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3:41 |
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from Hall & Oates - Voices (1980)
My Baby went to Africa
With the dirty lens photographer My Baby stayin' in jungle land With a U S body and a real light tan My Baby went to Africa With a make-up man and his love-sick lover She get a couple o' grand and a two-piece suit Let the folks back home see the native beauty My Baby went to Africa Gotta pack my bags and get to her Before the lions and tigers try to jump on her bones |
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3:41 |
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from Hall & Oates - Voices (1980)
Got a good education now
And I'm ready for the world (yeah) We've been going together It's gonna last forever, it ain't never gonna change I'm a real hard charger (yeah) Everybody's gonna listen to me We're a winning combination, that nobody's gonna rearrange Big Kids breakin' up 'cause they're lookin' for fun Everybody's leavin', boy-girl on the run My situation's static, there's no reason to fear It's too calm around me and it can't happen here Big Kids - think they know it all Big Kids - think they've got the world up against the wall All the grown-ups show me that they're only Big Kids in disguise Who do you think your leaders are? Big Kids Who do you think your heros are? Big Kids I may never reach maturity but, baby, I'm gonna try |
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3:44 |
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from Hall & Oates - Voices (1980)
Look at me, I'm running
Ooh, what have I done Oh, I must have hurt someone Dark in subway station Gimme place to hide Oh, I hear the Voices deep inside And the Voice is singing Diddy Doo Wop Oh Oh Oh Oh Oh Diddy Doo Wop Well, it starts in my head and it ends when I stop Keep singing Diddy Doo Wop Charlie liked the Beatles Sam, he liked Rich Girl I'm still hung up on the Duke of Earl Reaching for the handle Slicing through the air Oh, the Doo Wop Voices everywhere Oh, the Duke is singing Diddy Doo Wop Oh Oh Oh Oh Oh Diddy Doo Wop Well, it starts in my head and it ends when I stop Diddy Doo Wop I hear the Voices |
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5:25 |
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from Hall & Oates - Voices (1980)
Baby, if we can't solve any problems
Why do we lose so many tears? Oh, so you go again When the leading man appears Always the same theme But can't you see we've got everything going on and Everytime you go away You take a piece of me with you Go on and go free Maybe you're too close to see I can feel your body move But does it mean that much to me I can't go on singing the same theme "Cause you can't see we've got everything Baby, even though you know that Everytime you go away You take a piece of me with you You just don't care |
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3:38 |
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from Hall & Oates - Voices (1980)
Oh, no, stop bitching indiscretion
You're such an A-1 lover, since when are you perfection Never true blue to me, so why are you getting nasty Well, it's lucky for you that I'm gonna keep dancing Oh, I know Everyone you do is perfect Everyone you know is perfect Everywhere you go is perfect So on and so on But you've gotta lotta nerve when you talk about love If you've gotta lotta nerve we can talk about love Oh, you've gotta lotta nerve to be talking about love Yeah, you gotta lotta nerve 'til we talk about love Listen to you ... your roots will be showing Better watch what you say and do Or da cool you'll be blowing We're talking 16 tones of nerve-a We're talking perfect nerve |
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3:39 |
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from Hall & Oates - Voices (1980)
Don't want to face it but I know that it's time to go home
I cannot say what I want to say when we're alone I've got to leave but I want to stay Where you are is so far from the U.S. of A. When we're more than half a world away It's so hard to be in love with you Operator, International 011, oh Put your love on the line, put your ear to the phone Maybe it's no longer than a night and a day But where you are is so far from the U.S. of A. And it ain't so easy, easy on the heart It's so hard to be in love with you |
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4:36 |
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from Hall & Oates - Voices (1980)
Please return, come back, I've been saving your place
Too much time has elapsed-unreality-memory erases The rules and the rights and the wrongs don't apply Far apart - So together is destiny weeded to fate I write the script, you direct my dreams We're along on the beach for the passionate scene And it's a drag to wake up with you ... saying to me How does it feel to be back in my arms again I'm bored and alone and it's weakening me One night out and I'm looking for trouble and finding it's easy You know we all make mistakes and we all need the touch of a hand In the right kind of place, in a time of need I could pick up the phone, but the talk ain't cheap I pick up on the thoughts that you're sending to me And i wait for the day I hear you saying to me How does it feel to be back in my arms again |
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4:27 |
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from Hall & Oates - Voices (1980)
My friends wonder why I call you all of the time
What can I say I don't feel the need to give such secrets away You think maybe I need help though I know that I'm right I'm just better off not listening to friends' advice When they insist on knowing my bliss I tell them this When they want to know what the reason is I only smile when I lie, then I tell them why (Because your kiss) your kiss is on my list (Because your kiss) your kiss is on my list Because your kiss is on my list of the best things in life (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can't resist Because your kiss is what I miss when I turn out the light I go crazy wondering what there is to really see Did the night just take up your time, 'cause it means more to me Sometimes I forget what I'm doing, I don't forget what I want, what I want Regret what I've done, regret you? I couldn't go on And if you insist on knowing my bliss I'll tell you this If you want to know what the reason is I'll only smile when I lie, then I'll tell you why (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can't resist Because your kiss is what I miss when I turn out the light (Because your kiss) your kiss is on my list (Because your kiss) your kiss is on my list Because your kiss is on my list of the best things in life (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can't resist Because your kiss is on my list of the best things in life |
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3:10 |
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from Hall & Oates - Voices (1980)
Make an amendment to the constitution
To preserve the state of our union I stop believing what you say to me There's a tragic gap in credibility When the light is gone from your eyes And re-entry may be denied Do I want to expatriate Or live in the united state Inflationary insecurity 'Cause a love ain't worth as much as it used to be Clean break, running away Should I work it out some way Watch the tress in the wind when it's starting to blow Is the reason to leave, is it treason to go Just appeasing you is the wrong thing, I know Break away! |
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3:13 |
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from Hall & Oates - Voices (1980)
What I want, you've got
And it might be hard to handle But like the flame that burns the candle The candle feeds the flame What I've got's full stock of thoughts and dreams that scatter You pull them all together And how, I can't explain But You make my dreams come true On a night when bad dreams become a screamer When they're messin' with the dreamer I can laugh it in the face Twist and shout my way out And wrape yourself around me 'Cause I ain't the way that you found me I'll never be the same 'Cause You may my dreams come true I'm down on the daydream That sleepwalk should be over by now I know that You make my dreams come true" |
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4:39 |
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from Hall & Oates - Voices (1980)
You never close your eyes anymore when I kiss your lips
