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2:54 |
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| from Marillion - Misplaced Childhood (1985) | |||||
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7:56 |
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| from Marillion - Misplaced Childhood (1985) | |||||
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9:29 |
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| from Marillion - Misplaced Childhood (1985) | |||||
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1:46 |
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from Marillion - Misplaced Childhood (1985)
The sky was Bible black in Lyon
When I met the Magdalene She was paralysed in a street light She refused to give her name And a ring of violet bruises They were pinned upon her arm. Two hundred francs for sanctuary and she led me by the hand To a room of dancing shadows where all the heartache disappears And from glowing tongues of candles I heard her whisper in my ear "J'entend ton coeur" I can hear your I can hear your I can hear you heart hear your heart I hear your heart |
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4:33 |
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from Marillion - Misplaced Childhood (1985)
And it was morning. And I found myself mourning, for a childhood that I thought had disappeared. I looked out the window, And I saw a magpie in the rainbow, the rain had gone I'm not alone, I turned to the mirror, I saw you, the child, that once loved. The child before they broke his heart, Our heart, the heart that I believed was lost. Hey you, surprised? More than surprised, to find the answers to the questions, Were always in your own eyes. Do you realize that you give it on back to her? But that would only be retraced in all the problems that you ever knew, So untrue. For she's got to carry on with her life, and you've got to carry on with yours. So I see it's me, I can do anything And still the child, 'Cos the only thing misplaced was direction And I found direction. There is no Childhood's End. There is no Childhood's End. Cos' you are my childhood friend. Cos' you are my childhood friend. Oh lead me on. Hey you, you've survived. Now you've arrived, to be reborn in the shadow of the magpie. Now you realize, that you've got to get out of here. You've found the leading light of destiny, burning in the ashes of your memory. You want to change the world. You'd resigned yourself to die a broken rebel, But that was looking backward. Now you've found the light. You, the child that once loved, The child before they broke his heart. The heart, the heart that I believed was lost So it's me I see, I can do anything. I'm still the child. 'Cos the only thing misplaced was direction, and I found direction. There is no childhood's end. There is no childhood's end. There is no childhood's end. I am your childhood friend. Oh.. lead me on |
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2:23 |
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from Marillion - Misplaced Childhood (1985)
And it was morning. And I found myself mourning, for a childhood that I thought had disappeared. I looked out the window, And I saw a magpie in the rainbow, the rain had gone I'm not alone, I turned to the mirror, I saw you, the child, that once loved. The child before they broke his heart, Our heart, the heart that I believed was lost. Hey you, surprised? More than surprised, to find the answers to the questions, Were always in your own eyes. Do you realize that you give it on back to her? But that would only be retraced in all the problems that you ever knew, So untrue. For she's got to carry on with her life, and you've got to carry on with yours. So I see it's me, I can do anything And still the child, 'Cos the only thing misplaced was direction And I found direction. There is no Childhood's End. There is no Childhood's End. Cos' you are my childhood friend. Cos' you are my childhood friend. Oh lead me on. Hey you, you've survived. Now you've arrived, to be reborn in the shadow of the magpie. Now you realize, that you've got to get out of here. You've found the leading light of destiny, burning in the ashes of your memory. You want to change the world. You'd resigned yourself to die a broken rebel, But that was looking backward. Now you've found the light. You, the child that once loved, The child before they broke his heart. The heart, the heart that I believed was lost So it's me I see, I can do anything. I'm still the child. 'Cos the only thing misplaced was direction, and I found direction. There is no childhood's end. There is no childhood's end. There is no childhood's end. I am your childhood friend. Oh.. lead me on |
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4:08 |
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from Marillion - Misplaced Childhood (1985)
Have you ever met a lady, screaming angst potential?
Have you ever dreamed of romance, no matter how experimental? Have you ever felt an alien drifting back into your hometown? Did you think you were buying safety when you bought that piece of ground? She said all the best freaks are here She said all the best freaks are here, please stop staring at me So I said all the best freaks are here All the best freaks are here, please stop staring at me Have you ever woke up, sweating in the middle of the night? You search the darkness and you're scrambling for the light Have you ever walked down the street, heard bootsteps following you? Don't worry my son, you've got the spook squad looking after you He said all the best freaks are here He said all the best freaks are here, please stop staring at me So I said all the best freaks are here All the best freaks are here, please stop staring at me Stop staring at me Airport terminal, patiently waiting on the last call You feel the eyes burn the back of your head Sign the autograph, get out of the picture, gonna have the last laugh Feel the whispers as you head for the plane Stop staring at me Love and linen sheets seem so very far away You save your pennies and you buy another day But after all it's only hide and seek, just another game There's so much fun to be had when you're living with a name All the best freaks are here, all the best freaks are here Please stop staring at me All the best freaks are here, all the best freaks are here Please stop staring at me They said all the best freaks are here All the best freaks are here, please stop staring at me |
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5:54 |
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from Marillion - Misplaced Childhood (1985)
Wide boys, wide boys, wide boys, born with hearts of Lothian
Wide boys, we were wide boys, born with hearts of Lothian Wide boys, we were wide boys, these hearts of Lothian It's six o'clock in the tower blocks Stalagmites of culture shock And the trippers of the light fantastic, bow down, hoe-down Spray their pheromones on this perfume uniform And anarchy smiles in the Royal Mile And they're waiting on the slyboys, flyboys, wideboys Rooting, tooting cowboys Lucky little ladies at the watering holes They'll score the Friday night goals I was born with a heart of Lothian I was born with a heart of Lothian With a heart of Lothian I was born with a heart of Lothian, with a heart of Lothian. II. Curtain Call And the man from the magazine, wants another shot of you all curled up 'Cos you look like an actor in a movie shot. But you're feeling like a wino in a parking lot How did I get in here anyway? Do we really need a playback of the show? 'Cos the wideboys want to head for the watering holes Let's go And the man in the mirror has sad eyes |
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4:02 |
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| from Marillion - Misplaced Childhood (1985) | |||||
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3:49 |
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| from Marillion - Misplaced Childhood (1985) | |||||
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4:03 |
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from Marillion - Misplaced Childhood (1985)
Do you remember chalk hearts melting on a playground wall
Do you remember dawn escapes from moonwashed college halls Do you remember the cherry blossom in the market square Do you remember, I thought it was confetti in our hair By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, is it too late to say I'm sorry And Kayleigh, could we get it together again I just can't go on pretending that it came to a natural end Kayleigh, oh I never thought I'd miss you And Kayleigh, I thought that we'd always be friends We said our love would last forever so how did it come to this bitter end Oh oh yeah Do you remember, barefoot on the lawn with shooting stars Do you remember the loving on the floor in Belsize Park Do you remember dancing in Stilletos in the snow Do you remember, you never understood I had to go By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, I just wanna say I'm sorry But Kayleigh, I'm too scared to pick up the phone To have hear you've found another lover to patch up our broken home Kayleigh, I'm still trying to write that love song Kayleigh, it's more important to me, now you're gone Maybe it'll prove that we were right or it'll prove that I was wrong |
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4:03 |
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from Marillion - Misplaced Childhood (1985)
Do you remember chalk hearts melting on a playground wall
Do you remember dawn escapes from moonwashed college halls Do you remember the cherry blossom in the market square Do you remember, I thought it was confetti in our hair By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, is it too late to say I'm sorry And Kayleigh, could we get it together again I just can't go on pretending that it came to a natural end Kayleigh, oh I never thought I'd miss you And Kayleigh, I thought that we'd always be friends We said our love would last forever so how did it come to this bitter end Oh oh yeah Do you remember, barefoot on the lawn with shooting stars Do you remember the loving on the floor in Belsize Park Do you remember dancing in Stilletos in the snow Do you remember, you never understood I had to go By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, I just wanna say I'm sorry But Kayleigh, I'm too scared to pick up the phone To have hear you've found another lover to patch up our broken home Kayleigh, I'm still trying to write that love song Kayleigh, it's more important to me, now you're gone Maybe it'll prove that we were right or it'll prove that I was wrong |
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4:06 |
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from Marillion - Misplaced Childhood (1985)
Do you remember chalk hearts melting on a playground wall
Do you remember dawn escapes from moonwashed college halls Do you remember the cherry blossom in the market square Do you remember, I thought it was confetti in our hair By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, is it too late to say I'm sorry And Kayleigh, could we get it together again I just can't go on pretending that it came to a natural end Kayleigh, oh I never thought I'd miss you And Kayleigh, I thought that we'd always be friends We said our love would last forever so how did it come to this bitter end Oh oh yeah Do you remember, barefoot on the lawn with shooting stars Do you remember the loving on the floor in Belsize Park Do you remember dancing in Stilletos in the snow Do you remember, you never understood I had to go By the way, didn't I break your heart Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart but you broke mine Kayleigh, I just wanna say I'm sorry But Kayleigh, I'm too scared to pick up the phone To have hear you've found another lover to patch up our broken home Kayleigh, I'm still trying to write that love song Kayleigh, it's more important to me, now you're gone Maybe it'll prove that we were right or it'll prove that I was wrong |
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5:50 |
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from Marillion - Misplaced Childhood (1985)
You pick out your credit cards and check into the night
A dozen tequilas and you're feeling all right So you swim to the disco, out of your depth jaded gigolo Your lucky charms are tarnished so you leave alone But there's one place left to go before the taxi home After all you've made your marks One night you'll play Elizabeth Taylor The next night you're Marilyn Monroe Forever kissing frogs that think they're princes Oh, Lady Nina, where did all the romance go? Your little sister baby-sits, your husband picks you up at six The make-up hides the bruises and the tears so they never show 'Cos your beauty is the only thing you've ever owned It's the only way you've ever known to make your marks You made your marks, you made your marks We believe it's for real Ich liebe dich, liebst du mich Lady Nina, I'd love to take you home with me But I love my wife and I love my family I've got a good job, responsibilities And I need to keep respect from society I know you'll never act with me I know that you're in love with me So how do I compare to the sailors of the ships of the night? Was I all right? Did you come tonight, Lady Nina? You made your marks, you made your marks Ebony flowers pinned to a velvet cushion in a red light And Edith Piaf sings a lullaby for the night Just making marks, just making marks Just making marks, just making marks You made your marks |
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2:25 |
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from Marillion - Misplaced Childhood (1985)
I was walking in the park dreaming of a spark When I heard the sprinklers whisper, Shimmer in the haze of summer lawns. Then I heard the children singing, They were running through the rainbows. They were singing a song for you. Well it seemed to be a song for you, the one I wanted to write for you, for you, you. Lavenders blue, dilly dilly, lavenders green. When I am King, dilly dilly, you will be Queen. A penny for your thoughts my dear, A penny for your thoughts my dear, I.O.U. for your love, I.O.U. for your love. Lavenders green, dilly dilly, lavenders blue. When you love me, dilly dilly, I will love you. A penny for your thoughts my dear, A penny for your thoughts my dear, I.O.U. for your love, I.O.U. for your love. For your love, for your love, for your love |
