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from Lou Reed - Rock And Roll Diary (1980)
Here she comes, you better watch your step
She's going to break your heart in two, it's true It's not hard to realize Just look into her false colored eyes She builds you up to just put you down, what a clown 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks You're put down in her book You're number 37, have a look She's going to smile to make you frown, what a clown Little boy, she's from the street Before you start, you're already beat She's gonna play you for a fool, yes it's true 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks |
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from Lou Reed - Rock And Roll Diary (1980)
Somtimes I feel so happy
Somtimes I feel so sad Somtimes I feel so happy But mostly you just make me mad Baby you just make me mad Linger on your pale blue eyes Linger on your pale blue eyes Tought of you as my moutaintop Thought of you as my peak Thought of you as everything I've had but could,t keep I've had but couldn't keep Linger on your pale blue eyes Linger on your pale blue eyes If I could make the world as pure And strange as what I see I'd put you in the mirror I put in front of me I put in front of me Linger on your pale blue eyes Linger on your pale blue eyes Skip a life completely Stuff it in a cup She said money is like us in time It lies but can't stand up Down for you is up Linger on your pale blue eyes Linger on your pale blue eyes It was good what we did yesterday And I'd do it once again The fact that you are married Only proves you're my best friend But it's truly, truly a sin Linger on your pale blue eyes Linger on your pale blue eye |
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from Velvet Underground - The Velvet Underground & Nico (1969)
And what costume shall the poor girl wear
To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties And where will she go and what shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Why silks and linens of yesterday's gowns To all tomorrow's parties And what will she do with Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties For Thursday's child is Sunday's clown For whom none will go mourning A blackened shroud, a hand-me-down gown Of rags and silks, a costume Fit for one who sits and cries For all tomorrow's parties |
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6:01 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
And what costume shall the poor girl wear
To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties And where will she go and what shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Why silks and linens of yesterday's gowns To all tomorrow's parties And what will she do with Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties For Thursday's child is Sunday's clown For whom none will go mourning A blackened shroud, a hand-me-down gown Of rags and silks, a costume Fit for one who sits and cries For all tomorrow's parties |
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2:53 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
And what costume shall the poor girl wear
To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties And where will she go and what shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Why silks and linens of yesterday's gowns To all tomorrow's parties And what will she do with Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties For Thursday's child is Sunday's clown For whom none will go mourning A blackened shroud, a hand-me-down gown Of rags and silks, a costume Fit for one who sits and cries For all tomorrow's parties |
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3:15 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
The myriad choices of his fate
Set themselves out upon a plate For him to choose What had he to lose Not a ghost bloodied country All covered with sleep Where the black angel did weep Not an old city street in the east Gone to choose And wandering's brother Walked on through the night With his hair in his face On a long splintered cut from the knife of G.T. The rally man's patter ran on through the dawn Until we said so long To his skull-shrill yell Shining brightly red-rimmed and Red-lined with the time Infused with the choice of the mind On ice skates scraping chunks From the bells Cut mouth bleeding razor's Forgetting the pain Antiseptic remains cool goodbye So you fly To the cozy brown snow of the east Gone to choose, choose again Sacrificials remains make it hard to forget Where you come from The stools of your eyes Serve to realize fame, choose again And roverman's refrain of the sacrilege recluse For the loss of a horse Went the bowels and a tail of a rat Come again, choose to go And if Epiphany's terror reduced you to shame Have your head bobbed and weaved Choose a side to be on If the stone glances off Split didactics in two Leave the colors of the mouse trails Don't scream, try between If you choose, if you choose, try to lose For the loss of remain come and start Start the game I che che che che I Che che ka tak koh Choose to choose Choose to choose, choose to go |
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7:29 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969) | |||||
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from Velvet Underground - The Velvet Underground & Nico (1969)
European Son
You killed your European son You spit on those under twenty-one But now your blue car's gone You better say so long Hey hey, bye bye bye You made your wallpapers green You want to make love to the scene Your European son is gone You'd better say so long Your clown's bid you goodbye |
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7:57 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
You killed your European son
You spit on those under twenty-one But now your blue car's gone You better say so long Hey hey, bye bye bye You made your wallpapers green You want to make love to the scene Your European son is gone You'd better say so long Your clown's bid you goodbye |
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2:39 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
Here she comes, you better watch your step
She's going to break your heart in two, it's true It's not hard to realize Just look into her false colored eyes She builds you up to just put you down, what a clown 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks You're put down in her book You're number 37, have a look She's going to smile to make you frown, what a clown Little boy, she's from the street Before you start, you're already beat She's gonna play you for a fool, yes it's true 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks |
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from Velvet Underground - The Velvet Underground & Nico (1969)
Here she comes, you better watch your step
She's going to break your heart in two, it's true It's not hard to realize Just look into her false colored eyes She builds you up to just put you down, what a clown 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks You're put down in her book You're number 37, have a look She's going to smile to make you frown, what a clown Little boy, she's from the street Before you start, you're already beat She's gonna play you for a fool, yes it's true 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks |
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2:38 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
Here she comes, you better watch your step
She's going to break your heart in two, it's true It's not hard to realize Just look into her false colored eyes She builds you up to just put you down, what a clown 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks You're put down in her book You're number 37, have a look She's going to smile to make you frown, what a clown Little boy, she's from the street Before you start, you're already beat She's gonna play you for a fool, yes it's true 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks |
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from Velvet Underground - The Velvet Underground & Nico (1969)
Heroin
I don't know just where I'm going But I'm gonna try for the kingdom, if I can 'Cause it makes me feel like I'm a man When I put a spike into my vein And I'll tell ya, things aren't quite the same When I'm rushing on my run And I feel just like Jesus' son And I guess that I just don't know And I guess that I just don't know I have made the big decision I'm gonna try to nullify my life 'Cause when the blood begins to flow When it shoots up the dropper's neck When I'm closing in on death And you can't help me now, you guys And all you sweet girls with all your sweet talk You can all go take a walk And I guess that I just don't know And I guess that I just don't know I wish that I was born a thousand years ago I wish that I'd sail the darkened seas On a great big clipper ship Going from this land here to that In a sailor's suit and cap Away from the big city Where a man can not be free Of all of the evils of this town And of himself, and those around Oh, and I guess that I just don't know Oh, and I guess that I just don't know Heroin, be the death of me Heroin, it's my wife and it's my life Because a mainer to my vein Leads to a center in my head And then I'm better off and dead Because when the smack begins to flow I really don't care anymore About all the Jim-Jim's in this town And all the politicians makin' crazy sounds And everybody puttin' everybody else down And all the dead bodies piled up in mounds 'Cause when the smack begins to flow Then I really don't care anymore Ah, when the heroin is in my blood And that blood is in my head Then thank God that I'm as good as dead Then thank your God that I'm not aware And thank God that I just don't care And I guess I just don't know And I guess I just don't know |
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7:14 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
I don't know just where I'm going
