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| from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
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4:40 |
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| from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
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6:41 |
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| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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| from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
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6:02 |
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| from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
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3:03 |
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| from David Palmer - Greatest Guitar Hits (0000) | |||||
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4:03 |
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from Jethro Tull - Heavy Horses (1978)
Good morning Weathercock,
How'd you fare last night? Did the cold wind bite you, Did you face up to the fright When the leaves spin from October And whip around your tail? Did you shake from the blast, And did you shiver through the gale? Give us direction, the best of goodwill, Put us in touch with fair winds. Sing to us softly, hum evening's song, Tell us what the blacksmith has done for you. Do you simply reflect changes In the patterns of the sky, Or is it true to say the weather heeds The twinkle in your eye? Do you fight the rush of winter, And hold snowflakes at bay? Do you lift the dawn sun from the fields And help him on his way? Good morning Weathercock, make this day bright. Put us in touch with your fair winds. Sing to us softly, hum evening's song. Point the way to better days we can share with you. |
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5:09 |
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| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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| from Jethro Tull - Stormwatch (1979) | |||||
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| from Jethro Tull - Stormwatch (1979) | |||||
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| from Jethro Tull - Stormwatch (1979) | |||||
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2:57 |
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| from David Palmer - Greatest Guitar Hits (0000) | |||||
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6:04 |
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from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
Walking on Velvet Green - Scots Pine growing.
Isn't it rare to be taking the air, sinning - Walking on Velvet Green. Walking on Velvet Green - distant cows lowing. Never a care; with your legs in the air, loving - Walking on Velvet Green. Won't you have my company, yes, take it in your hands. Go down on Velvet Green, with a country-man. Who's a young girl's fancy and an old maid's dream. Tell your mother that you walked all night on Velvet Green. One dusky half-hour's ride up to the north. There lies your reputation and all that you're worth. Where the scent of wild roses turns the milk to cream. Tell your mother that you walked all night on Velvet Green. And the long grass blows in the evening cool. And August's rare delight may be April's fool. But think not of that my love, I'm tight against the seam. And I'm growing up to meet you down on Velvet Green. Now I may tell you that it's love and not just lust. And if we live the lie, let's lie in trust. On golden daffodils, to catch the silver stream That washes out the wild oat seed on Velvet Green. We'll dream as lovers under the stars: Of civilizations raging afar. And the ragged dawn breaks on your battle scars As you walk home cold and alone upon Velvet Green. Walking on Velvet Green - Scots Pine growing. Isn't it rare to be taking the air, sinning - Walking on Velvet Green. Walking on Velvet Green - distant cows lowing. Never a care; with your legs in the air, loving - Walking on Velvet Green. |
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3:42 |
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from ABC - The Lexicon Of Love (1999)
When the postman don't call on Valentine's Day
And Santa Claus don't come on a Christmas Day That umbrella won't work on a rainy day Don't ask me, I already know When they find you beached on the barrier reef And the only pleasure treasured is in map relief The choice is yours, sure, saint or thief Don't ask me, I already know Yes, they baked your cake in little slices Kept your eyes on rising prices Wound up winning booby prizes I'm sure you'd like to think you know what life is Find destiny through magazines Liplicking, unzipping, Harpers and Queens From here to eternity without in-betweens Ask me, I already know With your heart on parade and your heart on parole I hope you find a sucker to buy that mink stole School for scandal, guess who's enrolled So ask me, I already know When they find you beached on the barrier reef When the postman don't call on Valentine's Day When the only pleasure treasured is in map relief When you don't tell the truth, that's the price you pay When I'm shaking a hand, I'm clenching a fist If you gave me a pound for the moments I missed And I got dancing lessons for all the lips I shoulda kissed I'd be a millionaire, I'd be a Fred Astaire |
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4:44 |
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from ABC - The Lexicon Of Love (1999)
When the postman don't call on Valentine's Day
And Santa Claus don't come on a Christmas Day That umbrella won't work on a rainy day Don't ask me, I already know When they find you beached on the barrier reef And the only pleasure treasured is in map relief The choice is yours, sure, saint or thief Don't ask me, I already know Yes, they baked your cake in little slices Kept your eyes on rising prices Wound up winning booby prizes I'm sure you'd like to think you know what life is Find destiny through magazines Liplicking, unzipping, Harpers and Queens From here to eternity without in-betweens Ask me, I already know With your heart on parade and your heart on parole I hope you find a sucker to buy that mink stole School for scandal, guess who's enrolled So ask me, I already know When they find you beached on the barrier reef When the postman don't call on Valentine's Day When the only pleasure treasured is in map relief When you don't tell the truth, that's the price you pay When I'm shaking a hand, I'm clenching a fist If you gave me a pound for the moments I missed And I got dancing lessons for all the lips I shoulda kissed I'd be a millionaire, I'd be a Fred Astaire |
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| from Abracadabra (1990) | |||||
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from Jethro Tull - Bursting Out [live] (1978)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
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4:19 |
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| from ABC - The Lexicon Of Love (1999) | |||||
|
3:31 |
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from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
I'll buy you six bay mares, to put in your stable;
Six golden apples bought with my pay. I am the first piper who calls the sweet tune But I must be gone by the seventh day. So come on - I'm the Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. Whistle along on the seventh day. All kinds of sadness I've left behind me. Many's the day when I have done wrong. But I'll be yours for ever and ever. Climb in the saddle and whistle along. So come on - I'm the Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. Whistle along on the seventh day. Deep red are the sunsets in mystical places. Black are the nights on summer-day sands. We'll find the speck of truth in each riddle: Hold the first grain of love in our hands So come on - I'm the Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. So come on - I'm a Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. Whistle along on the seventh day. |