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4:22 |
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| from Marillion - Misplaced Childhood (1985) | |||||
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2:37 |
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from Marillion - Misplaced Childhood (1985)
I was walking in the park dreaming of a spark When I heard the sprinklers whisper, Shimmer in the haze of summer lawns. Then I heard the children singing, They were running through the rainbows. They were singing a song for you. Well it seemed to be a song for you, the one I wanted to write for you, for you, you. Lavenders blue, dilly dilly, lavenders green. When I am King, dilly dilly, you will be Queen. A penny for your thoughts my dear, A penny for your thoughts my dear, I.O.U. for your love, I.O.U. for your love. Lavenders green, dilly dilly, lavenders blue. When you love me, dilly dilly, I will love you. A penny for your thoughts my dear, A penny for your thoughts my dear, I.O.U. for your love, I.O.U. for your love. For your love, for your love, for your love |
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1:52 |
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from Marillion - Misplaced Childhood (1985)
A love song with no validity
Pretend you never meant that much to me Numb, a Valium child, bored by meaningless collisions A lonely stretch of headlight, diamonds trapped in black ice A mirror cracked among the white lines I just wanted you to be the first one I just wanted you to be the first one Ashes are burning, burning Ashes are burning, burning A lifestyle with no simplicities But I'm not asking for your sympathy Talk, we never could talk, distanced by all that was between us A lord of the backstage, a creature of language I'm so far out and I'm too far in I just wanted you to be the first one I just wanted you to be the first one Bridges are burning, burning Bridges are burning, burning |
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1:46 |
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from Marillion - Misplaced Childhood (1985)
A love song with no validity
Pretend you never meant that much to me Numb, a Valium child, bored by meaningless collisions A lonely stretch of headlight, diamonds trapped in black ice A mirror cracked among the white lines I just wanted you to be the first one I just wanted you to be the first one Ashes are burning, burning Ashes are burning, burning A lifestyle with no simplicities But I'm not asking for your sympathy Talk, we never could talk, distanced by all that was between us A lord of the backstage, a creature of language I'm so far out and I'm too far in I just wanted you to be the first one I just wanted you to be the first one Bridges are burning, burning Bridges are burning, burning |
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1:56 |
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from Marillion - Misplaced Childhood (1985)
It's getting late for scribbling and scratching on the paper
Something's gonna give under this pressure And the cracks are already beginning to show It's too late The weekend career girl never boarded the plane They said this could never happen again Oh, so wrong, so wrong This time it seems to be another misplaced rendezvous This time, it's looking like another misplaced rendezvous With you The parallel of you, you You On the outskirts of nowhere On the ringroad to somewhere On the verge of indecision I'll always take the roundabout way Waiting on the rain For I was born with a habit, from a sign The habit of a windswept thumb And the sign of the rain |
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9:17 |
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| from Marillion - Misplaced Childhood (1985) | |||||
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2:14 |
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from Marillion - Misplaced Childhood (1985)
Huddled in the safety of a pseudo silk kimono
Wearing bracelets of smoke, naked of understanding Nicotine smears, long, long dried tears, invisible tears Safe in my own words, learning from my own words Cruel joke, cruel joke Huddled in the safety of a pseudo silk kimono A morning mare rides, in the starless shutters of my eyes The spirit of a misplaced childhood is rising to speak his mind To this orphan of heartbreak, disillusioned and scarred A refugee, refugee. Safe in the sanctuary Safe |
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2:11 |
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from Marillion - Misplaced Childhood (1985)
Huddled in the safety of a pseudo silk kimono
Wearing bracelets of smoke, naked of understanding Nicotine smears, long, long dried tears, invisible tears Safe in my own words, learning from my own words Cruel joke, cruel joke Huddled in the safety of a pseudo silk kimono A morning mare rides, in the starless shutters of my eyes The spirit of a misplaced childhood is rising to speak his mind To this orphan of heartbreak, disillusioned and scarred A refugee, refugee. Safe in the sanctuary Safe |
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2:13 |
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from Marillion - Misplaced Childhood (1985)
I lie awake at night
Listening to you sleeping I hear the darkness breathe And the rain against the window After all this time Cynical and jaded All the stones are diamonds All the blues are faded Everything I've been through All I've seen and heard Spent so much of my life In the spiritual third world But you came and brought the rain here Something waiting to happen Something learning to fly We can talk without talking From inside to inside I have waited to feel this For the whole of my life We took ourselves apart We talked about our faces You said you didn't like yours I said I disagree I keep the pieces separate I clutch them in my coat A jogsaw of an angel I can do when I feel low From emptiness and dryness The famine of our days Watch the heaves open Wash it all away You came and brought the rain here Something waiting to happen Something learning to fly On the edge of exploding Something wild and alive Something waiting to happen Anytime that you like I have waited to feel this For the whole of my life |
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2:00 |
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from Marillion - Misplaced Childhood (1985)
I lie awake at night
Listening to you sleeping I hear the darkness breathe And the rain against the window After all this time Cynical and jaded All the stones are diamonds All the blues are faded Everything I've been through All I've seen and heard Spent so much of my life In the spiritual third world But you came and brought the rain here Something waiting to happen Something learning to fly We can talk without talking From inside to inside I have waited to feel this For the whole of my life We took ourselves apart We talked about our faces You said you didn't like yours I said I disagree I keep the pieces separate I clutch them in my coat A jogsaw of an angel I can do when I feel low From emptiness and dryness The famine of our days Watch the heaves open Wash it all away You came and brought the rain here Something waiting to happen Something learning to fly On the edge of exploding Something wild and alive Something waiting to happen Anytime that you like I have waited to feel this For the whole of my life |
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2:25 |
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from Marillion - Misplaced Childhood (1985)
When I hit the streets back in '81
Found a heart in the gutter and a poet's crown I felt barbed wire kisses and icicle tears Where have I been for all these years? I saw political intrigue, political lies Gonna wipe those smiles of self-satisfaction from their eyes I will wear your white feather I will carry your white flag I will swear I have no nation But I'm proud to own my heart I will wear your white feather I will carry your white flag I will swear I have no nation But I'm proud to own my heart My heart, this is my heart We don't need no uniforms, we have no disguise Divided we stand, together we'll rise We will wear your white feather We will carry your white flag We will swear we have no nations But we're proud to own our hearts We will wear your white feather We will carry your white flag We will swear we have no nations But we're proud to own our hearts These are our hearts These are our hearts You can't take away our hearts You can't steal our hearts away I can't walk away No more |
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2:18 |
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from Marillion - Misplaced Childhood (1985)
When I hit the streets back in '81
Found a heart in the gutter and a poet's crown I felt barbed wire kisses and icicle tears Where have I been for all these years? I saw political intrigue, political lies Gonna wipe those smiles of self-satisfaction from their eyes I will wear your white feather I will carry your white flag I will swear I have no nation But I'm proud to own my heart I will wear your white feather I will carry your white flag I will swear I have no nation But I'm proud to own my heart My heart, this is my heart We don't need no uniforms, we have no disguise Divided we stand, together we'll rise We will wear your white feather We will carry your white flag We will swear we have no nations But we're proud to own our hearts We will wear your white feather We will carry your white flag We will swear we have no nations But we're proud to own our hearts These are our hearts These are our hearts You can't take away our hearts You can't steal our hearts away I can't walk away No more |
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3:20 |
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from Marillion - Seasons End (1989)
There's a line on her jeans
That a ballpoint made >From a careless mistake That she can't wash away There's a heart on her sleeve >From a spill of red wine There's a piece of green in blue of her eyes She named it after me There's a stray dog she feeds That she found in the street And he loves her to hold him But he won't let her keep him And he claws at the door To be let out at night And she makes do without him and she worries about him She named him after me So if you ever decide That you have to escape And you travel the world And you can't find a place You could wind up believing That paradise Is nothing more than a feeling That goes on in your mind So if you ever find out what it is There's something you could do Cause if I ever hold that golden dream I want to tell you I'm gonna name it after you |
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7:48 |
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from Marillion - Seasons End (1989)
The mascara'd blonde from the Berliner bar
Rises at twilight, gets dressed in a daze Black leather crackles and cold water runs As she touches the walls of her memory maze And the shadows of men she has known fill her day She's held half the world in her arms so they say But she wakes up without them with a hole in her heart And she puts on her clothes lives her life behind bars The mascara'd blonde from the berliner bar Sighs at the skylight gets lost in the haze Black leather crackles an cold water runs As she touches the walls of her memory maze Someone got stranded in No-Man's land Dancing in the spotlight to the sound of clapping hands Nobody knows who's side he was on It's a risk that you take in No-Man's land Nobody knows what made him decide To run for freedom and to certain suicide When they turn off the guns and his fingers uncurl He's clutching a photograph of a Berlin party girl Come in from your checkpoints on your lonely roads Come in from your ditches in you silent fields Where intensified light from a rifle sight Makes the darkness day And the day too bright And we wake up without you We wake up without you With a hole in our hearts You mad dog shaven head bottle boy Freaks In martens & khaki drunk on sake You stare at yourself in the cruel flush of dawn Terrified sunken eyed withered and drawn The Butcher, the Baker, the Munitions Maker, The Over-Achiever, the Armistice Breaker, The Free-Base Instructor, the Lightning-Conductor The Psycho, the Sailor, the Tanker, the Tailor The Black-Market Mailer The Quick and the Dead The Spotlight Dancer The Quick and the Dead [JOHN HELMER and STEVE HOGARTH |
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5:58 |
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from Marillion - Seasons End (1989)
A ghost of a mist was on the field
The grey and the Green together The noise of a distant farm machine Out of the first light came A tatered necklace of hedge and trees On the southern side of the hill Betrays where the border runs between Where Mary Dunoon's boy fell Easter here again A time for the Blind to see Easter Surely now can all of your hearts be free Out of the port of Liverpool Bound for the North of Ireland The wash of the spray and horsetail waves The roll of the sea below And Easter here again A time for the Blind to see Easter Surely now can all of your hearts be free What will you do? Make a stone of your Heart? Will you set things right When you tear them apart? Will you sleep at night With the Plough and the Stars alight? What will you do? With the wire & the gun? That'll set things right When it's said and done? Will you sleep at night? Is there so much love to hide? Forgive Forget Sing 'Never again' [STEVE HOGARTH |
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4:30 |
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from Marillion - Seasons End (1989)
I was out in the cold of a North London street
