|
3:13 | ||||
from Jethro Tull - Heavy Horses (1978)
Muscled, black with steel-green eye
swishing through the rye grass with thoughts of mouse-and-apple pie. Tail balancing at half-mast. ...And the mouse police never sleeps --- lying in the cherry tree. Savage bed foot-warmer of purest feline ancestry. Look out, little furry folk! He's the all-night working cat. Eats but one in every ten --- leaves the others on the mat. ...And the mouse police never sleeps --- waiting by the cellar door. Window-box town crier; birth and death registrar. With claws that rake a furrow red --- licensed to mutilate. From warm milk on a lazy day to dawn patrol on hungry hate. ...No, the mouse police never sleeps --- climbing on the ivy. Windy roof-top weathercock. Warm-blooded night on a cold tile. |
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|
5:31 | ||||
from ABC - The Lexicon Of Love (1999)
You can tell me how to run my life
You can tell me the drugs you're using You're talking loud and saying nothing Walking proud and going nowhere fast You know If you could tell me how to find belief If you told me, I'd believe you Speak no evil, hear no evil, see no evil I'll close my eyes, you know love grows 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part I stuck a marriage proposal in the waste disposal If that's the trash aesthetic, I'd suggest that we forget it Your 12 disciples might kiss and tell But you can tell me much more than they can Right now A mathematical equation won't describe my liaison The stars in the sky might try persuading But you can tell me, I won't hear you You can tell me, I gave up the listening Years ago 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part So you're broken hearted, take it to the mender I got something on the agenda Speak no, speak no, speak no evil 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part For when two hearts but strong and sweet One promise I can never meet Forgive and forget, for goodness sake For love this strong, might make or break 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part Two's a party, three's a crowd I'm surprised what get's allowed Three coins inside the fountain You saw Mohammed move the mountain Speak no evil Speak no evil This is silly, well nearly Yours faithfully, well eventually Speak no evil Speak no evil |
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|
6:54 | ||||
from ABC - The Lexicon Of Love (1999)
You can tell me how to run my life
You can tell me the drugs you're using You're talking loud and saying nothing Walking proud and going nowhere fast You know If you could tell me how to find belief If you told me, I'd believe you Speak no evil, hear no evil, see no evil I'll close my eyes, you know love grows 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part I stuck a marriage proposal in the waste disposal If that's the trash aesthetic, I'd suggest that we forget it Your 12 disciples might kiss and tell But you can tell me much more than they can Right now A mathematical equation won't describe my liaison The stars in the sky might try persuading But you can tell me, I won't hear you You can tell me, I gave up the listening Years ago 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part So you're broken hearted, take it to the mender I got something on the agenda Speak no, speak no, speak no evil 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part For when two hearts but strong and sweet One promise I can never meet Forgive and forget, for goodness sake For love this strong, might make or break 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part Two's a party, three's a crowd I'm surprised what get's allowed Three coins inside the fountain You saw Mohammed move the mountain Speak no evil Speak no evil This is silly, well nearly Yours faithfully, well eventually Speak no evil Speak no evil |
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|
- | ||||
from Jethro Tull - Bursting Out [live] (1978)
My first and last time with you
And we had some fun. Went walking through the trees, yeah! And then I kissed you once. Oh I want to see you soon But I wonder how. It was a new day yesterday But it's an old day now. Spent a long time looking For a game to play. My luck should be so bad now To turn out this way. Oh I had to leave today Just when I thought I'd found you. It was a new day yesterday But it's an old day now. |
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|
- | ||||
from Abracadabra (1990) | |||||
|
3:26 | ||||
from Jethro Tull - Heavy Horses (1978)
I'll make love to you in all good places -
Under black mountains, in open spaces. By deep brown rivers that slither darkly, Through far marches where the blue hare races. Come with me to the Winged Isle - Northern father's western child. Where the dance of ages is playing still Through far marches of acres wild. I'll make love to you in narrow side streets, With shuttered windows, and crumbling chimneys. Come with me to the weary town - Discos silent under tiles That slide from roof-tops, scatter softly On concrete marches of acres wild. By red bricks pointed with cement fingers Flaking damply from sagging shoulders. Come with me to the Winged Isle - Northern father's western child. Where the dance of ages is playing still Through far marches of acres wild |
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|
3:54 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
5:20 | ||||
from ABC - The Lexicon Of Love (1999)
Once upon a time when we were friends
