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from Arab Strap - Soaps (2000) | |||||
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007) | |||||
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from Arab Strap - The Last Romance (2006) | |||||
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from Arab Strap - Monday At The Hug And Pint (2003)
If your hair was a call to arms
and your legs were what skirts are for then your mouth was a red alert but your eyes were an act of war. I needed a nurse and a mother, I needed an open-minded whore. I needed a barmaid and a lover. Someone to stand between me and the floor. But when we attacked, it was never swiftly. We must have been locked in combat for years. Our new hardwood floor was the perfect battleground so I suppose the bullets were our tears. Okay, I know we threw some things about and i'm sure that you got in a punch or two and is it true your comrade's been asking if I'm the sort of man who could ever sink to hit you too? "Why does she always have bruises? They'd be much happier apart" the fact is, you've always been clumsy be it with tables at your work or with my heart. |
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from Arab Strap - Mad For Sadness (2000)
The bed's a mess when we're finished and at rest,
and I can just see the post-fuck flush across your chest. The telly's silent, the room's lit only by the screen, and now we're perfect moulds with just our pulses in between. Well I'm not listening to what my mother said - what we're doing inside my bed. And I'm not pretending this time you're someone else, but I'm cleaning these sheets all by myself. Afterwards is best. You get up to get dressed - I think your pants are by the door. I think tomorrow we might be sore. Even in this light, your tits look white against the tanning, and I know we're a couple now 'cause we went down the family planning. It hit me in the waiting room waiting for you when you were getting what you need. But I can't help be a bit disappointed when you start to bleed. Afterwards is best. You get up to get dressed - I think your pants are by the door. I think tomorrow we might be sore. |
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from Arab Strap - Mad For Sadness (2000)
The bed's a mess when we're finished and at rest,
and I can just see the post-fuck flush across your chest. The telly's silent, the room's lit only by the screen, and now we're perfect moulds with just our pulses in between. Well I'm not listening to what my mother said - what we're doing inside my bed. And I'm not pretending this time you're someone else, but I'm cleaning these sheets all by myself. Afterwards is best. You get up to get dressed - I think your pants are by the door. I think tomorrow we might be sore. Even in this light, your tits look white against the tanning, and I know we're a couple now 'cause we went down the family planning. It hit me in the waiting room waiting for you when you were getting what you need. But I can't help be a bit disappointed when you start to bleed. Afterwards is best. You get up to get dressed - I think your pants are by the door. I think tomorrow we might be sore. |
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from Arab Strap - Philophobia (2000)
The bed's a mess when we're finished and at rest,
and I can just see the post-fuck flush across your chest. The telly's silent, the room's lit only by the screen, and now we're perfect moulds with just our pulses in between. Well I'm not listening to what my mother said - what we're doing inside my bed. And I'm not pretending this time you're someone else, but I'm cleaning these sheets all by myself. Afterwards is best. You get up to get dressed - I think your pants are by the door. I think tomorrow we might be sore. Even in this light, your tits look white against the tanning, and I know we're a couple now 'cause we went down the family planning. It hit me in the waiting room waiting for you when you were getting what you need. But I can't help be a bit disappointed when you start to bleed. Afterwards is best. You get up to get dressed - I think your pants are by the door. I think tomorrow we might be sore. |
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from Arab Strap - The Red Thread (2001)
The rain woke us up.
You turned round and just did it. Good morning, slow down. Have you remembered where you hid it? You cried in the kitchen. We made up in the hall. I watched you get dressed. Those boots make you too tall. And we made each other late, 'cause I took my watch off there, so it wouldn't scratch your skin, or get tangled in your hair. It wasn't long ago we went on guided tours but I forgot what it meant to pretend my hand is yours. It's best in the morning. When we know it won't be rushed. So leave the curtains closed and come back when you've brushed. |
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from Arab Strap - Cherubs E.P (2000)
If I don't know, I can't understand.
'll get the drinks when you give me back my hand. You know I'm not that bothered, We don't have to stay - it's already been an eventful day. There is nothing that could ever be above you. There's not much I could ever do. We had a laugh at dinner and I thought you seemed fine. Just blame the hormones and too much red wine. It wont be the last and it's not like it's a first. Just make something up, 'cause I always feel the worst. There is nothing that could ever be above you There's not much I could ever do. |
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from Arab Strap - Elephant Shoe (1999)
When we were last here we named our offspring, But we never even did it, we never really did anything. We shared a birthday so we shared a do and they cooked my/your clothes when i was upstairs with you. I/you did the sheet trick, You/i did a yawn so i/you went out with the boys, Stealing the milk at dawn. I was a virgin, you were on holiday - i'd had seven glasses when she asked me to stay. So i let the wine decide what i should do. At least i was careful - i remember it was blue. |
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from Arab Strap - Elephant Shoe (1999)
If you learn to drive, I can use the train and the bus. When you're mobile, we'll go. Take my toys and your cat with us. We'll leave the violence, We'll have something to do. With a couch-bed in the front room for when we fall out or when our friends come through. It's painting a kitchen that's keeping me going And we've already named the seeds i'll be sowing. And when they've grown up (that's hoping that i don't shoot blanks), could we move right up north, Find a house near the shores and the banks? With a big fuck-off telly, A brand new stereo system. We'll meet old friends at funerals And pretend that we've missed them. And if they were here, They'd say it was shocking to find We've already named the dog we'll be walking. It's choosing a mattress that's keeping me going And we've already named the seeds i'll be sowing. |
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from Arab Strap - Mad For Sadness (2000)
I wish it was someone elses blood on the jonnie.
It's in my mouth and under my nails. I wish I'd woken up in someone elses bed. Wish I was the wind in someone elses sails. I've no-one in particular in mind right now. It was inevitable we'd end up in the sack. I should have known you'd want to try again. But I'm looking forward now I'm not stepping back. My last lover's playing with a new man now. It's only three weeks we've been apart. They sat together and he sent her flowers. Well he can f**king keep that fickle disco tart. 'cause I've had it up to here with little girls. She looked ugly today day, smoking her fag. Just like a schoolgirl trying to look grown-up. Now I'm looking for a woman but I'll settle for a shag. |
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from Arab Strap - Mad For Sadness (2000)
I wish it was someone elses blood on the jonnie.
It's in my mouth and under my nails. I wish I'd woken up in someone elses bed. Wish I was the wind in someone elses sails. I've no-one in particular in mind right now. It was inevitable we'd end up in the sack. I should have known you'd want to try again. But I'm looking forward now I'm not stepping back. My last lover's playing with a new man now. It's only three weeks we've been apart. They sat together and he sent her flowers. Well he can f**king keep that fickle disco tart. 'cause I've had it up to here with little girls. She looked ugly today day, smoking her fag. Just like a schoolgirl trying to look grown-up. Now I'm looking for a woman but I'll settle for a shag. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I wish it was someone elses blood on the jonnie.
It's in my mouth and under my nails. I wish I'd woken up in someone elses bed. Wish I was the wind in someone elses sails. I've no-one in particular in mind right now. It was inevitable we'd end up in the sack. I should have known you'd want to try again. But I'm looking forward now I'm not stepping back. My last lover's playing with a new man now. It's only three weeks we've been apart. They sat together and he sent her flowers. Well he can f**king keep that fickle disco tart. 'cause I've had it up to here with little girls. She looked ugly today day, smoking her fag. Just like a schoolgirl trying to look grown-up. Now I'm looking for a woman but I'll settle for a shag. |
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007)
I wish it was someone elses blood on the jonnie.