A cog in the hurrying world Above the walls and the gate police I caught a glimpse of a Holloway girl She was reachin' out of a window From a space just a few inches wide 'Till the hand of justice pulled her back inside One day, freedom will unlock your door So hold on, believe on Be who you were before One day, freedom will unlock your door I know how hard it can be to wait For proof you were right all along Self-destruction is easy for you We know what you're capable of But like a needle in a haystack The truth gets so disguised In a kingdom built on madness and on lies One day, freedom will unlock your door So hold on, believe on Be who you were before In deepest darkness, the faintest light looks bright So hold on, hold on It's gonna be all right You're lookin' up at a mountain Between you and the outside But there isn't a mountain in this whole world Hasn't been climbed One day, freedom will unlock your door So hold on, believe on Be who you were before In deepest darkness, the faintest light looks bright So hold on, hold on It's gonna be all right One day, freedom One day, freedom will unlock your door |
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2:57 |
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from Marillion - Seasons End (1989)
'I feel so strange what's wrong with me'
You've got a problem that you can't see But I've got a feeling that the rumours are true I see the girl's go a hook in you You carry on believing That you can take or leave it Now who are you deceiving Cause when it's own up time She's in the back of you mind She's got her hooks in you You said you'd never let it happen again You spend your money and you're deeper in Your fairweather friends call two by two To let you know what's wrong with you But now your heartbeat's thumpin' You watch you nerve ends jumpin' Well I can tell yo somethin' When it's own up time You're gonna toe the line She's got her hooks in you She's got her hooks in me too. |
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8:10 |
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from Marillion - Seasons End (1989)
Getting close to season's end
I heard somebody say That it might never snow again In England Snowflakes in a newborn fist Sledging on a hill Are thes things we'll never see InEngland? We'll tell our children's children why We grew so tall and reached so high We left our footprints in the Earth And punched a hole right through the sky We'll tell them how we changed the world And how we tamed the sea And season's they will never know In England So watch the old world melt away A loss regrets could never mend You never miss it till it's gone So say goodbye say goodbye To season's end [JOHN HELMER and STEVE HOGARTH |
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8:04 |
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from Marillion - Seasons End (1989)
A ragged man came shuffling through A puppet king on the 4th of June And butterflies from all around Settled on his paper crown A pretty sight it seemed to be An avenue of eternal peace But he said, "What is here can soon burn down..." "I'm the king of sunset town" Watch a big wheel turning round Some go up and some go down Some go thirsty some just drown "That's the law round here" Said the king of sunset town And in the night he comes to me And the square becomes a battlefield Of staring eyes that can't explain The insanity and the greater game Watch a big wheel turning round Some go up and some go down Some go thirsty some just drown "That's the law round here" Said the king of sunset town A ragged man came shuffling through The corridors of this white place And as he lay his body down I saw the scars that lined his face And injured souls came to his bed To hear the stories he would tell Of butterflies and summertimes And everyone assembled here Remembers how it used to be Before the 27th came This place will never be the same He said "I'm the king of sunset town" Watch a big wheel turning round Some go up and some go down Some go thirsty some just drown "That's the law round here" Said the king of sunset town |
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6:14 |
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from Marillion - Seasons End (1989)
On top of the world like a flag on a mountain
Feeling so high you can feel so alone Unable to breathe at the height that you flew Staring on clouds with no view of below On top of a girl like a dream in a hotel Falling towards something out of control Unable to miss like the man in the tram Crashing his car in Amsterdam He did it without knowing Didn't feel a thing Just wrecked it and kept going The space around the stars Is something that you know A billion miles of darkness Left you feeling low Everything about you So perfectly restrained But everything inside you Bites you Everybody in the whole of the world Feels the same inside Everybody in the whole of the whole of the whole of the world Everyone is only everyone else Everybody's got to know Everybody lives and loves and laughs and cries And eats and sleeps and grows and dies Everybody in the whole of the world is the same this time |
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3:52 |
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from Marillion - Seasons End (1989)
You may not recall the moment that you asked me
But your invitation was clear You'll pretend you've never met me but it's far too late Now I'm here Cause I'm the one who knows what scares you I'm the one who loves you best I'm the Thirteenth at the Table I'm the Uninvited Guest I'm the Banquo at your banquet I'm the cuckoo in your nest I'm you fifteen stone first-footer I'm the Uninvited Guest I was there when you said insincere I love you's to a woman who wasn't your wife And I fronted you the money that you ran away and blew On the biggest regret of your life. Cause I'm the one who knows what scares you I'm the one who loves you best I'm the Thirteenth at the Table I'm the Uninvited Guest I'm the Banquo at your banquet I'm the cuckoo in your nest I'm your New Year's resolution I'm the Uninvited Guest I'm the Face you hoped you'd never see But always knew you would I'm the on thing you knew you shouldn't do But did because you could I'm the evil in your bloodstream I'm the rash upon your skin And you made a big mistake alright The day you let me in And you could fly to the other side of the world You know you'd only find I've reserved the seat behind you We could talk about old times [JOHN HELMER and STEVE HOGARTH |
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3:17 |
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from Marillion - Brave (1994)
See those people there? They look after me
This is a photograph of who I might be Man in a uniform...bride on his arm Mum always was a fool for money and charm He's been talkin' in his sleep again Sayin' he's sorry, callin' my name Sayin' how he's so ashamed.... Alone again in the lap of luxury Since it happened I had nothin' to say It used to bother them but now it's O.K Mother cleans his dreadful house every day Scrubbing at the stains that won't go away They sent me away to the school on the park They said it would be good for me I still hear the other kids cry in the dark Alone again in the lap of luxury Is there no escape I don't remember the last time I cried I don't remember much except lies See the little girl spirallin' down This is a photograph of who she is now "One day this will all be yours" he said Tidy up your room and straight to bed Tidy up those thoughts in your head Alone again in the lap of luxury I could be anywhere right now If I only had the nerve to leave this house Maybe somewhere by the sea...... Take me somewhere, anywhere please!!! We could make a pillow of sand and sleep We could roll We could make We could see We could scream Far Father Farthest Oh daddy... You do not do anymore..... For God's sake don't pretend to be concerned.... Turn into nightmares in the end Throw a party for all my friends Alone again in the lap of luxury. i) Now Wash Your Hands You give up hope You settle down With your favorite soap.... Now wash your hands |
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3:17 |
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| from Marillion - Brave (1994) | |||||
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7:56 |
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from Marillion - Brave (1994)
What a brave, brave girl
Never lied before Such a plain deceit Everyone would eventually know.... What a brave brave girl Never loved before Placed herself in reach.... So he tried....in his own way To find the heart of the tight-packed rose She's gone now But oh She aches He will search until he's found A way to take the days See her sadness in your face She's inside you And she's crying |
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2:55 |
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from Marillion - Brave (1994)
Staring out over the bridge
A million photo flashes from the water down below Dawn light bouncing through the mist Roar of traffic and the crack of police radios When they ask her name Would she please explain She simply chooses to say........ nothing |
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2:36 |
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| from Marillion - Brave (1994) | |||||
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12:26 |
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| from Marillion - Brave (1994) | |||||
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6:41 |
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from Marillion - Brave (1994)
Well I hear that you were looking out to hunt me down
And I guess you're used to having everything you want But you know that love can be as hard as sticks and stones I tell you nothing else can be as hard as love can Well I hear you've got my number and you want my name I'm a stream of noughts and crosses in your R.A.M But you know that love can be as hard as algebra Baby nothing else has ever been as hard as love Hard as love Well I hear that you were lookin out to take me home And I hear that you can handle it and you're not scared Have you heard about the pictures on my bedroom wall?... Baby nothin else has ever been as hard as love Well it makes you hungry and it makes you high It makes you suffer and it makes you cry But it's all worthwhile It makes you humble and it makes you crawl It makes you tremble and it makes you fall But it's all worthwhile It makes you desperate and it makes you dream It makes you dangerous and it makes you scream But it's all worthwhile Just lie back and smile....... (They will continue to love you even though the rest of the world hates you...) It makes you hungry and it makes you high It makes you suffer and it makes you cry It makes you panic and it makes you vain It makes you primitive.....Sick inside It makes you angry it makes you blind It makes you guilty and it makes you lie Tied up and beaten Spat out and eaten Suicidal NOTHIN'S EVER BEEN AS HARD Well I hear that you were looking out to change my faith You can bash me with your book of words, Hammer me down! But you know that love can be as hard as six inch nails Baby nothing else has ever been as hard as love Hard as love Hard as love |
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6:48 |
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| from Marillion - Brave (1994) | |||||
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6:46 |
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from Marillion - Brave (1994)
It all begins with the bright light
The bright light and the noise The chaos of the senses and the scream of desire Touching and being touched A million loose ends to tie up Ticking of the clock and the cradle rock The colours stand still And then they move around Comin' in and out of focus, upside down Empty winter trees How space feels Love of the soft...........flowers and the sky One fine day The chaos subsides Bleeds into awareness And a lifetime of surprise The beauty of your mothers eyes The pain when you fall You drink it in and marvel at it all But you never really figure it out You get used to it. The babble of the family And the dumb TV Roar of the traffic and the thunder of jets Chemicals in the water Drugs in the food The heat of the kitchen and the beat of the system The attitude of authority The laws and the rules Hit me square in the face, first morning at school The heroes and the zeroes The first love of my life When to kiss and to kick and to keep your head down when they're choosing the sides I was never any good at it I was terrified most of the time I never got over it I got used to it. Alone in the city at seventeen With the hollow, the lonely, The drowning and the drowned I was made to feel worthless The wretched and the mean Beat me up like a weapon I can't run away from or find a way round Holdin on...... The greed and the missiles Exploding somewhere every day Hideous dark secrets under the sea and in holes in the ground The cold war's gone Those bastards'll find us another one They're here to protect you, don't you know? So get used to it Get used to it! The clash of religions The loaded prayers Information The face of starvation and the state of the nation The sense that it's useless And the fear to try Not believing the leaders, the media that feeds us Living with the big lie You get used to it Get used to it! It's OK!......I got used to it |
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5:12 |
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| from Marillion - Brave (1994) | |||||
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5:02 |
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from Marillion - Brave (1994)
I have been here many times before
In a life I used to live But I never saw these streets so fresh Washed with morning rain Like the whole world has been made again I have seen this face a thousand times Every morning of my life But I never saw these eyes so clear Free of doubt and pain Like the whole world has been made again I have been here many times before In a life I used to live..... And it's all because you made me see What is false and what is true Like the inside and the outside of me Is being made again by you Like a bright new morning Like a bright new day I woke up from a deep sleep I woke up from a bad dream To a bright new morning To a bright new world...... Like the whole world has been made again |
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9:44 |
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| from Marillion - Brave (1994) | |||||
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5:47 |
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from Marillion - Brave (1994)
When you look into the mirror
