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from Gary Moore - Blues Alive [live] (1993)
Used to be so easy
to give my heart away But I've found that the hard way is a price you have to pay I found that love was no friend of mine I should have known time after time So long, it was so long ago but I still got the blues for you Used to be so easy to fall in love again I've found that the hard way it's a way that leads to pain I've found that love was more than just a game to play and to win but to lose just the same so many years since I've seen your face and now in my heart there's an empty space where you used to be Though the days come and go there's one thing I know I still got the blues for you |
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4:47 |
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from Gary Moore - Back To The Blues (2001)
Somebody help me.
Lord, I'm in misery. Somebody help me. Lord, I'm in misery. I had enough of the blues, but the blues ain't had enough of me. Had me a woman. Oh Lord, I done her wrong. Had me a woman. Oh Lord, I done her wrong. She got sick and tired of the cheatin', and now she's up and gone. That's why she left me, left me in misery. That's why she left me, left me in misery. Yes, she did. I had enough of the blues, but the blues ain't had enough of me. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Somebody help me. Lord, I'm in misery. Somebody help me. Lord, I'm in misery. Uh-uh. Well, I had enough of the blues, but the blues ain't had enough of me. Oh, no. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Somebody help me. Lord, I'm in misery. Somebody's gotta help me. Lord, I'm in misery. Yes, I am. I had enough of the blues, but the blues ain't had enough of me. I had enough of the blues, but the blues ain't had enough of me. Oh, no. I had enough of the blues, but the blues ain't had enough of me. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah. Ah-ah-ah-ah. Ah-ah-ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah. Ah-ah-ah-ah-ah. |
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3:14 |
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from Gary Moore - Back To The Blues (2001)
That's right!
Yes, she's 36 bust, 28 in the waist, 44 on the hip. She's got some crazy legs. It upsets me baby. Ooh, upsets me baby, Yeah, I'm tellin' you she's so fine, somethin' that you ought to see. Well, she's not too tall, complexion is fair. It knocks me out the way she wears her hair. You upsets me baby. You upsets me baby. Like beein' hit by a fallin' tree, woman what you do to me. Well, I try to describe her. It's hard to stop. I better stop now in case I got a weak heart. You upsets me baby. You upsets me baby. Like beein' hit by a fallin' tree, woman what you do to me. Yeah! Yeah! Try to describe her. It's hard to stop. I better stop now in case I got a weak heart. You upsets me baby. You upsets me baby. Like beein' hit by a fallin' tree, woman what you do to me. It upsets me baby. It upsets me baby. It upsets me baby. It upsets me baby. Like beein' hit by a fallin' tree, woman what you do to me. That's right. Hoh! |
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4:18 |
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from Gary Moore - Back To The Blues (2001)
It was a cold black night,
and the rain was falling down. It was a cold black night, and the rain was falling down. It was a cold black night, the night that my baby left town. It was the darkest day, and the wind was howlin' through. It was the darkest day, and the wind came howlin' through. It was the darkest day, day my baby said we're through. Oh, come back baby, never did you no wrong. Come back baby, I never did you no wrong. I've been sleeping in the ground ever since your love been gone. It was a cold black night, and the rain was falling down. It was a cold black night, and the rain was falling down. It was a cold black night, the night my baby left town. Yeah. It was the darkest day, and the wind came howlin' through. It was the darkest day, and the wind came howlin' through. It was the darkest day, the day my baby said we're through. It was a cold black night. (*** repeat) It was a cold black night. It was a cold black night. It was a cold black night. It was a cold black night, and the rain was falling down. It was a cold black night, and the rain was falling down. It was a cold black night, the night my baby left this town. Yes. It was a cold black night. (**** repeat) the night my baby left town. It was a cold black night. |
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6:53 |
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from Gary Moore - Back To The Blues (2001)
Call it stormy Monday,
but Tuesday's just as bad. Call it stormy Monday, Tuesday's just as bad. Wednesday is worse, and Thursday's all so sad. The eagle flies on Friday, Saturday I go out to play. Eagle flies on Friday, Saturday I go out to play. Sunday I go to church, I get down on my knees and pray. Lord have mercy, Lord have mercy, mercy on me. Lord have mercy, Lord have mercy, mercy on me. Oh, I'm crazy about my baby, please send her home to me. Yeah, yeah. Lord have mercy, Lord have mercy, mercy on me. Yeah, Lord have mercy, Lord have mercy on me. Well, I'm crazy about my baby, please, please send her home. Call it stormy Monday. |
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2:53 |
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from Gary Moore - Back To The Blues (2001)
I've got a Maserati GT.
I got snakeskin upholstery. I've got a charge account at Goldblatt's, but I ain't got you. I've got a closet full of clothes, but no matter where it goes, it keeps a ring through my nose, but I ain't got you. Got a tavern, a liquor store. I play the numbers, yeah four-fourty-four. I got a mojo, don't you know. I'm all dressed up with no place to go. I got women to the left of me. I got women to the right of me. I got women all around me, but I ain't got you. No, I ain't got you. I got women to the left of me. I got women to the right of me. I got women all around me, but I ain't got you. No, I ain't got you. No, I ain't got you. |
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7:12 |
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from Gary Moore - Back To The Blues (2001)
Picture of the moon
you gave to me that night. The stars were out to play, the moon was shining bright. If only I had known that it would end so soon. I was left with a picture of the moon. The sound of soft guitars beneath the spanish skies. Across the candle lights the sadness in your eyes. If only I had known that it would end so soon. I was left with a picture of the moon. Picture of the moon you gave to me that night. The stars were out to play, the moon was shining bright. However could I know that it would end so soon? I was left with a picture of the moon. I was left with a picture of the moon. All that's left is a picture of the moon. |
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2:19 |
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from Gary Moore - Back To The Blues (2001)
I was looking back to see
if she was looking back to see if I was looking back at her. I saw her walking down the street, though little does she look so sweet. I followed her for half a mile, I had to stop and talk a while. I was looking back to see if she was looking back to see if I was looking back at her. She had a yellow golden hair, I'm gonna follow everywhere. She had a wiggle when she walk, I wanted her to stop and talk. You know that I was looking back to see if she was looking back to see if I was looking back at her. Yeah! She had a yellow golden hair, I'm gonna follow everywhere. She had a wiggle when she walk, yeah, I wanted her to stop and talk. You know that I was looking back to see if she was looking back to see if I was looking back at her. You know that I was looking back to see if she was looking back to see if I was looking back at her. You know that I was looking back to see if she was looking back to see if I was looking back at her. |
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6:19 | 
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6:10 |
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from Gary Moore - Back To The Blues (2001)
How many more lies
you gonna have to tell? How many more lies you gonna have to tell? Well, I've been watching what you're doin', and I don't like what I see, you're makin' a fool out of me. How many more years you gonna wreck my life? How many more years you gonna wreck my life? Well, I've been checkin' on you baby, with your cheating and your lies, you're in for a big surprise. Yeah! How many more tears do I have to cry? How many more tears do I have to cry? When I'm old and I'm grey, I just gonna walk away, try to make a fool out of me. How many more times you gonna treat me like you do? How many more times you gonna treat me like you do? I've been watching what you're doin', and I don't like what I see, you're makin' a fool out of me. Yeah! How many more lies you gonna have to tell? How many more lies you gonna have to tell? Well, I've been checkin' on you baby, and I don't like what I see. All your lyin' and your cheatin', tryin' to make a fool of me. Had enough of all your prayin', gonna show you to the door. If I'm livin' when you're leavin', I won't be a fool anymore. No! How many more lies? How many more times? How many more years? How many more tears? Hey-hey-hey! Hey-hey-hey! Hey-hey-hey! Hey-hey-hey! |
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9:20 |
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from Gary Moore - Back To The Blues (2001)
The woman I love doesn't want me.
I'm having to face my worst fears. She's promised her heart to another. Feel like I'm drowning in tears. She is the one I have lived for. I've waited for so many years. Now she is leaving me lonely. Feel like I'm drowning in tears. I was the one who waited endlessly, sending you kisses from the stars. I was the one who fought relentlessly, wishing you hadn't gone so far. The woman I love doesn't want me. I'm having to face my worst fears. She's promised her heart to another. Feel like I'm drowning in tears. Feel like I'm drowning in tears. |
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from Gary Moore - Wild Frontier (2003)
They came for him one winter's night.
