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from Wonder Boys (원더 보이즈) [ost] (2000)
Baby, I've been waiting,
I've been waiting night and day. I didn't see the time, I waited half my life away. There were lots of invitations and I know you sent me some, but I was waiting for the miracle, for the miracle to come. I know you really loved me. but, you see, my hands were tied. I know it must have hurt you, it must have hurt your pride to have to stand beneath my window with your bugle and your drum, and me I'm up there waiting for the miracle, for the miracle to come. Ah I don't believe you'd like it, You wouldn't like it here. There ain't no entertainment and the judgements are severe. The Maestro says it's Mozart but it sounds like bubble gum when you're waiting for the miracle, for the miracle to come. Waiting for the miracle There's nothing left to do. I haven't been this happy since the end of World War II. Nothing left to do when you know that you've been taken. Nothing left to do when you're begging for a crumb Nothing left to do when you've got to go on waiting waiting for the miracle to come. I dreamed about you, baby. It was just the other night. Most of you was naked Ah but some of you was light. The sands of time were falling from your fingers and your thumb, and you were waiting for the miracle, for the miracle to come. Ah baby, let's get married, we've been alone too long. Let's be alone together. Let's see if we're that strong. Yeah let's do something crazy, something absolutely wrong while we're waiting for the miracle, for the miracle to come. Nothing left to do ... When you've fallen on the highway and you're lying in the rain, and they ask you how you're doing of course you'll say you can't complain -- If you're squeezed for information, that's when you've got to play it dumb: You just say you're out there waiting for the miracle, for the miracle to come. Written by Leonard Cohen and Sharon Robinson |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed Everybody knows the war is over And everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor and the rich get rich That's how it goes And everybody knows Everybody knows that the boat is leaking Everybody knows the captain lied Everybody got this broken feeling That their father or their dog just died Everybody talkin' to their pockets Everybody wants a box of chocolates And a long stem rose And everybody knows ( chorus ) Everybody knows, everybody knows That's how it goes, and everybody Everybody knows that you love me baby Everybody knows that you really do Everybody knows that you've been faithful Give or take a night or two Everbody knows that you've been discret There were so many people you just had to meet Without your clothes And everybody knows Everybody knows that it's now or never Everybody knows that it's me or you Everybody knows that you live forever When you've done a line or two And everybody knows that the deal is rotten Old black joe's still pickin' cotton For your ribbons and bows And everybody knows ( chorus x2 ) Everbody knows that the plaque is comin' Everybody knows that it's movin' fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows that the scene is dead, But there's gonna be a meter on your bed That will disclose, What everybody knows Everybody knows that you're in trouble Everybody knows what you've been through From the bloody cross on top of calvary To the beach at malibu And everybody knows it's coming apart Take one last look at this sacred heart Before it blows, And everybody knows ( chorus ) |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Maybe I'm still hurting
I can't turn the other cheek But you know that I still love you It's just that I can't speak I looked for you in everyone And they called me on that too I lived alone but I was only Coming back to you Ah they're shutting down the |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Oh the sisters of mercy
They are not departed or gone They were waiting for me When I thought that I just can't go on And they brought me their comfort And later they brought me this song Oh I hope you run into them You who've been travelling so long. Yes, you who must leave everything That you cannot control It begins with your family But soon it comes around to your soul Well I've been where you're hanging I think I can see how you're pinned When you're not feeling holy Your loneliness says that you've sinned. Well they lay down beside me I made my confession to them They touched both my eyes And I touched the dew on their hem If your life is a leaf That the seasons tear off and condemn they will bind you with love That is graceful and green as a stem. When I left they were sleeping I hope you run into them soon Don't turn on the lights You can read their address by the moon And you won't make me jealous If I hear that they sweetened your night We weren't lovers like that And besides it would still be all right We weren't lovers like that And besides it would still be all right |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this The fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah Your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew her She tied you To a kitchen chair She broke your throne, and she cut your hair And from your lips she drew the Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah You say I took the name in vain I don't even know the name But if I did, well really, what's it to you? There's a blaze of light In every word It doesn't matter which you heard The holy or the broken Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah I did my best, it wasn't much I couldn't feel, so I tried to touch I've told the truth, I didn't come to fool you And even though It all went wrong I'll stand before the Lord of Song With nothing on my tongue but Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
It's four the morning
the end of December I'm writing you now, to see if you're better New York is cold, but I like where I'm living There's music on Clinton Street all through the evening I hear that you're building your little house deep in the desert You're living for nothing, though I hope you're keeping some kind of record, yes. Jane came by with a lock of your hair she said that you gave it to her on the night that you planned to go clear Did you ever go clear? Last time I saw you you looked so much older your famous blue raincoat was torn at the shoulder I went to the station to meet every train but you came home alone without Lily Marlen You treated my woman to a flake of your life and when she came back she was nobody's wife, well I see you there with a rose in your teeth jut one more thin gypsy thief I see Jane's awake She sends her regards. What can I tell you my brother, my killer what can I possibly say I guess that I miss you I guess I forgive you I'm glad you stood in my way If you ever come by here for Jane or for me Well, your enemy is sleeping now and his woman is free, well Thanks for the trouble you took from her eyes I thought it was there for good so I never tried And Jane came by with a lock of your hair She said that she gave it to her on the night that you planned to go clear Sincerely, L. Cohen |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Leonard Cohen - Ain't No Cure For Love Lyrics I loved you for a long, long time I know this love is real It don't matter how it all went wrong That don't change the way I feel And I can't believe that time's Gonna heal this wound I'm speaking of There ain't no cure, There ain't no cure, There ain't no cure for love I'm aching for you baby I can't pretend I'm not I need to see you naked In your body and your thought I've got you like a habit And I'll never get enough There ain't no cure, There ain't no cure, There ain't no cure for love There ain't no cure for love There ain't no cure for love All the rocket ships are climbing through the sky The holy books are open wide The doctors working day and night But they'll never ever find that cure for love There ain't no drink no drug (Ah tell them, angels) There's nothing pure enough to be a cure for love I see you in the subway and I see you on the bus I see you lying down with me, I see you waking up I see your hand, I see your hair Your bracelets and your brush And I call to you, I call to you But I don't call soft enough There ain't no cure, There ain't no cure, There ain't no cure for love I walked into this empty church I had no place else to go When the sweetest voice I ever heard, whispered to my soul I don't need to be forgiven for loving you so much It's written in the scriptures It's written there in blood I even heard the angels declare it from above There ain't no cure, There ain't no cure, There ain't no cure for love There ain't no cure for love There ain't no cure for love All the rocket ships are climbing through the sky The holy books are open wide The doctors working day and night But they'll never ever find that cure, That cure for love |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
If you want a lover I'll do anything you ask me to And if you want another kind of love I'll wear a mask for you If you want a partner, hold my hand If you want to strike me down in anger Here I stand Baby I'm your man If you want a boxer I will step into the ring for you And if you want a doctor I'll examine every inch of you If you want a driver, climb inside Or if you want to take me for a ride You know you can Baby I'm your man The moon's too bright The chain's too tight The beast won't go to sleep I've been running through these promises to you That I made and I could not keep But a man never got a woman back Not by begging on his knees Or I'd crawl to you baby I'd fall at your feet And I'd howl at your beauty Like a dog in heat And I'd claw at your heart And I'd tear at your sheet I'd say please I'm your man And if you gotta sleep a moment on the road I will steer for you And if yo want to work the street alone I'll disappear for you If you want a father for your child Or only want to walk with me a while Across the sand Baby I'm your man I'm your man If you want a lover, I'm your man If you want a boxer, I'm your man If you want a doctor, I'm your man |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Leonard Cohen Like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, like a beast with his horn I have torn everyone who reached out for me. But I swear by this song and by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, he said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, she cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Suzanne takes you down to her place near the river
You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind. |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
She stands before you naked
You can see it, you can taste it But she comes to you Light as the breeze You can drink or you can nurse it It don't matter how you worship As long as you're Down on your knees So I knelt there at the delta At the alpha and the omega At the cradle of the river And the seas And like a blessing come from heaven, For something like a second, I was healed, and my heart Was at ease O baby I waited So long for your kiss For something to happen Oh - something like this And you're weak and you're harmless And you're sleeping in your harness And the wind going wild In the trees And it's not exactly prison But you'll never be forgiven For whatever you've done With the keys O baby I waited So long for your kiss For something to happen Oh - something like this It's dark and it's snowing Oh my love I must be going The river is starting to freeze And I'm sick of pretending I'm broken from bending I've lived too long On my knees And she dances so graceful And your heart's hard and hateful And she's naked But that's just a tease And you turn in disgust From your hatred and from your love And she comes to you Light as the breeze O baby I waited So long for your kiss For something to happen Oh - something like this There's blood on every bracelet You can see it, you can taste it And it's please baby Please baby please And she says, drink deeply, pilgrim But don't forget there's still a woman Beneath this Resplendent chemise So I knelt at the delta At the alpha and the omega I knelt there Like one who believes And like a blessing come from heaven For something like a second I was cured, and my heart Was at ease O baby I waited So long for your kiss For something to happen Oh - something like this |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995) | |||||