It's in my mouth and under my nails. I wish I'd woken up in someone elses bed. Wish I was the wind in someone elses sails. I've no-one in particular in mind right now. It was inevitable we'd end up in the sack. I should have known you'd want to try again. But I'm looking forward now I'm not stepping back. My last lover's playing with a new man now. It's only three weeks we've been apart. They sat together and he sent her flowers. Well he can f**king keep that fickle disco tart. 'cause I've had it up to here with little girls. She looked ugly today day, smoking her fag. Just like a schoolgirl trying to look grown-up. Now I'm looking for a woman but I'll settle for a shag. |
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from Arab Strap - The Week Never Starts Round Here (2005) | |||||
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from Arab Strap - The Last Romance (2006)
If we're having so much fun, how come I'm crying every Monday?
Is it just to cancel out the laughter from Thursday 'til Sunday? I spend the next two days in my bed and I wonder what it's all about, and as soon as I start to feel okay I know it's time to go back out. I've had the same look on my face for the last two lonely years. Twenty-four months of bargain pills, cheeky lines and stolen beers. In all the pictures that I've got, my eyes are so black and wide, and you don't have to look long enough you'll see there's not much life inside. A new home to hang my heart is what I thought I'd never find but fate, as always, intervened. And now I've got a girl in mind, and I'm meeting her next week when we get back home to Glasgow. That's if we even make it and don't get buried in the Dutch snow. And if my instincts are right, I will fall in love and then we can have a laugh from time to time, but you won't see me there again. When I get home in the morning, Trisha's hosting a debate - If you don't like the fish you're catching then you've got to change the bait. |
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from Arab Strap - Elephant Shoe (1999)
I see cherubs swarm around the bed and swooping down to kiss your head. Only when you're wrecked do you agree with all my plans for you and me. The walls breathe, we're locked in tight - it's a lovely end to an ugly night. I think i could burst but i'm sure it'll keep. The strobe in my head keeps me from sleep. |
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from Arab Strap - Cherubs E.P (2000)
I see cherubs swarm around the bed and swooping down to kiss your head.
Only when you're wrecked do you agree with all my plans for you and me. The walls breathe, we're locked in tight - it's a lovely end to an ugly night. I think I could burst but I'm sure it'll keep. The strobe in my head keeps me from sleep. |
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from Arab Strap - The Last Romance (2006)
Hurry and finish your unhealthy breakfast, then it's straight back to bed.
Did you bring something with you today to fuck away my sore head? My first afternoon in your hands, and the loveliest yet. Put some clothes on and leave the bath running while you're at the laundrette. Come round and love me, sigh and rumble above me, and we'll make the noises we make until we both laugh and both shake. No splishing no sploshing, are you sure we'll fit in? Then it's straight back to bed again with our soft and clean skin, and I kiss the cut on your lip, a souvenir from last night, a wound from our over-excitement, are you sure it's alright? It's on the tips of our tongues, but who'll be the first one to say it? I've said it too much in the past so let's just have fun and delay it. But come round and show me, sigh and rumble below me and we'll make the noises we make until we both laugh and both shake. |
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from Arab Strap - The Week Never Starts Round Here (2005)
Make me reflective, introspective
Make me the violence, and explain my silence. Cause it's never too late to fill me with hate... So pull away, go, make me look cool. And she looks best, sunday mornings, coming down. So what will I achieve, and who should I believe. I lick her slit, as it tightens it's grip. My drugged up kiss. so hey, have something else. Its hard to conceal the way I feel. And she looks best, sunday mornings, coming down. It seems that some wanker makes her darker Sights her hair. |
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from Arab Strap - The Week Never Starts Round Here (2005)
Make me reflective, introspective
Make me the violence, and explain my silence. Cause it's never too late to fill me with hate... So pull away, go, make me look cool. And she looks best, sunday mornings, coming down. So what will I achieve, and who should I believe. I lick her slit, as it tightens it's grip. My drugged up kiss. so hey, have something else. Its hard to conceal the way I feel. And she looks best, sunday mornings, coming down. It seems that some wanker makes her darker Sights her hair. |
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from Arab Strap - The Last Romance (2006)
I used to be so proud of thinking I was such a liar.
In the covert world of romance, brother, I was just a try-er. Woman was the enemy and victory the point where I'd successfully knocked someone's heart out of joint. And it's hilarious to think I thought by now I'd have a wife, but I've always been so desperate to give away my life. Then I just get lazy, I've got everything assumed. Sometimes there's nothing sexier than knowing that you're doomed. And I bet you got a fright when you took that girl to bed, it was only your first night when she grabbed your head and said, "Look at me, hey, look at me, you don't love me, I can see. You just want me for some fun, I might as well be anyone". I hope you'll reap the benefits of our ten years apart. When I tell you not give a fuck, don't take it to heart - try and be a gentleman and always tell the truth - I'm not just a hypocrite, I'm jealous of your youth. And I can't give you a lecture on how to be a man. I've not much advice to offer, no solid foolproof plan. Even though I was so certain that it's just a bit of fun I soon got sick of micro-waving low-fat meals for one. So when you ignore her call and you just delete her text, it might make you feel tall as you make room for the next. But look at me, hey, look at me, you know I love you, obviously, and I don't want to spoil your fun, but you don't have to hurt someone. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I'd been to a friends house for dinner.
My mum wanted me home early so I said I'd better go home. Her sister said she was going anyway so she could walk me some of the way And she knew a shortcut through the woods. She had long black hair, green eyes. I wish my friends could have seen me. We seemed to get on well, on the way Considering the age gap. She was nineteen and I was almost fifteen. She stopped by the river, And asked me to go swimming. I was a bit embarrassed. I said no. But she said she would anyway, stepped back, and stripped. The sun was beginning to set, as she slipped into the water. And when she was in she kept teasing me, so I gave in. But I kept my pants on. The water was warmer than I'd expected. We swam around and played. She had pushed me under the water. I could feel her legs against mine underneath. She'd hold my arm. We must've been in about an hour. I got out first. I leaned against a tree and put my trousers back on And then she got out of the river and walked towards me. She put her hands on the tree above my head Pushed herself against me, and leaned down and kissed me. I don't know how long it lasted. Then she stepped back, bundled up her clothes and said "i'm sure you can find your own way from here". I ran back along the path. I was late home and I gave my mum some excuse. She beleived it. Then the next day at school My friend invited me round for dinner again I said no. |
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from Arab Strap - Elephant Shoe (1999)
We're barely halfway there, You're stretched out and clamped around me. I don't think there's drink at home. You make a little snore and shift. Just keep your head down there - you sleep, I'll give directions. I'll use the private miles to plan some tactics and a gift. I'll move around you, Attack and surround you. She talked me back inside - thank fuck our friends are nosy. Any reaction's good - it's a stupid way to make me say it. Did we go far enough? Did it just serve its purpose? If the words are still a problem I'll cut it out and let you weight it. |
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from Arab Strap - The Last Romance (2006)
You know I've felt like this before,
I know you have felt it too, But maybe I don't want to dance, Cos I've not had as much as you. Our lives did not begin, The very moment that we met. I don't want to hold your hand, There is so much that I'll forget. You're no angel from above, You're the last girl I will love. And maybe I'm not very vocal, Cos I've used it once before, And the more they were repeated, The more they were ignored. But the ears my whispers fell on, They weren't deaf, they were bang on, Cause they knew I didn't mean it. I just wanted to hang on. But the world has changed, and how! And I know I mean it. So let's toast the last romance, But just don't ask me to dance. |
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from Arab Strap - The Last Romance (2006)
Give me your gibberish tonight and talk to me with your eyes shut
Make me giggle in your sleep, and I can dream that you're a slut And when I wake up stiff, please just feel free to use me Then go to work and let me wonder what it was that made you choose me And now I love you more than that, and now I love you more than this So just stay over on your side, and go to sleep and dream of piss Tomorrow you can tell me all the things you've done with boys Blushing as you recount tales to satisfy my see-through ploys Cause in my nightly dramas, you are still the biggest star So keep the window open and I can dream we are in the car And tonight we will be leaving, we can take the scenic route To a windfarm by the sea while I'm dreaming that you're mute There's no better journey than me on my way to you Sitting there all smug, knowing what we might get up to And one day we'll be idle, and we'll both be past our peak So until then, all we can do is master a technique Now let's sleep.. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I was awake I overheard your speech.