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0:57 |
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from ABC - The Lexicon Of Love (1999)
When your world is full of strange arrangements
And gravity won't pull you through You know you're missing out on something Well that something depends on you All I'm saying, it takes a lot to love you All I'm doing, you know it's true All I mean now, there's one thing Yes one thing that turns this grey sky to blue That's the look, that's the look The look of love When your girl has left you out on the pavement (Goodbye) Then your dreams fall apart at the seams Your reason for living's your reason for leaving Don't ask me what it means Who's got the look? I don't know the answer to that question Where's the look? If I knew I would tell you What's the look? Look for your information Yes there's one thing, the one thing that still holds true (What's that?) That's the look, that's the look The look of love If you judge a book by the cover Then you'd judge the look by the lover I hope you'll soon recover Me I go from one extreme to another And though my friends just might ask me They say "Martin maybe one day you'll find true love" I say "Maybe, there must be a solution To the one thing, the one thing, we can't find" That's the look, that's the look The look of love That's the look, that's the look The look of love That's the look, that's the look The Look of love |
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3:30 |
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from ABC - The Lexicon Of Love (1999)
When your world is full of strange arrangements
And gravity won't pull you through You know you're missing out on something Well that something depends on you All I'm saying, it takes a lot to love you All I'm doing, you know it's true All I mean now, there's one thing Yes one thing that turns this grey sky to blue That's the look, that's the look The look of love When your girl has left you out on the pavement (Goodbye) Then your dreams fall apart at the seams Your reason for living's your reason for leaving Don't ask me what it means Who's got the look? I don't know the answer to that question Where's the look? If I knew I would tell you What's the look? Look for your information Yes there's one thing, the one thing that still holds true (What's that?) That's the look, that's the look The look of love If you judge a book by the cover Then you'd judge the look by the lover I hope you'll soon recover Me I go from one extreme to another And though my friends just might ask me They say "Martin maybe one day you'll find true love" I say "Maybe, there must be a solution To the one thing, the one thing, we can't find" That's the look, that's the look The look of love That's the look, that's the look The look of love That's the look, that's the look The Look of love |
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|
5:59 |
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from ABC - The Lexicon Of Love (1999)
Speak no
Evil You can't tell me, how to run my life You can't tell me, drugs you're using You're talking loud, and saying nothing Walking proud, and going nowhere fast You know If you could tell me, how to find belief If you told me, i'd believe you Speak no evil, hear no evil See no evil, i'll close my eyes You know, love grows _ 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part I stuck a marriage proposal In the waste disposal If that's the trash aesthetic, I'd suggest that we forget it Your 12 disciples might kiss and tell, but You can tell me much more than they can, Right now A mathematical equation Won't describe my liaison The stars in the sky might try persuading But you can tell me, i won't hear you You can't tell me, i gave up the listening Years ago _ to So you're broken heart, here, take it to the mender I got something on the agenda Speak. no Evil 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part For when two hearts but strong and sweet One promise i can never meet Forgive and forget, for goodness sake For love this strong, might make or break 4 ever 2 gether, 4 years 2 come 4 love 2 strong, 4 us 2 part Two's a party, three's a crowd I'm surprised what get's allowed Three coins inside the fountain You saw mohammed move the mountain Speak no evil |
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3:31 |
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from ABC - The Lexicon Of Love (1999)
Tears for souvenirs Tears are not enough
Tears for shields and spears Tears are not enough Searching for certainty When it's such an unstable world Searching for something good And I'm looking for the real McCoy Blueprint: That says that boy meets girl Picture: Girl meets boy A blueprint that says that the boy meets the girl Picture in a magazine Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Slam that door, slap my face I don't love you anymore Dry your eyes Sink or swim You surmise you can't win We all make great mistakes Would I lie Should I lie Could I lie to you? Excuses had their uses But now they're all used up, all used up Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Tears for souvenirs Tears are not enough Tears for shields and spears Tears are not enough |
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3:36 |
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from ABC - The Lexicon Of Love (1999)
Tears for souvenirs
Tears are not enough Tears for shields and spears Tears are not enough Searching for certainty When it's such an unstable world Searching for something good And I'm looking for the real McCoy Blueprint: That says that boy meets girl Picture: Girl meets boy A blueprint that says that the boy meets the girl Picture in a magazine Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Slam that door, slap my face I don't love you anymore Dry your eyes Sink or swim You surmise you can't win We all make great mistakes Would I lie Should I lie Could I lie to you? Excuses had their uses But now they're all used up, all used up Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Tears for souvenirs Tears are not enough Tears for shields and spears Tears are not enough |
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3:31 |
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from ABC - The Lexicon Of Love (1999)
Tears for souvenirs
Tears are not enough Tears for shields and spears Tears are not enough Searching for certainty When it's such an unstable world Searching for something good And I'm looking for the real McCoy Blueprint: That says that boy meets girl Picture: Girl meets boy A blueprint that says that the boy meets the girl Picture in a magazine Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Slam that door, slap my face I don't love you anymore Dry your eyes Sink or swim You surmise you can't win We all make great mistakes Would I lie Should I lie Could I lie to you? Excuses had their uses But now they're all used up, all used up Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Tears for souvenirs Tears are not enough Tears for shields and spears Tears are not enough |
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|
5:33 |
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from ABC - The Lexicon Of Love (1999)
Tears for souvenirs
Tears are not enough Tears for shields and spears Tears are not enough Searching for certainty When it's such an unstable world Searching for something good And I'm looking for the real McCoy Blueprint: That says that boy meets girl Picture: Girl meets boy A blueprint that says that the boy meets the girl Picture in a magazine Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Slam that door, slap my face I don't love you anymore Dry your eyes Sink or swim You surmise you can't win We all make great mistakes Would I lie Should I lie Could I lie to you? Excuses had their uses But now they're all used up, all used up Yes you've shown your feelings Yes you've shown you're tough Said things worth believing Tears are not enough Tears for souvenirs Tears are not enough Tears for shields and spears Tears are not enough |