I gave you my heart the story ends No happy ever after now we're friends Wish upon a star if that might help The stars collide if you decide Wish upon a star if that might help What's it like to have loved and to lose her touch What's it like to have loved and to lose that much Well I hope and I pray that maybe someday You'll walk in the room with my heart Add and subtract but as a matter of fact Now that you're gone I still want you back Remembering Surrendering Remembering that part All of my heart All of my heart Spilling up in silk and coffee lace You me up a rendez-vous at your place Your lipstick and your lipgloss seals my fate Sentimental powers might help you now But skip the hearts and flowers skip the ivory towers You'll be disappointed and I'll lose a friend No I won't be told there's a crock of gold at the end of the rainbow Or that pleasure and pain sunshine and rain might make this love grow But I hope and I pray that maybe someday You'll walk in the room with my heart Add and subtract but as a matter of fact Now that you're gone I still want you back Remembering Surrendering Remembering that part All of my heart All of my heart Well I hope and I pray that maybe someday You'll walk in the room with my heart And I shrug and I say that maybe today You'll come home soon Surrendering Remembering Surrendering that heart All of my heart |
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|
6:46 | ||||
from ABC - The Lexicon Of Love (1999)
Once upon a time when we were friends
I gave you my heart the story ends No happy ever after now we're friends Wish upon a star if that might help The stars collide if you decide Wish upon a star if that might help What's it like to have loved and to lose her touch What's it like to have loved and to lose that much Well I hope and I pray that maybe someday You'll walk in the room with my heart Add and subtract but as a matter of fact Now that you're gone I still want you back Remembering Surrendering Remembering that part All of my heart Spilling up in silk and coffee lace You hook me up a rendez-vous at your place Your lipstick and your lipgloss seals my fate Sentimental powers might help you now But skip the hearts and flowers skip the ivory towers You'll be disappointed and I'll lose a friend No I won't be told there's a crock of gold at the end of the rainbow Or that pleasure and pain sunshine and rain might make this love grow But I hope and I pray that maybe someday You'll walk in the room with my heart Add and subtract but as a matter of fact Now that you're gone I still want you back Remembering Surrendering Remembering that part All of my heart Yes I hope and I pray that maybe someday You'll walk in the room with my heart And I shrug and I say that maybe today You'll come home soon Surrendering Remembering Surrendering that heart All of my heart |
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|
8:02 | ||||
from ABC - The Lexicon Of Love (1999) | |||||
|
3:14 | ||||
from ABC - The Lexicon Of Love (1999) | |||||
|
2:01 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
- | ||||
from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
|
7:31 | ||||
from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
|
3:06 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
3:23 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
3:43 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
3:21 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
|
3:19 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
3:40 | ||||
from Jethro Tull - Heavy Horses (1978) | |||||
|
3:36 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
Walking on air
Shoulder and head above you Down in the street Black canyons walking through Hooded sad eyes Fixed on your shuffle shoes Life is a clue in your crossword Typewriter turk Telephone terror takes Time to wind down Push-button finger shakes City of dreams Back to your quiet nightmare Your life is a clue in the crossword Working to rule in your own time Drag yourself home to your star sign page Staying awake on cold yesterday's steak and warm beer Ladder of string Climbing to sweet success Homework aside Your brain on the train to test Pick up the news You left on the seat beside you Your life is a clue in the crossword Your life is a clue in the crossword Your life is a clue in the crossword |
|||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
Walking on air
Shoulder and head above you Down in the street Black canyons walking through Hooded sad eyes Fixed on your shuffle shoes Life is a clue in your crossword Typewriter turk Telephone terror takes Time to wind down Push-button finger shakes City of dreams Back to your quiet nightmare Your life is a clue in the crossword Working to rule in your own time Drag yourself home to your star sign page Staying awake on cold yesterday's steak and warm beer Ladder of string Climbing to sweet success Homework aside Your brain on the train to test Pick up the news You left on the seat beside you Your life is a clue in the crossword Your life is a clue in the crossword Your life is a clue in the crossword |
|||||
|
4:34 | ||||
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
May I make my fond excuses for the late-ness of the hour;
But we accept your invitation, and would bring you Beltane's flower. For the May Day is the great day, sung along the old straight track. And those who ancient lines did ley will heed this song that calls them back. Pass the word and pass the lady and pass the plate to all who hunger. And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder. And pass the Cup of Crimson Wonder. Ask the Green Man where he comes from, ask the cup that fills with red. Ask the old grey standing stones who show the sun his way to bed. Question all as to their ways, and learn the secrets that they hold. Walk the lines of Nature's palm, crossed with silver and with gold. Pass the cup and pass the lady and pass the plate to all who hunger. And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder. And pass the Cup of Crimson Wonder. Join in black December's sadness, lie in August's welcome corn. Stir the cup that's ever filling with the blood of all that's born. But the May Day is the great day, sung along the old straight track. And those who ancient lines did ley will heed this song that calls them back. Pass the word and pass the lady and pass the plate to all who hunger. And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder. And pass the Cup of Crimson Wonder. |
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|
- | ||||
from Jethro Tull - Stormwatch (1979)
Darlings are you ready for the long winter's fall?