Arrested, he was bound. They said there'd been a robbery, his pistol had been found. They marched him to the station house, he waited till the dawn. And as they led him to the dock, he knew that he'd been wronged. You stand accused of robbery, he heard the bailiff say. He knew without an alibi tomorrow's light would mourn his freedom. Over the hills and far away, for ten long years he'll count the days. Over the mountains and the seas, a prisoner's life for him there'll be. He knew that it would cost him dear, but yet he dare not say. Just where he had been that fateful night, a secret it must stay. He had to fight back tears of rage. His heart beat like a drum. For with the wife of his best friend, he'd spent his final night of freedom. Over the hills and far away, he swears he will return one day. Far from the mountains and the seas, back in her arms again he'll be. Over the hills and far away. Each night within his prison cell, he looks out through the bars. He reads the letters that she wrote. One day he'll know the taste of freedom. Over the hills and far away, she prays he will return one day. As sure as the rivers reach the seas, back in his arms again she'll be. Over the hills and far away, he swears he will return one day. As sure as the river reach the sea, back in his arms is where she'll be. Over the hills and far away, she prays he will return one day. As sure as the rivers reach the seas, back in her arms is where he'll be. Over the hills. Over the hills and far away. Over the hills. Over the hills and far away. |
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from Gary Moore - Wild Frontier (2003)
I remember the old country
they call the emerald land. And I remember my hometown before the war began. Now we're riding on a sea of rage, the victims you have seen. You'll never hear them sing again The Forty Shades Of Green. We're goin' back to the wild frontier. We're goin' back, back to the wild frontier. I remember my city streets before the soldiers came. Now armoured cars and barricades remind us of our shame. We are drowning in a sea of blood, the victims you have seen. Never more to sing again The Forty Shades Of Green. We're goin' back to the wild frontier. Those are the days I will remember. Those are the days I most recall. We count the cost of those we lost and pray it's not in vain. The bitter tears of all those years. I hope we live to see those days again. Now we're riding on a sea of rage, the victims you have seen. You'll never hear us sing again The Forty Shades Of Green. And I remember a friend of mine, so sad now that he's gone. They tell me I'll forget as time goes on. We're goin' back to the wild frontier. We're goin' back. Those forty shades of green are calling me back home. Ooh, we're goin' back. I'm goin' back. |
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from Gary Moore - Wild Frontier (2003)
I remember the old country
they call the emerald land. And I remember my hometown before the war began. Now we're riding on a sea of rage, the victims you have seen. You'll never hear them sing again The Forty Shades Of Green. We're goin' back to the wild frontier. We're goin' back, back to the wild frontier. I remember my city streets before the soldiers came. Now armoured cars and barricades remind us of our shame. We are drowning in a sea of blood, the victims you have seen. Never more to sing again The Forty Shades Of Green. We're goin' back to the wild frontier. Those are the days I will remember. Those are the days I most recall. We count the cost of those we lost and pray it's not in vain. The bitter tears of all those years. I hope we live to see those days again. Now we're riding on a sea of rage, the victims you have seen. You'll never hear us sing again The Forty Shades Of Green. And I remember a friend of mine, so sad now that he's gone. They tell me I'll forget as time goes on. We're goin' back to the wild frontier. We're goin' back. Those forty shades of green are calling me back home. Ooh, we're goin' back. I'm goin' back. |
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from Gary Moore - Wild Frontier (2003)
They came for him one winter's night.
Arrested, he was bound. They said there'd been a robbery, his pistol had been found. They marched him to the station house, he waited till the dawn. And as they led him to the dock, he knew that he'd been wronged. You stand accused of robbery, he heard the bailiff say. He knew without an alibi tomorrow's light would mourn his freedom. Over the hills and far away, for ten long years he'll count the days. Over the mountains and the seas, a prisoner's life for him there'll be. He knew that it would cost him dear, but yet he dare not say. Just where he had been that fateful night, a secret it must stay. He had to fight back tears of rage. His heart beat like a drum. For with the wife of his best friend, he'd spent his final night of freedom. Over the hills and far away, he swears he will return one day. Far from the mountains and the seas, back in her arms again he'll be. Over the hills and far away. Each night within his prison cell, he looks out through the bars. He reads the letters that she wrote. One day he'll know the taste of freedom. Over the hills and far away, she prays he will return one day. As sure as the rivers reach the seas, back in his arms again she'll be. Over the hills and far away, he swears he will return one day. As sure as the river reach the sea, back in his arms is where she'll be. Over the hills and far away, she prays he will return one day. As sure as the rivers reach the seas, back in her arms is where he'll be. Over the hills. Over the hills and far away. Over the hills. Over the hills and far away. |
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4:28 |
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from Gary Moore - After Hours (1992)
So many times you tried to take the best of me.
So many times, now you're gonna take the rest of me. Better look at what you're doing before it's too late. It's a fine line you're treadin' between love and hate. There'll be a cold day in hell before I'm coming back to you. So many times you tried to play a dead end game. Yes, you did. I tried to tell you, but you'd never wanna take the blame. Now you've pushed me to the limit, and I can't take no more. You'd better take one last look before I'm out the door. There'll be a cold day in hell before I'm coming back to you. You never listened when I told you that you were way out of line. Too busy talkin' to listen, accusing me of telling lies. So many times you tried to get the best of me. Yes, you did. So many times, but now you're gonna take the rest of me. Well, it's too late for sorry and it's too late for tears. Better take one last look before I disappear. There'll be a cold day in hell before I'm coming back to you. There'll be a cold day in hell before I'm coming back to you. There'll be a cold day in hell before I'm coming back to you. Yeah! |
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2:30 |
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from Gary Moore - After Hours (1992)
There's two kinds of people that I just can't stand,
a cold-hearted woman and a lyin' man. So don't you lie to me. Don't you lie to me. Because it makes me mad, and I get evil as a man can be. Yes, I do. Told me that you loved me long time ago. The man that you had, you don't want him no more. Don't you lie to me. Don't you lie to me. Because it makes me mad, and I get evil as a man can be. Yes, I do. Well, you told me that you loved me long time ago. The man that you had, you don't want him no more. Don't you lie to me. Don't you lie to me. Because it makes me mad, and I get evil as a man can be. I'm gonna tell you. Don't you lie to me. Don't you lie to me. Don't you lie to me. Don't you lie to me. Because it makes me mad, and I get evil as a man can be. Yes, I do. Evil as a man can be. |
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6:41 |
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from Gary Moore - After Hours (1992)
My baby she left me, my baby she's gone.
My sweet little angel has spread her wings and flown. Can't think of a reason for going on. From this day I will play the blues. She said it was over, this time it's the end. Bad luck and trouble gonna be my only friend. I still can't believe it, after all we've been through. Everyday I will play the blues. Everybody knows what the blues is all about. It's a pain you can't live with. It's a woman you can't live without. She came from Chicago. She read me the news. In the headlines was a story of the blues. They say a broken heart can always mend. Time is the healer and sadness will end. But I've done so much crying, when will I laugh again? Till that day I will play the blues. Everybody knows what the blues is all about. It's a pain you can't live with. It's a woman you can't live without. Could have cried me a river when they told me the news. On that day was a story of the blues. |
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2:53 |
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from Gary Moore - After Hours (1992)
I used to wake up in the morning with an aching head.
I couldn't remember anything I'd said. My friends told me I was getting out of line. If it wasn't for you baby, I'd be doing time. Since I met you baby, you've made a new man of me. Since I met you baby, I'm happy as a man could be. Yes, I am. I used to think I was better than the rest. Ain't no doubt about it, I was no second best. Didn't seem to matter what was right or what was wrong. I did some crazy things before you came along. Since I met you baby, you've made a new man of me. Since I met you baby, I'm happy as a man could be. Yes, I am. Since I met you baby. Since I met you baby. Since I met you baby. Since I met you baby. Since I met you baby, I'm happy as a man could be. One more time! Since I met you baby. Since I met you baby. Since I met you baby. Since I met you baby. Since I met you baby. Since I met you baby. Since I met you baby. Since I met you baby. Well, since I met you baby, I'm happy as a man could be. Yes, I am. Happy as a man can be. You tell 'em Gary! Yeah! |
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4:55 |
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from Gary Moore - After Hours (1992)
What is it that you want from me?
I really wish I knew. I try so hard to do my best, but it's not good enough for you. Over and over again we will make the same mistakes. Over and over again there's a feelin' I just can't shake. Is it time to go our separate ways? Is it time to go our separate ways? You know I need your love so bad. Can't you see what you do to me? I try so hard to understand, but the truth's never plain to see. Is it time to go our separate ways? Is it time to go our separate ways? Time after time we will try to understand. I don't know where we went wrong, but there's no use in holdin' on. Over and over again we will make the same mistakes. Over and over again and it's more than a man can take. Is it time to go our separate ways? Is it time to go our separate ways? Is it time to go our separate ways? Is it time to go our separate ways? |
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3:53 |
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from Gary Moore - After Hours (1992)
She'll tear you up.