My ego dried and sank. Talked with your ex and we agreed Thought of your sister helped us wank. I'm sure you know that I have fancied her since she began high school. But back in then, and I will promise I will let your engine cool. I have matured, I've come of age, my visions clear. But there's still some things that I don't want to hear. And I know that it was probably just those e's, but be a bit more thoughtful next time, please. While I'm alive, well, I just drive. Each time I scored I just got bored. And that's no bollocks ... I am just a slut. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I was awake I overheard your speech.
My ego dried and sank. Talked with your ex and we agreed Thought of your sister helped us wank. I'm sure you know that I have fancied her since she began high school. But back in then, and I will promise I will let your engine cool. I have matured, I've come of age, my visions clear. But there's still some things that I don't want to hear. And I know that it was probably just those e's, but be a bit more thoughtful next time, please. While I'm alive, well, I just drive. Each time I scored I just got bored. And that's no bollocks ... I am just a slut. |
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from Arab Strap - The Last Romance (2006)
If you take a sock off,
then I'll take a sock off. We'll do one for one 'til we're both bare. And with our tongues click-clicking, the big bright clock stops ticking as we make a right mess of your hair. Then we'll make plans for dinner, though my gut's got no thinner since I've been letting you feed it. And you're useless at drinking, but these days I've been thinking I doubt we're going to need it. And if you stop bleeding and we took to breeding, you know our son would be a hit. And as for our daughter, all suitors she'd slaughter with her brains and her beauty and her wit. After the flirting and after the swooning, with nerves put to bed it's all just fine tuning. And we'll never get bored with our routine and pattern when I'm your house-husband and you are my slattern. But one day I might cut loose and I just won't be much use and so you'll push me away - so do your best, and make me pay. |
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from Arab Strap - The Girls Of Summer E.p (2000) | |||||
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from Arab Strap - Monday At The Hug And Pint (2003)
You said you didn't mind if she turned round to sleep
but you were just half being nice, there's no rewards to reap. And if she had stayed up, you'd still be here alone. You'd still have no idea what that means and you'd still fear the phone. The longest walk was that night in your brand new shoes but what you can't find now's the thing that you can't lose. A change of scenery, a change of mind and face. He used your clothes and hands and then fucked off without a trace. I see him now and then, but now he just looks bored. He used to flirt with everyone but prefers to be ignored. So let me dance tonight and I will be your host then maybe you'll make up your mind which one loves you most. We'll even leave the room, so you'll be free to choose. Remember what he can't find now's the thing that you can't lose. Being thoughtful's just a curse but a one night stand just makes it worse. |
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from Arab Strap - Soaps (2000)
We phoned up and left a story with their parents. We told them mine were still there, so they couldn't come until tomorrow. I think we just wanted some time to ourselves because we knew that by then everyone wasn't getting on. So we sat on the veranda and watched the sun set over the loch. Listened to some quiet tunes, finished a bottle of whiskey and agreed that it'd never be as good as before. Like when we met those girls and we went swimming at night. Except Mathew, who still can't swim. They were younger than us we never got anywhere in the end but it would've spoiled it if we had. And we piled up all the empties against the big window and I had everybody pose in front. I took the pictures.
Then there was that time we gatecrashed the graduation ball in the hotel next to the lodge. Pretended to be students and pretended to be their pals. They were dressed in their kilts and evening gowns and we walked in with our jeans and gutties on. Nearly got our heads kicked in. And on the way back we bumped into that guy with the pro-life sticker on his car window and he got some abuse. But it turned out they had phoned my house and spoke to my mum, so they knew we were here. And they turned up at about one or two. By that time we were really pissed, so the holiday didn't really get off to a good start. And you didn't really help matters when you went with Neil's girlfriend. We never see them now but I can't say I miss them. |
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from Arab Strap - Monday At The Hug And Pint (2003)
I don't like the words that the birds are singing.
I hate their ugly voices and the messages they're bringing. But if everyone can start again and everyone can win then I'll re-arrange the place that I'm in. And I can't stick the way that they flap and flutter. They whisper I'm a cunt and they cackle and they mutter. But i'm sure I heard them reassure me everything ends as I walked away from all my fake friends. They've scrutinised the mistakes I've been making. They know who I've fucked, they know what I've taken. They've seen me in the shower with shit down my legs. They've seen me searching a stranger's house for dregs. I used to think they loved me, but now I know it's pity and they know that they can always flee this fucking city. They even said they'd help me out and give me a head start and they know that these days my cock's as numb as my heart. New blood flows. Old faces go. I like the new ones better. I think I like these girls. Feels like I've travelled miles. Now I want to party all the time. Now I want to party all the time again. |
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from Arab Strap - The Week Never Starts Round Here (2005) | |||||
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from Arab Strap - The Week Never Starts Round Here (2005) | |||||
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007)
I was free again that summer
cos you're playing with a plumber, with his own place and a car. I don't care, I'm gonna be a pop star. Well he can take you for a ride and he can buy you gifts and flowers. I'm sure he's got a nicer body then me and maybe he can fuck go for hours and hours. But I wonder where you and him might be when you see me on the cover of the NME. After sell-out tours and a string of hits And I'm snorting cocaine off a supermodel's tits. My life is going my way. I saw you in the pub today. And you look so ugly now. Since you turned into a shallow disco cow. You're no longer my gilded shackle. So I don't have to listen to your fucking cackle. I couldn't give a toss what you do. And by the way, have you found out I was two-timing you? |
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from Arab Strap - Mad For Sadness (2000)
We're sitting fruity alchopops with pink glasses with ice and watching the girls of summer
With there bare legs and trains and there white strap link through yesterdays top beneath today's cologne Across there peeling shoulders on there way to the bar Later I put my tape in the bath in attempt to shave, well almost cut and ending up slashing my cheek and nickin' my lip And spraying on some poof juice and go to the park with my economy cider I don't think I'll need a jacket It'll be bright when the carry outs are finished And we head to the pub to get everyone else Leaving our empties kicked behind a bush We'll get 'em in there and casually saunter into the bogs and swallow And get taxi's down to a club The micelet and magpie through the window on the way In the hope they'll get a shag But I'll wake up clamouring a girl I know fully clothed on someone's couch I've barely slept for two hours All sweaty and thoughtful and needing a fix And then you'll wake up And the first thing we'll do is to make plans to get pissed So we'll sit in a pub and watch the girls of summer. |
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from Arab Strap - Mad For Sadness (2000)
We're sitting fruity alchopops with pink glasses with ice and watching the girls of summer
With there bare legs and trains and there white strap link through yesterdays top beneath today's cologne Across there peeling shoulders on there way to the bar Later I put my tape in the bath in attempt to shave, well almost cut and ending up slashing my cheek and nickin' my lip And spraying on some poof juice and go to the park with my economy cider I don't think I'll need a jacket It'll be bright when the carry outs are finished And we head to the pub to get everyone else Leaving our empties kicked behind a bush We'll get 'em in there and casually saunter into the bogs and swallow And get taxi's down to a club The micelet and magpie through the window on the way In the hope they'll get a shag But I'll wake up clamouring a girl I know fully clothed on someone's couch I've barely slept for two hours All sweaty and thoughtful and needing a fix And then you'll wake up And the first thing we'll do is to make plans to get pissed So we'll sit in a pub and watch the girls of summer. |
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from Arab Strap - Monday At The Hug And Pint (2003)
Sex without love is a good ride worth trying
but love without sex is second only to dying. When kissing is missing and legs stay shut tight you'll hate every morning and dread every night. Don't drag it out when you've lost your glue. You'll always feel lonely and always be minging, you won't notice colours and you'll never hear singing. The surest sign ever that good times are ending is sharing a sleeping space with no fucking pending. Don't drag it out too far, don't do what I do. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I'm waiting for a service, waiting in vain.
