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from Walt Disney Records The Legacy Collection: The Hunchback of Notre Dame (월트 디즈니 컬렉선 : 노틀담의 꼽추) [ost] (2021) | |||||
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4:41 | ||||
from Love Stories (2010)
From a distance the world looks blue and green,
and the snow-capped mountains white. From a distance the ocean meets the stream, and the eagle takes to flight. From a distance, there is harmony, and it echoes through the land. It's the voice of hope, it's the voice of peace, it's the voice of every man. From a distance we all have enough, and no one is in need. And there are no guns, no bombs, and no disease, no hungry mouths to feed. From a distance we are instruments marching in a common band. Playing songs of hope, playing songs of peace. They're the songs of every man. God is watching us. God is watching us. God is watching us from a distance. From a distance you look like my friend, even though we are at war. From a distance I just cannot comprehend what all this fighting is for. From a distance there is harmony, and it echoes through the land. And it's the hope of hopes, it's the love of loves, it's the heart of every man. It's the hope of hopes, it's the love of loves. This is the song of every man. And God is watching us, God is watching us, God is watching us from a distance. Oh, God is watching us, God is watching. God is watching us from a distance. |
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3:35 | ||||
from Love Stories (2010)
Some say love it is a river
that drowns the tender reed Some say love it is a razer that leaves your soul to blead Some say love it is a hunger an endless aching need I say love it is a flower and you it's only seed It's the heart afraid of breaking that never learns to dance It's the dream afraid of wakingthat never takes the chance It's the one who won't be taken who cannot seem to give and the soul afraid of dyingthat never learns to live When the night has been too lonely and the road has been too long and you think that love is only for the lucky and the strong Just remember in the winterfar beneath the bitter snows lies the seed that with the sun's love in the spring becomes the rose |
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2:19 | ||||
from Bette Midler - Rhino Hi-Five: Bette Midler (2006)
He was a famous trumpet man from out Chicago way.
He had a boogie style that no one else could play. He was the top man at his craft, but then his number came up and he was gone with the draft. He's in the army now. He's blowin' reveille. He's the boogie woogie bugle boy of company B. They made him blow a bugle for his Uncle Sam. It really brought him down because he could not jam. The captain seemed to understand, because the next day the cap' went out and drafted the band. And now the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. A root, a toot, a toodlie-a-da-toot. He blows it eight to the bar in boogie rhythm. He can't blow a note unless a bass and guitar is playin' with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He was some boogie woogie bugle boy of company B. And when he played his boogie woogie bugle he was busy as a busy bee. And when he played he made the company jump eight to the bar. He's the boogie woogie bugle boy of company B. Andata toodliata-toodliata toot toot he blows it eight to the bar. He can't blow a note if a bass and guitar isn't with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He puts the boys to sleep with boogie every night, and wakes 'em up the same way in the early bright. They clap their hands and stamp their feet, 'cause they know how it goes when someone gives him a beat. Woah, woah, he wakes 'em up when he plays reveille. The boogie woogie bugle boy of company B. A root, a toot, a toodli-a-da to toot toot toot he's blowin' eight to the bar. Yeah, he can't blow a note if a bass and guitar isn't, woah, with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. |
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2:54 | ||||
from Bette Midler - Rhino Hi-Five: Bette Midler (2006)
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends |
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4:39 | ||||
from Bette Midler - Rhino Hi-Five: Bette Midler (2006)
From a distance
the world looks blue and green And the snow capped mountains wide From a distance the ocean meets the stream And the eagle takes to flight From a distance there is harmony And it echoes through the land It's the voice of hope its the voice of peace It's the voice of every man From a distance we all have enough And no one is in need And there are no guns no bombs and no disease No hungry mouths to feed From a distance we are instruments Marching in the common band Playing songs of hope playing songs of peace They're the songs of every man God is watching us God is watching us God is watching us from a distance From a distance You look like my friend Even though we are at war from a distance i just can not comprehend what all this fighting is for From a distance there is harmony And it echoes through the land It's the hope of hope its the love of love It's the heart of every man It's the hope of hope its the love of love This is the song of every man and God is watching us God is watching us God is watching us from a distance Oh God is watching us God is watching God is watching us from a distance |
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4:54 | ||||
from Bette Midler - Rhino Hi-Five: Bette Midler (2006)
"When he held me in his arms,
when he held me in his arms and said, "Baby, baby, baby, you are the only one for me." When a man loves a woman, can't keep his mind on nothing else. He'll trade the world for the good thing he found. Yeah, if she's bad, he can't see it. She can do no wrong. Turn his back on his best friend if he put her down. When a man loves a woman, spend his very last dime tryin' to hold on to what he needs. He'll give up all his comforts, go out and sleep out in the rain, if she says, "Baby, that is how it's gonna be." When a man loves a woman, gives her everything that he has, tryin' to hold on to her precious love, cryin, "Baby, baby please don't treat me bad." When a man loves a woman down deep in his soul, she can bring him such misery. Yeah, she's bad, but, oooh, he's the last one to know. Lovin' eyes don't ever see. So, this man says he loves me, he loves me. He gives me everything, everything, everything that he has, tryin' to hold on to my precious love, cryin', "Baby, baby, baby, don't you, don't you treat me, treat me bad." Ohhhh . . . yeah. When a man loves a woman he can do her no wrong. He could never hold another girl. Oh, you tell me you love me, baby, and gonna hold me tight. Baby, baby, this is a man's world. No, no. Oh, baby, a change is gonna come down in this man's world. |
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4:54 | ||||
from Bette Midler - Rhino Hi-Five: Bette Midler (2006)
(papayeverte_
It must have been cold there in my shadow, 내 그늘밑에서 분명 추웠을텐데 to never have sunlight on your face 당신 얼굴엔 단한번도 햇빛을 비추지않고서말이죠 You were content to let me shine, that's your way 당신은 나만 밝게빛나게해주었죠, 그게 당신이죠 You always walked a step behind 당신은 항상 한발자국 뒤에서 걸었어요 So I was the one with all the glory, 그래서 내가 항상 모든 영광을 얻었죠, While you were the one with all the strength 당신이 모든 힘을 내게주는동안에. A beautiful face without a name for so long. 아름다운 얼굴은 이름없이 오랬동안견디었죠 A beautiful smile to hide the pain 아름다운 미소는 고통을 숨겼어요 Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) It might have appeared to go unnoticed, 아무도 알아차리않고서 지나칠수도있었죠 but I've got it all here in my heart. 그렇지만 난 모든걸 가슴에 품고있어요 I want you to know I know the truth, 내가 진실을 알고있단것을 당신께서도 알았으면 좋겠어요 Of course I know it. 난 당연히 알죠 I would be nothing without you. 난 당신없인 아무것도 아니예요 (아무것도 못해요) Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Did I ever tell you you're my hero? 당신이 내 영웅이란걸 내가 말해준적이 있나요? You're everything, everything I wish I could be. 당신은 모든것이예요, 내가 되고싶은 모든것. (무엇이든지 될수있다면 당신같은사람이 되고싶단 뜻이예요) Oh, and I, I could fly higher than an eagle, 오, 그리고 난, 난 독수리보다 더 높게날수있어요, for you are the wind beneath my wings, 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) 'cause you are the wind beneath my wings 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Oh, the wind beneath my wings 오, 내 날개 밑에 바람. You, you, you, you are the wind beneath my wings. 당신, 당신, 당신, 당신은 내 날개 밑에 부는 바람. Fly, fly, fly away. You let me fly so high. 날아요, 날아요, 날아올라요, 당신은 날 높이 날수있께 하죠 Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Fly, fly, fly high against the sky, 날아요, 날아요, 하늘높이 날아올라요 so high I almost touch the sky. 내가 하늘을 만질수있을것만같이 높이 Thank you, thank you, 고마워요, 고마워요, thank God for you, the wind beneath my wings 당신이 있단걸 하나님께 감사해요, 내 날개밑에 부는 바람이여. It must have been cold there in my shadow, To never have sunlight on your face. You were content to let me shine, that's your way. You always walked a step behind. So I was the one with all the glory, While you were the one with all the strain. A beautiful face without a name for so long. A beautiful smile to hide the pain. Did you ever know that you're my hero, And everything I would like to be? I can fly higher than an eagle, For you are the wind beneath my wings. It might have appeared to go unnoticed, But I've got it all here in my heart. I want you to know I know the truth, of course I know it. I would be nothing without you. Did you ever know that you're my hero? You're everything I wish I could be. I could fly higher than an eagle, For you are the wind beneath my wings. Did I ever tell you you're my hero? You're everything, everything I wish I could be. Oh, and I, I could fly higher than an eagle, For you are the wind beneath my wings, 'Cause you are the wind beneath my wings. Oh, the wind beneath my wings. You, you, you, you are the wind beneath my wings. Fly, fly, fly away. You let me fly so high. Oh, you, you, you, the wind beneath my wings. Oh, you, you, you, the wind beneath my wings. Fly, fly, fly high against the sky, So high I almost touch the sky. Thank you, thank you, Thank God for you, the wind beneath my wings. |
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from Bette Midler - Mud Will Be Flung Tonight! (2006)
"This next story is a true story. It concerns to of my favorite subjects: industrial theft . . . and-a t-ts! Mmm, what a combo! This is the story . . . The inventor of the modern foundation garment that we women wear today was a German scientist and opera lover by the name of Otto Titsling! This is a true story. His name was Otto Titsling. What happened to Otto Titsling shouldn't happen to a schnauzer. It's a very sad story. I feel i have to share it with you." Otto Titsling, inventor and crout, had nothing to get very worked up about. His inventions were failures, his future seemed bleak. He fled to the opera at least twice a week. One night at the opera he saw an aida who's t-ts were so big they would often impede her. Bug-eyed he watched her fall into the pit, done in by the weight of those terrible t-ts. Oh, my god! There she blows! Aerodynamically this bitch was a mess. Otto eye-balled the diva lying comatose amongst the reeds, and he suddenly felt the fire or inspiration flood his soul. He knew what he had to do! He ran back to his workshop where he futzed and futzed and futzed. For Otto Titsling had found his quest: to lift and mold the female breast; to point the small ones to the sky; to keep the big ones high and dry! Every night he'd sweat and snort searching for the right support. He tried some string and paper clips. Hey! He even tried his own two lips! Well, he stiched and he slaved and he slaved and he stitched until finally one night, in the wee hours of morning, Otto arose from his workbench triumphant. Yes! He had invented the worlds first over-the-shoulder-boulder-holder. Hooray! Exhausted but ecstatic he ran down the street to the diva's house bearing the prototype in his hot little hand. Now, the diva did not want to try the darn thing on. But, after many initial misgivings, she finally did. And the sigh of relief that issued forth from the diva's mouth was so loud that it was mistaken by some to be the early onset of the Seraken Winds which would often roll through the Schwarzwald with a vengance! Ahhhhh-i! But little did Otto know, at the moment of his greatest triumph, lurking under the diva's bed was none other than the very worst of the french patentees, Phillip DeBrassiere. And Phil was watching the scene with a great deal of interest! Later that night, while our Broom Hilda slept, into the wardrobe Phillip softly crept. He fumbled through knickers and corsets galore, 'til he found Otto's titsling and he ran out the door. Crying, "Oh, my god! What joy! What bliss! I'm gonna make me a million from this! Every woman in the world will wanna buy one. I can have all the goods manufactures in Taiwan." "Oh, thank you!" The result of this swindle is pointedly clear: Do you buy a titsling or do you buy a brassiere? |
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from Bette Midler - Mud Will Be Flung Tonight! (2006)
So vikki Eydie is not going to make it through the techno age, well which of us will? I dont no the a VCR and an IUD although i aught to find out i would hate to be standing in front of my microwave with a VCR up my tuckas, I thought a floopy disk was my diafram.