But I'm gonna try for the kingdom, if I can 'Cause it makes me feel like I'm a man When I put a spike into my vein And I'll tell ya, things aren't quite the same When I'm rushing on my run And I feel just like Jesus' son And I guess that I just don't know And I guess that I just don't know I have made the big decision I'm gonna try to nullify my life 'Cause when the blood begins to flow When it shoots up the dropper's neck When I'm closing in on death And you can't help me now, you guys And all you sweet girls with all your sweet talk You can all go take a walk And I guess that I just don't know And I guess that I just don't know I wish that I was born a thousand years ago I wish that I'd sail the darkened seas On a great big clipper ship Going from this land here to that In a sailor's suit and cap Away from the big city Where a man can not be free Of all of the evils of this town And of himself, and those around Oh, and I guess that I just don't know Oh, and I guess that I just don't know Heroin, be the death of me Heroin, it's my wife and it's my life Because a mainer to my vein Leads to a center in my head And then I'm better off and dead Because when the smack begins to flow I really don't care anymore About all the Jim-Jim's in this town And all the politicians makin' crazy sounds And everybody puttin' everybody else down And all the dead bodies piled up in mounds 'Cause when the smack begins to flow Then I really don't care anymore Ah, when the heroin is in my blood And that blood is in my head Then thank God that I'm as good as dead Then thank your God that I'm not aware And thank God that I just don't care And I guess I just don't know And I guess I just don't know |
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2:17 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
I'll be your mirror
Reflect what you are, in case you don't know I'll be the wind, the rain and the sunset The light on your door to show that you're home When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I find it hard to believe you don't know The beauty that you are But if you don't let me be your eyes A hand in your darkness, so you won't be afraid When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I'll be your mirror |
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from Velvet Underground - The Velvet Underground & Nico (1969)
I'll be your mirror
Reflect what you are, in case you don't know I'll be the wind, the rain and the sunset The light on your door to show that you're home When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I find it hard to believe you don't know The beauty that you are But if you don't let me be your eyes A hand in your darkness, so you won't be afraid When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I'll be your mirror |
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2:18 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
I'll be your mirror
Reflect what you are, in case you don't know I'll be the wind, the rain and the sunset The light on your door to show that you're home When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I find it hard to believe you don't know The beauty that you are But if you don't let me be your eyes A hand in your darkness, so you won't be afraid When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I'll be your mirror |
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4:40 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
I'm waiting for my man
Twenty-six dollars in my hand Up to Lexington, 125 Feel sick and dirty, more dead than alive I'm waiting for my man Hey, white boy, what you doin' uptown? Hey, white boy, you chasin' our women around? Oh pardon me sir, it's the furthest from my mind I'm just lookin' for a dear, dear friend of mine I'm waiting for my man Here he comes, he's all dressed in black Beat up shoes and a big straw hat He's never early, he's always late First thing you learn is you always gotta wait I'm waiting for my man Up to a Brownstone, up three flights of stairs Everybody's pinned you, but nobody cares He's got the works, gives you sweet taste Ah then you gotta split because you got no time to waste I'm waiting for my man Baby don't you holler, darlin' don't you bawl and shout I'm feeling good, you know I'm gonna work it on out I'm feeling good, I'm feeling oh so fine Until tomorrow, but that's just some other time I'm waiting for my man |
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8:06 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
It was a pleasure then
Could you just be here again To know what there was to see When all the sunday people Where so quiet in the dark Afraid to be better the next day La la la ... It was a pleasure then When we could sit and stare again Until the stars feel through the cloudy trees Onto the grass Stars to smile with us Until they too had tears in their eyes Tell us this and tell of how much we must not agree It was a pleasure then To see the dieing days again In the horror of the night Never, never, never, never, never, lise Keep it secret For to hide somewhere at last As long as we could see The sky confessed this crime Of futile tasting hate romance Above our shattered minds It was a pleasure, it was a pleasure La la la ... |
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4:29 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969) | |||||
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4:23 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
Teenage Mary said to Uncle Dave
I sold my soul, must be saved Gonna take a walk down to Union Square You never know who you're gonna find there You gotta run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do Marguerita Passion had to get her fix She wasn't well, she was getting sick Went to sell her soul, she wasn't high Didn't know, thinks she could buy it And she would run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do Seasick Sarah had a golden nose Hobnail boots wrapped around her toes When she turned blue, all the angels screamed They didn't know, they couldn't make the scene She had to run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do Beardless Harry, what a waste Couldn't even get a small-town taste Rode the trolleys down to forty-seven Figured he was good to get himself to heaven 'Cause he had to run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do |
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from Velvet Underground - The Velvet Underground & Nico (1969)
Run Run Run
Teenage Mary said to Uncle Dave I sold my soul, must be saved Gonna take a walk down to Union Square You never know who you're gonna find there You gotta run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do Marguerita Passion had to get her fix She wasn't well, she was getting sick Went to sell her soul, she wasn't high Didn't know, thinks she could buy it And she would run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do Seasick Sarah had a golden nose Hobnail boots wrapped around her toes When she turned blue, all the angels screamed They didn't know, they couldn't make the scene She had to run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do .. Beardless Harry, what a waste Couldn't even get a small-town taste Rode the trolleys down to forty-seven Figured he was good to get himself to heaven 'Cause he had to run, run, run, run, run Take a drag or two Run, run, run, run, run Gypsy Death and you Tell you whatcha do |
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from Velvet Underground - The Velvet Underground & Nico (1969)
Sunday morning, praise the dawning
It's just a restless feeling by my side Early dawning, Sunday morning It's just the wasted years so close behind Watch out, the world's behind you There's always someone around you who will call It's nothing at all Sunday morning and I'm falling I've got a feeling I don't want to know Early dawning, Sunday morning It's all the streets you crossed, not so long ago Watch out, the world's behind you There's always someone around you who will call It's nothing at all Watch out, the world's behind you There's always someone around you who will call It's nothing at all Sunday morning Sunday morning Sunday morning |
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2:56 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
Sunday morning, praise the dawning
It's just a restless feeling by my side Early dawning, Sunday morning It's just the wasted years so close behind Watch out, the world's behind you There's always someone around you who will call It's nothing at all Sunday morning and I'm falling I've got a feeling I don't want to know Early dawning, Sunday morning It's all the streets you crossed, not so long ago Watch out, the world's behind you There's always someone around you who will call It's nothing at all Watch out, the world's behind you There's always someone around you who will call It's nothing at all Sunday morning Sunday morning Sunday morning |
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3:00 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
Sunday morning, praise the dawning
It's just a restless feeling by my side Early dawning, Sunday morning It's just the wasted years so close behind Watch out, the world's behind you There's always someone around you who will call It's nothing at all Sunday morning and I'm falling I've got a feeling I don't want to know Early dawning, Sunday morning It's all the streets you crossed, not so long ago Watch out, the world's behind you There's always someone around you who will call It's nothing at all Watch out, the world's behind you There's always someone around you who will call It's nothing at all Sunday morning Sunday morning Sunday morning |
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from Velvet Underground - The Velvet Underground & Nico (1969)
The myriad choices of his fate