She's waiting on another man, no one drank again. She flashed me the menu, working smell on her lips. Led me just enough. I shouldn't have tipped. I say 'well', the food there was crap. The other one there, I didn't give two glances. She's in love with my soul - she think's I'm attractive. She forraged a smile, I saw the floor. She tried again, I examined the ashtray. I say 'well'. But I still make the mistake of eating where the food is crap. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I'm waiting for a service, waiting in vain.
She's waiting on another man, no one drank again. She flashed me the menu, working smell on her lips. Led me just enough. I shouldn't have tipped. I say 'well', the food there was crap. The other one there, I didn't give two glances. She's in love with my soul - she think's I'm attractive. She forraged a smile, I saw the floor. She tried again, I examined the ashtray. I say 'well'. But I still make the mistake of eating where the food is crap. |
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from Arab Strap - The Red Thread (2001)
Haunt me.
I know you'll keep me in tow. No laugh, no guide, no limp beside. So haunt me 'cause I know you'll keep me in tow. If she's all I need to love and breed. then haunt me 'cause I'll know you'll keep me in tow. |
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from Arab Strap - Elephant Shoe (1999)
I sprained my arm for you when you hid me under the covers And held my hair. Did we just forget that we're lovers? It all came back as sunday was dawning But i was useless for most of the morning. The sweat was pishing off me and the duvet had been kicked away. You said something new, straight to work, Up and dressed right away. It all came back as sunday was dawning But i was useless for most of the morning. |
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from Arab Strap - Mad For Sadness (2000)
How am I supposed to walk you home when you're at least fifty feet ahead?
Cause you walked off in a huff and I'm that pissed I can't even remember what it was I said. And I don't doubt you wouldn't touch him now, but let's face it, you always use to go for that kind. And if you ever really wanted two men at once, all I'm saying is I better be one of the guys you've got in mind. Here we go same time, same place. I don't like the way you kiss his face. It's not that there's no trust as such. I'd love to make up but I've had to much. Now you know fine well I'm staying, I've only ever carried out that threat once before. And even then I coudn't get far and you're mum came and called me back before I'd even made it to the door. Here we go same time, same place. My embarassment versus your damp face. We could down here or we could talk in bed. But I'm afraid that's all, as I've already said. |
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from Arab Strap - Mad For Sadness (2000)
How am I supposed to walk you home when you're at least fifty feet ahead?
Cause you walked off in a huff and I'm that pissed I can't even remember what it was I said. And I don't doubt you wouldn't touch him now, but let's face it, you always use to go for that kind. And if you ever really wanted two men at once, all I'm saying is I better be one of the guys you've got in mind. Here we go same time, same place. I don't like the way you kiss his face. It's not that there's no trust as such. I'd love to make up but I've had to much. Now you know fine well I'm staying, I've only ever carried out that threat once before. And even then I coudn't get far and you're mum came and called me back before I'd even made it to the door. Here we go same time, same place. My embarassment versus your damp face. We could down here or we could talk in bed. But I'm afraid that's all, as I've already said. |
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from Arab Strap - Here We Go & Trippy (2000)
How am I supposed to walk you home when you're at least fifty feet ahead?
Cause you walked off in a huff and I'm that pissed I can't even remember what it was I said. And I don't doubt you wouldn't touch him now, but let's face it, you always use to go for that kind. And if you ever really wanted two men at once, all I'm saying is I better be one of the guys you've got in mind. Here we go same time, same place. I don't like the way you kiss his face. It's not that there's no trust as such. I'd love to make up but I've had to much. Now you know fine well I'm staying, I've only ever carried out that threat once before. And even then I coudn't get far and you're mum came and called me back before I'd even made it to the door. Here we go same time, same place. My embarassment versus your damp face. We could down here or we could talk in bed. But I'm afraid that's all, as I've already said. |
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from Arab Strap - Philophobia (2000)
How am I supposed to walk you home when you're at least fifty feet ahead?
Cause you walked off in a huff and I'm that pissed I can't even remember what it was I said. And I don't doubt you wouldn't touch him now, but let's face it, you always use to go for that kind. And if you ever really wanted two men at once, all I'm saying is I better be one of the guys you've got in mind. Here we go same time, same place. I don't like the way you kiss his face. It's not that there's no trust as such. I'd love to make up but I've had to much. Now you know fine well I'm staying, I've only ever carried out that threat once before. And even then I coudn't get far and you're mum came and called me back before I'd even made it to the door. Here we go same time, same place. My embarassment versus your damp face. We could down here or we could talk in bed. But I'm afraid that's all, as I've already said. |
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from Arab Strap - The Girls Of Summer E.p (2000)
The corn was funny and I hope you were joking. I like what we're doing but it's never outspoken. So I don't know what to say and I don't know what to do. And I'm still not sure that I should be honest with you. It was cool when all left together last night. Half two in the morning, I swear it was light. You ran up ahead, we brought up the rear. By the time we arrived, you'd drank all our beer. The skin was peeling off of my beardy face. And I used my best shampoo on my pubes just in case. And then I had a quick tug so that it would last longer. And I went to meet you for lunch but we had something stronger. You tied back your hair, you painted my face. And I passed it again 'cause I can't take the pace. The come down was gentle but once it felt nice. I'm getting a haircut and I want your advice. In a room full of people, we were under the covers. Our kisses were silent and our hands were our lovers. And then we panicked when your mum arrived at the door. The tampering's fun but I think I want more. You said that I'm OK but you're just having fun. And we were in with the girls and getting drunk in the sun. I would of tried to talk you round but you know I'm not a believer. You noticed my eyes were red but that was just with hay fever. OK, I'll just agree to, see you when I see you. OK, then I'll agree to just see you when I see you... Went out for the weekend, it lasted forever. Got high with our friends - it's officially summer.
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007) | |||||
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from Arab Strap - The Week Never Starts Round Here (2005)
I work in a saloon, pulling shit pints for shit wages.
It's a busy night tonight. And the bar is full of all the girls I've ever shagged, or tampered with, or kissed, or even just fancied. A pub full of conquests, knockbacks. Between the laughter I can here my name. And then, through the gap between the swing doors and floor, I see your feet. You push open the doors and walk in And as always all heads turn. And the room becomse silent, except for the sound or your dm's scuffing on the floor. You stroll through the jealous gaze straight to the bar, smile, and ask for some exotic cocktail. But I don't know how to make it. So you just shrug, smile again, turnaround and leave And I pull another pint. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I work in a saloon, pulling shit pints for shit wages.