weres thoses heebs that wrote this act? Isnt it hard beeing friends with coke heads? they always say lets go somewere and we'll talk, what they realy mean is lets go somewere and I'll talk and they always grind there teeth I have friends who have ground there teeth so fine they could snort there own bycusbids. For a long time a went looking for a new drug, a drug that had my name on it, realy i thought one i serched high i serched low i tried designer drugs. After all that then you know how deppressing it is when you find out your drug is midol. Once i mixed midol with speed i had my period six times in one day. But i had to give up speed i started to understand what chero was saying. haha weres those heebs that wrote this act?? |
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from Bette Midler - Mud Will Be Flung Tonight! (2006) | |||||
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from Bette Midler - Mud Will Be Flung Tonight! (2006) | |||||
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from Bette Midler - Mud Will Be Flung Tonight! (2006)
Of course i have new motivations for staying slim and georgous, you see i recently got married,
I hope that means you are wishing me well and not congratulations on finally landing some poor worm, Yes i got married, of course i wasn't the urge to cojoin that faithful weekend, lots of girls got married that weekend God all mighty, Olivia Newton John got married, Sally Field got married, Jamie-Lee Curtis got married, it was like last call at a singles bar. Olivia Newton John got married in Santa Barbara, everything was dyed to match the very special pink of her panties, Sally got married in Bell Air to a man who liked her ,who really liked her, Jaime Lee got married on 5th avenue and i was married in Las Vegas, by an Elvis impersonater. I married a German boy, I married a crout, Every night i get dressed up like Poland and he invades me, haha, He likes to go to the movies, he likes to watch teenagers get layed for the first time, sometimes he even watches the screen, my movies are not about getting layed, all though i will say once or twice i have been royally screwed, "i'm ready for my close up, wheres the mark, wheres my line, wheres my lunch, i, oh i love the sound of that voice" Nobody talks like that anymore in the movies except for Meryl, "I am the french left tenants whore" I was up for that part, i read that line "i'm the french lutenants whore, whats it to ya" I don't know why i didn't get that job, but now its move over Meryl Streep, theres new light on the cinamatic horrizon, Madonna. Oh this is not going to be so much as mud flinging as it's gonna be like a land fill alright! Like a virgin, touched for the very first time, for the very first time today, ah my god, oh pitty the poor soul who has to rinse out that lingerie, the only thing that girl will ever do like a virgin is have a baby in a stable, by an unknown father, Who, me, jelous, what do ya mean!, I'm a material girl too, i've been on MTV, once, I made a video with Mick Jagger. We were fabulous together, i know what your all thinking, did she fuck him?, How was he? Ah, Mick, Bruce, Lional, i had em all, How were they? I was better than them! I left them weak and begging for more, "Prince, get of ma leg, god damn it boy, somebody get a bucket of water to throw on this putz, honey some kibble, cool down, cool down, "you got to cool down boy"." He's a very sweet guy, person, fella, i dunno maybe it's me, when its a sex symbol, i like to know the sex of the symbol. We were on the road not too long ago, actally we were on the road last year, two yeras ago, we met some pigs on the road, God, you didn't know there were people out there with cosiousness so low my god, we were hanging out with this band, whats his names band, Oh fabulous band i forget the name, their moto was "no muff too tough, ugly women have pussys too" I thought it was revolting till i really actually thought about it and i thought,oh well that is kinda friendly actually when you, its really kinda none judgemental in a funny way, Is that my accountent sitting there?, I'll kill myself, Is it?, looks just like my accountent, I don't think it is my acountent, Thank christ! Excuse my language but, oh my accountent, i adore my accountent never the less, he has to be up at 6 in the morning at those books, Looking for tax shelters. |
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from Bette Midler - Mud Will Be Flung Tonight! (2006)
I Will never forget it you know. I was in bed one night with my boyfriend Ernie he began combing his hair there was a great shower of dandruff all about the bed. I said to him "Ernie what's that?" he said to me "Soph those are the snows of Kilamanjaro". He leaped from the bed he ran to the loo I could hear him through the door relieving himself violently (swish, swish, swish, swish) I said to him "Ernie what the hell is that?" he said to me "Soph those are the rains of Ronjapoor". He leaped from the bed, he ran back to bed, no he leaped from the loo he ran back to the bed, he leaped from the bed, he ran out the window, that's not right either, a humongous dick that wants to reach out and touch someone imagine that, he ran back from the loo, what happened then ah yes of course I hit a blank spot. On his way back from the loo he had dare I say an attack of flatulates, how could I forget that. He had an attack of flatulates (pbbt) the cheese was cut. I said to him "Ernie what the hell is that?" he said to me "Soph those are the winds of Crackatoa." That was enough for me I jumped into my clothes I was out the door like a like a shot. I could hear him calling me from down the road. "Where are you going? What's wrong?" I said who can f**k in this weather."
I will never forget it you know. Doorbell rang the other day I answered the door there was a delivery boy there, a delivery boy there with two dozen roses. I grabbed the card and I opened it it said love, from your boyfriend Ernie. I was having tea with my girlfriend Clementine at the time I said "Clementine do you know what this means. For the next two weeks I'm going to be flat on my back with my legs wide open". "Clementine says to me what's the matter with you ain't you got a vas." I will never forget it you know. Yet another cutting the cheese joke. Listen to how I make it my own. I will never forget it you know. It was my honeymoon with my boyfriend Ernie we were on the Silvercheif we had a car all to ourselves when suddenly I cut the cheese. Ernie said "Oh my God, Soph is that you", "did you just fart", I said of course I did you think I always smell like this." I will never forget it you know. For the longest time I didn't wear no underwear. Used to drive my boyfriend Ernie absolutely batty that I didn't wear no underwear. One day I caught a terrible cold, Ernie said to me "Soph you've got to go see the doctor I said alright, make an appointment for me." So he rang up the doctor but unbeknownst to me this is what he told the doctor. "Doc I'm sending Soph over, she got a terrible cold but that's not the problem, the problem is she don't wear no underwear, tell her she got this cold on the count of she don't wear no underwear you got that." "Right o" says the doctor so I like a Schmuck trot on down to the doctor's office the doctor said "Soph open your mouth and say Ah" I open my mouth I said "Ah" he looked down my throat he said "Soph, you ain't wearin no underwear", I said "I beg your pardon doctor?" he said to me "Soph you ain't wearin no underwear" I said "doctor you can look down my throat and see I ain't wearin no underwear" he said "that's right Soph" I said "doc do me a favor, look up my ass and tell me if my hat's on straight." |
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from Bette Midler - Mud Will Be Flung Tonight! (2006) | |||||
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from Bette Midler - Mud Will Be Flung Tonight! (2006) | |||||
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from Bette Midler - Mud Will Be Flung Tonight! (2006) | |||||
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from Higher Ground (2005)
I remember when I was a very little girl, our house caught on fire.
I'll never forget the look on my father's face as he gathered me up in his arms and raced through the burning building out to the pavement. I stood there shivering in my pajamas and watched the whole world go up in flames. And when it was all over I said to myself, 'Is that all there is to a fire?' Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "And when I was 12 years old, my father took me to the circus, the greatest show on earth. There were clowns and elephants and dancing bears and a beautiful lady in pink tights flew high above our heads. And as I sat there watching the marvelous spectacle, I had the feeling that something was missing. I don't know what, but when it was over I said to myself, 'Is that all there is to a circus?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "Then I fell in love with the most wonderful boy in the world. We would take long walks by the river or just sit for hours gazing into each other's eyes. We were so very much in love. Then one day, he went away. And I thought I'd die, but I didn't. And when I didn't, I said to myself, 'Is that all there is to love?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. "I know what you must be saying to yourselves. 'If that's the way she feels about it why doesn't she just end it all?' Oh, no. Not me. I'm in no hurry for that final disappointment. For I know just as well as I'm standing here talking to you, when that final moment comes and I'm breathing my last breath, I'll be saying to myself..." Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
Well alright, okay, you win.
I'm in love with you. Well alright, okay, you win. Baby, what can I do? I'll do anything you say. It's just got to be that way. Well alright, okay, you win. I'm in love with you. Well alright, okay, you win. Baby, what can I do? Anything you say, I'll do. As long as it's me and you. All that I am asking, All I want from you, Just love me like I love you And it won't be hard to do. Well alright, okay, you win. I'm in love with you. Well alright, okay, you win. Baby, what can I do? I'll do anything you say. It's just got to be that way. All that I am asking, All I want from you, Just love me like I love you And it won't be hard to do. Well alright, okay, you win. I'm in love with you. Well alright, okay, you win. Baby, one thing more: If you're gonna be my man, Sweet baby, take me by the hand. |
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2:18 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
The minute you walked in the joint
I could see you were a man of distinction. A real big spender, Good lookin', so refined. Say, wouldn't you like to know What's goin on in my mind? So let me get to the point. I don't pop my cork for every guy I see. Hey big spender, Spend a little time with me. Wouldn't you like to have fun, fun, fun? How's about a few laughs, laughs, laughs? I can show you a good time. Let me show you a good time. The minute you walked in the joint I could see you were a man of distinction. A real big spender, Good lookin', so refined. Say, wouldn't you like to know What's goin on in my mind? So let me get to the point. I don't pop my cork for every guy I see. Hey big spender, Hey big spender, Hey big spender, Spend a little time with me. |
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3:37 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
Never know how much I love you.
Never know how much I care. When you put your arms around me, I get a fever that's so hard to bear. You give me fever when you kiss me. Fever when you hold me tight. Fever in the morning. Fever all through the night. Sun lights up the daytime, And moon lights up the night. I light up when you call my name, And you know I'm gonna treat you right. You give me fever when you kiss me. Fever when you hold me tight. Fever in the morning, And fever all through the night. Everybody's got the fever. That is something you all know. Fever isn't such a new thing. Fever started long ago. Romeo loved Juliet. Juliet, she felt the same. When he put his arms around her, He said, "Julie, baby, you're my flame. Thou giveth fever when we kisseth. Fever with thy flaming youth. Fever, I'm afire. Fever, yeah, I burn, forsooth." Cap'n Smith and Pocahontas Had a very mad affair. When her daddy tried to kill him, She said, "Daddy, oh, don't you dare. He gives me fever with his kisses. Fever when he holds me tight. Fever, I'm his missus, So Daddy, won't you treat him right." Now you've listened to my story, Here's the point that I have made: Chicks were born to give you fever, Be it Fahrenheit or Centigrade. They give you fever when you kiss them. Fever if you live and learn. Fever 'til you sizzle. What a lovely way to burn. What a lovely way to burn. What a lovely way to burn. What a lovely way to burn. |
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4:53 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
It seem like happiness is just a thing called Joe.
He's got a smile that makes the lilacs want to grow. He's got a way that makes the angels heave a sigh When they know little Joe's passing by. Sometimes the cabin's gloomy and the table's bare, But then he'll kiss me and it's Christmas everywhere. Troubles fly away and life is easy go. Does he love me good? That's all I need to know. Seems like happiness is just a thing called Joe. Sometimes the cabin's gloomy and the table's bare, But then he'll kiss me and it's Christmas everywhere. Troubles fly away and life is easy go. Does he love me good? That's all I need to know. Seems like happiness is just a thing called Joe. Little Joe, my little Joe, little Joe. |
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2:39 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
He's a tramp, but I love him.
Breaks a new heart every day. He's a tramp. They adore him. And I only hope he'll stay that way. He's a tramp, he's a scoundrel, He's a rounder, he's a cad. He's a tramp, but I love him. Yes, and even I have got it pretty bad. You can never tell when he'll show up. He gives you plenty of trouble. I guess he's just a no account pup, But I wish that he were double. He's a tramp, he's a rover, And there's nothing more to say. If he's a tramp, he's a good one, And I wish that I could travel his way. |
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2:46 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
I love the East. I love the West.