Do you see a face you hardly recognise If you look into the sun too long Do the things you see begin to burn your eyes Paper lies Just to express what he's thinking must a man take all the mail will bring? Are we living only for today It's a sign of the times...we believe anything...and nothing Paper lies When you kill the truth You can make a killing You might just make losing look like winning You came here to tell us what's going on But nobody knows who's side you're on Seems like you're sailing pretty close to the wind again Paper lies You have already won a prize! I know something that you don't know Something that you ought to know It's burning a hole in my pocket book Listen.....do you want to know a secret? We can print our own money here If you let us do a piece on you We can take you to pieces When you look into the money do you see a face you hardly recognise? When you get behind the news of the world do the things you find begin to bend your mind? Paper lies. Why don't ya let us take a piece outta you |
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4:40 |
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from Marillion - Brave (1994)
Did you cry when they dragged you home
Put a lock on the door and the telephone Was a runaway girl all they could see?... Have the nights and the days that you've come through Made the right seem wrong and the false seem true And was a runaway girl all they could see... A teenage extra from the satellite TV Runaway girl Too bad Too bad Runaway girl Too wild Too wild Were they deaf to the prayer behind your lies Maybe they didn't care to ask you why Was a runaway girl all they choose to see All they were prepared to admit to Runaway girl Too bad Too bad Runaway girl Real wild child So you cower in the towns forgotten places And make your bed with unfamiliar faces And at last you've got your freedom but that's all you've got You're tryin' to make up your mind up if you're better off You pretend to wait for washing in some laundromat But you're damned if you'll give them the satisfaction of you going back You'd freeze before you'd share a roof with them And you'd starve before you'd let him get his hands on you again Did you cry when they dragged you home? Poor little runaway |
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4:27 |
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| from Marillion - Brave (1994) | |||||
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6:30 |
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from Marillion - Brave (1994)
Heading for the great escape
Heading for the rave Heading for the permanent holiday Heading for the winter trip Heading for the slide Heading for the dignified walk away Heading for the open road Goodbye to all that Heading for the automatic overload Standing in the open boat Standing in the swing Waiting for the ringing and the bright light Waiting to be recognised Quiet applause will do They shower you with flowers when they bury you You're holding on, you're holding on ... I. The Last of You Just when I thought I'd seen the last of you You come here scratchin' at my door Your pain and anger's in the howling dark Of every corridor I walk So tell me more about the love that you rejected Tell me more about the trust you disrespected I still don't know, why did you hurt the very one Why did you hurt the very one That you should have protected? Heading for the great escape Heading for the rave Heading for the permanent holiday Heading for the high cloud-nine Heaven number seven Heading for the long goodbye Uncurl the fingers that hold Summon the strength to let go Out of the tired world Out of the upset Into the sunset |
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32:26 |
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from Marillion - Brave (1994)
Heading for the great escape
Heading for the rave Heading for the permanent holiday Heading for the winter trip Heading for the slide Heading for the dignified walk away Heading for the open road Goodbye to all that Heading for the automatic overload Standing in the open boat Standing in the swing Waiting for the ringing and the bright light Waiting to be recognised Quiet applause will do They shower you with flowers when they bury you You're holding on, you're holding on ... I. The Last of You Just when I thought I'd seen the last of you You come here scratchin' at my door Your pain and anger's in the howling dark Of every corridor I walk So tell me more about the love that you rejected Tell me more about the trust you disrespected I still don't know, why did you hurt the very one Why did you hurt the very one That you should have protected? Heading for the great escape Heading for the rave Heading for the permanent holiday Heading for the high cloud-nine Heaven number seven Heading for the long goodbye Uncurl the fingers that hold Summon the strength to let go Out of the tired world Out of the upset Into the sunset |
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32:26 |
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from Marillion - Brave (1994)
Heading for the great escape
Heading for the rave Heading for the permanent holiday Heading for the winter trip Heading for the slide Heading for the dignified walk away Heading for the open road Goodbye to all that Heading for the automatic overload Standing in the open boat Standing in the swing Waiting for the ringing and the bright light Waiting to be recognised Quiet applause will do They shower you with flowers when they bury you You're holding on, you're holding on ... I. The Last of You Just when I thought I'd seen the last of you You come here scratchin' at my door Your pain and anger's in the howling dark Of every corridor I walk So tell me more about the love that you rejected Tell me more about the trust you disrespected I still don't know, why did you hurt the very one Why did you hurt the very one That you should have protected? Heading for the great escape Heading for the rave Heading for the permanent holiday Heading for the high cloud-nine Heaven number seven Heading for the long goodbye Uncurl the fingers that hold Summon the strength to let go Out of the tired world Out of the upset Into the sunset |
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4:08 |
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from Marillion - Brave (1994)
I think I have become one of the hollow men
As I shine on the outside more these days I can feel the outside feeding on my inside Leaves a growing darkness in its place I think I have become one of the hollow men I think I have become one of the lonely Now that everybody talks to me I feel I have become one of the empty Hollow men can stop you with the twinkling of an eye Hollow men can take you without even reaching out Hollow men have got you long before you realise The poison paralyses I think I have become one of a pair of men It's a feeling I've been having for some time I look down upon myself and watch my movements A blind eye sees the fragile vandalised Watch this cold world dishing up these endless hollow men Find us anywhere you look Come and meet our friends Stand us in our silly clothes Put our batteries in Line us up like fairground ducks Watch us grin and grin See the lies behind our eyes.. See the will to win We'll buy you and we'll sell you But perhaps we'll save your skin.... Sit quietly and listen to the breeze... The hollow and the lonely listen too Sniff the air for something we can use We're tin hard and we rattle when we're shaken |
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4:10 |
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from Marillion - Brave (1994)
I think I have become one of the hollow men
As I shine on the outside more these days I can feel the outside feeding on my inside Leaves a growing darkness in its place I think I have become one of the hollow men I think I have become one of the lonely Now that everybody talks to me I feel I have become one of the empty Hollow men can stop you with the twinkling of an eye Hollow men can take you without even reaching out Hollow men have got you long before you realise The poison paralyses I think I have become one of a pair of men It's a feeling I've been having for some time I look down upon myself and watch my movements A blind eye sees the fragile vandalised Watch this cold world dishing up these endless hollow men Find us anywhere you look Come and meet our friends Stand us in our silly clothes Put our batteries in Line us up like fairground ducks Watch us grin and grin See the lies behind our eyes.. See the will to win We'll buy you and we'll sell you But perhaps we'll save your skin.... Sit quietly and listen to the breeze... The hollow and the lonely listen too Sniff the air for something we can use We're tin hard and we rattle when we're shaken |
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8:13 |
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| from Marillion - Brave (1994) | |||||
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6:50 |
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from Marillion - Afraid Of Sunlight (1995)
afraid of sunlight
Drive the road to your surrender Time comes around, out of my hands Small boats on the beach at dead of night Come and go before first light Leave me running in the wheel King of the world How do you feel? What is there to feel? So how do we now come to be Afraid of Sunlight? Tell me girl why you and me Scared of Sunlight? So how do we now come to be Afraid of Sunlight? Tell me girl why you and me Scared of Sunlight? Been in pain for so long I can't even say what hurts anymore I will leave you alone I will deny I will leave you to bleed I will leave you with your life So how do we now come to be Afraid of Sunlight? Tell me girl why you and me Scared of Sunlight? All your spirit rack abuses Come back to haunt you day by day All your byzantine excuses Given time, give you away Don't be surprised when daylight comes To find that memory prick your thumbs You'll tell them where we run to hide I'm already dead, it's a matter of time It's a matter of time... So how do we now come to be Afraid of Sunlight Tell me girl why you and me Scared of Sunlight? How do we now come to be Afraid of Sunlight Tell me girl why you and me Scared of Sunlight? How do we now come to be Afraid... Dayglo Jesus on the dash Chalk marks on the road ahead Friendly fire in hostile waters Keep the faith, don't lose your head So how we now come to be...? |
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6:49 |
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from Marillion - Afraid Of Sunlight (1995)
Drive the road to your surrender
Time comes around... out of my hands Small boats on the beach at the dead of night Come and go before first light Leave me running in the wheel King of the world How do you feel? What is there to feel? So how do we now come to be Afraid of sunlight? Tell me girl why you and me Scared of sunlight? Been in pain for so long I can't even say what hurts anymore I will leave you alone I will deny I will leave you to bleed I will leave you with your life So how do we now come to be Afraid of sunlight? Tell me girl why you and me Scared of sunlight? All your spirit rack abuses Come to haunt you back by day All your Byzantine excuses Given time, given you away Don't be surprised when daylight comes To find that memory prick your thumbs You'll tell them where we run to hide I'm already dead It's a matter of time So how do we now come to be Afraid of sunlight How do we now come to be Afraid of sunlight Day-Glo Jesus on the dash Chalk marks on the road ahead Friendly fire in hostile waters Keep the faith Don't lose your head So how do we now come to be |
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6:49 |
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from Marillion - Afraid Of Sunlight (1995)
afraid of sunrise
Dressed in black, no turning back We blanked out on the Great White Way Fingers in desire's crack We'd bridge and tunnel into day Abandoned to the salt of skin Abandoned to the highway Sand running in the hourglass Heat of leather and mirages So how do we now come to be Afraid of Sunlight So how do we now come to be Afraid of Sunlight Dayglo Jesus on the dash Scorch marks on the road ahead Friendly fire in hostile waters Keep the faith, don't lose your head Don't lose your head Afraid of Sunlight So how do we now come to be Afraid of Sunlight Agave flower Sleeps beside me Drivin' on Nevada's burnin' Phoenix rising Drivin' on Into sunrise Dayglo Jesus on the dash Scorch marks on the road ahead Friendly fire in hostile waters Keep the faith, don't lose your head Don't lose your head So how do we now come to be Afraid of Sunlight So how do we now come to be Afraid Afraid of Sunlight |
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1:17 |
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| from Marillion - Afraid Of Sunlight (1995) | |||||
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5:12 |
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from Marillion - Afraid Of Sunlight (1995)
beautiful
Everybody knows we live in a world Where they give bad names to beautiful things Everybody knows we live in a world Where we don't give beautiful things a second glance Heaven only knows we live in a world Where what we call beautiful is just something on sale People laughing behind their hands As the fragile and the sensitive are given no chance And the leaves turn from red to brown To be trodden down, to be trodden down And the leaves turn from red to brown Fall to the ground, fall to the ground We don't have to live in a world Where we give bad names to beautiful things We should live in a beautiful world We should give beautiful a second chance And the leaves fall red to brown To be trodden down, trodden down And the leaves turn green to red to brown Fall to the ground and get kicked around You strong enough to be Have you the faith to be Sane enough to be Honest enough to stay Don't have to be the same Don't have to be this way C'mon and sign your name You wild enough to remain beautiful? Beautiful And the leaves turn from red to brown To be trodden down, trodden down And the leaves fall green to red to brown Fall to the ground, but we can turn it around You strong enough to be Why don't you stand up and say Give yourself a break They'll laugh at you anyway So why don't you stand up and be beautiful Black white red gold and brown We're stuck in this world Nowhere to go Turn it around... |
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6:10 |