She'll bring you down. She'll leave your heart in the lost and found. She's just waitin', waitin' till the sun goes down. Take it from me, you're not the only fool in town. She'll make you angry. She'll make you sad. She'll find a way to make the good times bad. She's a woman that kind of likes to fool around. Take it from me, you're not the only fool in town. No. There's something about that woman, she tries to drag a good man down. Something about that woman. Take it from me, you're not the only fool in town. No, you're not! Come on! Yeah! There's something about that woman, she tries to drag a good man down. Something about that woman. Take it from me, you're not the only fool. She'll tear you up. She'll bring you down. She'll leave your heart in the lost and found. She's just waitin', she's waitin' till the sun goes down. Yeah! Take it from me, you're not the only fool in town. You can take it from me, you're not the only fool in town. No, you're not! I said, take it from me, you're not the only fool in town. Take it from me, you're not the only fool in town. Yeah! |
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1:59 |
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from Gary Moore - After Hours (1992)
I never realized that you were in pain.
Wanna help you honey, let me see you again. Hurts my soul baby, when I find you're feeling rough, yeah. Life is so bad baby, when do I find the key to love? The smile on your face wipe away those tears. Life is gonna get better as you live through those years. Hurts my soul baby, when I find you're feeling rough, ooh. Life is so bad baby, when do I find the key to love? Somewhere in this world, the one you're waiting for, gonna come along baby, turn the key to your door. Hurts my soul baby, when I find you're feeling rough, yeah. Life is so bad baby, when do I find the key to love? When do I find the key to love? |
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4:21 |
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from Gary Moore - After Hours (1992)
What can you say?
There isn't much to tell. I'm going downhill and I blame myself. I've been jumpin' at shadows, thinking 'bout my life. Everybody points their hand at me. I know I'm just a picture of what I should've been. I've been jumpin' at shadows, thinking 'bout my life. What can you say? There isn't much to tell. I'm going downhill and I blame myself. I've been jumpin' at shadows, thinking 'bout my life. |
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5:45 |
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| from Gary Moore - After Hours (1992) | |||||
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5:54 |
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5:05 |
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from Gary Moore - After Hours (1992)
Another time, another place.
The lonely streets where we embraced. Then you would go without a trace. Nothing's the same without you. Another day goes passing by. I sit alone and wonder why. Sometimes it's hard, but I will try to live my life without you. You're in my heart, you're in my dreams. You're everywhere or so it seems. So many times I've heard that song. Hold back the tears, pretend you're strong. Another day goes slowly by. I sit alone and wonder why. I think of you, I start to cry. Nothing's the same without you. Another time, another place. The sweetness of our last embrace. What would I give to see your face. Nothing's the same without you. Nothing's the same, nothing's the same, nothing's the same without you. |
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3:02 |
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from Gary Moore - Dark Days In Paradise (1997)
Take me out of here. This place is gettin' much to small. Make me disappear, vanish through the nearest wall. Give me one good reason why I should stay. Give me one good reason to go on this way. Give me one good reason why I should stay with you, with you. Take me out of here. This place is closing in on me. Make it disappear, somewhere else I wanna be. Give me one good reason why I should stay. Give me one good reason to go on this way. Give me one good reason why I should stay with you, with you. How, yeah. Give me one good reason why I should stay. Give me one good reason to go on this way. Give me one good reason why I should stay with you, with you, with you. Take me out of here. |
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5:27 |
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from Gary Moore - Dark Days In Paradise (1997)
Sun don't shine 'round here no more, since my baby walked on out that door. She broke my heart, make no mistake. All I did was give. All she did was take. But don't you know, where she goes, the cold wind blows. Well, my baby told so many lies. I couldn't see through my blinded eyes. She choked me up with her bad, bad seed. Took the flowers I gave her and strangled them with weeds. But don't you know, where she goes, the cold wind blows. I ain't gonna cry no more. I ain't gonna cry no more. I ain't gonna cry no more, cry no more. Sun don't shine 'round here no more, since my baby walked on out that door. She broke my heart, make no mistake. All I did was give. And all she did was take. But don't you know, where she goes, the cold wind blows. The cold wind blows. I ain't gonna cry no more. I ain't gonna cry no more. I ain't gonna cry no more. I ain't gonna cry no more. Ain't gonna cry no more, cry no more. Gonna cry no more. Ain't gonna cry no more. |
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4:53 |
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from Gary Moore - Dark Days In Paradise (1997)
(Gary Moore) I can still remember, like it was yesterday, the pain inside my heart as you turned to walk away. I don't know and I don't care what the people say. I don't know and I don't care, I love you anyway. For I have found my love in you. And I have found a love so true. I can still remember, like it was just the other day. I could have done without those stories while you're so far away. I don't know, I don't care what my friends all say. I don't know and I don't care, I love you anyway. For I have found my love in you. And I have found a love so true. Ooh, that first sweet night together. I will remember it forever. I put my heart on the line. Though I knew I was wrong, I would keep holding on. Do you still remember all those times ago? When you lay like a flame in my arms, and I could never let you go. For I have found my love in you. And I have found a love so true. Yes, I have found my love in you. And I have found a love so true. I don't know and I don't care. Ooh, that first sweet night together. I don't know, I don't care. I will remember it forever. |
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4:58 |
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from Gary Moore - Dark Days In Paradise (1997)
One of these days we'll be together one of these days we'll be as one love and illumination all across every nation One fine day we will walk in the sunshine one fine day we will reach to the stars One of these days we'll be together one of these dyas we'll be as one love and illumination all across every nation One fine day we will walk in the shunshine one fiee day we will reach to the stars Even as we speak, time marches on even as we speak, the devil's plan goes on One fine day we'll be together one fine day we'll be as one One fine day one fine day |
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7:32 |
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from Gary Moore - Dark Days In Paradise (1997)
In every heart a story is told.
There's a way you can believe in forever. In every life the story unfolds, like a mystery for you to see and tear away the mask. Hold on to your dreams, learn how to fly like angels. Hold on to your dreams, soaring above, wings of love. In every tear a lesson to learn. There's a way you can believe in forever. Time never hears the reasons we give. It just marches on until it's gone, forever and a day. Hold on to your dreams, learn how to fly like angels. Hold on to your dreams, soaring above, wings of love. Hold on to your dreams, learn how to fly like angels. Hold on to your dreams, soaring above, wings of love. Hold on to your dreams, learn how to fly like angels. Soaring high above, wings made from love. some day.. |
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5:44 |
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from Gary Moore - Dark Days In Paradise (1997)
(Gary Moore) Searching for the answers, looking for the meaning of our different ways. Try to understand it, all of our misgivings is the price we pay. But what are we here for? Have we learned a single thing? What are we here for? Have we been through everything, or must we stay until we get it right? Travelling through the darkness, guided by the light that shines on everyone. Each of us an island, moving through the universe since time began. But what are we here for? Have we learned a single thing? What are we here for? Have we been through everything, or must we stay until we get it right? So many of our dreams are telling us just who we are, where we're from and how we came so far. If we would only listen to the things within we know are true, then all of us would see a brighter day. Searching for the answers, hidden in the meaning of our different ways. Try to understand it, all of our misgivings is the price we pay. But what are we here for? Have we learned a single thing? What are we here for? Have we been through everything, or must we stay until we get it right? Or must we stay until we get it right? |
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4:34 |
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from Gary Moore - Dark Days In Paradise (1997)
The rhythm of our lives is changin' day by day It seems no matter what I do or what I say, that Im always there for you, but youre never here for me. So many times you take me halfway to my dreams, but then you close the door, and every time it seems that Im always there for you, but youre never here for me. Yes, Im always there for you, but youre never here for me. The rhythm of our lives is changin' day by day It seems no matter what I do or what I say, that Im always there for you, but youre never here for me. Yes, Im always there for you. I am always there for you, but youre never here for me. Yes, Im always there for you, but youre never here for me. Im always there for you. |
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6:42 |
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from Gary Moore - Dark Days In Paradise (1997)
All of our destinies written within us No more of falling for the worlds biggest lie Are you so jealous of the wind and her freedom Nothing can stop you now Live in your dreams Are we afraid of tomorrow Crossing the wilderness finding the treasure Buried within yourself all you desire Soul of the world can see all you are feeling Heeding the wise man's words all things are one Are we afraid of tomorrow All of our destinies written within us No more of falling for the worlds biggest lie Are you still jealous of the wind and her freedom Nothing can stop you now so live in your dreams Are we afraid of tomorrow Afraid of tomorrow afraid |
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6:35 |
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from Gary Moore - Dark Days In Paradise (1997)
Ever since it all began,
a woman and an only man. What happened to the world in which we're living? We take, when all this time we could be giving. And I ask myself each day, where did we go wrong? And I wonder when I pray, where did we go wrong? Ever since it all began, one woman and a lonely man. I worry for the world in which we're living. We take, when all this time we could be giving. And I ask myself each day, where did we go wrong? And I wonder when I pray, where did we go wrong? With every turn our world is growing older. But does it mean our hearts are turning colder? With every teardrop falls a shining star. It seems so wrong, but now we've come so far. After all is said and done, I know I'm not the only one who worries for this world in which we're living, who cares about the love we should be giving. And I ask myself each day, where did we go wrong? And I wonder when I pray, where did we go wrong? ------------- Lyrics Powered by LyricFind Written By MOORE, GARY <i>Lyrics © EMI Music Publishing</i> |
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13:36 |
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from Gary Moore - Dark Days In Paradise (1997)
(Gary Moore) The pink crucifix with the ivory Jesus I wanted. The man with the blood on his hands, as I ran from the river. Kissing my cousin, before they took her to the graveyard. Trembling at night from the violence I heard from my bedroom. These are my memories. These are my memories, coming home. Called up at school, for my hand wasn't there to say "present". Running the gauntlet outside the Club Rado at dawn. Rory and me, without a spare string between us. Catching the last bus halfway through I'm So Glad. These are my memories. These are my memories, coming home. Philip and me and 'the Brush' ridin' 'round in a Transit. The Bailey, the Strangely's, the smoke and the speed and the acid. I lost my virginity to a Tipperary woman. A heart that was broken, but it wasn't the first or the last time. These are my memories. These are my memories, coming home. Under the wings of the man they called Green, I found freedom. Three children, one wife, a twist of the knife and a scandal. Divorce, separation, some kind of salvation came lately. So many have gone, but I know it's just business as usual. Oh, these are my memories. These are my memories. These are my memories. These are my memories. These are my memories. These are my memories, coming home. These memories keep coming back. Those memories keep coming back. All those years ago. All those years ago. These are my memories. These are my memories. These are my memories. |