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Story of Isaac
The door it opened slowly, my father he came in, I was nine years old. And he stood so tall above me, his blue eyes they were shining and his voice was very cold. He said, "I've had a vision and you know I'm strong and holy, I must do what I've been told." So he started up the mountain, I was running, he was walking, and his axe was made of gold. Well, the trees they got much smaller, the lake a lady's mirror, we stopped to drink some wine. Then he threw the bottle over. Broke a minute later and he put his hand on mine. Thought I saw an eagle but it might have been a vulture, I never could decide. Then my father built an altar, he looked once behind his shoulder, he knew I would not hide. You who build these altars now to sacrifice these children, you must not do it anymore. A scheme is not a vision and you never have been tempted by a demon or a god. You who stand above them now, your hatchets blunt and bloody, you were not there before, when I lay upon a mountain and my father's hand was trembling with the beauty of the word. And if you call me brother now, forgive me if I inquire, "Just according to whose plan?" When it all comes down to dust I will kill you if I must, I will help you if I can. When it all comes down to dust I will help you if I must, I will kill you if I can. And mercy on our uniform, man of peace or man of war, the peacock spreads his fan. |
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from Leonard Cohen - Tower Of Song : The Songs Of Leonard Cohen [tribute] (1995)
Maybe I'm still hurting
I can't turn the other cheek But you know that I still love you It's just that I can't speak I looked for you in everyone And they called me on that too I lived alone but I was only Coming back to you Ah they're shutting down the |
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from Leonard Cohen - Dear Heater (2004)
So we'll go no more a-roving
So late into the night Though the heart be still as loving And the moon be still as bright For the sword outwears its sheath And the soul outwears the breast And the heart must pause to breathe And love itself have rest Though the night was made for loving And the day returns too soon Yet we'll go no more a-roving By the light of the moon |
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from Leonard Cohen - Dear Heater (2004)
Because of a few songs
Wherein I spoke of their mystery Women have been Exceptionally kind To my old age They make a secret place In their busy lives And they take me there They become naked In their different ways and they say "Look at me, Leonard Look at me one last time." Then they bend over the bed And cover me up Like a baby that is shivering |
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from Leonard Cohen - Dear Heater (2004)
You never liked to get
The letters that I sent But now you've got the gist Of what my letters meant You're reading them again The ones you didn't burn You press them to your lips My pages of concern I said there'd been a flood I said there's nothing left I hoped that you would come I gave you my address Your story was so long The plot was so intense It took you years to cross The lines of self-defense The wounded forms appear The loss, the full extent And simple kindness here The solitude of strength You walk into my room You stand there at my desk Begin your letter to The one who's coming next |
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from Leonard Cohen - Dear Heater (2004)
I set out one night
When the tide was low There were signs in the sky But I did not know I'd be caught in the grip Of the undertow Ditched on a beach Where the sea hates to go With a child in my arms And a chill in my soul And my heart the shape Of a begging bowl |
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from Leonard Cohen - Dear Heater (2004)
No words this time?
No words No, there are times when nothing can be done Not this time Is it censorship? Is it censorship? No, it's evaporation No, it's evaporation Is this leading somewhere? Yes We're going down the lane Is this going somewhere? Into the garden Into the backyard We're walking down the driveway Are we moving towards We're in the backyard Some transcendental moment? It's almost light That's right That's it Are we moving towards some transcendental moment? That's right That's it Do you think you'll be able to pull it off? Yes. Do you think you can pull it off? Yes, it might happen I'm all ears I'm all ears Oh the morning glory! |
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from Leonard Cohen - Dear Heater (2004)
Some people say
It's what we deserve For sins against g-d For crimes in the world I wouldn't know I'm just holding the fort Since that day They wounded New York Some people say They hate us of old Our women unveiled Our slaves and our gold I wouldn't know I'm just holding the fort But answer me this I won't take you to court Did you go crazy Or did you report On that day On that day They wounded New York |
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from Leonard Cohen - Dear Heater (2004)
From bitter searching of the heart
Quickened with passion and with pain We rise to play a greater part This is the faith from which we start Men shall know commonwealth again From bitter searching of the heart We loved the easy and the smart But now, with keener hand and brain We rise to play a greater part The lesser loyalties depart And neither race nor creed remain From bitter searching of the heart Not steering by the venal chart That tricked the mass for private gain We rise to play a greater part Reshaping narrow law and art Whose symbols are the millions slain From bitter searching of the heart We rise to play a greater part This is the faith from which we start Men shall know commonwealth again From bitter searching of the heart We rise to play a greater part The lesser loyalties depart And neither race nor creed remain From bitter searching of the heart We rise to play a greater part Reshaping narrow law and art Whose symbols are the millions slain From bitter searching of the heart We rise to play a greater part This is the faith from which we start Men shall know commonwealth again From bitter searching of the heart We rise to play a greater part This is the faith from which we start Men shall know commonwealth again From bitter searching of the heart We rise to play a greater part Not steering by the venal chart That tricked the mass for private gain We rise to play a greater part Reshaping narrow law and art Whose symbols are the millions slain From bitter searching of the heart We rise to play a greater part |
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from Leonard Cohen - Dear Heater (2004)
When it all went down
And the pain came through I get it now I was there for you Don't ask me how I know it's true I get it now I was there for you I make my plans Like I always do But when I look back I was there for you I walk the streets Like I used to do And I freeze with fear But I'm there for you I see my life In full review It was never me It was always you You sent me here You sent me there Breaking things I can't repair Making objects Out of thoughts Making more By thinking not Eating food And drinking wine A body that I thought was mine Dressed as Arab Dressed as Jew O mask of iron I was there for you Moods of glory Moods so foul The world comes through A bloody towel And death is old But it's always new I freeze with fear And I'm there for you I see it clear I always knew It was never me I was there for you I was there for you My darling one And by your law It all was done Don't ask me how I know it's true I get it now I was there for you Don't ask me how I know it's true I get it now I was there for you Don't ask me how I know it's true I get it now I was there for you |
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from Leonard Cohen - Dear Heater (2004)
Dear Heather
Please walk by me again With a drink in your hand And your legs all white From the winter And your legs all white From the winter Dear Heather Please walk by me again With a drink in your hand And your legs all white From the winter And your legs all white From the winter And your legs all white From the winter Dear Heather Please walk by me again With a drink in your hand And your legs all white From the winter And your legs all white From the winter And your legs all white From the winter Dear Heather Please walk by me again With a drink in your hand And your legs all white From the winter And your legs all white From the winter |
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from Leonard Cohen - Dear Heater (2004)
I built my house beside the wood
So I could hear you singing And it was sweet and it was good And love was all beginning Fare thee well my nightingale It was long ago I found you Now all your songs of beauty fail The forest closes around you The sun goes down behind a veil It is now that you would call me So rest in peace my nightingale Beneath your branch of holly Fare thee well my nightingale It was long ago I found you Now all your songs of beauty fail The forest closes around you Fare thee well my nightingale I lived but to be near you Tho' you are singing somewhere still I can no longer hear you |
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from Leonard Cohen - Dear Heater (2004)
Hurt once and for all into silence
A long pain ending without a song to prove it Who could stand beside you so close to Eden When you glinted in every eye the held-high razor, shivering every ram and son? And now the silent loony bin, where The shadows live in the rafters like Day-weary bats Until the turning mind, a radar signal Lures them to exaggerate Mountain-size on the white stone wall Your tiny limp How can I leave you in such a house? Are there no more saints and wizards To praise their ways with pupils No more evil to stun with the slap Of a wet red tongue? Did you confuse the Messiah in a mirror And rest because he had finally come? Let me cry Help beside you, Teacher I have entered under this dark roof As fearlessly as an honoured son Enters his father's house |
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from Leonard Cohen - Dear Heater (2004) | |||||
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from Leonard Cohen - Dear Heater (2004)
I was dancing with my darlin'
To the Tennessee Waltz When an old friend I happened to see Introduced him to my loved one And while they were waltzing My friend stole my sweetheart from me I remember the night and the Tennessee Waltz Now I know just how much I have lost Yes I lost my little darlin' The night they were playing The beautiful Tennessee Waltz She comes dancing through the darkness To the Tennessee Waltz And I feel like I'm falling apart And it's stronger than drink And it's deeper than sorrow This darkness she's left in my heart |
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from I Write The Songs: 36 Singer Songwriters Performing... (2005)
Suzanne takes you down to her place near the river
You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind. |
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from Scent Of Wine: Rosetta (2005)
It's four in the morning, the end of December
I'm writing you now just to see if you're better New York is cold, but I like where I'm living There's music on Clinton Street all through the evening. I hear that you're building your little house deep in the desert You're living for nothing now, I hope you're keeping some kind of record. Yes, and Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear Did you ever go clear? Ah, the last time we saw you you looked so much older Your famous blue raincoat was torn at the shoulder You'd been to the station to meet every train And you came home without Lili Marlene And you treated my woman to a flake of your life And when she came back she was nobody's wife. Well I see you there with the rose in your teeth One more thin gypsy thief Well I see Jane's awake -- She sends her regards. And what can I tell you my brother, my killer What can I possibly say? I guess that I miss you, I guess I forgive you I'm glad you stood in my way. If you ever come by here, for Jane or for me Your enemy is sleeping, and his woman is free. Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried. And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear -- |
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from The Edukators (에쥬케이터) by Andreas Wodraschke [ost] (2005)
Oh the sisters of mercy, they are not departed or gone.
