care what the bourgeoisie say I'm not in business for them But to give all my descamisados A magical moment or two (Che and Eva:) There is evil, ever around Fundamental system of government Quite incidental (Eva:) So what are my chances of honest advances? I'd say low Better to win by admitting my sin Than to lose with a halo (Che:) Tell me before I seek worthier pastures And thereby restore self-esteem How can you be so short-sighted To look never further than this week or next week To have no impossible dream? (Eva:) Allow me to help you slink off to the sidelines And mark your adieu with three cheers But first tell me who'd be delighted If I said I'd take on the world's greatest problems From war to pollution, no hope of solution Even if I lived for one hundred years (Che and Eva:) There is evil, ever around Fundamental system of government Quite incidental (Eva:) So go, if you're able, to somewhere unstable And stay there Whip up your hate in some tottering state But not here, dear Is that clear, dear? Oh what I'd give for a hundred years But the physical interferes Every day more, O my Creator What is the good of the strongest heart In a body that's falling apart? A serious flaw, I hope You know that |
|||||
|
4:14 | ||||
from Evita [Movie] (에비타) [ost] (1996)
(Eva:)
The choice was mine, and mine completely I could have any prize that I desired I could burn with the splendor of the brightest fire Or else, or else I could choose time Remember I was very young then And a year was forever and a day So what use could fifty, sixty, seventy be? I saw the lights, and I was on my way And how I lived, how they shone But how soon the lights were gone (Che:) The choice was yours and noone else's You can cry for a body in despair Hang your head because she is no longer there To shine, to dazzle, or betray How she lived, how she shone But how soon the lights were gone (Embalmers:) Eyes, hair, face, image All must be preserved Still life displayed forever No less than she deserved. |
|||||
|
4:31 | ||||
from The Mambo Kings (1992) | |||||
|
3:35 | ||||
from Ana Belen - Mirame (1997)
No s por qu te quiero
(con Antonio Banderas) No s por qu te quiero ser que tengo alma de bolero t siempre buscas lo que no tengo te busco en todos y no te encuentro digo tu nombre cuando no debo. No s por qu te quiero si voy a tientas t vas sin freno te me apareces en los espejos como una sombra de cuerpo entero, yo me pellizco y no me lo creo. Si no me hicieran falta tus besos me trataras mejor que a un perro piensa que es libre porque anda suelto mientras arrastras la soga al cuello. Querer como te quiero no va a caber en ningn bolero te me desbordas dentro del pecho me robas tantas horas de sueo me miento tanto que me lo creo. Si no me hicieran falta tus besos... Querer como te quiero no tiene nombre ni documentos no tiene madre no tiene precio soy hoja seca que arrastra el tiempo medio feliz en medio del cielo. |
|||||
|
2:50 | ||||
from Shrek Forever After (슈렉 포에버) [ost] (2010) | |||||
|
- | ||||
from Unmasked: The Platinum Collection (Deluxe) by Andrew Lloyd Webber [single, ost] (2018) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from A Chorus Line (Original Spanish Cast Recording) [single, ost] (2022) | |||||
|
- | ||||
from A Chorus Line (Original Spanish Cast Recording) [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Company (Original Spanish Cast Recording) by Antonio Banderas, Stephen Sondheim [single, ost] (2022) | |||||
|
- | ||||
from Ana Belen - Ana Belén 70 (2021) | |||||
|
- | ||||
from Barbra Streisand - Encore: Movie Partners Sing Broadway (2020) | |||||
|
- | ||||
from Antonio Banderas - Grifon (Oziriz Feat. Dura) (Remix) [digital single] (2018) | |||||
|
- | ||||
from Antonio Banderas - Grifon (Oxyenen Remix) [digital single] (2018) | |||||
|
- | ||||
from Antonio Banderas - Grifon (Sub Disco Mix) [digital single] (2018) | |||||
|
- | ||||
from Antonio Banderas - Grifon [ep] (2017) | |||||
|
- | ||||
from Antonio Banderas - Grifon [ep] (2017) | |||||
|
- | ||||
from Antonio Banderas - Grifon [ep] (2017) | |||||
|
- | ||||
from Antonio Banderas - Grifon [ep] (2017) | |||||
|
- | ||||
from Antonio Banderas - Grifon [ep] (2017) | |||||
|
- | ||||
from Antonio Banderas - This Awkward Moment [ep] (2014) | |||||
|
- | ||||
from Antonio Banderas - This Awkward Moment [ep] (2014) | |||||
|
- | ||||
from Antonio Banderas - This Awkward Moment [ep] (2014) | |||||
|
- | ||||
from Antonio Banderas - This Awkward Moment [ep] (2014) | |||||
|
- | ||||
from Antonio Banderas - This Awkward Moment [ep] (2014) | |||||
|
- | ||||
from Ana Belen, Victor Manuel - Esencial Ana y Victor (2014) | |||||
|
- | ||||
from Ana Belen - Los Grandes Exitos... Y Mas (2008) | |||||
|
- | ||||
from Russian National Orchestra - Prokofiev : Pedro Y El Lobo (Peter And The Wolf) / Beintus : Wolf Tracks (2006) | |||||
|
- | ||||
from Russian National Orchestra - Prokofiev : Pedro Y El Lobo (Peter And The Wolf) / Beintus : Wolf Tracks (2006) | |||||
|
- | ||||
from Russian National Orchestra - Prokofiev : Pedro Y El Lobo (Peter And The Wolf) / Beintus : Wolf Tracks (2006) | |||||
|
- | ||||
from Deepak Chopra - A Gift of Love Vol. 2 - Oceans Of Ecstasy (2012) | |||||
|
- | ||||
from Barbra Streisand - Encore: Movie Partners Sing Broadway (2016) | |||||
|
- | ||||
from Banderas - Freres D'armes (2009) | |||||
|
- | ||||
from Banderas - Freres D'armes (2009) | |||||
|
- | ||||
from Banderas - Freres D'armes (2009) | |||||
|
- | ||||
from Banderas - Freres D'armes (2009) | |||||
|
- | ||||
from Banderas - Freres D'armes (2009) | |||||
|
- | ||||
from Banderas - Freres D'armes (2009) | |||||
|
- | ||||
from Banderas - Freres D'armes (2009) | |||||
|
- | ||||
from Puss in Boots: The Last Wish (Original Motion Picture Soundtrack) (장화신은 고양이: 끝내주는 모험) by Heitor Pereira [ost] (2022) |