|
- | ||||
from Yes - Sweetness / Something's Coming [single] (1969)
Could be
Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me Could it be Yes it could Something*s coming Something good If I can wait Something*s coming I don*t know what it is But it is Going to be great With a click With a shock Bell will jingle Door will knock Open the latch Something*s coming I don*t know what it is But it is Going to be great Around the corner A-whistlin* down the river Come on deliver To me To me Could be Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me To me Tonight, Tonight Won*t be just any night Tonight there will be no morning star. Tonight. |
|||||
|
- | ||||
from Yes - Sweetness / Something's Coming [single] (1969)
She brings the sunshine to a rainy afternoon
She puts the sweetness in and stirs it with a spoon, She watches for my moods and never brings me down She puts the sweetness in all around She knows just what to say to make me feel so good inside And when I'm all alone I feel I don't want to hide Today she bought me in and told me where she'd been She put my mind at rest and put the sweetness in I'll ask her for some time to go and look around She puts the sweetness in all around She knows just what to say to make a sunny day And when I'm all alone I really don't feel that way. Tell me how would you feel with no world of your own And nobody to hold, I just can't see the way I'm so glad it's today and you're here, you're here. Doo Doo Doo Doo Doo Doo Doo Doo She brings the sunshine to a rainy afternoon She puts the sweetness in and stirs it with a spoon, She watches for ALL my moods never brings me down She puts the sweetness in all around She knows just what to say to make a sunny day And when I'm all alone I really don’t feel that way Oh how I need her so, I know she’ll never ever go Do do do do do do She’ll never leave me, believe me - no Do do do do do do She’ll never go, no no No no no no no no no no no - no! |
|||||
|
2:56 | ||||
from King Crimson, King Crimson - Larks' Tongues In Aspic (1973)
If I only could deceive you
Forgetting the game Every time I try to leave you You laugh just the same 'Cause my wheels never touch the road And the jumble of lies we told Just returns to my back to weigh me down We lay cards upon the table The backs of our hands And I swear I like your people The boys in the band Reminiscences gone astray Coming back to enjoy the fray In a tangle of night and daylight sounds All completeness in the morning Asleep on your side I'll be waking up the crewmen Banana-boat ride She responds like a limousine Brought alive on the silent screen To the shuddering breath of yesterday There's the succour of the needy Incredible scenes I'll believe you in the future Your life and death dreams As the cavalry of despair Takes a stand in the lady's hair For the favour of making sweet sixteen You make my life and times A book of bluesy Saturdays And I have to chose |
|||||
|
7:54 | ||||
from King Crimson, King Crimson - Larks' Tongues In Aspic (1973)
Your admirers on the street
Gotta hoot and stamp their feet In the heat from your physique As you twinkle by in moccasin sneakers And I thought my heart would break When you doubled up at the stake With your fingers all a-shake You could never tell a winner from a snake but you always make money Easy money With your figure and your face Strutting out at every race Throw a glass around the place Show the colour of your crimson suspenders We would take the money home Sit around the family throne My old dog could chew his bone For two weeks we could appease the Almighty Easy money Got no truck with the la-di-da Keep my bread in an old fruit jar Drive you out in a motor-car Getting fat on your lucky star just making Easy money. |
|||||
|
7:42 | ||||
from King Crimson, King Crimson - Larks' Tongues In Aspic (1973)
Now...in this faraway land
Strange...that the palms of my hands Should be damp with expectancy Spring...and the air's turning mild City lights...and the glimpse of a child Of the alleyway infantry Friends...do they know what I mean Rain...and the gathering green Of an afternoon out-of-town But Lord I had to go My trail was laid too slow behind me To face the call of fame Or make a drunkard's name for me Though now this other life Has brought a different understanding And from these endless days Shall come a broader sympathy And though I count the hours To be alone's no injury... My home...was a place near the sand Cliffs...and a military band Blew and air of normality |