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- |
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| from Abracadabra (1990) | |||||
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- |
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from Jethro Tull - Bursting Out [live] (1978)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
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|
3:27 |
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| from ABC - The Lexicon Of Love (1999) | |||||
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- |
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| from Gilbert & Sullivan: The Yeomen of the Guard & Trial By Jury (2008) | |||||
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- |
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| from Gilbert & Sullivan: The Yeomen of the Guard & Trial By Jury (2008) | |||||
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- |
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| from Jethro Tull - Stormwatch (1979) | |||||
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- |
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| from Jethro Tull - Stormwatch (1979) | |||||
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4:55 |
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from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
Let me bring you songs from the wood:
To make you feel much better than you could know - Dust you down from tip to toe - Show you how the garden grows - Hold you steady as you go - Join the chorus if you can: It'll make of you an honest man. Let me bring you love from the field: Poppies red and roses filled with summer rain To heal the wound and still the pain That threatens again and again As you drag down every lovers' lane. Life's long celebration's here. I'll toast you all in penny cheer. Let me bring you all things refined: Galliards and Lute songs served in chilling ale. Greeting well-met fellow, hail! I am the wind to fill your sail. I am the cross to take your nail: A singer of these ageless times - With kitchen prose and gutter rhymes. Songs from the wood - make you feel much better Songs from the wood - make you feel much better Songs from the wood Songs from the wood Let me bring you love from the field: Poppies red and roses filled with summer rain To heal the wound and still the pain That threatens again and again As you drag down every lovers' lane. Life's long celebration's here. I'll toast you all in penny cheer. Songs from the wood - make you feel much better Songs from the wood - make you feel much better |
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- |
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from Jethro Tull - Bursting Out [live] (1978)
Let me bring you songs from the wood:
to make you feel much better than you could know. Dust you down from tip to toe. Show you how the garden grows. Hold you steady as you go. Join the chorus if you can: it'll make of you an honest man. Let me bring you love from the field: poppies red and roses filled with summer rain. To heal the wound and still the pain that threatens again and again as you drag down every lover's lane. Life's long celebration's here. I'll toast you all in penny cheer. Let me bring you all things refined: galliards and lute songs served in chilling ale. Greetings well met fellow, hail! I am the wind to fill your sail. I am the cross to take your nail: A singer of these ageless times. With kitchen prose and gutter rhymes. Songs from the wood make you feel much better. |
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- |
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from Jethro Tull - Stormwatch (1979)
She wore a black tiara
rare gems upon her fingers and she came from distant waters where northern lights explode to celebrate the dawning of the new wastes of winter gathering royal momentum on the icy road. With chill mists swirling like petticoats in motion sighted on horizons for ten thousand years the lady of the ice sounds a deathly distant rumble to Titanic-breaking children lost in melting crystal tears. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. Capturing black pieces in a glass-fronted museum the white queen rolls on the chessboard of the dawn squeezing through the valleys pausing briefly in the corries the Ice-Mother mates and a new age is born. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. Driving all before her un-stoppable, un-straining her cold creaking mass follows reindeer down. Thin spreading fingers seek to embrace the sill-warm bundles that huddle on the doorsteps of a white London Town. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. |
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from Jethro Tull - Stormwatch (1979)
She wore a black tiara
rare gems upon her fingers and she came from distant waters where northern lights explode to celebrate the dawning of the new wastes of winter gathering royal momentum on the icy road. With chill mists swirling like petticoats in motion sighted on horizons for ten thousand years the lady of the ice sounds a deathly distant rumble to Titanic-breaking children lost in melting crystal tears. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. Capturing black pieces in a glass-fronted museum the white queen rolls on the chessboard of the dawn squeezing through the valleys pausing briefly in the corries the Ice-Mother mates and a new age is born. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. Driving all before her un-stoppable, un-straining her cold creaking mass follows reindeer down. Thin spreading fingers seek to embrace the sill-warm bundles that huddle on the doorsteps of a white London Town. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. |
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- |
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from Jethro Tull - Stormwatch (1979)
She wore a black tiara
rare gems upon her fingers and she came from distant waters where northern lights explode to celebrate the dawning of the new wastes of winter gathering royal momentum on the icy road. With chill mists swirling like petticoats in motion sighted on horizons for ten thousand years the lady of the ice sounds a deathly distant rumble to Titanic-breaking children lost in melting crystal tears. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. Capturing black pieces in a glass-fronted museum the white queen rolls on the chessboard of the dawn squeezing through the valleys pausing briefly in the corries the Ice-Mother mates and a new age is born. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. Driving all before her un-stoppable, un-straining her cold creaking mass follows reindeer down. Thin spreading fingers seek to embrace the sill-warm bundles that huddle on the doorsteps of a white London Town. Oh, sunshine --- take me now away from here I'm a needle on a spiral in a groove. And the turntable spins as the last waltz begins And the weather-man says something's on the move. |
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4:32 |
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| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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- |
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| from Jethro Tull - Bursting Out [live] (1978) | |||||
|
4:01 |
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from ABC - The Lexicon Of Love (1999)
Once I needed your love