They were waiting for me when I thought that I just can't go on. And they brought me their comfort and later they brought me this song. Oh I hope you run into them, you who've been travelling so long. Yes you who must leave everything that you cannot control. It begins with your family, but soon it comes around to your soul. Well I've been where you're hanging, I think I can see how you're pinned: When you're not feeling holy, your loneliness says that you've sinned. Well they lay down beside me, I made my confession to them. They touched both my eyes and I touched the dew on their hem. If your life is a leaf that the seasons tear off and condemn they will bind you with love that is graceful and green as a stem. When I left they were sleeping, I hope you run into them soon. Don't turn on the lights, you can read their address by the moon. And you won't make me jealous if I hear that they sweetened your night: We weren't lovers like that and besides it would still be all right, We weren't lovers like that and besides it would still be all right. |
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from 김현주의 비오는 거리 (2006)
It's four in the morning, the end of December
I'm writing you now just to see if you're better New York is cold, but I like where I'm living There's music on Clinton Street all through the evening. I hear that you're building your little house deep in the desert You're living for nothing now, I hope you're keeping some kind of record. Yes, and Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear Did you ever go clear? Ah, the last time we saw you you looked so much older Your famous blue raincoat was torn at the shoulder You'd been to the station to meet every train And you came home without Lili Marlene And you treated my woman to a flake of your life And when she came back she was nobody's wife. Well I see you there with the rose in your teeth One more thin gypsy thief Well I see Jane's awake -- She sends her regards. And what can I tell you my brother, my killer What can I possibly say? I guess that I miss you, I guess I forgive you I'm glad you stood in my way. If you ever come by here, for Jane or for me Your enemy is sleeping, and his woman is free. Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried. And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear -- |
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988)
Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed Everybody knows the war is over Everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor, the rich get rich That's how it goes, everybody knows Everybody knows that the boat is leaking Everybody knows that the captain lied Everybody got this broken feeling Like their father or their dog just died Everybody talking to their pockets Everybody wants a box of chocolates And a long stem rose, everybody knows Everybody knows that you love me, baby Everybody knows that you really do Everybody knows that you've been faithful Ah, give or take a night or two Everybody knows you've been discreet But there were so many people you just had to meet Without your clothes and everybody knows Everybody knows, everybody knows That's how it goes, everybody knows Everybody knows, everybody knows That's how it goes, everybody knows And everybody knows that it's now or never Everybody knows that it's me or you And everybody knows that you live forever Ah, when you've done a line or two Everybody knows the deal is rotten Old Black Joe's still pickin' cotton For your ribbons and bows and everybody knows And everybody knows that the plague is coming Everybody knows that it's moving fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows the scene is dead But there's gonna be a meter on your bed That will disclose what everybody knows And everybody knows that you're in trouble Everybody knows what you've been through From the bloody cross on top of Calvary To the beach of Malibu Everybody knows it's coming apart Take one last look at this sacred heart Before it blows and everybody knows And everybody knows, everybody knows That's how it goes, everybody knows Everybody knows, everybody knows That's how it goes, oh, everybody knows Everybody knows, everybody knows That's how it goes, everybody knows Everybody knows |
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988)
Oh, the sisters of mercy
They are not departed or gone They were waiting for me When I thought that I just can't go on And they brought me their comfort And later they brought me this song Oh, I hope you run into them You, who've been traveling so long Yes, you who must leave everything That you cannot control It begins with your family But soon it comes around to your soul Well, I've been where you're hanging And I think, I can see how you're pinned When you're not feeling holy Your loneliness says, that you've sinned Well, they lay down beside me I made my confessions to them They touched both my eyes And I touched the dew on their hem If your life is a leaf That the seasons tear off and condemn They will bind you with love That is graceful and green as a stem When I left they were sleeping And I hope you run into them soon Don't turn on the lights You can read their address by the moon And you won't make me jealous If I find that they've sweetened your night We weren't lovers like that And besides it would still be all right We weren't lovers like that And besides it would still be all right |
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from Herbie Hancock - River: The Joni Letters (2007)
Rousseau walks on trumpet paths
Safaris to the heart of all that jazz Through I bars and girders-through wires and pipes The mathematic circuits of the modern nights Through huts, through Harlem, through jails and gospel pews Through the class on Park and the trash on Vine Through Europe and the deep deep heart of Dixie blue Through savage progress cuts the jungle line In a low-cut blouse she brings the beer Rousseau paints a jungle flower behind her ear Those cannibals-of shuck and jive They'll eat a working girl like her alive With his hard-edged eye and his steady hand He paints the cellar full of ferns and orchid vines And he hangs a moon above a five-piece band He hangs it up above the jungle line The jungle line, the jungle line Screaming in a ritual of sound and time Floating, drifting on the air-conditioned wind And drooling for a taste of something smuggled in Pretty women funneled through valves and smoke Coy and bitchy, wild and fine And charging elephants and chanting slaving boats Charging, chanting down the jungle line There's a poppy wreath on a soldier's tomb There's a poppy snake in a dressing room Poppy poison-poppy tourniquet It slithers away on brass like mouthpiece spit And metal skin and ivory birds Go steaming up to Rousseau's vines They go steaming up to Brooklyn Bridge Steaming, steaming, steaming up the jungle line |
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from Love At Large (사설 탐정 해리) by Mark Isham [ost] (1990)
I loved you for a long, long time
I know this love is real It don't matter how it all went wrong That don't change the way I feel And I can't believe that time's Gonna heal this wound I'm speaking of There ain't no cure, There ain't no cure, There ain't no cure for love I'm aching for you baby I can't pretend I'm not I need to see you naked In your body and your thought I've got you like a habit And I'll never get enough There ain't no cure, There ain't no cure, There ain't no cure for love There ain't no cure for love There ain't no cure for love All the rocket ships are climbing through the sky The holy books are open wide The doctors working day and night But they'll never ever find that cure for love There ain't no drink no drug (Ah tell them, angels) There's nothing pure enough to be a cure for love I see you in the subway and I see you on the bus I see you lying down with me, I see you waking up I see your hand, I see your hair Your bracelets and your brush And I call to you, I call to you But I don't call soft enough There ain't no cure, There ain't no cure, There ain't no cure for love I walked into this empty church I had no place else to go When the sweetest voice I ever heard, whispered to my soul I don't need to be forgiven for loving you so much It's written in the scriptures It's written there in blood I even heard the angels declare it from above There ain't no cure, There ain't no cure, There ain't no cure for love There ain't no cure for love There ain't no cure for love All the rocket ships are climbing through the sky The holy books are open wide The doctors working day and night But they'll never ever find that cure, That cure for love |
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from Leonard Cohen - I'm Your Man (1988)
They sentenced me to twenty years of boredom For trying to change the system from within I'm coming now, I'm coming to reward them First we take Manhattan, then we take Berlin I'm guided by a signal in the heavens I'm guided by this birthmark on my skin I'm guided by the beauty of our weapons First we take Manhattan, then we take Berlin I'd really like to live beside you, baby I love your body and your spirit and your clothes But you see that line there moving through the station? I told you, I told you, told you, I was one of those Ah you loved me as a loser, but now you're worried that I just might win You know the way to stop me, but you don't have the discipline How many nights I prayed for this, to let my work begin First we take Manhattan, then we take Berlin I don't like your fashion business mister And I don't like these drugs that keep you thin I don't like what happened to my sister First we take Manhattan, then we take Berlin I'd really like to live beside you, baby ... I love your body and your spirit and your clothes But you see that line there moving through the station? I told you, I told you, told you, I was one of those And I thank you for those items that you sent me The monkey and the plywood violin I practiced every night, now I'm ready First we take Manhattan, then we take Berlin I am guided Ah remember me, I used to live for music Remember me, I brought your groceries in Well it's Father's Day and everybody's wounded First we take Manhattan, then we take Berlin |
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from Leonard Cohen - I'm Your Man (1988)
I loved you for a long, long time