And there's no tenderness like before in your finger tips You're trying hard not to show it (baby) But baby, baby I know it You've Lost That Lovin' Feeling Oh that Lovin' Feeling You've Lost That Lovin' Feeling Now it's gone gone gone oh oh oh There's no welcome look in your eyes when I reach for you And girl you're starting to criticize little things I do Ooh, it makes me just feel like crying (baby) 'Cause baby something beautiful's dying You've Lost That Lovin' Feeling Oh that Lovin' Feeling You've Lost That Lovin' Feeling Not it's gone gone gone oh oh oh Baby baby I get down on my knees for you (Get down on my knees) If you would only love me like you used to (If you would only love me love me) We had a love, a love that you don't find everyday (A love you don't find) So don't don't don't let it slip away (away) I said baby Baby Baby Baby (I'm beggin you please) I'm begging you please I need your love (I need your love) I need your love So bring it on back (bring it on back) Now bring it on back Now bring it on back You've got to bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone And I can't go on oh oh oh Bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone Bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone Bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone |
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3:44 |
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from Hall & Oates - H2o (1982)
Try to ignore the twisted side
We kiss and we hiss at the same time Don't you know some things just don't blow away You've been this way before, but the cuts just seem to hurt me more Could be a reason for the difference... You've been practicing The art of heartbreak Practicing The art of heartbreak Anticipating what she's aching for I'm being edgy leave her wanting more Anyone might think we'd rather be alone Yeah, she's been cut before by sharp things I've been saying so long I can't believe the way she takes it I've been practicing The art of heartbreak Practicing The art of heartbreak Why do we make it hard, been hitting back and forth for so long What are we aiming at, there's no score in love I bet a million bucks she knows but won't let up on me, so I've just decided to stop Practicing the art of heartbreak Practicing The art of heartbreak We've been practicing |
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3:44 |
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from Hall & Oates - H2o (1982)
Try to ignore the twisted side
We kiss and we hiss at the same time Don't you know some things just don't blow away You've been this way before, but the cuts just seem to hurt me more Could be a reason for the difference... You've been practicing The art of heartbreak Practicing The art of heartbreak Anticipating what she's aching for I'm being edgy leave her wanting more Anyone might think we'd rather be alone Yeah, she's been cut before by sharp things I've been saying so long I can't believe the way she takes it I've been practicing The art of heartbreak Practicing The art of heartbreak Why do we make it hard, been hitting back and forth for so long What are we aiming at, there's no score in love I bet a million bucks she knows but won't let up on me, so I've just decided to stop Practicing the art of heartbreak Practicing The art of heartbreak We've been practicing |
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6:17 |
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| from Hall & Oates - H2o (1982) | |||||
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6:17 |
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| from Hall & Oates - H2o (1982) | |||||
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4:32 |
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| from Hall & Oates - H2o (1982) | |||||
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4:32 |
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| from Hall & Oates - H2o (1982) | |||||
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3:59 |
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| from Hall & Oates - H2o (1982) | |||||
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3:59 |
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| from Hall & Oates - H2o (1982) | |||||
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3:25 |
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from Hall & Oates - H2o (1982)
She had sulky smile She took her standard pose as she presented herself She had sultry eyes, she made it perfectly plain that she was his For a price But he said "Leave me alone, I'm a family man And my bark is much worse than my bite" He said "Leave me alone, I'm a family man But if you push me too far I just might" She wore hurt surprise as she rechecked her make-up to protect herself Dropped her price and pride she made it totally clear that she was his For a night She gave him her look, it would have worked on any other man around He looked her up and down, she knew he couldn't decide if he should Hold his ground She turned, tossed her head unlike her opening move, her final exit line He waited much too long but by the time he got his courage up she was gone Then he screamed "Leave me alone, I'm a family man And my bark is much worse than my bite" He said "Leave me alone, I'm a family man But if you push me too far, I just might |
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3:25 |
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from Hall & Oates - H2o (1982)
She had sulky smile
She took her standard pose as she presented herself She had sultry eyes, she made it perfectly plain that she was his For a price But he said "Leave me alone, I'm a family man And my bark is much worse than my bite" He said "Leave me alone, I'm a family man But if you push me too far I just might" She wore hurt surprise as she rechecked her make-up to protect herself Dropped her price and pride she made it totally clear that she was his For a night She gave him her look, it would have worked on any other man around He looked her up and down, she knew he couldn't decide if he should Hold his ground She turned, tossed her head unlike her opening move, her final exit line He waited much too long but by the time he got his courage up she was gone Then he screamed "Leave me alone, I'm a family man And my bark is much worse than my bite" He said "Leave me alone, I'm a family man But if you push me too far, I just might |
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4:34 |
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from Hall & Oates - H2o (1982)
Wake up my children
Wake up my children Wake up my children Your daddy is coming home Your daddy is coming home Your daddy is coming home Your daddy is on his way Wake up my children Look out your windows Wake up my children Your daddy is home from the war Your daddy is home from the war He's at the door now Coming nearer and nearer Wake up my children I said, wake up my children, yeah Wake up my children He's only a few hours away He's only a few days away He's only a few years away Only a century away, yeah Wake up my children Wake up my children Wake up my children Your daddy's never coming Your daddy's never coming Your daddy's never coming You know he's gone for good now Wake up my children Wake up my children, yeah Wake up my children Be real nice for your daddy Put away those baddies Be real nice for your daddy Do away with baddies Wake up my children, yeah You must see my children There's no more fighting, yes Your daddy is coming home Your daddy is coming home Your daddy is coming home Your daddy is coming home |
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4:35 |
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from Hall & Oates - H2o (1982)
Wake up my children
Wake up my children Wake up my children Your daddy is coming home Your daddy is coming home Your daddy is coming home Your daddy is on his way Wake up my children Look out your windows Wake up my children Your daddy is home from the war Your daddy is home from the war He's at the door now Coming nearer and nearer Wake up my children I said, wake up my children, yeah Wake up my children He's only a few hours away He's only a few days away He's only a few years away Only a century away, yeah Wake up my children Wake up my children Wake up my children Your daddy's never coming Your daddy's never coming Your daddy's never coming You know he's gone for good now Wake up my children Wake up my children, yeah Wake up my children Be real nice for your daddy Put away those baddies Be real nice for your daddy Do away with baddies Wake up my children, yeah You must see my children There's no more fighting, yes Your daddy is coming home Your daddy is coming home Your daddy is coming home Your daddy is coming home |
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3:16 |
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| from Hall & Oates - H2o (1982) | |||||
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3:16 |
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| from Hall & Oates - H2o (1982) | |||||
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3:19 |
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from Hall & Oates - H2o (1982)
I see I see I see all the monumental ruinization
I see I see I see the greatest works of art in western civilization Ooh but where are Tell me where are Ooh but where are the Italian girls? I drink I drink I drink too much vino rosso no more amarone I eat I eat I eat so much pasta basta I'm so full and yet so lonely Ooh but where are Tell me where are Ooh but where are the Italian girls? I see Sophia on the silver screena There must be more like her in Roma I believe I believe I believe in la donna Italiana belissima I need, I need, I need some little dream come true please tell me where They're keeping ya Faccia bella cara mia Somebody tell me where are the Italian girls |