|||||
|
13:38 | ||||
from King Crimson, King Crimson - Larks' Tongues In Aspic (1973) | |||||
|
7:09 | ||||
from King Crimson, King Crimson - Larks' Tongues In Aspic (1973) | |||||
|
7:27 | ||||
from King Crimson, King Crimson - Larks' Tongues In Aspic (1973) | |||||
|
10:00 | ||||
from Yes, Yes - Yessongs [live] (1973)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
|||||
|
3:41 | ||||
from Yes, Yes - Yessongs [live] (1973) | |||||
|
18:38 | ||||
from Yes, Yes - Yessongs [live] (1973)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
|||||
|
2:50 | ||||
from Yes, Yes - Yessongs [live] (1973) | |||||
|
7:08 | ||||
from Yes, Yes - Yessongs [live] (1973) | |||||
|
7:11 | ||||
from Yes, Yes - Yessongs [live] (1973) | |||||
|
8:39 | ||||
from Yes, Yes - Yessongs [live] (1973)
I’ll be the roundabout The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley The music dance and sing They make the children really ring I'll spend the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you I will remember you Your silhouette will charge the view Of distance atmosphere Call it morning driving thru the sound and even in the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you Along the drifting cloud the eagle searching down on the land Catching the swirling wind the sailor sees the rim of the land The eagles dancing wings create as weather spins out of hand Go closer hold the land feel partly no more than grains of sand We stand to lose all time a thousand answers by in our hand Next to your deeper fears we stand Surrounded by a millions years I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you |
|||||
|
12:22 | ||||
from Yes, Yes - Yessongs [live] (1973)
Yours Is No Disgrace
Anderson/Squire/Howe/Kaye/Bruford Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no disgrace. Battleships confide in me and tell me where you are, Shining, flying, purple wolfhound, show me where you are, Lost in summer, born in winter, travel very far, Lost in losing circumstances, that's just where you are. Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no, Yours is no disgrace. Yours is no disgrace. Yours is no disgrace. Death defying, mutilated armies scatter the earth, Crawling out of dirty holes, their morals, their morals disappear. Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no, Yours is no disgrace. Yours is no disgrace. Yours is no disgrace. |
|||||
|
11:15 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974) | |||||
|
4:06 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974)
I guess I tried to show you how
I'd take the crowd with my guitar And business men would clap their hands And clip another fat cigar And publishers would spread the news And print my music far and wide And all the kids who played the blues Would learn my licks with a bottle neck slide But now it seems the bubble's burst Although you know there was a time When love songs gathered in my head With poetry in every line And strong men strove to hold the doors While with my friends I passed the age When people stomped on dirty floors Before I trod the rock'n'roll stage I'll thank the man who's on the 'phone And if he has the time to spend The problem I'll explain once more And indicate a sum to lend That ten percent is now a joke Maybe thirty, even thirty-five I'll say my daddy's had a stroke He'd have one now, if he only was alive I like the way you look at me You're laughing too down there inside I took my chance and you took yours You crewed my ship, we missed the tide I like the way the music goes There's a few good guys who can play it right I like the way it moves my toes Just say when you want to go and dance all night |
|||||
|
9:12 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974) | |||||
|
4:03 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974)
Health-food faggot with a bartered bride
Likes to comb his hair with a dipper ride Once had a friend with a cloven foot Once he called the tune in a chequered quit Great Deceiver In the door on the floor in a paper bag There's a shoe-shine boy with a gin-shop slag She raised him up and she called him son And she canonised the ground that he walked upon Great Deceiver Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, cadillacs blue jeans In the night he's a star in the Milky Way He's a man of the world by the light of day A golden smile and a proposition And the breath of God smells of sweet sedition Great Deceiver Sing hymns make love get high fall dead He'll bring his perfume to your bed He'll charm your life 'til the cold winds blow Then he'll sell your dreams to a picture show Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blue jeans, dixieland playing on the ferry Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blues jeans, drop a glass full of antique sherry Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blues jeans, drop a glass full of antique sherry Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blues jeans, drop a glass full of antique sherry |