I know this love is real It don't matter how it all went wrong That don't change the way I feel And I can't believe that time's Gonna heal this wound I'm speaking of There ain't no cure, There ain't no cure, There ain't no cure for love I'm aching for you baby I can't pretend I'm not I need to see you naked In your body and your thought I've got you like a habit And I'll never get enough There ain't no cure, There ain't no cure, There ain't no cure for love There ain't no cure for love There ain't no cure for love All the rocket ships are climbing through the sky The holy books are open wide The doctors working day and night But they'll never ever find that cure for love There ain't no drink no drug (Ah tell them, angels) There's nothing pure enough to be a cure for love I see you in the subway and I see you on the bus I see you lying down with me, I see you waking up I see your hand, I see your hair Your bracelets and your brush And I call to you, I call to you But I don't call soft enough There ain't no cure, There ain't no cure, There ain't no cure for love I walked into this empty church I had no place else to go When the sweetest voice I ever heard, whispered to my soul I don't need to be forgiven for loving you so much It's written in the scriptures It's written there in blood I even heard the angels declare it from above There ain't no cure, There ain't no cure, There ain't no cure for love There ain't no cure for love There ain't no cure for love All the rocket ships are climbing through the sky The holy books are open wide The doctors working day and night But they'll never ever find that cure, That cure for love |
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from Leonard Cohen - I'm Your Man (1988)
Everybody knows that the dice are loaded 모두들 알아 주사위가 던져진것을 Everybody rolls with their fingers crossed 모두들 행운을 빌며 던지지 Everybody knows that the war is over 모두들 알아 전쟁이 끝났다는 것을 Everybody knows the good guys lost 모두들 알아 선인이 졌다는 것을 Everybody knows the fight was fixed 모두들 알아 싸움은 짜고했다는 것을 The poor stay poor, the rich get rich 가난한자는 계속 가난하고 부자는 더 부(富)를 얻어 That's how it goes 그런건지 Everybody knows 모두들 알아 Everybody knows that the boat is leaking 모두들 알아 배가 물이 새고 있다는 것을 Everybody knows that the captain lied 모두들 알아 선장이 거짓말을 했다는 것을 Everybody got this broken feeling Like their father or their dog just died 모두들 마치 자신의 아버지나 개가 죽은 것과 같은 이 부서진 감정 (상심)을 갖고 있어 Everybody talking to their pockets 모두들 자신의 주머니(지갑)에 대고 말하지 Everybody wants a box of chocolates And a long stem rose 모두들 초코렛 한상자와 긴 줄기의 장미를 원하지 Everybody knows 모두들 알아 Everybody knows that you love me baby 모두들 알아 당신이 나를 사랑한다는 것을 Everybody knows that you really do 모두들 알아 당신이 정말로 나를 사랑한다는 것을 Everybody knows that you've been faithful 모두들 알아 당신이 충실했다는 것을 (=바람을 피우지 않았음을) Ah give or take a night or two 아, 하루밤 혹은 이틀밤은 제외하고 말이야. Everybody knows you've been discreet 모두들 알아 당신이 분별이 있다는 것을 But there were so many people you just had to meet 그러나 당신이 단지 만나야 할 사람들이 많았던 거지 Without your clothes 옷을 입지 않고 말이야 And everybody knows 그리고 모두들 알아 Everybody knows, everybody knows 모두들 알아, 모두들 알아 That's how it goes 그런거지 Everybody knows 모두들 알아 Everybody knows, everybody knows 모두들 알아, 모두들 알아 That's how it goes 그런거지 Everybody knows 모두들 알아 And everybody knows that it's now or never 모두들 알아 지금 아니면 영원히 못한다는 것을 (지금이야말로 절호의 기회라는 것을) Everybody knows that it's me or you 모두들 알아 그것은 당신 이거나 나라는 것을 And everybody knows that you live forever 모두들 알아 당신이 영원히 산다는 것을 Ah when you've done a line or two 아, 당신이 한마디 혹은 두마디를 끝마쳤을 때말야. Everybody knows the deal is rotten 모두들 알아 거래는 부패하다는 것을 Old Black Joe's still pickin' cotton 늙은 흑인 조는 아직 목화를 따지 For your ribbons and bows 당신의 리본과 화살을 위해 And everybody knows 그래 모두들 알아 And everybody knows that the Plague is coming 모두들 알아 재앙이 오고 있다는 것을 Everybody knows that it's moving fast 모두들 알아 그게 (재앙) 빨리 다가온다는 것을 Everybody knows that the naked man and woman Are just a shining artifact of the past 모두들 알아 벌거벗은 남자와 여자는 과거의 빛나는 유물일 뿐이라는 것을 Everybody knows the scene is dead 모두들 알아 그 장면이 죽었다는 것을 But there's gonna be a meter on your bed 그러나 당신 침대의 미터기가 될 거야 That will disclose What everybody knows 모두들 알고 있는 걸 폭로할 그런 미터기 And everybody knows that you're in trouble 모두들 알아 당신은 곤경에 빠진 것을 Everybody knows what you've been through 모두들 알아 당신이 어떤 일을 겪었는지 From the bloody cross on top of Calvary 골고다 꼭대기의 피의 십자가에서부터 To the beach of Malibu 말리부의 해변까지 Everybody knows it's coming apart 모두들 알아 부서지고 있다는 것을 Take one last look at this Sacred Heart (그리스도의) 성심을 마지막으로 한번봐봐 Before it blows 바람에 날리기 전에 And everybody knows 그래 모두들 알아 Everybody knows, everybody knows 모두들 알아, 모두들 알아 That's how it goes 그런거지 Everybody knows 모두들 알아 |
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from Leonard Cohen - I'm Your Man (1988)
If you want a lover
I'll do anything you ask me to And if you want another kind of love I'll wear a mask for you If you want a partner Take my hand or if you want to strike me down in anger Here I stand I'm your man If you want a boxer I will step into the ring for you And if you want a doctor I'll examine every inch of you If you want a driver Climb inside Or if you want to take me for a ride You know you can I'm your man Ah the moon's too bright The chain's too tight The beast won't go to sleep I've been running through these promises to you That I made and I could not keep Ah but a man never got a woman back Not by begging on his knees Or I'd crawl to you baby And I'd fall at your feet And I'd howl at your beauty Like a dog in heat And I'd claw at your heart And I'd tear at your sheet I'd say please please I'm your man And if you've got to sleep a moment on the road I will steer for you And if you want to work the street alone I'll disappear for you If you want a father for your child Or only want to walk with me a while Across the sand I'm your man If you want a lover I'll do anything that you ask me to And if you want another kind of love |
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from Leonard Cohen - I'm Your Man (1988)
Now in Vienna there's ten pretty women There's a shoulder where Death comes to cry There's a lobby with nine hundred windows There's a tree where the doves go to die There's a piece that was torn from the morning And it hangs in the Gallery of Frost Ay, Ay, Ay, Ay Take this waltz, take this waltz Take this waltz with the clamp on its jaws Oh I want you, I want you, I want you On a chair with a dead magazine In the cave at the tip of the lily In some hallways where love's never been On a bed where the moon has been sweating In a cry filled with footsteps and sand Ay, Ay, Ay, Ay Take this waltz, take this waltz Take its broken waist in your hand This waltz, this waltz, this waltz, this waltz With its very own breath of brandy and Death Dragging its tail in the sea There's a concert hall in Vienna Where your mouth had a thousand reviews There's a bar where the boys have stopped talking They've been sentenced to death by the blues Ah, but who is it climbs to your picture With a garland of freshly cut tears? Ay, Ay, Ay, Ay Take this waltz, take this waltz Take this waltz it's been dying for years There's an attic where children are playing Where I've got to lie down with you soon In a dream of Hungarian lanterns In the mist of some sweet afternoon And I'll see what you've chained to your sorrow All your sheep and your lilies of snow Ay, Ay, Ay, Ay Take this waltz, take this waltz With its "I'll never forget you, you know!" This waltz, this waltz, this waltz, this waltz ... With its very own breath of brandy and Death Dragging its tail in the sea And I'll dance with you in Vienna I'll be wearing a river's disguise The hyacinth wild on my shoulder, My mouth on the dew of your thighs And I'll bury my soul in a scrapbook, With the photographs there, and the moss And I'll yield to the flood of your beauty My cheap violin and my cross And you'll carry me down on your dancing To the pools that you lift on your wrist Oh my love, Oh my love Take this waltz, take this waltz It's yours now. It's all that there is |
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from Leonard Cohen - I'm Your Man (1988)
Jazz Police Can you tell me why the bells are ringing? Nothing's happened in a million years I've been sitting here since Wednesday morning Wednesday morning can't believe my ears Jazz police are looking through my folders Jazz police are talking to my niece Jazz police have got their final orders Jazzer, drop your axe, it's Jazz police! Jesus taken serious by the many Jesus taken joyous by a few Jazz police are paid by J.P. Getty Jazzers paid by J. Paul Getty II Jazz police I hear you calling Jazz police I feel so blue Jazz police I think I'm falling, I'm falling for you Wild as any freedom loving racist I applaud the actions of the chief Tell me now oh beautiful and spacious Am I in trouble with the Jazz police? Jazz police are looking through my folders ... They will never understand our culture They'll never understand the Jazz police Jazz police are working for my mother Blood is thicker margarine than grease Let me be somebody I admire Let me be that muscle down the street Stick another turtle on the fire Guys like me are mad for turtle meat Jazz police I hear you calling Jazz police I feel so blue Jazz police I think I'm falling, I'm falling for you |
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from Leonard Cohen - I'm Your Man (1988)
I stumbled out of bed I got ready for the struggle I smoked a cigarette and I tightened up my gut I said this can't be me, must be my double And I can't forget, I can't forget, I can't forget But I don't remember what I'm burning up the road I'm heading down to Phoenix I got this old address of someone that I knew It was high and fine and free Ah you should have seen us And I can't forget, I can't forget, I can't forget But I don't remember who I'll be there today with a big bouquet of cactus I got this rig that runs on memory And I promise, cross my heart, they'll never catch us But it they do just tell them it was me I loved you all my life, and that's how I want to end it The summer's almost gone The winter's tuning up Yeah, the summer s gone but a lot goes on forever And I can't forget, I can't forget, I can't forget But I don't remember what |
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from Leonard Cohen - I'm Your Man (1988)
Well my friends are gone and my hair is grey I ache in the places where I used to play And I'm crazy for love but I'm not coming on I'm just paying my rent every day Oh in the Tower of Song I said to Hank Williams: how lonely does it get? Hank Williams hasn't answered yet But I hear him coughing all night long A hundred floors above me In the Tower of Song I was born like this, I had no choice I was born with the gift of a golden voice And twenty-seven angels from the Great Beyond They tied me to this table right here In the Tower of Song So you can stick your little pins in that voodoo doll I'm very sorry, baby, doesn't look like me at all I'm standing by the window where the light is strong Ah they don't let a woman kill you Not in the Tower of Song Now you can say that I've grown bitter but of this you may be sure The rich have got their channels in the bedrooms of the poor And there's a mighty judgement coming, but I may be wrong You see, you hear these funny voices In the Tower of Song I see you standing on the other side I don't know how the river got so wide I loved you baby, way back when And all the bridges are burning that we might have crossed But I feel so close to everything that we lost We'll never have to lose it again Now I bid you farewell, I don't know when I'll be back There moving us tomorrow to that tower down the track But you'll be hearing from me baby, long after I'm gone I'll be speaking to you sweetly From a window in the Tower of Song Yeah my friends are gone and my hair is grey I ache in the places where I used to play And I'm crazy for love but I'm not coming on I'm just paying my rent every day Oh in the Tower of Song |