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3:19 |
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from Hall & Oates - H2o (1982)
I see I see I see all the monumental ruinization I see I see I see the greatest works of art in western civilization Ooh but where are Tell me where are Ooh but where are the Italian girls? I drink I drink I drink too much vino rosso no more amarone I eat I eat I eat so much pasta basta I'm so full and yet so lonely Ooh but where are Tell me where are Ooh but where are the Italian girls? I see Sophia on the silver screena There must be more like her in Roma I believe I believe I believe in la donna Italiana belissima I need, I need, I need some little dream come true please tell me where They're keeping ya Faccia bella cara mia Somebody tell me where are the Italian girls |
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4:32 |
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from Hall & Oates - H2o (1982)
She'll only come out at night lean and hungry type nothing is new I've seen her here before Watching and waiting Oh she's sitting with you But her eyes are on the door So many have paid to see What you think you're getting For free the woman is wild A she cat tamed by the purr of a jaguar Money's the matter if you're in it for love You ain't gonna get too far Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater I wouldn't if I were you I know what she can do she's deadly man She could really rip your world apart Mind over matter oh the beauty is there But a beast is in the heart Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater~ Woo~ oh here she comes (here she comes) Watch out boy she'll chew you up Oh here she comes (watch out) She's a maneater oh here she comes (She's a maneater) oh she'll chew you up Oh here she comes (Here she comes) she's a maneater Oh here she comes (watch out) She'll only come out at night woo~ Oh here she comes (here she comes) She's a maneater oh here she comes (She's a maneater) woman is wild woo~ Oh here she comes (here she comes) Watch out boy watch out boy Oh here she comes oh watch out watch out Watch out watch out oh here she comes (Watch out) she's a maneater Oh here she comes (she's a maneater) She's watching and waiting oh~ Oh here she comes oh she's a maneater~ |
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- |
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from Hall & Oates - H2o (1982)
She'll only come out
at night lean and hungry type nothing is new I've seen her here before Watching and waiting Oh she's sitting with you But her eyes are on the door So many have paid to see What you think you're getting For free the woman is wild A she cat tamed by the purr of a jaguar Money's the matter if you're in it for love You ain't gonna get too far Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater I wouldn't if I were you I know what she can do she's deadly man She could really rip your world apart Mind over matter oh the beauty is there But a beast is in the heart Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater~ Woo~ oh here she comes (here she comes) Watch out boy she'll chew you up Oh here she comes (watch out) She's a maneater oh here she comes (She's a maneater) oh she'll chew you up Oh here she comes (Here she comes) she's a maneater Oh here she comes (watch out) She'll only come out at night woo~ Oh here she comes (here she comes) She's a maneater oh here she comes (She's a maneater) woman is wild woo~ Oh here she comes (here she comes) Watch out boy watch out boy Oh here she comes oh watch out watch out Watch out watch out oh here she comes (Watch out) she's a maneater Oh here she comes (she's a maneater) She's watching and waiting oh~ Oh here she comes oh she's a maneater~ |
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6:00 |
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from Hall & Oates - H2o (1982)
She'll only come out at night lean and hungry type nothing is new I've seen her here before Watching and waiting Oh she's sitting with you But her eyes are on the door So many have paid to see What you think you're getting For free the woman is wild A she cat tamed by the purr of a jaguar Money's the matter if you're in it for love You ain't gonna get too far Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater I wouldn't if I were you I know what she can do she's deadly man She could really rip your world apart Mind over matter oh the beauty is there But a beast is in the heart Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater~ Woo~ oh here she comes (here she comes) Watch out boy she'll chew you up Oh here she comes (watch out) She's a maneater oh here she comes (She's a maneater) oh she'll chew you up Oh here she comes (Here she comes) she's a maneater Oh here she comes (watch out) She'll only come out at night woo~ Oh here she comes (here she comes) She's a maneater oh here she comes (She's a maneater) woman is wild woo~ Oh here she comes (here she comes) Watch out boy watch out boy Oh here she comes oh watch out watch out Watch out watch out oh here she comes (Watch out) she's a maneater Oh here she comes (she's a maneater) She's watching and waiting oh~ Oh here she comes oh she's a maneater~ |
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- |
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from Hall & Oates - H2o (1982)
I'm tired of playing on the team
It seems I don't get time out anymore What a change if we set the pace face to face No one even trying to score Oh oh I can feel the magic of your touch And when you move in close a little bit means so much Ooh yeah, you've got to understand baby Time out is what I'm here for One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow You can't tell me you don't miss me girl I think I might know you too well Wonder what you'd say if you knew that I was coming tonight Want to? I want you can't you tell One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow That's all you need to know now 'Cause if it's really right there's nothing else One on one I want to play that game tonight |
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4:18 |
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from Hall & Oates - H2o (1982)
I'm tired of playing on the team It seems I don't get time out anymore What a change if we set the pace face to face No one even trying to score Oh oh I can feel the magic of your touch And when you move in close a little bit means so much Ooh yeah, you've got to understand baby Time out is what I'm here for One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow You can't tell me you don't miss me girl I think I might know you too well Wonder what you'd say if you knew that I was coming tonight Want to? I want you can't you tell One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow That's all you need to know now 'Cause if it's really right there's nothing else One on one I want to play that game tonight |
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5:33 |
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from Hall & Oates - H2o (1982)
I'm tired of playing on the team It seems I don't get time out anymore What a change if we set the pace face to face No one even trying to score Oh oh I can feel the magic of your touch And when you move in close a little bit means so much Ooh yeah, you've got to understand baby Time out is what I'm here for One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow You can't tell me you don't miss me girl I think I might know you too well Wonder what you'd say if you knew that I was coming tonight Want to? I want you can't you tell One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow That's all you need to know now 'Cause if it's really right there's nothing else One on one I want to play that game tonight |
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4:33 |
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from Hall & Oates - H2o (1982)
I know how you spent your time
Too many people know you weren't alone Your after hours followed you home Oh I heard, he said She was open all night While I was away She was open all night Don't ask me to tell you who told me She was open all night While I was away You were open all night Don't ask me to tell you who said Gotta lotta friends I don't need They say "you'd rather hear it first from me" Maybe I don't wanna hear it at all It's too far to fall so don't say She was open all night Don't ask me to tell you who told me No I don't want to tell you |
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4:34 |
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from Hall & Oates - H2o (1982)
I know how you spent your time Too many people know you weren't alone Your after hours followed you home Oh I heard, he said She was open all night While I was away She was open all night Don't ask me to tell you who told me She was open all night While I was away You were open all night Don't ask me to tell you who said Gotta lotta friends I don't need They say "you'd rather hear it first from me" Maybe I don't wanna hear it at all It's too far to fall so don't say She was open all night Don't ask me to tell you who told me No I don't want to tell you |
