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from Bette Midler - Mud Will Be Flung Tonight! (2006)
"This next story is a true story. It concerns to of my favorite subjects: industrial theft . . . and-a t-ts! Mmm, what a combo! This is the story . . . The inventor of the modern foundation garment that we women wear today was a German scientist and opera lover by the name of Otto Titsling! This is a true story. His name was Otto Titsling. What happened to Otto Titsling shouldn't happen to a schnauzer. It's a very sad story. I feel i have to share it with you." Otto Titsling, inventor and crout, had nothing to get very worked up about. His inventions were failures, his future seemed bleak. He fled to the opera at least twice a week. One night at the opera he saw an aida who's t-ts were so big they would often impede her. Bug-eyed he watched her fall into the pit, done in by the weight of those terrible t-ts. Oh, my god! There she blows! Aerodynamically this bitch was a mess. Otto eye-balled the diva lying comatose amongst the reeds, and he suddenly felt the fire or inspiration flood his soul. He knew what he had to do! He ran back to his workshop where he futzed and futzed and futzed. For Otto Titsling had found his quest: to lift and mold the female breast; to point the small ones to the sky; to keep the big ones high and dry! Every night he'd sweat and snort searching for the right support. He tried some string and paper clips. Hey! He even tried his own two lips! Well, he stiched and he slaved and he slaved and he stitched until finally one night, in the wee hours of morning, Otto arose from his workbench triumphant. Yes! He had invented the worlds first over-the-shoulder-boulder-holder. Hooray! Exhausted but ecstatic he ran down the street to the diva's house bearing the prototype in his hot little hand. Now, the diva did not want to try the darn thing on. But, after many initial misgivings, she finally did. And the sigh of relief that issued forth from the diva's mouth was so loud that it was mistaken by some to be the early onset of the Seraken Winds which would often roll through the Schwarzwald with a vengance! Ahhhhh-i! But little did Otto know, at the moment of his greatest triumph, lurking under the diva's bed was none other than the very worst of the french patentees, Phillip DeBrassiere. And Phil was watching the scene with a great deal of interest! Later that night, while our Broom Hilda slept, into the wardrobe Phillip softly crept. He fumbled through knickers and corsets galore, 'til he found Otto's titsling and he ran out the door. Crying, "Oh, my god! What joy! What bliss! I'm gonna make me a million from this! Every woman in the world will wanna buy one. I can have all the goods manufactures in Taiwan." "Oh, thank you!" The result of this swindle is pointedly clear: Do you buy a titsling or do you buy a brassiere? |
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from Bette Midler - Mud Will Be Flung Tonight! (2006)
So vikki Eydie is not going to make it through the techno age, well which of us will? I dont no the a VCR and an IUD although i aught to find out i would hate to be standing in front of my microwave with a VCR up my tuckas, I thought a floopy disk was my diafram.
weres thoses heebs that wrote this act? Isnt it hard beeing friends with coke heads? they always say lets go somewere and we'll talk, what they realy mean is lets go somewere and I'll talk and they always grind there teeth I have friends who have ground there teeth so fine they could snort there own bycusbids. For a long time a went looking for a new drug, a drug that had my name on it, realy i thought one i serched high i serched low i tried designer drugs. After all that then you know how deppressing it is when you find out your drug is midol. Once i mixed midol with speed i had my period six times in one day. But i had to give up speed i started to understand what chero was saying. haha weres those heebs that wrote this act?? |
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from Bette Midler - Mud Will Be Flung Tonight! (2006)
Of course i have new motivations for staying slim and georgous, you see i recently got married,
I hope that means you are wishing me well and not congratulations on finally landing some poor worm, Yes i got married, of course i wasn't the urge to cojoin that faithful weekend, lots of girls got married that weekend God all mighty, Olivia Newton John got married, Sally Field got married, Jamie-Lee Curtis got married, it was like last call at a singles bar. Olivia Newton John got married in Santa Barbara, everything was dyed to match the very special pink of her panties, Sally got married in Bell Air to a man who liked her ,who really liked her, Jaime Lee got married on 5th avenue and i was married in Las Vegas, by an Elvis impersonater. I married a German boy, I married a crout, Every night i get dressed up like Poland and he invades me, haha, He likes to go to the movies, he likes to watch teenagers get layed for the first time, sometimes he even watches the screen, my movies are not about getting layed, all though i will say once or twice i have been royally screwed, "i'm ready for my close up, wheres the mark, wheres my line, wheres my lunch, i, oh i love the sound of that voice" Nobody talks like that anymore in the movies except for Meryl, "I am the french left tenants whore" I was up for that part, i read that line "i'm the french lutenants whore, whats it to ya" I don't know why i didn't get that job, but now its move over Meryl Streep, theres new light on the cinamatic horrizon, Madonna. Oh this is not going to be so much as mud flinging as it's gonna be like a land fill alright! Like a virgin, touched for the very first time, for the very first time today, ah my god, oh pitty the poor soul who has to rinse out that lingerie, the only thing that girl will ever do like a virgin is have a baby in a stable, by an unknown father, Who, me, jelous, what do ya mean!, I'm a material girl too, i've been on MTV, once, I made a video with Mick Jagger. We were fabulous together, i know what your all thinking, did she fuck him?, How was he? Ah, Mick, Bruce, Lional, i had em all, How were they? I was better than them! I left them weak and begging for more, "Prince, get of ma leg, god damn it boy, somebody get a bucket of water to throw on this putz, honey some kibble, cool down, cool down, "you got to cool down boy"." He's a very sweet guy, person, fella, i dunno maybe it's me, when its a sex symbol, i like to know the sex of the symbol. We were on the road not too long ago, actally we were on the road last year, two yeras ago, we met some pigs on the road, God, you didn't know there were people out there with cosiousness so low my god, we were hanging out with this band, whats his names band, Oh fabulous band i forget the name, their moto was "no muff too tough, ugly women have pussys too" I thought it was revolting till i really actually thought about it and i thought,oh well that is kinda friendly actually when you, its really kinda none judgemental in a funny way, Is that my accountent sitting there?, I'll kill myself, Is it?, looks just like my accountent, I don't think it is my acountent, Thank christ! Excuse my language but, oh my accountent, i adore my accountent never the less, he has to be up at 6 in the morning at those books, Looking for tax shelters. |
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from Bette Midler - Mud Will Be Flung Tonight! (2006)
I Will never forget it you know. I was in bed one night with my boyfriend Ernie he began combing his hair there was a great shower of dandruff all about the bed. I said to him "Ernie what's that?" he said to me "Soph those are the snows of Kilamanjaro". He leaped from the bed he ran to the loo I could hear him through the door relieving himself violently (swish, swish, swish, swish) I said to him "Ernie what the hell is that?" he said to me "Soph those are the rains of Ronjapoor". He leaped from the bed, he ran back to bed, no he leaped from the loo he ran back to the bed, he leaped from the bed, he ran out the window, that's not right either, a humongous dick that wants to reach out and touch someone imagine that, he ran back from the loo, what happened then ah yes of course I hit a blank spot. On his way back from the loo he had dare I say an attack of flatulates, how could I forget that. He had an attack of flatulates (pbbt) the cheese was cut. I said to him "Ernie what the hell is that?" he said to me "Soph those are the winds of Crackatoa." That was enough for me I jumped into my clothes I was out the door like a like a shot. I could hear him calling me from down the road. "Where are you going? What's wrong?" I said who can f**k in this weather."
I will never forget it you know. Doorbell rang the other day I answered the door there was a delivery boy there, a delivery boy there with two dozen roses. I grabbed the card and I opened it it said love, from your boyfriend Ernie. I was having tea with my girlfriend Clementine at the time I said "Clementine do you know what this means. For the next two weeks I'm going to be flat on my back with my legs wide open". "Clementine says to me what's the matter with you ain't you got a vas." I will never forget it you know. Yet another cutting the cheese joke. Listen to how I make it my own. I will never forget it you know. It was my honeymoon with my boyfriend Ernie we were on the Silvercheif we had a car all to ourselves when suddenly I cut the cheese. Ernie said "Oh my God, Soph is that you", "did you just fart", I said of course I did you think I always smell like this." I will never forget it you know. For the longest time I didn't wear no underwear. Used to drive my boyfriend Ernie absolutely batty that I didn't wear no underwear. One day I caught a terrible cold, Ernie said to me "Soph you've got to go see the doctor I said alright, make an appointment for me." So he rang up the doctor but unbeknownst to me this is what he told the doctor. "Doc I'm sending Soph over, she got a terrible cold but that's not the problem, the problem is she don't wear no underwear, tell her she got this cold on the count of she don't wear no underwear you got that." "Right o" says the doctor so I like a Schmuck trot on down to the doctor's office the doctor said "Soph open your mouth and say Ah" I open my mouth I said "Ah" he looked down my throat he said "Soph, you ain't wearin no underwear", I said "I beg your pardon doctor?" he said to me "Soph you ain't wearin no underwear" I said "doctor you can look down my throat and see I ain't wearin no underwear" he said "that's right Soph" I said "doc do me a favor, look up my ass and tell me if my hat's on straight." |
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| from Bette Midler - Mud Will Be Flung Tonight! (2006) | |||||
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from Higher Ground (2005)
I remember when I was a very little girl, our house caught on fire.
I'll never forget the look on my father's face as he gathered me up in his arms and raced through the burning building out to the pavement. I stood there shivering in my pajamas and watched the whole world go up in flames. And when it was all over I said to myself, 'Is that all there is to a fire?' Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "And when I was 12 years old, my father took me to the circus, the greatest show on earth. There were clowns and elephants and dancing bears and a beautiful lady in pink tights flew high above our heads. And as I sat there watching the marvelous spectacle, I had the feeling that something was missing. I don't know what, but when it was over I said to myself, 'Is that all there is to a circus?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "Then I fell in love with the most wonderful boy in the world. We would take long walks by the river or just sit for hours gazing into each other's eyes. We were so very much in love. Then one day, he went away. And I thought I'd die, but I didn't. And when I didn't, I said to myself, 'Is that all there is to love?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. "I know what you must be saying to yourselves. 'If that's the way she feels about it why doesn't she just end it all?' Oh, no. Not me. I'm in no hurry for that final disappointment. For I know just as well as I'm standing here talking to you, when that final moment comes and I'm breathing my last breath, I'll be saying to myself..." Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. |
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2:48 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
Well alright, okay, you win.
I'm in love with you. Well alright, okay, you win. Baby, what can I do? I'll do anything you say. It's just got to be that way. Well alright, okay, you win. I'm in love with you. Well alright, okay, you win. Baby, what can I do? Anything you say, I'll do. As long as it's me and you. All that I am asking, All I want from you, Just love me like I love you And it won't be hard to do. Well alright, okay, you win. I'm in love with you. Well alright, okay, you win. Baby, what can I do? I'll do anything you say. It's just got to be that way. All that I am asking, All I want from you, Just love me like I love you And it won't be hard to do. Well alright, okay, you win. I'm in love with you. Well alright, okay, you win. Baby, one thing more: If you're gonna be my man, Sweet baby, take me by the hand. |
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2:18 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
The minute you walked in the joint
I could see you were a man of distinction. A real big spender, Good lookin', so refined. Say, wouldn't you like to know What's goin on in my mind? So let me get to the point. I don't pop my cork for every guy I see. Hey big spender, Spend a little time with me. Wouldn't you like to have fun, fun, fun? How's about a few laughs, laughs, laughs? I can show you a good time. Let me show you a good time. The minute you walked in the joint I could see you were a man of distinction. A real big spender, Good lookin', so refined. Say, wouldn't you like to know What's goin on in my mind? So let me get to the point. I don't pop my cork for every guy I see. Hey big spender, Hey big spender, Hey big spender, Spend a little time with me. |
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3:37 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
Never know how much I love you.
Never know how much I care. When you put your arms around me, I get a fever that's so hard to bear. You give me fever when you kiss me. Fever when you hold me tight. Fever in the morning. Fever all through the night. Sun lights up the daytime, And moon lights up the night. I light up when you call my name, And you know I'm gonna treat you right. You give me fever when you kiss me. Fever when you hold me tight. Fever in the morning, And fever all through the night. Everybody's got the fever. That is something you all know. Fever isn't such a new thing. Fever started long ago. Romeo loved Juliet. Juliet, she felt the same. When he put his arms around her, He said, "Julie, baby, you're my flame. Thou giveth fever when we kisseth. Fever with thy flaming youth. Fever, I'm afire. Fever, yeah, I burn, forsooth." Cap'n Smith and Pocahontas Had a very mad affair. When her daddy tried to kill him, She said, "Daddy, oh, don't you dare. He gives me fever with his kisses. Fever when he holds me tight. Fever, I'm his missus, So Daddy, won't you treat him right." Now you've listened to my story, Here's the point that I have made: Chicks were born to give you fever, Be it Fahrenheit or Centigrade. They give you fever when you kiss them. Fever if you live and learn. Fever 'til you sizzle. What a lovely way to burn. What a lovely way to burn. What a lovely way to burn. What a lovely way to burn. |
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4:53 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
It seem like happiness is just a thing called Joe.