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from Watchmen (왓치맨) [best, ost] (2009)
Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this The fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah Your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew her She tied you To a kitchen chair She broke your throne, and she cut your hair And from your lips she drew the Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah You say I took the name in vain I don't even know the name But if I did, well really, what's it to you? There's a blaze of light In every word It doesn't matter which you heard The holy or the broken Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah I did my best, it wasn't much I couldn't feel, so I tried to touch I've told the truth, I didn't come to fool you And even though It all went wrong I'll stand before the Lord of Song With nothing on my tongue but Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah |
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from Leonard Cohen - Songs Of Love And Hate (2007)
Avalanche
Well I stepped into an avalanche, it covered up my soul; when I am not this hunchback that you see, I sleep beneath the golden hill. You who wish to conquer pain, you must learn, learn to serve me well. You strike my side by accident as you go down for your gold. The cripple here that you clothe and feed is neither starved nor cold; he does not ask for your company, not at the centre, the centre of the world. When I am on a pedestal, you did not raise me there. Your laws do not compel me to kneel grotesque and bare. I myself am the pedestal for this ugly hump at which you stare. You who wish to conquer pain, you must learn what makes me kind; the crumbs of love that you offer me, they're the crumbs I've left behind. Your pain is no credential here, it's just the shadow, shadow of my wound. I have begun to long for you, I who have no greed; I have begun to ask for you, I who have no need. You say you've gone away from me, but I can feel you when you breathe. Do not dress in those rags for me, I know you are not poor; you don't love me quite so fiercely now when you know that you are not sure, it is your turn, beloved, it is your flesh that I wear. |
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from Leonard Cohen - Songs Of Love And Hate (2007)
The rain falls down on last year's man,
that's a jew's harp on the table, that's a crayon in his hand. And the corners of the blueprint are ruined since they rolled far past the stems of thumbtacks that still throw shadows on the wood. And the skylight is like skin for a drum I'll never mend and all the rain falls down amen on the works of last year's man. I met a lady, she was playing with her soldiers in the dark oh one by one she had to tell them that her name was Joan of Arc. I was in that army, yes I stayed a little while; I want to thank you, Joan of Arc, for treating me so well. And though I wear a uniform I was not born to fight; all these wounded boys you lie beside, goodnight, my friends, goodnight. I came upon a wedding that old families had contrived; Bethlehem the bridegroom, Babylon the bride. Great Babylon was naked, oh she stood there trembling for me, and Bethlehem inflamed us both like the shy one at some orgy. And when we fell together all our flesh was like a veil that I had to draw aside to see the serpent eat its tail. Some women wait for Jesus, and some women wait for Cain so I hang upon my altar and I hoist my axe again. And I take the one who finds me back to where it all began when Jesus was the honeymoon and Cain was just the man. And we read from pleasant Bibles that are bound in blood and skin that the wilderness is gathering all its children back again. The rain falls down on last year's man, an hour has gone by and he has not moved his hand. But everything will happen if he only gives the word; the lovers will rise up and the mountains touch the ground. But the skylight is like skin for a drum I'll never mend and all the rain falls down amen on the works of last year's man |
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from Leonard Cohen - Songs Of Love And Hate (2007)
Four o'clock in the afternoon
and I didn't feel like very much. I said to myself, "Where are you golden boy, where is your famous golden touch?" I thought you knew where all of the elephants lie down, I thought you were the crown prince of all the wheels in Ivory Town. Just take a look at your body now, there's nothing much to save and a bitter voice in the mirror cries, "Hey, Prince, you need a shave." Now if you can manage to get your trembling fingers to behave, why don't you try unwrapping a stainless steel razor blade? That's right, it's come to this, yes it's come to this, and wasn't it a long way down, wasn't it a strange way down? There's no hot water and the cold is running thin. Well, what do you expect from the kind of places you've been living in? Don't drink from that cup, it's all caked and cracked along the rim. That's not the electric light, my friend, that is your vision growing dim. Cover up your face with soap, there, now you're Santa Claus. And you've got a gift for anyone who will give you his applause. I thought you were a racing man, ah, but you couldn't take the pace. That's a funeral in the mirror and it's stopping at your face. That's right, it's come to this, yes it's come to this, and wasn't it a long way down, ah wasn't it a strange way down? Once there was a path and a girl with chestnut hair, and you passed the summers picking all of the berries that grew there; there were times she was a woman, oh, there were times she was just a child, and you held her in the shadows where the raspberries grow wild. And you climbed the twilight mountains and you sang about the view, and everywhere that you wandered love seemed to go along with you. That's a hard one to remember, yes it makes you clench your fist. And then the veins stand out like highways, all along your wrist. And yes it's come to this, it's come to this, and wasn't it a long way down, wasn't it a strange way down? You can still find a job, go out and talk to a friend. On the back of every magazine there are those coupons you can send. Why don't you join the Rosicrucians, they can give you back your hope, you can find your love with diagrams on a plain brown envelope. But you've used up all your coupons except the one that seems to be written on your wrist along with several thousand dreams. Now Santa Claus comes forward, that's a razor in his mit; and he puts on his dark glasses and he shows you where to hit; and then the cameras pan, the stand in stunt man, dress rehearsal rag, it's just the dress rehearsal rag, you know this dress rehearsal rag, it's just a dress rehearsal rag. |
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from Leonard Cohen - Songs Of Love And Hate (2007)
Diamonds in the Mine
The woman in blue, she's asking for revenge, the man in white -- that's you -- says he has no friends. The river is swollen up with rusty cans and the trees are burning in your promised land. And there are no letters in the mailbox, and there are no grapes upon the vine, and there are no chocolates in the boxes anymore, and there are no diamonds in the mine. Well, you tell me that your lover has a broken limb, you say you're kind of restless now and it's on account of him. Well, I saw the man in question, it was just the other night, he was eating up a lady where the lions and Christians fight. And there are no letters in the mailbox and there are no grapes upon the vine, and there are no chocolates in the boxes anymore, and there are no diamonds in the mine. (You tell them now) Ah, there is no comfort in the covens of the witch, some very clever doctor went and sterilized the bitch, and the only man of energy, yes the revolution's pride, he trained a hundred women just to kill an unborn child. And there are no letters in the mailbox, oh no, there are no, no grapes upon your vine, and there are, there are no chocolates in your boxes anymore, and there are no diamonds in your mine. And there are no letters in the mailbox, and there are no grapes upon the vine, and there are no chocolates in your boxes anymore, and there are no diamonds in your mine. |
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from Leonard Cohen - Songs Of Love And Hate (2007)
Love Calls You By Your Name
You thought that it could never happen to all the people that you became, your body lost in legend, the beast so very tame. But here, right here, between the birthmark and the stain, between the ocean and your open vein, between the snowman and the rain, once again, once again, love calls you by your name. The women in your scrapbook whom you still praise and blame, you say they chained you to your fingernails and you climb the halls of fame. Oh but here, right here, between the peanuts and the cage, between the darkness and the stage, between the hour and the age, once again, once again, love calls you by your name. Shouldering your loneliness like a gun that you will not learn to aim, you stumble into this movie house, then you climb, you climb into the frame. Yes, and here, right here between the moonlight and the lane, between the tunnel and the train, between the victim and his stain, once again, once again, love calls you by your name. I leave the lady meditating on the very love which I, I do not wish to claim, I journey down the hundred steps, but the street is still the very same. And here, right here, between the dancer and his cane, between the sailboat and the drain, between the newsreel and your tiny pain, once again, once again, love calls you by your name. Where are you, Judy, where are you, Anne? Where are the paths your heroes came? Wondering out loud as the bandage pulls away, was I, was I only limping, was I really lame? Oh here, come over here, between the windmill and the grain, between the sundial and the chain, between the traitor and her pain, once again, once again, love calls you by your name. |
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from Leonard Cohen - Songs Of Love And Hate (2007)
It's four in the morning, the end of December
I'm writing you now just to see if you're better New York is cold, but I like where I'm living There's music on Clinton Street all through the evening. I hear that you're building your little house deep in the desert You're living for nothing now, I hope you're keeping some kind of record. Yes, and Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear Did you ever go clear? Ah, the last time we saw you you looked so much older Your famous blue raincoat was torn at the shoulder You'd been to the station to meet every train And you came home without Lili Marlene And you treated my woman to a flake of your life And when she came back she was nobody's wife. Well I see you there with the rose in your teeth One more thin gypsy thief Well I see Jane's awake -- She sends her regards. And what can I tell you my brother, my killer What can I possibly say? I guess that I miss you, I guess I forgive you I'm glad you stood in my way. If you ever come by here, for Jane or for me Your enemy is sleeping, and his woman is free. Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried. And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear -- |