But that was just one thing left on my mind Then I needed to feel you near me You said:"Don't have the time." The cowboys at the rodeo The rhine-stones on that Romeo Your theme tune on the radio Souvenirs that only go to Show me, show me Show me that your mine Show me, show me Give me just one sign Show me, show me Second that emotion Show me, show me love Since we're skimming the surface darling Now's time to get in deep You've opened up the envelope But there's still one secret you keep A pirate station or the late night show A sunken ship with a rich cargo Buried treasure that the four winds blow Wind and rain it only goes to Show me, show me Show me that your mine Show me, show me Give me just one sign Show me, show me Second that emotion Show me, show me love Some things are hidden Some things you'll see Make me know Signal to me Nine out of ten, in every case She might look pretty but there's make up on her face Show me, show me love And you can be free And you could be free. Free. Free. Where are the diamonds? Where are the curls? Where are the things that you took from this world? These are the diamonds These are the curls These are the things that you took from this world |
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4:05 |
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from ABC - The Lexicon Of Love (1999)
Once I needed your love
But that was just one thing left on my mind Then I needed to feel you near me You said : "Don't have the time."The cowboys at the rodeo The rhine-stones on that Romeo Your theme tune on the radio Souvenirs that only go toShow me, show me Show me that your mine Show me, show me Give me just one sign Show me, show me Second that emotion Show me, show me loveSince we're skimming the surface darling Now's time to get in deep You've opened up the envelope But there's still one secret you keepA pirate station or the late night show A sunken ship with a rich cargo Buried treasure that the four winds blow Wind and rain it only goes toShow me, show me Show me that your mine Show me, show me Give me just one sign Show me, show me Second that emotion Show me, show me loveSome things are hidden Some things you'll see Make me know Signal to meNine out of ten, in every case She might look pretty but there's make up on her faceShow me, show me love And you can be free And you could be free. Free. Free.Where are the diamonds? Where are the pearls? Where are the things that you took from this world?These are the ribbons These are the curls These are the things that you took from this world |
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4:22 |
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from ABC - The Lexicon Of Love (1999)
Once I needed your love
But that was just one thing left on my mind Then I needed to feel you near me You said:"Don't have the time." The cowboys at the rodeo The rhine-stones on that Romeo Your theme tune on the radio Souvenirs that only go to Show me, show me Show me that your mine Show me, show me Give me just one sign Show me, show me Second that emotion Show me, show me love Since we're skimming the surface darling Now's time to get in deep You've opened up the envelope But there's still one secret you keep A pirate station or the late night show A sunken ship with a rich cargo Buried treasure that the four winds blow Wind and rain it only goes to Show me, show me Show me that your mine Show me, show me Give me just one sign Show me, show me Second that emotion Show me, show me love Some things are hidden Some things you'll see Make me know Signal to me Nine out of ten, in every case She might look pretty but there's make up on her face Show me, show me love And you can be free And you could be free. Free. Free. Where are the diamonds? Where are the curls? Where are the things that you took from this world? These are the diamonds These are the curls These are the things that you took from this world |
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- |
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| from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
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9:58 |
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| from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
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- |
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| from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
|
4:51 |
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| from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
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4:16 |
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from Jethro Tull - Heavy Horses (1978)
I chase your every footstep
and I follow every whim. When you call the tune I'm ready to strike up the battle hymn. My lady of the meadows --- My comber of the beach --- You've thrown the stick for your dog's trick but it's floating out of reach. The long road is a rainbow and the pot of gold lies there. So slip the chain and I'm off again --- You'll find me everywhere. I'm a Rover. As the robin craves the summer to hide his smock of red, I need the pillow of your hair in which to hide my head. I'm simple in my sadness, resourceful in remorse. Then I'm down straining at the lead --- holding on a windward course. Strip me from the bundle of balloons at every fair: colourful and carefree --- Designed to make you stare. But I'm lost and I'm losing the thread that holds me down. And I'm up hot and rising in the lights of every town. |
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3:46 |
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from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
Now is the solstice of the year. Winter is the glad song that you
hear. Seven maids move in seven time. Have the lads up ready in the line. Ring out these bells. Ring out, ring Solstice Bells. Ring, Solstice Bells. Join together 'neath the Mistle-toe. By the Holly oak where-on it grows. Seven Druids dance in seven time. Sing the song the Bells call loudly chime. Ring out these bells. Ring out, ring Solstice Bells. Ring, Solstice Bells. Ring out. Ring out the Solstice Bells. Ring out. Ring out the Solstice Bells. Praise be to the distant sister Sun. Joyful as the silver planets run. Seven maids move in seven time. Sing the song the Bells call loudly chime. Ring out those bells. Ring out, ring Solstice Bells. Ring, Solstice Bells. Ring out! Ring out! Ring out! Ring out! |
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3:24 |
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|
from ABC - The Lexicon Of Love (1999)
If I were to say to you
"Can you keep a secret?" Would you know just what to do Or where to keep it? Then I say"I love you" And foul the situation "Hey girl I thought we were The right combination". Who broke my heart? You did, you did Bow to the target, Blame Cupid, Cupid You think you're smart Stupid, Stupid. Shoot that poison arrow to my heart Shoot that poison arrow Shoot that poison arrow to my heart Shoot that poison arrow No rhythm in cymbals No tempo in drums Love on arrival She comes when she comes Right on the target But wide of the mark What I thought was fire Was only the spark The sweetest melody Is an unheard refrain So lower your sights, Yeah but raise your aim Raise your aim Who broke my heart? You did, you did Bow to the target Blame Cupid, Cupid You think you're smart Stupid, Stupid ( ) I thought you loved me but it seems you don't care I care enough to know I can never love you Who broke my heart You did, You did Bow to the target Blame Cupid You think you're smart That's stupid Right from the start When you knew we would part ( to end) |
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7:05 |
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|
from ABC - The Lexicon Of Love (1999)
If I were to say to you