Set themselves out upon a plate For him to choose What had he to lose Not a ghost bloodied country All covered with sleep Where the black angel did weep Not an old city street in the east Gone to choose And wandering's brother Walked on through the night With his hair in his face On a long splintered cut from the knife of G.T. The rally man's patter ran on through the dawn Until we said so long To his skull-shrill yell Shining brightly red-rimmed and Red-lined with the time Infused with the choice of the mind On ice skates scraping chunks From the bells Cut mouth bleeding razor's Forgetting the pain Antiseptic remains cool goodbye So you fly To the cozy brown snow of the east Gone to choose, choose again Sacrificials remains make it hard to forget Where you come from The stools of your eyes Serve to realize fame, choose again And roverman's refrain of the sacrilege recluse For the loss of a horse Went the bowels and a tail of a rat Come again, choose to go And if Epiphany's terror reduced you to shame Have your head bobbed and weaved Choose a side to be on If the stone glances off Split didactics in two Leave the colors of the mouse trails Don't scream, try between If you choose, if you choose, try to lose For the loss of remain come and start Start the game I che che che che I Che che ka tak koh Choose to choose Choose to choose, choose to go |
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from Velvet Underground - The Velvet Underground & Nico (1969)
There she goes again
She's out on the streets again She's down on her knees, my friend But you know she'll never ask you please again Now take a look, there's no tears in her eyes She won't take it from just any guy, what can you do You see her walkin' on down the street Look at all your friends she's gonna meet You better hit her There she goes again She's knocked out on her feet again She's down on her knees, my friend But you know she'll never ask you please again Now take a look, there's no tears in her eyes Like a bird, you know she would fly, what can you do You see her walkin' on down the street Look at all your friends that she's gonna meet You better hit her Now take a look, there's no tears in her eyes Like a bird, you know she will fly, fly, fly away See her walking on down the street Look at all your friends that she's gonna meet She's gonna bawl and shout She's gonna work it She's gonna work it out, bye bye Bye bye baby All right |
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2:43 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
There she goes again
She's out on the streets again She's down on her knees, my friend But you know she'll never ask you please again Now take a look, there's no tears in her eyes She won't take it from just any guy, what can you do You see her walkin' on down the street Look at all your friends she's gonna meet You better hit her There she goes again She's knocked out on her feet again She's down on her knees, my friend But you know she'll never ask you please again Now take a look, there's no tears in her eyes Like a bird, you know she would fly, what can you do You see her walkin' on down the street Look at all your friends that she's gonna meet You better hit her Now take a look, there's no tears in her eyes Like a bird, you know she will fly, fly, fly away See her walking on down the street Look at all your friends that she's gonna meet She's gonna bawl and shout She's gonna work it She's gonna work it out, bye bye Bye bye baby All right |
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5:13 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969)
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark Comes in bells, your servant, don't forsake him Strike, dear mistress, and cure his heart Downy sins of streetlight fancies Chase the costumes she shall wear Ermine furs adorn the imperious Severin, Severin awaits you there I am tired, I am weary I could sleep for a thousand years A thousand dreams that would awake me Different colors made of tears Kiss the boot of shiny, shiny leather Shiny leather in the dark Tongue of thongs, the belt that does await you Strike, dear mistress, and cure his heart Severin, Severin, speak so slightly Severin, down on your bended knee Taste the whip, in love not given lightly Taste the whip, now plead for me I am tired, I am weary I could sleep for a thousand years A thousand dreams that would awake me Different colors made of tears Shiny, shiny, shiny boots of leather Whiplash girlchild in the dark Severin, your servant comes in bells, please don't forsake him Strike, dear mistress, and cure his heart |
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from Velvet Underground - The Velvet Underground & Nico (1969)
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark Comes in bells, your servant, don't forsake him Strike, dear mistress, and cure his heart Downy sins of streetlight fancies Chase the costumes she shall wear Ermine furs adorn the imperious Severin, Severin awaits you there I am tired, I am weary I could sleep for a thousand years A thousand dreams that would awake me Different colors made of tears Kiss the boot of shiny, shiny leather Shiny leather in the dark Tongue of thongs, the belt that does await you Strike, dear mistress, and cure his heart Severin, Severin, speak so slightly Severin, down on your bended knee Taste the whip, in love not given lightly Taste the whip, now plead for me I am tired, I am weary I could sleep for a thousand years A thousand dreams that would awake me Different colors made of tears Shiny, shiny, shiny boots of leather Whiplash girlchild in the dark Severin, your servant comes in bells, please don't forsake him Strike, dear mistress, and cure his heart |
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3:22 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969) | |||||
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5:07 | ||||
from Velvet Underground - The Velvet Underground & Nico (1969) | |||||
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2:19 | ||||
from John Cale - Vintage Violence (1970)
I want to go home, I want to go home
I want to go back to Adelaide It' s time for a change, don't want to be late It's probably night in Adelaide In a day or two, I'll be there asking for you To come back to Adelaide with me The weather there is so good. So pass me the phone, I'll go it alone I'll whistle my way to Adelaide There's no time to cry, I'll be there tonight The trains and the boats and planes are on time. But before I go, I'm knock-knocking on your front door Be sure to say good-bye to your friends And to all my friends back home. But before I go, I'm knock-knocking on your front door Be sure to say good-bye to your friends And to all my friends back home. Oh, Adelaide, Adelaide, I want you tonight Adelaide, Adelaide, I want you tonight |
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3:12 | ||||
from John Cale - Vintage Violence (1970)
She's back from Amsterdam
And I think the journey did her well Her face has lost it's touch The tell tale signs of loneliness inside But I love her still And need her company still more Come down, come down once more And I think, the journey, did her well She says she fell in love With men who knew the way to treat a lady Her life has settled for the best of things That I couldn't give her And it's not her fault, she's not the one to blame Come down, come down, come down once more And I do believe the journey did her well Yes I do believe the journey did her well. |
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3:29 | ||||
from John Cale - Vintage Violence (1970)
When I stand, my back to the sea
A big white cloud, looking right down on me Sound of sun, missing my eyes Everything's clear, everything's bright Big white cloud, big white cloud Big white cloud on me Big white cloud, big white cloud Big white cloud on me. Time to kill on the hill Looking at bees, licking the trees Looking for signs .................... Oh how I love you, Yes how I love you Oh how I love you so. Oh how I love you, Yes how I love you Oh how I love you so. After all is said and done Everything, is just like it began Days that came, years again Came in here once again Oh how I love you, Yes how I love you Oh how I love you so. Oh how I love you, Yes how I love you Oh how I love you so. |
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2:22 | ||||
from John Cale - Vintage Violence (1970)
Everybody's praying for the rains to come
And the snow is gonna fall, down on me Lost up in the desert with a gun in my hand And the locust gonna come to find me. Started long ago, in my paper cup saloon And the back-room boys still carrying that same old tune We've just one bottle left, standing on the shelf I'd better bring it on up, I'd better bring it on up Time to get the wagon, and in the back of the car With the sherriff and me, singing out of key Sooner then than later, I was up behind bars With that empty bowl laughing right at me Started long ago, in my paper cup saloon And the back-room boys still carrying that same old tune Just one bottle left, standing on the shelf I'd better bring it on up, I'd better bring it on up |
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4:59 | ||||
from John Cale - Vintage Violence (1970)
The manager is waiting to be paid
Along with priests and deacons of his court A quartermaster, quite a man, a mistress of the line Has found a last cent avenue of pain A Mardi Gras just passed this way a while ago Making hungry people of us all Along the Mississippi you can hear the fiddlers play Fandangos and boleros to the lord Many times, many tried, Simple stories are the best Keep in mind, the wishful kind, Don't wanna be like all the rest. My uncle was a vicar in the big parade Selling fountain pens that never write San Sebastian gamblers never cheat nor lie They know good fences make good neighbours I wish I knew what time of year it was What kind of people will be there When gruesome tales of two cities ran Running all the way Father might have heard his prayers were answered Inhibitions all the way from home Consider now, consider then before the deed is done The blood of consolation runs so true Many times, many tried, Simple stories are the best Keep in mind, the wishful kind, Don't wanna be like all the rest. |
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2:33 | ||||
from John Cale - Vintage Violence (1970)
Cleo, Cleo, won't you come around and play girl
Cleo, Cleo, won't you come around and stay girl You can find the lines to say, if you try Someone else has just confessed To drinking up all your wine. Cleo, Cleo, there's a way for you to find out How you should say, what you think is the way out Will you, won't you, will you see me through Maybe you could help me find a thing or two about you. Cleo, Cleo, now's the time for you to tell me If you, want to, you can leave it up to me girl After you have told me what you wanna do I could tell you, that I loved you, if I thought that it would be true. Cleo, Cleo, Oh Cleo I want you, me oh my. Oh Cleo I want you, me oh my. |