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5:49 |
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| from Hall & Oates - H2o (1982) | |||||
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3:42 |
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from Hall & Oates - Big Bam Boom (1984)
Skin tight soul delight
Changing her life for another She dreams magazines Sees herself on the cover Anything anytime anywhere It's fitting in that matters Faithfully she believes in the look he wants to know better She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American She's got a Double Bubble with a bossanova back She's a real hot pepper and I like it like that It's all right you don't have to change your way You're all right I'm hoping the best part stays She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American Street smart close to the heart gotta be real More than the clothes you wear You know what you've got look to your heart You carry your history there Submitted by Michael Hack |
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from Hall & Oates - Big Bam Boom (1984)
Skin tight soul delight
Changing her life for another She dreams magazines Sees herself on the cover Anything anytime anywhere It's fitting in that matters Faithfully she believes in the look he wants to know better She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American She's got a Double Bubble with a bossanova back She's a real hot pepper and I like it like that It's all right you don't have to change your way You're all right I'm hoping the best part stays She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American Street smart close to the heart gotta be real More than the clothes you wear You know what you've got look to your heart You carry your history there Submitted by Michael Hack |
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3:42 |
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from Hall & Oates - Big Bam Boom (1984)
One lonely eye faces the Queen
How far she goes remains to be seen She can be hard and she knows it She plays her heart and doesn't show it Cold night cold like me No lov elost betting on the King And it's a hard unknown Before the hand is showing The con is out when the eagle flies If you know the hand is quicker than the eye Can I bank on your love Hands down left high and dry Games in the night are quicker than the eye That ain't love or affection The dealer changed direction Bets are high and I'm losing enough Won't anybody play fair with my love 'Cause it's hard not knowing And my heart is showing The King is out and the eagle flies Don't you know the hand is quicker than the eye Can I bank on your love Submitted by Michael Hack |
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4:40 |
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| from Hall & Oates - Big Bam Boom (1984) | |||||
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- |
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| from Hall & Oates - Big Bam Boom (1984) | |||||
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- |
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| from Hall & Oates - Big Bam Boom (1984) | |||||
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1:27 |
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| from Hall & Oates - Big Bam Boom (1984) | |||||
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6:40 |
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| from Hall & Oates - Big Bam Boom (1984) | |||||
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5:40 |
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| from Hall & Oates - Big Bam Boom (1984) | |||||
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from Hall & Oates - Big Bam Boom (1984)
In the moonlite
Under startlite Songs old as the night are what I've been dreaming of Everybody's hard as iron Locked in a modern world Dreams are make of a different stuff I believe love will always be the same Ways and means are the parts subject to change M-E-T-H-O-D-O-F-L-O-V-E It's a method of modern love I can call you Got your number Share my life with you a thousand miles away If you've hurt me I haven't shown it Time's too tight to fight And we're never face to face Style is timeless and fashion's only now We've got the ways no one needs to show us how |
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5:25 |
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from Hall & Oates - Big Bam Boom (1984)
In the moonlite
Under startlite Songs old as the night are what I've been dreaming of Everybody's hard as iron Locked in a modern world Dreams are make of a different stuff I believe love will always be the same Ways and means are the parts subject to change M-E-T-H-O-D-O-F-L-O-V-E It's a method of modern love I can call you Got your number Share my life with you a thousand miles away If you've hurt me I haven't shown it Time's too tight to fight And we're never face to face Style is timeless and fashion's only now We've got the ways no one needs to show us how |
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7:49 |
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from Hall & Oates - Big Bam Boom (1984)
In the moonlite
Under startlite Songs old as the night are what I've been dreaming of Everybody's hard as iron Locked in a modern world Dreams are make of a different stuff I believe love will always be the same Ways and means are the parts subject to change M-E-T-H-O-D-O-F-L-O-V-E It's a method of modern love I can call you Got your number Share my life with you a thousand miles away If you've hurt me I haven't shown it Time's too tight to fight And we're never face to face Style is timeless and fashion's only now We've got the ways no one needs to show us how |
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4:21 |
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from Hall & Oates - Big Bam Boom (1984)
Shake it up is all that we know
Using the bodies up as we go Waking up to fantasy The shades all around aren't the colors we used to see Broken ice still melts in the sun And times that are broken can often be one again We're soul alone And soul really matters to me Take a look around You're out of touch I'm out of time But I'm out of my head when you're not around Reaching out for something to hold Looking for a love where the climate is cold Manic moves and drowsy dreams Or living in the middle between the two extremes Smoking guns hot to the touch Would cool down if we didn't use them so much We're soul alone And soul really matters to me Too much |
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from Hall & Oates - Big Bam Boom (1984)
Shake it up is all that we know
Using the bodies up as we go Waking up to fantasy The shades all around aren't the colors we used to see Broken ice still melts in the sun And times that are broken can often be one again We're soul alone And soul really matters to me Take a look around You're out of touch I'm out of time But I'm out of my head when you're not around Reaching out for something to hold Looking for a love where the climate is cold Manic moves and drowsy dreams Or living in the middle between the two extremes Smoking guns hot to the touch Would cool down if we didn't use them so much We're soul alone And soul really matters to me Too much |
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7:42 |
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from Hall & Oates - Big Bam Boom (1984)
Shake it up is all that we know
Using the bodies up as we go Waking up to fantasy The shades all around aren't the colors we used to see Broken ice still melts in the sun And times that are broken can often be one again We're soul alone And soul really matters to me Take a look around You're out of touch I'm out of time But I'm out of my head when you're not around Reaching out for something to hold Looking for a love where the climate is cold Manic moves and drowsy dreams Or living in the middle between the two extremes Smoking guns hot to the touch Would cool down if we didn't use them so much We're soul alone And soul really matters to me Too much |
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| from Hall & Oates - Big Bam Boom (1984) | |||||
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4:35 |
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from Hall & Oates - Big Bam Boom (1984)
You know there's something you need Right here and now To fill the space inside of yourself Money love or power When you want to have the number one first run anyone You're crazy 'til you own them You ought to know better than that The more that you buy the less you get back It's a case of possession obsession Gimme Gimme The compulsion to count the percentage of time Spent between two lovers Can turn an hour into a crime And all the good times suffer Though you know it's only jealousy You can't help but be Haunted by your passion Don't you know it's a matter of fact The more that you take the less you give back Just a taste of possession obsession Brings a case of possession obsession Gimme GImme |