It's a busy night tonight. And the bar is full of all the girls I've ever shagged, or tampered with, or kissed, or even just fancied. A pub full of conquests, knockbacks. Between the laughter I can here my name. And then, through the gap between the swing doors and floor, I see your feet. You push open the doors and walk in And as always all heads turn. And the room becomse silent, except for the sound or your dm's scuffing on the floor. You stroll through the jealous gaze straight to the bar, smile, and ask for some exotic cocktail. But I don't know how to make it. So you just shrug, smile again, turnaround and leave And I pull another pint. |
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from Arab Strap - Philophobia (2000) | |||||
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007) | |||||
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from Arab Strap - The Red Thread (2001)
How can nothing ever mean something?
It goes from white to grey so fast. A new pool on a strange mattress. Helps me catch up with my past. Pass me something to wipe with. We're so easy to please. Do you worry that it's loaded? Laced with a million littles me's. So are you up for the hat-trick or are you down for a rest? Is the whitest light between our legs or hidden in my chest? And if they see us on the stairs or if they catch us on the sink. Move quickly and brush it off with a giggle and a wink. At least we know we're fuckable, at least we're sated and we're tired. At least the bedroom stinks, and we know we're desired. |
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from Arab Strap - Mad For Sadness (2000) | |||||
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from Arab Strap - Philophobia (2000)
We were lying in bed, staring at the moon, and I was wondering if I was supposed to be in love.
But we couldn't quite decide if the moon was full, but I thought, well, tonight it's full enough. And this morning I was casually trying to sniff my fingers on the way back home. I could smell you and I felt like a little boy. Now we've been on these open seas far too long so take a breath, take my hand, there's land ahoy. |
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007)
We were lying in bed, staring at the moon, and I was wondering if I was supposed to be in love.
But we couldn't quite decide if the moon was full, but I thought, well, tonight it's full enough. And this morning I was casually trying to sniff my fingers on the way back home. I could smell you and I felt like a little boy. Now we've been on these open seas far too long so take a breath, take my hand, there's land ahoy. |
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from Arab Strap - The Week Never Starts Round Here (2005)
Don't try and tell me kate moss ain't pretty.
Don't try and make me believe. Don't try to force me to let you boss me when I'm pretending to leave. I knew that you could ruin my good mood. That's exactly what you've done. We sat there silent ,you got violent. Going out with you used to be fun. You're getting colder, no doubt you've told her I've just come past. Does she know maybe, you're having a baby? I think it's about time you did that test. You know I'll miss you when I can't kiss you. You know I don't want us to split. Now I must say it's going that way. You're always bored and full of shit. |
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from Arab Strap - The Week Never Starts Round Here (2005)
Don't try and tell me kate moss ain't pretty.
Don't try and make me believe. Don't try to force me to let you boss me when I'm pretending to leave. I knew that you could ruin my good mood. That's exactly what you've done. We sat there silent ,you got violent. Going out with you used to be fun. You're getting colder, no doubt you've told her I've just come past. Does she know maybe, you're having a baby? I think it's about time you did that test. You know I'll miss you when I can't kiss you. You know I don't want us to split. Now I must say it's going that way. You're always bored and full of shit. |
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from Arab Strap - The Red Thread (2001)
We used to do it to ease the tension.
Pretend that sex wasn't our intention. Even weeks later when they all knew. It always helped just to have a few. But now what's the point if we're not going out? It only makes you tired. and makes me shout. Always the last chance for you and me. First come apologies, then the plea. I wash the walls as you pack your stuff. I've had too much and you've had enough. So what's the point when we're not meeting friends? From midday to morning on weekdays or weekends. We could pretend that this never started. That you're still shy, I'm still broken-hearted. And we'll get pissed just to watch the telly. I'll get worked up when you flash your belly. But what's the point if we're just staying in? It's a lot of effort for one big din. |
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from Arab Strap - Elephant Shoe (1999)
Go and close the curtains - it's getting too bright. We need some music. Let's stay up all night. Put the lights back on - i can't see your face. Can you feel it? It's going some pace.s No inhibitions, we could still have some more so pass me my jeans from your side of the floor. No plans for tomorrow - leave the day free. Just waste it in bed, waste it with me. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I will never love you
Do what you will. I will never lick you The way I do so well. You now weaken your voice "ah, hey". I will never talk to you Do what you will. You will never make me smile The way you did so well. You now meet with your boys "ah, hey". Most of all I will never cry. My thoughts will never turn to you. I'll walk through this world making little girls happy. But not you, no not you. Do what you will. Do what you will. Do what you will. Do what you will. You will do what you will. You will do what you will. Do what you will. Do what you will. |
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from Arab Strap - The Week Never Starts Round Here (2005)
I will never love you
Do what you will. I will never lick you The way I do so well. You now weaken your voice "ah, hey". I will never talk to you Do what you will. You will never make me smile The way you did so well. You now meet with your boys "ah, hey". Most of all I will never cry. My thoughts will never turn to you. I'll walk through this world making little girls happy. But not you, no not you. Do what you will. Do what you will. Do what you will. Do what you will. You will do what you will. You will do what you will. Do what you will. Do what you will. |
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from Arab Strap - Monday At The Hug And Pint (2003)
The rain pissed down on Leven's shores.
The sane rain would rain on superstores and set off car alarms in our street. Let's burn our clothes and hunt our meat. A day of skies, a day of feasts, we fell to bed, to grunt like beasts. We could live in your wee car, we could never go too far. A flash of sun between your thighs, a perfect black shape to protect my eyes. A swooping hawk, a dying tree. "Fuck me," says he, "fuck you," says she. If i'm a clown, then you're a mime but I'm sure that we'd be friends in time. The selkie put her skin back on and swam away, back to her own |
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from Arab Strap - Monday At The Hug And Pint (2003)
The rain pissed down on Leven's shores.
The sane rain would rain on superstores and set off car alarms in our street. Let's burn our clothes and hunt our meat. A day of skies, a day of feasts, we fell to bed, to grunt like beasts. We could live in your wee car, we could never go too far. A flash of sun between your thighs, a perfect black shape to protect my eyes. A swooping hawk, a dying tree. "Fuck me," says he, "fuck you," says she. If i'm a clown, then you're a mime but I'm sure that we'd be friends in time. The selkie put her skin back on and swam away, back to her own |
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from Arab Strap - The Red Thread (2001)
We slept in this morning and she had to get ready in a hurry - no time for her usual attention to detail - and she ran out the door, slamming it behind her, leaving her keys swinging and jangling. I stayed in bed until I heard the downstairs door shut, then peeked through the blinds and as soon as she was out of sight, I went for the keys. She never tried to make a secret of the box or the fact it was locked or even where she kept it. But as I said at the time - "If you've nothing to hide, why hide it?"
It's one of those wee red cashbox things and she keeps it in a drawer by the bed, under some pictures and books. Every key she has is on the same keyring - it took me a while to find the right one. I don't know, I suppose I've had my doubts for a while. There's been hushed phone-calls virtually every night, her friends stop talking when I come in the room and they look at each other, and I don't know, it's just a feeling. Anyway, I eventually found the right key and it fitted perfectly in. I put the box on top of the bed and opened it up... There were these pictures of friends and ex's, letters, postcards, doodles, nothing bad - and then I found some sort of sex diary and I went to the latest entry. It explicity detailed a recent adventure up the park with a boy she said she had forgotten about... And it got worse as it went on. The dates never made sense, there were people I had never even heard of. Eventually I had to stop reading it because I started to feel sick. So I put everything back the way I found it, shut the drawer and phoned you. See, I don't know what to do. I keep having fantasies about leaving her dictaphone under the pillow or following her when she goes to work. I've been lying about where I'm going, just in case I can bump into her. |
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from Arab Strap - Monday At The Hug And Pint (2003)
There are no set rules to follow, just a big black gaping hollow that we fall into and hope that it means love. And the beasts snapping at your feet keep barking that you're incomplete. Ignore them, but heed the beasts above. So if you see me coming you better whistle or start humming a?cause otherwise, I 'll tell you now that I'll just walk right by a?cause lover, when I drink, I'm dozy but I fancy getting cosy and I heard a rumour that I might have caught your eye. So come on darling, break my heart. Mess me around and shag all my friends, a?cause we can't waste what we can't even start and it's best to go out with a bang when a wee disaster ends.