North and South, their both the best. But I only want go there as a guest, 'cause I love being here with you. I love the sea. I love the shore. I love the rocks, and what is more, You and they never be a bore, 'cause I love being here with you. Singing in the shower, Laughing by the hour. Life is such a breezy game. I love all kinds of weather As log as we're together. Oh, I love to hear you say my name. I love good wine, fine cuisine, Candle light. I love the scene. 'Cause, baby, if you know just what I mean, I love being here with you. I like a Dance by Fred Astaire, And Brando's eyes, Yul Brynner's hair. But I think to tell you's only fair, That I love being here with you. And Cary Grant, oh do-dah-day, His utter charm takes me away. But don't get me wrong, how do you say, I love being here with you. Basie's band a-swingin', I like Ella's singing. 'Cause there's something else, you know, They know how to say it, They know how to play it, They wind it up and let it go. I love the thrill of New York shows. I'd love to kiss Durante's nose. But I'll like to say before I close, I love being here with you! |
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2:28 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
Well I can wash out forty four pairs of socks
And have 'em on the line. You know I can starch and iron two dozen shirts 'fore you can count from one to nine. I can slip up a great big dip up of lard From a drippings can. Throw it in the skillet, do my shopping, And be back before it melts in the pan. 'Cause I'm a woman... W-O-M-A-N. Let me tell ya again. I'm a woman... W-O-M-A-N. Well I can rub and scrub 'til this house shines just like a dime. Feed the baby, grease the car, Powder my nose at the same time. You know I can get all dressed up, Go out swinging with the M-A-N, Jump in bed at five, sleep 'til 6, And start all over again. 'Cause I'm a woman... W-O-M-A-N. Let me tell ya again. I'm a woman... W-O-M-A-N. Well now if you come to me sick, You know that I'm gonna make you well. And if you come to me all hexed up, You know I'm gonna break the spell. And if you come to me hungry, You know I'll feed ya full of my grits. And if it's loving you want, I can kiss you and give you the shivering fits. 'Cause I'm a woman... W-O-M-A-N. I'll say it again. I'm a woman... W-O-M-A-N. Well, I got a twenty dollar gold fee That says there's nothing that I can't do. Well, I can make a dress out of feeding sacks, And I can make a man out Of you. 'Cause I'm a woman... W-O-M-A-N. I'll say it again. I'm a woman... W-O-M-A-N. I'm a woman. I'm a woman. I'm a woman. Yeah, I'm a woman. |
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4:26 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
I remember when I was a very little girl, our house caught on fire.
I'll never forget the look on my father's face as he gathered me up in his arms and raced through the burning building out to the pavement. I stood there shivering in my pajamas and watched the whole world go up in flames. And when it was all over I said to myself, 'Is that all there is to a fire?' Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "And when I was 12 years old, my father took me to the circus, the greatest show on earth. There were clowns and elephants and dancing bears and a beautiful lady in pink tights flew high above our heads. And as I sat there watching the marvelous spectacle, I had the feeling that something was missing. I don't know what, but when it was over I said to myself, 'Is that all there is to a circus?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "Then I fell in love with the most wonderful boy in the world. We would take long walks by the river or just sit for hours gazing into each other's eyes. We were so very much in love. Then one day, he went away. And I thought I'd die, but I didn't. And when I didn't, I said to myself, 'Is that all there is to love?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. "I know what you must be saying to yourselves. 'If that's the way she feels about it why doesn't she just end it all?' Oh, no. Not me. I'm in no hurry for that final disappointment. For I know just as well as I'm standing here talking to you, when that final moment comes and I'm breathing my last breath, I'll be saying to myself..." Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. |
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4:32 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
Why this feeling? Why this glow?
Why the thrill when you say hello? It's a strange and tender magic you do. Mister Wonderful, that's you. Why this trembling when you speak? Why this joy when you touch my cheek? I must tell you what my heart knows is true. Mister Wonderful, that's you. And why this longing to know your charms? To spend forever here in your arms? Oh, there's much more I could say, But the words keep slipping away, And I'm left with one point of view. Mister Wonderful, that's you. One more thing, then I'm through. Mister Wonderful, Mister Wonderful, Mister Wonderful, I love you! |
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3:06 | ||||
from Bette Midler - Sings The Peggy Lee Songbook (2005)
Many men with lofty aims strive for lofty goals.
Others play at smaller games, being simpler souls. I am of the latter brand. All I want to do Is to find a spot of land and live there with you. Someday we'll build a home On a hilltop high, you and I, Shiny and new, a cottage that two can fill. And we'll be pleased to be called "The folks who live on the hill." Someday we may be adding A thing or two, a wing or two. We will make changes as any family will. But we will always be called "The folks who live on the hill." Our veranda will command a view of meadows green, The sort of view that seems to want to be seen. And when the kids grow up and leave us, We'll sit and look at the same old view, just we two. Darby and Joan who, used to be Jack and Jill, The folks like to be called What they have always been called, "The folks who live on the hill." |
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1:49 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Come on-a my house, my house, I'm-a gonna give you candy.
Come on-a my house, my house, I'm-a gonna give you apple and a plum and an apricot or two, ah! Come on-a my house, my house come on. Come on-a my house, my house-a come on. Come on-a my house, my house, I'm-a gonna give you figs and dates and grapes and a cake, ah! Come on-a my house, my house-a come on. Come on-a my house, my house come on. Come on-a my house, my house, I'm-a gonna give you candy. Come on-a my house, my house, I'm-a gonna give you everything. Come on-a my house, my house, I'm-a gonna give you Christmas tree. Come on-a my house, my house, I'm-a gonna give you marriage ring and a pomegranate, too, ah! Come on-a my house, my house come on. Come on-a my house, my house come on. Come on-a my house, my house I'm-a gonna give a you peach and a pear and I love your hair, ah! Come on-a my house, my house-a come on. Come on-a my house, my house-a come on. Come on-a my house, my house, I'm gonna give you an Easter egg. Come on-a my house, my house, I'm-a gonna give you everything, everything, everything. Come on-a my house! |
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3:31 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Hey there, you with the stars in your eyes,
love never made a fool of you. You used to be too wise. Hey there, you on that high-flying cloud, though he won_t throw a crumb to you, you think some day he_ll come to you. Better forget him, him with his nose in the air. He's got you dancing on a string. Break it and he won_t care. Won_t you take this advice I hand you like a mother? Or are you not seeing things too clear? Are you too much in love to hear? Is it all goin_ in one ear and out the other? And out the other? Hey there, you with the stars in your eyes, Are you talkin' to me? love never made a fool of you. Not until now. You used to be so wise. Oh, that was a long time ago. Hey there, What? you on that high-flyin' cloud, though he won_t throw a crumb to you, you think some day he_s gonna come to you. Woah, better forget him. Forget him. He's got his nose in the air. He's got his nose in the air. He'll have you dancing on a string. A puppet on a string. Break it and he won_t care. He won't care for you. Won't you take this advice I hand you like a mother? Or are you not seein_ things too clear? Are you just too far gone to hear? Is it all goin_ in one ear and out the other? |
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2:43 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Sue wants a barbeque.
Sam wants to boil a ham. Grace votes for builabaise stew. Jake wants a weenie bake, stake and a layer cake. He'll get a tummy ache, too. We'll rent a tent or teepee. Let the town cryer cry. And if it's RSVP, this is what I'll reply: In the cool, cool, cool of the evenin', tell 'em I'll be there. In the cool, cool, cool of the evenin', better save a chair. When the party's gettin' a glow on, singin' fills the air. In the shank of the night, when the doins' are right, well you can tell 'em I'll be there. "Oui," said the bumblebee, "Let's have jubilee." "When?" said the prairie hen, "Soon?" "Sure," said the dinosaur. "Where?" said the grisly bear. "Under the light of the moon." "How 'bout your brother, jackass?" everyone gaily cried. "You comin' to the fracas?" "Offer respects," he sighed. In the coooool of the evenin', tell 'em I'll be there. In the coooool of the evenin', better save a chair. When the party's gettin' a glow on, singin' fills the air. If I ain't in a clique, and there's something to pick, well you can tell 'em I'll be there. If I can crawl out of bed and slap a hat on my head, well you can tell 'em I'll be there. If there's room for one more, and you need me, why sure, tell 'em, tell 'em I'll be there. |
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2:51 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
A boy went back to Napoli,
because he missed the scenery, the native dancers and the charming songs. But wait a minute, something's wrong. Hey! Hey! Now it's hey Mambo, Mambo Italiano! Hey Mambo, Mambo Italiano! Go, go, Joe, you mixed up Sigiliano. All you Calabrese do the mambo like crazy. And hey Mambo! Don't wanna tarantella, Hey Mambo! No more-a moozzarella. Hey Mambo! Hey Mambo Italiano. Try an enchilada with a fish-a-barcalada. Hey goombah! I love-a how you dance rumba. But take-a some advice paisano, learn how to mambo. If you're gonna be a square, you're never gonna go nowhere. Hey Mambo, Mambo Italiano! Hey Mambo, hey Mambo Italiano! Go, go, Joe, shake-a like a Gioviano. Hello quesadicha, you getta happy in the feets-a when you Mambo Italiano! Shake-a baby, shake-a, 'cause I love-a when you take-a me. Hey Jagool! You don't-a have to go to school, just make a little beef flambino. It's-a like-a vino. Kid you're good-lookin', but you don't know what's-a cookin' till you Hey! Hey! Hey! Hey! Hey! Hey! Shake-a baby, shake-a, 'cause I love it when you take-a me by the pizzeria down-a where I'm gonna be-a. Don't ya tell your mama. Mama's gonna tell-a papa. There's-a nothin' to it. Come on baby let's-a do it! Hey Mambo, Mambo Italiano! Hey Mambo, Mambo Italiano! Go, go, Joe, you mixed up Sigiliano. It's-a so delish-a, everybody gonna preshi-ada. Mambo Italiano! Do the mambo! |
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3:20 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Why can't I forget like I should?
Heaven knows I would if I could. But I just can't keep you off my mind. Though you're gone, I have to explain, all around me you still remain. Wonder why fate should be so unkind? Waking skies at sunrise, every sunset, too, seems to be bringing me memories of you. Here and there, everywhere, scenes that we once knew. And they all just recall memories of you. How I wish I could forget those happy yesteryears that have left a rosary of tears. Your face beams in my dreams spite of all I do. Everything seems to bring memories of you. Those memories of you. |
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2:30 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Bette: "Hey, nice piano playin', Manilla."
Barry: "Thank you, Miss M." Better: "Whatcha doin' these days?" Barry: "Makin' records." Bette: "Really?" Barry: "Yes, really." Bette: "Do you still play piano for people?" Barry: "Well, depends on who." Bette: Hmmm, I'm gonna get you on a slow boat to China, All to myself alone; Get you and keep you in my arms evermore; Leave all the others waitin' on a faraway shore Bette & Barry: Out on the briny where the moon's big and shiny melting your heart of stone I'm gonna get you on a slow boat to China, all to myself alone. Barry:"Bette, I didn't know you felt that way about me." Bette:"I don't, I need a piano player." Barry:"Ahh, just like the old days!" Bette:"You're not gonna change keys on me are yah?" Barry: "Uh-huh." Bette: "Ohhhh!" Bette & Barry: I'm gonna get you (you're never gonna get me) On a slow boat to china (not in a fast or slow boat at any crick) All to myself alone (I just get motion sick) I'm gonna make you mine (Ha, you'll have to stand in line!) Get you and keep you in my band evermore (now there's a new attack) leave all the others on the shore (For me they'd swim to China, to China and back) Out on the briny (I wouldn't like the ocean) Where the moon's big and shiny (not even in a rowboat) melting your heart of stone, come on what do yah say? (Ha, you always get your way) I'm gonna get you on a slow boat to China, all to myself alone, to-ge-ther All to myself alone |
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2:54 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Both: Sisters, sisters,
There were never such devoted sisters. Never had to have a chaperone, no sir. Linda: I'm here to keep my eye on her. Both: Caring, sharing every little thing that we are wearing. When a certain gentleman arrived from Rome, Bette: she wore the dress and I stayed home. Both: All kinds of weather, we stick together, the same in the rain or sun. Two different faces, but in tight places we think and we act as one. Uh-huh! Those who've seen us know that not a thing can come between us. Many men have tried to split us up, but no one can. Lord help the mister who comes between me and my sister, and Lord help the sister that comes between me and my man. All kinds of weather, we stick together, the same in the rain or sun. Two different faces, but in tight places we think and we act as one. Uh-huh! Those who've seen us know that not a thing could come between us. Many men have tried to split us up, but no one can. Lord help the mister who comes between me and my sister, and Lord help the sister who comes between me and my man. Sisters! *3 Don't you come between me and my man! |
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3:11 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
The evening breeze caressed the trees tenderly.