"Can you keep a secret?" Would you know just what to do Or where to keep it? Then I say, "I love you" And foul the situation Hey, girl, I thought we were The right combination Who broke my heart? You did, you did Bow to the target Blame Cupid, Cupid You think you're smart Stupid, stupid Shoot that poison arrow to my heart Shoot that poison arrow No rhythm in cymbals No tempo in drums Love on arrival She comes when she comes Right on the target But wide of the mark What I thought was fire Was only the spark The sweetest melody Is an unheard refrain So lower your sights Yeah but raise your aim Raise your aim Who broke my heart? You did, you did Bow to the target Blame Cupid, Cupid You think you're smart Stupid, stupid Shoot that poison arrow to my heart Shoot that poison arrow I thought you loved me But it seems you don't care I care enough to know I can never love you Who broke my heart? You did, you did Bow to the target Blame Cupid You think you're smart That's stupid Right from the start When you knew we would part Shoot that poison arrow to my heart Shoot that poison arrow |
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|
5:23 |
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|
from ABC - The Lexicon Of Love (1999)
If I were to say to you
"Can you keep a secret?" Would you know just what to do Or where to keep it? Then I say, "I love you" And foul the situation Hey, girl, I thought we were The right combination Who broke my heart? You did, you did Bow to the target Blame Cupid, Cupid You think you're smart Stupid, stupid Shoot that poison arrow to my heart Shoot that poison arrow No rhythm in cymbals No tempo in drums Love on arrival She comes when she comes Right on the target But wide of the mark What I thought was fire Was only the spark The sweetest melody Is an unheard refrain So lower your sights Yeah but raise your aim Raise your aim Who broke my heart? You did, you did Bow to the target Blame Cupid, Cupid You think you're smart Stupid, stupid Shoot that poison arrow to my heart Shoot that poison arrow I thought you loved me But it seems you don't care I care enough to know I can never love you Who broke my heart? You did, you did Bow to the target Blame Cupid You think you're smart That's stupid Right from the start When you knew we would part Shoot that poison arrow to my heart Shoot that poison arrow |
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|
8:37 |
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|
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
There's a light in the house in the wood in the valley.
There's a thought in the head of the man. Who carries his dreams like the coat slung on his shoulder, Bringing you love in the cap in his hand. And each step he takes is one half of a lifetime: no word he would say could you understand. So he bundles his regrets into a gesture of sorrow, Bringing you love cap in hand. Catching breath as he looks through the dining-room window: candle lit table for two has been laid. Strange slippers by the fire. Strange boots in the hallway. Put my cap on my head. I turn and walk away. |
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|
8:37 |
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|
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
There's a light in the house, in the wood in the valley.
There's a thought in the head, of the man. Who carries his dreams, like the coat slung on his shoulder, Bringing you love, in the cap in his hand. And each step he takes, is one half of a life-time: No word he would say, could you understand. So he bundles his regrets, into a gesture of sorrow, Bringing you love, cap in hand. Catching breath, as he looks through the dining-room window: Candle-lit table, for two has been laid. Strange slippers by the fire: Strange boots in the hall-way. Put my cap on my head - I turn, and walk away. |
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|
3:59 |
|
|||
| from ABC - The Lexicon Of Love (1999) | |||||
|
3:56 |
|
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| from ABC - The Lexicon Of Love (1999) | |||||
|
- |
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|
from Jethro Tull - Stormwatch (1979)
Orion, won't you give me your star sign
Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine Orion, light your lights: Come guard the open spaces From the black horizon to the pillow where I lie. Your faithful dog shines brighter than its lord and master Your jewelled sword twinkles as the world rolls by. So come up singing above the cloudy cover Stare through at people who toss fitful in their sleep. I know you're watching as the old gent by the station Scuffs his toes on old fag packets lying in the street Orion, won't you give me your star sign Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine And silver shadows flick across the closing bistro. Sweet waiters link their arms and patter down the street, Their words lost blowing on cold winds in darkest Chelsea. Prime years fly fading with each young heart's beat. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine And young girls shiver as they wait by lonely bus-stops After sad parties: no-one to take them home To greasy bed-sitters and make a late-night play For lost virginity a thousand miles away. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine On the sky-line Orion |
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|
- |
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|
from Jethro Tull - Stormwatch (1979)
Orion, won't you give me your star sign
Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine Orion, light your lights: Come guard the open spaces From the black horizon to the pillow where I lie. Your faithful dog shines brighter than its lord and master Your jewelled sword twinkles as the world rolls by. So come up singing above the cloudy cover Stare through at people who toss fitful in their sleep. I know you're watching as the old gent by the station Scuffs his toes on old fag packets lying in the street Orion, won't you give me your star sign Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine And silver shadows flick across the closing bistro. Sweet waiters link their arms and patter down the street, Their words lost blowing on cold winds in darkest Chelsea. Prime years fly fading with each young heart's beat. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine And young girls shiver as they wait by lonely bus-stops After sad parties: no-one to take them home To greasy bed-sitters and make a late-night play For lost virginity a thousand miles away. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine On the sky-line Orion |
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|
- |
|
|||
|
from Jethro Tull - Stormwatch (1979)
Orion, won't you give me your star sign
Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine Orion, light your lights: Come guard the open spaces From the black horizon to the pillow where I lie. Your faithful dog shines brighter than its lord and master Your jewelled sword twinkles as the world rolls by. So come up singing above the cloudy cover Stare through at people who toss fitful in their sleep. I know you're watching as the old gent by the station Scuffs his toes on old fag packets lying in the street Orion, won't you give me your star sign Orion, get up on the sky-line I'm high on my hill and I feel fine Orion, let's sip the heavens' heady wine And silver shadows flick across the closing bistro. Sweet waiters link their arms and patter down the street, Their words lost blowing on cold winds in darkest Chelsea. Prime years fly fading with each young heart's beat. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine And young girls shiver as they wait by lonely bus-stops After sad parties: no-one to take them home To greasy bed-sitters and make a late-night play For lost virginity a thousand miles away. Orion, won't you make me a star sign Orion, get up on the sky-line I'm high on your love and I feel fine Orion, let's sip the heavens' heady wine On the sky-line Orion |
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|
3:23 |
|
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|
from Jethro Tull - Heavy Horses (1978)
Smile your little smile --- take some tea with me awhile.