said the lady in her parlor said the butler in the hall. Is there time for another? cried the drunkard in his sleep. Not likely said the little child. What's done the Lord can keep. And the vicar stands a-praying. And the television dies as the white dot flickers and is gone and no-one stops to cry. The big jet rumbles over runway miles that scar the patchwork green where slick tycoons and rich buffoons have opened up the seam of golden nights and champagne flights ad-man overkill and in the haze consumer crazed we take the sugar pill. Jagged fires mark the picket lines the politicians weep and mealy-mouthed through corridors of power on tip-toe creep. Come and see bureaucracy make its final heave and let the new disorder through while senses take their leave. Families screaming line the streets and put the windows through in corner shops where keepers kept the country's life-blood blue. Take their pick and try the trick with loaves and fishes shared and the vicar shouts as the lights go out, and no-one really cares. Dark Ages shaking the dead Closed pages better not read Cold rages burn in your head. |
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|
3:52 | ||||
from ABC - The Lexicon Of Love (1999)
This heart's up for sale
Yeah, this heart's on the stand Mix and match and melt in my mouth Nothing ever goes quite as planned You'll fly north and I'll sail south So redevelop product, redesign this package Still refuse to reach in your pocket Everything is temporary written on that sand Looking for the girl that meets supply with demand Love has no guarantee (Yes, I'm date stamped) Promise me eternity (Guess I'll fade away) Even with a pedigree (Yes, I'm date stamped) Love has no guarantee That heart's on display Yes, that heart's off the rails A ship in the harbor with wind in it's sails Chain up love inside the chain-store girl Chain up love and exchange it Is monsieur a connoisseur or just short-changed Off the rack or custom-fit it all seems the same Look but don't touch in paradise Don't let them catch you damaging the merchandise Love has no guarantee (Yes, I'm date stamped) Promise me eternity (Guess I'll fade away) Even with a pedigree (Yes, I'm date stamped) Love has no guarantee I get sales talk from sales assistants When all I want to do girl is lower your resistance Everything is temporary, written on that sand Looking for the girl that meets supply with demand Love has no guarantee, brings out the woman in me Even with a pedigree, love has no guarantee No chance of subtlety, no promise of eternity Even with a pedigree, love has no guarantee |
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|
7:07 | ||||
from ABC - The Lexicon Of Love (1999)
This heart's up for sale
Yeah, this heart's on the stand Mix and match and melt in my mouth Nothing ever goes quite as planned You'll fly north and I'll sail south So redevelop product, redesign this package Still refuse to reach in your pocket Everything is temporary written on that sand Looking for the girl that meets supply with demand Love has no guarantee (Yes, I'm date stamped) Promise me eternity (Guess I'll fade away) Even with a pedigree (Yes, I'm date stamped) Love has no guarantee That heart's on display Yes, that heart's off the rails A ship in the harbor with wind in it's sails Chain up love inside the chain-store girl Chain up love and exchange it Is monsieur a connoisseur or just short-changed Off the rack or custom-fit it all seems the same Look but don't touch in paradise Don't let them catch you damaging the merchandise Love has no guarantee (Yes, I'm date stamped) Promise me eternity (Guess I'll fade away) Even with a pedigree (Yes, I'm date stamped) Love has no guarantee I get sales talk from sales assistants When all I want to do girl is lower your resistance Everything is temporary, written on that sand Looking for the girl that meets supply with demand Love has no guarantee, brings out the woman in me Even with a pedigree, love has no guarantee No chance of subtlety, no promise of eternity Even with a pedigree, love has no guarantee |
|||||
|
3:04 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
Clear light on a slick palm
as I mis-deal the day Slip the night from a shaved pack make a marked card play Call twilight hours down from a heaven home high above the highest bidder for the good Lord's throne In the wee hours I'll meet you down by Dun Ringill --- oh, and we'll watch the old gods play by Dun Ringill We'll wait in stone circles 'til the force comes through --- lines joint in faint discord and the stormwatch brews a concert of kings as the white sea snaps at the heels of a soft prayer whispered In the wee hours I'll meet you down by Dun Ringill --- oh, and I'll take you quickly by Dun Ringill. |
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|
- | ||||
from Jethro Tull - Stormwatch (1979)
Clear light on a slick palm
as I mis-deal the day Slip the night from a shaved pack make a marked card play Call twilight hours down from a heaven home high above the highest bidder for the good Lord's throne In the wee hours I'll meet you down by Dun Ringill --- oh, and we'll watch the old gods play by Dun Ringill We'll wait in stone circles 'til the force comes through --- lines joint in faint discord and the stormwatch brews a concert of kings as the white sea snaps at the heels of a soft prayer whispered In the wee hours I'll meet you down by Dun Ringill --- oh, and I'll take you quickly by Dun Ringill. |
|||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
Clear light on a slick palm
as I mis-deal the day Slip the night from a shaved pack make a marked card play Call twilight hours down from a heaven home high above the highest bidder for the good Lord's throne In the wee hours I'll meet you down by Dun Ringill --- oh, and we'll watch the old gods play by Dun Ringill We'll wait in stone circles 'til the force comes through --- lines joint in faint discord and the stormwatch brews a concert of kings as the white sea snaps at the heels of a soft prayer whispered In the wee hours I'll meet you down by Dun Ringill --- oh, and I'll take you quickly by Dun Ringill. |
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|
- | ||||
from Jethro Tull - Stormwatch (1979) | |||||
|
- | ||||
from Jethro Tull - Stormwatch (1979) | |||||
|
- | ||||
from Jethro Tull - Stormwatch (1979) | |||||
|
4:55 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
|
2:27 | ||||
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
I believe in fires at midnight, when the dogs have all been fed.