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4:24 |
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from Gary Moore - Parisienne Walkways (1989)
Listen to me woman,
I just think it's a sin. I know you hear me knockin', but you won't let me in. Might be fine for you just to keep me hangin' round. But if you don't open up this door, I'm gonna kick it down. Sometimes I feel like I'm back on the streets again. Sometimes I feel like there's nowhere to go. Sometimes I feel like I'm back on the streets again. Listen, you've been telling me to short for much too long. But now I'm gonna put you back where you belong. Might be fine for you just to keep me hangin' round. But if you don't open up this door, I'm gonna kick it down. Sometimes I feel like I'm back on the streets again. Sometimes I feel like there's nowhere to go. Sometimes I feel like I'm back on the streets again. Sometimes it's the only place that I know. That I know. Sometimes I feel like I'm back on the streets again. Sometimes I feel like there's no place to go. Sometimes I feel like I'm back on the streets again. Sometimes it's the only place that I know. Sometimes I feel like I'm back on the streets again. Sometimes I feel like there's no place to go. Sometimes I feel like I'm back on the streets again. Sometimes it's the only place that I know. Only place that I know, yeah. |
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3:03 |
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from Gary Moore - Parisienne Walkways (1989)
There's a new sensation
Playin' across the nation. Just don't care, they just don't care. They'll eat your heart out Before you start out. Just don't care, they just don't care. Every dog will have its own way. Throw out the old, bring in the new, they say. Every dog will have its new day. Just don't care, just don't care. Fanatical fascists with Italian mustaches Just don't care, they just don't care. They'll beat your brains in So stop your complaining. Just don't care, they just don't care. Your heart is leaning to the left, But your hand in your pocket It leads you to the right. Your heart is leaning to the left, But the fight is tonight. The fight's tonight. Oh, no, no, oh, no, no. Oh, no, no, oh, no, no. Oh, no, no, oh, no, no. Oh, no, no, no, no, no. They just don't care, just don't care. Just don't, just don't care. Just don't, just don't care. Just don't, just don't care. Just don't, just don't care. Just don't. Just don't. Just don't. Just don't. Just don't. etc. |
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3:51 |
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from Gary Moore - Parisienne Walkways (1989)
Don't believe me if I tell you.
Not a word of this is true. Don't believe me if I tell you, especially if I tell you that I'm in love with you. Don't believe me if I tell you that I wrote this song for you. There just might be some other silly pretty girl I'm singing it to. Don't believe a word, 'cause words are only spoken. And a heart is like a promise, meant to be broken. Don't believe a word, for words can tell lies. And lies are no comfort when there's tears in your eyes. Don't believe me if I tell you. Not a word of this is true. Don't believe me if I tell you, especially if I tell you that I'm in love with you. Don't believe a word. Lord, don't believe a word. Don't believe me, don't believe me. Oh, not a single word. Oh. |
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3:56 |
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from Gary Moore - Parisienne Walkways (1989)
As I sit here and play
my spanish guitar underneath the stars it passes the time away Each note I play is a memory of Spain the melodies they take me back there again So as I sit here and play on my old spanish guitar each note I play just sails away And it brings me closer to that spanish senorita Oh she's so far away As I sit here and play underneath the stars it passes the time away and brings me closer to my spanish holiday |
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3:28 |
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from Gary Moore - Parisienne Walkways (1989)
I remember Paris in 49
The Champs Elysee San Michelle and old Beaujolais wine And I recall that you were mine in those Parisienne days Looking back at the photographs Those summer days spent outside corner cafes Oh I could write you paragraphs about my old Parisienne days |
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4:58 |
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| from Gary Moore - Parisienne Walkways (1989) | |||||
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6:03 |
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| from Gary Moore - Parisienne Walkways (1989) | |||||
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5:50 |
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| from Gary Moore - Parisienne Walkways (1989) | |||||
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5:57 |
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| from Gary Moore - Parisienne Walkways (1989) | |||||
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6:04 |
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| from Gary Moore - Parisienne Walkways (1989) | |||||
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5:49 |
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| from Skid Row - Skid Row (1970) | |||||
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2:59 |
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| from Skid Row - Skid Row (1970) | |||||
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3:06 |
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| from Skid Row - Skid Row (1970) | |||||
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9:07 |
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| from Skid Row - Skid Row (1970) | |||||
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5:30 |
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| from Skid Row - Skid Row (1970) | |||||
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4:11 |
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| from Skid Row - Skid Row (1970) | |||||
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3:55 |
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| from Skid Row - Skid Row (1970) | |||||
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4:03 |
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| from Skid Row - Skid Row (1970) | |||||
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3:46 |
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| from Skid Row - Skid Row (1970) | |||||
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2:30 |
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| from Power Of The Blues (2004) | |||||
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5:38 |
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from Power Of The Blues (2004)
What is it that you want
What is it that you need Are you gonna take everything Do you wanna see me bleed What is it that you're looking for Do you always have to take some more 'Till there's nothing left to feel Nothing left of you and me There's a hole where we used to be Everything's so empty now Without you and me There's a time that we never had Everything's so empty now And it feels so sad Why is it that you never see What are you trying to do to me Or is it that you just don't care That I'm in misery We gotta set the record straight Before it starts to get to late I'm begging on my bended knees Won't you hear me please There's a hole where we used to be Everything's so empty now Without you and me There's a time that we never had Everything's so empty now And it feels so sad Does it really have to be this way Do you ever hear a word I say There's a hole where we used to be Everything's so empty now Without you and me There's a time that we never had Everything's so empty now And it feels so And it feels so sad There's a hole, there's a hole, there's a hole Where we used to Where we used to Where we used to be |
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2:53 |
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| from Power Of The Blues (2004) | |||||
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5:48 |
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from Power Of The Blues (2004)
I can't quit you, baby
But I've got to put you down for awhile You know I can't quit you, baby But I've got to put you down for awhile Well, you messed up my happy home, babe Made me mistreat my only child You know I love you, baby My love for you I could never hide Yes, you know I love you, baby My love for you I would never hide Yes, you know you're the onliest one, darlin' You're just my heart's desire Well, I'm so tired I could cry I could just lay down and die I'm so tired I could cry I could just lay down and die You know I love you, baby You're just my heart's desire When you hear me moanin' and groanin', baby You know it hurts me way down inside When you hear me moanin' and groanin', baby You know it hurts me way down inside Yes, when you hear me holler, baby You know you're my heart's desire |
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4:06 |
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| from Power Of The Blues (2004) | |||||
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2:43 |
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from Power Of The Blues (2004)
It's a long way from home,
Can't sleep at night. Call on your telephone; Something just ain't right. That's evil, evil is going on wrong. I want to warn you brother, You better watch your happy home. You make it to your house, Knock on the front door, Run 'round to the back; You'll catch him just before he goes. That's evil, evil is going on. I have warned you brother, You better watch your happy home. If you call on the telephone And she answers long and slow, Grab the first thing smoking And you have to haul her home. That's evil, evil is going on wrong. I have warned you brother, You better watch your happy home. |
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3:43 |
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from Power Of The Blues (2004)
If I feel this way tomorrow,
gonna make my getaway If I feel this way tomorrow, gonna have to make my getaway Too much worries and troubles, I just cant face another day A lot of wicked night, worries and troubles all over my mind A lot of wicked night, worries and troubles all over my mind If I dont find some way outta here, Im gonna have to leave this place behind If I feel this way tomorrow, gonna make my getaway Feel this way tomorrow, Im gonna have to make my getaway Too much worries and troubles, I just cant face another day Getaway yeah, yeah, yeah, yeah |
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4:52 |
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from Power Of The Blues (2004)
It serves me right to suffer
It serves me right to be alone It serves me right to suffer It serves me right to be alone You see I'm living in the memory Of a day that has passed and gone Everytime i see a woman You know it makes me think about mine Everytime i see a woman You know it makes me think about mine You see I'm living in the memory Of a woman I've left behind It serves me right to suffer It serves me right to be alone It serves me right to suffer It serves me right to be alone Now I'm living in the memory Of a woman that has passed and gone |
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3:35 |
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| from Power Of The Blues (2004) | |||||
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5:37 |
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| from Power Of The Blues (2004) | |||||
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4:10 |
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from 여선생 Vs 여제자 (여선생 대 여제자) by 조영욱 [ost] (2004)
Used to be so easy
To give my heart away But I found out the hard way There's a price you have to pay I found out that love Was no friend of mine I should have known Time after time So long, it was so long ago But I've still got the blues for you Used to be so easy To fall in love again But I found out the hard way It's a road that leads to pain I found that love Was more than just a game You're playin' to win But you lose just the same So long, it was so long ago But I've still got the blues for you So many years Since I've seen your face Here in my heart There's an empty space Where you used to be So long, it was so long ago But I've still got the blues for you Though the days come and go There is one thing I know I've still got the blues for you |
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2:39 |
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from Gary Moore - Still Got The Blues (1992)
I'm gonna leave this place tomorrow.