He's got a smile that makes the lilacs want to grow. He's got a way that makes the angels heave a sigh When they know little Joe's passing by. Sometimes the cabin's gloomy and the table's bare, But then he'll kiss me and it's Christmas everywhere. Troubles fly away and life is easy go. Does he love me good? That's all I need to know. Seems like happiness is just a thing called Joe. Sometimes the cabin's gloomy and the table's bare, But then he'll kiss me and it's Christmas everywhere. Troubles fly away and life is easy go. Does he love me good? That's all I need to know. Seems like happiness is just a thing called Joe. Little Joe, my little Joe, little Joe. |
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2:39 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
He's a tramp, but I love him.
Breaks a new heart every day. He's a tramp. They adore him. And I only hope he'll stay that way. He's a tramp, he's a scoundrel, He's a rounder, he's a cad. He's a tramp, but I love him. Yes, and even I have got it pretty bad. You can never tell when he'll show up. He gives you plenty of trouble. I guess he's just a no account pup, But I wish that he were double. He's a tramp, he's a rover, And there's nothing more to say. If he's a tramp, he's a good one, And I wish that I could travel his way. |
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2:46 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
I love the East. I love the West.
North and South, their both the best. But I only want go there as a guest, 'cause I love being here with you. I love the sea. I love the shore. I love the rocks, and what is more, You and they never be a bore, 'cause I love being here with you. Singing in the shower, Laughing by the hour. Life is such a breezy game. I love all kinds of weather As log as we're together. Oh, I love to hear you say my name. I love good wine, fine cuisine, Candle light. I love the scene. 'Cause, baby, if you know just what I mean, I love being here with you. I like a Dance by Fred Astaire, And Brando's eyes, Yul Brynner's hair. But I think to tell you's only fair, That I love being here with you. And Cary Grant, oh do-dah-day, His utter charm takes me away. But don't get me wrong, how do you say, I love being here with you. Basie's band a-swingin', I like Ella's singing. 'Cause there's something else, you know, They know how to say it, They know how to play it, They wind it up and let it go. I love the thrill of New York shows. I'd love to kiss Durante's nose. But I'll like to say before I close, I love being here with you! |
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2:28 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
Well I can wash out forty four pairs of socks
And have 'em on the line. You know I can starch and iron two dozen shirts 'fore you can count from one to nine. I can slip up a great big dip up of lard From a drippings can. Throw it in the skillet, do my shopping, And be back before it melts in the pan. 'Cause I'm a woman... W-O-M-A-N. Let me tell ya again. I'm a woman... W-O-M-A-N. Well I can rub and scrub 'til this house shines just like a dime. Feed the baby, grease the car, Powder my nose at the same time. You know I can get all dressed up, Go out swinging with the M-A-N, Jump in bed at five, sleep 'til 6, And start all over again. 'Cause I'm a woman... W-O-M-A-N. Let me tell ya again. I'm a woman... W-O-M-A-N. Well now if you come to me sick, You know that I'm gonna make you well. And if you come to me all hexed up, You know I'm gonna break the spell. And if you come to me hungry, You know I'll feed ya full of my grits. And if it's loving you want, I can kiss you and give you the shivering fits. 'Cause I'm a woman... W-O-M-A-N. I'll say it again. I'm a woman... W-O-M-A-N. Well, I got a twenty dollar gold fee That says there's nothing that I can't do. Well, I can make a dress out of feeding sacks, And I can make a man out Of you. 'Cause I'm a woman... W-O-M-A-N. I'll say it again. I'm a woman... W-O-M-A-N. I'm a woman. I'm a woman. I'm a woman. Yeah, I'm a woman. |
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4:26 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
I remember when I was a very little girl, our house caught on fire.
I'll never forget the look on my father's face as he gathered me up in his arms and raced through the burning building out to the pavement. I stood there shivering in my pajamas and watched the whole world go up in flames. And when it was all over I said to myself, 'Is that all there is to a fire?' Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "And when I was 12 years old, my father took me to the circus, the greatest show on earth. There were clowns and elephants and dancing bears and a beautiful lady in pink tights flew high above our heads. And as I sat there watching the marvelous spectacle, I had the feeling that something was missing. I don't know what, but when it was over I said to myself, 'Is that all there is to a circus?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. "Then I fell in love with the most wonderful boy in the world. We would take long walks by the river or just sit for hours gazing into each other's eyes. We were so very much in love. Then one day, he went away. And I thought I'd die, but I didn't. And when I didn't, I said to myself, 'Is that all there is to love?'" Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. "I know what you must be saying to yourselves. 'If that's the way she feels about it why doesn't she just end it all?' Oh, no. Not me. I'm in no hurry for that final disappointment. For I know just as well as I'm standing here talking to you, when that final moment comes and I'm breathing my last breath, I'll be saying to myself..." Is that all there is? Is that all there is? If that's all there is, my friends, Then let's keep dancing. Let's break out the booze And have a ball If that's all there is. |
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4:32 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
Why this feeling? Why this glow?
Why the thrill when you say hello? It's a strange and tender magic you do. Mister Wonderful, that's you. Why this trembling when you speak? Why this joy when you touch my cheek? I must tell you what my heart knows is true. Mister Wonderful, that's you. And why this longing to know your charms? To spend forever here in your arms? Oh, there's much more I could say, But the words keep slipping away, And I'm left with one point of view. Mister Wonderful, that's you. One more thing, then I'm through. Mister Wonderful, Mister Wonderful, Mister Wonderful, I love you! |
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3:06 |
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from Bette Midler - Sings The Peggy Lee Songbook (2005)
Many men with lofty aims strive for lofty goals.
Others play at smaller games, being simpler souls. I am of the latter brand. All I want to do Is to find a spot of land and live there with you. Someday we'll build a home On a hilltop high, you and I, Shiny and new, a cottage that two can fill. And we'll be pleased to be called "The folks who live on the hill." Someday we may be adding A thing or two, a wing or two. We will make changes as any family will. But we will always be called "The folks who live on the hill." Our veranda will command a view of meadows green, The sort of view that seems to want to be seen. And when the kids grow up and leave us, We'll sit and look at the same old view, just we two. Darby and Joan who, used to be Jack and Jill, The folks like to be called What they have always been called, "The folks who live on the hill." |
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1:49 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Come on-a my house, my house, I'm-a gonna give you candy.
Come on-a my house, my house, I'm-a gonna give you apple and a plum and an apricot or two, ah! Come on-a my house, my house come on. Come on-a my house, my house-a come on. Come on-a my house, my house, I'm-a gonna give you figs and dates and grapes and a cake, ah! Come on-a my house, my house-a come on. Come on-a my house, my house come on. Come on-a my house, my house, I'm-a gonna give you candy. Come on-a my house, my house, I'm-a gonna give you everything. Come on-a my house, my house, I'm-a gonna give you Christmas tree. Come on-a my house, my house, I'm-a gonna give you marriage ring and a pomegranate, too, ah! Come on-a my house, my house come on. Come on-a my house, my house come on. Come on-a my house, my house I'm-a gonna give a you peach and a pear and I love your hair, ah! Come on-a my house, my house-a come on. Come on-a my house, my house-a come on. Come on-a my house, my house, I'm gonna give you an Easter egg. Come on-a my house, my house, I'm-a gonna give you everything, everything, everything. Come on-a my house! |
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3:31 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Hey there, you with the stars in your eyes,
love never made a fool of you. You used to be too wise. Hey there, you on that high-flying cloud, though he won_t throw a crumb to you, you think some day he_ll come to you. Better forget him, him with his nose in the air. He's got you dancing on a string. Break it and he won_t care. Won_t you take this advice I hand you like a mother? Or are you not seeing things too clear? Are you too much in love to hear? Is it all goin_ in one ear and out the other? And out the other? Hey there, you with the stars in your eyes, Are you talkin' to me? love never made a fool of you. Not until now. You used to be so wise. Oh, that was a long time ago. Hey there, What? you on that high-flyin' cloud, though he won_t throw a crumb to you, you think some day he_s gonna come to you. Woah, better forget him. Forget him. He's got his nose in the air. He's got his nose in the air. He'll have you dancing on a string. A puppet on a string. Break it and he won_t care. He won't care for you. Won't you take this advice I hand you like a mother? Or are you not seein_ things too clear? Are you just too far gone to hear? Is it all goin_ in one ear and out the other? |
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2:43 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Sue wants a barbeque.
Sam wants to boil a ham. Grace votes for builabaise stew. Jake wants a weenie bake, stake and a layer cake. He'll get a tummy ache, too. We'll rent a tent or teepee. Let the town cryer cry. And if it's RSVP, this is what I'll reply: In the cool, cool, cool of the evenin', tell 'em I'll be there. In the cool, cool, cool of the evenin', better save a chair. When the party's gettin' a glow on, singin' fills the air. In the shank of the night, when the doins' are right, well you can tell 'em I'll be there. "Oui," said the bumblebee, "Let's have jubilee." "When?" said the prairie hen, "Soon?" "Sure," said the dinosaur. "Where?" said the grisly bear. "Under the light of the moon." "How 'bout your brother, jackass?" everyone gaily cried. "You comin' to the fracas?" "Offer respects," he sighed. In the coooool of the evenin', tell 'em I'll be there. In the coooool of the evenin', better save a chair. When the party's gettin' a glow on, singin' fills the air. If I ain't in a clique, and there's something to pick, well you can tell 'em I'll be there. If I can crawl out of bed and slap a hat on my head, well you can tell 'em I'll be there. If there's room for one more, and you need me, why sure, tell 'em, tell 'em I'll be there. |
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2:51 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
A boy went back to Napoli,
because he missed the scenery, the native dancers and the charming songs. But wait a minute, something's wrong. Hey! Hey! Now it's hey Mambo, Mambo Italiano! Hey Mambo, Mambo Italiano! Go, go, Joe, you mixed up Sigiliano. All you Calabrese do the mambo like crazy. And hey Mambo! Don't wanna tarantella, Hey Mambo! No more-a moozzarella. Hey Mambo! Hey Mambo Italiano. Try an enchilada with a fish-a-barcalada. Hey goombah! I love-a how you dance rumba. But take-a some advice paisano, learn how to mambo. If you're gonna be a square, you're never gonna go nowhere. Hey Mambo, Mambo Italiano! Hey Mambo, hey Mambo Italiano! Go, go, Joe, shake-a like a Gioviano. Hello quesadicha, you getta happy in the feets-a when you Mambo Italiano! Shake-a baby, shake-a, 'cause I love-a when you take-a me. Hey Jagool! You don't-a have to go to school, just make a little beef flambino. It's-a like-a vino. Kid you're good-lookin', but you don't know what's-a cookin' till you Hey! Hey! Hey! Hey! Hey! Hey! Shake-a baby, shake-a, 'cause I love it when you take-a me by the pizzeria down-a where I'm gonna be-a. Don't ya tell your mama. Mama's gonna tell-a papa. There's-a nothin' to it. Come on baby let's-a do it! Hey Mambo, Mambo Italiano! Hey Mambo, Mambo Italiano! Go, go, Joe, you mixed up Sigiliano. It's-a so delish-a, everybody gonna preshi-ada. Mambo Italiano! Do the mambo! |
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3:20 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Why can't I forget like I should?
Heaven knows I would if I could. But I just can't keep you off my mind. Though you're gone, I have to explain, all around me you still remain. Wonder why fate should be so unkind? Waking skies at sunrise, every sunset, too, seems to be bringing me memories of you. Here and there, everywhere, scenes that we once knew. And they all just recall memories of you. How I wish I could forget those happy yesteryears that have left a rosary of tears. Your face beams in my dreams spite of all I do. Everything seems to bring memories of you. Those memories of you. |
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2:30 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Bette: "Hey, nice piano playin', Manilla."
Barry: "Thank you, Miss M." Better: "Whatcha doin' these days?" Barry: "Makin' records." Bette: "Really?" Barry: "Yes, really." Bette: "Do you still play piano for people?" Barry: "Well, depends on who." Bette: Hmmm, I'm gonna get you on a slow boat to China, All to myself alone; Get you and keep you in my arms evermore; Leave all the others waitin' on a faraway shore Bette & Barry: Out on the briny where the moon's big and shiny melting your heart of stone I'm gonna get you on a slow boat to China, all to myself alone. Barry:"Bette, I didn't know you felt that way about me." Bette:"I don't, I need a piano player." Barry:"Ahh, just like the old days!" Bette:"You're not gonna change keys on me are yah?" Barry: "Uh-huh." Bette: "Ohhhh!" Bette & Barry: I'm gonna get you (you're never gonna get me) On a slow boat to china (not in a fast or slow boat at any crick) All to myself alone (I just get motion sick) I'm gonna make you mine (Ha, you'll have to stand in line!) Get you and keep you in my band evermore (now there's a new attack) leave all the others on the shore (For me they'd swim to China, to China and back) Out on the briny (I wouldn't like the ocean) Where the moon's big and shiny (not even in a rowboat) melting your heart of stone, come on what do yah say? (Ha, you always get your way) I'm gonna get you on a slow boat to China, all to myself alone, to-ge-ther All to myself alone |
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2:54 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
Both: Sisters, sisters,
There were never such devoted sisters. Never had to have a chaperone, no sir. Linda: I'm here to keep my eye on her. Both: Caring, sharing every little thing that we are wearing. When a certain gentleman arrived from Rome, Bette: she wore the dress and I stayed home. Both: All kinds of weather, we stick together, the same in the rain or sun. Two different faces, but in tight places we think and we act as one. Uh-huh! Those who've seen us know that not a thing can come between us. Many men have tried to split us up, but no one can. Lord help the mister who comes between me and my sister, and Lord help the sister that comes between me and my man. All kinds of weather, we stick together, the same in the rain or sun. Two different faces, but in tight places we think and we act as one. Uh-huh! Those who've seen us know that not a thing could come between us. Many men have tried to split us up, but no one can. Lord help the mister who comes between me and my sister, and Lord help the sister who comes between me and my man. Sisters! *3 Don't you come between me and my man! |
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3:11 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
The evening breeze caressed the trees tenderly.