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from Arab Strap - Cherubs E.P (2000)
It takes much more than names I'm crying,
To convince me we've been trying. And I don't want it when you need it. I'd write it down if you'd read it.i'm saying too much - it loses power. But sometimes I need it on the hour, every hour. What do I have to do to get the message through? There's no discussion - it's easy to end it. No effort's made to try to defend it. I make my point if you shut up and let me. You know I'm only leaving so you can come and get me. I've heard everything you've said. I'm tired and I just need my bed. |
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from Arab Strap - Mad For Sadness (2000)
I pulled the ex last night, and it felt weird to feel her up again.
Knickers down, and bra cast as if the past and not passed. And she brought the drinks all night, but that's okay, now she's got a job. Her generosity - my curse. she even let me keep her purse. But I couldn't get it up - too much to drink, too much to say. She picked her clothes up off the floor and promptly headed for the door. I was just trying to use my favourite muse. I don't think I could ever want her back, I'm just making sure she's still capable of being slack. And she's got trouble with her boyfriend now. I always said he was a prick. I told her from the very start, when she almost broke my heart. And my room's a mess this morning. She left her fag-ends floating in a glass. I didn't try and make her stay. I doubt she would have anyway. I was just trying to use my favourite muse. It's nice to see she's still slack. I could never want her back. |
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from Arab Strap - Philophobia (2000)
I pulled the ex last night, and it felt weird to feel her up again.
Knickers down, and bra cast as if the past and not passed. And she brought the drinks all night, but that's okay, now she's got a job. Her generosity - my curse. she even let me keep her purse. But I couldn't get it up - too much to drink, too much to say. She picked her clothes up off the floor and promptly headed for the door. I was just trying to use my favourite muse. I don't think I could ever want her back, I'm just making sure she's still capable of being slack. And she's got trouble with her boyfriend now. I always said he was a prick. I told her from the very start, when she almost broke my heart. And my room's a mess this morning. She left her fag-ends floating in a glass. I didn't try and make her stay. I doubt she would have anyway. I was just trying to use my favourite muse. It's nice to see she's still slack. I could never want her back. |
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from Arab Strap - Mad For Sadness (2000)
You just have to be sure you're doing the right thing. I mean it's very easy to forget - she's just sitting there in the pub with her new friends and her new life and her new hair, and it's been five years but you'd know just to look at her.
I wasn't even sure it were her at first; I was ready to walk away but she smiled and called me over and we said hello for a bit. When we back to our tables we were trying not to look over at each other and told our friends to stop staring. I didn't see her for the rest of the night, but by closing time the beers kicked in so I go up and speak to her and we end up talking about our new homes, our new jobs and our new birds. She says she's been going out with him now for about two and a half years, but they don't live together so he'd never find out. And you think about chasing her about school when you were wee and lying in your bed and listening to love songs and pretending they were about you. and the first time you asked her out she said no but one night you went to a wedding and when you came back to the pub she's changed her mind and you went out. You remember the way she swung her arms when she held your hand but you can't remember how she kissed and now you've got the chance to find out. But you have to remember there's this other kiss. She's at home, wondering where you are and what you're doing. And you work hard on this kiss and you know it inside out; it's as much yours as it is hers, and it took a long time to get right, it took months of practice and months of embarassment but now you've got it perfected and you've been looking forward to that kiss all week. You can see her breath in the air between your faces as you stand in the leaves and she just asks you straight out if you want to come and stay at her flat. But you make sure you get separate taxis and you go home and there might be a slight regret and you might wonder what you missed, but you have to remember the kiss you worked so hard on. And you'll know you've done the right thing. |
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from Arab Strap - Mad For Sadness (2000)
You just have to be sure you're doing the right thing. I mean it's very easy to forget - she's just sitting there in the pub with her new friends and her new life and her new hair, and it's been five years but you'd know just to look at her.
I wasn't even sure it were her at first; I was ready to walk away but she smiled and called me over and we said hello for a bit. When we back to our tables we were trying not to look over at each other and told our friends to stop staring. I didn't see her for the rest of the night, but by closing time the beers kicked in so I go up and speak to her and we end up talking about our new homes, our new jobs and our new birds. She says she's been going out with him now for about two and a half years, but they don't live together so he'd never find out. And you think about chasing her about school when you were wee and lying in your bed and listening to love songs and pretending they were about you. and the first time you asked her out she said no but one night you went to a wedding and when you came back to the pub she's changed her mind and you went out. You remember the way she swung her arms when she held your hand but you can't remember how she kissed and now you've got the chance to find out. But you have to remember there's this other kiss. She's at home, wondering where you are and what you're doing. And you work hard on this kiss and you know it inside out; it's as much yours as it is hers, and it took a long time to get right, it took months of practice and months of embarassment but now you've got it perfected and you've been looking forward to that kiss all week. You can see her breath in the air between your faces as you stand in the leaves and she just asks you straight out if you want to come and stay at her flat. But you make sure you get separate taxis and you go home and there might be a slight regret and you might wonder what you missed, but you have to remember the kiss you worked so hard on. And you'll know you've done the right thing. |
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from Arab Strap - Philophobia (2000)
You just have to be sure you're doing the right thing. I mean it's very easy to forget - she's just sitting there in the pub with her new friends and her new life and her new hair, and it's been five years but you'd know just to look at her.
I wasn't even sure it were her at first; I was ready to walk away but she smiled and called me over and we said hello for a bit. When we back to our tables we were trying not to look over at each other and told our friends to stop staring. I didn't see her for the rest of the night, but by closing time the beers kicked in so I go up and speak to her and we end up talking about our new homes, our new jobs and our new birds. She says she's been going out with him now for about two and a half years, but they don't live together so he'd never find out. And you think about chasing her about school when you were wee and lying in your bed and listening to love songs and pretending they were about you. and the first time you asked her out she said no but one night you went to a wedding and when you came back to the pub she's changed her mind and you went out. You remember the way she swung her arms when she held your hand but you can't remember how she kissed and now you've got the chance to find out. But you have to remember there's this other kiss. She's at home, wondering where you are and what you're doing. And you work hard on this kiss and you know it inside out; it's as much yours as it is hers, and it took a long time to get right, it took months of practice and months of embarassment but now you've got it perfected and you've been looking forward to that kiss all week. You can see her breath in the air between your faces as you stand in the leaves and she just asks you straight out if you want to come and stay at her flat. But you make sure you get separate taxis and you go home and there might be a slight regret and you might wonder what you missed, but you have to remember the kiss you worked so hard on. And you'll know you've done the right thing. |
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from Arab Strap - Philophobia (2000)
Why could I not speak?
You're not so unique. My eyes stayed on the floor. I make a little suggestion, before I pop the question. But I was far too out my face. I was out my face. "It's the first time in ages I've actually had the guts to ask, but I'm feeling particularly confident tonight, if you know what I mean. But that's the thing - You don't know what I mean. The reason I fancy you in the first place is is the same reason we won't get on, you're just not into it. I mean, you're cute and you're innocent and you're nice and all that, but you barely even drink." No meeting was I granted. But now the seed's been planted. And now you're in the know. Too steaming too impress. Not a know, not quite a yes. You ask if that's okay. I suppose it's okay. |
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from Arab Strap - The Girls Of Summer E.p (2000)
I said with me around she'd never come to harm.