|||||
|
4:11 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974)
Health-food faggot with a bartered bride
Likes to comb his hair with a dipper ride Once had a friend with a cloven foot Once he called the tune in a chequered quit Great Deceiver In the door on the floor in a paper bag There's a shoe-shine boy with a gin-shop slag She raised him up and she called him son And she canonised the ground that he walked upon Great Deceiver Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, cadillacs blue jeans In the night he's a star in the Milky Way He's a man of the world by the light of day A golden smile and a proposition And the breath of God smells of sweet sedition Great Deceiver Sing hymns make love get high fall dead He'll bring his perfume to your bed He'll charm your life 'til the cold winds blow Then he'll sell your dreams to a picture show Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blue jeans, dixieland playing on the ferry Cadillacs, blues jeans, drop a glass full of antique sherry |
|||||
|
4:41 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974)
Shine, shine, the light of good works shine
The watch before the city gates depicted in their prime That golden light all grimy now Three hundred years have passed The worthy Captain and his squad of troopers standing fast The artist knew their faces well The husbands of his lady friends His creditors and councillors In armour bright, the merchant men Official moments of the guild In poses keen from bygone days The city fathers frozen there Upon the canvas dark with age The smell of paint, a flask of wine And turn those faces all to me The blunderbuss and halberd-shaft And Dutch respectability They make their entrance one by one Defenders of that way of life The redbrick home, the bourgeoisie Guitar lessons for the wife So many years we suffered here Our country racked with Spanish wars Now comes a chance to find ourselves And quiet reigns behind our doors We think about posterity again And so the pride of little men The burghers good and true Still living through the painter's hand Request you all to understand |
|||||
|
5:41 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974) | |||||
|
3:42 | ||||
from King Crimson, King Crimson - Starless And Bible Black (1974) | |||||
|
6:04 | ||||
from King Crimson, King Crimson - Red (1974)
Tears of joy at the birth of a brother
Never alone from that time Sixteen Years through knife fights and danger Strangely why his life not mine West side skyline crying Fallen angel dying Risk a life to make a dime Lifetimes spent on the streets of a city Make us the people we are Switchblade stings in one tenth of a moment Better get back to the car Fallen angel Fallen angel West side skyline Crying for an angel dying Life expiring in the city Snow white side streets of cold New York City Stained with his blood it all went wrong Sick and tired blue wicked and wild God only knows for how long Fallen angel |
|||||
|
7:08 | ||||
from King Crimson, King Crimson - Red (1974)
Pan American nightmare
Ten thousand feet fun-fair Convinved that I don't care It's safe as houses I swear I was just sitting musing The virtues of cruising When altitude dropping My ears started popping One more red nightmare Sweat beginning to pour down My neck as I turn round I heard fortune shouting Just get off of this outing A farewell swan song See you know how turbulence can be The stewardess made me One more red nightmare Reality stirred me My angel had heard me The prayer had been answered A reprieve has been granted The dream was now broken Thought rudely awoken Really safe and sound Asleep on the Greyhound One more red nightmare |
|||||
|
8:12 | ||||
from King Crimson, King Crimson - Red (1974) | |||||
|
6:17 | ||||
from King Crimson, King Crimson - Red (1974)
King Crimson은 시인인 피터신필드가 참여한 초기 앨범이 매우 독특한데, In the Court of Crimson King은 가장 많이 회자되는 앨범이고, Red 앨범도 좋습니다. 사실 킹크림슨은 2000년대까지 꾸준하게 괜찮은 앨범을 냈기 때문에 차근차근 다 들어보시는 것도 좋겠네요.