The trembling trees embraced the breeze tenderly. Then you and I came wandering by, and lost in a sigh were we. The shore was kissed by sea and mist tenderly. I can't forget how two hearts met breathlessly. Your arms opened wide and closed me inside. You took my lips, you took my love so tenderly. Your arms opened wide and closed me inside. You took my lips, you took my love so tenderly. |
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3:03 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
This ole house once knew my children.
This ole house once knew my life. This ole house was home and comfort as we lived through storm and strife. This ole house once rang with laughter. This ole house heard many shouts. Now she trembles in the darkness when the lightning walks about. Ain't a-gonna need this house no longer. Ain't a-gonna need this house no more. Ain't got time to fix the shingles. Ain't got time to fix the floor. Ain't got time to oil the hinges, nor to mend the window panes. Ain't a-gonna need this house no longer. I'm a-gettin' ready to meet the saints. This ole house is gettin' shaky. This ole house is gettin' old. This ole house lets in the rain. This ole house lets in the cold. On my knees I'm gettin' shaky, but I feel no fear or pain, 'cause I see an angel peekin' through a broken window pane. I ain't a-gonna need this house no longer. Ain't a-gonna need this house no more. Ain't got time to fix the shingles. Ain't got time to fix the floor. I ain't got time to oil the hinges, nor to mend the window panes. Ain't a-gonna need this house no longer. I'm a-gettin' ready to meet the saints. This ole house is afraid of thunder. This ole house is afraid of storms. This ole house just groans and trembles when the night wind flings its arms. This ole house is gettin' feeble. This old house is needin' paint. Just like me it's tuckered out, but I'm a-gettin' ready to meet the saints. Ain't a-gonna need this house no longer. Ain't a-gonna need this house no more. Ain't got time to fix the shingles. Ain't got time to |
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3:16 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
The sun is shining, the grass is green,
the orange and palm trees sway. There's never been such a day in Beverly Hills, L.A. But it's December the twenty fourth, and I am longing to be up north. I'm dreaming of a white Christmas, just like the ones I used to know. Where the treetops glisten and children listen to hear sleigh bells in the snow. I'm dreaming of a white Christmas, with every Christmas card I write. May your days be merry and bright, and may all your Christmases be white. May your days be merry and bright, and may all your Christmases, all your Christmases, all your Christmases be white. |
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1:44 | ||||
from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
You'll never know just how much
I loved you. You'll never know just how much I cared. And if I tried, I still couldn't hide my love for you. You oughtta know, for haven't I told you so a million or more times? You went away and my heart went with you. I speak your name in my every prayer. If there is some other way to prove that I love you, I swear I don't know how. You'll never know if you don't know now. |
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4:35 | ||||
from Bette Midler - Bette (2000)
Bless you chi-i-i-i-i-i-i-i-ild.
You suffer, you're human, you sin, you fail, you love, you hate, you ail, you hunger, you lust, you deceive, you trust, you disbelieve. Bless you for your weakness. Bless you for your strength. Bless you for that smile that is so hard to trace. Ooooh, bless you child, bless you child. You wander, you come home. You can't survive this world alone. You deny, you admit, you start, you can't quit. Bless you for your weakness. Bless you for your strength. Bless you for that smile that is so hard to trace. Ooooh, bless you child, bless you child. Sometimes an ending is the best place to start. Bless yourself, bless your heart. Bless yourself, bless your heart. Hey hey hey yeah, uh huh. Hey hey hey yeah, uh huh. Hey hey hey yeah, uh huh. Hey hey hey, ohhhhh! Bless you for your weakness. Bless you for your strength. Bless you for that smile that is so hard to trace. Ooooh, bless you child, bless you child. Oh pleeeease, yeah. Bless you child. I say now. I say now. I know it's true. Bless yourself, bless your heart. Bless yourself, bless your heart. Bless yourself, bless your heart. Oh pleeeeeease. Bless yourself, bless your heart. Bless you child. Bless you child. I know it's true. Bless you child. Bless yourself, bless your heart . . . |
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4:41 | ||||
from Bette Midler - Bette (2000)
I held you close to me
once in a distant dream, far from the shores of my fear. I sailed on the ocean where all I imagined could happen, and now you are here. It's so hard to touch what is out of our hands, to know and to trust what the heart understands. Only the ones who believe ever see what they dream, ever dream what comes true. Life gives us magic and life brings us tragedy. Everyone suffers some loss. Still we have faith in it, childlike hope. There's a reason that outweighs the cost. And gravity throws all these rules in our way. And sometimes the sprit refuses to play. Only the ones who believe ever see what they dream, ever dream what comes true. And oh, love, turn me around in your arms. And in this dream we share let us not miss one kiss. And add my regrets to the tears in the rain for that's what the color of roses contain. Only the ones who believe ever see what they dream, ever dream, ever dream what comes true. |
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6:32 | ||||
from Bette Midler - Bette (2000)
Now I have nothing, so God give me strength,
'cause I'm weak anyway, and if I'm strong, I might still break. And I don't have anything to share that I won't throw away into the air. That song is sung out. This bell is rung out. He was the light that I'd bless. He took my last chance of happiness. So God give me strength. God give me strength. I can't hold on to him. God give me strength. When the phone doesn't ring and I'm lost in imagining everything that kind of love is worth as I tumble back down to the earth. That song is sung out. This bell is rung out. He was the light that I'd bless. He took my last chance of happiness. So God give me strength. God, if he'd grant me his indulgence and decline, I might as well wipe him from my memory. Fracture the spell as he becomes my enemy. And maybe I was washed out like a lip print on a shirt. See, I'm only human, I want him to hurt. I want him, I want him to hurt. Since I lost the power to pretend that there could ever be a happy ending. That song is sung out. This bell is rung out. He was the light that I'd bless. He took my last chance of happiness. So God give me strength. God give me strength. Oooooooh. Oooooh. Wipe him from my memory. Oooh. I got to him wipe him from my memory. Mmmm. Ooooooooh. |
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3:42 | ||||
from Bette Midler - Bette (2000)
"Gentlemen, gentlemen please! Senors, por favor!"
I once met a man with a sense of adventure. He was dressed to thrill wherever he went. He said, "Let's make love on a mountaintop, under the stars on a big hard rock." I said, "In these shoes? What is this, the Peace Corps?" I said, "Honey, let's do it here." So we're sittin' at a bar in Guadalajara, in walks a guy with a faraway look in his eyes. He says, "I've got a powerful horse outside. Climb on the back, I'll take you for a ride. I know a little place we can get before the break of day." I said, "In these shoes? No way, Jose!" I said, "Honey, let's stay right here." No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! Then I met an Englishman. "Oh," he said, "Are you American? Won't you walk up and down on my spine? It makes me feel strangely alive." I said, "In these shoes? Oh, I doubt you'd survive." I said, "Honey . . . let's do it . . . hehehehe" "Let's stay right here." No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? |
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3:54 | ||||
from Bette Midler - Bette (2000)
Each day through my window
I watch him as he passes by. I say to myself, "What an incredible guy." To have a love like that must surely be a dream come true. Out of all the women in the world, he belongs to only you. But it was just my imagination runnin' away with me. It was just my imagination runnin' away with me. Soon we'll be married and raise a family. A cozy little home out in the country with two kids or three. I tell you, I can visualize it all. This couldn't be a dream How real it all seems. Ohh, but it was just my imagination, once again runnin' away with me. Tell you it was just my imagination runnin' away with me. Every night on my knees I pray: Dear Lord, hear my plea. Don't ever let another take his love from me or I will surely, surely die. His love is heavenly. When his arms enfold me I hear a tender rhapsody. But in reality he doesn't even know me. Once again runnin' away with me. Ohh, just my imagination runnin' away with me. It was just my imagination runnin' away with me. It was just my imagination running away with me. Just my imagination runnin' away with me . . . |
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4:48 | ||||
from Bette Midler - Bette (2000)
Oooooh
Oooooh Lookin' back over my years I guess I've shed some tears. Told myself time and again this time I'm gonna win. But another fight. Things ain't right. I'm losing again. It takes a fool to lose twice and start all over again. I think I better let him go. 'cause it looks like another love TKO. Let it go, baby. I think I better let him go. 'cause it looks like another love TKO. Ohh, yeah. I tried to take control of the love. He took control of me. See you lose all thought and sense of time. You have a change of mind. Takin' the bumps and the bruises and all the pain of a two-time lose. And I try to hold on. My faith is gone. It's just another sad song. So I think I gotta gotta let it go I gotta let him go. let it go, baby. 'cause it looks like another love TKO. Oh, yes it does, yes it does. I think I gotta gotta let it go Mmmmmmm. let it go, baby. 'cause it looks like another love TKO. Boy, whatcha want me to do? Can't stand up to you. No no no no. I try to take control of the love. It took control of me. See you lose all thought and sense of time. You have a change of mind. Taking the bumps and the bruises and all the pain of a two-time lose. Then I try to hold on. My faith is gone. It's just another sad song. I think I better better let it go I better let him go. let it go, baby. 'cause it looks like another love TKO. Yeah, I better better let it go I gotta let him go. let it go, Miss M. Another love, love TKO. Ooohhhh, boy you got me turned around and around and around. Around and around. Everybody's got to cry sometime. That's what they say. I heard them say. Everybody's gonna cry sometime. Mama says that they did, that they did. Iiiiiiiiiiiiiiiiiii . . . |
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4:32 | ||||
from Bette Midler - Bette (2000)
Diamonds, roses, I need Moses
to cross this sea of lonliness, part this red river of pain. I don't necessarily buy any key to the future or hapiness but I need a little place in the sun sometimes or I think I'll die. And everywhere is somewhere but nowhere is near. Everybody's got somebody with their wine and their beer. But I'm a tragic figure in the corner over here with an empty apartment and a best friend who is queer. Heh. Every time I see him he smiles and tells me how well he's walking these miles. But he never ever asks a single thing about me. If I died he'd hear about it eventually. Diamonds, roses, I need Moses to cross this sea of lonliness, part this red river of pain. Ohhh. 'Cause everywhere is somewhere and nowhere is near. Everybody's got somebody with their wine and their beer. And I'm a tragic figure in the corner over here with my bills in the mailbox and some checks that won't clear this year. Everywhere is somewhere and nowhere is near. Everybody's got somebody with their wine and their beer. So I'm just a tragic figure in the corner over here who'll sleep it off 'til morning and still not know that we're, we're all just diamonds and roses. I need Moses to cross this sea of loneliness, part this red river of pain. To cross this sea of loneliness, part this red river of pain. To cross this sea of loneliness, part this red river of pain. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly |
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2:54 | ||||
from Bette Midler - Bette (2000)
Who loves me even though I crazy
And nothing that I say is true Who won my heart and soul forever It is nobody else but Nobody else but Each time I fell I'm out to pasture Who always makes me feel brand new I'm pledging my allegiance baby to Nobody else but Nobody else but (Bridge) Look at me Laughing out loud Trying to remember All the jokes that you taught me When you see The light in my eyes It's only a reflection Of the joy that you brought me How did I get to be so happy I"ll wonder that my whole like through I thank my lucky star for sending me Nobody else but Nobody else but Nobody else but You La, la, la, la, you La, la, la, la La, la, la, la, la La, la, la, la La, la, la, la, la Wo-o-oh (Repeat Bridge) I always thought I had an angel A voice that told me what to do But now that angel's on my shoulder It's nobody else but Nobody else but Nobody else but You La, la, la, la, you La, la, la, la La, la, la, la, la |
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4:50 | ||||
from Bette Midler - Bette (2000)
Honey, you are my shining star.
Don't you go away. I wanna be right here where you are until my dying day. Yes I do. So many have tried, tried to find a love like yours and mine. Ohhh-whoa. But don't they realize how you hypnotize? Make me love you more each time. Ohhh-whoa. Honey, I'll never leave you lonely, yeah. Give my love to you only, yeah. To you only, to you only. Oh honey, you are my shining star. Don't you go away. Yeah, I wanna be right here where you are until my dying day. Yeah. It feels so good when we're lying next to each other, lost in love, lost in love, drifting along on a cloud of love. Ooh, baby when we touch I love you so much. You're all I ever dreamed of. Ohhh-whoa. Hone, I'll never leave you lonely, yeah. Mmm, give my love to you only, yeah. To you only, to you only. Oh honey, you, you are, you are my shining star. Don't you go away, no. I wanna be right here where you are until my dying day. Mmmm. It feels so good, it feels so good when we're lying here lost in love, lost in love, lost in love, lost in love. Oh baby, when we touch I love you so much. You, you're all I ever dreamed of. In spite of all we know, how little we know. In spite of all they say, how little we see. I only know, you and me together forever. You are my shining star, mmm, yes you are. Shine on, shine on. Keep on shining on. Shine on, shine on. Keep on shining on . . . |
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3:08 | ||||
from Bette Midler - Bette (2000)
That's how heartaches are made.