A golden toddy on the mantle; a broken gun beneath the bed. Silken mist outside the window - Frogs and newts slip in the dark. Too much hurry ruins a body: I'll sit easy; fan the spark. Kindled by the dying embers, of another working day. Go upstairs: take off your make-up - Fold your clothes neatly away. Me, I'll sit and write this love song As I all too seldom do - Build a little fire this midnight. It's good to be back home with you. Kindled by the dying embers, of another working day. Go upstairs: take off your make-up - Fold your clothes neatly away. Me, I'll sit and write this love song As I all too seldom do - Build a little fire this midnight. It's good to be back home with you. |
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|
- | ||||
from Jethro Tull - Bursting Out [live] (1978) | |||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
Old lady with a barrow; life near ending
Standing by the harbour wall; warm wishes sending children on the cold sea swell --- not fishers of men --- gone to chase away the last herring: come empty home again. So come all you lovers of the good life on your supermarket run --- Set a sail of your own devising and be there when the Dutchman comes. Wee girl in a straw hat: from far east warring Sad cargo of an old ship: young bodies whoring Slow ocean hobo --- ports closed to her crew No hope of immigration --- keep on passing through. So come all you lovers of the good life your children playing in the sun --- set a sympathetic flag a-flying and be there when the Dutchman comes. Death grinning like a scarecrow --- Flying Dutchman Seagull pilots flown from nowhere --- try and touch one as she slips in on the full tide and the harbour-master yells All hands vanished with the captain --- no one left, the tale to tell. So come all you lovers of the good life Look around you, can you see? Staring ghostly in the mirror --- it's the Dutchman you will be ..floating slowly out to sea in a misty misery. |
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|
- | ||||
from Jethro Tull - Stormwatch (1979)
Old lady with a barrow; life near ending
Standing by the harbour wall; warm wishes sending children on the cold sea swell --- not fishers of men --- gone to chase away the last herring: come empty home again. So come all you lovers of the good life on your supermarket run --- Set a sail of your own devising and be there when the Dutchman comes. Wee girl in a straw hat: from far east warring Sad cargo of an old ship: young bodies whoring Slow ocean hobo --- ports closed to her crew No hope of immigration --- keep on passing through. So come all you lovers of the good life your children playing in the sun --- set a sympathetic flag a-flying and be there when the Dutchman comes. Death grinning like a scarecrow --- Flying Dutchman Seagull pilots flown from nowhere --- try and touch one as she slips in on the full tide and the harbour-master yells All hands vanished with the captain --- no one left, the tale to tell. So come all you lovers of the good life Look around you, can you see? Staring ghostly in the mirror --- it's the Dutchman you will be ..floating slowly out to sea in a misty misery. |
|||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
Old lady with a barrow; life near ending
Standing by the harbour wall; warm wishes sending children on the cold sea swell --- not fishers of men --- gone to chase away the last herring: come empty home again. So come all you lovers of the good life on your supermarket run --- Set a sail of your own devising and be there when the Dutchman comes. Wee girl in a straw hat: from far east warring Sad cargo of an old ship: young bodies whoring Slow ocean hobo --- ports closed to her crew No hope of immigration --- keep on passing through. So come all you lovers of the good life your children playing in the sun --- set a sympathetic flag a-flying and be there when the Dutchman comes. Death grinning like a scarecrow --- Flying Dutchman Seagull pilots flown from nowhere --- try and touch one as she slips in on the full tide and the harbour-master yells All hands vanished with the captain --- no one left, the tale to tell. So come all you lovers of the good life Look around you, can you see? Staring ghostly in the mirror --- it's the Dutchman you will be ..floating slowly out to sea in a misty misery. |
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|
2:59 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
- | ||||
from Abracadabra (1990) | |||||
|
4:09 | ||||
from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
|
- | ||||
from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
|
8:59 | ||||
from Jethro Tull - Heavy Horses (1978)
Iron-clad feather-feet pounding the dust