|
|||||
|
12:19 | ||||
from King Crimson, King Crimson - Red (1974)
Sundown dazzling day
Gold through my eyes But my eyes turned within Only see Starless and bible black Ice blue silver sky Fades into grey To a grey hope that oh years to be Starless and bible black Old friend charity Cruel twisted smile And the smile signals emptiness For me Starless and bible black |
|||||
|
- | ||||
from King Crimson - Usa [live] (1975)
Cat's foot iron claw
Neuro-surgeons scream for more At paranoia's poison door Twenty-first century schizoid man. Blood rack barbed wire Politicians' funeral pyre Innocents raped with napalm fire Twenty-first century schizoid man. Death seed blind man's greed Poets' starving children bleed Nothing he's got he really needs Twenty-first century schizoid man. |
|||||
|
- | ||||
from King Crimson - Usa [live] (1975) | |||||
|
- | ||||
from King Crimson - Usa [live] (1975)
Your admirers in the street
Got to hoot and stamp their feet In the heat from your physique As you twinkle by in moccasin sneakers And I thought my heart would break When you doubled up the stake With your fingers all a-shake You could never tell a winner from a snake Easy money With your figure and your face Strutting out at every race Throw a glass around the place Show the colour of your crimson suspenders We could take the money home Sit around the family throne My old dog could chew his bone For two weeks we could appease the Almighty Easy money Your admirers in the street Got to hoot and stamp their feet In the heat from your physique As you twinkle by in moccasin sneakers Got no truck with the la-di-da Keep my bread in an old fruit jar Drive you out in a motor-car Getting fat on your lucky star Just making easy money |
|||||
|
- | ||||
from King Crimson - Usa [live] (1975)
Now in this faraway land
Strange that the palms of my hands Should be damp with expectancy Spring, and the air's turning mild City lights and the glimpse of a child Of the alleyway infantry Friends ? do they know what I mean? Rain and the gathering green Of an afternoon out of town But lord I had to go The trail was laid too slow behind me To face the call of fame Or make a drunkard's name for me Though now this better life Has brought a different understanding And from these endless days Shall come a broader sympathy And though I count the hours To be alone's no injury My home was a place by the sand Cliffs and a military band Blew an air of normality |
|||||
|
- | ||||
from King Crimson - Usa [live] (1975) | |||||
|
- | ||||
from King Crimson - Usa [live] (1975)
I guess I tried to show you how
I'd take the crowd with my guitar And business men would clap their hands And clip another fat cigar And publishers would spread the news And print my music far and wide And all the kids who played the blues Would learn my licks with a bottle neck slide But now it seems the bubble's burst Although you know there was a time When love songs gathered in my head With poetry in every line And strong men strove to hold the doors While with my friends I passed the age When people stomped on dirty floors Before I trod the rock'n'roll stage I'll thank the man who's on the 'phone And if he has the time to spend The problem I'll explain once more And indicate a sum to lend That ten percent is now a joke Maybe thirty, even thirty-five I'll say my daddy's had a stroke He'd have one now, if he only was alive I like the way you look at me You're laughing too down there inside I took my chance and you took yours You crewed my ship, we missed the tide I like the way the music goes There's a few good guys who can play it right I like the way it moves my toes Just say when you want to go and dance all night… |
|||||
|
- | ||||
from King Crimson - Usa [live] (1975) | |||||
|
- | ||||
from King Crimson - Usa [live] (1975)
Sundown dazzling day
Gold through my eyes But my eyes turned within only see Starless and bible black Old friend charity Cruel twisted smile And the smile signals emptiness for me Starless and bible black Ice blue silver sky Fades into grey To a grey hope that all yearns to be Starless and bible black |
|||||
|
- | ||||
from King Crimson - Usa [live] (1975) | |||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981) | |||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981) | |||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Talk, it's only talk
Arguments, agreements, advice, answers, Articulate announcements It's only talk Talk, it's only talk Babble, burble, banter, bicker bicker bicker Brouhaha, balderdash, ballyhoo It's only talk Back talk Talk talk talk, it's only talk Comments, cliches, commentary, controversy Chatter, chit-chat, chit-chat, chit-chat, Conversation, contradiction, criticism It's only talk Cheap talk Talk, talk, it's only talk Debates, discussions These are words with a D this time Dialog, duologue, diatribe, Dissention, declamation Double talk, double talk Talk, talk, it's all talk Too much talk Small talk Talk that trash Expressions, editorials, explanations, exclamations, exaggerations It's all talk Elephant talk? Elephant talk? Elephant talk! |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Talk, it's only talk
Arguments, agreements, advice, answers, Articulate announcements It's only talk Talk, it's only talk Babble, burble, banter, bicker bicker bicker Brouhaha, balderdash, ballyhoo It's only talk Back talk Talk talk talk, it's only talk Comments, cliches, commentary, controversy Chatter, chit-chat, chit-chat, chit-chat, Conversation, contradiction, criticism It's only talk Cheap talk Talk, talk, it's only talk Debates, discussions These are words with a D this time Dialog, duologue, diatribe, Dissention, declamation Double talk, double talk Talk, talk, it's all talk Too much talk Small talk Talk that trash Expressions, editorials, explanations, exclamations, exaggerations It's all talk Elephant talk? Elephant talk? Elephant talk! |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Frame by frame (Suddenly)
Death by drowning (from within) In your, in your analysis. Step by step (Suddenly) Doubt by numbers (from within) In your, in your analysis. |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Frame by frame (Suddenly)
Death by drowning (from within) In your, in your analysis. Step by step (Suddenly) Doubt by numbers (from within) In your, in your analysis. |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
I do remember one thing.