That's how heartaches are made. They told me I was such a fool to love you. They said that you're the kind who'd never be true. Pretty soon the day would come when I'd be the sorry one. But I said that I'm not afraid. Well, that's how heartaches are made. That's how heartaches are made. I went ahead and my heart opened the door. I gave you so much love. No one could love more. You pretended to be mine. How could you be so unkind, with all the other girls you play? Well, that's how heartaches are made. That's how heartaches are made. Woah-oh-oh, that's how heartaches are made. That's how heartaches are made. I know you're not sincere and you'll never be. But still I want those kisses so desperately. I could never let you go, baby even though I know every rule in love you disobeyed. Well, that's how heartaches are made. That's how heartaches are made. That's how heartaches are made. That's how heartaches are made. That's how heartaches are made . . . |
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3:55 | ||||
from Bette Midler - Bette (2000)
Always remember my friend,
the world will change again. And you may have to come back through everywhere you've been. When your life was low, you had nowhere to go. People turned their backs on you, and everybody said that you were through. I took you in, made you strong again put you back together. Out of all the dreams you left along the way, you left me shining. Now you're doing well from stories I hear tell. You own the world again. Everyone's your friend. Although I never hear from you, still it's nice to know you used to love me so, when your life was low. I took you in. I made you strong again. I put you back together. Out of all the dreams you left along the way, you left me shining Now you're doing well from stories I hear tell. You own the world again. Everyone's your friend. Although I never hear from you, still it's nice to know you used to love me so, you used to love me so, when your life was low. But always remember my friend, the world will change again. And you may have to come back through everywhere you've been. The world will change again. |
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4:56 | ||||
from Sex And The City (섹스 앤 더 시티) [omnibus, ost] (2000)
Oooooh Oooooh Lookin' back over my years I guess I've shed some tears. I told myself time and time again this time I'm gonna win. But another fight. Things ain't right. I guess some is losing again. It takes a fool to lose twice and start all over again. I think I better let him go. It looks like another love TKO. Let it go, baby. I think I better let him go. It looks like another love TKO. Ohh, yeah. I tried to take control of the love. He took control of me. Cauz you lose all thought and sense of time. You have a change of mind. Takin' the bumps and the bruises and all the pain of a two-time lose. And I try to hold on. My faith is gone. It's just another sad song So I think I gotta gotta let it go I gotta let him go. let it go, baby. Cuz it looks like another love TKO. Oh, yes it does, yes it does. I think I gotta gotta let it go Mmmmmmm. let it go, baby. Cuz it looks like another love TKO. Boy, whatcha want me to do? Can't stand up to you. No no no no. I try to take control of the love. It took control of me. See you lose all thought and sense of time. You have a change of mind. Taking the bumps and the bruises and all the pain of a two-time lose. Then I try to hold on. My faith is gone. It's just another sad song. I think I better better let it go I better let him go. let it go, baby. Cuz it looks like another love TKO. Yeah, I better better let it go I gotta let him go. let it go, Miss M. Another love, love TKO. Ooohhhh, boy you got me turned around and around and around. Aroun
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2:58 | ||||
from For Our Children (1999)
Blueberry Pie, he walks on by
and I don't know what to do with that Blueberry Pie, but I'm gonna try. Oh, Blueberry Pie, sad and shy, won't you come out of your shell? Life is swell, so are you! Please don't be so very blue. Come on blue! There is a party in your head. Be my friend and we will laugh 'til we turn red. Want to know why I picked you from the bunch? You looked so sweet -- let's say I had a hunch that you'd be silly, I'd be silly; We'd be a pair! Life is peachy, let's go bananas, no one will care! Blueberry Pie, let's have fun, 'cause when all is said and done I love you, yes I do, 'cause, Blueberry, you're true blue. Oh, Blueberry, you're so very berry blue. Oh, so very berry blue. I love a Blueberry. I hug a Blueberry. Oh, yes I do. You know I do. Irresistable you! Irrepresable you! I love a Blueberry. I hug a Blueberry. I love a Blueberry. Don't you know it? I, I mean to show it. You know I mean to show it. Berry blue, berry, berry blue. Blueberry Pie, he's from the upper-crust; Rolling in dough, he's half-baked and bound to bust! So don't be flaky, come on, now, take me to your bakery. We'll be jamming, ovens slamming, the whole world will see. Blueberry Me! Without you there would be no berry pie. Tell me why you can't see you are necessary. Blueberry Pie, let's have fun, 'cause when all is said and done I love you, yes I do, 'cause, Blueberry, you're true blue! Oh, Blueberry, you're so very berry blue! Oh, so very berry blue. I love a Blueberry. I hug a Blueberry. I love a Blueberry. Oh, love a Blueberry. He's so necessary, to people! I love a Blueberry. I hug a Blueberry. I love a Blueberry. Oh, he's so necessary. He's so necessary. Blueberry Pie! |
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3:57 | ||||
from Bette Midler - I'm Beautiful (1999)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart:" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too blue, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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from Bette Midler - I'm Beautiful (1999) | |||||
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from Bette Midler - I'm Beautiful (1999) | |||||
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from Bette Midler - I'm Beautiful (1999)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart:" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too blue, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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from Bette Midler - I'm Beautiful (1999)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart:" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too blue, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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from Bette Midler - I'm Beautiful (1999)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart:" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too blue, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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from Bette Midler - I'm Beautiful (1999)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart:" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too blue, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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from Bette Midler - I'm Beautiful (1999)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart:" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too blue, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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3:51 | ||||
from Bette Midler - Bathhouse Betty (1998)
Mmmmmm, you talk about you and only you
and the things that you do for you. You say you're not a lean cuisine. So I wanna see whatcha got on the menu. Now, if you think you're the man the only man with an exterior you feel is superior, just give Miss B a little peek and see if you really can deliver. Your tendencies are short, my expectations are long. And as I see it now, there's not much to go on. It seems you dug a hole that you can't crawl out. Now I truly see what you're all about. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. Let's just say that there's something lackin'. A flea shouldn't have the nerve to be braggin'. So pack up your little gift and get to steppin'. Return it back and put it in the kiddie section. Full figured in a place that can deliver? Ha ha, not from what I've seen. I can't trace what's below your waist. There's too much space to be inside those jeans. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. Bye bye, baby, bye bye. It's time to wave the white flag now that the kitten has been let out the bag. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. |
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4:27 | ||||
from Bette Midler - Bathhouse Betty (1998)
Howard, the strangest things
have happened lately when I take a good swing and all my dreams they pivot and slip. I drop my fists and they're back, laughing. Howard, my intentions become not to lose what I've won. Ambition has given way to desperation and I, I've lost the fight from my eyes. Boxing's been good to me, Howard. Now I'm told, "You're growing old." The whole time we knew a couple of years I'd be through. Has boxing been good to you? Howard, now I confess I'm scared and lonely and tired. Everyone says I'm made of clay, that I've had my day, that I'm not cut out for this. I just know what to say. And I say, boxing's been good to me, Howard. Now I'm told, "You're growing old." The whole time we knew a couple of years I'd be through. Has boxing been good to you? Well, sometimes I punch myself hard as I can. Yelling, "nobody cares!" hoping someone will tell me how wrong I am, Howard. Boxing's been good to me, Howard. Now I'm told, "You're growing old." The whole time we knew a couple of years I'd be through. Has boxing been good, has boxing been good, has boxing been good? |
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3:11 | ||||
from Bette Midler - Bathhouse Betty (1998)
I gave my heart to you, the one I trusted.
You brought it back to me all battered and busted. So I sold it to the junkman and I will never ever fall in love again. You know, I gave my heart to you. Ya, you swore you'd use it, but like a little boy you battered and you bruised it. So I sold it a-to the junkman and I will never ever fall in love again. Like a melodrama, in a simple manner love played the leading part. We planned a happy ending, oh, but now I am left with a broken heart! I've thrown away my pride, said, "Baby, let's be friends." Tear drops I cannot stop. 쟏h ah! You know it's the ending, 'cause I sold it to the junkman and I will never never fall in love again. Like a melodrama, in a simple manner love played the leading part Oh, we planned a happy ending, oh, but now I am left with a broken heart! I throw away my pride, say, "Hey, let's be friends, dear." Tear drops I cannot stop. Ya know, it is the ending, 'cause i sold it to the junkman and I will never never never never never never never never fall in love never never never fall in love never never never never never never fall in love a-a-a-a-gain. never never never fall in love oh my god! |
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3:57 | ||||
from Bette Midler - Bathhouse Betty (1998)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too big, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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2:44 | ||||
from Bette Midler - Bathhouse Betty (1998)
"Oh man, do you believe that chick?
She has got no idea what's happening, no idea. I am the one who's plugged in around here. That's why they call me The High Priestess of Cool! Ha ha! See, I'm hip. I'm no square. I'm alert, I'm awake, I'm aware. I am always on the scene. Makin' the rounds, diggin' the sounds. I read People Magazine. 'Cuz I'm hip. Like, dig! I'm in step. When it was hip to be hep, I was hep. I don't blow but I'm a fan. Look at me swing. Ring a ding ding. I even call my girlfriend "man," 'cuz I'm hip. Every Saturday night with my suit buttoned tight and my suedes on I'm gettin' my kicks diggin' arty French flicks with my shades on. I'm too much. I'm a gas. I am anything but middle class. When I hang around the band, poppin' my thumbs, diggin' the drums, sqaures don't seem to understand why I flip. They're not hip like I'm hip. scatting I'm hip! scatting I'm on top of every trend. Look at me go. Vo-dee-o-do. Sammy Davis knew my friend. I'm hip, but not weird. Like, you notice, I don't wear a beard. Beards were in but now they're out. They had they're day. Now they're pass? Just ask me if you're in doubt, 'cuz I'm hip. Now I'm deep into Zen meditation and macrobiotics, and as soon as I can I intend to get into narcotics. 'Cuz I'm cool as a cuke. I'm a cat, I'm a card, I'm a kook, kook, kook. I get so much out of life. Really, I do. Skoo ba dee boo. One more time play "Mack the Knife." Let 'er rip. I may flip, but I'm hip. scatting |
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3:54 | ||||
from Bette Midler - Bathhouse Betty (1998)
Live at Five and CNN
keep us all abreast of breaking stories that can tend to make us anxious and depressed. Problems with no answers hang on like some chronic cough. And every day some brand new issue rears it's head to piss you off. Bad guys win. Optimism's wearing thin. Things are spinning out of control. Cynicism's all the fad. World events could make us mad as hatters. Almost every day some underpinning slips away. These aren't laughing matters. Time bombs tick. People keep on getting sick. And a nickel's not worth a cent. Wickedness and greed abound. Just as peace is gaining ground it shatters. Hate is here to stay, and justice goes to those who pay. Friend, these aren't laughing matters. The truth is scarier by far than anything that Stephen King could write. The stories in the paper are the daily small decline and fall spelled out in black and white. Oh, what to do, what to do? how to take a brighter view when your noodle's totally fried. Human spirits need to be leavened by a little levity. So take those blues and bounce them off the wall. Keep your humor please, 'cause don't you know it times like these that laughing matters most of all. |
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5:10 | ||||
from Bette Midler - Bathhouse Betty (1998)
I know that I'm no saint.