I'm gonna leave this town behind. I'll be gone before the morning, on the other side of the mound. That's why I'm moving on. I'm moving on. I've been hanging around too long, it's time I was moving on. Oh, well I'm tired of the same old faces, and I'm sick of the same old names. I'm getting bored with the same old places, everybody starts to look the same. That's why I'm moving on. I'm moving on. I've been hanging around too long, it's time I was moving on. Move it for me! I've been tryin' to settle down here, but my feet just won't stay still. And I've heard that the grass is greener on the other side of the hill. That's why I'm moving on. I'm moving on. I've been hanging around too long, it's time I was moving on. Give me one more for the go! I'm gonna leave this town tomorrow. I'm gonna leave this place behind. You can bet your bottom dollar, all my troubles will be far behind. That's why I'm moving on. I'm moving on. I've been hanging around too long, it's time I was moving on. I've been hanging around too long, it's time I was moving on. Said I've been hanging around too long, it's time I was moving on. Get out of here! |
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4:25 |
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from Gary Moore - Still Got The Blues (1992)
Oh, pretty woman
sure's the rising sun. Says all your cheap paint and powder ain't gonna help you none. 'Cause she's a pretty woman right down to her bone. So you might as well leave your skin alone. Pretty woman, what's the matter with you? Can't make you love me no matter what I do. Oh, pretty woman, whatcha gonna do? You kept on foolin' around till I got stuck on you. So you can drop your mess and come down off your throne, stop using my poor heart as just a stepping stone. Pretty woman, what's the matter with you? Can't make you love me no matter what I do. Oh, pretty woman that's all right for you. Now you just go on doing what you wanna do. But someday when you think that you've got it made, you're gettin' water deep enough so you can't wade. Pretty woman, what's the matter with you? Can't make you love me no matter what I do. Oh, pretty woman. Oh, pretty woman. Oh, pretty woman. Oh, pretty woman. Can't make you love me no matter what I do. No! Can't make you love me no matter what I do. No! Can't make you love me no matter what I do. Oh, pretty woman, I just can't make you love me. Oh, no. |
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2:55 |
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from Gary Moore - Still Got The Blues (1992)
You know I love you, you know it's true
Give you all my love, babe, what more can I do Walkin' by myself, I hope you'll understand I just walk to be your lovin' man I love ya, yes, I love you with my heart and soul I wouldn't mistreat you for my weight in gold You know I love you, you know it's true Give you all my love, babe, what more can I do Walkin' by myself, I hope you'll understand I just walk to be your lovin' man You know I love you, you know it's true Give you all my ____, babe, what more can I do I'm walkin' by myself, I hope you'll understand I just walk to be your lovin' man Yes, I'm walkin' by myself, I hope you'll understand I just walk to be your lovin' I just walk to be your lovin' I just walk to be your lovin' man |
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6:10 |
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from Gary Moore - Still Got The Blues (1992)
Used to be so easy to give my heart away
But I found that the hard way Was a price you have to pay But I found that then love was no friend of mine I should've known time after time So long, it was so long ago But I've still got the blues for you Used to be so easy to fall in love again But I found that the hard way It's a role that leads to pain I found that love was more than just a game To play and to win but to lose just the same So long, it was so long ago But I've still got the blues for you So many years since I've seen your face But you're in my heart There's an empty space where you used to be So long ago, it was so long ago But I still got the blues for you Though the days come and go There is one thing I know I've still... got the blues... for you |
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4:51 |
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from Gary Moore - Still Got The Blues (1992)
One, two, three, four.
Let me tell you about the Texas blues. I went down south to Dallas, to hear those cowboys wail. Came across that Billy Gibbons ridin' on that ZZ trail. I just can't lose with the Texas blues. I said I just can't lose with the Texas blues. The Texas blues. Got myself in Double Trouble, when I saw that Texas Flood. Stevie said The Sky Is Crying, superstition's in his blood. I just can't lose with the Texas blues. I said I just can't lose with the Texas blues. The Texas blues. How-how-how-how. Come on! I heard that Houston Twister. He could run you off the tracks. When he plays that Cold Cold Feeling, you get the shivers down your back. I just can't lose with the Texas blues. I said I just can't lose with the Texas blues. The Texas blues. A-how-how-how-how. Well, I'm going back to Dallas. Won't go waitin' for no bus. Ridin' off into the sunset. You won't see my heels for dust. I just can't lose with the Texas blues. I said I just can't lose with the Texas blues. I said I just can't lose with the Texas blues. And I just can't lose with the Texas blues. The Texas blues. Texas blues. A-how-how-how-how. A-how-how-how-how. |
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2:50 |
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from Gary Moore - Still Got The Blues (1992)
Yeah!
I laid down last night, too tired to wake. I had a chill this morning, too tired to shake. I got a good poker hand, too tired to win. I can hear my baby knockin', too tired to let her in. I'm tired. Yeah, yeah, yeah, I'm tired. Too tired, too tired for anything. I'm too tired to walk, too tired to run. I can hear my baby callin'. Too tired, too tired, I'm tired. Yes, I'm tired. I'm tired, I'm too tired for anything. Take over Albert, I'm too tired for this! I'm tired of prospherity. I'm tired of luck. I'm sittin' on a pin, I'm too tired to get up. I'm tired. I declare I'm tired. I'm too tired, too tired for anything. Oh, Albert I'm tired. You better take over Albert. I'm too tired baby. |
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4:36 |
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from Gary Moore - Still Got The Blues (1992)
He was born in Mississippi 1924.
He was born in Mississippi 1924. Left his home with no money. He had to pay his dues, but he knew the time was comin' when he'd be king of the blues. King of the blues! Lost his heart to a woman, Lucy was her name. Lost his heart to a woman, Lucy was her name. Yes, it was. When he hears her sing so sweetly, he knows he just can't lose. When he holds her in his arms he knows that he's the king of the blues. He's a Hunter with a Crosscut Saw. Born Under A Bad Sign. Caught his baby messin' down the Laundromat. He Almost Lost his Mind. Yeah! He was born in Mississippi 1924. He was born in Indianola, Mississippi 1924. Yes, he was! He doesn't need no jester to keep him amused. He's got Lucy by his side, he's making headline news. Doesn't need no palace, like Freddie down in Dallas. You can call him what you like, I call him king of the blues. That's right, mister Albert King of the blues. Yeah! King of the blues. Let me hear ya! |
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7:44 |
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from Gary Moore - Still Got The Blues (1992)
There is nothing I can do,
as you leave me here to cry. There is nothing I can do, as you leave me here to cry. You know my love will follow you, as the years go passing by. Give you all that I own. That's one thing you can't deny. Give you all that I own. That's one thing you can't deny. You know my love will follow you, as the years go passing by. Gonna leave it up to you. So long, so long, goodbye. Gonna leave it up to you. So long, so long, goodbye. You know my love will follow you, as the years go passing by. Gonna leave it up to you. So long, so long, goodbye. Gonna leave it up to you. So long, so long, goodbye. You know my love will follow you, as the years go passing by. |
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4:58 |
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from Gary Moore - Still Got The Blues (1992)
It's the darkest hour
of the darkest night. It's a million miles from the morning light. Can't get no sleep. Don't know what to do. I've got those midnight blues. When the shadows fall, I feel the night closing in. There must be some reason for this mood I'm getting in. Can't get no sleep. Don't know what to do. I've got those midnight blues. Every evening after sundown, as the light begins to fade. I feel so low, but I just don't know why these blues won't go away. Every evening after sundown, as the light begins to fade. I feel so low, but I just don't know why these blues won't go away. It's the darkest hour of the darkest night. It's a million miles to the morning light. Can't get no sleep. Don't know what to do. I've got those midnight blues. I've got those midnight blues. I've got those midnight blues. I've got those midnight blues. |
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4:29 |
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from Gary Moore - Still Got The Blues (1992)
She's that kind of woman.