It took hours and hours but.. by the time I was done with it, I was so involved, I didn't know what to think. I carried it around with me for days and days.. playing little games like not looking at it for a whole day and then.. looking at it. to see if I still liked it. I did. I repeat myself when under stress. I repeat myself when under stress. I repeat myself when under stress. I repeat myself when under stress. I repeat.. The more I look at it, the more I like it. I do think it's good. The fact is.. no matter how closely I study it, no matter how I take it apart, no matter how I break it down, It remains consistent. I wish you were here to see it. I like it. |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
I do remember one thing.
It took hours and hours but.. by the time I was done with it, I was so involved, I didn't know what to think. I carried it around with me for days and days.. playing little games like not looking at it for a whole day and then.. looking at it. to see if I still liked it. I did. I repeat myself when under stress. I repeat myself when under stress. I repeat myself when under stress. I repeat myself when under stress. I repeat.. The more I look at it, the more I like it. I do think it's good. The fact is.. no matter how closely I study it, no matter how I take it apart, no matter how I break it down, It remains consistent. I wish you were here to see it. I like it. |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Still, by the window pane
Pain, like the rain that's falling She waits in the air Matte Kudasai She sleeps in a chair In her sad America When, when was the night so long Long, like the notes I'm sending She waits in the air Matte Kudasai She sleeps in a chair In her sad America |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Still, by the window pane
Pain, like the rain that's falling She waits in the air Matte Kudasai She sleeps in a chair In her sad America When, when was the night so long Long, like the notes I'm sending She waits in the air Matte Kudasai She sleeps in a chair In her sad America |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Still, by the window pane
Pain, like the rain that's falling She waits in the air Matte Kudasai She sleeps in a chair In her sad America When, when was the night so long Long, like the notes I'm sending She waits in the air Matte Kudasai She sleeps in a chair In her sad America |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981) | |||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981) | |||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Thela hun ginjeet thela hun ginjeet
Qua tari mei thela hun ginjeet Qua tari mei heat in the jungle street "Well, first of all, I couldn't even see his face. I couldn't see his face. He was holding a gun in his hand. Umm... I was thinking... This is a dangerous place.. This is a dangerous place.." Thela hun ginjeet thela hun ginjeet. Qua tari mei thela hun ginjeet. Qua tari mei heat in the jungle street. I said, "I'm nervous as hell from this stuff. I thought those guys were going to kill me for sure. They ganged up on me like that. I couldn't believe it. Look, I'm still shakin'. Weird. There out in the streets like that. It's a dangerous place. It's a dangerous place." So, suddenly, these two guys appear in front of me. They stopped. Real aggressive. Start at me, you know. "What's that?" "What's that on that tape?" "What do you got there?" I said, "huh?" They said, "What are you talking into that for?" I said, "It's just a tape, you know" "Well play it for me" I said "oh, no" I put it off as long as I could. And finally they turned it on, you know They grabbed it from me. Took it away from me. Turned it on. And it said, "He held a gun in his hand. This is a dangerous place." They said, "What dangerous place?" "What gun?" "You're a policeman!" And the deeper I talked, the worse I got into it. I talked, I told him... I said, "Look man, I'm not talkin'...." It went on forever. Anyway, I finally unbuttoned my shirt, and said, "look, look... I'm in this band, you know, I'm in this band you know, and we're makin' a recording, you know. It's about New York City, it's about crime in the streets..." The explanation was going nowhere, but, Finally, they just kinda let me go, I don't know why. So I walk around the corner, and I'm like shakin' like a leaf, and I thought, "This is a dangerous place once again, you know." Who should appear, but two policeman. |
|||||
|
- | ||||
from King Crimson, King Crimson - Discipline (1981)
Thela hun ginjeet thela hun ginjeet