An October's day, towards evening Sweat embossed veins standing proud to the plough Salt on a deep chest seasoning Last of the line at an honest day's toil Turning the deep sod under Flint at the fetlock, chasing the bone Flies at the nostrils plunder. The Suffolk, the Clydesdale, the Percheron vie with the Shire on his feathers floating Hauling soft timber into the dusk to bed on a warm straw coating. Heavy Horses, move the land under me Behind the plough gliding --- slipping and sliding free Now you're down to the few And there's no work to do The tractor's on its way. Let me find you a filly for your proud stallion seed to keep the old line going. And we'll stand you abreast at the back of the wood behind the young trees growing To hide you from eyes that mock at your girth, and your eighteen hands at the shoulder And one day when the oil barons have all dripped dry and the nights are seen to draw colder They'll beg for your strength, your gentle power your noble grace and your bearing And you'll strain once again to the sound of the gulls in the wake of the deep plough, sharing. Standing like tanks on the brow of the hill Up into the cold wind facing In stiff battle harness, chained to the world Against the low sun racing Bring me a wheel of oaken wood A rein of polished leather A Heavy Horse and a tumbling sky Brewing heavy weather. Bring a song for the evening Clean brass to flash the dawn across these acres glistening like dew on a carpet lawn In these dark towns folk lie sleeping as the heavy horses thunder by to wake the dying city with the living horseman's cry At once the old hands quicken --- bring pick and wisp and curry comb --- thrill to the sound of all the heavy horses coming home. |
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|
6:15 | ||||
from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
|
- | ||||
from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
|
- | ||||
from Abracadabra (1990) | |||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
As the dawn sun breaks over sleepy gardens
I'll be here to do all things to comfort you. And though I've been away left you alone this way why don't you come awake and let your first smile take me home. The shadows in the park were longer yesterday and Lady Luck stood still, waiting for the kill. And on a jumbo ride over seas grey, deep and wide I flew for heaven's sake and let the angels take me home. Down steep and narrow lanes I see the chimneys smoking above the golden fields ... know what the robin feels in his summer jamboree. All elements agree in sweet and stormy blend --- midwife to winds that send me home. |
|||||
|
- | ||||
from Jethro Tull - Stormwatch (1979)
As the dawn sun breaks over sleepy gardens
I'll be here to do all things to comfort you. And though I've been away left you alone this way why don't you come awake and let your first smile take me home. The shadows in the park were longer yesterday and Lady Luck stood still, waiting for the kill. And on a jumbo ride over seas grey, deep and wide I flew for heaven's sake and let the angels take me home. Down steep and narrow lanes I see the chimneys smoking above the golden fields ... know what the robin feels in his summer jamboree. All elements agree in sweet and stormy blend --- midwife to winds that send me home. |
|||||
|
3:05 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
|
5:13 | ||||
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
One day I walked the road and crossed a field to go by where the
hounds ran hard. And on the master raced: behind the hunters chased to where the path was barred. One fine young lady's horse refused the fence to clear. I unlocked the gate but she did wait until the pack had disappeared. Crop-handle carved in bone; sat high upon a throne of finest English leather. The Queen of all the Pack: this joker raised his hat and talked about the weather. All should be warned about this high-born Hunting Girl. She took this simple man's downfall in hand; I raised the flag that she unfurled. Boot leather flashing and spur-necks the size of my thumb. This high-born hunter had tastes as strange as they come. Unbridled passion: I took the bit in my teeth. Her standing over: me on my knees underneath. My lady, be discrete. I must get to my feet and go back to the farm. Whilst I appreciate you are no deviate, I might come to some harm. I'm not inclined to acts refined, if that's how it goes. Oh, high-born Hunting Girl, I'm just a normal low-born so-and-so. |
|||||
|
- | ||||
from Jethro Tull - Bursting Out [live] (1978)
One day I walked the road
And crossed a field to go By where the hounds ran hard. And on the master raced, Behind the hunters chased To where the path was barred. One fine young lady's horse refused the fence to clear. I unlocked the gate but she did wait until the pack had disappeared. Crop handle carved in bone, Sat high upon a throne Of finest English leather. The queen of all the pack, This joker raised his hat And talked about the weather. All should be warned about this high born Hunting Girl. She took this simple man's downfall in hand, I raised the flag that she unfurled. Boot leather flashing and spurnecks the size of my thumb. This highborn hunter had tastes as strange as they come. Unbridled passion, I took the bit in my teeth. Her standing over, me on my knees underneath, underneath. My lady, be discrete, I must get to my feet And go back to the farm. Whilst I appreciate You are no deviate, I might come to some harm. I'm not inclined to acts refined, if that's how it goes. Oh, high born Hunting Girl, I'm just a normal low born so and so. |
|||||
|
4:52 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
|
8:02 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
|
8:26 | ||||
from ABC - The Lexicon Of Love (1999) | |||||
|
2:00 | ||||
from ABC - The Lexicon Of Love (1999) | |||||
|
- | ||||
from Jethro Tull - Bursting Out [live] (1978)
Have you seen Jack-In-The-Green?