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from Marillion - Afraid Of Sunlight (1995)
boyond you
If you were a baby I would take you and run I could hide you in the folds of my heart There's a truth in the madness I can't get beyond And a fever that won't leave me alone I don't want my heart Don't want my head Don't want my friends Don't want my bed I can't live with myself I can't live with myself Can't take no help I try to want to But I can't get beyond you I will stare from the window At the shapes in the rain As the space between us Drives me insane I can't live with myself I can't live with myself Can't take no help I want no one else If I was a child I would refuse to leave I would sit down on the street Kick my legs and scream I'm not much of a man But I know how I am I know this won't fade away I will pretend and be strong But I wonder where I belong And the feeling comes in waves Hole in my body, aching Like a heart dying Or a soul crying Exhausted and insecure I took all you have and I still want more And so I reach out to hold you But all I do is hurt you I can't live with myself I can't live with myself Can't take no help I try to want to But I can't get beyond you If I was a child I would take you and run And I say I don't know, but I know And I say I'll let go But I don't let go You just spent the whole day Driving away... |
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5:17 |
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from Marillion - Afraid Of Sunlight (1995)
If you were a baby I would take you and run
I could hide you in the folds of my heart There's a truth in the madness I can't get beyond And a fever that won't leave me alone I don't want my heart Don't want my head Don't want my friends Don't want my bed I can't live with myself I can't live with myself Can't take no help I try to want to But I can't get beyond you I will stare from the window At the shapes in the rain As the space between us Drives me insane I can't live with myself I can't live with myself Can't take no help I want no one else If I was a child I would refuse to leave I would sit down on the street Kick my legs and scream I'm not much of a man But I know how I am I know this won't fade away I will pretend and be strong But I wonder where I belong And the feeling comes in waves Hole in my body, aching Like a heart dying Or a soul crying Exhausted and insecure I took all you have and I still want more And so I reach out to hold you But all I do is hurt you I can't live with myself I can't live with myself Can't take no help I try to want to But I can't get beyond you If I was a child I would take you and run And I say I don't know, but I know And I say I'll let go But I don't let go You just spent the whole day Driving away |
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5:45 |
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from Marillion - Afraid Of Sunlight (1995)
Cannibal Surf Babe
Let's meet up And get beat up Well, she tied me to the headboard with a surf leash And her wet hair hugged her body like a long-lost friend And I really tried my best to get across to her But nothing she would say could be defended Well, her birthday suit it was her only present When I looked into her eyes - no history And I told her eating people wasn't pleasant But she laughed a snake-eye laugh and walked away from me And I watched her as she walked across the coals I watched her as she walked across the coals She was singing: I was born in nineteen-sixty-weird And I'm your nightmare surfer babe Mister Wilson, where's your sandbox and your beard? Are you still looking for the perfect microwave? So I really tried my best to get across to her I said, "One day every pebble hits the beach" And I kissed her face and held her like a long-lost friend But she was too far out there to be reached She was singing: I was born in nineteen-sixty-weird Mister Wilson, I'm your nightmare surfer babe Mister Wilson, where's your sandbox and your beard? Are you still looking for the perfect microwave? And the sun came up over the mountain And the waves rolled in from across the bay And the fabulous brightly coloured birds flew up out of the forest And she said, "Well! We're all just heaven's beautiful children together in Paradise "Lie down, my dear, you're going to enjoy this." She looked like she'd had sex With a tyrannosaurus rex She was singing: I was born in nineteen-sixty-weird Mister Wilson, I'm your nightmare surfer babe Mister Wilson, where's your sandbox and your beard? Are you still looking for the perfect microwave? I was born in nineteen-sixty-weird Mister Wilson, I'm your nightmare surfer babe, old man Mister Wilson, where's your sandbox and your beard? Are you still looking for the perfect microwave? And I watched her as she walked across the coals And I watched her as she walked across the coals |
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5:59 |
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from Marillion - Afraid Of Sunlight (1995)
cannibal surt babe
Well she tied me to the headboard with a surf leash And her wet hair hugged her body like a long-lost friend And I really tried my best to get across to her But nothing she would say could be defended Well her birthday suit it was her only present When I looked into her eyes - no history And I told her eating people wasn't pleasant But she laughed a snake eye laugh and walked away from me And I watched her as she walked across the coalsI watched her as she walked across the coals Singing: I was born in Nineteen sixty weird And I'm your nightmare surfer babe Mr. Wilson where's your sandbox and your beard Are you still looking for the perfect microwave So I did my best to try and get across her I said: "One day every pebble hits the beach" And I kissed her face and held her like a long-lost friend But she was too far out there to be reached To be reached She was too far She was singing: I was born in Nineteen sixty weird And I'm your nightmare surfer babe Mr. Wilson where's your sandbox and your beard Are you still looking for the perfect microwave And the sun came up over the mountain And the waves rolled in across the bay And the fabulous brightly coloured birds flew up out of the forest And she said "Well we're all heaven's beautiful children together in paradise Lie down my dear... you're going to enjoy this" She looked like she'd had sex With a tyrannosaurus rex Singing: I was born in Nineteen sixty weird, old man I'm your nightmare surfer babe Mr. Wilson where's your sandbox and your beard Are you still looking for that perfect microwave Perfect microwave |
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7:28 |
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from Marillion - Afraid Of Sunlight (1995)
Gazpacho
Saw you walking on your velvet lawn Is it lonely on the moon? You took a dive and swallowed all you could Did you drink too much too soon? Nothing left for you to fight about And noone wants to see you try The nearest neighbours are a mile away Does the ocean hear you cry? Punching at the sky They say the King is losing his grip again They said you're bulletproof, they said you feel no pain It seems the hero is misunderstood again Is it love or is it surgery Makes her feel so ill at ease? As she's begging you to please calm down In her silk Armani on her knees Did you carry out those threats I heard Or were you only playing macho? And the stains on her Versace scarf Were they really just gazpacho? They say the King is watching his back again They say the King is losing his grip again Raging like a bull to an empty ring D'you think they will forgive a hero anything? Now the ring is just a band of gold And your wife needs police protection While you're sparring with the journalists You're trying to win back her affection Is this what it means to be a man Boxing up all your emotion? So now she's gone and you're alone at last You can tell it to the ocean They say the King is losing his grip again They say the King is countin' his numbered days You never lost a fight in your whole life You never had no trouble sleepin' through the night The bottle and your doctor get you through the day The boys who run the house'll make it all okay You think they will forgive a hero anything? Maybe Hollywood... but maybe then again... Now the ring is just a band of gold... Drive the road... |
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6:04 |
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from Marillion - Afraid Of Sunlight (1995)
icon
Even if the good old days were good Even if the old days were golden days Even if the good old days were good The past is a terrible place The past is a terrible place to live Misguided missiles Skin creams and cars Loaded with dreams Loaded with dreams Computer games Pretty faces Loaded with life Loaded with live ammunition Even if the good old days were good The past is a terrible place The past is a terrible place to live Saving up for Linda Saving up for Pam Saving up for Naomi Icon therefore I am Saving up for Mary Saving up for Jane A thousand pieces all over the room Let's do it all again Icon therefore I am Loaded with dreams Loaded with life I'm loaded with live ammunition Loaded with dreams Loaded with stories Loaded with life I only wish I knew you How hard it is for me to spare This kind of thing for youIf you sense a smokescreen here A trick of dry ice A trick of the dry eyes |
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7:03 |
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from Marillion - Afraid Of Sunlight (1995)
king
How long can you stand Tightening up Avoiding the fight Avoiding the truth Tighten the smile Tighten the lie Will you get what you want To be cursed with your dreams I hope for your sake Something gets in the way How long can you stand Living under the lens The kiss of success The ensuing, all consuming, mess Message of love They arrive everyday People you touch Wasting away People you don't know Give you no choice And your sick to your stomach At the sound of your voice And the shape of your face And the sound of your name They send you pictures of yourself It's someone you don't know And they call you a genius Cause you're easier to sell But the fire in your belly That gave you the songs Is suddenly gone And you feel like a fake Is that what you want? I hope for your sake You've got what it takes You've got what it takes To be spoilt to death. |
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4:34 |
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from Marillion - Afraid Of Sunlight (1995)
Well I gave up cocaine and I gave up smack
I gave up drinking alcohol and smoking crack I gave up living on the never never But I can't give up believing that I'm going to live forever Well I gave up computer games, I gave up meat I gave up watching TV in my favorite seat I gave up wearing fur and I gave up wearing leather But I can't give up believing that I'm going to live forever Give it up, give it up Don't you know you've got to lose? The desires you were born with And your talent to abuse Give it up, give it up There's a better life to live Give it up, give it up Give it all you've got to give Well I gave up sugar and I gave up spice I gave up everything that feels alright 'Cause I feel that these addictions are a chain you have to sever I'm addicted to believing that I'm going to live forever |
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6:02 |
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from Marillion - Afraid Of Sunlight (1995)
Absence makes the heart go mad
All the solid things become mirages The certain things Sand running in the hour glass Running away I scream along the ledge As the windows back and close I run around try to prove the sunrise I believe in belief But it's proof I need Can you show me it's me Can you show me it's me Traveling makes the mind go vague All the special faces fade away Spinning like a heat haze Shimmering Please send Polaroids Or an ear in the post A map to the treasure A key to the closed I need you like hell Can you help me again Can you show me it's me Can you show me it's me I run dry I run out I run cold I need help Trying to prove the sunrise Trying to prove the tides Trying to prove the blue moon sky And is it you? Is it you? |
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7:54 |
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from Marillion - Afraid Of Sunlight (1995)
out of this world
Three hundred miles an hour on water In your purpose-built machine No one dared to call a boat Screaming blue Out of this world Make history This is your day Blue... bird At such speeds... Things fly... What did she say? I know the pain of too much tenderness Wondering when or if you'll come back again Wanting to live for you And being banned from giving But only love will turn you round Only love will turn you round Only love Only love will turn you round So we live, you and I Either side of the edge And we run and we scream With the dilated stare of obsession and dreaming What the hell do we want Is it only to go Where nobody has gone A better way than the herd Sing a different song Till you're running the ledge To the gasp from the crowd Spinning round in your head Everything that she said |
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7:27 |
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from Marillion - Afraid Of Sunlight (1995)
Three hundred miles an hour on water
In your purpose-built machine No one dared to call a boat Screaming blue Out of this world Make history This is your day Blue... bird At such speeds... Things fly... What did she say? I know the pain of too much tenderness Wondering when or if you'll come back again Wanting to live for you And being banned from giving But only love will turn you round Only love will turn you round Only love Only love will turn you round So we live, you and I Either side of the edge And we run and we scream With the dilated stare of obsession and dreaming What the hell do we want Is it only to go Where nobody has gone A better way than the herd Sing a different song Till you're running the ledge To the gasp from the crowd Spinning round in your head Everything that she said |
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5:14 |
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4:51 |
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from Marillion - Script For A Jester's Tear (1997)
Yeah!