Qua tari mei thela hun ginjeet Qua tari mei heat in the jungle street "Well, first of all, I couldn't even see his face. I couldn't see his face. He was holding a gun in his hand. Umm... I was thinking... This is a dangerous place.. This is a dangerous place.." Thela hun ginjeet thela hun ginjeet. Qua tari mei thela hun ginjeet. Qua tari mei heat in the jungle street. I said, "I'm nervous as hell from this stuff. I thought those guys were going to kill me for sure. They ganged up on me like that. I couldn't believe it. Look, I'm still shakin'. Weird. There out in the streets like that. It's a dangerous place. It's a dangerous place." So, suddenly, these two guys appear in front of me. They stopped. Real aggressive. Start at me, you know. "What's that?" "What's that on that tape?" "What do you got there?" I said, "huh?" They said, "What are you talking into that for?" I said, "It's just a tape, you know" "Well play it for me" I said "oh, no" I put it off as long as I could. And finally they turned it on, you know They grabbed it from me. Took it away from me. Turned it on. And it said, "He held a gun in his hand. This is a dangerous place." They said, "What dangerous place?" "What gun?" "You're a policeman!" And the deeper I talked, the worse I got into it. I talked, I told him... I said, "Look man, I'm not talkin'...." It went on forever. Anyway, I finally unbuttoned my shirt, and said, "look, look... I'm in this band, you know, I'm in this band you know, and we're makin' a recording, you know. It's about New York City, it's about crime in the streets..." The explanation was going nowhere, but, Finally, they just kinda let me go, I don't know why. So I walk around the corner, and I'm like shakin' like a leaf, and I thought, "This is a dangerous place once again, you know." Who should appear, but two policeman. |
|||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982)
I need to feel your heartbeat heartbeat
so close, feels like mine all mine I need to feel your heartbeat heartbeat so close it feels like mine all mine... I remember the feeling my hands in your hair hands in your hair I remember the feeling of the rhythm we made the rhythm we made I need to land sometime feel your heartbeat heartbeat right next to me..... |
|||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982)
I'm wheels, I am moving wheels
I am a 1952 studebaker coupe I'm wheels, I am moving wheels moving wheels I am a 1952 starlite coupe... En route.....les Souterrains Des visions du Cody...Sartori a Paris... Strange spaghetti in this solemn city... There's a postcard we're all seen before... Past wild-haired teens in dark clothing With hands-full of autographed napkins we eat apples in vans with sandwiches ... rush Into the lobby life of hurry up and wait Hurry up and wait for all the odd-shaped keys Which lead to new soap and envelopes... Hotel room homesickness on a fresh blue bed And the longest-ever phone call home.....no Sleep no sleep no sleep no sleep and no mad Video machine to eat time... a cityscene I can't explain, the Seine alone at 4am The Seine alone at 4a.....Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Absent lovers, absent lovers... Neal and Jack and me Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Neal and Jack and me Absent lovers, absent lovers... Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... |
|||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982)
Good morning, it's 3am in this great roaring
city full of garbage eaters ravaging parking spots beneath my plaza window I see cheetah in their tight skins and tired heels all-night hippo in the diner crossing the street swarthy heards of young impala flambastic gibbon even a struggling monza and over there that brilliant head ornament on that Japanese macaque but look closely at the hammerhead hand in hand with the mandrill, it's a sight you're unlikely to see anywhere else on the planet... the stench and noise, yes, yes, the howler's resonating repertoire is not too bad when mixed with the more musical twern of the tropical warbler but the impatient taxi blare the squawking elderly ibis and the glass-eye snapper hawking papers I can certainly live without also be cautious of the poisonous boomslang laughter social droppings of the fruit bat and purple queen fish and who's that babbler conversing with a magazine stand? evidently he's getting a good reply... arrive in neurotica through neon heat disease I swear at the swarming heards I sweat the foul terrain I rove the moving scenery arrive in neurotica through neon heat disease I swear at the swarming heards I sweat the foul terrain I rove the moving scenery I have no fin no wing no stinger no claw no camouflage I have no more to say... Say...isn't that an elephant fish on the corner over there look at that blush baby mud puppy noolbenger rhinoderma marmoset spring peeper shingleback skink siren skate starling sun-gazer spoonbill and suckers, they seem to be everywhere, well it's a live revue random animal parts now playing nightly right here in neurotica...so long... |