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2:29 | ||||
from John Cale - Vintage Violence (1970)
Board boy, board boy, rolling down the road Board boy, board boy, what have you been told
Do you wear your jeans of blue? Oh that way is paved with gold Board boy, board boy what have you been sold Yes boy, no boy, you don't have to use your head It's alright boy, you can use your feet instead You don't have to worry about the French emissary You don't have to dread Board boy, board boy, just listen to what I have said You can ask my poor old fairweather friend If the hills are hard to find If the misty mountain tops of May That'll make us change their minds. Board boy, board boy, rolling down the road Board boy, board boy, what have you been told. You can smell the means by which your secret signs do unfold Board boy, board boy, rolling down the road. |
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2:34 | ||||
from John Cale - Vintage Violence (1970)
Board boy, board boy, rolling down the road Board boy, board boy, what have you been told
Do you wear your jeans of blue? Oh that way is paved with gold Board boy, board boy what have you been sold Yes boy, no boy, you don't have to use your head It's alright boy, you can use your feet instead You don't have to worry about the French emissary You don't have to dread Board boy, board boy, just listen to what I have said You can ask my poor old fairweather friend If the hills are hard to find If the misty mountain tops of May That'll make us change their minds. Board boy, board boy, rolling down the road Board boy, board boy, what have you been told. You can smell the means by which your secret signs do unfold Board boy, board boy, rolling down the road. |
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3:46 | ||||
from John Cale - Vintage Violence (1970)
It was seven o'clock in the morning
Too late to handle the day At home it was only two thirty The skin on my wrists turning grey Stood up, wished us good luck He changed his attitudes twice The box in the corner shivered in fear He was tired and hungry for days. The next year she bought a new stomach From Liverpool made in Detroit Constantly passing old matches Some sentries and millionaires Who did? Gallagher did The same old thing every time Gave up, more empty cups They were tired and hungry for nights. It made life a littl e easier To have Holland on the run It didn't take that long to forget her My old man and his gun Rushed out, lions about Wasting away on advice A hundred and three, 400 or more It'll haunt you for the rest of your life |
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3:21 | ||||
from John Cale - Vintage Violence (1970)
Holding on, with both eyes, to things that don't exist
Peering through the cutting wrist, at grand old mother greedy Rolling out the cotton ship, upon the carpet pillow Throttling children callously, a messy day with Clancy Gideon lied and Gideon died The force of China felt Gideon smiled as Gideon died The thought of China held. Rolling out the golden robes and other foreign language Stretching out the verbs and nouns together in the greeting Some that felt the blade often, some deep confused emotion Struck eye first against the wall of China under fire. Gideon lied and Gideon died The force of China felt Gideon smiled as Gideon died The thought of China held. |
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2:44 | ||||
from John Cale - Vintage Violence (1970)
Hooked up on a fishing line,
Looking for the break of day I've never been here before anyway Its the line in my feet that's to blame. Settled down in the mud Giving everybody blood It's just not such a beautiful thing to do. Left the castle in Spain In an ambulance all the way Could it be that the clock's really stopped? Hello, there. Everbody, when's the next train out of here? I'm sorry, but I'm much too young for this I'll come back again next year. He came to lend a helping hand To the miller and the butcher's men Someone took the tuba for a pony ride And the music sounded so much better. Taking turns having fun When there's not enough sun It was midnight when the chorus came Then the piano collapsed in a heap on the grass And they blamed it on a rock 'n roll song Hello, there. Everbody, when's the next train out of here? I'm sorry but I'm much too young for this I'll come back again next year. Yes I'll come back again next year. |
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4:17 | ||||
from John Cale - Vintage Violence (1970)
Won't you help me please,
I'm growing old A million years ago Won't you help me sneeze, I've caught a cold Another way to go Just hold on tightly This shows on my breed They speak so very slow It gets so hard to follow Slowly in the mist of captive eyes To carry you from home Hansom cab again from dawn till dusk My power amphibious bride I'll just leave you here like this I'm sure you won't be missed Before this night is done These words won't seem so wrong. Oh it can't be that bad Back up in Trinidad Come down and see me soon When you get back from the moon. |
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6:07 | ||||
from John Cale - Vintage Violence (1970) | |||||
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3:13 | ||||
from Sid & Nancy (시드와 낸시) by Pray For Rain [ost] (1986) | |||||
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2:26 | ||||
from Velvet Underground - Another VIew (1986) | |||||
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2:11 | ||||
from Velvet Underground - Another VIew (1986) | |||||
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3:29 | ||||
from Velvet Underground - Another VIew (1986) | |||||
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5:26 | ||||
from Velvet Underground - Another VIew (1986) | |||||
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4:40 | ||||
from Velvet Underground - Another VIew (1986) | |||||
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6:29 | ||||
from Velvet Underground - Another VIew (1986) | |||||
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5:15 | ||||
from Velvet Underground - Another VIew (1986)
Rock and Roll
Jenny said when she was just five years old You know there's nothing happening at all Every time she puts on the radio There was nothing goin' down at all Then one fine mornin' she puts on a New York station She couldn't believe what she heard at all She started dancin' to that fine fine music You know her life was saved by Rock 'n' Roll Despite all the amputations You could just dance to a rock 'n' roll station Jenny said when she was just five years old My parents are gonna be the death of us all Two TV sets and two Cadillac cars-- Ain't gonna help us at all Then one fine mornin' she puts on a New York station She don't believe what she heard at all She started dancin' to that fine fine music You know her life was saved by Rock 'n' Roll Despite all the computations You could just dance to a rock 'n ' roll station And it was alright. |
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2:56 | ||||
from Velvet Underground - Another VIew (1986) | |||||
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9:52 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988)
Heroin
I don't know just where I'm going But I'm gonna try for the kingdom, if I can 'Cause it makes me feel like I'm a man When I put a spike into my vein And I'll tell ya, things aren't quite the same When I'm rushing on my run And I feel just like Jesus' son And I guess that I just don't know And I guess that I just don't know I have made the big decision I'm gonna try to nullify my life 'Cause when the blood begins to flow When it shoots up the dropper's neck When I'm closing in on death And you can't help me now, you guys And all you sweet girls with all your sweet talk You can all go take a walk And I guess that I just don't know And I guess that I just don't know I wish that I was born a thousand years ago I wish that I'd sail the darkened seas On a great big clipper ship Going from this land here to that In a sailor's suit and cap Away from the big city Where a man can not be free Of all of the evils of this town And of himself, and those around Oh, and I guess that I just don't know Oh, and I guess that I just don't know Heroin, be the death of me Heroin, it's my wife and it's my life Because a mainer to my vein Leads to a center in my head And then I'm better off and dead Because when the smack begins to flow I really don't care anymore About all the Jim-Jim's in this town And all the politicians makin' crazy sounds And everybody puttin' everybody else down And all the dead bodies piled up in mounds 'Cause when the smack begins to flow Then I really don't care anymore Ah, when the heroin is in my blood And that blood is in my head Then thank God that I'm as good as dead Then thank your God that I'm not aware And thank God that I just don't care And I guess I just don't know And I guess I just don't know |
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7:55 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988)
Before being a man
Livin' in a garbage pail My landlady call me up She tried to hit me with a mop I can't stand it anymore more I can't stand it anymore more I can't stand it anymore more But if Shelly she would just come back It'll be allright But if Shelly she would just come back It'll be allright 간 주 중 I live with thirteen dead cats A purple who hear spats They're all livin in a hall And I can't stand it anymore I can't stand it anymore more I can't stand it anymore more I can't stand it anymore more But if Shelly she would just come back It'll be allright But if Shelly she would just come back It'll be allright 간 주 중 Before being a man Livin' in a garbage pail My landlady call me up She tried to hit me with a mop I can't stand it anymore more I can't stand it anymore more I can't stand it anymore more But if Shelly she would just come back It'll be allright But if Shelly she would just come back It'll be allright Be allright, be allright.... |
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2:21 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988)