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6:31 |
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from Hall & Oates - Big Bam Boom (1984)
You know there's something you need Right here and now To fill the space inside of yourself Money love or power When you want to have the number one first run anyone You're crazy 'til you own them You ought to know better than that The more that you buy the less you get back It's a case of possession obsession Gimme Gimme The compulsion to count the percentage of time Spent between two lovers Can turn an hour into a crime And all the good times suffer Though you know it's only jealousy You can't help but be Haunted by your passion Don't you know it's a matter of fact The more that you take the less you give back Just a taste of possession obsession Brings a case of possession obsession Gimme GImme |
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5:26 |
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from Hall & Oates - Big Bam Boom (1984)
I feel like I could run away Looking at a darker day Oh I'm pulling the shades away from my eyes It's true the moody manners come and go And it's better that you never know Some things are better left unsaid Some strings are better left undone Some hearts are better left unbroken Some lives are better left untouched Some lies are better off believed Some words are better left unspoken My ideas seem to frighten you Are you really that afraid to move Oh I guess that it's your right to reason I'm still dealing with a force that's so strong The force is stringing us along |
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from Hall & Oates - Big Bam Boom (1984)
I feel like I could run away Looking at a darker day Oh I'm pulling the shades away from my eyes It's true the moody manners come and go And it's better that you never know Some things are better left unsaid Some strings are better left undone Some hearts are better left unbroken Some lives are better left untouched Some lies are better off believed Some words are better left unspoken My ideas seem to frighten you Are you really that afraid to move Oh I guess that it's your right to reason I'm still dealing with a force that's so strong The force is stringing us along |
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2:44 |
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from Hall & Oates - Whole Oats (1987)
Why don't you pack I'll take you back
to the countryside Now's the time I've got a little place in mind. We don't need no neighbors making noise at night, dogs that fight You'll sleep like a child, the city steaming miles away. Never thought you'd see the good life Let me tell you how it feels We can let our hearts be open, wide, so all our love will come through. Up and gone, we'll be moving on when the morning comes This is the way, I heard that it's supposed to be. I can almost see the flowers growing there taste the air We've waited awhile, I never thought we'd see the day. |
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4:01 |
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from Hall & Oates - Whole Oats (1987)
There's a thunder storm 'a brewin'
And the day is turning gray There ain't much to say about the weather The shower stall is leakin' And the ceiling's fallin' in And I'm getting twenty bills to every letter I've got to move myself out to the country I'm lookin' out for any place at all I'm gonna spend another Fall In Philadelphia A roving band of youths beat up on Johnny Everybody's gettin' richer sellin' that dope Say, the stolen bikes are gathering by the thousands Along with seven million people without a hope I guess I have to face the fact as real I think I feel my back up against the wall I'm gonna spend another Fall In Philadelphia |
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2:46 |
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from Hall & Oates - Whole Oats (1987)
Georgie was a skinny kid
Fond of angling, fonder of dangling his feet in the cool brook water While the Reverend's daughter Sat at his side and fluttered his face with the fuzz of a dandelion. Long about noontime Floating 'cross the field, Georgie heard the peel of a bell being rung by the parson Time for his lesson As much as he hated it, the preacher was teachin' him to play the accordion. "Don't go Georgie!" said the Reverend's daughter "When Daddy comes lookin' we can duck in the water." They both went out and dipped down to hide But the girl caught her locket on an underwater branch and the next thing she knew... she died Preacher was a sorry mess He was cryin', shoutin' 'bout her dyin' and livin' the eternal life Should 'a seen his wife Sobbin' on the ground as the wind rustled round and tickled the keys Made Georgie's accordion give an awful dyin' wheeze |
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3:20 |
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from Hall & Oates - Whole Oats (1987)
Funny how the times can change as fast as we can run
Sad to say we had to part when the fun had just begun Now he night is over And I'm waiting for the day we can be together And we can say Goodnight and Goodmorning From the Dark to the Dawning I can't believe that I'm in love and you're the one I can hear a song of love and our song has just begun When the music's over and we finally walk away We can walk together And we can say Goodnight and Goodmorning From the Dark to the Dawning |
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3:08 |
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from Hall & Oates - Whole Oats (1987)
Why don't you write me
Call me on the phone Send Western Union You can find me home I say I'm sorry I said I'm sorry You know I bled you Led you on a lie You say I fooled you Who's the fool tonight I say I'm sorry I said I'm sorry High Love in motion Walking on the ocean of your sorrow Round turned the tables Lost I am a man with no tomorrow Lopsided lovin' got me in the end Looks like I'm done in Now there's no pretending Ooh I'm sorry I said I'm sorry |
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3:21 |
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from Hall & Oates - Whole Oats (1987)
Would you work for a reason, Lazyman
Do your thoughts have expression, Lazyman Does life pass you by while you don't even try To grab hold of a minute and use all the time that's in it, Lazyman What's your latest excuse Lazyman Is your neck botherin' you, Lazyman You're content to rely on the talented guy Then you make a short edit and take all of the credit for the song Lazyman, you really bring me down Lazyman how can you lie around Won't you stop what you're doing And start doing something Lazyman Is your ass getting sore, Lazyman Sitting there on the floor, Lazyman At least write down your feeling Though it may not be appealing, The way you say it might be worth the time You never know |
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4:11 |
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from Hall & Oates - Whole Oats (1987)
Lilly, laughing lady,
does your smile disguise the tears inside? Lilly, lonely lady, only silhouette your happy side. You give yourself to men who take your love. Then smile and watch them walk away... Are you tired of giving Lilly? Are you really happy? Lilly, laughing lady, are you satisfied to live a lie? Lilly, lonely lady, is it in the stars for you to try? Do you fulfill yourself with lies and dreams? You seem contented with your life? Does it only gild the lilly or does it make you happy? |
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2:34 |
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from Hall & Oates - Whole Oats (1987)
Riding out along the river
stopping by the pines It's nice for someone speaking, to be heard, by heart and mind Lying on the needle floor the city seems so far Moving with your eyes and smile, your words told who you are Sunday grey, one window brings the morning and your words, like dawn, have opened up my eyes I've been on a sleepy ride without much time for thinking 'til I spent one evening by your Southeast City Window side Baby hair a blowin' in the Sunday morning air Dreaming on another place and time, wish we were there In your dreams you're far away and I'm right behind You know, it's nice for someone speaking. to be heard, by heart and mind |
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4:39 |
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from Hall & Oates - Whole Oats (1987)
Thank you for walking
Thank you for spending one day, with a stranger Good morning. Hello! Choose a color, carnation we'll walk along. Down round the pond, up the hill bricks and steeples it's not all gone... I recall Thank you for walking Thank you for spending one day, with a stranger Thank you for talking and showing the way to a stranger Wining and dining (what a September) from bags by the river ( I should've worn a sweater) a sun, sail, song (it's cooler up here) We sat on a wall (oh my) rest our feet (just a little longer) touch our noses then slow poke on... oh, I recall One red carnation the color for April and apples and wine I suppose it was white... but I needed the rhyme. As I packed up to leave oh, I noticed the fountain, the statue's hand. There in her bronzed, moistened, palm red carnation without you there... I recall |