My head is in the clouds. They called you a mistake, but I still, I still say your name out loud. They called me a stupid girl, just like my mom. Too many men passed through my arms. At seventeen I looked into your eyes, knew I could never comfort your cries. Every April still reminds me of you. The child I never knew. My lullaby in blue. It all goes by so fast. How lovely you must be. Why you've reached the age at last that I was when your daddy lived with me. How I wish we could meet somewhere, talk it through. There is so much I would say to you. There are others, I'm not alone. A younger brother you've never known, and a baby girl who so reminds me of you. The child I never knew. My lullaby in blue. As the years go by, try not to think of us sadly. Believe it if you can, I wanna see you so badly. On your birthday, Mama's thinking of you. The child I never knew. My lullaby in blue. My lullaby in blue. My lullaby . . . |
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3:50 | ||||
from Bette Midler - Bathhouse Betty (1998)
And now, is it too late to say
How you made my life so different in your quiet way? I can see the joy in simple things, a sunlit sky and all the songs we used to sing. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. For all, all the times you closed your eyes, allowing me to stumble or to be surprised, by life, with all it's twists and turns. I made mistakes, you always knew that I would learn. And when I left, it's you who stayed. You always knew that I'd come home again. In the end, you are my one true friend. Though love may break, it never dies. It changes shape, through changing eyes. What I denied, I now can see. You always were the light inside of me. I know, I know, I know, I know it was you. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. My one true friend. I always, always knew, I always knew that it was you, my one true friend. |
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from Bette Midler - Bathhouse Betty (1998)
And now, is it too late to say
How you made my life so different in your quiet way? I can see the joy in simple things, a sunlit sky and all the songs we used to sing. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. For all, all the times you closed your eyes, allowing me to stumble or to be surprised, by life, with all it's twists and turns. I made mistakes, you always knew that I would learn. And when I left, it's you who stayed. You always knew that I'd come home again. In the end, you are my one true friend. Though love may break, it never dies. It changes shape, through changing eyes. What I denied, I now can see. You always were the light inside of me. I know, I know, I know, I know it was you. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. My one true friend. I always, always knew, I always knew that it was you, my one true friend. |
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2:46 | ||||
from Bette Midler - Bathhouse Betty (1998)
My baby jumped up this morning,
'n' sat on the side of the bed. He said, "I'm leaving you, baby." And this is just what I said. I said, "I can't make you stay if you want to go, but it's high time, baby, that you should know, one monkey don't stop no show. One monkey don't stop no show. So, if you still wanna go, go ahead." And I mean every word I said. My baby thought I was jivin' and he went right out the door. He left me about three in the morning. I got me a man at four. Some women cry when their men bleed 'em dry, long and slow, but I found out somethin' a long time ago. One monkey don't stop no show. One monkey don't stop no show. So if he gets too big for his pants you better spring that new one and give him a chance. I used to be chicken hearted; cry when he'd walk out the door, 'cause I was just young and stupid. Ha! Ain't like that no more. 'Cause I had a hard way to go, but I learned the score. And I'm here to tell you, and I should know, one monkey don't stop no show. One monkey don't stop no show. Let him do anything he choose. There's a million men who can fill his shoes. One monkey don't stop no show. One monkey don't stop no show. One monkey don't stop no show. You can tell him I told you so. "All right." |
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3:46 | ||||
from Bette Midler - Bathhouse Betty (1998)
There was a child named Bernadette.
I heard the story long ago. She saw the queen of heaven once and kept the vision in her soul. No one beleived what she had seen. No one beleived what she heard, that there were sorrows to be healed and mercy, mercy in this world. So many hearts I find broke like yours and mine, torn by what we've done and can't undo. I just wanna hold you. Come on, let me hold you like Bernadette would do. We've been around, we fall, we fly. We mostly fall, we mostly run. And every now and then we try to mend the damage that we've done. Tonight, tonight I just can't rest. I've got this joy here, here inside my breast. To think that I did not forget that child, that song of Bernadette. So many hearts I find, hearts like yours and mine, torn by what we've done and can't undo. Well, I just wanna hold you. Come on, let me hold you like Bernadette would do. I just wanna hold you. Won't you let me hold you like Bernadette would do? |
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3:55 | ||||
from Bette Midler - Bathhouse Betty (1998)
Oooooh. Oooh-hoooh.
Ooooo-hoooh. It's such a mystery how he found something in me that I never knew was there. He uncovered it so easily. He turned me like a season and I began to change. He wrapped himself all around me, now I'll never be the same. That's how love works. That's how love moves. Like a river running through you. Sometimes it lifts you as high as Heaven. It consumes you, that's a given. That's how love moves. Ohh, that's how love moves. I've seen walls that could never be broken come a-tumblin' down, oh yes I have. I've heard the voice of love calling without making a sound. See, I was touched by an angel the day he took my hand. I know that he's the miracle that makes me eveything I am. That's how love works. That's how love moves. Like a river running through you. Sometimes it lifts you as high as Heaven. It consumes you, that's a given. That's how love moves. Ohh, that's how love moves. Woah, love. Sometimes it's a whisper, oh, sometimes it's a storm, sometimes it reaches forever with it's everlasting arms. That's how love works. That's how love moves. Like a river running through you. Sometimes it lifts you high as Heaven. It consumes you, yeah, that's a given. Ohhhhhhh! That's how love works. That's how love moves. Like a river, yeah, like a river running through you, running through your heart and soul. Sometimes it lifts you as high as Heaven. Heaven! It consumes you, that's a given. That's how love works. That's how love works. That's how love moves. That's how love moves. Like a river running through you. Like a river running through your heart and soul. Sometimes it lifts you as high as Heaven. Heaven! It consumes you, that's a given. That's how love moves. That's how love moves. That's how love moves. That's how love moves. That's how, that's how, that's how. That's how love moves. That's how love moves. |
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3:34 | ||||
from Bette Midler - Bathhouse Betty (1998)
A do-dooooo. A do-dooooo.
I saw the splendor of the moonlight on Honolulu Bay. There's something tender in the moonlight on Honolulu Bay. And all the beaches are full of peaches who bring their ukes along. And in the glimmer of the moonlight they love to sing this song. If you like a ukulele lady, ukulele lady like a you. If you want to linger where it's shady, ukulele lady linger too. If you kiss a ukulele lady while you promise ever to be true, and she see another ukulele lady fool around with you. Maybe she'll sigh, maybe she'll cry, Maybe she'll find somebody else by and by-y-y to sing to when it's cool and shady, where the tricky wicky wackies woo woo woo. If you like a ukulele lady, ukulele lady like a you. Someday I'm goin' where eyes are glowin' and lips were made to kiss, to see somebody in the moonlight and hear the songs I missed. If you like a ukulele lady, ukulele lady like a you, you, you. If you want to linger where it's shady, ukulele lady linger too. If you kiss a ukulele lady while you promise ever to be true true, true, and she see another ukulele lady fool around with you. Well, maybe she will sigh, maybe she will cry, aah, but maybe she will find somebody else by and by-y-y to sing to when it's cool and shady, where the tricky wicky wackies woo woo woo. If you like a ukulele lady, ukulele lady like a you like a me like I like a you we like a both the same. I'd like to say this very day ukulele lady like a you-ooo-oooo. laughing |
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from Bette Midler - The Divine Miss M (1998)
I'm just a woman, a lonely woman
waiting on the weary shore I'm just a woman, who's only human one you should feel sorry for Well I woke up this morning along about dawn Without a warning I found that he was gone Why did he do it? How could he do it? He never done it before Am I blue? Am I blue? Aint these tears in these eyes telling you? Oh, am I blue? Well I bet you would be too if each plan with your man done fell through There was a time I was his only one But now I'm the second lonely one Was I gay? till today? but now that man is gone he's gone, and we are through Am I blue? There was a time I was his only one But now, right now now now I'm the second lonely one Oh god I'm lonely but I remember oh I remember when I was gay that was up until today but now that man is gone he's gone and we are through Oh am I, am I.... Well, would you believe it if I told you... I'm blue |
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2:19 | ||||
from Bette Midler - The Divine Miss M (1998)
He was a famous trumpet man from out Chicago way.
He had a boogie style that no one else could play. He was the top man at his craft, but then his number came up and he was gone with the draft. He's in the army now. He's blowin' reveille. He's the boogie woogie bugle boy of company B. They made him blow a bugle for his Uncle Sam. It really brought him down because he could not jam. The captain seemed to understand, because the next day the cap' went out and drafted the band. And now the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. A root, a toot, a toodlie-a-da-toot. He blows it eight to the bar in boogie rhythm. He can't blow a note unless a bass and guitar is playin' with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He was some boogie woogie bugle boy of company B. And when he played his boogie woogie bugle he was busy as a busy bee. And when he played he made the company jump eight to the bar. He's the boogie woogie bugle boy of company B. Andata toodliata-toodliata toot toot he blows it eight to the bar. He can't blow a note if a bass and guitar isn't with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He puts the boys to sleep with boogie every night, and wakes 'em up the same way in the early bright. They clap their hands and stamp their feet, 'cause they know how it goes when someone gives him a beat. Woah, woah, he wakes 'em up when he plays reveille. The boogie woogie bugle boy of company B. A root, a toot, a toodli-a-da to toot toot toot he's blowin' eight to the bar. Yeah, he can't blow a note if a bass and guitar isn't, woah, with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. |
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2:54 | ||||
from Bette Midler - The Divine Miss M (1998)
Spring is here and the sky is so very blue.
Whoa-o-o-o, birds all sing as if they knew, today's the day we'll say, "I do," and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. Bells will ring and the sun is gonna shine. Yeah, yeah, yeah, I'm gonna be his, he's gonna be mine. We're gonna love until the end of time, and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. One more time around, oh. Goin' to the chapel and we're, oh, gonna get married, goin', goin' to the chapel, baby; we're gonna get married, married, oh, gee, I really love you, c'mon baby, we're gonna get married, married, goin' to the chapel of love. Oooh, a one more time, we're goin' to the chapel of love. C'mon, c'mon and let me hear it, goin' to the chapel of love, love, love. shooby doo-whop, wa da Bette: "That is the pits ending to a really terrific song!" Man: "That is the worst ending I've ever heard!" |
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from Bette Midler - The Divine Miss M (1998)
Daytime Husler, you're out of line.
Don't ya try to change my mind! Don't you try. You see, I ain't no fool. No, I can tell, oh, baby, you ain't my kind! My kind! I'm in love with a down home man. Simple lovin' I can understand. I've been hustled by the best of them, and you ain't nothing but a crazy man. Hustler. Oh, daytime hustler, you better look away. Because I won't play your game no more. No, no more, no. You spend all of your money on those other women who are blind enough to buy your shame. All your shame, oh, oh, oh. Fancy money doesn't buy me love! Flashy Cadillacs won't make me f-ck! I been hustled by the best of them, and you ain't nothing but a crazy man. Hustler, hustler, hustler, hustler, ooh, hustler, hustler, baby, oh! Whoa! Daytime Hustler! Ooh, what did you say? I say you're a jive, jive dude. Yes, I do. Yes, I do. you just don't, you just don't, ya just don't know that you are really, you're really not too cool. And I believe your mind is slow. Oh, oh, oh. I'm in love with a down home man. Simple lovin' I can understand. I've been hustled by the best of them, and you ain't nothing but a crazy, crazy man. Hustler, hustler, hustler, hustler, hustler, hustler, hustler baby. Oh, hustler. Oh, hustler. Oh, hustler. Hustler baby . . . |
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from Bette Midler - The Divine Miss M (1998)
She was forty-one and her daddy still called her baby.
Everyone in Brownsville thinks she's crazy, 'cause she walks to the station with a suitcase in her hand. And she's looking for a mysterious dark-haired man. In her younger days they called her Delta Dawn. Prettiest woman you ever laid eyes on. But a man of low degree stood by her side, and he promised he would take her for his bride. Delta Dawn, what's that flower you have on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you here today to take you to his mansion in the sky? Delta Dawn, what's that flower you got on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you here today to take you to his mansion in the sky? Delta Dawn, what's that flower you got on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you right here today? He's gonna take you to his mansion in the sky. Delta Dawn, oh, what is that flower that you've got on? Could it be, could it be just a faded rose from one of those days gone by? Well, did I hear you say that he was gonna meet you right here, right here today? He's gonna take you to his mansion in the sky. To take you to his mansion in the sky. He's gonna take you, he's gonna take you. Oh, he's gonna take you and you and you and you. Oh, gonna take you, take you to that mansion. He's got to, gonna take you to that mansion. He's gonna take you and you and you and you, oh, you and you and you. Take you to his mansion in the sky. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh! Gonna take you. Oh, oh. He's gonna take you, gonna take you, he's gonna, he's gonna take you to that mansion, he's gonna take you and you and you, oh . . . |
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2:44 | ||||
from Bette Midler - The Divine Miss M (1998)
Do you wanna dance, and hold my hand?