I'll be your mirror
Reflect what you are, in case you don't know I'll be the wind, the rain and the sunset The light on your door to show that you're home When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I find it hard to believe you don't know The beauty that you are But if you don't let me be your eyes A hand in your darkness, so you won't be afraid When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hands 'Cause I see you I'll be your mirror |
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10:58 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988)
The Ocean
(1969, Live version) Here comes the ocean and the waves Down by the shore Here comes the ocean and the waves Dawn by the sea birthes a hollow hair Part of a figure head It nearly drive me crazy I am a lazy son My death would get things done Mostly they ho-ho-ho But here comes the waves Down by the shore Washing the eye of the land That has been Down by the sea, down by the sea Down by the sea, down by the sea Here comes the ocean and the waves Down by the shore Here comes the ocean and the waves Dawn by the sea Insects are evil thoughts Fought off by selfish men It nearly drives me crazy I am a lazy son I never get things done Mostly they ho-ho-holler But here comes the waves Down by the shore Washing the eye of the land That has been Dawn by the sea, ... Here comes,... |
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2:20 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988)
Here I go again
just gonna play it like a fool again Here I go again Over you Over you I’m just like a bell again you know, I’m starting to ring again Here I go again Over you Over you Typically, when I had it treated it like dirt Now, naturally, when I don’t have it I am chasing less and less rainbows ... Here we go again I guess, I’m like a fool again Here I go again Over you Over you Over you Over you |
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5:53 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988)
Sometimes I feel so happy
Sometimes I feel so sad Sometimes I feel so happy But mostly you just make me mad Baby you just make me mad Linger on your pale blue eyes Linger on your pale blue eyes Thought of you as my mountaintop Thought of you as my peak Thought of you as everything I’ve had but couldn’t keep I’ve had but couldn’t keep Linger on your pale blue eyes Linger on your pale blue eyes If I could make the world as pure And strange as what I see I’d put you in the mirror I put in front of me I put in front of me Linger on your pale blue eyes Linger on your pale blue eyes Skip a life completely Stuff it in a cup She said money is like us in time It lies but can’t stand up Down for you is up Linger on your pale blue eyes Linger on your pale blue eyes It was good what we did yesterday And I’d do it once again The fact that you are married Only proves you’re my best friend But it’s truly, truly a sin Linger on your pale blue eyes Linger on your pale blue eyes |
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4:51 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988)
Some kinds of love
Marguerita told Tom Between thought and expression lies a lifetime Situations arise because of the weather and no kinds of love are better than others Some kinds of love Margueirta told Tom like a dirty French novel the absured courts the vulgar and some kinds of love the possibilites are endless and for me to miss one would seem to be groundless I head what you said Margueritat told Tom And of course you're a bore But at that you're not charmless for a bore is a straight line that finds a wealth in division and some kinds of love are mistaken for vision Put jelly on your shoulder Let us do what you fear most That from which you recoil but which still makes your eyes moist Put jelly on your shoulder lie down upon the carpet between thought and expression let us now kiss the culprit I don't know just what it's all about Put on your red pajamas and find out. |
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7:58 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988) | |||||
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8:38 | ||||
from Velvet Underground - Live With Lou Reed Vol.2 [live] (1988) | |||||
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6:33 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
It was a very cold clear fall night
I had a terrible dream Billy name and brigid were playing under my stair case on the second floor about two o'clock in the morning I woke up because amos and archie had started barking That made me very angry because I wasn't feeling well and I told them I was very cross the real me that they just better remember what happened to sam the bad cat that was left at home and got s Nd went pussy heaven It was a very cold clear fall night Some snowflakes were falling Gee, it was so beautiful And so I went to get my camera to take some pictures And then I was taking the pictures But the exposure thing wasn't right And I was going to call fred or gerry To find out how to get set it I was too late And then I remembered they were still probably at dinner And anyway I felt really bad and didn't want to talk to anybody But the snowflakes were so beautiful and real looking And I really wanted to hold them And that's when I heard the voices From down the hall near the stairs So I got a flashlight And I was scared and I went out into the hallway There's been all kinds of troubles Lately in the neighborhood And someone's got to bring home the bacon and anyway There were brigid and billy playing And under the stair case Was a little meadow sort of like the park at 23rd street Where all the young kids go and play frisbee Gee, that must be fun Maybe we should do an article on that in the magazine But they'll just tell me I'm stupid and it won't sell But I'll just hold my ground this time, I mean It's my magazine, isn't it? So I was thinking that as the snowflakes fell And I heard those voices having so much fun Gee, it would be so great to have some fun So I called billy But either he didn't hear me or he didn't want to answer Which was so strange Because Even if I don't like reunions I've always loved billy I'm so glad he's working I mean it's different than ondine He keeps touring with those movies And he doesn't even pay us and the film I mean the film's just going to disintegrate and then what I mean he's so normal off of drugs I just don't get it And then I saw john cale He's been looking really great He's been coming by the office to exercise with me Ronnie said I have a muscle But he's been really mean since he went to aa I mean what does it mean When you give up drinking and then you're still so mean He says I'm being lazy but I'm not I'm just can't find any ideas I mean I'm just not Let's face it Going to get any ideas up at the office And seeing john made me think of the velvets And I had been thinking about them When I was on st. marks place Going to that new gallery those sweet new kids have opened But the thought I was old And then I saw the old dom The old club where we did our first shows It was so great And I don't understand about that velvet's first album I mean I did the cover I was the producer And I always see it repackaged And I've never gotten a penny from it How could that be I should call henry But it was good seeing john I did a cover for him But I did in black and white and he change it to color It would have been worth more if he'd left it my way But you can never tell any body anything I've leaned that I tried calling again to billy and john They wouldn't recognize me it was like I wasn't there Why won't they let me in And then I saw lou I'm so mad at him Lou reed got married and didn't invite me I mean is it because he thought I'd bring too many people I don't get it Could have at least called I mean he's doing so great Why doesn't he call me? I saw him at the mtv show And he was one row away and he didn't even say hello I don't get it You know I hate lou I really do He won't even hire us for his videos And I was proud of him I was so scared today There was blood leaking thought my shirt From those old scars from being shot And the corset I wear to keep my insides in was hurting And I did three sets of fifteen pushups And four sets of ten setups But then my insides hurt And I saw drops of blood on my shirt and I remember The doctors saying I was dead And then later they had to take blood out of my hand 'couse they ran out or veins But then All this thinking was making me an old grouch And you can't do anything anyway so If they wouldn't let me play with them in my own dream I was just going to have to make another And another And another Gee, wouldn't it be funny if I died in this dream Before I could make another one up And nobody called And nobody came |
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4:12 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
Faces and names, I wish they were the same
Faces and names only cause trouble for me Faces and names If we all looked the same and we all had the same name I wouldn't be jealous of you or you jealous of me Faces and names I always fall in love with someone who looks The way I wish that I could be I'm always staring at someone who hurts And the one they hurt is me Faces and names, to me they're all the same If I looked like you and you looked like me There'd be less trouble you see Faces and names I wish they'd go away I'd disappear into that wall and never talk Faces and names I wish I was a robot or a machine Without a feeling or a thought People who want to meet the name I have Are always disappointed when they meet me Faces and names, I wish they were the same Faces and names only cause problems for me Faces and names I'd rather be a hole in the wall - looking out on the other side I'd rather look and listen, listen and not talk To faces and names I had a breakdown when I was a kid I lost my hair when I was young If you dress older when you're not, as your really age you look the same If we all looked the same, we wouldn't play these games Me dressing for you and you dressing for me - undressing for me Faces and names if they all were the same You wouldn't be jealous of me o me jealous of you Me jealous of you - I'm jealous of you Your face and your name Your face and your name Faces and names |