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4:00 |
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from Hall & Oates - Whole Oats (1987)
They started as children and grew to be friends
He with his sculptor's hands she with her needle They went through some bitter times alone and together They were lovers and friends, but friends more than lovers Sharing each other with their own private worlds He knew that she needed him, he couldn't come He needed her, but she could not answer his needs He sculpted he form only both of them knew He yearned to finish before she would leave him forever But before he was finished, she disappeared And seized with sadness, he crumbled the statue to bits Form and friend, gone forever Both crumbled down to memory He knew that she needed him, he couldn't come He needed her, but she could not answer his needs |
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3:56 |
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from Hall & Oates - Whole Oats (1987)
I hear you call me, Waterwheel
Spin round, round in a circle Gracing my child dreams on fantasy hill Spin round, round in a circle Flash! paddles sending a spray to the air Lately, my thoughts are still- With you there as you spin round, Round in a boyhood daydream Spin round My thoughts are drifting to a quieter time (Spin round, round in a circle) Green covered slippery water-rocks I used to climb (Spin round, round in a circle) Father and child walking down by the canyon Lately, my thoughts are still- With them there as they spin round, Round in a boyhood daydream Spin round |
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| from Hall & Oates - Change of Season (1997) | |||||
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from Hall & Oates - Change of Season (1997)
I know what it's like to be forgotten Left alone with your simple dreams But even dreams are fading fast No one to turn to when you can't sleep at night Waking up to another day that will soon be over And if you think that time has forgotten you Well just look into my eyes And know the times we'll change Don't hold back your love I know it's here I wanna see it come to life before my eyes Don't hold back your love Show me your heart Cause I will always be here by your side Don't be mistaken there's still some work to do Gotta get up every single day Face the judge and jury No one will notice they've got their own lives We've got something they all want It'll be their surprise And if you think there is no place to run Just hold onto my hand And face whatever comes <chorus> One more chance to find the higher ground One more chance before the curtain's down One more night to turn your life around again |
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| from Hall & Oates - Change of Season (1997) | |||||
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| from Hall & Oates - Change of Season (1997) | |||||
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| from Hall & Oates - Change of Season (1997) | |||||
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| from Hall & Oates - Change of Season (1997) | |||||
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3:54 |
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from Hall & Oates - Change of Season (1997)
You push my buttons hard And don't even realize what you're doing is killing my soul Do you think I'm just some prize You can win and then discard after the thrill is gone? Well, listen then I ain't gonna take it this time I ain't gonna take that from anyone I ain't gonna take it this time Guess I'm gonna break out You know I try to please I lay awake at night Trying to find the words you'll understand But when I'm nothing but sincere I know you can't be hearing Cause you say it's more of the same Well, listen then <chorus> Do you think I'd ever try to fool you There are enough lies in the world You don't need mine If I can't win your heart and move you You must be blind |
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| from Hall & Oates - Change of Season (1997) | |||||
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from Hall & Oates - Change of Season (1997)
They met on the dance floor in the old high school gym,
He fell like a rock, she kinda liked him. And his heart beat like thunder, as they moved cross the floor, When the music was over, she slipped out of his arms, and out the door. Yeah a man loves a woman, but he can't understand, Why she's sad when she stares, at the ring on her hand. Or she sits in some club, where the long shadows fall. Drops a coin in the jukebox, not the phone on the wall. So close, yet so far away. So close, yet so far away. We believe in tomorrow, maybe more than today. Were so close, so close, yet so far away. Some people think, if you really believe, That's what you need to solve all the mysteries. Yea I know someone, who just heads for the sun, She says "I don't wanna be wise, I just wanna stay young". So close, yet so far away. So close, yet so far away. We believe in tomorrow, though were stuck in today. Baby were so close, so close, yet so far away. There's a restless look in your eye tonight. There's a secret hurt in my heart. And the dream that pulls us together girl, Is a dream, thats gonna tear us, tear us apart. There's a restless look in your eye tonight, Oh, are you lookinfor some way out of here. We gotta fight to keep it together girl, For the dream, that keeps us, So close, yet so far away. So close, yet so far away. Who would of thought girl that wed end up this way. Gettingso close, so close, So far away. Were living in a dream world. Yet were livintoday girl. Just you and me baby. Gotta try, gotta try, gotta try, gotta try, gotta try, gotta try, gotta try. |
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from Hall & Oates - Change of Season (1997)
They met on the dance floor in the old high school gym,
He fell like a rock, she kinda liked him. And his heart beat like thunder, as they moved cross the floor, When the music was over, she slipped out of his arms, and out the door. Yeah a man loves a woman, but he can't understand, Why she's sad when she stares, at the ring on her hand. Or she sits in some club, where the long shadows fall. Drops a coin in the jukebox, not the phone on the wall. So close, yet so far away. So close, yet so far away. We believe in tomorrow, maybe more than today. Were so close, so close, yet so far away. Some people think, if you really believe, That's what you need to solve all the mysteries. Yea I know someone, who just heads for the sun, She says "I don't wanna be wise, I just wanna stay young". So close, yet so far away. So close, yet so far away. We believe in tomorrow, though were stuck in today. Baby were so close, so close, yet so far away. There's a restless look in your eye tonight. There's a secret hurt in my heart. And the dream that pulls us together girl, Is a dream, thats gonna tear us, tear us apart. There's a restless look in your eye tonight, Oh, are you lookinfor some way out of here. We gotta fight to keep it together girl, For the dream, that keeps us, So close, yet so far away. So close, yet so far away. Who would of thought girl that wed end up this way. Gettingso close, so close, So far away. Were living in a dream world. Yet were livintoday girl. Just you and me baby. Gotta try, gotta try, gotta try, gotta try, gotta try, gotta try, gotta try. |
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| from Hall & Oates - Change of Season (1997) | |||||
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4:05 |
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from Hall & Oates - Change of Season (1997)
Starting all over again is gonna be rough, so rough
But we're gonna make it Starting all over as friends is gonna be rough, on us But we gotta face it We lost what we had That's why it hurt so bad It set us back a thousand years We're gonna make it up Though it's gonna be rough To erase all the hurt and tears Starting all over again is gonna be hard But I pray that the love will help us make it Starting all over again is gonna be slow But we both know that we can make it We gotta take life as it comes And never worry about who's right or wrong It's an uphill climb To the finish line We're gonna try to make it One more time Starting all over again is gonna be rough, so rough But we're gonna make it Starting all over as friends is gonna be tough, on us But we gotta face it Starting all over again is gonna be hard But I pray that the love will help us make it Starting all over again is gonna be slow We both know that we're gonna make it |
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3:40 |
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from Hall & Oates - Private Eyes (1997)
When you find yourself alone