Brush away that black cloud from your shoulder. Twitch your whiskers. Feel that you're really real. Another tea-time --- another day older. Puff warm breath on your tiny hands. You wish you were a man who every day can turn another page. Behind your glass you sit and look at my ever-open book --- One brown mouse sitting in a cage. Do you wonder if I really care for you --- Am I just the company you keep --- Which one of us exercises on the old treadmill --- Who hides his head, pretending to sleep? Smile your little smile --- take some tea with me awhile. And every day we'll turn another page. Behind our glass we'll sit and look at our ever-open book --- One brown mouse sitting in a cage. |
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|
- |
|
|||
|
from Jethro Tull - Bursting Out [live] (1978)
Smile your little smile --- take some tea with me awhile.
Brush away that black cloud from your shoulder. Twitch your whiskers. Feel that you're really real. Another tea-time --- another day older. Puff warm breath on your tiny hands. You wish you were a man who every day can turn another page. Behind your glass you sit and look at my ever-open book --- One brown mouse sitting in a cage. Do you wonder if I really care for you --- Am I just the company you keep --- Which one of us exercises on the old treadmill --- Who hides his head, pretending to sleep? Smile your little smile --- take some tea with me awhile. And every day we'll turn another page. Behind our glass we'll sit and look at our ever-open book --- One brown mouse sitting in a cage. |
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|
- |
|
|||
| from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
|
4:04 |
|
|||
| from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
|
- |
|
|||
| from Abracadabra (1990) | |||||
|
- |
|
|||
|
from Jethro Tull - Stormwatch (1979)
Hair stands high on the cat's back like
a ridge of threatening hills. Sheepdogs howl, make tracks and growl --- their tails hanging low. And young children falter in their games at the altar of life's hide-and-seek between tall pillars, where Sunday-night killers in grey raincoats peek. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. Misty colours unfold a backcloth cold --- fine tapestry of silk I draw around me like a cloak and soundless glide a-drifting on eddies whirled in beech leaves furled --- brown and gold they fly in the warm mesh of sunlight sifting now from a cloudless sky. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. |
|||||
|
- |
|
|||
|
from Jethro Tull - Stormwatch (1979)
Hair stands high on the cat's back like
a ridge of threatening hills. Sheepdogs howl, make tracks and growl --- their tails hanging low. And young children falter in their games at the altar of life's hide-and-seek between tall pillars, where Sunday-night killers in grey raincoats peek. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. Misty colours unfold a backcloth cold --- fine tapestry of silk I draw around me like a cloak and soundless glide a-drifting on eddies whirled in beech leaves furled --- brown and gold they fly in the warm mesh of sunlight sifting now from a cloudless sky. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. |
|||||
|
- |
|
|||
|
from Jethro Tull - Stormwatch (1979)
Hair stands high on the cat's back like
a ridge of threatening hills. Sheepdogs howl, make tracks and growl --- their tails hanging low. And young children falter in their games at the altar of life's hide-and-seek between tall pillars, where Sunday-night killers in grey raincoats peek. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. Misty colours unfold a backcloth cold --- fine tapestry of silk I draw around me like a cloak and soundless glide a-drifting on eddies whirled in beech leaves furled --- brown and gold they fly in the warm mesh of sunlight sifting now from a cloudless sky. I'll be coming again like an old dog in pain Blown through the eye of the hurricane Down to the stones where old ghosts play. |
|||||
|
4:21 |
|
|||
| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
|
- |
|
|||
|
from Jethro Tull - Stormwatch (1979)
Black and viscous--bound to cure blue lethargy
Sugar-plum petroleum for energy Tightrope-balanced payments need a small reprieve Oh, please believe we want to be In North Sea In North Sea oil New-found wealth sits on the shelf of yesterday Hot-air balloon inflation soon will make you pay Riggers rig and diggers dig their shallow grave But we'll be saved and what we crave Is North Sea Is North Sea oil Prices boom in Aberdeen and London Town Ten more years to lay the fears, erase the frown Before we are all nuclear--the better way! Oh, let us pray: we want to stay In North Sea In North Sea In North Sea oil |
|||||
|
- |
|
|||
|
from Jethro Tull - Stormwatch (1979)
Black and viscous--bound to cure blue lethargy
Sugar-plum petroleum for energy Tightrope-balanced payments need a small reprieve Oh, please believe we want to be In North Sea In North Sea oil New-found wealth sits on the shelf of yesterday Hot-air balloon inflation soon will make you pay Riggers rig and diggers dig their shallow grave But we'll be saved and what we crave Is North Sea Is North Sea oil Prices boom in Aberdeen and London Town Ten more years to lay the fears, erase the frown Before we are all nuclear--the better way! Oh, let us pray: we want to stay In North Sea In North Sea In North Sea oil |
|||||
|
- |
|
|||
|
from Jethro Tull - Stormwatch (1979)
Black and viscous--bound to cure blue lethargy
Sugar-plum petroleum for energy Tightrope-balanced payments need a small reprieve Oh, please believe we want to be In North Sea In North Sea oil New-found wealth sits on the shelf of yesterday Hot-air balloon inflation soon will make you pay Riggers rig and diggers dig their shallow grave But we'll be saved and what we crave Is North Sea Is North Sea oil Prices boom in Aberdeen and London Town Ten more years to lay the fears, erase the frown Before we are all nuclear--the better way! Oh, let us pray: we want to stay In North Sea In North Sea In North Sea oil |