|||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982) | |||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982) | |||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982)
Here is the angel of the world's desire
Placed on trial To hide in shrouded alley sihouettes With cigarette coiled To stike at passing voices Dark and suspect Here is the howling ire Here is the sacred face of rendevous In subway sour Whose grand delusions prey like intellect In lunatic minds Intent and focused on The long thin matches To light the howling fire... No, no, not me, Burn, I don't wanna burn..... |
|||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982)
Oh they're touching
They're touching each other They're feeling They push and move And love each other, love each other They fit together like two hands...two hands... I am a face in the painting on the wall I pose and shudder And watch from the foot of the bed Sometimes I think I can Feel everything... The wind is blowing My hair in their direction The wind is bending my hair There are no windows in the painting No open windows, no open windows, no... they're touching They're touching each other They push and move And love each other, love each other They fit together like two hands two hands two hands two hands |
|||||
|
- | ||||
from King Crimson, King Crimson - Beat (1982)
I come back...come back
you see my return my returning face is smiling smile of a waiting man... I be home soon soon soon soon cry on your shoulder your shoulder against my burning tears tears of a waiting man... one two three four one two three... I wait every moment I wait, wait for my chance I wait for my friend to say hello, you waiting man feel no fret feel no fret feel no fret you can wait and feel no fret and so I wait so I wait so I wait so I wait I return face is smiling be home soon cry on your shoulder tears of a waiting man every moment wait for my chance my friend say hello feel no fret you can wait and I wait and I wait and home I am... |
|||||
|
- | ||||
from Yes - Owner Of A Lonely Heart [ep] (1983) | |||||
|
4:16 | ||||
from Yes - Owner Of A Lonely Heart [ep] (1983)
Toledo was just another good stop
Along the good king's highway My fortification took me by surprise And hit me sending me sideways Spellbound - Roundly - Good for sunshine Can't help thinking Singing Rule Britannia And this is where it grabs you There's method in the key of C Toledo's got to be the silver city In this good country Our song It gives us a reason Our song That good remedy Music has magic That stuff of syncopation Ever tried driving it to golden heights Just simply jiving it My mystification it got a Jewel skies crazy spacing it Hot sun - Crowded - Screams high voices Singing speechless Touching of the healing heart So this is where we really start Music is a shout of foregone conclusions As long as music plays its part Good good part Our song It gives us a reason Our song That good remedy Music has magic It's good clear syncopation Treat it good Treat it rightly And if you get it flowing The harmony is glowing So get ready So get ready Don't go toledo toledo don't go Music - Good to you Music - Good to you |
|||||
|
3:50 | ||||
from Yes - Owner Of A Lonely Heart [ep] (1983)
Move yourself
You always live your life Never thinking of the future Prove yourself You are the move you make Take your chances win or loser See yourself You are the steps you take You and you - and that's the only way Shake - shake yourself You're every move you make So the story goes Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Say - you don't want to chance it You've been hurt so before Watch it now The eagle in the sky How he dancin' one and only You - lose yourself No not for pity's sake There's no real reason to be lonely Be yourself Give your free will a chance You've got to want to succeed Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Owner of a lonely heart After my own decision They confused me so (Owner of a lonely heart) My love said never question your will at all In the end you've got to go Look before you leap (Owner of a lonely heart) And don't you hesitate at all - no no Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart (repeat) Owner of a lonely heart Sooner or later each conclusion Will decide the lonely heart (Owner of a lonely heart) It will excite it will delight It will give a better start (Owner of a lonely heart) Don't deceive your free will at all Don't deceive your free will at all (Owner of a lonely heart) Don't deceive your free will at all Just receive it |
|||||
|
4:28 | ||||
from Yes - Owner Of A Lonely Heart [ep] (1983)
Move yourself