The trembling trees embraced the breeze tenderly. Then you and I came wandering by, and lost in a sigh were we. The shore was kissed by sea and mist tenderly. I can't forget how two hearts met breathlessly. Your arms opened wide and closed me inside. You took my lips, you took my love so tenderly. Your arms opened wide and closed me inside. You took my lips, you took my love so tenderly. |
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3:03 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
This ole house once knew my children.
This ole house once knew my life. This ole house was home and comfort as we lived through storm and strife. This ole house once rang with laughter. This ole house heard many shouts. Now she trembles in the darkness when the lightning walks about. Ain't a-gonna need this house no longer. Ain't a-gonna need this house no more. Ain't got time to fix the shingles. Ain't got time to fix the floor. Ain't got time to oil the hinges, nor to mend the window panes. Ain't a-gonna need this house no longer. I'm a-gettin' ready to meet the saints. This ole house is gettin' shaky. This ole house is gettin' old. This ole house lets in the rain. This ole house lets in the cold. On my knees I'm gettin' shaky, but I feel no fear or pain, 'cause I see an angel peekin' through a broken window pane. I ain't a-gonna need this house no longer. Ain't a-gonna need this house no more. Ain't got time to fix the shingles. Ain't got time to fix the floor. I ain't got time to oil the hinges, nor to mend the window panes. Ain't a-gonna need this house no longer. I'm a-gettin' ready to meet the saints. This ole house is afraid of thunder. This ole house is afraid of storms. This ole house just groans and trembles when the night wind flings its arms. This ole house is gettin' feeble. This old house is needin' paint. Just like me it's tuckered out, but I'm a-gettin' ready to meet the saints. Ain't a-gonna need this house no longer. Ain't a-gonna need this house no more. Ain't got time to fix the shingles. Ain't got time to |
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3:16 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
The sun is shining, the grass is green,
the orange and palm trees sway. There's never been such a day in Beverly Hills, L.A. But it's December the twenty fourth, and I am longing to be up north. I'm dreaming of a white Christmas, just like the ones I used to know. Where the treetops glisten and children listen to hear sleigh bells in the snow. I'm dreaming of a white Christmas, with every Christmas card I write. May your days be merry and bright, and may all your Christmases be white. May your days be merry and bright, and may all your Christmases, all your Christmases, all your Christmases be white. |
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1:44 |
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from Bette Midler - Sings The Rosemary Clooney Songbook (2003)
You'll never know just how much
I loved you. You'll never know just how much I cared. And if I tried, I still couldn't hide my love for you. You oughtta know, for haven't I told you so a million or more times? You went away and my heart went with you. I speak your name in my every prayer. If there is some other way to prove that I love you, I swear I don't know how. You'll never know if you don't know now. |
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4:35 |
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from Bette Midler - Bette (2000)
Bless you chi-i-i-i-i-i-i-i-ild.
You suffer, you're human, you sin, you fail, you love, you hate, you ail, you hunger, you lust, you deceive, you trust, you disbelieve. Bless you for your weakness. Bless you for your strength. Bless you for that smile that is so hard to trace. Ooooh, bless you child, bless you child. You wander, you come home. You can't survive this world alone. You deny, you admit, you start, you can't quit. Bless you for your weakness. Bless you for your strength. Bless you for that smile that is so hard to trace. Ooooh, bless you child, bless you child. Sometimes an ending is the best place to start. Bless yourself, bless your heart. Bless yourself, bless your heart. Hey hey hey yeah, uh huh. Hey hey hey yeah, uh huh. Hey hey hey yeah, uh huh. Hey hey hey, ohhhhh! Bless you for your weakness. Bless you for your strength. Bless you for that smile that is so hard to trace. Ooooh, bless you child, bless you child. Oh pleeeease, yeah. Bless you child. I say now. I say now. I know it's true. Bless yourself, bless your heart. Bless yourself, bless your heart. Bless yourself, bless your heart. Oh pleeeeeease. Bless yourself, bless your heart. Bless you child. Bless you child. I know it's true. Bless you child. Bless yourself, bless your heart . . . |
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4:41 |
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from Bette Midler - Bette (2000)
I held you close to me
once in a distant dream, far from the shores of my fear. I sailed on the ocean where all I imagined could happen, and now you are here. It's so hard to touch what is out of our hands, to know and to trust what the heart understands. Only the ones who believe ever see what they dream, ever dream what comes true. Life gives us magic and life brings us tragedy. Everyone suffers some loss. Still we have faith in it, childlike hope. There's a reason that outweighs the cost. And gravity throws all these rules in our way. And sometimes the sprit refuses to play. Only the ones who believe ever see what they dream, ever dream what comes true. And oh, love, turn me around in your arms. And in this dream we share let us not miss one kiss. And add my regrets to the tears in the rain for that's what the color of roses contain. Only the ones who believe ever see what they dream, ever dream, ever dream what comes true. |
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6:32 |
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from Bette Midler - Bette (2000)
Now I have nothing, so God give me strength,
'cause I'm weak anyway, and if I'm strong, I might still break. And I don't have anything to share that I won't throw away into the air. That song is sung out. This bell is rung out. He was the light that I'd bless. He took my last chance of happiness. So God give me strength. God give me strength. I can't hold on to him. God give me strength. When the phone doesn't ring and I'm lost in imagining everything that kind of love is worth as I tumble back down to the earth. That song is sung out. This bell is rung out. He was the light that I'd bless. He took my last chance of happiness. So God give me strength. God, if he'd grant me his indulgence and decline, I might as well wipe him from my memory. Fracture the spell as he becomes my enemy. And maybe I was washed out like a lip print on a shirt. See, I'm only human, I want him to hurt. I want him, I want him to hurt. Since I lost the power to pretend that there could ever be a happy ending. That song is sung out. This bell is rung out. He was the light that I'd bless. He took my last chance of happiness. So God give me strength. God give me strength. Oooooooh. Oooooh. Wipe him from my memory. Oooh. I got to him wipe him from my memory. Mmmm. Ooooooooh. |
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3:42 |
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from Bette Midler - Bette (2000)
"Gentlemen, gentlemen please! Senors, por favor!"
I once met a man with a sense of adventure. He was dressed to thrill wherever he went. He said, "Let's make love on a mountaintop, under the stars on a big hard rock." I said, "In these shoes? What is this, the Peace Corps?" I said, "Honey, let's do it here." So we're sittin' at a bar in Guadalajara, in walks a guy with a faraway look in his eyes. He says, "I've got a powerful horse outside. Climb on the back, I'll take you for a ride. I know a little place we can get before the break of day." I said, "In these shoes? No way, Jose!" I said, "Honey, let's stay right here." No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! Then I met an Englishman. "Oh," he said, "Are you American? Won't you walk up and down on my spine? It makes me feel strangely alive." I said, "In these shoes? Oh, I doubt you'd survive." I said, "Honey . . . let's do it . . . hehehehe" "Let's stay right here." No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? Es un escandalo! No le gusta caminar. No puede montar a cabailo. ?Como se puede bailar? |
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3:54 |
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from Bette Midler - Bette (2000)
Each day through my window
I watch him as he passes by. I say to myself, "What an incredible guy." To have a love like that must surely be a dream come true. Out of all the women in the world, he belongs to only you. But it was just my imagination runnin' away with me. It was just my imagination runnin' away with me. Soon we'll be married and raise a family. A cozy little home out in the country with two kids or three. I tell you, I can visualize it all. This couldn't be a dream How real it all seems. Ohh, but it was just my imagination, once again runnin' away with me. Tell you it was just my imagination runnin' away with me. Every night on my knees I pray: Dear Lord, hear my plea. Don't ever let another take his love from me or I will surely, surely die. His love is heavenly. When his arms enfold me I hear a tender rhapsody. But in reality he doesn't even know me. Once again runnin' away with me. Ohh, just my imagination runnin' away with me. It was just my imagination runnin' away with me. It was just my imagination running away with me. Just my imagination runnin' away with me . . . |
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4:48 |
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from Bette Midler - Bette (2000)
Oooooh
Oooooh Lookin' back over my years I guess I've shed some tears. Told myself time and again this time I'm gonna win. But another fight. Things ain't right. I'm losing again. It takes a fool to lose twice and start all over again. I think I better let him go. 'cause it looks like another love TKO. Let it go, baby. I think I better let him go. 'cause it looks like another love TKO. Ohh, yeah. I tried to take control of the love. He took control of me. See you lose all thought and sense of time. You have a change of mind. Takin' the bumps and the bruises and all the pain of a two-time lose. And I try to hold on. My faith is gone. It's just another sad song. So I think I gotta gotta let it go I gotta let him go. let it go, baby. 'cause it looks like another love TKO. Oh, yes it does, yes it does. I think I gotta gotta let it go Mmmmmmm. let it go, baby. 'cause it looks like another love TKO. Boy, whatcha want me to do? Can't stand up to you. No no no no. I try to take control of the love. It took control of me. See you lose all thought and sense of time. You have a change of mind. Taking the bumps and the bruises and all the pain of a two-time lose. Then I try to hold on. My faith is gone. It's just another sad song. I think I better better let it go I better let him go. let it go, baby. 'cause it looks like another love TKO. Yeah, I better better let it go I gotta let him go. let it go, Miss M. Another love, love TKO. Ooohhhh, boy you got me turned around and around and around. Around and around. Everybody's got to cry sometime. That's what they say. I heard them say. Everybody's gonna cry sometime. Mama says that they did, that they did. Iiiiiiiiiiiiiiiiiii . . . |
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4:32 |
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from Bette Midler - Bette (2000)
Diamonds, roses, I need Moses
to cross this sea of lonliness, part this red river of pain. I don't necessarily buy any key to the future or hapiness but I need a little place in the sun sometimes or I think I'll die. And everywhere is somewhere but nowhere is near. Everybody's got somebody with their wine and their beer. But I'm a tragic figure in the corner over here with an empty apartment and a best friend who is queer. Heh. Every time I see him he smiles and tells me how well he's walking these miles. But he never ever asks a single thing about me. If I died he'd hear about it eventually. Diamonds, roses, I need Moses to cross this sea of lonliness, part this red river of pain. Ohhh. 'Cause everywhere is somewhere and nowhere is near. Everybody's got somebody with their wine and their beer. And I'm a tragic figure in the corner over here with my bills in the mailbox and some checks that won't clear this year. Everywhere is somewhere and nowhere is near. Everybody's got somebody with their wine and their beer. So I'm just a tragic figure in the corner over here who'll sleep it off 'til morning and still not know that we're, we're all just diamonds and roses. I need Moses to cross this sea of loneliness, part this red river of pain. To cross this sea of loneliness, part this red river of pain. To cross this sea of loneliness, part this red river of pain. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly. Ly ly ly ly ly ly ly ly ly, ly ly ly, ly ly ly. Ly ly ly, ly ly ly, ly ly ly |
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2:54 |
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from Bette Midler - Bette (2000)
Who loves me even though I crazy
And nothing that I say is true Who won my heart and soul forever It is nobody else but Nobody else but Each time I fell I'm out to pasture Who always makes me feel brand new I'm pledging my allegiance baby to Nobody else but Nobody else but (Bridge) Look at me Laughing out loud Trying to remember All the jokes that you taught me When you see The light in my eyes It's only a reflection Of the joy that you brought me How did I get to be so happy I"ll wonder that my whole like through I thank my lucky star for sending me Nobody else but Nobody else but Nobody else but You La, la, la, la, you La, la, la, la La, la, la, la, la La, la, la, la La, la, la, la, la Wo-o-oh (Repeat Bridge) I always thought I had an angel A voice that told me what to do But now that angel's on my shoulder It's nobody else but Nobody else but Nobody else but You La, la, la, la, you La, la, la, la La, la, la, la, la |
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4:50 |
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from Bette Midler - Bette (2000)
Honey, you are my shining star.