|||||
|
7:55 |
|
|||
|
from Jethro Tull - Heavy Horses (1978)
Keep your eyes open and prick up your ears,
Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. Keep your eyes open and prick up your ears, Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down. Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. |
|||||
|
- |
|
|||
|
from Jethro Tull - Bursting Out [live] (1978)
Keep your eyes open and prick up your ears,
Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. Keep your eyes open and prick up your ears, Rehearse your loudest cry. There's folk out there who would do you harm So I'll sing you no lullaby. There's a lock on the window, there's a chain on the door, And a big dog in the hall. But there's dragons and beasties out there in the night To snatch you if you fall. So come out fighting with your rattle in hand, thrust and parry. Light A match to catch the devil's eye, bring a cross of fire to the fight. And let no sleep bring false relief from the tension of the fray. Come wake the dead with the scream of life, do battle with ghosts at play. And gather your toys at the call-to-arms and swing your big bear down. Upon our necks when we come to set you sleeping safe and sound. It's as well we tell no lie to chase the face that cries. And little birds can't fly so keep an open eye. It's as well we tell no lie, so I'll sing you no lullaby. |
|||||
|
- |
|
|||
| from Abracadabra (1990) | |||||
|
- |
|
|||
| from Abracadabra (1990) | |||||
|
- |
|
|||
| from Abracadabra (1990) | |||||
|
3:27 |
|
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|
from Jethro Tull - Heavy Horses (1978)
Oh the leaded window opened
but you moved the dancing candle flame and the first moths of summer suicidal came, oh suicidal came. And the new breeze chattered in its May-bud tenderness sending water-lilies sailing as she turned to get undressed. And the long night awakened and we soared on powdered wings circling our tomorrows in the wary month of spring. Chasing shadows slipping in the magic lantern's light - creatures of the candle on the night's light's rite. Dipping and weaving, flutter through the golden needle's eye in our haystack madness, butterfly stroking on a spring-tide high. Life's too long (as the lemmings said) as the candle burned and the moths were wed. And we'll all burn together as the wick grows higher before the candle's dead. Oh the leaded window opened but you moved the dancing candle flame. And the first moths of summer suicidal came, oh suicidal came, to join in the worship of the light that never dies in the moments reflection of two moths spinning in her eyes. |
|||||
|
3:39 |
|
|||
| from David Palmer - Greatest Guitar Hits (0000) | |||||
|
- |
|
|||
| from Royal Philharmonic Orchestra - Music Of Pink Floyd Orchestral Maneuvers (2000) | |||||
|
6:51 |
|
|||
| from David Palmer - Music Of Pink Floyd : Orchestral Maneuvers (1991) | |||||
|
3:59 |
|
|||
|
from ABC - The Lexicon Of Love (1999)
When I accepted this job
I was resigned to my fate When I got there early She'd arrive late You can say she's gone forever Or just sit tight and wait She said I was unprincipled That I was not the first Like the Phoenix coming back From the ashes, uh-huh I know what's good, But I know what trash is In the head-lights, In the highlights of her hair... Hit the head lines But she's not there: Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay, I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Like the world, spinning 'round On its axis, uh-huh I know democracy But I know what's fascist When she's gone, all I got to learn Is the law of diminishing return When she's here, one thing I've found Things get better second time around Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Now she's gone, she's gone away Now she's gone forget her Coming back another day If you'd only let her Now she's gone, she's gone away But she's gone forget her Coming back another day So why resurrect her? Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned |
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|
7:03 |
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|
from ABC - The Lexicon Of Love (1999)
When I accepted this job
I was resigned to my fate When I got there early She'd arrive late You can say she's gone forever Or just sit tight and wait She said I was unprincipled That I was not the first Like the Phoenix coming back From the ashes, uh-huh I know what's good, But I know what trash is In the head-lights, In the highlights of her hair... Hit the head lines But she's not there: Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay, I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Like the world, spinning 'round On its axis, uh-huh I know democracy But I know what's fascist When she's gone, all I got to learn Is the law of diminishing return When she's here, one thing I've found Things get better second time around Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned Okay I'm sad, not blue Okay, remember All that matters to me now Is the message I sent her Now she's gone, she's gone away Now she's gone forget her Coming back another day If you'd only let her Now she's gone, she's gone away But she's gone forget her Coming back another day So why resurrect her? Many happy returns Many happy returns These are the lessons I could have learned Return. Many happy returns And these are the letters I should have burned |
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3:06 |
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| from David Palmer - Greatest Guitar Hits (0000) | |||||
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4:18 |
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| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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3:10 |
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from Jethro Tull - Heavy Horses (1978)
The bomb's in the china. The fat's in the fire.