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4:52 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
Train entering the city - I lost myself and never come back
Took a trip around the world and never came back Black silhouettes, crisscrossed tracks never came back Forever changed, forever changed You might think I'm frivolous, uncaring and cold You might think I'm frivolous - depends on your point of view Society and who paints and records them - the high and the low I left my all life behind me and never went back Forever changed, forever changed Got to get to the city - get a job Got to get some work to see me through My old life's disappearing from view Hong kong - and I was changed Burma and india - and I was changed Only art to see me through Only heart to see me through My old life disappearing from my view Brigid and pat - please see me through The whole thing quickly receding My life disappearing - disappearing from view Forever changed, forever changed I left my old life behind and was forever changed Forever changed |
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3:04 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
Andy it's me, haven't seen you in a while
I wished I talked to you more when you were alive I thought you were self-assured when you acted shy Hello it's me I really miss you, I really miss your mind I haven't heard ideas like that in such a long, long time I loved to watch you draw and watch you paint But when I saw you last I turned away When Billy Name was sick and locked up in his room You asked me for some speed, I though it was for you I'm sorry that I doubted your good heart Things always seem to end before they start Hello it's me, that was a great gallery show Your cow wallpaper and your floating silver pillows I wish I paid more attention when they laughed at you Hello it's me "Pop goes pop artist," the headline said "is shooting a put-on, is Warhol really dead?" You get less time for stealing a car I remember thinking as I heard my own record in a bar They really hated you, now all that's changed But I have some resentments that can never be unmade You hit me where it hurt I didn't laugh Your diaries are not a worthy epitaph Oh well now andy - guess we've got to go I hope some way somehow you like this little show I know it's late in coming but it's the only way I know Hello it's me - goodnight andy... Goodbye, andy |
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3:18 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
Valerie solanis took the elevator got off at the 4th floor
Valerie solanis took the elevator got off at the 4th floor She pointed the gun at andy saying you cannot control me anymore And I believe there's got to be some retribution I believe an eye for an eye is elemental And I believe that something's wrong if she's alive right now Valerie solanis took three steps pointing at the floor Valerie solanis waved her gun pointing at the floor From inside her idiot madness spoke and bang Andy fell onto the floor And I believe life's serious enough for retribution I believe being sick is no excuse and I believe I would've pulled the switch on her myself When they got him to the hospital his pulse was gone They thought that he was dead His guts were pouring from his wounds onto the floor They thought that he was dead Not until years later would the hospital do to him what she could not Andy said, "Where were you, you didn't come to see me" Andy said, "I think I died, why didn't you come to see me" Andy said, "It hurt so much, they took blood from my hand" I believe there's got to be some retribution I believe there's got to be some retribution I believe we are all the poorer for it now Visit me, why didn't you visit me Visit me, why didn't you visit me |
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3:30 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
I think images are worth repeating
Images repeated from a painting Images taken from a painting From a photo worth re-seeing I love images worth repeating, project them upon the ceiling Multiply them with silk screening See them with a different feeling Images Images Images Images Some say images have no feeling, I think there's a deeper meaning Mechanical precision or so it's seeming Instigates a cooler feeling I love multiplicity of screenings Things born anew display new meanings I think images are worth repeating and repeating and repeating I'm no urban idiot savant spewing paint without any order I'm no sphinx, no mystery enigma What I paint is very ordinary I don't think I'm old or modern, I don't think I think I'm thinking It doesn't matter what I'm thinking It's the images that are worth repeating Images Images Images Images If you're looking for a deeper meaning, I'm as deep as this high ceiling If you think technique is meaning, you might find me very simple You might think that images boring Cars and cans and chairs and flowers You might find me personally boring Hammer, sickle, mao tse tong, mao tse tong - I think that it bears repeating the images upon the ceiling I love images worth repeating and repeating and repeating Images Images Images Images |
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3:30 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
It wasn't me who shamed you, it's not fair to say that
You wanted to work I gave you a chance at that It wasn't me who hurt you, that's more credit that I'm worth Don't threaten me with the things you'll do to you It wasn't me who shamed you, it wasn't me who brought you down You did it to yourself without any help from me It wasn't me who hurt you, I showed you possibilities The problems you had were there before you met me I didn't say this had to be You can't blame these things on me It wasn't , it wasn't me, it wasn't me I know she's dead, it wasn't me It wasn't me who changed you, you did it to yourself I'm not an excuse for the hole you dropped in I'm not simple minded but I'm not father to you at all Death exists but you do things to yourself I never said give up control I never said stick a needle in your arm and die It wasn't , it wasn't me, it wasn't me I know she's dead but it wasn't me It wasn't me who shamed you, who covered you with mud You did it to yourself without any help from me You act as I could've told you or stopped you like some god But people never listen and you know that that's a fact I never said slit your wrists and die I never said throw your life away It wasn't , it wasn't me, it wasn't me You're killing yourself - you can't blame me |
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3:45 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
I really care a lot although I look like I do not
Since I was shot there's nobody but you I know I look blase, party andy's what the papers say At dinner I'm the one who pays - for a nobody like you Nobody but you, a nobody like you Since I got shot there's nobody but you Won't you decorate my house I'll sit there quiet as a mouse You know me I like to look a lot - at nobody like you I'll hold your hand and slap my face I'll tickle you to your disgrace Won't you put me in my proper place - a nobody like you Sundays I pray a lot, I'd like to wind you up And paint your clock I want to be what I am not - for a nobody like you The bullet split my spleen and lung, the doctors said I was gone Inside I've got some shattered bone for nobody but you I'm still not sure I didn't die And if I'm dreaming I still have bad pains inside I know I'll never be a bride - to nobody like you I wish I had a stronger chin, my skin was good, my nose was thin This is no movie I'd ask to be in - with a nobody like you Nobody like you, a nobody like you, all my life - It's been nobodies like you |
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4:18 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
Please
Come over to 81st street I'm in the apartment above the bar You know you can't miss it, it's across from the subway And the tacky store with the mylar scarves My skin's as pale as outdoors moon My hair's silver like a tiffany watch I like lots of people around me but don't kiss hello And please don't touch It's a czechoslovakian custom my mother passed on to me The way to make friends andy is invite them up for tea Open house, open house I've got a lot of cats, here's my favorite She's lady called sam I made a paper doll of her ? you can have it That's what I did when I had st.vitus dance It's a Czechoslovakian custom my mother pased on to me Give people little presents so they remember me Open house, open house Someone bring the vegetables, someone please bring heat My mother showed up yesterday, we need something to eat I think I got a job today they want me to draw shoes The ones I drew were old and used They told me ? draw something new Open house, open house Fly me to the moon, fly me to a star But there are no stars in the new york sky They're all on the ground You scared yourself with music, I scared myself with paint It almost made me faint Open house, open house |
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3:05 | ||||
from Lou Reed / John Cale - Songs For Drella (1990) | |||||
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2:04 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
When you're growing up in a small town
when you're growing up in a small town when you're growing up in a small town you say, no one famous ever came from here When you're growing up in a small town and you're having a nervous breakdown and you think that you'll never escape it yourself or the place that you live Where did Picasso come from there's no Michelangelo coming from Pittsburgh if art is the tip of the iceberg I'm the part sinking below When you're growing up in a small town bad skin, bad eyes, gay and fatty people look at you funny when you're in a small town My father worked in construction it's not something for which I'm suited oh, what is something for which you are suited getting out of here I hate being odd in a small town if they stare let them stare in New York City as this pink eyed painting albino how far can my fantasy go I'm no Dali coming from Pittsburgh no adorable lisping Capote my hero, oh, do you think I could meet him I'd camp out at his front door There is only one good thing about small town there is only one good use for a small town there is only one good thing about small town you know that you want to get out When you're growing up in a small town you know you'll grow down in a small town there is only one good use for a small town You hate it and you'll know you have to leave |