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from Leonard Cohen - Songs Of Love And Hate (2007)
Sing Another Song, Boys
(Let's sing another song, boys, this one has grown old and bitter.) Ah his fingernails, I see they're broken, his ships they're all on fire. The moneylender's lovely little daughter ah, she's eaten, she's eaten with desire. She spies him through the glasses from the pawnshops of her wicked father. She hails him with a microphone that some poor singer, just like me, had to leave her. She tempts him with a clarinet, she waves a Nazi dagger. She finds him lying in a heap; she wants to be his woman. He says, "Yes, I might go to sleep but kindly leave, leave the future, leave it open." He stands where it is steep, oh I guess he thinks that he's the very first one, his hand upon his leather belt now like it was the wheel of some big ocean liner. And she will learn to touch herself so well as all the sails burn down like paper. And he has lit the chain of his famous cigarillo. Ah, they'll never, they'll never ever reach the moon, at least not the one that we're after; it's floating broken on the open sea, look out there, my friends, and it carries no survivors. But lets leave these lovers wondering why they cannot have each other, and let's sing another song, boys, this one has grown old and bitter. |
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from Leonard Cohen - Songs Of Love And Hate (2007)
Joan of Arc
Now the flames they followed Joan of Arc as she came riding through the dark; no moon to keep her armour bright, no man to get her through this very smoky night. She said, "I'm tired of the war, I want the kind of work I had before, a wedding dress or something white to wear upon my swollen appetite." Well, I'm glad to hear you talk this way, you know I've watched you riding every day and something in me yearns to win such a cold and lonesome heroine. "And who are you?" she sternly spoke to the one beneath the smoke. "Why, I'm fire," he replied, "And I love your solitude, I love your pride." "Then fire, make your body cold, I'm going to give you mine to hold," saying this she climbed inside to be his one, to be his only bride. And deep into his fiery heart he took the dust of Joan of Arc, and high above the wedding guests he hung the ashes of her wedding dress. It was deep into his fiery heart he took the dust of Joan of Arc, and then she clearly understood if he was fire, oh then she must be wood. I saw her wince, I saw her cry, I saw the glory in her eye. Myself I long for love and light, but must it come so cruel, and oh so bright? |
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from Leonard Cohen - Songs Of Love And Hate (2007)
Four o'clock in the afternoon
and I didn't feel like very much. I said to myself, "Where are you golden boy, where is your famous golden touch?" I thought you knew where all of the elephants lie down, I thought you were the crown prince of all the wheels in Ivory Town. Just take a look at your body now, there's nothing much to save and a bitter voice in the mirror cries, "Hey, Prince, you need a shave." Now if you can manage to get your trembling fingers to behave, why don't you try unwrapping a stainless steel razor blade? That's right, it's come to this, yes it's come to this, and wasn't it a long way down, wasn't it a strange way down? There's no hot water and the cold is running thin. Well, what do you expect from the kind of places you've been living in? Don't drink from that cup, it's all caked and cracked along the rim. That's not the electric light, my friend, that is your vision growing dim. Cover up your face with soap, there, now you're Santa Claus. And you've got a gift for anyone who will give you his applause. I thought you were a racing man, ah, but you couldn't take the pace. That's a funeral in the mirror and it's stopping at your face. That's right, it's come to this, yes it's come to this, and wasn't it a long way down, ah wasn't it a strange way down? Once there was a path and a girl with chestnut hair, and you passed the summers picking all of the berries that grew there; there were times she was a woman, oh, there were times she was just a child, and you held her in the shadows where the raspberries grow wild. And you climbed the twilight mountains and you sang about the view, and everywhere that you wandered love seemed to go along with you. That's a hard one to remember, yes it makes you clench your fist. And then the veins stand out like highways, all along your wrist. And yes it's come to this, it's come to this, and wasn't it a long way down, wasn't it a strange way down? You can still find a job, go out and talk to a friend. On the back of every magazine there are those coupons you can send. Why don't you join the Rosicrucians, they can give you back your hope, you can find your love with diagrams on a plain brown envelope. But you've used up all your coupons except the one that seems to be written on your wrist along with several thousand dreams. Now Santa Claus comes forward, that's a razor in his mit; and he puts on his dark glasses and he shows you where to hit; and then the cameras pan, the stand in stunt man, dress rehearsal rag, it's just the dress rehearsal rag, you know this dress rehearsal rag, it's just a dress rehearsal rag. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Suzanne takes you down to her place near the river
You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Master Song
I believe that you heard your master sing when I was sick in bed. I suppose that he told you everything that I keep locked away in my head. Your master took you travelling, well at least that's what you said. And now do you come back to bring your prisoner wine and bread? You met him at some temple, where they take your clothes at the door. He was just a numberless man in a chair who'd just come back from the war. And you wrap up his tired face in your hair and he hands you the apple core. Then he touches your lips now so suddenly bare of all the kisses we put on some time before. And he gave you a German Shepherd to walk with a collar of leather and nails, and he never once made you explain or talk about all of the little details, such as who had a word and who had a rock, and who had you through the mails. Now your love is a secret all over the block, and it never stops not even when your master fails. And he took you up in his aeroplane, which he flew without any hands, and you cruised above the ribbons of rain that drove the crowd from the stands. Then he killed the lights in a lonely Lane and, an ape with angel glands, erased the final wisps of pain with the music of rubber bands. And now I hear your master sing, you kneel for him to come. His body is a golden string that your body is hanging from. His body is a golden string, my body has grown numb. Oh now you hear your master sing, your shirt is all undone. And will you kneel beside this bed that we polished so long ago, before your master chose instead to make my bed of snow? Your eyes are wild and your knuckles are red and you're speaking far too low. No I can't make out what your master said before he made you go. Then I think you're playing far too rough for a lady who's been to the moon; I've lain by this window long enough to get used to an empty room. And your love is some dust in an old man's cough who is tapping his foot to a tune, and your thighs are a ruin, you want too much, let's say you came back some time too soon. I loved your master perfectly I taught him all that he knew. He was starving in some deep mystery like a man who is sure what is true. And I sent you to him with my guarantee I could teach him something new, and I taught him how you would long for me no matter what he said no matter what you'd do. I believe that you heard your master sing while I was sick in bed, I'm sure that he told you everything I must keep locked away in my head. Your master took you travelling, well at least that's what you said, And now do you come back to bring your prisoner wine and bread? |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Winter Lady
Trav'ling lady, stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. Well I lived with a child of snow when I was a soldier, and I fought every man for her until the nights grew colder. She used to wear her hair like you except when she was sleeping, and then she'd weave it on a loom of smoke and gold and breathing. And why are you so quiet now standing there in the doorway? You chose your journey long before you came upon this highway. Trav'ling lady stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
It's true that all the men you knew were dealers
who said they were through with dealing Every time you gave them shelter I know that kind of man It's hard to hold the hand of anyone who is reaching for the sky just to surrender. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And then leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains, he'll say I told you when I came I was a stranger I told you when I came I was a stranger. But now another stranger seems to want you to ignore his dreams as though they were the burden of some other O you've seen that man before his golden arm dispatching cards but now it's rusted from the elbow to the finger And he wants to trade the game he plays for shelter Yes he wants to trade the game he knows for shelter. You hate to watch another tired man lay down his hand like he was giving up the holy game of poker And while he talks his dreams to sleep you notice there's a highway that is curling up like smoke above his shoulder It's curling up like smoke above his shoulder. You tell him to come in sit down but something makes you turn around The door is open you can't close you shelter You try the handle of the road It opens do not be afraid It's you my love, you who are the stranger It is you my love, you who are the stranger. Well, I've been waiting, I was sure we'd meet between the trains we're waiting for I think it's time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter Well he talks like this you don't know what he's after When he speaks like this, you don't know what he's after. Let's meet tomorrow if you chose upon the shore, beneath the bridge that they are building on some endless river Then he leaves the platform for the sleeping car that's warm You realize, he's only advertising one more shelter And it comes to you, he never was a stranger And you say ok the bridge or someplace later. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains he'll say I told you when I came I was a stranger I told you when I came I was a stranger |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Oh the sisters of mercy, they are not departed or gone.