There's no turkey left on the table. The commuter's return on the six o'clock flyer brings no bale of hay for the stable. Well, the light, it is failing along the green belt as we follow the hard road signs. Semi-detached in our suburban-ness --- we're living in these hard times. Well the fly's in the milk and the cat's in the stew. Another bun in the oven --- oh, what to do? We'll laugh and we'll sing and try to bring a pound from your pocket. Good day to you. Oh, these hard times. The politicians sat on the wall and traded with the union game. Someone slapped a writ on our deficit --- not a penny left to our name. Oh, the times are hard and the credits lean, and they toss and they turn in sleep. And the line they take is the line they make --- but it's not the line they keep. The cow jumped over yesterday's moon and the lock ran away with the key. You know what you like, and you like what you know but there is no jam for tea. Well the light it is failing along the green belt as we follow the hard road signs. Semi-detached in our suburban-ness --- we're living in these hard times. |
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| from Jethro Tull - Stormwatch (1979) | |||||
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| from Jethro Tull - Stormwatch (1979) | |||||
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4:06 |
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| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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from Jethro Tull - Stormwatch (1979)
There was a warm wind with the high tide
On the south of the hill When a young girl went a-walking And I followed with a will Good day to you, my fine young lady With your lips so sweetly full May I help you comb your long hair Sweep it from that brow so cool Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Well, I'm a man when I'm feeling The urge to step ashore So I may charm you, not alarm you Tell you all fine things and more Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Say goodbye to all your dear kin For they hate to see you go In your young prime to this place of mine In the still loch far below Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep |
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from Jethro Tull - Stormwatch (1979)
There was a warm wind with the high tide
On the south of the hill When a young girl went a-walking And I followed with a will Good day to you, my fine young lady With your lips so sweetly full May I help you comb your long hair Sweep it from that brow so cool Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Well, I'm a man when I'm feeling The urge to step ashore So I may charm you, not alarm you Tell you all fine things and more Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Say goodbye to all your dear kin For they hate to see you go In your young prime to this place of mine In the still loch far below Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep If you don't ride with me while the devil's free I'll ride with somebody else Up, ride with the kelpie I'll steal your soul to the deep |
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5:23 |
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| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||
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3:09 |
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| from David Palmer - Greatest Guitar Hits (0000) | |||||
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3:53 |
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| from David Palmer - Greatest Guitar Hits (0000) | |||||
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3:58 |
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from Jethro Tull - Heavy Horses (1978)
Spine-tingling railway sleepers ---
Sleepy houses lying four-square and firm Orange beams divide the darkness Rumbling fit to turn the waking worm. Sliding through Victorian tunnels where green moss oozes from the pores. Dull echoes from the wet embankments Battlefield allotments. Fresh open sores. In late night commuter madness Double-locked black briefcase on the floor like a faithful dog with master sleeping in the draught beside the carriage door. To each Journeyman his own home-coming Cold supper nearing with each station stop Frosty flakes on empty platforms Fireside slippers waiting. Flip. Flop. Journeyman night-tripping on the late fantasic Too late to stop for tea at Gerard's Cross and hear the soft shoes on the footbridge shuffle as the wheels turn biting on the midnight frost. On the late commuter special Carriage lights that flicker, fade and die Howling into hollow blackness Dusky diesel shudders in full cry. Down redundant morning papers Abandon crosswords with a cough Stationmaster in his wisdom told the guard to turn the heating off. |
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3:30 |
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| from David Palmer - Greatest Guitar Hits (0000) | |||||
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2:31 |
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from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
He sits quietly under every tree
In the folds of his velvet gown. He drinks from the empty acorn cup. The dew that dawn sweetly bestows. And taps his cane upon the ground - Signals the snow drops, it's time to grow It's no fun being Jack-in-the-Green: No place to dance, no time for song. He wears the colours of the summer soldier; And carries the green flag all the winter long. Jack do you never sleep - does the green still run deep in your heart? Or will these changing times, motorways, powerlines, keep us apart? Well, I don't think so. I saw some grass growing through the pavements today. The Rowan, the Oak and the Holly tree Are the charges left for him to groom. Each blade of grass whispers, "Jack-in-the-Green." "Oh Jack, please help me through my winter's night." And - "We are the berries on the Holly tree: Oh, the Mistle Thrush is coming. Jack, put out the light!" |
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from Jethro Tull - Bursting Out [live] (1978)
Have you seen Jack-In-The-Green?
With his long tail hanging down. He quietly sits under every tree --- in the folds of his velvet gown. He drinks from the empty acorn cup the dew that dawn sweetly bestows. And taps his cane upon the ground --- signals the snowdrops it's time to grow. It's no fun being Jack-In-The-Green --- no place to dance, no time for song. He wears the colours of the summer soldier --- carries the green flag all the winter long. Jack, do you never sleep --- does the green still run deep in your heart? Or will these changing times, motorways, powerlines, keep us apart? Well, I don't think so --- I saw some grass growing through the pavements today. The rowan, the oak and the holly tree are the charges left for you to groom. Each blade of grass whispers Jack-In-The-Green. Oh Jack, please help me through my winter's night. And we are the berries on the holly tree. Oh, the mistlethrush is coming. Jack, put out the light. |
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2:00 |
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| from ABC - The Lexicon Of Love (1999) | |||||
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8:26 |
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| from ABC - The Lexicon Of Love (1999) | |||||
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8:02 |
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| from Royal Philharmonic Orchestra, David Palmer - Passing Open Windows : A Symphonic Tribute To Queen [tribute] (1996) | |||||