With his long tail hanging down. He quietly sits under every tree --- in the folds of his velvet gown. He drinks from the empty acorn cup the dew that dawn sweetly bestows. And taps his cane upon the ground --- signals the snowdrops it's time to grow. It's no fun being Jack-In-The-Green --- no place to dance, no time for song. He wears the colours of the summer soldier --- carries the green flag all the winter long. Jack, do you never sleep --- does the green still run deep in your heart? Or will these changing times, motorways, powerlines, keep us apart? Well, I don't think so --- I saw some grass growing through the pavements today. The rowan, the oak and the holly tree are the charges left for you to groom. Each blade of grass whispers Jack-In-The-Green. Oh Jack, please help me through my winter's night. And we are the berries on the holly tree. Oh, the mistlethrush is coming. Jack, put out the light. |
|||||
|
2:31 | ||||
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
He sits quietly under every tree
In the folds of his velvet gown. He drinks from the empty acorn cup. The dew that dawn sweetly bestows. And taps his cane upon the ground - Signals the snow drops, it's time to grow It's no fun being Jack-in-the-Green: No place to dance, no time for song. He wears the colours of the summer soldier; And carries the green flag all the winter long. Jack do you never sleep - does the green still run deep in your heart? Or will these changing times, motorways, powerlines, keep us apart? Well, I don't think so. I saw some grass growing through the pavements today. The Rowan, the Oak and the Holly tree Are the charges left for him to groom. Each blade of grass whispers, "Jack-in-the-Green." "Oh Jack, please help me through my winter's night." And - "We are the berries on the Holly tree: Oh, the Mistle Thrush is coming. Jack, put out the light!" |
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3:30 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
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3:58 | ||||
from Jethro Tull - Heavy Horses (1978)
Spine-tingling railway sleepers ---
Sleepy houses lying four-square and firm Orange beams divide the darkness Rumbling fit to turn the waking worm. Sliding through Victorian tunnels where green moss oozes from the pores. Dull echoes from the wet embankments Battlefield allotments. Fresh open sores. In late night commuter madness Double-locked black briefcase on the floor like a faithful dog with master sleeping in the draught beside the carriage door. To each Journeyman his own home-coming Cold supper nearing with each station stop Frosty flakes on empty platforms Fireside slippers waiting. Flip. Flop. Journeyman night-tripping on the late fantasic Too late to stop for tea at Gerard's Cross and hear the soft shoes on the footbridge shuffle as the wheels turn biting on the midnight frost. On the late commuter special Carriage lights that flicker, fade and die Howling into hollow blackness Dusky diesel shudders in full cry. Down redundant morning papers Abandon crosswords with a cough Stationmaster in his wisdom told the guard to turn the heating off. |
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3:53 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
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3:09 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
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5:23 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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from Jethro Tull - Stormwatch (1979)
There was a warm wind with the high tide
On the south of the hill When a young girl went a-walking And I followed with a will Good day to you, my fine young lady With your lips so sweetly full May I help you comb your long hair Sweep it from that brow so cool Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Well, I'm a man when I'm feeling The urge to step ashore So I may charm you, not alarm you Tell you all fine things and more Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Say goodbye to all your dear kin For they hate to see you go In your young prime to this place of mine In the still loch far below Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep |
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- | ||||
from Jethro Tull - Stormwatch (1979)
There was a warm wind with the high tide
On the south of the hill When a young girl went a-walking And I followed with a will Good day to you, my fine young lady With your lips so sweetly full May I help you comb your long hair Sweep it from that brow so cool Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Well, I'm a man when I'm feeling The urge to step ashore So I may charm you, not alarm you Tell you all fine things and more Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Say goodbye to all your dear kin For they hate to see you go In your young prime to this place of mine In the still loch far below Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep |
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4:06 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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- | ||||
from Jethro Tull - Stormwatch (1979) | |||||
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from Jethro Tull - Stormwatch (1979) | |||||
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3:10 | ||||
from Jethro Tull - Heavy Horses (1978)
The bomb's in the china. The fat's in the fire.
There's no turkey left on the table. The commuter's return on the six o'clock flyer brings no bale of hay for the stable. Well, the light, it is failing along the green belt as we follow the hard road signs. Semi-detached in our suburban-ness --- we're living in these hard times. Well the fly's in the milk and the cat's in the stew. Another bun in the oven --- oh, what to do? We'll laugh and we'll sing and try to bring a pound from your pocket. Good day to you. Oh, these hard times. The politicians sat on the wall and traded with the union game. Someone slapped a writ on our deficit --- not a penny left to our name. Oh, the times are hard and the credits lean, and they toss and they turn in sleep. And the line they take is the line they make --- but it's not the line they keep. The cow jumped over yesterday's moon and the lock ran away with the key. You know what you like, and you like what you know but there is no jam for tea. Well the light it is failing along the green belt as we follow the hard road signs. Semi-detached in our suburban-ness --- we're living in these hard times. |
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4:18 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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3:06 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
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3:59 | ||||
from ABC - The Lexicon Of Love (1999)
When I accepted this job
I was resigned to my fate When I got there early She'd arrive late You can say she's gone forever Or just sit tight and wait She said I was unprincipled That I was not the first Like the Phoenix coming back From the ashes, uh-huh I know what's good, But I know what trash is In the head-lights, In the highlights of her hair... Hit the head lines But she's not there: Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay, I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Like the world, spinning 'round On its axis, uh-huh I know democracy But I know what's fascist When she's gone, all I got to learn Is the law of diminishing return When she's here, one thing I've found Things get better second time around Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Now she's gone, she's gone away Now she's gone forget her Coming back another day If you'd only let her Now she's gone, she's gone away But she's gone forget her Coming back another day So why resurrect her? Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned |
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7:03 | ||||
from ABC - The Lexicon Of Love (1999)
When I accepted this job