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3:29 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
Starlight open wide, starlight open up you door
This is new york calling with movies on the street Movies with real people, what you get is what you see Starlight open wide, andy's cecil b. demille Come on l.a. give us a call We've got superstars who talk, they'll do anything at all Ingrid, viva, little joe, baby jane, and eddie s. But you better call us soon before we talk ourselves to death Starlight open wide everybody is a star Split screen 8-hour movies We've got color, we've got sound Won't you recognize us, we're everything you hate Andy loves old hollywood movies, he'll scare you hypocrites to death You know that shooting up's for real That person who's screaming, that's the way he really feels We're all improvising, five movies in a week If hollywood doesn't call us ? we'll be sick Starlight open wide Do to movies what you did to art Can you see beauty in ugliness, or is it playing in the dirt There are stars out on the new york streets We want to capture them on film But if no one wants to see them We'll make another and another Starlight let us in that magic room We've all dreamt of hollywood, it can't happen too soon Won't you give us a million dollars the rent is due And will give you 2 movies and a painting Starlight open wide! |
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2:54 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
You've got the money, I've got the time
You want your freedom, make your freedom mine 'Cause I've got the style it takes and money is all that it takes You've got connexions and I've got the art You like my attention and I like your looks and I have the style it takes and you know the people it takes Why don't you sit right over there, we'll do a movie portrait I'll turn the camera on and I won't even be there A portrait that moves, you look great I think I'll put the Empire State Building on your wall For 24 hours glowing on your wall Watch the sun rise above it in your room Wallpaper art, a great view I've got a Brillo box and I say it's art It's the same one you can buy at any supermarket 'Cause I've got the style it takes And you've got the people it takes This is a rock group called The Velvet Underground I show movies on them Do you like their sound 'Cause they have a style that grates and I have art to make Let's do a movie here next week We don't have sound but you're so great You don't have to speak You've got the style it takes (kiss) You've got the style it takes (eat) I've got the style it takes (couch) We've got the style it takes (kiss) |
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3:41 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
The trouble with a classicist he looks at a tree
That's all he sees, he paints a tree The trouble with a classicist he looks at the sky He doesn't ask why, he just paints a sky The trouble with an impressionist, he looks at a log And he doesn't know who he is, standing, staring, at this log And surrealist memories are too amorphous and proud While those downtown macho painters are just alcoholic The trouble with impressionist is The trouble with impressionist is The trouble with personalities, they're too wrapped up in style It's too personal, they're in love with their own guile They're like illegal aliens trying to make a buck They're driving gypsy cabs but they're thinking like a truck The trouble with personalities is The trouble with personalities is I like the druggy downtown kids who spray paint walls and trains I like their lack of training, their primitive technique I think sometimes it hurts you when you stay too long in school I think sometimes it hurts you when you're afraid to be called a fool The trouble with classicists is The trouble with classicists is |
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2:37 | ||||
from Lou Reed / John Cale - Songs For Drella (1990)
Andy was a catholic, the ethic ran through his bones
He lived alone with his mother, collecting gossip and toys Every sunday when he went to church He'd kneel in his pew and say, "it's just work, All that matters is work." He was a lot of things, what I remember most He'd say, "I've got to bring home the bacon, someone's got to bring home the roast." He'd get to the factory early If you'd ask him he'd tell you straight out It's just work, the most important thing is work No matter what I did it never seemed enough He said I was lazy, I said I was young He said, "how many songs did you write?" I'd written zero, I'd lied and said, "ten." "You won't be young forever You should have written fifteen." It's work, the most important thing is work It's work, the most important thing is work "you ought to make things big People like it that way And the songs with the dirty words ? record them that way" Andy liked to stir up trouble, he was funny that way He said, "it's just work, all that matters is work" Andy sat down to talk one day He said decide what you want Do you want to expand your parameters Or play museums like some dilettante I fired him on the spot, he got red and called me a rat It was the worst word that he could think of And I've never seen him like that It's just work, I thought he said it's just work Work, he said it's just work Andy said a lot of things, I stored them all away in my head Sometimes when I can't decide what I should do I think what would andy have said He'd probably say you think too much That's 'cause there's work that you don't want to do It's work, the most important thing is work Work, the most important thing is work |
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4:05 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
I've heard there was a secret chord
That David played and it pleased the Lord But you don't really care for music, do you? It goes like this: the fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Your faith was strong, but you needed proof You saw her bathing on the roof Her beauty in the moonlight overthrew you She tied you to a kitchen chair She broke your throne, she cut your hair And from your lips she drew the Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Baby I've been here before I know this room, I've walked this floor I used to live alone before I knew you I've seen your flag on the Marble Arch Love is not a victory march It's a cold and it's a broken Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah There was a time you let me know What's really going on below But now you never show it to me, do you? I remember when I moved in you And the holy dove was moving too And every breath we drew was Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Maybe there's a God above, all I ever learned from love Was how to shoot at someone who outdrew you And it's not a cry you can hear at night It's not somebody who's seen the light It's a cold and it's a broken Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah |
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2:48 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
Poor soul
Spit upon that Poor soul He never knew what hit him And it hit him so Poor dunce He pushed back the pigmen The Barbs laughed The fool is dead Poor dunce He's less than within us The brains talk But the will to live is dead And prayer can't Travel so far these days The talk of your life Standing so near To innocent eyes Poor dunce Swings thru the tunnels And claws his way Is small life so manic Are these really the days Poor dunce Poor dunce Poor soul Poor soul Poor soul |
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4:29 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996) | |||||
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5:07 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
I remember when i was a girl
Our house caught on fire And i'll never forget the look on my father's face As he gathered me in his arms And raced to the burning building out on the pavement And I stood there shivering And watched the whole world go up in flames And when it was all over I said to myself " Is that all there is to a fire ? " Is that all there is? Is that all there is? If that's all there is, my friends, then let's keep dancing Let's break out the booze and have a ball If that's all there is And when I was twelve years old My daddy took me to the circus The greatest show on earth And there were clowns And elephants Dancing bears, And a beautiful lady in pink tights flew high above our heads And as I sat there watching I had the feeling that something was missing I don't know what But when it was all over I said to myself " Is that all there is to the circus ? " Is that all there is? If that's all there is, my friends, then let's keep dancing Let's break out the booze and have a ball If that's all there is And then I fell in love With the most wonderful boy in the world We'd take long walks down by the river Or just sit for hours gazing into each other's eyes We were so very much in love And then one day He went away And i thought i'd die But I didn't And when I didn't I said to myself " Is that all there is to love ? " Is that all there is? If that's all there is, my friends, then let's keep I know what you must be saying to yourselves If that's the way she feels about it Then why doesn't she just end it all Oh no. not me. i'm not ready for the final disappointment 'Cause I know just as well as i'm standing here talking to you That when that final moment comes And i'm breathing my last breath I know what I'll be saying to myself " Is that all there is ? " Is that all there is? If that's all there is, my friends, then let's keep dancing Let's break out the booze and have a ball If that's all there is |
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3:48 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
You must leave now, take what you need, you think will last.