Don't you go away. I wanna be right here where you are until my dying day. Yes I do. So many have tried, tried to find a love like yours and mine. Ohhh-whoa. But don't they realize how you hypnotize? Make me love you more each time. Ohhh-whoa. Honey, I'll never leave you lonely, yeah. Give my love to you only, yeah. To you only, to you only. Oh honey, you are my shining star. Don't you go away. Yeah, I wanna be right here where you are until my dying day. Yeah. It feels so good when we're lying next to each other, lost in love, lost in love, drifting along on a cloud of love. Ooh, baby when we touch I love you so much. You're all I ever dreamed of. Ohhh-whoa. Hone, I'll never leave you lonely, yeah. Mmm, give my love to you only, yeah. To you only, to you only. Oh honey, you, you are, you are my shining star. Don't you go away, no. I wanna be right here where you are until my dying day. Mmmm. It feels so good, it feels so good when we're lying here lost in love, lost in love, lost in love, lost in love. Oh baby, when we touch I love you so much. You, you're all I ever dreamed of. In spite of all we know, how little we know. In spite of all they say, how little we see. I only know, you and me together forever. You are my shining star, mmm, yes you are. Shine on, shine on. Keep on shining on. Shine on, shine on. Keep on shining on . . . |
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3:08 |
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from Bette Midler - Bette (2000)
That's how heartaches are made.
That's how heartaches are made. They told me I was such a fool to love you. They said that you're the kind who'd never be true. Pretty soon the day would come when I'd be the sorry one. But I said that I'm not afraid. Well, that's how heartaches are made. That's how heartaches are made. I went ahead and my heart opened the door. I gave you so much love. No one could love more. You pretended to be mine. How could you be so unkind, with all the other girls you play? Well, that's how heartaches are made. That's how heartaches are made. Woah-oh-oh, that's how heartaches are made. That's how heartaches are made. I know you're not sincere and you'll never be. But still I want those kisses so desperately. I could never let you go, baby even though I know every rule in love you disobeyed. Well, that's how heartaches are made. That's how heartaches are made. That's how heartaches are made. That's how heartaches are made. That's how heartaches are made . . . |
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3:55 |
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from Bette Midler - Bette (2000)
Always remember my friend,
the world will change again. And you may have to come back through everywhere you've been. When your life was low, you had nowhere to go. People turned their backs on you, and everybody said that you were through. I took you in, made you strong again put you back together. Out of all the dreams you left along the way, you left me shining. Now you're doing well from stories I hear tell. You own the world again. Everyone's your friend. Although I never hear from you, still it's nice to know you used to love me so, when your life was low. I took you in. I made you strong again. I put you back together. Out of all the dreams you left along the way, you left me shining Now you're doing well from stories I hear tell. You own the world again. Everyone's your friend. Although I never hear from you, still it's nice to know you used to love me so, you used to love me so, when your life was low. But always remember my friend, the world will change again. And you may have to come back through everywhere you've been. The world will change again. |
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4:56 |
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from Sex And The City (섹스 앤 더 시티) [omnibus, ost] (2000)
Oooooh Oooooh Lookin' back over my years I guess I've shed some tears. I told myself time and time again this time I'm gonna win. But another fight. Things ain't right. I guess some is losing again. It takes a fool to lose twice and start all over again. I think I better let him go. It looks like another love TKO. Let it go, baby. I think I better let him go. It looks like another love TKO. Ohh, yeah. I tried to take control of the love. He took control of me. Cauz you lose all thought and sense of time. You have a change of mind. Takin' the bumps and the bruises and all the pain of a two-time lose. And I try to hold on. My faith is gone. It's just another sad song So I think I gotta gotta let it go I gotta let him go. let it go, baby. Cuz it looks like another love TKO. Oh, yes it does, yes it does. I think I gotta gotta let it go Mmmmmmm. let it go, baby. Cuz it looks like another love TKO. Boy, whatcha want me to do? Can't stand up to you. No no no no. I try to take control of the love. It took control of me. See you lose all thought and sense of time. You have a change of mind. Taking the bumps and the bruises and all the pain of a two-time lose. Then I try to hold on. My faith is gone. It's just another sad song. I think I better better let it go I better let him go. let it go, baby. Cuz it looks like another love TKO. Yeah, I better better let it go I gotta let him go. let it go, Miss M. Another love, love TKO. Ooohhhh, boy you got me turned around and around and around. Aroun
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3:51 |
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from Bette Midler - Bathhouse Betty (1998)
Mmmmmm, you talk about you and only you
and the things that you do for you. You say you're not a lean cuisine. So I wanna see whatcha got on the menu. Now, if you think you're the man the only man with an exterior you feel is superior, just give Miss B a little peek and see if you really can deliver. Your tendencies are short, my expectations are long. And as I see it now, there's not much to go on. It seems you dug a hole that you can't crawl out. Now I truly see what you're all about. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. Let's just say that there's something lackin'. A flea shouldn't have the nerve to be braggin'. So pack up your little gift and get to steppin'. Return it back and put it in the kiddie section. Full figured in a place that can deliver? Ha ha, not from what I've seen. I can't trace what's below your waist. There's too much space to be inside those jeans. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. Bye bye, baby, bye bye. It's time to wave the white flag now that the kitten has been let out the bag. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. Don't brag about the diamond rings or the expensive clothes you wear, 'cause I could care less for what you possess and your attitude needs repair. Don't brag about your body, baby, and say that you're packin' a lot, 'cause all I see besides your big feet is that you got big socks. |
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4:27 |
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from Bette Midler - Bathhouse Betty (1998)
Howard, the strangest things
have happened lately when I take a good swing and all my dreams they pivot and slip. I drop my fists and they're back, laughing. Howard, my intentions become not to lose what I've won. Ambition has given way to desperation and I, I've lost the fight from my eyes. Boxing's been good to me, Howard. Now I'm told, "You're growing old." The whole time we knew a couple of years I'd be through. Has boxing been good to you? Howard, now I confess I'm scared and lonely and tired. Everyone says I'm made of clay, that I've had my day, that I'm not cut out for this. I just know what to say. And I say, boxing's been good to me, Howard. Now I'm told, "You're growing old." The whole time we knew a couple of years I'd be through. Has boxing been good to you? Well, sometimes I punch myself hard as I can. Yelling, "nobody cares!" hoping someone will tell me how wrong I am, Howard. Boxing's been good to me, Howard. Now I'm told, "You're growing old." The whole time we knew a couple of years I'd be through. Has boxing been good, has boxing been good, has boxing been good? |
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3:11 |
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from Bette Midler - Bathhouse Betty (1998)
I gave my heart to you, the one I trusted.
You brought it back to me all battered and busted. So I sold it to the junkman and I will never ever fall in love again. You know, I gave my heart to you. Ya, you swore you'd use it, but like a little boy you battered and you bruised it. So I sold it a-to the junkman and I will never ever fall in love again. Like a melodrama, in a simple manner love played the leading part. We planned a happy ending, oh, but now I am left with a broken heart! I've thrown away my pride, said, "Baby, let's be friends." Tear drops I cannot stop. 쟏h ah! You know it's the ending, 'cause I sold it to the junkman and I will never never fall in love again. Like a melodrama, in a simple manner love played the leading part Oh, we planned a happy ending, oh, but now I am left with a broken heart! I throw away my pride, say, "Hey, let's be friends, dear." Tear drops I cannot stop. Ya know, it is the ending, 'cause i sold it to the junkman and I will never never never never never never never never fall in love never never never fall in love never never never never never never fall in love a-a-a-a-gain. never never never fall in love oh my god! |
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3:57 |
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from Bette Midler - Bathhouse Betty (1998)
"That's it, baby! When you got it, flaunt it, flaunt it!"
"This is the Divine Miss M and I'm here to share with you some rare and stimulating insight into my cosmic fabulosity. It's really very simple. I smiply believe with all my heart" I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, so beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! "Go away, little girl," they used to say. "Hey, you're too fat, baby, you can't play." "Hold on, miss thing, what you trying to do? You know you're too wack to be in our school." Too wack, too smart, too fast, too fine, too loud, too tough, too too divine. I said you don't belong. You don't belong. Too loud, too big, too much to bear, too bold, too brash, too prone to swear. I heard that song for much too long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, I'm beautiful, I'm beautiful, dammit! I'm beautiful, I'm beautiful, I'm beautiful, dammit! It's time to call it what it is. Don't play the naming game. Become what you were born to be and be it unashamed. "Go away, little boy," I can hear them say, "Everybody on the block says they think you're gay. Hold on, my friend, do you think we're blind? Take a look at yourself. You're not our kind." Too black, too white, too short, too tall, too big, too green, too red, too small. I said you don't belong. You don't belong. Too black, too white, too short, too tall, too blue, too green, too red, too small. I heard that song for much to long. Ain't this my sun? Ain't this my moon? Ain't this my world to be who I choose? Ain't this my song? Ain't this my movie? Ain't this my world? I know I can do it. People always ask me, "Miss M, how did you get so far on so little?" Shut up! Well, I woke up one morning, flossed my teeth and decided, "Damn, I'm fierce!" You look good! You can be just like me! A goddess? Yeah! Don't just pussy foot around and sit on your assets. Unleash your ferocity upon an unsuspecting world. Rise up and repeat after me: "I'm beautiful!" I'm beautiful, I'm beautiful, I'm beautiful! Can you say that? I'm beautiful, I'm beautiful, I'm beautiful! I don't hear you! I'm beautiful, I'm beautiful, I'm beautiful! Louder! I'm beautiful, I'm beautiful, I'm beautiful! Hey! That's it, baby, when you got it, flaunt it, flaunt it! Aaaaaah! Ain't this my sun? My sun! Ain't this my moon? My moon! Ain't this my world to be who I choose? Ain't this our song? Ain't this our song? Ain't this our movie? Ain't this our movie? Ain't this our world to be who we choose? I'm not too short, I'm not too tall, I'm not too big, I'm not too small. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm not too white, I'm not too black, I'm not too this, I'm not too that. Ooh, don't lemme start lovin' myself! Ooh, don't lemme start lovin' myself! I'm beautiful, dammit! |
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2:44 |
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from Bette Midler - Bathhouse Betty (1998)
"Oh man, do you believe that chick?
She has got no idea what's happening, no idea. I am the one who's plugged in around here. That's why they call me The High Priestess of Cool! Ha ha! See, I'm hip. I'm no square. I'm alert, I'm awake, I'm aware. I am always on the scene. Makin' the rounds, diggin' the sounds. I read People Magazine. 'Cuz I'm hip. Like, dig! I'm in step. When it was hip to be hep, I was hep. I don't blow but I'm a fan. Look at me swing. Ring a ding ding. I even call my girlfriend "man," 'cuz I'm hip. Every Saturday night with my suit buttoned tight and my suedes on I'm gettin' my kicks diggin' arty French flicks with my shades on. I'm too much. I'm a gas. I am anything but middle class. When I hang around the band, poppin' my thumbs, diggin' the drums, sqaures don't seem to understand why I flip. They're not hip like I'm hip. scatting I'm hip! scatting I'm on top of every trend. Look at me go. Vo-dee-o-do. Sammy Davis knew my friend. I'm hip, but not weird. Like, you notice, I don't wear a beard. Beards were in but now they're out. They had they're day. Now they're pass? Just ask me if you're in doubt, 'cuz I'm hip. Now I'm deep into Zen meditation and macrobiotics, and as soon as I can I intend to get into narcotics. 'Cuz I'm cool as a cuke. I'm a cat, I'm a card, I'm a kook, kook, kook. I get so much out of life. Really, I do. Skoo ba dee boo. One more time play "Mack the Knife." Let 'er rip. I may flip, but I'm hip. scatting |
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3:54 |
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from Bette Midler - Bathhouse Betty (1998)
Live at Five and CNN
keep us all abreast of breaking stories that can tend to make us anxious and depressed. Problems with no answers hang on like some chronic cough. And every day some brand new issue rears it's head to piss you off. Bad guys win. Optimism's wearing thin. Things are spinning out of control. Cynicism's all the fad. World events could make us mad as hatters. Almost every day some underpinning slips away. These aren't laughing matters. Time bombs tick. People keep on getting sick. And a nickel's not worth a cent. Wickedness and greed abound. Just as peace is gaining ground it shatters. Hate is here to stay, and justice goes to those who pay. Friend, these aren't laughing matters. The truth is scarier by far than anything that Stephen King could write. The stories in the paper are the daily small decline and fall spelled out in black and white. Oh, what to do, what to do? how to take a brighter view when your noodle's totally fried. Human spirits need to be leavened by a little levity. So take those blues and bounce them off the wall. Keep your humor please, 'cause don't you know it times like these that laughing matters most of all. |
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5:10 |
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from Bette Midler - Bathhouse Betty (1998)
I know that I'm no saint.