Tell me you're my lover man. Oh baby, do you wanna dance? We could dance under the moonlight, hug and kiss all through the night. Oh baby, tell me, do you wanna dance with me baby? Do you, do you, do you, do you want to dance? Do you, do you, do you want to dance? Do you, do you, do you, do you want to dance with me baby? Ah, that's right, ah, ah, aaaaaaaah. Do you want to dance under the moonlight? Hug me, kiss me, baby, all through the night. Oh baby, baby, baby, baby, baby, baby, tell me, do you want to dance? Oh, do you, do you, do you, do you want to dance? Do you want to dance? Do you, do you, do you, do you want to dance with me baby? You got to dance with me baby. Please dance with me baby additional lyrics from the quadrophonic version Tonight you, you got to dance with me baby. Please, please, please dance with me baby. Please, please, please, please dance with me baby. Please, you got to |
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from Bette Midler - The Divine Miss M (1998)
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends |
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2:55 | ||||
from Bette Midler - The Divine Miss M (1998)
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends |
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from Bette Midler - The Divine Miss M (1998)
We had an aprtment in the city
Me and my husband liked living there it's been years since the kids have grown A life of their own left us alone John and Linda live in Omaha Joe is somewhere on the road We lost Davie in the korean War I still don't know what for Don't matter anymore You know that old trees just grwo stronger and old rivers grwo wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello Me and my husband we don't talk much anymore He sits and stares through the backdoor screen And all the news just repeats itself Like some gorgotten dream that we've both seen Someday I'll go and call up Judy We worked together at the factory Ah, but what would I say When she asks what's new Say "Nothing what 's with you?" Nothing much to do You know that old trees just grow stronger And old rivers grow wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello So if you're walking down the street sometime And you should spot some hollow ancient eye Don't you pass htem by and stare As if you didn't care say "Hello in there!" Hello |
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from Bette Midler - The Divine Miss M (1998)
"Hey, Betty? Is that Jimmy's ring you're wearing?"
"Uh huh." "Oh! Must be nice riding on that motorcycle after school, huh?" "Uh huh." "Is he picking you up after school today?" "Unh uh!" "Well, where'd ya meet him?" I met him at the candy store. He turned around and smiled at me. Ya get the picture? (Yes, we see) That's when I fell for the leader of the pack. My folks were always puttin' him down. Down! Down! They said he came from the wrong side of town. They told me that he was bad, but I knew that he was sad. And thats why I fell for the leader of the pack. One day my dad said, "Find someone new." New! New! I had to tell my Jimmy that, whoa, we were through. He stood up and then he asked me why. But all I could do was cry. I'm sorry I hurt you, the leader of the pack. He sort of smiled and he kissed me goodbye. The tears were beginning to show. And as he drove away from me on that rainy, rainy night, I begged him to go slow. But whether he heard me I'll never, never, never, never know! Look out now, now, look out! Whoa oh no no no! Whoa no no no! No! No! I felt so helpless! What could I do-wo-wo-wo-wo? The only, only love that we had was through. At school they all stop and stare. I can't hide the tears. I just don't care! I will never forget you, the leader of the pack! Whoa-oo-woh! Gone gone gone! Gone gone gone! The leader of the pack is, now he's gone! The leader of the pack is, now he's gone! The leader of the pack is, whoa gone! Gone gone gone! Gone gone gone! Gone gone gone! |
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from Bette Midler - The Divine Miss M (1998)
to moonn6pence from shootingstar(papayeverte)
Long ago 오래 전 And oh so far away 그리고 아, 너무나 멀리 떨어져서 I fell in love with you 난 당신과 사랑에 빠졌어요 Before the second show 두 번째 쇼와 당신의 기타 연주 And your guitar 이전부터.... And you sound so sweet and clear 당신의 목소리는 너무나 달콤하고 깨끗해요 But you′re not really here 하지만 당신은 지금 여기에 없어요 It′s just the radio 라디오에서 흘러나오는 것뿐이죠 Don′t you remember 기억나지 않아요? you told me you love me baby 날 사랑한다고 했잖아요 You said you′d be coming back 이렇게 다시 돌아온다고 this way again babe 했잖아요 Baby, baby, baby, baby ohoooooooo baby I love you 당신을 사랑해요 I really do 정말로 사랑해요 Loneliness, is such a sad affair 외로움, 이는 서글픈 거예요 Sad affair 서글픈 거예요 And I can′t hardly wait 당신을 기다림에 to be with you again 더 이상 견딜 수 없어요 But what to say, to say 당신을 다시 돌아오게 하기 위해 to make you come again 무슨 말을 어떻게 해야 하나요 Ohhh honey 오 나의 사랑 Come on back to me again 다시 내게 돌아와요 I wanna be, I wanna be 당신이 어디에 있든 anywhere you are ohhhh 당신 곁에 있고 싶어요, 곁에 있고 싶어요 Don′t you remember 기억나지 않아요? you told me you love me baby 날 사랑한다고 했잖아요 베이비 You said you′d be coming back 이렇게 다시 돌아온다고 this way again babe 했잖아요 Baby, baby, baby, baby ohoooooooo baby I love you oh babe 당신을 사랑해요. Don′t you remember 기억나지 않아요? you told me you love me baby 날 사랑한다고 했잖아요 베이비 You said you′d be coming back 이렇게 다시 돌아온다고 this way again babe 했잖아요 Baby, baby, baby, baby ohoooooooo baby I love you 당신을 사랑해요 I really do 정말로 사랑해요 |
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2:32 | ||||
from The First Wives Club (조강지처클럽) by Marc Shaiman [ost] (1996)
You don't own me
I'm not just one of your many toys You don't own me Don't say I can't go with other boys Don't tell me what to do Don't tell me what to say An' please, when I go out with you Don't put me on display You don't own me Don't try to change me in anyway You don't own me Don't tie me down 'cause I'll never stay I don't tell you what to say I don't tell you what to do So just let me be myself That's all I ask of you I'm young and I love to be young I'm free and I love to be free To live my life the way I want To say and do whatever I please |
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3:51 | ||||
from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
This is the story of a young girl who was the Einstein of the dance.
They called her Big Noise from Winnetka, against her no one stood a chance. Big Noise blew in from Winnetka, stole each fellow's heart and then, Big Noise blew in from Winnetka, Big Noise blew right out again. Boys were sighing, their girlfriends crying, hearts were pounding when; The Big Noise dances, hence romances, it's just astounding when; Big Noise blew in from Winnetka, Big Noise blew right out again. Stop! Look! Listen! Listen to the Big Noise. Stop! Look! Listen! Listen to the Big Noise. I am the one they call the Big Noise. I got to dance my way to fame. I just blew in from Winnetka, that town will never be the same. Now I had my fun, and yet there's just one who's got me from the start. I'd love to conga a little bit longer but it keeps us apart. Exit Big Noise from Winnetka, enter Big Noise in his heart. Big men move me out. Senors zonk me out. Zim zom zup ma ma. Big men boo bop ba, bah ba doo wop. Boodeeah baby boodeeah baby boodeeah baby. Boodeeah baby boodeeah baby boodeeah baby baby baby over 'n' out. She loves the bass. She loves the drum. She loves to stay out late and dance the samba, samba, how she loves to samba, rhumba, salsa, limbo and pachenga. She's so restless she's on every guest list. None can please her. She'd say no to Ceaser. Teach me, why don't you teach me. Show me how to let go! There she goes 'round again, up and then down again, in and then out. Hooo! When Big Noise waltzes through the door the bouncer has to clear the floor, 'cause everybody wants to see the girl get down, the girl get down. And if you try to hold me tight, I'll disappear into the night. My lover's waiting home for me (she don't do that! She don't do that!) Everyone's got a bit of Big Noise in his heart, everyone likes to toot his horn. I've been the Big Noise from Winnetka for so long, time for a new noise to be born. 'Cause I had my fun and et there's just one who's got me from the start. Exit Big Noise for Winnetka, enter Big Noise in my heart. Onc she was pickin' up the big boys . . . Now I'm pickin' up my little kids' toys . . . Big Noise we miss you. |
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from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
You took me from my mother's lovin' arms.
I still had about a foot to grow. Whoa-ooh, I must have been only maybe seventeen. It was a very long time ago. Actually we raised each other; you, our kids and myself. You wait 'til you become a part of me, then you wanna put me on the shelf. Woah, that first kiss you gave me, I still remember. I was just a child, dear. Your lips were so warm and tender. That kiss, I'll always remember. That was the first day we met. I remember what the preacher said: "Girl, will you be his wedded wife, (forever and ever) 'n' stand beside that boy forever, like for the rest of your natural life?" You took my darlin' babies from me! You really broke my heart in two! God in heaven knows that I love them! And in your heart you know it's true! Oh, that first kiss you gave me, I still remember. I was just a child. Your lips were so warm and tender. That kiss, oh, I'll always remember. That was the first day we met. (Always remember. It's a kiss that I'll never forget.) I don't remember too much about my cradle days. Guess you could say I became a woman too fast. Whoa, what did I know? That you were the right man for me. What did I know? I knew that I loved that man! Whoa, that first kiss you gave me, oh-o-o, how I still remember! I was just a child, dear. Your lips were so warm and tender. That kiss, I will always remember, 'cause that was the first day we met. The first day we met, darlin', darlin', whoa, the first day we met. Whoa, I remember! Come back, baby, let's talk it over! Don't take your love away from me! Come back, baby. Oh, don't you wanna try it on one more time boy? Let's talk it over. Let's talk it over! Oh, how can I forget you? Branded me! Scarred by your love! That first kiss you gave me boy! |
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from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
Well hello. Gee, I can't believe you're here with me.
Oh, I've wanted to see you alone for so long. Where did you learn to do all that? Oh, c'mon over here, sit down right next to me. Oh, c'mon, don't be afraid. I ain't gonna hurt you. Just want to show you a few things I picked up when you went away. Like this. Ah, don't feel bad. Oh, so good, so good, so good. You and me have got in bed. Now that we carress, a kiss so warm and tender, I can't wait 'til we reach that sweet moment of surrender. Oh, we'll hear the thunder roar, feel lightning strike. We don't have to hurry, 'cause you know we got all night. Hang on in there, baby. Hang on in there, doll. I'm gonna give you more than you've ever dreamed possible. Hang on in there, baby. Hang on in there, doll. I'm gonna give you more than you've ever dreamed possible. Don't be afraid, baby. Oh, no. You're the master of the world. Whoa, we can't help but make it, because there's real love between us, boy. Whoa, c'mon, help me touch that fire that every girl dreams of. We're almost there little boy. We're truly making love. Hang on in there, baby. Hang on in there, doll. I'm gonna give you more than you ever dreamed possible. Hang on in there, baby. Please don't let me down. Please don't destroy this new joy we've found. Uh, so heavy, uh. Listen now, baby. What is that you say? Something eating at you? It's gonna get away. Don't you fight it, baby. C'mon, open up the door. That's the key to freedom we've been working for. Let it go, baby. Let it go, honey. Oh, right there, right there. Now don't you move it anywhere. Let it go. Let it go! Hang on in there, baby. Oh, hang on in there, doll. I'm gonna give you more than you ever dreamed possible. Hang on in there, baby. Please don't let me down. Please don't destroy this new joy we found. Hang on in there, baby. Hang on in there, doll. I'm gonna give you more than you ever dreamed possible. Hang on in there, baby. Please don't let me down. Please don't destroy this brand new joy we found. Yeah, oh yeah. C'mon, baby. Ah, do it to me one more time. Dig that boy. Ooh-hoo. Mmmm. One more time, yeah. Let it go, let it go, let it go, let it go. Let it go. Let it go, let it go, let it go, let it go. Let it go. Hang on, hang on, hang on, 'cause I love ya. Hang on, hang on, hang on, hang on. Hang on in there, baby. Hang on in there, doll. Let it go, let it go. Hang on in there, baby. Hang on in there, doll. You got to, yeah, you got to let it go. Hang on in there, baby. Hang on in there, doll. Let it go, let it go, let it go, let it go, let it go . . . |
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from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
You drove into town like the wind.