They were waiting for me when I thought that I just can't go on. And they brought me their comfort and later they brought me this song. Oh I hope you run into them, you who've been travelling so long. Yes you who must leave everything that you cannot control. It begins with your family, but soon it comes around to your soul. Well I've been where you're hanging, I think I can see how you're pinned: When you're not feeling holy, your loneliness says that you've sinned. Well they lay down beside me, I made my confession to them. They touched both my eyes and I touched the dew on their hem. If your life is a leaf that the seasons tear off and condemn they will bind you with love that is graceful and green as a stem. When I left they were sleeping, I hope you run into them soon. Don't turn on the lights, you can read their address by the moon. And you won't make me jealous if I hear that they sweetened your night: We weren't lovers like that and besides it would still be all right, We weren't lovers like that and besides it would still be all right. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
So Long Marianne
Come over to the window, my little darling, I'd like to try to read your palm. I used to think I was some kind of Gypsy boy before I let you take me home. Now so long, Marianne, it's time that we began to laugh and cry and cry and laugh about it all again. Well you know that I love to live with you, but you make me forget so very much. I forget to pray for the angels and then the angels forget to pray for us. Now so long, Marianne, it's time that we began ... We met when we were almost young deep in the green lilac park. You held on to me like I was a crucifix, as we went kneeling through the dark. Oh so long, Marianne, it's time that we began ... Your letters they all say that you're beside me now. Then why do I feel alone? I'm standing on a ledge and your fine spider web is fastening my ankle to a stone. Now so long, Marianne, it's time that we began ... For now I need your hidden love. I'm cold as a new razor blade. You left when I told you I was curious, I never said that I was brave. Oh so long, Marianne, it's time that we began ... Oh, you are really such a pretty one. I see you've gone and changed your name again. And just when I climbed this whole mountainside, to wash my eyelids in the rain! Oh so long, Marianne, it's time that we began ... |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
I loved you in the morning, our kisses deep and warm,
your hair upon the pillow like a sleepy golden storm, yes, many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but now it's come to distances and both of us must try, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I'm not looking for another as I wander in my time, walk me to the corner, our steps will always rhyme you know my love goes with you as your love stays with me, it's just the way it changes, like the shoreline and the sea, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I loved you in the morning, our kisses deep and warm, your hair upon the pillow like a sleepy golden storm, yes many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Stories of the Street
The stories of the street are mine,the Spanish voices laugh. The Cadillacs go creeping now through the night and the poison gas, and I lean from my window sill in this old hotel I chose, yes one hand on my suicide, one hand on the rose. I know you've heard it's over now and war must surely come, the cities they are broke in half and the middle men are gone. But let me ask you one more time, O children of the dusk, All these hunters who are shrieking now oh do they speak for us? And where do all these highways go, now that we are free? Why are the armies marching still that were coming home to me? O lady with your legs so fine O stranger at your wheel, You are locked into your suffering and your pleasures are the seal. The age of lust is giving birth, and both the parents ask the nurse to tell them fairy tales on both sides of the glass. And now the infant with his cord is hauled in like a kite, and one eye filled with blueprints, one eye filled with night. O come with me my little one, we will find that farm and grow us grass and apples there and keep all the animals warm. And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. With one hand on the hexagram and one hand on the girl I balance on a wishing well that all men call the world. We are so small between the stars, so large against the sky, and lost among the subway crowds I try to catch your eye. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Teachers
I met a woman long ago her hair the black that black can go, Are you a teacher of the heart? Soft she answered no. I met a girl across the sea, her hair the gold that gold can be, Are you a teacher of the heart? Yes, but not for thee. I met a man who lost his mind in some lost place I had to find, follow me the wise man said, but he walked behind. I walked into a hospital where none was sick and none was well, when at night the nurses left I could not walk at all. Morning came and then came noon, dinner time a scalpel blade lay beside my silver spoon. Some girls wander by mistake into the mess that scalpels make. Are you the teachers of my heart? We teach old hearts to break. One morning I woke up alone, the hospital and the nurses gone. Have I carved enough my Lord? Child, you are a bone. I ate and ate and ate, no I did not miss a plate, well How much do these suppers cost? We'll take it out in hate. I spent my hatred everyplace, on every work on every face, someone gave me wishes and I wished for an embrace. Several girls embraced me, then I was embraced by men, Is my passion perfect? No, do it once again. I was handsome I was strong, I knew the words of every song. Did my singing please you? No, the words you sang were wrong. Who is it whom I address, who takes down what I confess? Are you the teachers of my heart? We teach old hearts to rest. Oh teachers are my lessons done? I cannot do another one. They laughed and laughed and said, Well child, are your lessons done? are your lessons done? are your lessons done? |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
One Of Us Cannot Be Wrong
I lit a thin green candle, to make you jealous of me. But the room just filled up with mosquitos, they heard that my body was free. Then I took the dust of a long sleepless night and I put it in your little shoe. And then I confess that I tortured the dress that you wore for the world to look through. I showed my heart to the doctor: he said I just have to quit. Then he wrote himself a prescription, and your name was mentioned in it! Then he locked himself in a library shelf with the details of our honeymoon, and I hear from the nurse that he's gotten much worse and his practice is all in a ruin. I heard of a saint who had loved you, so I studied all night in his school. He taught that the duty of lovers is to tarnish the golden rule. And just when I was sure that his teachings were pure he drowned himself in the pool. His body is gone but back here on the lawn his spirit continues to drool. An Eskimo showed me a movie he'd recently taken of you: the poor man could hardly stop shivering, his lips and his fingers were blue. I suppose that he froze when the wind took your clothes and I guess he just never got warm. But you stand there so nice, in your blizzard of ice, oh please let me come into the storm. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
It's not the wind that keeps you up it's not the snow
It's not the moon coming like a headlight through your window It's not the thumbnail of a screen that scrapes away your dream It's just a man taking what he needs from the store room It's not the news of burning towns that ruins your mind Like a spool you turn and you turn but it won't unwind No these wars you did not start they don't tear your sleep apart It's just a man taking what he needs from the store room And now this woman by your side well she's asleep And there's nothing you can give her and there's nothing you want to keep You don't even try to prove that the noisy neighbour's making love It's just a man taking what he needs from the store room Well go to sleep and change the locks when you wake up Share your toast maybe spill some coffee from your cup There's nothing left to choose and there is so much more to lose There's this man taking what he needs from the store room It's not the news of burning towns that ruins your mind Like a spool you turn and you turn but it won't unwind No these wars you did not stop they don't tear your sleep apart It's just a man taking what he needs from the store room And now this woman by your side well she's awake But there's nothing you can give her there's nothing you want to take You don't even try to prove that the noisy neighbour's making love It's just a man taking what he needs from the store room Well go to sleep and change the locks when you wake up Share your toast maybe spill a little coffee from your cup He's got nothing left to choose and you've got so much more to lose There's a man taking what he needs from the store room |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
I remember the promise
That you made in the barn When the kittens were born And you could not keep warm So you moved away the mountain That the sun rose behind And you said yourself a prayer And laid down with the blind But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child And the vow of compassion That you swore through your teeth When the war began to end And the photographs weep Well, nobody blames you As the train pulls away With its cargo of snow For these German paper-weights But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child Well, its five in the morning There's no one home Except for your wife And your child on the phone Somebody's got to listen To a promise or two Oh, this room is far too small For a pilgrim like you But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child So, now that you've decided To follow the sun Like a shadow of birds Or a King on the run Oh, your chains are too dark For the seas you must swim You're smiling at the seaweed But your smile is too grim But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child Blessed is the memory Of everybody's child Blessed is the memory Of everybody's child |
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from Leonard Cohen - Songs From A Room (1969)
Bird on the Wire
Like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, like a beast with his horn I have torn everyone who reached out for me. But I swear by this song and by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, he said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, she cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. |
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from Leonard Cohen - Songs From A Room (1969)
A Bunch of Lonesome Heroes
A bunch of lonesome and very quarrelsome heroes were smoking out along the open road; the night was very dark and thick between them, each man beneath his ordinary load. "I'd like to tell my story," said one of them so young and bold, "I'd like to tell my story, before I turn into gold." But no one really could hear him, the night so dark and thick and green; well I guess that these heroes must always live there where you and I have only been. Put out your cigarette, my love, you've been alone too long; and some of us are very hungry now to hear what it is you've done that was so wrong. I sing this for the crickets, I sing this for the army, I sing this for your children and for all who do not need me. "I'd like to tell my story," said one of them so bold, "Oh yes, I'd like to tell my story 'cause you know I feel I'm turning into gold." |