My head is in the clouds. They called you a mistake, but I still, I still say your name out loud. They called me a stupid girl, just like my mom. Too many men passed through my arms. At seventeen I looked into your eyes, knew I could never comfort your cries. Every April still reminds me of you. The child I never knew. My lullaby in blue. It all goes by so fast. How lovely you must be. Why you've reached the age at last that I was when your daddy lived with me. How I wish we could meet somewhere, talk it through. There is so much I would say to you. There are others, I'm not alone. A younger brother you've never known, and a baby girl who so reminds me of you. The child I never knew. My lullaby in blue. As the years go by, try not to think of us sadly. Believe it if you can, I wanna see you so badly. On your birthday, Mama's thinking of you. The child I never knew. My lullaby in blue. My lullaby in blue. My lullaby . . . |
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3:50 |
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from Bette Midler - Bathhouse Betty (1998)
And now, is it too late to say
How you made my life so different in your quiet way? I can see the joy in simple things, a sunlit sky and all the songs we used to sing. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. For all, all the times you closed your eyes, allowing me to stumble or to be surprised, by life, with all it's twists and turns. I made mistakes, you always knew that I would learn. And when I left, it's you who stayed. You always knew that I'd come home again. In the end, you are my one true friend. Though love may break, it never dies. It changes shape, through changing eyes. What I denied, I now can see. You always were the light inside of me. I know, I know, I know, I know it was you. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. My one true friend. I always, always knew, I always knew that it was you, my one true friend. |
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from Bette Midler - Bathhouse Betty (1998)
And now, is it too late to say
How you made my life so different in your quiet way? I can see the joy in simple things, a sunlit sky and all the songs we used to sing. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. For all, all the times you closed your eyes, allowing me to stumble or to be surprised, by life, with all it's twists and turns. I made mistakes, you always knew that I would learn. And when I left, it's you who stayed. You always knew that I'd come home again. In the end, you are my one true friend. Though love may break, it never dies. It changes shape, through changing eyes. What I denied, I now can see. You always were the light inside of me. I know, I know, I know, I know it was you. I have walked and I have I prayed. I could forgive and we could start again. In the end, you are my one true friend. My one true friend. I always, always knew, I always knew that it was you, my one true friend. |
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2:46 |
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from Bette Midler - Bathhouse Betty (1998)
My baby jumped up this morning,
'n' sat on the side of the bed. He said, "I'm leaving you, baby." And this is just what I said. I said, "I can't make you stay if you want to go, but it's high time, baby, that you should know, one monkey don't stop no show. One monkey don't stop no show. So, if you still wanna go, go ahead." And I mean every word I said. My baby thought I was jivin' and he went right out the door. He left me about three in the morning. I got me a man at four. Some women cry when their men bleed 'em dry, long and slow, but I found out somethin' a long time ago. One monkey don't stop no show. One monkey don't stop no show. So if he gets too big for his pants you better spring that new one and give him a chance. I used to be chicken hearted; cry when he'd walk out the door, 'cause I was just young and stupid. Ha! Ain't like that no more. 'Cause I had a hard way to go, but I learned the score. And I'm here to tell you, and I should know, one monkey don't stop no show. One monkey don't stop no show. Let him do anything he choose. There's a million men who can fill his shoes. One monkey don't stop no show. One monkey don't stop no show. One monkey don't stop no show. You can tell him I told you so. "All right." |
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3:46 |
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from Bette Midler - Bathhouse Betty (1998)
There was a child named Bernadette.
I heard the story long ago. She saw the queen of heaven once and kept the vision in her soul. No one beleived what she had seen. No one beleived what she heard, that there were sorrows to be healed and mercy, mercy in this world. So many hearts I find broke like yours and mine, torn by what we've done and can't undo. I just wanna hold you. Come on, let me hold you like Bernadette would do. We've been around, we fall, we fly. We mostly fall, we mostly run. And every now and then we try to mend the damage that we've done. Tonight, tonight I just can't rest. I've got this joy here, here inside my breast. To think that I did not forget that child, that song of Bernadette. So many hearts I find, hearts like yours and mine, torn by what we've done and can't undo. Well, I just wanna hold you. Come on, let me hold you like Bernadette would do. I just wanna hold you. Won't you let me hold you like Bernadette would do? |
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3:55 |
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from Bette Midler - Bathhouse Betty (1998)
Oooooh. Oooh-hoooh.
Ooooo-hoooh. It's such a mystery how he found something in me that I never knew was there. He uncovered it so easily. He turned me like a season and I began to change. He wrapped himself all around me, now I'll never be the same. That's how love works. That's how love moves. Like a river running through you. Sometimes it lifts you as high as Heaven. It consumes you, that's a given. That's how love moves. Ohh, that's how love moves. I've seen walls that could never be broken come a-tumblin' down, oh yes I have. I've heard the voice of love calling without making a sound. See, I was touched by an angel the day he took my hand. I know that he's the miracle that makes me eveything I am. That's how love works. That's how love moves. Like a river running through you. Sometimes it lifts you as high as Heaven. It consumes you, that's a given. That's how love moves. Ohh, that's how love moves. Woah, love. Sometimes it's a whisper, oh, sometimes it's a storm, sometimes it reaches forever with it's everlasting arms. That's how love works. That's how love moves. Like a river running through you. Sometimes it lifts you high as Heaven. It consumes you, yeah, that's a given. Ohhhhhhh! That's how love works. That's how love moves. Like a river, yeah, like a river running through you, running through your heart and soul. Sometimes it lifts you as high as Heaven. Heaven! It consumes you, that's a given. That's how love works. That's how love works. That's how love moves. That's how love moves. Like a river running through you. Like a river running through your heart and soul. Sometimes it lifts you as high as Heaven. Heaven! It consumes you, that's a given. That's how love moves. That's how love moves. That's how love moves. That's how love moves. That's how, that's how, that's how. That's how love moves. That's how love moves. |
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3:34 |
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from Bette Midler - Bathhouse Betty (1998)
A do-dooooo. A do-dooooo.
I saw the splendor of the moonlight on Honolulu Bay. There's something tender in the moonlight on Honolulu Bay. And all the beaches are full of peaches who bring their ukes along. And in the glimmer of the moonlight they love to sing this song. If you like a ukulele lady, ukulele lady like a you. If you want to linger where it's shady, ukulele lady linger too. If you kiss a ukulele lady while you promise ever to be true, and she see another ukulele lady fool around with you. Maybe she'll sigh, maybe she'll cry, Maybe she'll find somebody else by and by-y-y to sing to when it's cool and shady, where the tricky wicky wackies woo woo woo. If you like a ukulele lady, ukulele lady like a you. Someday I'm goin' where eyes are glowin' and lips were made to kiss, to see somebody in the moonlight and hear the songs I missed. If you like a ukulele lady, ukulele lady like a you, you, you. If you want to linger where it's shady, ukulele lady linger too. If you kiss a ukulele lady while you promise ever to be true true, true, and she see another ukulele lady fool around with you. Well, maybe she will sigh, maybe she will cry, aah, but maybe she will find somebody else by and by-y-y to sing to when it's cool and shady, where the tricky wicky wackies woo woo woo. If you like a ukulele lady, ukulele lady like a you like a me like I like a you we like a both the same. I'd like to say this very day ukulele lady like a you-ooo-oooo. laughing |
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from Bette Midler - The Divine Miss M (1998)
I'm just a woman, a lonely woman
waiting on the weary shore I'm just a woman, who's only human one you should feel sorry for Well I woke up this morning along about dawn Without a warning I found that he was gone Why did he do it? How could he do it? He never done it before Am I blue? Am I blue? Aint these tears in these eyes telling you? Oh, am I blue? Well I bet you would be too if each plan with your man done fell through There was a time I was his only one But now I'm the second lonely one Was I gay? till today? but now that man is gone he's gone, and we are through Am I blue? There was a time I was his only one But now, right now now now I'm the second lonely one Oh god I'm lonely but I remember oh I remember when I was gay that was up until today but now that man is gone he's gone and we are through Oh am I, am I.... Well, would you believe it if I told you... I'm blue |
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2:19 |
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from Bette Midler - The Divine Miss M (1998)
He was a famous trumpet man from out Chicago way.
He had a boogie style that no one else could play. He was the top man at his craft, but then his number came up and he was gone with the draft. He's in the army now. He's blowin' reveille. He's the boogie woogie bugle boy of company B. They made him blow a bugle for his Uncle Sam. It really brought him down because he could not jam. The captain seemed to understand, because the next day the cap' went out and drafted the band. And now the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. A root, a toot, a toodlie-a-da-toot. He blows it eight to the bar in boogie rhythm. He can't blow a note unless a bass and guitar is playin' with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He was some boogie woogie bugle boy of company B. And when he played his boogie woogie bugle he was busy as a busy bee. And when he played he made the company jump eight to the bar. He's the boogie woogie bugle boy of company B. Andata toodliata-toodliata toot toot he blows it eight to the bar. He can't blow a note if a bass and guitar isn't with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He puts the boys to sleep with boogie every night, and wakes 'em up the same way in the early bright. They clap their hands and stamp their feet, 'cause they know how it goes when someone gives him a beat. Woah, woah, he wakes 'em up when he plays reveille. The boogie woogie bugle boy of company B. A root, a toot, a toodli-a-da to toot toot toot he's blowin' eight to the bar. Yeah, he can't blow a note if a bass and guitar isn't, woah, with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. |
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2:54 |
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from Bette Midler - The Divine Miss M (1998)
Spring is here and the sky is so very blue.
Whoa-o-o-o, birds all sing as if they knew, today's the day we'll say, "I do," and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. Bells will ring and the sun is gonna shine. Yeah, yeah, yeah, I'm gonna be his, he's gonna be mine. We're gonna love until the end of time, and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. One more time around, oh. Goin' to the chapel and we're, oh, gonna get married, goin', goin' to the chapel, baby; we're gonna get married, married, oh, gee, I really love you, c'mon baby, we're gonna get married, married, goin' to the chapel of love. Oooh, a one more time, we're goin' to the chapel of love. C'mon, c'mon and let me hear it, goin' to the chapel of love, love, love. shooby doo-whop, wa da Bette: "That is the pits ending to a really terrific song!" Man: "That is the worst ending I've ever heard!" |
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from Bette Midler - The Divine Miss M (1998)
Daytime Husler, you're out of line.
Don't ya try to change my mind! Don't you try. You see, I ain't no fool. No, I can tell, oh, baby, you ain't my kind! My kind! I'm in love with a down home man. Simple lovin' I can understand. I've been hustled by the best of them, and you ain't nothing but a crazy man. Hustler. Oh, daytime hustler, you better look away. Because I won't play your game no more. No, no more, no. You spend all of your money on those other women who are blind enough to buy your shame. All your shame, oh, oh, oh. Fancy money doesn't buy me love! Flashy Cadillacs won't make me f-ck! I been hustled by the best of them, and you ain't nothing but a crazy man. Hustler, hustler, hustler, hustler, ooh, hustler, hustler, baby, oh! Whoa! Daytime Hustler! Ooh, what did you say? I say you're a jive, jive dude. Yes, I do. Yes, I do. you just don't, you just don't, ya just don't know that you are really, you're really not too cool. And I believe your mind is slow. Oh, oh, oh. I'm in love with a down home man. Simple lovin' I can understand. I've been hustled by the best of them, and you ain't nothing but a crazy, crazy man. Hustler, hustler, hustler, hustler, hustler, hustler, hustler baby. Oh, hustler. Oh, hustler. Oh, hustler. Hustler baby . . . |
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from Bette Midler - The Divine Miss M (1998)
She was forty-one and her daddy still called her baby.
Everyone in Brownsville thinks she's crazy, 'cause she walks to the station with a suitcase in her hand. And she's looking for a mysterious dark-haired man. In her younger days they called her Delta Dawn. Prettiest woman you ever laid eyes on. But a man of low degree stood by her side, and he promised he would take her for his bride. Delta Dawn, what's that flower you have on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you here today to take you to his mansion in the sky? Delta Dawn, what's that flower you got on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you here today to take you to his mansion in the sky? Delta Dawn, what's that flower you got on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you right here today? He's gonna take you to his mansion in the sky. Delta Dawn, oh, what is that flower that you've got on? Could it be, could it be just a faded rose from one of those days gone by? Well, did I hear you say that he was gonna meet you right here, right here today? He's gonna take you to his mansion in the sky. To take you to his mansion in the sky. He's gonna take you, he's gonna take you. Oh, he's gonna take you and you and you and you. Oh, gonna take you, take you to that mansion. He's got to, gonna take you to that mansion. He's gonna take you and you and you and you, oh, you and you and you. Take you to his mansion in the sky. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh! Gonna take you. Oh, oh. He's gonna take you, gonna take you, he's gonna, he's gonna take you to that mansion, he's gonna take you and you and you, oh . . . |
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2:44 |
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from Bette Midler - The Divine Miss M (1998)
Do you wanna dance, and hold my hand?