But whatever you wish to keep, you better grab it fast. Yonder stands your orphan with his gun, Crying like a fire in the sun. Look out the saints are comin' through And it's all over now, Baby Blue. The highway is for gamblers, better use your sense. Take what you have gathered from coincidence. The empty-handed painter from your streets Is drawing crazy patterns on your sheets. This sky, too, is folding under you And it's all over now, Baby Blue. All your seasick sailors, they are rowing home. All your reindeer armies, are all going home. The lover who just walked out your door Has taken all his blankets from the floor. The carpet, too, is moving under you And it's all over now, Baby Blue. Leave your stepping stones behind, something calls for you. Forget the dead you've left, they will not follow you. The vagabond who's rapping at your door Is standing in the clothes that you once wore. Strike another match, go start anew And it's all over now, Baby Blue. |
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2:58 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
Hello, hello, hello (ha, ha, ha)
You never listen to a word that I said You only seen me For the clothes that I wear Or did the interest go so much deeper It must have been The colour of my hair The Public Image What you wanted was never made clear Behind the image was ignorance and fear You hide behind this public machine Still follow same old scheme Public Image Two sides to every story Somebody had to stop me I'm not the same as when I began I will not be treated as property Public Image Two sides to every story Somebody had to stop me I'm not the same as when I began It's not a game of monopoly Public image Public image You got what you wanted The public image belongs to me It's my entrance My own creation My grand finale My goodbye Public image Goodbye |
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4:15 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996) | |||||
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2:56 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996) | |||||
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2:07 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996) | |||||
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4:06 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
When it's Summer in Siam And the moon is full of rainbows When it's Summer in Siam And we go through many changes When it's Summer in Siam Then all I really know Is that I truly am In the Summer in Siam |
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3:51 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
I'm inviting you to my vaudeville
"Oui encore" you say, "And on with the show" Ladies, gentlemen, before I sing to you The light that shines twice as bright Burns half as long Come let me entertain you all Leave your troubles big and small Life's a ball, life's a ball Hitch a ride on my crooked merry-go-round Hear the clinking-clanking sound Of the song that I bring Take my song, take my hand, never let me down, Like love let me down, like love pushed me around So long, goodbye, I lost, did try This is the last song I'll ever sing The last song I'll sing I played in the cabaret of love I wore heart, fist and glove. Push and shove, push and shove... And all for love Take my song, take my hand, never let me down, Like love let me down, like love pushed me around So long, goodbye, I lost, did try This is the last song I'll ever sing The last song I'll sing This is the last song I'll ever sing The last song I'll sing Here, with words that can't be said We take songs to our bed Sing-a-long, sing-a-long... to my last song |
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3:28 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
Won't someone give me a gun?
Oh, well, it's for my brother Well, he writes the line, wrote right down my spine It says, "Oh, do you believe in love there?" So slow down, slow down, you're taking me over And so we drown, sir, we drown, stop taking me over Won't someone give me some fun? As the skin flies all around us We kiss in his room to a popular tune Oh, real drowners So slow down, slow down, you're taking me over And so we drown, sir, we drown, stop taking me over Slow down, slow down, you're taking me over And so we drown, sir, we drown, stop taking me over You're taking me over You're taking me over You're taking me over You're taking me over Stop taking me over You're taking me over You're taking me over You're taking me over |
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6:28 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
Wasted and wounded, it ain't what the moon did
Got what I paid for now See ya tomorrow, hey Frank can I borrow A couple of bucks from you? To go waltzing Mathilda, waltzing Mathilda You'll go a-waltzing Mathilda with me I'm an innocent victim of a blinded alley And tired of all these soldiers here No one speaks English and everything's broken And my Stacys are soaking wet To go waltzing Mathilda, waltzing Mathilda You'll go a-waltzing Mathilda with me Now the dogs are barking and the taxi cab's parking A lot they can do for me I begged you to stab me, you tore my shirt open And I'm down on my knees tonight Old Bushmill's I staggered, you buried the dagger Your silhouette window light To go waltzing Mathilda, waltzing Mathilda You'll go a-waltzing Mathilda with me Now I lost my Saint Christopher now that I've kissed her And the one-armed bandit knows And the maverick Chinaman and the cold-blooded signs And the girls down by the strip-tease shows Go, waltzing Mathilda, waltzing Mathilda You'll go a-waltzing Mathilda with me No, I don't want your sympathy The fugitives say that the streets aren't for dreaming now Manslaughter dragnets and the ghosts that sell memories They want a piece of the action anyhow Go, waltzing Mathilda, waltzing Mathilda You'll go a-waltzing Mathilda with me And you can ask any sailor and the keys from the jailor And the old men in wheelchairs know That Mathilda's the defendant, she killed about a hundred And she follows wherever you may go Waltzing Mathilda, waltzing Mathilda You'll go a-waltzing Mathilda with me And it's a battered old suitcase to a hotel someplace And a wound that will never heal No prima donna, the perfume is on An old shirt that is stained with blood and whiskey And goodnight to the street sweepers The night watchman flame keepers and goodnight, Mathilda too |
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0:10 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996) | |||||
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4:28 | ||||
from Basquiat (바스키아) by John Cale [ost] (1996)
> Baby don't you do it, don't do it babe
Don't break my heart, don't do it babe Don't break my heart, please don't do it babe Don't you break my heart 'Cause I sacrifice to make you happy Get nothin' for myself Now you wanna leave me For the love of someone else My pride is all gone, whether right or wrong I believe, baby, you'd better keep on keepin' on Girl, I try to do my best Girl, I try to do my best, don't do it babe Don't break my heart, oh don't do it baby Don't break my heart My biggest mistake was lovin' you too much And lettin' you know 'Cause now you've got me where you want me And you're gonna let me go My heart was made glad when you strolled, you see Heartaches and misery you've been causin' me Girl, I try to do my best Girl, I try to do my best Don't you do it, don't break my heart Go down to the river and there I'll be I'm gonna jump in, baby, if you don't see by me Open up your eyes; can't you see I love you? Open up your heart; can't you see I need you? I'm no good without you, can't go on without you Life's no good without you, what'm I gonna do without you? Baby don't do it, don't you break my heart Don't you do it, baby, don't you break my heart What'm I gonna do without you? Got to go on, baby Baby don't you do it |
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3:27 | ||||
from I Shot Andy Warhol (나는 앤디 워홀을 쐈다) by John Cale [ost] (1996) | |||||
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2:33 | ||||
from I Shot Andy Warhol (나는 앤디 워홀을 쐈다) by John Cale [ost] (1996) | |||||
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3:37 | ||||
from I Shot Andy Warhol (나는 앤디 워홀을 쐈다) by John Cale [ost] (1996)
When she sleeps she shuts out the eyesights of you
When you call her name she trembles at what you might do Daytime- save her and she might give in Nighttime- demons who know you can't win Sleeping demons They lurk but they don't make a sound But you won't get up even when they're not around Daytime- brings out the promise within Nighttime- demons who know you can't win Daytime- brings out the promise within Nighttime- demons who know you can't win Daytime- brings out the promise within Demons who know you can't win |
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2:04 | ||||
from I Shot Andy Warhol (나는 앤디 워홀을 쐈다) by John Cale [ost] (1996)
Do you believe in magic in a young girl's heart How the music can free her, whenever it starts And it's magic, if the music is groovy It makes you feel happy like an old-time movie I'll tell you about the magic, and it'll free your soul but it's like trying to tell a stranger 'bout rock and roll If you believe in magic don't bother to choose If it's jug band music or rhythm and blues Just go and listen it'll start with a smile It won't wipe off your face no matter how hard you try Your feet start tapping and you can't seem to find how you got there, so just blow your mind If you believe in magic, come along with me. We'll dance until morning 'til there's just you and me And maybe, if the music is right I'll meet you tomorrow, sort of late at night And we'll go dancing, baby, then you'll see how the magic's in the music and the music's in me yeah. Do you believe in magic Yeah, believe in the magic of a young girl's soul. Believe in the magic of rock and roll. Believe in the magic that can set you free. Ohh, talking 'bout magic. Do you believe (like I) believe Do you believe in magic Do you believe (like I) believe Do you believe, believer Do you believe (like I) believe Do you believe in magic |
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2:00 | ||||
from I Shot Andy Warhol (나는 앤디 워홀을 쐈다) by John Cale [ost] (1996) | |||||
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4:08 | ||||
from I Shot Andy Warhol (나는 앤디 워홀을 쐈다) by John Cale [ost] (1996) | |||||
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3:03 | ||||
from I Shot Andy Warhol (나는 앤디 워홀을 쐈다) by John Cale [ost] (1996) |