I was resigned to my fate When I got there early She'd arrive late You can say she's gone forever Or just sit tight and wait She said I was unprincipled That I was not the first Like the Phoenix coming back From the ashes, uh-huh I know what's good, But I know what trash is In the head-lights, In the highlights of her hair... Hit the head lines But she's not there: Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay, I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Like the world, spinning 'round On its axis, uh-huh I know democracy But I know what's fascist When she's gone, all I got to learn Is the law of diminishing return When she's here, one thing I've found Things get better second time around Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Now she's gone, she's gone away Now she's gone forget her Coming back another day If you'd only let her Now she's gone, she's gone away But she's gone forget her Coming back another day So why resurrect her? Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned |
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6:51 | ||||
from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
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- | ||||
from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
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3:39 | ||||
from David Palmer - Greatest Guitar Hits (0000) | |||||
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3:27 | ||||
from Jethro Tull - Heavy Horses (1978)
Oh the leaded window opened
but you moved the dancing candle flame and the first moths of summer suicidal came, oh suicidal came. And the new breeze chattered in its May-bud tenderness sending water-lilies sailing as she turned to get undressed. And the long night awakened and we soared on powdered wings circling our tomorrows in the wary month of spring. Chasing shadows slipping in the magic lantern's light - creatures of the candle on the night's light's rite. Dipping and weaving, flutter through the golden needle's eye in our haystack madness, butterfly stroking on a spring-tide high. Life's too long (as the lemmings said) as the candle burned and the moths were wed. And we'll all burn together as the wick grows higher before the candle's dead. Oh the leaded window opened but you moved the dancing candle flame. And the first moths of summer suicidal came, oh suicidal came, to join in the worship of the light that never dies in the moments reflection of two moths spinning in her eyes. |
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- | ||||
from Abracadabra (1990) | |||||
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from Abracadabra (1990) | |||||
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- | ||||
from Abracadabra (1990) | |||||
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7:55 | ||||
from Jethro Tull - Heavy Horses (1978)
Keep your eyes open and prick up your ears,
Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. Keep your eyes open and prick up your ears, Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down. Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. |
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- | ||||
from Jethro Tull - Bursting Out [live] (1978)
Keep your eyes open and prick up your ears,
Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. Keep your eyes open and prick up your ears, Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down. Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Black and viscous--bound to cure blue lethargy
Sugar-plum petroleum for energy Tightrope-balanced payments need a small reprieve Oh, please believe we want to be In North Sea In North Sea oil New-found wealth sits on the shelf of yesterday Hot-air balloon inflation soon will make you pay Riggers rig and diggers dig their shallow grave But we'll be saved and what we crave Is North Sea Is North Sea oil Prices boom in Aberdeen and London Town Ten more years to lay the fears, erase the frown Before we are all nuclear--the better way! Oh, let us pray: we want to stay In North Sea In North Sea In North Sea oil |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Black and viscous--bound to cure blue lethargy
Sugar-plum petroleum for energy Tightrope-balanced payments need a small reprieve Oh, please believe we want to be In North Sea In North Sea oil New-found wealth sits on the shelf of yesterday Hot-air balloon inflation soon will make you pay Riggers rig and diggers dig their shallow grave But we'll be saved and what we crave Is North Sea Is North Sea oil Prices boom in Aberdeen and London Town Ten more years to lay the fears, erase the frown Before we are all nuclear--the better way! Oh, let us pray: we want to stay In North Sea In North Sea In North Sea oil |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Black and viscous--bound to cure blue lethargy
Sugar-plum petroleum for energy Tightrope-balanced payments need a small reprieve Oh, please believe we want to be In North Sea In North Sea oil New-found wealth sits on the shelf of yesterday Hot-air balloon inflation soon will make you pay Riggers rig and diggers dig their shallow grave But we'll be saved and what we crave Is North Sea Is North Sea oil Prices boom in Aberdeen and London Town Ten more years to lay the fears, erase the frown Before we are all nuclear--the better way! Oh, let us pray: we want to stay In North Sea In North Sea In North Sea oil |
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4:21 | ||||
from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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- | ||||
from Jethro Tull - Stormwatch (1979)
Hair stands high on the cat's back like
a ridge of threatening hills. Sheepdogs howl, make tracks and growl --- their tails hanging low. And young children falter in their games at the altar of life's hide-and-seek between tall pillars, where Sunday-night killers in grey raincoats peek. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. Misty colours unfold a backcloth cold --- fine tapestry of silk I draw around me like a cloak and soundless glide a-drifting on eddies whirled in beech leaves furled --- brown and gold they fly in the warm mesh of sunlight sifting now from a cloudless sky. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Hair stands high on the cat's back like
a ridge of threatening hills. Sheepdogs howl, make tracks and growl --- their tails hanging low. And young children falter in their games at the altar of life's hide-and-seek between tall pillars, where Sunday-night killers in grey raincoats peek. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. Misty colours unfold a backcloth cold --- fine tapestry of silk I draw around me like a cloak and soundless glide a-drifting on eddies whirled in beech leaves furled --- brown and gold they fly in the warm mesh of sunlight sifting now from a cloudless sky. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Hair stands high on the cat's back like
a ridge of threatening hills. Sheepdogs howl, make tracks and growl --- their tails hanging low. And young children falter in their games at the altar of life's hide-and-seek between tall pillars, where Sunday-night killers in grey raincoats peek. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. Misty colours unfold a backcloth cold --- fine tapestry of silk I draw around me like a cloak and soundless glide a-drifting on eddies whirled in beech leaves furled --- brown and gold they fly in the warm mesh of sunlight sifting now from a cloudless sky. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. |
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- | ||||
from Abracadabra (1990) | |||||
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4:04 | ||||
from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
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- | ||||
from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
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3:23 | ||||
from Jethro Tull - Heavy Horses (1978)
Smile your little smile --- take some tea with me awhile.