Slow French kissing with the Dauphin's daughter If I fall in love now I'll be floating in Seine Plastered in Paris I've had an Eiffel Gonna make my escape on the midnight train Choo, choo to you - Choo, choo to you - Charting the single Schnapping my fingers on an alcoholiday Sniff round a Fraulein when I'm scent to Cologne All night hotel Liebling make your mark Let sugar daddy melt in his home sweet home Home is where the heart lies, but if the heart lies Where is home, is where the heart lies, but where is home? Get a pizza the action when I Romeo again Chianti see you with me, so just let him wine Juliet on the balcony, it's pasta serenade Wedding rings, I know when Venice time, Venice time To chart the single, to chart the single Charting the single, charting the single The chicks are getting cheaper on the not so common market Stockpile experience before the blond hairs turn to grey Before the blond hairs turn to grey I like to train, express myself in the universal language Ego on my face in the nicest possible way It's absolutely the nicest possible way Charting the single I got no clause in my contract, got no shares in my name I'm just charting the single in a bachelor's game Charting the single It's a solo performance on a one way street You'll never have the chance again and never again we'll meet Charting, charting, charting, charting the single |
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8:17 |
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from Marillion - Script For A Jester's Tear (1997)
Catalogue princess, apprentice seductress
Hiding in her cellophane world in glitter town Awaiting the prince in his white Capri Dynamic young Tarzan courts the bedsit queen She's playing the actress in this bedroom scene She's learning her lines from glossy magazines Stringing all her pearls from her childhood dreams Auditioning for the leading role on the silver screen Patience my tinsel angel Patience my perfumed child One day they really love you You'll charm them with that smile But for now it's just another Chelsea Monday Drifting with her incense in the labyrinth of London Playing games with faces in the neon wonderland Perform to scattered shadows on the shattered cobbled aisles Would she dare recite soliloquies at the risk of stark applause She'll pray for endless Sundays as she enters saffron sunsets Conjure phantom lovers from the tattered shreds of dawn Fulfilled and yet forgotten the St. Tropez mirage Fragrant aphrodisiac, the withered tuberose Patience my tinsel angel, patience my perfumed child One day they really love you, you'll charm them with that smile But for now it's just another Chelsea Monday [Hello John, did you see The Standard about four hours ago? Fished a young chick out of The Old Father Blond hair, blue eyes. She said she wanted to be an actress or something Nobody knows where she came from, where she was going Funny thing was she had a smile on her face She was smiling, what a waste] Catalogue princess, apprentice seductress Buried in her cellophane world in glitter town Of Chelsea Monday |
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6:54 |
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from Marillion - Script For A Jester's Tear (1997)
Catalogue princess, apprentice seductress
Hiding in her cellophane world in glitter town Awaiting the prince in his white Capri Dynamic young Tarzan courts the bedsit queen She's playing the actress in this bedroom scene She's learning her lines from glossy magazines Stringing all her pearls from her childhood dreams Auditioning for the leading role on the silver screen Patience my tinsel angel Patience my perfumed child One day they really love you You'll charm them with that smile But for now it's just another Chelsea Monday Drifting with her incense in the labyrinth of London Playing games with faces in the neon wonderland Perform to scattered shadows on the shattered cobbled aisles Would she dare recite soliloquies at the risk of stark applause She'll pray for endless Sundays as she enters saffron sunsets Conjure phantom lovers from the tattered shreds of dawn Fulfilled and yet forgotten the St. Tropez mirage Fragrant aphrodisiac, the withered tuberose Patience my tinsel angel, patience my perfumed child One day they really love you, you'll charm them with that smile But for now it's just another Chelsea Monday [Hello John, did you see The Standard about four hours ago? Fished a young chick out of The Old Father Blond hair, blue eyes. She said she wanted to be an actress or something Nobody knows where she came from, where she was going Funny thing was she had a smile on her face She was smiling, what a waste] Catalogue princess, apprentice seductress Buried in her cellophane world in glitter town Of Chelsea Monday |
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8:23 |
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from Marillion - Script For A Jester's Tear (1997)
Armalite, street lights, nightsights
Searching the roofs for a sniper, a viper, a fighter Death in the shadows he'll maim you, he'll wound you, he'll kill you For a long forgotten cause, on not so foreign shores Boys baptised in wars Morphine, chill scream, bad dream Serving as numbers on dogtags, flakrags, sandbags Your girl has married your best friend, loves end, poison pen Your flesh will always creep, tossing turning sleep The wounds that burn so deep Your mother sits on the edge of the world W when the cameras start to roll Panoramic viewpoint resurrect the killing fold Your father drains another beer, he's one of the few that cares Crawling behind a Saracen's hull from the safety of his living room chwair Forgotten sons, forgotten sons, forgotten sons And so as I patrol in the valley of the shadow of the tricolour I must fear evil, for I am but mortal and mortals can only die Asking questions, pleading answers from the nameless faceless watchers That stalk the carpeted corridors of Whitehall Who orders desecration, mutilation, verbal masturbation I in the guarded bureaucratic wombs Minister, minister care for your children, order them not into damnation To eliminate those who would trespass against you For whose is the kingdom, the power, the glory forever and ever, Amen Halt who goes there, Death, approach friend You're just another coffin on its way down the emerald aisle When your children's stony glances mourn your death in a terrorist's smile The bomber's arm placing fiery gifts on the supermarket shelves Alley sings with shrapnel detonate a temporary hell Forgotten Sons From the dole queue to the regiment a profession in a flash But remember Monday signings when from door to door you dash On the news a nation mourns you unknown soldier, count the cost For a second you'll be famous but labelled posthumous Forgotten sons, forgotten sons Peace on earth and mercy mild, Mother Brown has lost her child Just another Forgotten Son |
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7:19 |
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from Marillion - Script For A Jester's Tear (1997)
Garden party held today
Invites call the debs to play Social climbers polish ladders Wayward sons again have fathers Hello, Dad, hello, dad Edgy eggs and queuing cumbers Rudely wakened from their slumbers Time has come again for slaughter O on the lawns by still Cam waters A slaughter, it's a slaughter Champagne corks are firing at the sun again Swooping swallows chased by violins again Straafed by Strauss they sulk in crumbling eaves again Oh God not again Aperitifs consumed en masse Display their owners on the grass Couples loiter in the cloisters social leeches quoting Chaucer Doctor's son a parson's daughter W where why not and should they oughta Please don't lie upon the grass Unless accompanied by a fellow May I be so bold as to perhaps suggest Othello Punting on the Cam is jolly fun they say Beagling on the downs, oh please do come they say Rugger is the tops, a game for men they say I'm punting, I'm beagling, I'm wining, reclining, I'm rucking, I'm fucking So welcome, it's a party Angie chalks another blue Mother smiles she did it too Chitters chat and gossips lash Posers pose, pressmen flash Smiles polluted with false charm, locking on to Royal arms Society columns now ensured, returns to mingle with the crowds Oh what a crowd Punting on the Cam, oh please do come they say Beagling on the downs, oh please so come they say Garden party held today they say Oh please do come, oh please do come, they say |
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19:10 |
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from Marillion - Script For A Jester's Tear (1997)
I. Heorot's plea and Grendel's awakening
Midnight suns bid moors farewell, retreats from charging dusk Mountain echo, curfews bell, signal ending tasks They place their faith in oaken doors, cower in candlelight The panic seeps through bloodstained floors as Grendel stalks the night Earth rim walker seeks his meals Prepare the funeral pyres The shaper's songs no longer heal the fear Within their eyes, their eyes Wooden figures, pagan gods, stare blindly cross the sea Appeal for help from ocean fogs, for saviour born of dreams They know their lives are forfeit now, priestly head they bow in shame They cannot face the trembling crowd that flinch in Grendel's name Earth rim walker seeks his meals Prepare the funeral pyres The shaper's songs no longer heal the fear Within their eyes, their eyes As Grendel leaves his mossy home beneath the stagnant mere Along the forest path he roams to Hrothgar's hall so clear He knows that victory is secured, his charm will testify His claws will drip with mortal blood as moonbeams haunt the sky Earth rim walker seeks his meals Prepare the funeral pyres The shaper's songs no longer heal the fear Within their eyes, their eyes II. Grendel's Journey Silken membranes span his path, fingerprints in dew Denizens of twilight lands humbly beg him through Mother nature's bastard child shunned by leaf and stream An alien in an alien land seeks solace within dreams The shaper's lies his poisoned tongue malign with mocking harp Beguiling queen her innocence offends his icy heart III. Lurker at the Threshold Hounds freeze in silence bewitched by the reptile spell Sulphurous essence pervades round the grassy dell Heorot awaits him like lamb to the butcher's knife Stellular heavens ignore even children's cries Screams are his music, lightning his guide Raping the darkness, death by his side Chants rise in terror, free round the oaken beams Flickering firelight portraying the grisly scene Warriors advance, prepare for the nightmare foe Futile their sacrifice as even their hearts must know Heroes delusion, with feet in the grave Lurker at the threshold, he cares not for the brave, he cares not for the brave So you thought that your bolts and your locks would keep me out You should have known better after all this time You're gonna pay in blood for all your vicious slander With your ugly pale skins and your putrid blue eyes Why should I feel pity when you kill your own and feel no shame God's on my side, sure as hell, I'm gonna take no blame I'm gonna take no blame, I'm gonna take no blame So you say you believe in all of Mother Nature's laws You lust for gold with your sharpened knives Oh when your hoards are gathered and your enemies left to rot You pray with your bloodstained hands at the feet of your pagan gods Then you try to place the killer's blade in my hand You call for justice and distort the truth Well I've had enough of all your pretty pretty speeches Receive your punishment, Expose your throats to my righteous claws And let the blood flow, and let the blood flow, flow, flow, flow. |
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5:23 |
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from Marillion - Script For A Jester's Tear (1997)
He knows, you know
He knows, you know Problems problems, problems problems Light switch, yellow fever, crawling up your bathroom wall Singing psychedelic praises to the depths of a china bowl You've got venom in your stomach, you've got poison in your head You should have listened to the priest at the confession When he offered you the sacred bread He knows you know, he knows you know He knows you know, but he's got problems Fast feed, crystal fever, swarming through a fractured mind Chilling needles freeze emotion, the blind shall lead the blind You've got venom in you stomach, you've got poison in your head When your conscience whispered, the vein lines stiffened You were walking with the dead He knows you know, he knows you know, he knows you know He's got experience, he's got experience, he knows you know But he's got problems, problems, problems He knows... slash wrist, scarlet fever, crawled under your bathroom door Pumping arteries ooze their problems through the gap that the razor tore You've got venom in your stomach, you've got poison in your head You should have listened to your analyst's questions When you lay on his leather bed He knows you know, he knows you know He knows you know, but he's got problems Blank eyes, purple fever, streaming through the frosted pane You learned your lesson far too late from the links in a chemist chain You've got venom in your stomach, you've got poison in your head You should have stayed at home and talked with father Listen to the lies he fed He knows you know, he knows you know, He knows you know, but he's got problems He knows you know, he knows you know, he knows you know He's got experience, he's got experience, he knows you know You know, you know, you know, you know, you know, you know |
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4:29 |
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from Marillion - Script For A Jester's Tear (1997)
He knows, you know
He knows, you know Problems problems, problems problems Light switch, yellow fever, crawling up your bathroom wall Singing psychedelic praises to the depths of a china bowl You've got venom in your stomach, you've got poison in your head You should have listened to the priest at the confession When he offered you the sacred bread He knows you know, he knows you know He knows you know, but he's got problems Fast feed, crystal fever, swarming through a fractured mind Chilling needles freeze emotion, the blind shall lead the blind You've got venom in you stomach, you've got poison in your head When your conscience whispered, the vein lines stiffened You were walking with the dead He knows you know, he knows you know, he knows you know He's got experience, he's got experience, he knows you know But he's got problems, problems, problems He knows... slash wrist, scarlet fever, crawled under your bathroom door Pumping arteries ooze their problems through the gap that the razor tore You've got venom in your stomach, you've got poison in your head You should have listened to your analyst's questions When you lay on his leather bed He knows you know, he knows you know He knows you know, but he's got problems Blank eyes, purple fever, streaming through the frosted pane You learned your lesson far too late from the links in a chemist chain You've got venom in your stomach, you've got poison in your head You should have stayed at home and talked with father Listen to the lies he fed He knows you know, he knows you know, He knows you know, but he's got problems He knows you know, he knows you know, he knows you know He's got experience, he's got experience, he knows you know You know, you know, you know, you know, you know, you know |