No doubt about how she feels. She's holding promises. Her eyes won't tell, her lips are sealed. And I like her like that. She's kind of crazy. I think I know what I'm looking for. That kind of woman. I think I know what I'm looking for. That kind of woman. Standing in the doorway with the sunlight in her hair. She's watching the wind blow. You know she don't have a care. I like her like that. She's kind of crazy. I think I know what I'm looking for. That kind of woman. I think I know what I'm looking for. That kind of woman. She's got to look so cool, you know what I mean. Got the wickedest smile that I've ever seen. I crashed my heart on the side of the street that she once stood on. She's that kind of woman. I like her like that. She's pretty amazing. I understand why I want some more. That kind of woman. One look from her knocks me on the floor. That kind of woman. She's that kind of lady that you meet in a dream of dreams. Puts others in her shadow, but you know this woman's real. And I like her that. She's kind of crazy. I think I know what I'm looking for. That kind of woman. I think I know what I'm looking for. That kind of woman. I think I know what I'm looking for. That kind of woman. I said I know what I'm looking for. That kind of woman. |
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3:41 |
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from Gary Moore - Still Got The Blues (1992)
All your lovin' is lovin'.
All your kissin' is kissin'. All your lovin' is lovin'. All your kissin' is kissin'. Before I met you baby, I never knew what I was missin'. All your lovin' pretty baby, that I got in store for you. All your lovin' pretty baby, that I got in store for you. When I say I love you baby, gotta say you love me too. All your lovin' pretty baby, that I got in store for you. All your lovin' pretty baby, that I got in store for you. When I say I love you baby, you gotta say you love me too. All your lovin' pretty baby. All your lovin' pretty baby. All your lovin' pretty baby. All your lovin' pretty baby. Before I met you baby, I never knew what I was missin'. All your lovin' pretty baby. All your lovin' pretty baby. All your lovin' pretty baby. All your lovin' pretty baby. Before I met you baby, I never knew what I was missin'. |
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3:52 |
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from Gary Moore - Still Got The Blues (1992)
Oh, baby please stop messin' around. You're messin' around with my heart. Baby please stop messin' around. You're messin' around with my heart. And if you don't stop messin' baby, pretty soon we're gonna have to part. Oh, baby please stop messin' around. You're messin' around all the time. Baby please stop messin' around. You're messin' around all the time. And if you don't stop messin' baby, you're gonna be someone elses baby, not mine. Squeeze me baby till my face turn cherry red. Roll me so hard, I'll fall right out of bed. Please stop messin' around. You're messin around all the time. If you don't stop messin' baby, you're gonna be someone elses baby, not mine. Squeeze me baby till my face turn cherry red. Roll me so hard, I'm gonna fall right out of bed. Please stop messin' around. You're messin around all the time. If you don't stop messin' baby, you're gonna be someone elses baby, not mine. Yeah! |
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3:49 |
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| from Gary Moore - After The War (1992) | |||||
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4:17 |
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from Gary Moore - After The War (1992)
Monday morning feels so bad
Everybody seems to nag me Come on Tuesday I feel better Even my old man looks good Wednesday just won't go Thursday goes too slow I've got Friday on my mind Gonna have fun in the city Be with my girl, she's so pretty She looks fine tonight She is outa' sight to me Tonight, I'll paint it red Tonight, I'll lose my head Tonight, I've got to get tonight Monday I have Friday on my mind Do the five day drag once more No one, nothing else that bugs me Now I'm working for the rich man But I'll change his tune one day Tonight I'll get mad Tomorrow I'll be glad 'Cause I've got Friday on my mind Gonna have fun in the city Be with my girl she's so pretty She looks fine tonight She is outa' sight to me Tonight, I'll paint it red Tonight, I'll lose my head Tonight, I've got to get tonight Monday I have Friday on my mind Yeah Gonna have fun in the city Be with my girl she's so pretty Gonna have fun in the city Gonna have some fun Be with my girl she's so pretty Gonna have some fun Gonna have fun in the city Gonna have some fun Be with my girl she's so pretty In the city tonight Gonna have fun in the city |
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3:42 |
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from Gary Moore - After The War (1992)
Look around across the nation. Another league of morons marching, banners in hand. Looking for another scapegoat, try to take away the things they don't understand.Somewhere in the darkness, there's a voice that's crying to be heard. You feel it deep inside you, a voice that just won't be denied.Speak for yourself. Someone will hear you, someone will listen. Speak for yourself. Who knows, you might change your world.They try to take away your freedom. They try to tell you what you can or what you can't hear. Don't let this moral suffocation make you turn out just like them, is that what they fear?Somewhere in the darkest night, a voice that's crying to be heard. You hear it deep inside you now, a voice that just won't be denied.Speak for yourself. Someone will hear you, hear what you're saying. Speak for yourself. Who knows, you might change your world.They never listen to a word you say. They always turn their backs and walk away. Well, take a look at yourself now, baby. Take a look at yourself. Take a look at the things you should have done. It's up to you.Speak for yourself. Someone will hear you, someone will listen. Speak for yourself, someone will hear you, out in the darkness.Speak for yourself. Someone will hear you, someone will listen. Speak for yourself. Who knows, you might change your world. You might change your world. Speak for yourself. |
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4:14 |
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from Gary Moore - After The War (1992)
We used to stand on the corner of the street,
watching the world go by. Movin' on when the cops came along, looking 'em in the eye. Young guys with stars in their eyes, trying to make ends meet. Young guys with stars in their eyes, dancin' to the beat. Running wild, we were livin' on dreams. Running wild, nothing's what it seems. Running wild. Holy show - show - show The Alley Cats on a Saturday night, a rumble without a warning. Woodbines and a bottle of wine, and no school in the morning. Hot stuff, we acted so tough, we knew how to take a heed. Paying the dues by singing the blues, and dancin' to the beat. Running wild, we were livin' on dreams. Running wild, nothing's what it seems. Running wild, we were livin' on dreams. Running wild, nothing's what it seems. Just like an ocean in motion, sometimes you go too far. Then just to drop in the ocean, crash and burn like a shooting star. Young guys with stars in their eyes, just trying to make ends meet. Young guys with stars in their eyes, dancin' to, dancin' to the beat. Running wild, we were livin' on dreams. Running wild, nothing's what it seems. Running wild, we were livin' on dreams. Running wild, nothing's what it seems. Running wild, we were livin' on dreams. Running wild, nothing's what it seems. Running wild, |
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6:09 |
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from Gary Moore - After The War (1992)
The time has come to talk about tomorrow.