You always live your life Never thinking of the future Prove yourself You are the move you make Take your chances win or loser See yourself You are the steps you take You and you - and that's the only way Shake - shake yourself You're every move you make So the story goes Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Say - you don't want to chance it You've been hurt so before Watch it now The eagle in the sky How he dancin' one and only You - lose yourself No not for pity's sake There's no real reason to be lonely Be yourself Give your free will a chance You've got to want to succeed Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Owner of a lonely heart After my own decision They confused me so (Owner of a lonely heart) My love said never question your will at all In the end you've got to go Look before you leap (Owner of a lonely heart) And don't you hesitate at all - no no Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart (repeat) Owner of a lonely heart Sooner or later each conclusion Will decide the lonely heart (Owner of a lonely heart) It will excite it will delight It will give a better start (Owner of a lonely heart) Don't deceive your free will at all Don't deceive your free will at all (Owner of a lonely heart) Don't deceive your free will at all Just receive it |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
Its here I sit and rust amid this ruin and rancor like tire irons
toothy grills and car parts before me... the acid rain floods my floorboard, burns my pores and rots my upholstery... once I was worshipped, polished magnificently, now I lay in decay by the dirty angry bay... I'm ready to leave I wanna get out of here I'm ready to ride away I don't wanna die in here I'm ready to ride... My skin is metallic now, no longer and elegant powder blue... my body unhinged and sleeping in the jungle of motor block manifolds and metal relics... what was deluxe becomes debris, I never questioned loyalty, but this dead end demolishes the dream of an open highway. Dig me... but don't... bury me |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984) | |||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984) | |||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984) | |||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984) | |||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
She wouldn't need to be a bird without a wing
Or be a servant to a telephone ring She could be sleeping in the comfort of another bed… It wouldn't matter to a man with an open heart Here comes right now… She could be moody, dramatic as a play Or be evasive as a shadow in the shade Could be irregular and singing in her underwear… It wouldn't matter to a man with an open heart Here comes right now… Her wild and wise womanly Introspectiveness Her faults and files of foolishness It wouldn't matter to a man with an open heart Here comes right now… |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
Look for the signs
Look for the symptoms Look for the slight Calm before the storm I feel the silence I feel the signals I feel the strain Tension in my head Well, what more can be said... Not a model man Not a saviour or a saint Imperfect in a word Make no mistake But I Give you everything I have Take me as I am... |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984) | |||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984) | |||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
I'm Tony
I'm Billy I'm Bobby I'm Belew We're here to sing and play for you Oh we're the King Crimson band ? and don't you know it We're the best in all the land ? all the land We play bass and the drums and guitar for you And if you really want we'll throw the Stick in too Oh we're the King Crimson band (on EG Records) And you know we think that's grand So settle back to have some fun And tap your foot in twenty-one 'Cause we're the King Crimson band ? you better believe it The King Crimson band ? we don't do encores The King Crimson band ? no photos please 'Cause we're the King Crimson band We don't do 21st Century Schizoid Man But we're the King Crimson band |
|||||
|
- | ||||
from King Crimson - Three Of A Perfect Pair (1984)
She is susceptible
He is impossible They have their cross to share Three of a perfect pair… He has his contradicting views She has her cyclothymic moods They make a study in despair Three of a perfect pair… One, one too many Schizophrenic tendencies Keeps it complicated Keeps it aggravated And full of this hopelessness What a perfect mess… |
|||||
|
- | ||||
from Yes - The Union Tour Live [video, live] (1991) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks [live] (1994) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) | |||||
|
- | ||||
from Bill Bruford - Earthworks (1995) |