and when going out is coming home you rely on "the kid" `cause there's nobody waiting around if you're not an easy mark it's a shot in the dark that hits the heart I know when it's coming (I thought so anyway) Some things stay the some and some are due for change I thought I had them all nailed down but you turned `em around You did you did it you did it you Did it in a minute it didn't take long Well I still can't say I know when a love is real or touch and go and if two can be one, who is the one two becomes am I quick enough to see when I'm ready and it's right for me say that I want it (I think so anyway) everybody always laughs at love but what they want is to be proven wrong then you came along and I did it |
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3:40 |
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from Hall & Oates - Private Eyes (1997)
When you find yourself alone and when going out is coming home you rely on "the kid" `cause there's nobody waiting around if you're not an easy mark it's a shot in the dark that hits the heart I know when it's coming (I thought so anyway) Some things stay the some and some are due for change I thought I had them all nailed down but you turned `em around You did you did it you did it you Did it in a minute it didn't take long Well I still can't say I know when a love is real or touch and go and if two can be one, who is the one two becomes am I quick enough to see when I'm ready and it's right for me say that I want it (I think so anyway) everybody always laughs at love but what they want is to be proven wrong then you came along and I did it |
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3:34 |
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from Hall & Oates - Private Eyes (1997)
Dial your number Tape reply: "I'm not at home right now, but leave your name And I will call you Friday Night. Call you Friday good bye." Hearing you and waiting make the days drag slowly On the phone, oh no the tape again Don't say not at home, no way Friday let me down tonight Weekend comes I try again I hear the same recording Hasn't changed "I'm not at home right now. Leave your name and I will call you." Friday let me down tonight. |
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3:34 |
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from Hall & Oates - Private Eyes (1997)
Dial your number Tape reply: "I'm not at home right now, but leave your name And I will call you Friday Night. Call you Friday good bye." Hearing you and waiting make the days drag slowly On the phone, oh no the tape again Don't say not at home, no way Friday let me down tonight Weekend comes I try again I hear the same recording Hasn't changed "I'm not at home right now. Leave your name and I will call you." Friday let me down tonight. |
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3:37 |
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from Hall & Oates - Private Eyes (1997)
Oceans emotions yeah we all feel the same Afraid of undertow and great tidal wave may go under many hundred of times keep on kickin', baby throw me a line C.C. Sick, Mai de Mer Try, try, try I'm holding on, holding my Head above water It's so hard to keep my Head Above Water No never envy the big fish in da Pond It's deep and dark when all the surface is gone My kind of humor kind of keeping me dry On the horizon, water touches the sky C. C. Sick, Mal de Mer Try, try, try I'm holding on, holding my Head Above Water It's so hard to keep my Head Above Water. |
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3:37 |
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from Hall & Oates - Private Eyes (1997)
Oceans emotions yeah we all feel the same Afraid of undertow and great tidal wave may go under many hundred of times keep on kickin', baby throw me a line C.C. Sick, Mai de Mer Try, try, try I'm holding on, holding my Head above water It's so hard to keep my Head Above Water No never envy the big fish in da Pond It's deep and dark when all the surface is gone My kind of humor kind of keeping me dry On the horizon, water touches the sky C. C. Sick, Mal de Mer Try, try, try I'm holding on, holding my Head Above Water It's so hard to keep my Head Above Water. |
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5:09 |
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from Hall & Oates - Private Eyes (1997)
Easy ready willing overtime When does it stop, where do you dare me to draw the line You got the body now you want my soul Don't even think about it say No Go Now I'll do anything you want me to I'll do almost anything that you want me to But I Can't Go For That No Can Do I can't go for being twice as nice I can't go for just repeating the some old lines Use the body now you want my soul Oo forget about it say No Go Yeah I'll do anything you want me to I'll do almost anything that you want me to But I Can't Go For That No Can Do. |
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5:09 |
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from Hall & Oates - Private Eyes (1997)
Easy ready willing overtime
When does it stop, where do you dare me to draw the line You got the body now you want my soul Don't even think about it say No Go Now I'll do anything you want me to I'll do almost anything that you want me to But I Can't Go For That No Can Do I can't go for being twice as nice I can't go for just repeating the some old lines Use the body now you want my soul Oo forget about it say No Go Yeah I'll do anything you want me to I'll do almost anything that you want me to But I Can't Go For That No Can Do. |
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6:06 |
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from Hall & Oates - Private Eyes (1997)
Easy ready willing overtime
When does it stop, where do you dare me to draw the line You got the body now you want my soul Don't even think about it say No Go Now I'll do anything you want me to I'll do almost anything that you want me to But I Can't Go For That No Can Do I can't go for being twice as nice I can't go for just repeating the some old lines Use the body now you want my soul Oo forget about it say No Go Yeah I'll do anything you want me to I'll do almost anything that you want me to But I Can't Go For That No Can Do. |
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3:57 |
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from Hall & Oates - Private Eyes (1997)
For days & days go up & go down
looking for a sign from you what you want where you goin' what you thinking about a lot of good it will do why are you fighting me why are you teasing me why are you wearing me if you're not at ease with me I'm Lookin' for a Good Sign I know that it might be a waste of my time I'm always Lookin' for a Good Sign I've gotta keep on tryin' Beware of the curves, always signal your turns soft shoulders slow you down, you know there are signs to explain all conditions on the way there's where to stop & which way to go why are you fighting me why are you teasing me why are you wearing me if you're not at ease with me I'm Lookin' for a Good Sign I know that it might be a waste of my time I'm always Lookin' for a Good Sign I've gotta keep on tryin' Well it's so hard to say if there's a better way should we have signed off before I've got a lot in my heart there's a light in your eyes don't you think that there could be some more. |
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3:57 |
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from Hall & Oates - Private Eyes (1997)
For days & days go up & go down looking for a sign from you what you want where you goin' what you thinking about a lot of good it will do why are you fighting me why are you teasing me why are you wearing me if you're not at ease with me I'm Lookin' for a Good Sign I know that it might be a waste of my time I'm always Lookin' for a Good Sign I've gotta keep on tryin' Beware of the curves, always signal your turns soft shoulders slow you down, you know there are signs to explain all conditions on the way there's where to stop & which way to go why are you fighting me why are you teasing me why are you wearing me if you're not at ease with me I'm Lookin' for a Good Sign I know that it might be a waste of my time I'm always Lookin' for a Good Sign I've gotta keep on tryin' Well it's so hard to say if there's a better way should we have signed off before I've got a lot in my heart there's a light in your eyes don't you think that there could be some more. |
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3:56 |
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from Hall & Oates - Private Eyes (1997)
See a lot of people walking around and around terra firma turned them upside down too scared to reach out maybe afraid of what they'll find but a hand stuck in a pocket come up empty every time Now you better believe the writing on the wall all for one one for all woman to woman and man to man face to face heart to heart hand to hand Mano a Mano Hand to Hand Mano a Mann See a lot of people fighting for the left or the right fighting people see black or white you'd like to go your way sure I'd like to go mine but we're all in this together running out of time Woman to woman and man to man heart to heart and hand to hand set on example for all the little boys and girls for the hand that rocks the cradle can rule the world Mano a Mano Hand to Hand Mano a Mano |
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3:56 |