You should be a careful one tomorrow. I heard them on the radio. I saw them on the video. I don't think I can take much more. Led clones, Led clones. You've stolen from the houses of the holy. You've rolled into the kingdom of the sain. I heard you on the radio. I saw those crummy videos. I don't think I can take no more. Led clones, Led clones. Got to get it on, from the still of the night. But you're gettin' it wrong, you know it ain't right. Ooh, yeah. Ooh, yeah. I saw them on the radio. I heard them on the videos. I don't think I can take much more. Led clones. Led clones. Led clones, woh. Led clones. Led clones. |
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7:32 |
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from Gary Moore - After The War (1992)
Just a smile
Just a glance The Prince of Darkness he just walked past There's been a lot of people they've had a lot to say But this time I'm gonna tell it my way... There was a town It was a strange little town they called the world It was a lonely,lonely little town Till one day a stranger appeared Their hearts rejoicied and this sad little town was happy again But there were some that doubted They disbelieved,so they mocked Him And the stranged He went away and the said little town that was sad yesterday It's a lot sadder today I walked in a lot of places I never should have been But I know that the Messish, He will come again..... |
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4:45 |
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from Gary Moore - After The War (1992)
The wind is up,
and the sky is falling. The thunder cracks, and the sea is rolling. Wonder if we'll ever see tomorrow. Ride with our backs to the wind, don't know if I'll make home again. Running from the storm. Running from the storm. Running from the storm. Running from the storm. The sky is black, and the wind is howling. The lightning strikes, and the sea is raging. Wonder if we'll ever see tomorrow. Turning our ships to the sun, this time there is no place to run. Running from the storm. |
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3:22 |
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from Gary Moore - After The War (1992)
I saw you standing at the corner of the street,
you look so fine. I don't care what it is your sellin', I wanna be the next in line, aough. You're dressed to kill, you look good enough to eat. I'm telling you, there's just one thing you can't beat. This thing called love. This thing called love. Aough. That long, blond hair, those eyes of blue, those ruby lips and legs so long, baby. You've got the goods, you're holdin' big time. There's no way you can go wrong. You knock 'em dead, when you're walking down the street. I'm telling you, there's just one thing you can't beat. This thing called love, woh. This thing called love. This thing called love. This thing called love. Lookin' for a love on a summer's night. I've got you lined up in my sights. I've been looking for a love since the break of dawn. Hey baby, come on! Yeah! This thing called love. This thing called love. I've been looking for a love on a summer's night. I'm loaded up, you're in my sights. Lookin' for a love since the break of day. Hey baby, what you say? Ooh, yeah! This thing called love. |
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5:43 |
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from Gary Moore - After The War (1992)
Hey baby, looking good to me.
Hey baby, I like what I see. I'm ready, I'm ready for love. What you say, we just forget the drill. Full metal jacket, I'm shooting to kill. I'm ready, I'm ready for love. Don't you know that it's cold outside. Come on in, I'll keep you satisfied. Just like that moon up above, I'm out tonight and I'm ready for love. I'm getting ready, I'm ready for love, hooh. I'm ready, I'm ready for love. Aough! Move over baby. Hey baby, won't you tell me your sign. What do you know, it's the same one as mine. I'm ready, I'm ready for love. You hear me knockin', but you won't let me in. Open the door honey, let the fun begin. I'm ready, I'm ready for love. You say you will, then you say you won't. Now you see it, now you don't. Just like that moon up above, It's out tonight and I'm ready for love. I'm getting ready, I'm ready for love. I'm getting ready, I'm ready for love. Every day in the week, I'm in a different city. Every day in the week, somebody tries to hold me down. Your place or mine, honey? Don't you know that it's cold outside. Come on in, I'll keep you satisfied. Just like that old moon up above, I'm out tonight and I'm ready, ready, ready, ready. (I'm out tonight and I'm ready for love.) (I'm ready for love.) (I'm out tonight and I'm ready for love.) I'm ready for love. Ready, I'm ready for love. I'm getting ready, I'm ready for love. I'm getting ready, I'm ready for love, wooh! I'm getting ready, I'm ready for love. Just like that moon up above. (Ready) I'm ready for love. (I'm getting ready.) I'm ready for love. (Ready) I'm getting ready for love. (I'm getting ready.) Ooh, just like that moon up above. |
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8:19 |
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from Gary Moore - After The War (1992)
I was born up on the North side,
where the Lagan River flows. When I came across the border, I was following my nose. Dublin city '69, there could have been no better place, there was no better time. Through the thunder and the rain, the deepest blood of emeralds was running through my veins. Blood of emeralds. I was down and out on Skid Row, but I held on to my pride. The darkest son of Ireland, he was standin' by my side. We would sail the stormy seas. Never looking back, we were afraid of what we'd see. Through the thunder and the rain, the deepest blood of emeralds was running through our veins. Some of us will win and some of us will lose, the strong will survive. Some of us will fall, some of us won't get out of here alive. Blood of emeralds. I was angry, I was sad, just thinking about the times we had. I felt so lost and lonely too, what could I say, what could I do? After all, the time goes by. No one knows the reasons why. You lived each day like there was no tomorrow. You spent those years living on time you borrowed. And in your eyes, all I could see was sorrow. Some of us will win, some of us will lose, the strong will survive. Some of us will fall, some of us won't get out of here alive. Blood of emeralds. Blood of emeralds. Blood of emeralds. Blood of emeralds. The deepest blood of emeralds. Blood of emeralds. The deepest blood of emeralds. |
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3:49 |
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| from Gary Moore - After The War (1992) | |||||
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4:13 |
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from Gary Moore - Run For Cover (1992)
Run, you'd better find somewhere to run.
You've made a fool of everybody. But you're not fooling anyone. Hide, you always need someplace to hide. But you can't hide from what's inside yourself. You just can't face it. Run, run for cover now. You'd better run for cover now. You'd better find some other place to hide from loneliness inside. You'd better run. Run for cover now. You'd better run for cover now, before it gets too late. Run, you're gonna run like out of time. You let the suffering behind now. And all the years have passed you by. Lies, I used to listen to you. Lies, but now I've learned to read between the lines. I've got your number. Run, run for cover now. You'd better run for cover now. You'd better find some other place to hide from loneliness inside. You'd better run. Run for cover now. You'd better run for cover now, before it gets too late. Run, run for cover now. You'd better run for cover now. You'd better find some other place to hide from loneliness inside. You'd better run, run for cover now. You'd better run for cover now. You'd better find some other place to hide what's eating you inside. You'd better run, run for cover now. You'd better run for cover now. Yeah. Run for cover. Run - run - run - run, run - run - run - run, run - run - run - run. Yeah. |
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4:46 |
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from Gary Moore - Run For Cover (1992)
Sometimes it seems, that you've had more than enough. As your life is going nowhere, and you feel like giving up. Sometimes you know, that you can't take anymore. When things are getting harder than they've ever been before. Don't lose your heart when things go wrong. You know what to do now. Just turn your back and carry on, come on. Reach for the sky. Come out with your hands up. Reach for the sky. Come out with your hands up. Sometimes it seems, like you've really lost your way. When you're mind is full of doubt, you've got nothing left to say. You're going around in circles like a man who's running blind. But the world must keep on turning, and it's leaving you behind. Don't lose your heart when things go wrong. You know what to do now. You've got the strenght to carry on, come on. Reach for the sky. Come out with your hands up. Reach for the sky. Come out with your hands up. Reach for the sky. Reach for the sky. Reach for the it. Don't lose your heart when things go wrong. You know what to do now. Just turn your back and carry on, come on. Reach for the sky. Come out with your hands up. Reach for the sky. Come out with your hands up. Reach for the sky. Come out with your hands up. Reach for the sky. Come out with your hands up, hands up, hands up. Reach for the sky. Reach for the sky. Reach for the sky. Reach for the sky. |
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5:40 |
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from Gary Moore - Run For Cover (1992)
Papa take a look at your boy,
he's a military man. Papa take a look at your boy, he's crying. Papa take a look at your boy, he's a soldier. Papa take a look in his eyes, they're colder. Papa take a look at your boy, he's a military man. Mama take a look at your boy, he's dying. Mama take a look at your boy, he's fighting. Mama take a look at your boy, he's frightened. They have trained your boy to kill. And kill someday he will. They have trained your boy to die and ask no questions why. Papa take a look at your boy, take a look at your boy, take a look at your boy. He's a killer, yeah. Mama take a look at your boy, take a look at him now, take a look at your boy. He's a soldier, he's colder, he's older, mama. Mama take a look at your boy, obey the order. Mama take a look at your boy, like a lamb to the slaughter. They have trained your boy to kill. And kill someday he will. They have trained your boy to die and ask no questions why. One day, I will write for you a lovesong mother. As the children say, I love you, please hold me. And you and I, we will live our life together. Until that day when we die, I will love you mother. I will always love you. I'am writing from this war. Oh mama, I don't know what I'm fighting for. And have you seen my children? God bless them, kiss them, and tell them that I miss them. See I'm frightened in the dark, mama, mama. The blood is ankle deep. They have trained your boy to kill. And kill someday he will. They have trained your boy to die. Mama take a look at your boy, take a look at him now, take a look at your boy. He's marching, he's a soldier. Oh brother, oh mama. He's on the street. He's marching to the backbeat. |
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4:17 |
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from Gary Moore - Run For Cover (1992)
Loneliness is your only friend
A broken heart that just won't mend is the price you pay. It's hard to take when love grows old, The days are long and the nights turn cold when it fades away. You hope that she will change her mind But the days drift on and on You'll never know the reason why - she's gone. You see her face in every crowd, You hear her voice but you're still proud so you turn away. You tell yourself that you will be strong, But your heart tells you - this time you're wrong. You hope that she will change her mind But the days drift on and on You'll never know the reason why - she's gone. *Empty rooms - where we learn to live without love Empty rooms - where we learn to live without love Empty rooms - where we learn to live without love *Repeat (x2) Oh no in an empty room Loneliness is your only friend Oh she's gone And your happ'ning end |
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4:01 |
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from Gary Moore - Run For Cover (1992)
You're out of reach, you're out of touch.