Brush away that black cloud from your shoulder. Twitch your whiskers. Feel that you're really real. Another tea-time --- another day older. Puff warm breath on your tiny hands. You wish you were a man who every day can turn another page. Behind your glass you sit and look at my ever-open book --- One brown mouse sitting in a cage. Do you wonder if I really care for you --- Am I just the company you keep --- Which one of us exercises on the old treadmill --- Who hides his head, pretending to sleep? Smile your little smile --- take some tea with me awhile. And every day we'll turn another page. Behind our glass we'll sit and look at our ever-open book --- One brown mouse sitting in a cage. |
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- | ||||
from Jethro Tull - Bursting Out [live] (1978)
Smile your little smile --- take some tea with me awhile.
Brush away that black cloud from your shoulder. Twitch your whiskers. Feel that you're really real. Another tea-time --- another day older. Puff warm breath on your tiny hands. You wish you were a man who every day can turn another page. Behind your glass you sit and look at my ever-open book --- One brown mouse sitting in a cage. Do you wonder if I really care for you --- Am I just the company you keep --- Which one of us exercises on the old treadmill --- Who hides his head, pretending to sleep? Smile your little smile --- take some tea with me awhile. And every day we'll turn another page. Behind our glass we'll sit and look at our ever-open book --- One brown mouse sitting in a cage. |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Orion, won't you give me your star sign
Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine Orion, light your lights: Come guard the open spaces From the black horizon to the pillow where I lie. Your faithful dog shines brighter than its lord and master Your jewelled sword twinkles as the world rolls by. So come up singing above the cloudy cover Stare through at people who toss fitful in their sleep. I know you're watching as the old gent by the station Scuffs his toes on old fag packets lying in the street Orion, won't you give me your star sign Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine And silver shadows flick across the closing bistro. Sweet waiters link their arms and patter down the street, Their words lost blowing on cold winds in darkest Chelsea. Prime years fly fading with each young heart's beat. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine And young girls shiver as they wait by lonely bus-stops After sad parties: no-one to take them home To greasy bed-sitters and make a late-night play For lost virginity a thousand miles away. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine On the sky-line Orion |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Orion, won't you give me your star sign
Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine Orion, light your lights: Come guard the open spaces From the black horizon to the pillow where I lie. Your faithful dog shines brighter than its lord and master Your jewelled sword twinkles as the world rolls by. So come up singing above the cloudy cover Stare through at people who toss fitful in their sleep. I know you're watching as the old gent by the station Scuffs his toes on old fag packets lying in the street Orion, won't you give me your star sign Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine And silver shadows flick across the closing bistro. Sweet waiters link their arms and patter down the street, Their words lost blowing on cold winds in darkest Chelsea. Prime years fly fading with each young heart's beat. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine And young girls shiver as they wait by lonely bus-stops After sad parties: no-one to take them home To greasy bed-sitters and make a late-night play For lost virginity a thousand miles away. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine On the sky-line Orion |
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- | ||||
from Jethro Tull - Stormwatch (1979)
Orion, won't you give me your star sign
Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine Orion, light your lights: Come guard the open spaces From the black horizon to the pillow where I lie. Your faithful dog shines brighter than its lord and master Your jewelled sword twinkles as the world rolls by. So come up singing above the cloudy cover Stare through at people who toss fitful in their sleep. I know you're watching as the old gent by the station Scuffs his toes on old fag packets lying in the street Orion, won't you give me your star sign Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine And silver shadows flick across the closing bistro. Sweet waiters link their arms and patter down the street, Their words lost blowing on cold winds in darkest Chelsea. Prime years fly fading with each young heart's beat. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine And young girls shiver as they wait by lonely bus-stops After sad parties: no-one to take them home To greasy bed-sitters and make a late-night play For lost virginity a thousand miles away. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine On the sky-line Orion |
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3:59 | ||||
from ABC - The Lexicon Of Love (1999) | |||||
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3:56 | ||||
from ABC - The Lexicon Of Love (1999) |