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4:48 |
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from Marillion - Script For A Jester's Tear (1997)
I found smog at the end of my rainbow
I found my thoughts shift slowly into phase Declared the constitution of the walkway I realise it's time to plan the day I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my pretty warriors and follow me I got a golden handshake that nearly broke my arm I left the ranks of shuffling graveyard people I got rust upon my hands from the padlocked factory gates Silent chimneys provide the silent steeples Cause I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my pretty children and follow me, follow me I am your Antichrist show me allegiance, Are you following me? I am your Antichrist pledge to me defiance, Are you following me? Suffer my pretty warriors, Suffer my fallen child, Are you following me? The time has come to conquer and I'll provide your end We march I give peace signs when I wage war in the disco I'm the warrior in the ultra violet haze Armed with antisocial insecurity I plan the path of destiny from this maze Cause I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my fallen angels and follow me I'm the Market Square hero, I'm the Market Square hero We are Market Square Heroes, to be Market Square Heroes |
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4:48 |
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from Marillion - Script For A Jester's Tear (1997)
I found smog at the end of my rainbow
I found my thoughts shift slowly into phase Declared the constitution of the walkway I realise it's time to plan the day I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my pretty warriors and follow me I got a golden handshake that nearly broke my arm I left the ranks of shuffling graveyard people I got rust upon my hands from the padlocked factory gates Silent chimneys provide the silent steeples Cause I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my pretty children and follow me, follow me I am your Antichrist show me allegiance, Are you following me? I am your Antichrist pledge to me defiance, Are you following me? Suffer my pretty warriors, Suffer my fallen child, Are you following me? The time has come to conquer and I'll provide your end We march I give peace signs when I wage war in the disco I'm the warrior in the ultra violet haze Armed with antisocial insecurity I plan the path of destiny from this maze Cause I'm a Market Square hero gathering the storms to troop Cause I'm a Market Square hero speeding the beat of the street pulse Are you following me, are you following me? Well suffer my fallen angels and follow me I'm the Market Square hero, I'm the Market Square hero We are Market Square Heroes, to be Market Square Heroes |
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8:42 |
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from Marillion - Script For A Jester's Tear (1997)
So here I am once more in the playground of the broken hearts
One more experience, one more entry in a diary, self-penned Yet another emotional suicide overdosed on sentiment and pride Too late to say I love you, too late to re-stage the play Abandoning the relics in my playground of yesterday I'm losing on the swings, I'm losing on the roundabouts I'm losing on the swings, I'm losing on the roundabouts Too much, too soon, too far to go, too late to play, the game is over The game is over So here I am once more in the playground of the broken heart I'm losing on the swings, losing on the roundabouts, the game is over, over Yet another emotional suicide overdosed on sentiment and pride I'm losing on the swings, losing on the roundabouts, the game is over Too late to say I love you, too late to re-stage the play The game is over I act the role in classic style of a martyr carved with twisted smile To bleed the lyric for this song to write the rites to right my wrongs An epitaph to a broken dream to exorcise this silent scream A scream that's borne from sorrow I never did write that love song, the words just never seemed to flow Now sad in reflection did I gaze through perfection And examine the shadows on the other side of the morning And examine the shadows on the other side of mourning Promised wedding now a wake The fool escaped from paradise will look over his shoulder and cry Sit and chew on daffodils and struggle to answer why? As you grow up and leave the playground Where you kissed your prince and found your frog Remember the jester that showed you tears, the script for tears So I'll hold our peace forever when you wear your bridal |
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8:52 |
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from Marillion - Script For A Jester's Tear (1997)
The rain auditions at my window, its symphony echoes in my womb
My gaze scans the walls of this apartment To rectify the confines of my tomb I'm the cyclops in the tenement, I'm the soul without the cause Crying 'midst my rubber plants, ignoring beckoning doors Clippings from ancient newspapers lie scattered cross the floor Stained by the wine from a shattered glass Meaningless words, yellowed by time, faded photos exposing pain Celluloid leeches bleeding my mind You've finished playing hangman, you've cast the fateful dice Advice, advice, advice me This shroud will not suffice And thus begins the web Attempting to discard these clinging memories I only serve to wallow in our past I fabricate the weave with my excuses Its strands I hope and pray shall last Oh please do last The flytrap needs the insects, ivy caresses the wall Needles make love to the junkies, the sirens seduce with their call Confidence has deserted me, with you it has forsaken me Confused and rejected, despised and alone I kiss isolation on its fevered brow Security clutching me, obscurity threatening me Your reasons were so obvious As my friend have qualified, I only laughed away your tears But even jesters cry I realise I hold the key to freedom I cannot let my life be ruled by threads The time has come to make decisions The changes have to be made I realise I hold the key to freedom I cannot let my life be ruled by threads The time has come to make decisions The changes have to be made Now I leave you, the past does have it's say You're all but forgotten a mote in my heart Decisions have been made, decisions have been made I've conquered my fears, the flaming shroud Thus ends the web |
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4:31 |
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from Marillion - Script For A Jester's Tear (1997)
Three boats down from the Candy Vacant deckchairs on a floodlit beach Three boats down from the Candy Rollers coast, invade the deepest sleep Three boats down from the Candy Carnal dancers let their senses preach It's a social disease, it's the new moral cancer Don't think while in need, they'll give you the answer You ask for my love on the strength of a kiss But can't you just play for experience I'm a poet, I'm a minstrel, I don't need your chains Romance lies in ruin, let debauchery reign, let it rain Wipe the tears from your eyes, wipe the sweat from your thighs Don't crawl to me with sentiment, my laughter drowns your cries You're a memory trapped in polaroid, a puppet drowned in celluloid So drink the wine, confess your sin, just flotsam in a silent void Three boats down from the Candy I remember you Three boats down from the Candy Much too much to lose Three boats down from the Candy Oh, those words were never true Three boats down from the Candy I remember you [FISH 1983 Produced by Nick Tauber; (12 MARIL 1 B) Drums: John Martyr |
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7:02 |
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from Marillion - Fugazi (1998)
I am the assassin, with tongue forged from eloquence
I am the assassin, providing your nemesis On the sacrificial altar to success, my friend Unleash a stranger from a kiss, my friend No incantations of remorse, my friend Unsheathe the blade within the voice, my friend Who decorates the scarf with the fugi knot Who camouflaged emotion in a thousand yard stare Who gouged the notches from the family tree Who hypnotised the guilt in career rhythm trance Assassing, assassing, assassing, assassing Listen as the syllables of slaughter cat with calm precision Patterned frosty phrases rape your ears and sow the ice incision Apocalyptic alphabet casting spell the creed of tempered diction Adjectives of annihilation bury the point beyond redemption Venomous verbs of ruthless candour plagiarise assassins fervour A friend in need is a friend that bleeds Let bitter silence infect the wound You were a sentimental mercenary in a free fire zone Parading a Hollywood conscience You were a fashionable objector with a uniform fetish Pavlovian slaver at the cash till ring of success A non com observer - I assassin the collector - defector So you resigned yourself to failure, my friend And I emerged the chilling stranger, my friend To eradicate the problem, my friend Unsheathe the blade within the voice I am the assassin I am the assassin And what do you call assassins who accuse assassins anyway, my friend |
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7:40 |
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from Marillion - Fugazi (1998)
I am the assassin, with tongue forged from eloquence
I am the assassin, providing your nemesis On the sacrificial altar to success, my friend Unleash a stranger from a kiss, my friend No incantations of remorse, my friend Unsheathe the blade within the voice, my friend Who decorates the scarf with the fugi knot Who camouflaged emotion in a thousand yard stare Who gouged the notches from the family tree Who hypnotised the guilt in career rhythm trance Assassing, assassing, assassing, assassing Listen as the syllables of slaughter cat with calm precision Patterned frosty phrases rape your ears and sow the ice incision Apocalyptic alphabet casting spell the creed of tempered diction Adjectives of annihilation bury the point beyond redemption Venomous verbs of ruthless candour plagiarise assassins fervour A friend in need is a friend that bleeds Let bitter silence infect the wound You were a sentimental mercenary in a free fire zone Parading a Hollywood conscience You were a fashionable objector with a uniform fetish Pavlovian slaver at the cash till ring of success A non com observer - I assassin the collector - defector So you resigned yourself to failure, my friend And I emerged the chilling stranger, my friend To eradicate the problem, my friend Unsheathe the blade within the voice I am the assassin I am the assassin And what do you call assassins who accuse assassins anyway, my friend |
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5:31 |
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from Marillion - Fugazi (1998)
On the rebound, fumbling all the lines
The light at the end of the bottle - alcoholic alphabet Through the looking glass the proof in my own reflection Five senses down and reeling on the Cinderella search On the rebound, fumbling all the lines Decay on the vertical hold with a horizontal aim Conversation needs translation Three dimensions down dissolving on the Cinderella search, Cinderella search On the rebound, *writing* all the lines Dreaming bartenders, bourbon and saxophone Out of luck, out of charm, out the game of rejections in a cigarette city Only courting the homing of direction on the Cinderella search, Cinderella search But the Samaritan of the heartbroken, heartbroken Swam through the nicotine seize, and we exchanged the kiss of life Resurrection in a trance, the model, the Grail, in a Marquee of promises I touched the dream, I hold the dream, I have the dream To end the Cinderella search, Cinderella search, oh no more, no more! Exposing bedside manners on a work extension Awaiting development with paranoid Polaroid eyes, Polaroid eyes The footman memorised the number But the prince still holds both the slippers And would you leave a palace for a bed sit And Canterbury Tales, Canterbury Tales? Maybe it was infatuation or the thrill of the chase Maybe you were always beyond my reach and my heart was playing safe But was that love in your eye I saw or the reflection of mine? I'll never really know for sure, you never really gave me time Give me time, won't you give me that time! Welcome back to the circus Welcome back to the circus Welcome back to the circus I always use the cue sheets but never the nets always the cue sheets but never the nets Never the nets, never the nets Nevertheless, nevertheless, nevertheless, nevertheless, nevertheless Welcome back to the circus! |
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5:08 |
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from Marillion - Fugazi (1998)
To be the prince of possession in the gallery of contempt
Suffering your indiscreet discretions and you ask me to relent As you accumulate flirtations with the calculated calmness of the whore I am the harlequin - diamonded costume dripping shades of green I am the harlequin - sense strangers violate my sanctuary Prowl my dreams Plundering your diaries, I'll steal your thoughts innocence Ravaging your letters, unearth your plots innocence To don the robes of Torquemada, resurrect the inquisition In that tortured subtle manner inflict questions within questions Looking in shades of green through shades of blue I trust you trust in me to mistrust you Through the Silk Cut haze to the smeared mascara A 40 watt sun on a courtroom drama And the coffee stains gather till the pale kimono Set the wedding rings dancing on the cold linoleum And accusations moths that circle on the light Char their wings and spiral senseless suicidal flight You packed your world within a suitcase, hot tears melt this icy palace Dissolve a crystal swallowed by the night Looking in shades of green through shades of blue Looking in shades of green through shades of blue |
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5:32 |
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from Marillion - Fugazi (1998)