This time baby you've run out of love. You're out of sight, you're out of mind. Another heartache I've left behind. It doesn't make any difference where you go from here. Too many times you've been running I was here, over and over again. Well I've got you out of my system. I've got you out of my soul. We've been through this a thousand times. Too many partners for your perfect crimes. You turned your back when I was down. Well this time baby I won't be around. It doesn't make any difference what you do or say. This time it's over forever. I'm on my way, don't wanna see you again. Well I've got you out of my system. I've got you out of my soul. Well I've got you out of my system. And now I'm right outside your control. It doesn't make any difference where you go from here. Too many times you've been running I was here, over and over again. Well I've got you out of my system. I've got you out of my soul. Well I've got you out of my system. And now I'm right outside your control. I've got you out of my system. Well I've got you out of my system. Out of my system. I've got you out of my soul. Out of my soul. Well I've got you out of my system. |
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4:17 |
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from Gary Moore - Run For Cover (1992)
It doesn't matter
if you're wrong or if you're right. It makes no difference if you're black or if you're white. All men are equal till the victory is won. No colour or religion ever stopped the bullet from a gun. Out in the fields. The fighting has begun. Out on the streets. They're falling one by one. Out from the skies. A thousand more will die each day. Death is just a heartbeat away. It doesn't matter if you're left or to the right. Don't try to hide behind the cause, they want to fight. There'll be no prisoners taken when the day is done. No flag, no uniform ever stopped the bullet from a gun. Out in the fields. The fighting has begun. Out on the streets. They're falling one by one. Out from the skies. A thousand more will die each day. Death is just a heartbeat away. There's no communication, noone to take the blame. The cries of every nation, they're falling on deaf ears again. Out in the fields. Out in the fields. They're falling one by one. Out in the fields. No flag has ever stopped the bullet from a gun. Death is just a heartbeat away. Out in the fields. A heartbeat away. Out in the fields. Death is just a heartbeat away. Out in the fields. A heartbeat away. Out in the fields. In the fields. The fighting has begun. Out on the streets. They're falling one by one. Out from the skies. A thousand more will die each day. |
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4:41 |
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from Gary Moore - Run For Cover (1992)
You live your life in a state of confusion,
never finding your way. You've had the breaks, but you're so disillusioned. You only live for today. You never stop for a red light, you never even try. You're on the wrong side of midnight. Too fast to live, but too young to die. Keep on rockin' and rollin'. Keep on singing the blues. Keep on rockin' and rollin'. You've got nothing to lose. You say that you've got a hot reputation. You never built it on trust. I say you're part of a lost generation. You got left in the dust. You never stop for a red light, you never even try. You're on the wrong side of midnight. Too fast to live, but too young to die. Keep on rockin' and rollin'. Keep on singing the blues. Keep on rockin' and rollin'. You've got nothing to lose. Keep on rockin' and rollin'. Keep on singing the blues. Keep on rockin' and rollin'. You've got nothing to lose. Yeah, nothing to lose. You never stop for a red light, you never even try. You're on the wrong side of midnight. Too fast to live, but too young to die. Keep on rockin' and rollin'. Keep on singing the blues. Keep on rockin' and rollin'. You've got nothing to lose. Keep on rockin' and rollin'. Keep on singing the blues. Keep on rockin' and rollin'. You've got nothing to lose. Keep on rockin' and rollin'. You've got nothing. Keep on rockin' and rollin'. No, no, you've got nothing to lose. Keep on rockin' and rollin'. Nothing, nothing, nothing. Keep on rockin' and rollin'. You've got nothing to lose. Keep on rockin' and rollin'. No, no, no, no, no, no, no, no. Keep on singing the blues. Nothing to lose. Keep on rockin' and rollin'. Keep on singing the blues. You've got nothing to lose. Keep on rockin' and rollin'. Nothing, nothing, nothing. Keep on singing the blues. You've got nothing to lose. |
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4:18 |
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from Gary Moore - Run For Cover (1992)
I never met a woman
who could make me feel the way you do. 'Cause when I look into your eyes, you don't know what I'm going through. I was looking for someone to turn to, something I'd never had before. And then you came into my life, now I can open any door. Once in a lifetime I could ever find someone like you. Once in a lifetime I could ever find someone like you. I never met a girl before who could understand a man like me. 'Cause when I hold you in my arms, I just know that this was meant to be. I was looking for some understanding, something I'd never had before. And then you came into my life, now I can open any door. Once in a lifetime I could ever find someone like you. Once in a lifetime I could ever find someone like you. Once in a lifetime. Just once in a lifetime. Once in a lifetime. I was looking for someone to turn to, something I'd never had before. And then you came into my life, now I can open any door. Once in a lifetime I could ever find someone like you. Once in a lifetime I could ever find someone like you. Once in a lifetime that I could ever find someone like you. Just once in a lifetime I could ever find someone like you. Once in a lifetime. Once in a lifetime. Once in a lifetime. |
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4:52 |
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from Gary Moore - Run For Cover (1992)
The party's over, I can't drink no more.
My head is hurtin', I'm looking for the door. But it's so hard to find, so hard to find. Walk to my car on my hands and my knees. Hand in my pocket, I'm looking for the keys. But they're so hard to find. Look at my son, he's no friend of mine. Reach for my shades before I go blind. Maybe tomorrow I don't wanna know. All messed up with no place to go. I'm seeing double, the whisky's to blame. I'm having trouble remembering my name. So hard to tell, it's so hard to tell. Can't get no sleep, there's a quarrel and fight. I'm not sure if I'm dead or alive. So hard to tell. Look at my son, he's no friend of mine. Reach for my shades before I go blind. Maybe tomorrow I don't wanna know. All messed up with no place to go. I can't believe it's really me in the mirror. Feel like I'm falling of the rails, looks like a hellhouse on my tail. Look at my son, he's no friend of mine. Reach for my shades before I go blind. Maybe tomorrow I don't wanna know. All messed up with no place to go. All messed up with no place to go. All messed up with no place to go. All messed up with no place to go. All messed up, all messed up, all messed up with no place to go. All messed up with no place to go. |
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4:31 |
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from Gary Moore - Run For Cover (1992)
Outside the rain is falling.
Inside it feels so cold. A view from a broken window, faces that look so old. Every trick in the book you have tried, to make ends meet. Just remember those nights that you cried, there was nothing to do, but lie awake and Listen to your heartbeat. Listen to the rhythm of your soul. Listen to your heartbeat. Listen to the rhythm of your soul. Outside the rain is falling. Inside it feels so cold. A view from a broken window, faces that have grown so old. Every trick in the book you have tried to make ends meet. Just remember those nights that you cried, there was nothing to do, but lie awake and Listen to your heartbeat. Listen to the rhythm of your soul. Listen to your heartbeat. Listen to the rhythm of your soul. Listen to your heartbeat. Listen to the rhythm of your soul. You thought the mourning served out years ago. There's no more records on the radio, no place to go. Every trick in the book you have tried, to make ends meet. Just remember the nights that you cried, there was nothing to do, but lie awake and Listen to your heartbeat. Listen to the rhythm of your soul. Listen to your heartbeat. Listen to the rhythm of your soul. Listen to your heartbeat. Listen to the rhythm of your soul. Listen to your heartbeat. Listen to the rhythm of your soul. Listen to your heartbeat. Listen to the rhythm of the falling rain. Listen to your heartbeat. |
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6:14 |
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from Gary Moore - Victims Of The Future (1992)
Searching each day for the answers,
watching our hopes disappear. Set on a course for disaster, living our lives in fear. Our leaders leave us in confusion. For them there's only one solution. Caught in the fight for survival, trapped with our backs to the wall. Are we just lambs to the slaughter? Who wait for the axe to fall. Our world is headed for destruction. Our fate is in the hands of fools. Shadows of the past, victims of the future. How long will it last, victims of the future. Into the verbal arena, armed with the lies that they tell. They're fighting for world domination, backed by the weapons of hell. Is there no end to all this madness? Is there no hope for us at all? Shadows of the past, victims of the future. How long will it last, victims of the future. Shadows of the past, victims of the future. How long will it last, victims of the future. Shadows of the past, victims of the future. How long will it last, victims of the future. Yeah. Shadows of the past, victims of the future. How long will it last, victims of the future. Shadows of the past, victims of the future. How long will it last, victims of the future. Victims of the future. Victims of the future. Victims of the future. Victims of the future. Yeah. |
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