Tell me you're my lover man. Oh baby, do you wanna dance? We could dance under the moonlight, hug and kiss all through the night. Oh baby, tell me, do you wanna dance with me baby? Do you, do you, do you, do you want to dance? Do you, do you, do you want to dance? Do you, do you, do you, do you want to dance with me baby? Ah, that's right, ah, ah, aaaaaaaah. Do you want to dance under the moonlight? Hug me, kiss me, baby, all through the night. Oh baby, baby, baby, baby, baby, baby, tell me, do you want to dance? Oh, do you, do you, do you, do you want to dance? Do you want to dance? Do you, do you, do you, do you want to dance with me baby? You got to dance with me baby. Please dance with me baby additional lyrics from the quadrophonic version Tonight you, you got to dance with me baby. Please, please, please dance with me baby. Please, please, please, please dance with me baby. Please, you got to |
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from Bette Midler - The Divine Miss M (1998)
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends |
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2:55 |
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from Bette Midler - The Divine Miss M (1998)
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends |
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from Bette Midler - The Divine Miss M (1998)
We had an aprtment in the city
Me and my husband liked living there it's been years since the kids have grown A life of their own left us alone John and Linda live in Omaha Joe is somewhere on the road We lost Davie in the korean War I still don't know what for Don't matter anymore You know that old trees just grwo stronger and old rivers grwo wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello Me and my husband we don't talk much anymore He sits and stares through the backdoor screen And all the news just repeats itself Like some gorgotten dream that we've both seen Someday I'll go and call up Judy We worked together at the factory Ah, but what would I say When she asks what's new Say "Nothing what 's with you?" Nothing much to do You know that old trees just grow stronger And old rivers grow wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello So if you're walking down the street sometime And you should spot some hollow ancient eye Don't you pass htem by and stare As if you didn't care say "Hello in there!" Hello |
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from Bette Midler - The Divine Miss M (1998)
"Hey, Betty? Is that Jimmy's ring you're wearing?"
"Uh huh." "Oh! Must be nice riding on that motorcycle after school, huh?" "Uh huh." "Is he picking you up after school today?" "Unh uh!" "Well, where'd ya meet him?" I met him at the candy store. He turned around and smiled at me. Ya get the picture? (Yes, we see) That's when I fell for the leader of the pack. My folks were always puttin' him down. Down! Down! They said he came from the wrong side of town. They told me that he was bad, but I knew that he was sad. And thats why I fell for the leader of the pack. One day my dad said, "Find someone new." New! New! I had to tell my Jimmy that, whoa, we were through. He stood up and then he asked me why. But all I could do was cry. I'm sorry I hurt you, the leader of the pack. He sort of smiled and he kissed me goodbye. The tears were beginning to show. And as he drove away from me on that rainy, rainy night, I begged him to go slow. But whether he heard me I'll never, never, never, never know! Look out now, now, look out! Whoa oh no no no! Whoa no no no! No! No! I felt so helpless! What could I do-wo-wo-wo-wo? The only, only love that we had was through. At school they all stop and stare. I can't hide the tears. I just don't care! I will never forget you, the leader of the pack! Whoa-oo-woh! Gone gone gone! Gone gone gone! The leader of the pack is, now he's gone! The leader of the pack is, now he's gone! The leader of the pack is, whoa gone! Gone gone gone! Gone gone gone! Gone gone gone! |
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from Bette Midler - The Divine Miss M (1998)
to moonn6pence from shootingstar(papayeverte)
Long ago 오래 전 And oh so far away 그리고 아, 너무나 멀리 떨어져서 I fell in love with you 난 당신과 사랑에 빠졌어요 Before the second show 두 번째 쇼와 당신의 기타 연주 And your guitar 이전부터.... And you sound so sweet and clear 당신의 목소리는 너무나 달콤하고 깨끗해요 But you′re not really here 하지만 당신은 지금 여기에 없어요 It′s just the radio 라디오에서 흘러나오는 것뿐이죠 Don′t you remember 기억나지 않아요? you told me you love me baby 날 사랑한다고 했잖아요 You said you′d be coming back 이렇게 다시 돌아온다고 this way again babe 했잖아요 Baby, baby, baby, baby ohoooooooo baby I love you 당신을 사랑해요 I really do 정말로 사랑해요 Loneliness, is such a sad affair 외로움, 이는 서글픈 거예요 Sad affair 서글픈 거예요 And I can′t hardly wait 당신을 기다림에 to be with you again 더 이상 견딜 수 없어요 But what to say, to say 당신을 다시 돌아오게 하기 위해 to make you come again 무슨 말을 어떻게 해야 하나요 Ohhh honey 오 나의 사랑 Come on back to me again 다시 내게 돌아와요 I wanna be, I wanna be 당신이 어디에 있든 anywhere you are ohhhh 당신 곁에 있고 싶어요, 곁에 있고 싶어요 Don′t you remember 기억나지 않아요? you told me you love me baby 날 사랑한다고 했잖아요 베이비 You said you′d be coming back 이렇게 다시 돌아온다고 this way again babe 했잖아요 Baby, baby, baby, baby ohoooooooo baby I love you oh babe 당신을 사랑해요. Don′t you remember 기억나지 않아요? you told me you love me baby 날 사랑한다고 했잖아요 베이비 You said you′d be coming back 이렇게 다시 돌아온다고 this way again babe 했잖아요 Baby, baby, baby, baby ohoooooooo baby I love you 당신을 사랑해요 I really do 정말로 사랑해요 |
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2:32 |
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from The First Wives Club (조강지처클럽) by Marc Shaiman [ost] (1996)
You don't own me
I'm not just one of your many toys You don't own me Don't say I can't go with other boys Don't tell me what to do Don't tell me what to say An' please, when I go out with you Don't put me on display You don't own me Don't try to change me in anyway You don't own me Don't tie me down 'cause I'll never stay I don't tell you what to say I don't tell you what to do So just let me be myself That's all I ask of you I'm young and I love to be young I'm free and I love to be free To live my life the way I want To say and do whatever I please |
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3:26 |
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from Bette Midler - The Rose (1995)
You know, you know sometimes, sometimes people say to me, "Rose, when's the first time you ever heard the blues?" And u know what i tell 'em? "The day i was born." You know why? You know why? 'Coz i was born a woman.
Ah! Oh! We got some noisy females in the house tonight! I do like to hear that high-pitched sound, you know I do. Oh, being a woman is so interesting don't you find it? What are we ladies, what are we? We are waitresses at the banquet of life! Get into that kitchen and rattle them pots and pans... and you better look pretty god-damned good doing it too or else you gonna lose your good thang! Oh! And why do we dot that, why do we do that? I tell you why we do that, we do that to find looove. Oh, i love to be in love, don't you love to be in love? Ain't it just great to be in love? Oh, ain't it wonderful? Isn't it wonderful to be in love? Ain't it just grand laying there late at night in bed waiting for your man to show up? And when he finally does, round about four o'clock in the morning with whiskey on his breath and the smell of another woman on his person... Oh, honey I can smell another woman at five hundred paces! That's a easy one to catch! So what do you do when he comes home with the smell of another woman on him? Do you say, "Oh, honey, let me open up my loving arms and my loving legs! Dive right in, baby, the water's fine!" Is that what you say, girls?! Or do you say, "Pack your bags! I'm putting on my little waitress cap and my fancy high heel shoes. I'm gonna go find me a real man, a good man, a true man, a man to love me for sure." You know I tell you something, I tell u something: I tohught... at one time i actually thought i found myself one. I did, I thought I found myself one. When he... When he... |
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2:43 |
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from Bette Midler - The Rose (1995)
You know, you know sometimes, sometimes people say to me, "Rose, when's the first time you ever heard the blues?" And u know what i tell 'em? "The day i was born." You know why? You know why? 'Coz i was born a woman.
Ah! Oh! We got some noisy females in the house tonight! I do like to hear that high-pitched sound, you know I do. Oh, being a woman is so interesting don't you find it? What are we ladies, what are we? We are waitresses at the banquet of life! Get into that kitchen and rattle them pots and pans... and you better look pretty god-damned good doing it too or else you gonna lose your good thang! Oh! And why do we dot that, why do we do that? I tell you why we do that, we do that to find looove. Oh, i love to be in love, don't you love to be in love? Ain't it just great to be in love? Oh, ain't it wonderful? Isn't it wonderful to be in love? Ain't it just grand laying there late at night in bed waiting for your man to show up? And when he finally does, round about four o'clock in the morning with whiskey on his breath and the smell of another woman on his person... Oh, honey I can smell another woman at five hundred paces! That's a easy one to catch! So what do you do when he comes home with the smell of another woman on him? Do you say, "Oh, honey, let me open up my loving arms and my loving legs! Dive right in, baby, the water's fine!" Is that what you say, girls?! Or do you say, "Pack your bags! I'm putting on my little waitress cap and my fancy high heel shoes. I'm gonna go find me a real man, a good man, a true man, a man to love me for sure." You know I tell you something, I tell u something: I tohught... at one time i actually thought i found myself one. I did, I thought I found myself one. When he... When he... |
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from Bette Midler - The Rose (1995)
It's very good to be home...
It feels real good to be home... And, and, uh, and you're my family... Thank you for coming... I, uh, I didn't mean... I didn't mean to be late... uh... do you forgive me? Well, I... I forgive you, too. What are we waiting for boys? My boys? Stay with me, baby, come on... loud and whip. |
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1:23 |
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from Bette Midler - The Rose (1995)
It's very good to be home...
It feels real good to be home... And, and, uh, and you're my family... Thank you for coming... I, uh, I didn't mean... I didn't mean to be late... uh... do you forgive me? Well, I... I forgive you, too. What are we waiting for boys? My boys? Stay with me, baby, come on... loud and whip. |
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from Bette Midler - The Rose (1995)
You know I been thinkin'
Lord, about the hard sides of rock and roll. They say you can't make no money, oo, unless you're the Rolling Stones. I put a chip on my shoulder; gave me the fire in my in my blood. Children of the Earth, listen what I say. You made rock and roll what it is today. And no two-bit fascist is gonna shoot us down. So come on children, bring your guns to town. Shoot 'em down We can rock and roll all night long. And I wanna see you out there feelin' strong. And I wanna give you, oo, the shot you need. I'll be your doctor. You just call on me. Call on me, baby, baby. Call on me, call on me, baby. Keep on rockin'. Keep on rockin'. Keep on, rocn 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Children of the Earth, listen what I say. You made rock and roll what it is today. And no two-bit fascist is gonna shoot us down. So come on children, bring your guns, bring your guns to town. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Kepp on, rock 'n' roll gonna never die. |
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4:06 |
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from Bette Midler - The Rose (1995)
You know I been thinkin'
Lord, about the hard sides of rock and roll. They say you can't make no money, ooh, unless you're the Rolling Stones. That put a chip on my shoulder; gave me the fire in my in my blood. Children of the Earth, listen what I say. You made rock and roll what it is today. And no two-bit fascist is gonna shoot us down. So come on children, bring your guns to town. Shoot 'em down! We can rock and roll all night long. And I wanna see you out there feelin' strong. And I wanna give you, ooh, the shot you need. I'll be your doctor. You just call on me. Call on me, baby, baby. Call on me, call on me, baby. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Children of the Earth, listen what I say. You made rock and roll what it is today. And no two-bit fascist is gonna shoot us down. So come on children, bring your guns, bring your guns to town. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. Keep on rockin'. Keep on rockin'. Keep on, rock 'n' roll gonna never die. |
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from Bette Midler - The Rose (1995)
Let me call you Sweetheart
I'm in love with you Let me hear you whisper that you love me too Keep the lovelight glowing in your eyes so true Let me call you Sweetheart I'm in love with you Let me call you Sweetheart I'm in love with you Let me hear you whisper that you love me too Keep the lovelight glowing in your eyes so true Let me call you Sweetheart I'm in love with you - Beth Slater Whitson & Leo Friedman |
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1:36 |
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from Bette Midler - The Rose (1995)
Let me call you Sweetheart
I'm in love with you Let me hear you whisper that you love me too Keep the lovelight glowing in your eyes so true Let me call you Sweetheart I'm in love with you Let me call you Sweetheart I'm in love with you Let me hear you whisper that you love me too Keep the lovelight glowing in your eyes so true Let me call you Sweetheart I'm in love with you |
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from Bette Midler - The Rose (1995)
Man: "All right! She's gonna sing!"
Rose: "All right, we all turn to page 438. Now, you know we all gonna sing along. Oh, I do love a revue." Ohhhhhh You know, women don't like this woman, 'cause I always speak my mind. But the men ain't crazy about me, 'cause I love to take my time. If you're gonna love this woman, gotta love me with a thrill, 'cause, baby, if you don't, I gotta find a man who will. Love me with a feeling. You got to love me with a feelin'. You got to love me with a feelin', or you don't love me at all. You know, I'm the kind of woman, I don't want no halfway stuff. If you're gonna turn me loose, baby, be sure I had enough. You know, the cops once took me in, but I did not need the bail. I just shook it for the judge and he, he put that cop in jail. You got to love me with a feeling. You got to love me with a feelin'. You got to love me with a feelin', or you don't love me at all. "All right, Milledge, this one's for you." There was one cat who could not make it, and Milledge was his name. The only cat I ever knew who left before he came. There he's a-standing, drinkin' pop from a paper cup. But when it's time for gettin' down, Millitch can not get it up You gotta love me with a feelin'. Yeah, love, love me with a feelin'. You got to love me with a feelin', or you can't love me at all. "Oh, no, no. Wait. Oh, no. No, wait a minute. . . . I can't just walk out on my old friends, now can I?" |
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3:55 |
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from Bette Midler - The Rose (1995)
Man: "All right! She's gonna sing!"