To be the prince of possession in the gallery of contempt
Suffering your indiscreet discretions and you ask me to relent As you accumulate flirtations with the calculated calmness of the whore I am the harlequin - diamonded costume dripping shades of green I am the harlequin - sense strangers violate my sanctuary Prowl my dreams Plundering your diaries, I'll steal your thoughts innocence Ravaging your letters, unearth your plots innocence To don the robes of Torquemada, resurrect the inquisition In that tortured subtle manner inflict questions within questions Looking in shades of green through shades of blue I trust you trust in me to mistrust you Through the Silk Cut haze to the smeared mascara A 40 watt sun on a courtroom drama And the coffee stains gather till the pale kimono Set the wedding rings dancing on the cold linoleum And accusations moths that circle on the light Char their wings and spiral senseless suicidal flight You packed your world within a suitcase, hot tears melt this icy palace Dissolve a crystal swallowed by the night Looking in shades of green through shades of blue Looking in shades of green through shades of blue |
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8:12 |
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from Marillion - Fugazi (1998)
Vodka intimate, an affair with isolation in a Blackheath cell
Extinguishing the fires in a private hell Provoking the heartache to renew the licence Of a bleeding heart poet in a fragile capsule Propping up the crust of the glitter conscience Wrapped in the christening shawl of a hangover Baptised in the tears from the real Drowning in the liquid seize on the Piccadilly line, rat race Scuttling through the damp electric labyrinth Caress Ophelia's hand with breathstroke ambition An albatross in the marrytime tradition Sheathed within the Walkman wear the halo of distortion Aural contraceptive aborting pregnant conversation She turned the harpoon and it pierced my heart She hung herself around my neck From the Time-Life-Guardians in their conscience bubbles Safe and dry in my sea of troubles Nine to five with suitable ties Cast adrift as their side-show, peepshow, stereo hero Becalm bestill, bewitch, drowning in the real The thief of Baghdad hides in Islington now Praying deportation for his sacred cow A legacy of romance from a twilight world The dowry of a relative mystery girl A Vietnamese flower, a Dockland union A mistress of release from a magazine's thighs Magdalenes contracts more than favours The feeding hands of western promise hold her by the throat A son of a swastika of '45 parading a peroxide standard Graffiti conjure disciples testaments of hatred Aerosol wands whisper where the searchlights trim the barbed wire hedges This is Brixton chess A knight for Embankment folds his newspaper castle A creature of habit, begs the boatman's coin He'll fade with old soldiers in the grease stained roll call And linger with the heartburn of Good Friday's last supper Son watches father scan obituary columns in search of absent school friends While his generation digests high fibre ignorance Cowering behind curtains and the taped up painted windows Decriminalised genocide, provided door to door Belsens Pandora's box of holocausts gracefully cruising satellite infested heavens Waiting, the season of the button, the penultimate migration Radioactive perfumes, for the fashionably, for the terminally insane, insane Do you realise? Do you realise? Do you realise, this world is totally fugazi Where are the prophets, where are the visionaries, where are the poets To breach the dawn of the sentimental mercenary |
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8:30 |
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from Marillion - Fugazi (1998)
When footlights dim in reverence to prescient passion forewarned
My audience leaves the stage, floating ahead perfumed shift Within the stammering silence, the face that launched a thousand frames Betrayed by a porcelain tear, a stained career You played this scene before, you played this scene before I the mote in your eye, I the mote in your eye A misplaced reaction The darkroom unleashes imagination in pornographic images In which you will always be the star, always be the star, untouchable Unapproachable, constant in the darkness Nursing an erection, a misplaced reaction With no flower to place before this gravestone And the walls become enticingly newspaper thin But that would be developing the negative view And you have to be exposed in voyeuristic colour The public act, let you model your shame On the mannequin catwalk, catwalk Let the cats walk, and the cat walks I've played this scene before, I've played this scene before I the mote in your eye, I the mote in your eye A misplaced reaction, satisfaction You can't brush me under the carpet, you can't hide me under the stairs The custodian of your private fears, your leading actor of yesteryear Who as you crawled out of the alleys of obscurity Sentenced to rejection in the morass of anonymity You who I directed with lovers will, you who I let hypnotise the lens You who I let bathe in the spotlights glare You who wiped me from your memory like a greasepaint mask Just like a greasepaint mask But now I'm the snake in the grass, the ghost of film reels past I'm the producer of your nightmare and the performance has just begun It's just begun Your perimeter of courtiers jerk like celluloid puppets As you stutter paralysed with rabbits eyes, searing the shadows Flooding the wings, to pluck elusive salvation from the understudy's lips Retrieve the soliloquy, maintain the obituary My cue line in the last act and you wait in silent solitude Waiting for the prompt, waiting for the prompt You've played this scene before |
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8:09 |
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from Marillion - Fugazi (1998)
When footlights dim in reverence to prescient passion forewarned
My audience leaves the stage, floating ahead perfumed shift Within the stammering silence, the face that launched a thousand frames Betrayed by a porcelain tear, a stained career You played this scene before, you played this scene before I the mote in your eye, I the mote in your eye A misplaced reaction The darkroom unleashes imagination in pornographic images In which you will always be the star, always be the star, untouchable Unapproachable, constant in the darkness Nursing an erection, a misplaced reaction With no flower to place before this gravestone And the walls become enticingly newspaper thin But that would be developing the negative view And you have to be exposed in voyeuristic colour The public act, let you model your shame On the mannequin catwalk, catwalk Let the cats walk, and the cat walks I've played this scene before, I've played this scene before I the mote in your eye, I the mote in your eye A misplaced reaction, satisfaction You can't brush me under the carpet, you can't hide me under the stairs The custodian of your private fears, your leading actor of yesteryear Who as you crawled out of the alleys of obscurity Sentenced to rejection in the morass of anonymity You who I directed with lovers will, you who I let hypnotise the lens You who I let bathe in the spotlights glare You who wiped me from your memory like a greasepaint mask Just like a greasepaint mask But now I'm the snake in the grass, the ghost of film reels past I'm the producer of your nightmare and the performance has just begun It's just begun Your perimeter of courtiers jerk like celluloid puppets As you stutter paralysed with rabbits eyes, searing the shadows Flooding the wings, to pluck elusive salvation from the understudy's lips Retrieve the soliloquy, maintain the obituary My cue line in the last act and you wait in silent solitude Waiting for the prompt, waiting for the prompt You've played this scene before |
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6:49 |
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from Marillion - Fugazi (1998)
We are jigsaw pieces aligned on the perimeter edge
Interlocked through a missing piece We are renaissance children becalmed beneath the Bridge of Sighs Forever throwing firebrands at the stonework We are Siamese children related by the heart Bleeding from the surgery of initial confrontation Holding the word scalpels on trembling lips Stand straight, look me in the eye and say goodbye Stand straight, we've drifted past the point of reasons why Yesterday starts tomorrow, tomorrow starts today And the problem always seems to be we're picking up the pieces on the ricochet Drowning tequila sunsets, stowaways on midnight ships Refugees of romance plead asylum from the real Scrambling distress signals on random frequencies Forever repatriated on guilt laden morning planes We are pilots of passion sweating the flight on course To another summit conference, another breakfast time divorce Screaming out a ceasefire, snow-blind in an avalanche zone Stand straight, look me in the eye and say goodbye Stand straight, we've drifted past the point of reasons why Yesterday starts tomorrow, tomorrow starts today And the problem always seems to be we're picking up the pieces on the ricochet Are we trigger happy? Russian roulette in the waiting room Empty chambers embracing the end Puzzled visions haunt the ripples of a trevi moon Dream coins for the fountain or to cover your eyes We reached ignition point from the sparks of pleasantries We sensed the smoke advancing from horizons You must have known that I was concealing an escape Stand straight, look me in the eye and say goodbye, say goodbye Stand straight, we've drifted past the point of reasons why Yesterday starts tomorrow, tomorrow starts today, starts today And the problem always seems to be we're picking up the pieces On the ricochet, this is the ricochet |
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3:21 |
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from Marillion - Fugazi (1998)
Washing machine, pinstripe dream
Stripped the gloss from a beauty queen Found our nest, in the Daily Express Met the vicar in a holy vest Brought up the children Church of E Now I vegetate with a colour TV Worst ever thing that ever happened to me Oh, for D.I.V.O.R.C.E., oh Judy Whatever happened to pillow fights Whatever happened to jeans so tight, Friday nights Whatever happened to lover's lane Whatever happened to passion games Sunday walks in the pouring rain Curling tongs, mogadons "I got a headache baby, don't take so long" Single beds, middle age dread Losing the war in the Waistlands spread Who left the cap of the toothpaste tube Who forgot to flush the loo Leave your sweaty socks outside the door Don't walk across my polished floor, oh Judy Whatever happened to morning smiles Whatever happened to wicked wiles, permissive styles Whatever happened to twinkling eyes, hard fast drives Complements on unnatural size Propping up a bar, family car Sweating out a mortgage as a balding clerk World war three, suburbanshee Just slip her these pills and I'll be free No more Judy, Judy, Judy no more Goodbye Judy |
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3:50 |
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from Marillion - Fugazi (1998)
Washing machine, pinstripe dream
Stripped the gloss from a beauty queen Found our nest, in the Daily Express Met the vicar in a holy vest Brought up the children Church of E Now I vegetate with a colour TV Worst ever thing that ever happened to me Oh, for D.I.V.O.R.C.E., oh Judy Whatever happened to pillow fights Whatever happened to jeans so tight, Friday nights Whatever happened to lover's lane Whatever happened to passion games Sunday walks in the pouring rain Curling tongs, mogadons "I got a headache baby, don't take so long" Single beds, middle age dread Losing the war in the Waistlands spread Who left the cap of the toothpaste tube Who forgot to flush the loo Leave your sweaty socks outside the door Don't walk across my polished floor, oh Judy Whatever happened to morning smiles Whatever happened to wicked wiles, permissive styles Whatever happened to twinkling eyes, hard fast drives Complements on unnatural size Propping up a bar, family car Sweating out a mortgage as a balding clerk World war three, suburbanshee Just slip her these pills and I'll be free No more Judy, Judy, Judy no more Goodbye Judy |
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6:52 |
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from Marillion - Fugazi (1998)
Sheltering her ego on the edge of a floodlit arc
She'll contemplate seduction, she'll calculate the catch When she moved, her presence speared me When she spoke, her words ensnared me Watch the lizard, watch the lizard, Watch the lizard with the crimson veil She crucified my heart in the depth of a satin grave As I lay in sweating monologue I sensed the lovelight fade Within the spiral of the cigarette You betrayed your bedside etiquette I saw the lizard, I saw the lizard I touched the lizard with the crimson veil I've seen a different doorway shut a million times before The smiling she chameleon, the smiling vinyl whores They know what they want, they sing your name And glide between the sheets I never say no, in chemical glow we'll let our bodies meet So was it just a fuck, was it just a fuck, just another fuck I said Loving just for laughs, carnal autograph, lying on a lizard's bed So was it just a fuck, was it just a fuck, just another fuck I bled Degraded and alone, raped and still forlorn Betrayed on a lizard's bed We chameleon, we chameleon, we chameleon |
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6:34 |
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from Marillion - Fugazi (1998)
Sheltering her ego on the edge of a floodlit arc
She'll contemplate seduction, she'll calculate the catch When she moved, her presence speared me When she spoke, her words ensnared me Watch the lizard, watch the lizard, Watch the lizard with the crimson veil She crucified my heart in the depth of a satin grave As I lay in sweating monologue I sensed the lovelight fade Within the spiral of the cigarette You betrayed your bedside etiquette I saw the lizard, I saw the lizard I touched the lizard with the crimson veil I've seen a different doorway shut a million times before The smiling she chameleon, the smiling vinyl whores They know what they want, they sing your name And glide between the sheets I never say no, in chemical glow we'll let our bodies meet So was it just a fuck, was it just a fuck, just another fuck I said Loving just for laughs, carnal autograph, lying on a lizard's bed So was it just a fuck, was it just a fuck, just another fuck I bled Degraded and alone, raped and still forlorn Betrayed on a lizard's bed We chameleon, we chameleon, we chameleon |
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