And then she took a fork and stabbed herself in the arm. She used to wank me off but I could never heat her up. And she use to tell all her friends that I beat her up. I went round to her house one day after, after school. She'd bought me this steel ladybird thing, it was really cool. And then she said she thought there was no future for us. She chucked me then, chucked me out, and I cried all over the bus. And that sunday was my first experience of feeling alone. When she wouldn't answer her door and she wouldn't answer her phone. So I went round and banged on the door, I thought I had so much to say. And then the pigs came and told me to be on my way. It'd be nice to say then that that's where the story ends. But she came way with some pish about still being friends. And she seemed sincere so I thought I'd give her a chance. And it was okay until I found her with her hand down someone elses pants. I pulled them apart, it was all I could think to do. Then another guy she knew flew to her rescue. He tried to kick my head in to impress her, cause he was trying to poke her. I came home greeting and bleeding. And my mum threatened to go round to her house and choke her. |
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from Arab Strap - Philophobia (2000)
I said with me around she'd never come to harm.
And then she took a fork and stabbed herself in the arm. She used to wank me off but I could never heat her up. And she use to tell all her friends that I beat her up. I went round to her house one day after, after school. She'd bought me this steel ladybird thing, it was really cool. And then she said she thought there was no future for us. She chucked me then, chucked me out, and I cried all over the bus. And that sunday was my first experience of feeling alone. When she wouldn't answer her door and she wouldn't answer her phone. So I went round and banged on the door, I thought I had so much to say. And then the pigs came and told me to be on my way. It'd be nice to say then that that's where the story ends. But she came way with some pish about still being friends. And she seemed sincere so I thought I'd give her a chance. And it was okay until I found her with her hand down someone elses pants. I pulled them apart, it was all I could think to do. Then another guy she knew flew to her rescue. He tried to kick my head in to impress her, cause he was trying to poke her. I came home greeting and bleeding. And my mum threatened to go round to her house and choke her. |
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from Arab Strap - Elephant Shoe (1999)
You said it yourself - you can't help but flirt and i'd be the first to admit that i'm easily hurt. I can't take things lightly - you said i'm always in a huff. I know it was just the once but what if that's enough? Just shut the fuck up and tell me bit by bit, 'cause all i can see is his hand grabbing a tit. I do one four seven one the minute i get in and if your number's not there your stuff stays in the bin. |
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007) | |||||
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from Arab Strap - Mad For Sadness (2000)
It was the biggest ever cock you'd ever seen, but you've no idea where that cock has been.
You said you were careful - you never were with me. I heard you did it four times and jonnies come in packs of three. She was the best shag I'd ever had. That doesn't mean I'm saying, bedwise, you were bad. I think you were working, we got a hotel. We didn't have anything but I thought I might as well. I never told the rest. I was drunk and I told you I was thinking about a test. You know I just said it for effect. Then you laughed and said I'd f**k anything in a skirt once I'm erect. And she's a famous harlot in this town. I know enough to, but still I couldn't turn her down. He said I'm an arsehole, what was I thinking? It's far too easy to blame it on the drinking. |
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from Arab Strap - Mad For Sadness (2000)
It was the biggest ever cock you'd ever seen, but you've no idea where that cock has been.
You said you were careful - you never were with me. I heard you did it four times and jonnies come in packs of three. She was the best shag I'd ever had. That doesn't mean I'm saying, bedwise, you were bad. I think you were working, we got a hotel. We didn't have anything but I thought I might as well. I never told the rest. I was drunk and I told you I was thinking about a test. You know I just said it for effect. Then you laughed and said I'd f**k anything in a skirt once I'm erect. And she's a famous harlot in this town. I know enough to, but still I couldn't turn her down. He said I'm an arsehole, what was I thinking? It's far too easy to blame it on the drinking. |
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from Arab Strap - Philophobia (2000)
It was the biggest ever cock you'd ever seen, but you've no idea where that cock has been.
You said you were careful - you never were with me. I heard you did it four times and jonnies come in packs of three. She was the best shag I'd ever had. That doesn't mean I'm saying, bedwise, you were bad. I think you were working, we got a hotel. We didn't have anything but I thought I might as well. I never told the rest. I was drunk and I told you I was thinking about a test. You know I just said it for effect. Then you laughed and said I'd f**k anything in a skirt once I'm erect. And she's a famous harlot in this town. I know enough to, but still I couldn't turn her down. He said I'm an arsehole, what was I thinking? It's far too easy to blame it on the drinking. |
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007)
It was the biggest ever cock you'd ever seen, but you've no idea where that cock has been.
You said you were careful - you never were with me. I heard you did it four times and jonnies come in packs of three. She was the best shag I'd ever had. That doesn't mean I'm saying, bedwise, you were bad. I think you were working, we got a hotel. We didn't have anything but I thought I might as well. I never told the rest. I was drunk and I told you I was thinking about a test. You know I just said it for effect. Then you laughed and said I'd f**k anything in a skirt once I'm erect. And she's a famous harlot in this town. I know enough to, but still I couldn't turn her down. He said I'm an arsehole, what was I thinking? It's far too easy to blame it on the drinking. |
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from Arab Strap - Monday At The Hug And Pint (2003) | |||||
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from Arab Strap - Mad For Sadness (2000)
Phone me tonight when you're pissed.
Just to tell me that I'm missed. Tell me you want me in your cunt. Tell me you're not sure what you want. I tried to tell you, I thought I made it clear. Nothing could make me not want you here. Phone me tomorrow when you're sober. Just to remind me that it's over. And that I'm not needed now in your bed. And of all the things that I apparently never said. I tried to tell you, I tried to say. I never wanted us to end that way. |
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from Arab Strap - Mad For Sadness (2000)
Phone me tonight when you're pissed.
Just to tell me that I'm missed. Tell me you want me in your cunt. Tell me you're not sure what you want. I tried to tell you, I thought I made it clear. Nothing could make me not want you here. Phone me tomorrow when you're sober. Just to remind me that it's over. And that I'm not needed now in your bed. And of all the things that I apparently never said. I tried to tell you, I tried to say. I never wanted us to end that way. |
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from Arab Strap - The Week Never Starts Round Here (2005)
Phone me tonight when you're pissed. just to tell me that I'm missed.