Rose: "All right, we all turn to page 438. Now, you know we all gonna sing along. Oh, I do love a revue." Ohhhhhh! You know, women don't like this woman, 'cause I always speak my mind. But the men ain't crazy about me, 'cause I love to take my time. If you're gonna love this woman, gotta love me with a thrill, 'cause, baby, if you don't, I gotta find a man who will. Love me with a feeling. You got to love me with a feelin'. You got to love me with a feelin', or you don't love me at all. You know, I'm the kind of woman, I don't want no halfway stuff. If you're gonna turn me loose, baby, be sure I had enough. You know, the cops once took me in, but I did not need the bail. I just shook it for the judge and he, he put that cop in jail. You got to love me with a feeling. You got to love me with a feelin'. You got to love me with a feelin', or you don't love me at all. "All right, Milledge, this one's for you." There was one cat who could not make it, and Milledge was his name. The only cat I ever knew who left before he came. There he's a-standing, drinkin' pop from a paper cup. But when it's time for gettin' down, Millitch can not get it up! You gotta love me with a feelin'. Yeah, love, love me with a feelin'. You got to love me with a feelin', or you can't love me at all. "Oh, no, no. Wait. Oh, no. No, wait a minute. . . . I can't just walk out on my old friends, now can I?" |
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from Bette Midler - The Rose (1995)
It's midnight in Memphis
and all the boys are out tonight. Oh, midnight in Memphis, but my true love is not in sight. The neon's glowing, but I just don't see the light. I'm following my footsteps trying to find myself a friend. Oh, baby! Following my footsteps trying to see where they might end. I'm tryin' to break these blues, but I can't even get them to bend. Oh, midnight in Memphis. Well, ya take me away. Midnight in Memphis. It's a long, long time before the day. Burnin' out on Beale Street. Can you hear that engine roar? Yeah, yeah, yeah, yeah. Burnin' out on Beale Street. There's a girl in every door. Yeah, you know it don't matter what you got, they're asking me for more. Play it for me one time, boys. I heard the river risin', risin' up over my head. Yeah, heard the river risin', and this is what it said: "I don't need no live ones; I just take care of the dead." Oh, midnight in Memphis. Take me, take me away. Midnight in Memphis. It's a long, long time before the day. Whoa, oh, oh, oh, midnight in Memphis. Midnight in Memphis. Midnight in Memphis. It's a long, long time before the day, before the day. |
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3:43 |
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from Bette Midler - The Rose (1995)
It's midnight in Memphis
and all the boys are out tonight. Oh, midnight in Memphis, but my true love is not in sight. The neon's glowing, but I just don't see the light. I'm following my footsteps trying to find myself a friend. Oh, baby! Following my footsteps trying to see where they might end. I'm tryin' to break these blues, but I can't even get them to bend. Oh, midnight in Memphis. Well, ya take me away. Midnight in Memphis. It's a long, long time before the day. Burnin' out on Beale Street. Can you hear that engine roar? Yeah, yeah, yeah, yeah. Burnin' out on Beale Street. There's a girl in every door. Yeah, you know it don't matter what you got, they're asking me for more. Play it for me one time, boys. I heard the river risin', risin' up over my head. Yeah, heard the river risin', and this is what it said: "I don't need no live ones; I just take care of the dead." Oh, midnight in Memphis. Take me, take me away. Midnight in Memphis. It's a long, long time before the day. Whoa, oh, oh, oh, midnight in Memphis. Midnight in Memphis. Midnight in Memphis. It's a long, long time before the day, before the day. |
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from Bette Midler - The Rose (1995)
Drive me home silver eagle.
Drive me away from last night's news. Empty beds, crowds of people. Oh, come on, white girl, sing the blues. Warm mister, hold me like you love me. Why don't you make me feel real good for free? And if free don't mean for nothin', let's just say this one's on me, yeah You know I sold my soul to rock 'n' roll. I bought these devil chains. My baby wants me home. Can't refuse him. Sold my soul to rock 'n' roll. It's time to take that train. The one that goes from heaven straight to Houston, ho. Whoa, I need a short vacation, restin' in my baby's arms. But the road goes on forever, forever, forever. It keeps on going, but I'm gone, gone, gone. Sold my soul to rock 'n' roll. Bought these devil chains. Whoa, baby wants me home. Can't refuse him. I sold my soul to rock 'n' roll. It's time to take that train. The one that goes from heaven straight to Houston, ho. Did you like it? Was it good? Don't it make you want to cry-hi-hi? Did you like it? Oh! Am I good? Is it worth another try-y-y? Aaaaaaa!!! Sold my soul to rock 'n' roll. It's time to take that train. The one that goes from heaven straight to Houston, ho. The one that goes from heaven straight to Houston, ho. |
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3:41 |
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from Bette Midler - The Rose (1995)
Drive me home silver eagle.
Drive me away from last night's news. Empty beds, crowds of people. Oh, come on, white girl, sing the blues. Warm mister, hold me like you love me. Why don't you make me feel real good for free? And if free don't mean for nothin', let's just say this one's on me, yeah! You know I sold my soul to rock 'n' roll. I bought these devil chains. My baby wants me home. Can't refuse him. Sold my soul to rock 'n' roll. It's time to take that train. The one that goes from heaven straight to Houston, ho. Whoa, I need a short vacation, restin' in my baby's arms. But the road goes on forever, forever, forever. It keeps on going, but I'm gone, gone, gone. Sold my soul to rock 'n' roll. Bought these devil chains. Whoa, baby wants me home. Can't refuse him. I sold my soul to rock 'n' roll. It's time to take that train. The one that goes from heaven straight to Houston, ho. Did you like it? Was it good? Don't it make you want to cry-hi-hi? Did you like it? Oh! Am I good? Is it worth another try-y-y? AAAAAAA!!!! Sold my soul to rock 'n' roll. It's time to take that train. The one that goes from heaven straight to Houston, ho. The one that goes from heaven straight to Houston, ho. |
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from Bette Midler - The Rose (1995)
Where did you go when things went wrong, baby?
Who did you run to? Find a shoulder to lay your head upon. Baby, wasn't I there? Didn't I take good care of you? But, oh, no. I can't believe you're leaving me, yeah. Stay with me, baby. I'm beggin' you to stay with me, baby. Yeah, stay with me, baby. I can't go on. Who did you touch when you needed tenderness, baby? I gave you so much, and in return I found happiness. Baby, what could I do? Maybe I was too good, too good to you. Ohh, I can't believe you're leavin' me. Oh, oh, oh. Oh, stay with me, baby. Why don't you, why don't you just stay with me, baby? Yeah, stay with me, baby. Remember, you said you always gonna love me. Remember, you said you'd never ever leave me. Remember, remember, I'm asking you, begging you. Oh, oh, oh. Oh, stay with me, baby, baby, baby. Why don't you stay with me, baby? Stay with me, baby. I can't, I can't go, oh, on. "Well, I'm a young woman, and I could get plenty of men. But honey, keepin' 'em's the hard part, ain't it? Yeah. Sometimes, sometimes I find I try so hard." Maybe this time I should be the one to go away. 'Cause honey, ain't it my turn to have somebody grab hold of me and say, "No! Don't go! You can't go!" Oh! Stay, stay with me, baby. I'm begging you, stay with me. Stay with me, baby. I can't, I can't, I can't, I can't. Oh, yeah, yeah, yeah, stay with me, baby. Why don't you stay with me, baby? Stay with me, baby. I can't, I can't go on. |
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5:41 |
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from Bette Midler - The Rose (1995)
Where did you go when things went wrong, baby?
Who did you run to? Find a shoulder to lay your head upon. Baby, wasn't I there? Didn't I take good care of you? But, oh, no. I can't believe you're leaving me, yeah. Stay with me, baby. I'm beggin' you to stay with me, baby. Yeah, stay with me, baby. I can't go on. Who did you touch when you needed tenderness, baby? I gave you so much, and in return I found happiness. Baby, what could I do? Maybe I was too good, too good to you. Ohh, I can't believe you're leavin' me. Oh, oh, oh. Oh, stay with me, baby. Why don't you, why don't you just stay with me, baby? Yeah, stay with me, baby. Remember, you said you always gonna love me. Remember, you said you'd never ever leave me. Remember, remember, I'm asking you, begging you. Oh, oh, oh. Oh, stay with me, baby, baby, baby. Why don't you stay with me, baby? Stay with me, baby. I can't, I can't go, oh, on. "Well, I'm a young woman, and I could get plenty of men. But honey, keepin' 'em's the hard part, ain't it? Yeah. Sometimes, sometimes I find I try so hard." Maybe this time I should be the one to go away. 'Cause honey, ain't it my turn to have somebody grab hold of me and say, "No! Don't go! You can't go!" Oh! Stay, stay with me, baby. I'm begging you, stay with me. Stay with me, baby. I can't, I can't, I can't, I can't. Oh, yeah, yeah, yeah, stay with me, baby. Why don't you stay with me, baby? Stay with me, baby. I can't, I can't go on. |
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from Bette Midler - The Rose (1995)
Some say love,it is a river that drowns the tender reed.