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from Hall & Oates - Private Eyes (1997)
See a lot of people walking around and around
terra firma turned them upside down too scared to reach out maybe afraid of what they'll find but a hand stuck in a pocket come up empty every time Now you better believe the writing on the wall all for one one for all woman to woman and man to man face to face heart to heart hand to hand Mano a Mano Hand to Hand Mano a Mann See a lot of people fighting for the left or the right fighting people see black or white you'd like to go your way sure I'd like to go mine but we're all in this together running out of time Woman to woman and man to man heart to heart and hand to hand set on example for all the little boys and girls for the hand that rocks the cradle can rule the world Mano a Mano Hand to Hand Mano a Mano |
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3:37 |
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from Hall & Oates - Private Eyes (1997)
I see~ you
you see me Watch you blowin' the lines When you making a scene oh~ girl~ You've got to know~ what my head Over looks the senses will show To my heart when it's watching For lies~ you can't escape My~ private eyes they're watching you They see you every move Private eyes they're watching you Private eyes they're watching you Watching you watching you Watching you~~~ you play with words You play with love~~ you can twist it Around baby that ain't enough Cause girl~ I'm gonna know~ If you letting me in or letting me go Don't lie when you hurting Inside~ 'cause you can't escape My~ private eyes they're watching you They see your every move Baby private eyes they're watching you Private eyes they're watching you Watching you watching you Watching you~~~~~~ Ooh why you try to put up a front for me I'm a spy but on~ your side You see~ slip on into any disguise I still know you look into My private eyes they're watching you They see your every move Private eyes they're watching you Private eyes they're watching you Private eyes they're watching you~ They see your every move Private eyes they're watching you Private eyes they're watching you Private eyes ooh~ they're watching you Yeah they see your every move They see your private eyes They're watching you private eyes They're watching you private eyes They're watching every move Privte private private private private eyes They're watching you watching you ooh~ |
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3:37 |
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from Hall & Oates - Private Eyes (1997)
I see~ you you see me Watch you blowin' the lines When you making a scene oh~ girl~ You've got to know~ what my head Over looks the senses will show To my heart when it's watching For lies~ you can't escape My~ private eyes they're watching you They see you every move Private eyes they're watching you Private eyes they're watching you Watching you watching you Watching you~~~ you play with words You play with love~~ you can twist it Around baby that ain't enough Cause girl~ I'm gonna know~ If you letting me in or letting me go Don't lie when you hurting Inside~ 'cause you can't escape My~ private eyes they're watching you They see your every move Baby private eyes they're watching you Private eyes they're watching you Watching you watching you Watching you~~~~~~ Ooh why you try to put up a front for me I'm a spy but on~ your side You see~ slip on into any disguise I still know you look into My private eyes they're watching you They see your every move Private eyes they're watching you Private eyes they're watching you Private eyes they're watching you~ They see your every move Private eyes they're watching you Private eyes they're watching you Private eyes ooh~ they're watching you Yeah they see your every move They see your private eyes They're watching you private eyes They're watching you private eyes They're watching every move Privte private private private private eyes They're watching you watching you ooh~ |
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4:19 |
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from Hall & Oates - Private Eyes (1997)
Some Men call half way around the world if they've got a phone game to play Then again some men call their mom every day Old boys drink bad beer and throw the cans out in the street Playboys sit and sip red wine, some drink malt whiskey neat So if you can, you talk about Some Men If you can, you can talk about Some Men Baby if you can, you can talk about Some Men If you can, you can talk about Some Men Colonels collect animal heads and hang their guns up on the wall Corn balls watch television then pull a gun out in the hall Crew-cut rainbows hang on streets hoping they'll find a friend Odd balls running fast enough hope that they won't find their end So if you can, you can talk about Some Men Baby if you can, you can talk about Some Men Sleep all night work all day Work all night sleep all day Drink all night sick all day Sick all night drink all day Dream all night if you can We ain't soldiers so don't Generalize No categories because it takes all kinds You can sleep all night you can work all day You can trip all night peak all day If you can, you can talk about Some Men |
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4:19 |
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from Hall & Oates - Private Eyes (1997)
Some Men call half way around the world if they've got a phone game to play
Then again some men call their mom every day Old boys drink bad beer and throw the cans out in the street Playboys sit and sip red wine, some drink malt whiskey neat So if you can, you talk about Some Men If you can, you can talk about Some Men Baby if you can, you can talk about Some Men If you can, you can talk about Some Men Colonels collect animal heads and hang their guns up on the wall Corn balls watch television then pull a gun out in the hall Crew-cut rainbows hang on streets hoping they'll find a friend Odd balls running fast enough hope that they won't find their end So if you can, you can talk about Some Men Baby if you can, you can talk about Some Men Sleep all night work all day Work all night sleep all day Drink all night sick all day Sick all night drink all day Dream all night if you can We ain't soldiers so don't Generalize No categories because it takes all kinds You can sleep all night you can work all day You can trip all night peak all day If you can, you can talk about Some Men |
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3:52 |
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from Hall & Oates - Private Eyes (1997)
When I look in your eyes I can see there's more than passion there
Something ugly and lovely is tuning in just behind your stare Yeah, I've seen it before and I think that I'd know it anywhere So Tell Me girl What You Want I know you know Grin and bare it, no no I like what you're wearing You gotta leave it on all night As above so below so they say so can we do the Magick [sic] right Kiss and tell, when I know you so well there's no need to be polite That's right So Tell Me girl What You Want I know you know Take a position `cause you know I'm gonna listen to you Tell me Ain't no conditions, no there isn't baby ya don't have to sell me `Cause I love you and I want you tonight So Tell Me girl What You Want I know you know. |
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3:52 |
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from Hall & Oates - Private Eyes (1997)
When I look in your eyes I can see there's more than passion there Something ugly and lovely is tuning in just behind your stare Yeah, I've seen it before and I think that I'd know it anywhere So Tell Me girl What You Want I know you know Grin and bare it, no no I like what you're wearing You gotta leave it on all night As above so below so they say so can we do the Magick [sic] right Kiss and tell, when I know you so well there's no need to be polite That's right So Tell Me girl What You Want I know you know Take a position `cause you know I'm gonna listen to you Tell me Ain't no conditions, no there isn't baby ya don't have to sell me `Cause I love you and I want you tonight So Tell Me girl What You Want I know you know. |
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4:11 |
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from Hall & Oates - Private Eyes (1997)
Maybe I speak too soon Maybe I play too hard and I listen to major worries in a minor way you sent your message to me Made a move that I'd understand When you moved from a ticket in line To a room in L.A. There was a time spit second I could have said please Fool around and my guard was down by a few degrees An unguarded minute has an accident in it. I guess I should have tried a little bit Yeah, I could have changed I could be anything that ya want But it wouldn't be me Do anything that you say Use any thought to armor the way So do you love them man that I am, or what you want me to be I wanna hold you now but I can let you go So anytime you can do better just let me know An unguarded minute has an accident in it I wanna hold you tight. |
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