Hot on the heels of the rain. And in your eyes all was calm. That's why they call you Hurricane. You blow me away. You blow me away. Ooh, what a powerful force howling around in my brain. Knocking me down with your touch. Mmm, that's why they call you Hurricane. You blow me away. Oh, oh, you blow me away. Hurricane gonna kill me! Honey, you sure do thrill me! Swallow me without a sound. Hurricane is a-rising, hot and so surprising. Forecast warns I'm gonna drown. Blow me and swell me on down. You blow me away. You blow me away! Ah, ah-mmm, blow me away. Hurricane gonna kill me! Ah, honey you sure do thrill me! Swallow me without a sound. Hurricane is a-rising, hot and so surprising! Forecast warns I'm gonna drown. Baby, just go on down! Leave broken hearts in your wake. I ain't the one to complain, no, no, no! You blow all the lives that you take. Give me a ride, won't you Hurricane? You blow me away. You blow me away. Oh, Hurricane, blow me away. You, only you, blow me away, ahh. Hurricane is rising, it keeps surprising me. Spinnin' me around and around. Don't let me down. Hurricane is rising, it keeps surprising me. Hurry, hurry, Hurricane. Tell me you love me. He really does love me. Spinnin' me around and around. Don't let me down. Hurricane is rising, it keeps surprising me. Hurry, hurry, Hurricane. Baby, you and I sky high! You and I sky high! Baby, you and I sky high! You and I sky high! Destiny is calling me. All I want is calling me away. |
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from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
The world is full of married men
with wives who never understand. They're looking for someone to share the excitement of a love affair. And just as soon as they find you they'll wine you and dine you. Fly on the wings of romance. But in the eyes of the world you're just another girl who loves a married man. Uh! They do it, they do it, they do it, they do it again and again. Ow! They do it, they do it, they do it, they do it. These married men. Ooh, you make him feel so young, but his wife is still number one. He promises to marry you. Yeah, just as soon as his divorce comes through. Whoa, it's not just a fling, he swears it's the real thing, a love that will last 'til the end. But as he's driving away you know it's true what they say about a, a married man. They say they do it, they do it, they do it, they do it again and again. Wooo, they do it, they do it, they do it, they do it. These married men. Ah, he'll run when the scandal gets too hot to handle. He'll say he just wants to be friends. And then he'll walk outta your life and go home to his wife 'cause he's a married man. Oh, your love is a secret. You've got to sneak in long as you can. Don't cry for your lover. There's always another married man! Married men! They do it, they do it, they do it, they do it. Married, married men. Ahh! They do it, they do it, they do it, they do it. These married men. The world is full of them. Girls, now listen. They're hungry. Don't trust a . . . Oh, the world is full of them. The world is full of them! They do it, they do it, they it to it again and again. They do it, they do it, they do it, they do it. Oh girl, these married men. They do it, they do it, they do it, they do it again and again. They do it, they do it, they do it, they do it. Can't help but lovin'. Oh, honey, they do it and then they do it again. Ooh, make you feel real good! Ow! They do it and then they do it again! |
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from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
Now my grandfather was a sailor.
He blew in off the water. My father was a farmer and I his only daughter. Took up with a no good millworking man from Massachusetts who died from too much whiskey and leaves me these three faces to feed. Millwork ain't easy, millwork ain't hard. Millwork, it ain't nothin' but an awful, boring job. I'm waiting for a daydream to take me through the mornin'; Put me in my coffee break where I can have a sandwhich and remember. And it's me and my machine for the rest of the mornin', for the rest of the afternoon, for the rest of my life. Now my mind begins to wander to the days back on the farm. I can see my father smilin' and me swingin' on his arm. I can hear my granddad's stories of the storms out on Lake Erie, where vessels and cargos and fortunes and sailor's lives were lost. Yeah, but it's my life that's been wasted. And I have been the fool to let this manufacture use my body for a tool. As I ride home in the evenin' I'm staring at my hands, swearin' by my sorrow that a young girl ought to stand a better chance. Oh, but may I work the mills just as long as I'm able, and never meet the man who's name is on the label. Whoa, it's me and my machine for the rest of the mornin', for the rest of the afternoon, for the rest of my life . . . wasted. |
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from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
Time: 2:15, the AM.
Place: Ronardo's "Boom-Boom-Room" on South Street. I'm a hot blonde and it was a cold night. This is my story. I ain't ashamed to tell it. I was hungry, tired and lookin' for love. I was just a pilgrim in the hot pursuit of love. Wandered from disco to disco, that's all my life was. Suddenly you danced up against me. It felt warm and smooth. I knew in an instant that you were my moment of darkest truth. Oh, my knight in black leather, hold me tight and love me forever. Rings on your fingers, love in your heart. Knight in black leather, we'll never part. Only you can shine the light on the dark side of my mind. And your evil sweetness leaves a trail of lovers behind. When you crush me to your heart I feel just like a queen. I'm a willing victim. Tell me, all my life where have you been? Oh, my knight in black leather, hold me tight and love me forever. Rings on your fingers, love in your heart. Knight in black leather, we'll never part, haaa. Oh, my knight in black leather, take me down and love me forever. Walk on through the halls of my soul. Knight in black leather. And you've got control. Oh, don't ya know, baby? You're my knight! C'mon and love me forever! Rings on your fingers, love on demand. Knight in black leather, aw, you've got command. And how I love ya, baby. Whoa, my knight! Sweet, sweet knight! You know that I love you, I love you, I love you! We'll never pa-aa-aa-aa-aa-aart! (We're the knights in black leather, and we will chain you down and love you forever. Walk on through the halls of your soul. Yeah, the knights inblack leather. We're in controoooool!) You know he smells just like a brand new car, 'cause everything he owns is leather! A leather shirt, leather hat, leather gloves, leather spats, leather chaps, leather pants, leather socks, leather cap, leather coat! leather wrap! leather neck! leather ring! LEATHER THING!!!!!!! We'll never pa-aa-aa-aart! Oh, my knight in black leather! Take us down! Love a-honey, gonna love me! You got to hold me, hold me! We'll never pa-aa-aa-aa-aa-aa-aa-aa-aa-aa-aart! Whoa-oh-ooo-oh-oh! . . . |
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from Bette Midler - Thighs And Whispers ( Remasters ) (1995)
Come on down lightning.
Come on down thunder. Come on down raindrops. Don't leave me to wonder. Life ain't worth loving, love ain't worth having without you. Come on down heartache. Come on down pain. Come on down teardrops, falling like rain. Life ain't worth loving, love ain't worth having without you. Come on down hurting. Whoa, that's for certain. Whoa-o-oh, coming down blind. Don't it feel like it's skirtin', and pouring down rain forever more? Coming down harder than ever before. Wahhh, blow on in north wind, blow in the cold. Losin' my senses; losin' control. Whoa, need my baby so bad. I go crazy without you. Coming down heavy. Coming down light. Coming down daytime. Coming down all night. Need my baby so bad. I go crazy. Life ain't worth livin', love ain't worth havin' without you. Rainin' down rain, pourin' down pain without you. |
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3:26 | ||||
from Bette Midler - The Rose (1995) | |||||
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from Bette Midler - The Rose (1995) | |||||
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from Bette Midler - The Rose (1995)
You know, you know sometimes, sometimes people say to me, "Rose, when's the first time you ever heard the blues?" And u know what i tell 'em? "The day i was born." You know why? You know why? 'Coz i was born a woman.
Ah! Oh! We got some noisy females in the house tonight! I do like to hear that high-pitched sound, you know I do. Oh, being a woman is so interesting don't you find it? What are we ladies, what are we? We are waitresses at the banquet of life! Get into that kitchen and rattle them pots and pans... and you better look pretty god-damned good doing it too or else you gonna lose your good thang! Oh! And why do we dot that, why do we do that? I tell you why we do that, we do that to find looove. Oh, i love to be in love, don't you love to be in love? Ain't it just great to be in love? Oh, ain't it wonderful? Isn't it wonderful to be in love? Ain't it just grand laying there late at night in bed waiting for your man to show up? And when he finally does, round about four o'clock in the morning with whiskey on his breath and the smell of another woman on his person... Oh, honey I can smell another woman at five hundred paces! That's a easy one to catch! So what do you do when he comes home with the smell of another woman on him? Do you say, "Oh, honey, let me open up my loving arms and my loving legs! Dive right in, baby, the water's fine!" Is that what you say, girls?! Or do you say, "Pack your bags! I'm putting on my little waitress cap and my fancy high heel shoes. I'm gonna go find me a real man, a good man, a true man, a man to love me for sure." You know I tell you something, I tell u something: I tohught... at one time i actually thought i found myself one. I did, I thought I found myself one. When he... When he... |
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2:43 | ||||
from Bette Midler - The Rose (1995)
You know, you know sometimes, sometimes people say to me, "Rose, when's the first time you ever heard the blues?" And u know what i tell 'em? "The day i was born." You know why? You know why? 'Coz i was born a woman.
Ah! Oh! We got some noisy females in the house tonight! I do like to hear that high-pitched sound, you know I do. Oh, being a woman is so interesting don't you find it? What are we ladies, what are we? We are waitresses at the banquet of life! Get into that kitchen and rattle them pots and pans... and you better look pretty god-damned good doing it too or else you gonna lose your good thang! Oh! And why do we dot that, why do we do that? I tell you why we do that, we do that to find looove. Oh, i love to be in love, don't you love to be in love? Ain't it just great to be in love? Oh, ain't it wonderful? Isn't it wonderful to be in love? Ain't it just grand laying there late at night in bed waiting for your man to show up? And when he finally does, round about four o'clock in the morning with whiskey on his breath and the smell of another woman on his person... Oh, honey I can smell another woman at five hundred paces! That's a easy one to catch! So what do you do when he comes home with the smell of another woman on him? Do you say, "Oh, honey, let me open up my loving arms and my loving legs! Dive right in, baby, the water's fine!" Is that what you say, girls?! Or do you say, "Pack your bags! I'm putting on my little waitress cap and my fancy high heel shoes. I'm gonna go find me a real man, a good man, a true man, a man to love me for sure." You know I tell you something, I tell u something: I tohught... at one time i actually thought i found myself one. I did, I thought I found myself one. When he... When he... |
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from Bette Midler - The Rose (1995)
It's very good to be home...
It feels real good to be home... And, and, uh, and you're my family... Thank you for coming... I, uh, I didn't mean... I didn't mean to be late... uh... do you forgive me? Well, I... I forgive you, too. What are we waiting for boys? My boys? Stay with me, baby, come on... loud and whip. |
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1:23 | ||||
from Bette Midler - The Rose (1995)
It's very good to be home...
It feels real good to be home... And, and, uh, and you're my family... Thank you for coming... I, uh, I didn't mean... I didn't mean to be late... uh... do you forgive me? Well, I... I forgive you, too. What are we waiting for boys? My boys? Stay with me, baby, come on... loud and whip. |
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from Bette Midler - The Rose (1995)
You know I been thinkin'
Lord, about the hard sides of rock and roll. They say you can't make no money, oo, unless you're the Rolling Stones. I put a chip on my shoulder; gave me the fire in my in my blood. Children of the Earth, listen what I say. You made rock and roll what it is today. And no two-bit fascist is gonna shoot us down. So come on children, bring your guns to town. Shoot 'em down We can rock and roll all night long. And I wanna see you out there feelin' strong. And I wanna give you, oo, the shot you need. I'll be your doctor. You just call on me. Call on me, baby, baby. Call on me, call on me, baby. Keep on rockin'. Keep on rockin'. Keep on, rocn 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Children of the Earth, listen what I say. You made rock and roll what it is today. And no two-bit fascist is gonna shoot us down. So come on children, bring your guns, bring your guns to town. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Kepp on, rock 'n' roll gonna never die. |