Some say love, it is a razor that leaves your soul to bleed. Some say love, it is a hunger,an endless aching need. I say love, it is a flower,and you it's only seed. It's the heart afraid of breaking that never learns to dance. It's the dream afraid of waking that never takesthe chance. It's the one who won't be taken who can not seem to give. And the soul afraid of dying that never learns to live. When the night has been too lonely, and the road has been too long. That you think that love is only for the lucky and the strong. Just remember,in the winter far beneath the bitter snow. Lies the seed,that with the sun's love in the spring becomes the rose. |
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3:27 |
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from Bette Midler - The Rose (1995)
Some say love it is a river
That drowns the tender reed Some say love it is a razor That leaves your soul to bleed Some say love it is a hunger An endless aching need I say love it is a flower and you it's only seed It's the heart afraid of breakin' That never learns to dance It's the dream afraid of wakin' That never takes the chance It's the one who won't be taken Who cannot seem to give And the soul afraid of dyin' That never learns to live When the night has been too lonely And the road has been too long And you think that love is only For the lucky and the strong Just remember in the winter Far beneath the bitter snows Lies the seed that with the sun's love In the spring becomes the rose |
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from Bette Midler - The Rose (1995)
"When he held me in his arms,
when he held me in his arms and said, "Baby, baby, baby, you are the only one for me." When a man loves a woman, can't keep his mind on nothing else. He'll trade the world for the good thing he found. Yeah, if she's bad, he can't see it. She can do no wrong. Turn his back on his best friend if he put her down. When a man loves a woman, spend his very last dime tryin' to hold on to what he needs. He'll give up all his comforts, go out and sleep out in the rain, if she says, "Baby, that is how it's gonna be." When a man loves a woman, gives her everything that he has, tryin' to hold on to her precious love, cryin, "Baby, baby please don't treat me bad." When a man loves a woman down deep in his soul, she can bring him such misery. Yeah, she's bad, but, oooh, he's the last one to know. Lovin' eyes don't ever see. So, this man says he loves me, he loves me. He gives me everything, everything, everything that he has, tryin' to hold on to my precious love, cryin', "Baby, baby, baby, don't you, don't you treat me, treat me bad." Ohhhh . . . yeah. When a man loves a woman he can do her no wrong. He could never hold another girl. Oh, you tell me you love me, baby, and gonna hold me tight. Baby, baby, this is a man's world. No, no. Oh, baby, a change is gonna come down in this man's world. |
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4:54 |
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from Bette Midler - The Rose (1995)
"When he held me in his arms,
when he held me in his arms and said, "Baby, baby, baby, you are the only one for me." When a man loves a woman, can't keep his mind on nothing else. He'll trade the world for the good thing he found. Yeah, if she's bad, he can't see it. She can do no wrong. Turn his back on his best friend if he put her down. When a man loves a woman, spend his very last dime tryin' to hold on to what he needs. He'll give up all his comforts, go out and sleep out in the rain, if she says, "Baby, that is how it's gonna be." When a man loves a woman, gives her everything that he has, tryin' to hold on to her precious love, cryin, "Baby, baby please don't treat me bad." When a man loves a woman down deep in his soul, she can bring him such misery. Yeah, she's bad, but, oooh, he's the last one to know. Lovin' eyes don't ever see. So, this man says he loves me, he loves me. He gives me everything, everything, everything that he has, tryin' to hold on to my precious love, cryin', "Baby, baby, baby, don't you, don't you treat me, treat me bad." Ohhhh . . . yeah. When a man loves a woman he can do her no wrong. He could never hold another girl. Oh, you tell me you love me, baby, and gonna hold me tight. Baby, baby, this is a man's world. No, no. Oh, baby, a change is gonna come down in this man's world. |
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from Bette Midler - The Rose (1995)
Every time I touch you
my heart skips a beat. Every time I kiss you I feel love from my head to my feet. Somethin' deep within me, baby, sayin' you should be mine. Don't you know, baby, somewhere I got to, I got to draw the line? Tell me, baby, whose side are you on? Are you wih me, or am I all alone? Whoa-oh-oh-oh, baby, oh, where you been so long? Since I need you, oh, won't you please come ho-ome? And every mornin' I wake up, can't hide my tears. After all the lovin', baby, we've had through the years. It's a lonely season, baby, for you to leave, leave with no reason, babe. I just can't help believin' this time you're really, really, really leavin'. Whoa, baby, whose side are you on? Are you with me, or am I all alone? Whoa-oh-oh-oh, baby, oh, where you been, where ya, where have you been so long? Since I need you, woo, come on home Whoa, baby, whose side are you on? Since I need you, oh-oo-oh-ho Whoa-oh-oh-oh, baby, where you been, where you been, where you been so g-ddamn long? Since I need you, whoa, honey, honey, come home Owwwww!!! |
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4:29 |
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from Bette Midler - The Rose (1995)
Every time I touch you
my heart skips a beat. Every time I kiss you I feel love from my head to my feet. Somethin' deep within me, baby, sayin' you should be mine. Don't you know, baby, somewhere I got to, I got to draw the line? Tell me, baby, whose side are you on? Are you wih me, or am I all alone? Whoa-oh-oh-oh, baby, oh, where you been so long? Since I need you, oh, won't you please come ho-ome? And every mornin' I wake up, can't hide my tears. After all the lovin', baby, we've had through the years. It's a lonely season, baby, for you to leave, leave with no reason, babe. I just can't help believin' this time you're really, really, really leavin'. Whoa, baby, whose side are you on? Are you with me, or am I all alone? Whoa-oh-oh-oh, baby, oh, where you been, where ya, where have you been so long? Since I need you, woo, come on home! Whoa, baby, whose side are you on? Since I need you, oh-oo-oh-ho! Whoa-oh-oh-oh, baby, where you been, where you been, where you been so g-ddamn long? Since I need you, whoa, honey, honey, come home! Owwwww!!!! |
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3:50 |
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from Bette Midler - Bette Midler (1995)
I got a funny feelin' that all of you girls
had better hold on to your man. 'Cause I feel, I says I feel, I feeeeel like breaking up somebody's home. See, lying here all alone on a rainy night like this. Starvin' for some lovin'. Oh-oh, what I would give, what I would give for just one kiss. Every rain drop I hear against my window pane. And it's beatin' through so loud and clear. Words, words that speak your name. See I, I got no where to turn now that you have gone, and I feel like breaking up somebody's home. I know it's useless hangin' on when you belong to someone else. But I can't shake the feelin'. Oh, after all, I didn't make this bed. I got no where to turn na, na, na, now, na, now, now that you have gone. I saw the boy last night and I believe I caught a chill. Well, I could, I could not control the vibration, and my heart, my heart, my heart justa would not stand still. I got no where to turn a now, now, now, now that you have gone, and I feel like breaking up somebody's home. Got no where, a no where to run and I'm so damn tired of being all alone, and I feel like breaking up somebody's home. I know it's useless hangion' on when you, you, you, ya, you belong to someone else. But I, la, la, la, can't shake the feeling, oh, after all, I didn't want it this way. I swear I did not want it this way. But I got no where, a no where to run, and I'm so g-ddamned tired of being alone, and I feel like breaking up somebody's home. Got no where, a no where to run, and I'm so g-ddamned tired of being alone, and I, I feel like, feel like, breaking up some mutha's home. One more time. I, I got no where to turn, a no where to, no where to, no where to turn, and I feel like, I feel like, breaking, breaking up somebosy's home. I gotta break up somebody's home. |
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2:48 |
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| from Bette Midler - Bette Midler (1995) | |||||
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4:06 |
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from Bette Midler - Bette Midler (1995)
Mm, your love is lifting me higher
than I ever been lifted before. Ooh, baby, keep it up, sweet baby. Quench my desire, and I'll be at your side forever more. 'Cause your love is liftin' me higher and higher. Your love keeps on liftin' me, oh, higher, higher. Now once I was down-hearted, and disappointment was my closest friend. But then you came, and he soon departed. And you know I never seen, I haven't seen his face again! Your love is liftin' me higher, higher, higher, higher. Your love is liftin' me higher, higher, higher and higher. Your love keeps liftin' me, keeps on liftin' me. Your love keeps liftin' me higher, higher. Your love keeps liftin' me, keeps on liftin' me. Your love keeps liftin' me higher, higher. So glad I finally found you, babe. You're the best for these old arms. With those sweet, sweet lovin' arms around me, I tell you I don't need, I don't need, I-oh-I don't need no disguise, no! Your love is liftin' me, keeps on liftin' me. Your love keeps liftin' me higher, higher. Your love keeps liftin' me, keeps on liftin' me. Your love keeps liftin' me higher, higher. Your love is liftin' me, whoa, higher, higher, higher, higher, higher, higher, higher, higher. Gettin' higher, gettin' higher, gettin' higher, gettin' higher. You lift me, you take me higher and higher. Higher, higher, yeah, higher, higher! Keeps on liftin' me. Keeps on liftin' me. Keeps on liftin' me. Keeps on liftin' me. Higher, high |
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from Bette Midler - Bette Midler (1995)
They say everything can be replaced.
That every distance is not near. So I remember every face of every man who put me here. They say every woman needs protection, then they turn around and tell you every woman's got to fall. I swear I see my own reflection somewhere far beyond this wall. I see my life come shining from the west down to the east. Any day now, any day now, I shall be released. Now yonder stands there in that lonely crowd, a man who swears he is not to blame, no, no. And if you ask him has he ever seen this lonely woman, he'll tell you, "No, no, no." What's more, he does not know my name! But I see my light come shining, shining, shining, shining from the west straight on down to the east. Ah-anyday now, any, any old day now, I am going to, I am going to be released, yeah! They tell ya, tell ya every woman, they tell ya every woman got to have protection, then they turn around and tell ya, "No! We gonna make that-a woman fall!" Oh, god, I swear! I swear I see, I see my, my very own reflection far and away beyond, way, way beyond these four walls! That's right! I see, I see my life, my life, my life is shining, shining, shining, shining, shining, shining, shining from the west straight on down to the east. And any day now, do you hear me? Any day now, I shall be, I am going to be released! Any day now, any day now, any day now, any, any day now, oh, any day now, any day, any day, any day, any day, any day, any day, woah, any day, any day, any old day now, yeah, any day now I am going to, I shall be released! Woah, any day now, I shall see again! Any day now, I shall be free again! Any day now, they'll let me be again! Oh, any day now, any day now, any day now, whoa, help me, any day, any day, any old day now . . . |
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from Bette Midler - Bette Midler (1995)
Jumping with my boy, Sid
right here in the city. Don't you know that is was grand? Really grand, so grand. And then you came along, then you came along, boy. And sang your groovy song, sang a song and I asked: Mr. Whatchacallem, whatcha doing tonight? Hope you're in the mood because I'm feeling just right. How's about a corner with a table for two? Where the music's mellow is a gay rendezvous. There's no chance romancing with a blue attitude. You know you got to do some dancing to get in the mood. Mr. Watchacallem, I'm indebted to you. You're here. It goes to show what good influence can do. Never felt so happy or so fully alive. He's a jam a jumpin', it's a powerful jive! Swing-a-roo is giving me a new attitude. My heart is full of rhythm and I'm in the mood. In the mood (oh boy) be mine forever. In the groove (that boy) and leave me never. In the mood (oh joy) give me some kissing. You know it won't be long before you're in the mood! Don't be rude, I love you madly. It's up to you, I'll take you gladly. Love is blind, my vision's hazy. It didn't take me long to say I'm in the mood! Do ba do ba do bop boo da da day. Ba da-n-da da-n do da-n do day. Who's that guy with the beautiful eyes? 'N' look at those lips, I'd try 'em for size. Hey! Swing with me! What a wing it'd be! May I intrude? It's time to dance and I'm in the mood! Oh, hold me darling, let's dance. What a dreamy romance. It's a quarter to three. There's a mess-o-that moon. Let's share it with me. You know, I think it's rude to keep me this way when I'm in the mood. I'm in the mood, in the groove! In the mood, ah, ah, ah! Man-oh-man, wow! Now you really got me lookin'. Oh, and you really got me cookin', oh! My heart went flip, my brain went skip. I said c'mon, c'mon, c'mon, c'mon, c'mon, c'mon. I'm hot now! I love you madly! Right now! I'll take you gladly! Tight now! I'll be in! And now I'm really in the mood, boy! Rompin'! Stompin'! Smokin'! Why don't we go somewhere and smooch, boy? It's got to be right now! It's gotta be right now! It's got to be right now! I'm only saying that it didn't take me long, didn't take me long, didn't take me long to say I'm in the mood. Your flat foot floozy wants a good boy! |
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2:27 |
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from Bette Midler - Bette Midler (1995)
You're out of the woods,
you're out of the dark, you're out of the night. Step into the sun, step into the light, then open your eyes and love will open, ahhh, open, ahhh, open, open, open, open up. Come on along and listen to the lullaby of Broadway. The hip-hooray and balley-hoo. The lullaby of Broadway. The rumble of the subway train. The rattle of the taxi. The Daffodils who entertain at Angelo's and Maxi's. When a Broadway baby says good night, it's early in the morning. Manhattan babys don't sleep tight until the dawn. Good night, baby. Good night. Milkman's on his way. Doon, doon, doon. Sleep tight, baby. Sleep tight. Let's call it a day. Hey! Come on along and listen to the lullaby of Broadway. The hi-de-hi and boop-boop-buh-doo. It's just the lullaby of Broadway. The band begins to go to town and everyone goes crazy. You rock-a-bye your baby 'round 'til everything gets hazy. Hush-a-bye, I'm gonna buy you this and that, you hear your daddy sing. Then baby goes home to her flat to sleep all day. Good night, baby. Good night. The milkman's on his way. Do, do, do, doodley-do. Sleep tight,oh, my baby. Sleep tight. Let's call it a day. Listen to the lullaby of ol-bo-ba-bo-ba-b'old doo doo doo Broadway! The lulla-lullaby of Broadway! |
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from Bette Midler - Bette Midler (1995)
Skylark, have you anything to say to me?
Can you tell me where my love may be? Is there a meadow in the mist where he's just waiting to be kissed? Skylark, have you seen a valley green with spring where my heart can go a journeying over the shadows and the rain to a blossom covered lane? And in your lonely flight have you heard the music? In the night, wonderful music. Faint as a will-o'-the-wisp, crazy as a loon, sad as a gypsy serenading the moon. Oh, skylark, I don't know, I don't know if you can find these things, but my heart, my heart is riding on your wings. So if you see them anywhere won't you lead me there? Oh, won't you lead me there? Lead me there, lead me there. Lead me there, skylark, skylark, skylark, there! |
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4:54 |
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from Bette Midler - Bette Midler (1995)
I was young, I was just sixteen then,
when you came up from Burma one day. And you told me to pack up my suitcase, and I did, and you took me away. I said, "Do you work nice and steady, or do you go sailing and roving out to sea?" And you said, "I have a job on the railroad, and baby, how swell it's all gonna be." You said a lot, Johnny. It was all lies. You sure had me fooled, right from the start. I hate you when you laugh at me like that. Take that pipe out of your mouth, Johnny. Surabaya Johnny. Is it really the end? SurabayaJohnny. Will the hurt ever mend? Surabaya Johnny. Ooh, I burn at your touch. You got no heart, Johnny, but oh, I love you so much. Thought at first you were kind and gentle, 'til I packed up and went off with you. And it lasted two weeks until one day you laughed at me and hit me too. You dragged me all over the city, up the river and down to the sea. Now I look at myself in the mirror and some old woman looks back at me. You didn't want love, Johnny, you wanted money. I gave you all I had. You wanted more. Oh, don't look at me that way. I'm only trying to talk to you. Wipe that grin off your face, Johnny. >Surabaya Johnny. Is it really the end? SurabayaJohnny. Will the pain never mend? Surabaya Johnny. How I burn at your touch. You got no heart, Johnny, but oh, I love you so much. When we met I forgot to ask you why they called you that funny name, but in every hotel on the seacoast I found out, and I loved you all the same. I'm tired. I'm worn out. The sea's pounding in my ears. And I reach out my arms to hold you. You're not here and who even cares? You got no heart, Johnny. You're just no good. You going now? Oh, tell me why. I love you after all, Johnny, like that very first day. Don't laugh at me no more, Johnny. Surabaya Johnny. Is it really the end? SurabayaJohnny. Will the hurt ever mend? Surabaya Johnny. Oh, I burn at your touch. You got no heart, Johnny, but oh, I love you, I love you, I love you so much. |
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