Tell me you want me in your cunt. tell me you're not sure what you want. I tried to tell you, I made it clear. I think you make me not want you here. Phone me tomorrow when you're sober. Just to tell me it's all over. Tell me I'm not wanted in your bed. Remember one thing you haven't said. I tried to tell you, I tried to say. I never wanted it to end this way. |
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from Arab Strap - Monday At The Hug And Pint (2003)
Every man needs a tit to suckle
but some days I'm sure my legs will just buckle. Good morning, mister magpie, how's the lady wife? You've been sitting there for years now, studying my life. So you may as well just build a nest here. Good fucking luck, 'cause I still can't rest here. Nine of your brothers perched in my past, they were right for a while but I knew it couldn't last. But moon be full tonight and I will find my bride. She'll be good to me and she will love to ride. And she might make mistakes but I know I will too because we can't all be whole and bright like you. |
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from Arab Strap - Mad For Sadness (2000)
You'd already been half an hour with pre-clubbing shower
and I'd always planned to have a look in your special winnie the pooh book. the place was marked and it was there in blue and white - it said simply, "paul stayed last night" Next I was on the bog and you got down on one knee. You were protesting your innocence and you started to cry as I started to pee. You said, "I didn't shag him, he slept on the couch in the kitchen. He might as well be a girl. He's a good for a laugh and he's good for bitchin" You said you'd never be willing or able. And he looks like he was made on a fucking table. Although, to be fair, I think he hides the bolts quite well, but as soon as he opens his mouth you can just tell. I had just assumed you'd completely gone off shagging and I can you seen you with your new uni pals, standing bragging. now he's your boyfriend and I know you were talking shite but you still deny it when I met you at someone's birthday party the other night. You said, "I didn't shag him, he slept on the couch in the kitchen. It's just like one of the girls. We have a good laugh when we're sitting bitchin'" The words that you used to think turned me on just made me laugh - "do you want to suck my cunt?" in real life just sounds naff. And when we were with your friends I just as well might of been no one. And you can't get over your dead dog - well it takes one to know one. |
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from Arab Strap - Mad For Sadness (2000)
You'd already been half an hour with pre-clubbing shower
and I'd always planned to have a look in your special winnie the pooh book. the place was marked and it was there in blue and white - it said simply, "paul stayed last night" Next I was on the bog and you got down on one knee. You were protesting your innocence and you started to cry as I started to pee. You said, "I didn't shag him, he slept on the couch in the kitchen. He might as well be a girl. He's a good for a laugh and he's good for bitchin" You said you'd never be willing or able. And he looks like he was made on a fucking table. Although, to be fair, I think he hides the bolts quite well, but as soon as he opens his mouth you can just tell. I had just assumed you'd completely gone off shagging and I can you seen you with your new uni pals, standing bragging. now he's your boyfriend and I know you were talking shite but you still deny it when I met you at someone's birthday party the other night. You said, "I didn't shag him, he slept on the couch in the kitchen. It's just like one of the girls. We have a good laugh when we're sitting bitchin'" The words that you used to think turned me on just made me laugh - "do you want to suck my cunt?" in real life just sounds naff. And when we were with your friends I just as well might of been no one. And you can't get over your dead dog - well it takes one to know one. |
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from Arab Strap - Philophobia (2000)
You'd already been half an hour with pre-clubbing shower
and I'd always planned to have a look in your special winnie the pooh book. the place was marked and it was there in blue and white - it said simply, "paul stayed last night" Next I was on the bog and you got down on one knee. You were protesting your innocence and you started to cry as I started to pee. You said, "I didn't shag him, he slept on the couch in the kitchen. He might as well be a girl. He's a good for a laugh and he's good for bitchin" You said you'd never be willing or able. And he looks like he was made on a fucking table. Although, to be fair, I think he hides the bolts quite well, but as soon as he opens his mouth you can just tell. I had just assumed you'd completely gone off shagging and I can you seen you with your new uni pals, standing bragging. now he's your boyfriend and I know you were talking shite but you still deny it when I met you at someone's birthday party the other night. You said, "I didn't shag him, he slept on the couch in the kitchen. It's just like one of the girls. We have a good laugh when we're sitting bitchin'" The words that you used to think turned me on just made me laugh - "do you want to suck my cunt?" in real life just sounds naff. And when we were with your friends I just as well might of been no one. And you can't get over your dead dog - well it takes one to know one. |
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007)
i must have been missing the point for years. i used to love misery, heartbreak, and tears. but that's just a memory now you're sleeping here. and what's yours is mine. i wasted so long keeping hollow hearts dear. panicking, drinking when they disappear. and i'm not a prophet, no, i'm not a saint. but i think we'll be fine. but first we should set the scene with some songs that deafly describe the rights and the wrongs that led me to you and my unladen steer. it takes a few minutes but it's worth the wait.
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from Arab Strap - Elephant Shoe (1999)
Now you always say terminated, i never hear you say aborted. You just have to accept mistakes happen and sometimes They have to be sorted. You know i'd love it - a little us would be sweet - but don't take that from your pro-life pal, she doesn't even eat meat. It's as simple as this - the time's not right. You need a new job and some sleep tonight. |
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from Arab Strap - Cherubs E.P (2000)
I was trying to sleep, but my heart-rate wasn't fooled.
It was at least the back of four when you phoned to tell me that you'd pulled. You met him in a club and he's nice. You hope he doesn't think you're slack. But he's waiting in the next room and you think you'd better get back. I'm trying to sleep, but I'm staring and I'm thinking. And my bed's f**king huge. And you and him are drinking. I'm glad that I'm going. That I'll soon be away. I wish you'd just ask her 'cause it's not something I can say. |
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from Arab Strap - Elephant Shoe (1999)
Shouldn't we be naked, especially tonight? Instead of being fat, instead of being tight. If you go, go for good, Don't fucking joke, you know i would. There's no attempt to make up, No attempt to sort it out. And we know wshen we wake up we'll forget what it's about. If you go, go for good, No fucking jokes. Maybe we should. There's at least a foot between us - do you really need pyjamas in this heat? And all we can hear is pissed-up kids in the street. If you go, go for good. Don't fucking joke, you know i would. If you go, go for good. D do you really think i ever could? I really wish you fucking would. |
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from A Tribute To Spacemen 3 [omnibus] (2002) | |||||
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from Arab Strap - Ten Years Of Tears/ P + C 2006 Chemikal Underground Ltd (2007)
Have a look in the fridge
and see what he's got. Get in the bath and I'll tell you the lot. We're grown men, we should be respectable. But to fuck with that, let's make a spectacle. Keep climbing, you'll see everything. Twice round the block, it's OK; say anything. We hide in toilets, we hide in a corner. But it's not over yet, so someone please warn her. I could try anything when I feel like this. With part-time friends that I could never miss. Spill the gossip, you know it's always topical. From where we sit tonight the city's tropical. Works begun, the taxi's late. I should feel like a hippie but all I feel is hate. Let them say what they want, they could never make it stick. 'Cause everyone takes a turn at being a dick. |
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from Arab Strap - The Red Thread (2001)
You used to be part of the scenery
but now I know your name. And my mind wonders what my hands would do to make sure that you came. She hardly said a word again tonight. I threw a book and grabbed my keys. And on the way here I swore to myself, I'd fuck whoever I please. Everywhere I go, there's so much on show. Everyone is beautiful and I stay dutiful. The only solid solution is to sever my hands. Stitch my mouth up and blind me. Wrap me up and pack me tight. Leave me somewhere you'll never find me. Everywhere I go, there's so much on show. Everyone is beautiful but I stay dutiful. It must just be the sun and my desire for fun. If you did it, would you tell us? I think I'll always be jealous. |
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from Arab Strap - The Red Thread (2001)
We met on mutual ground
but you avoided my gaze until I lost your face in the next morning's haze. You're shoes could've woken up the whole street. They drowned out the birds screaming in the trees. We sat down on the stone stairs and I watched the scars on your knees. We met on mutual ground. You fell out of your dress. This bar's not open late enough, so let's go home and make a mess. They smiled and left the room to leave us with more space but we stayed where we were and just had a drink to the chase. A good night kiss equals a quick reaction but it's hard to believe I'm fully grown. So as usual, we parted on vague terms, so you could climb back on your thrown. |
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from Arab Strap - Monday At The Hug And Pint (2003)
And I'd serenade you every night
but you'd never be home to hear it. I wrote your name with fireworks in the sky but you never turned up to see it. So let me take you out and buy you drinks and I can mumble through an explanation. I hear you know that's when you're getting old, when all you really want's a conversation. Don't get me wrong, I've always had plans for your lips and my lips. The first time I saw you I saw all my future right between your hips. You're a woman who can teach me stuff. The kind of girl I want to bathe and dance with. But just ignore me now I understand; I only go for girls i've got no chance with. Look up right now, the sky's on fire. I want your breath when I retire. I want your feet to scratch my shin, to make me bleed and scar the skin. |