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from Leonard Cohen - Songs From A Room (1969)
When they poured across the border I was cautioned to surrender, this I could not do; I took my gun and vanished. I have changed my name so often, I've lost my wife and children but I have many friends, and some of them are with me. An old woman gave us shelter, kept us hidden in the garret, then the soldiers came; she died without a whisper. There were three of us this morning I'm the only one this evening but I must go on; the frontiers are my prison. Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we'll come from the shadows. Les Allemands e'taient chez moi, [The Germans were at my home] ils me dirent, "Signe toi," [They said, "Sign yourself,"] mais je n'ai pas peur; [But I am not afraid] j'ai repris mon arme. [I have retaken my weapon.] J'ai change' cent fois de nom, [I have changed names a hundred times] j'ai perdu femme et enfants [I have lost wife and children] mais j'ai tant d'amis; [But I have so many friends] j'ai la France entie`re. [I have all of France] Un vieil homme dans un grenier [An old man, in an attic] pour la nuit nous a cache', [Hid us for the night] les Allemands l'ont pris; [The Germans captured him] il est mort sans surprise. [He died without surprise.] Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we'll come from the shadows. |
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from Leonard Cohen - Songs From A Room (1969)
The Old Revolution
I finally broke into the prison, I found my place in the chain. Even damnation is poisoned with rainbows, all the brave young men they're waiting now to see a signal which some killer will be lighting for pay. Into this furnace I ask you now to venture, you whom I cannot betray. I fought in the old revolution on the side of the ghost and the King. Of course I was very young and I thought that we were winning; I can't pretend I still feel very much like singing as they carry the bodies away. Into this furnace I ask you now to venture... Lately you've started to stutter as though you had nothing to say. To all of my architects let me be traitor. Now let me say I myself gave the order to sleep and to search and to destroy. Into this furnace I ask you now to venture... Yes, you who are broken by power, you who are absent all day, you who are kings for the sake of your children's story, the hand of your beggar is burdened down with money, the hand of your lover is clay. Into this furnace I ask you now to venture... |
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from Leonard Cohen - Songs From A Room (1969)
The Butcher
I came upon a butcher, he was slaughtering a lamb, I accused him there with his tortured lamb. He said, "Listen to me, child, I am what I am and you, you are my only son." Well, I found a silver needle, I put it into my arm. It did some good, did some harm. But the nights were cold and it almost kept me warm, how come the night is long? I saw some flowers growing up where that lamb fell down; was I supposed to praise my Lord, make some kind of joyful sound? He said, "Listen, listen to me now, I go round and round and you, you are my only child." Do not leave me now, do not leave me now, I'm broken down from a recent fall. Blood upon my body and ice upon my soul, lead on, my son, it is your world. |
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs (2002)
Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind. |
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from Leonard Cohen - Songs (2002)
Master Song I believe that you heard your master sing when I was sick in bed. I suppose that he told you everything that I keep locked away in my head. Your master took you travelling, well at least that's what you said. And now do you come back to bring your prisoner wine and bread? You met him at some temple, where they take your clothes at the door. He was just a numberless man in a chair who'd just come back from the war. And you wrap up his tired face in your hair and he hands you the apple core. Then he touches your lips now so suddenly bare of all the kisses we put on some time before. And he gave you a German Shepherd to walk with a collar of leather and nails, and he never once made you explain or talk about all of the little details, such as who had a word and who had a rock, and who had you through the mails. Now your love is a secret all over the block, and it never stops not even when your master fails. And he took you up in his aeroplane, which he flew without any hands, and you cruised above the ribbons of rain that drove the crowd from the stands. Then he killed the lights in a lonely Lane and, an ape with angel glands, erased the final wisps of pain with the music of rubber bands. And now I hear your master sing, you kneel for him to come. His body is a golden string that your body is hanging from. His body is a golden string, my body has grown numb. Oh now you hear your master sing, your shirt is all undone. And will you kneel beside this bed that we polished so long ago, before your master chose instead to make my bed of snow? Your eyes are wild and your knuckles are red and you're speaking far too low. No I can't make out what your master said before he made you go. Then I think you're playing far too rough for a lady who's been to the moon; I've lain by this window long enough to get used to an empty room. And your love is some dust in an old man's cough who is tapping his foot to a tune, and your thighs are a ruin, you want too much, let's say you came back some time too soon. I loved your master perfectly I taught him all that he knew. He was starving in some deep mystery like a man who is sure what is true. And I sent you to him with my guarantee I could teach him something new, and I taught him how you would long for me no matter what he said no matter what you'd do. I believe that you heard your master sing while I was sick in bed, I'm sure that he told you everything I must keep locked away in my head. Your master took you travelling, well at least that's what you said, And now do you come back to bring your prisoner wine and bread? |
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from Leonard Cohen - Songs (2002)
Winter Lady Trav'ling lady, stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. Well I lived with a child of snow when I was a soldier, and I fought every man for her until the nights grew colder. She used to wear her hair like you except when she was sleeping, and then she'd weave it on a loom of smoke and gold and breathing. And why are you so quiet now standing there in the doorway? You chose your journey long before you came upon this highway. Trav'ling lady stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. |
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from Leonard Cohen - Songs (2002)
It's true that all the men you knew were dealers who said they were through with dealing Every time you gave them shelter I know that kind of man It's hard to hold the hand of anyone who is reaching for the sky just to surrender. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And then leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains, he'll say I told you when I came I was a stranger I told you when I came I was a stranger. But now another stranger seems to want you to ignore his dreams as though they were the burden of some other O you've seen that man before his golden arm dispatching cards but now it's rusted from the elbow to the finger And he wants to trade the game he plays for shelter Yes he wants to trade the game he knows for shelter. You hate to watch another tired man lay down his hand like he was giving up the holy game of poker And while he talks his dreams to sleep you notice there's a highway that is curling up like smoke above his shoulder It's curling up like smoke above his shoulder. You tell him to come in sit down but something makes you turn around The door is open you can't close you shelter You try the handle of the road It opens do not be afraid It's you my love, you who are the stranger It is you my love, you who are the stranger. Well, I've been waiting, I was sure we'd meet between the trains we're waiting for I think it's time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter Well he talks like this you don't know what he's after When he speaks like this, you don't know what he's after. Let's meet tomorrow if you chose upon the shore, beneath the bridge that they are building on some endless river Then he leaves the platform for the sleeping car that's warm You realize, he's only advertising one more shelter And it comes to you, he never was a stranger And you say ok the bridge or someplace later. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains he'll say I told you when I came I was a stranger I told you when I came I was a stranger |
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from Leonard Cohen - Songs (2002)
Oh the sisters of mercy, they are not departed or gone. They were waiting for me when I thought that I just can't go on. And they brought me their comfort and later they brought me this song. Oh I hope you run into them, you who've been travelling so long. Yes you who must leave everything that you cannot control. It begins with your family, but soon it comes around to your soul. Well I've been where you're hanging, I think I can see how you're pinned: When you're not feeling holy, your loneliness says that you've sinned. Well they lay down beside me, I made my confession to them. They touched both my eyes and I touched the dew on their hem. If your life is a leaf that the seasons tear off and condemn they will bind you with love that is graceful and green as a stem. When I left they were sleeping, I hope you run into them soon. Don't turn on the lights, you can read their address by the moon. And you won't make me jealous if I hear that they sweetened your night: We weren't lovers like that and besides it would still be all right, We weren't lovers like that and besides it would still be all right. |
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from Leonard Cohen - Songs (2002)
So Long Marianne Come over to the window, my little darling, I'd like to try to read your palm. I used to think I was some kind of Gypsy boy before I let you take me home. Now so long, Marianne, it's time that we began to laugh and cry and cry and laugh about it all again. Well you know that I love to live with you, but you make me forget so very much. I forget to pray for the angels and then the angels forget to pray for us. Now so long, Marianne, it's time that we began ... We met when we were almost young deep in the green lilac park. You held on to me like I was a crucifix, as we went kneeling through the dark. Oh so long, Marianne, it's time that we began ... Your letters they all say that you're beside me now. Then why do I feel alone? I'm standing on a ledge and your fine spider web is fastening my ankle to a stone. Now so long, Marianne, it's time that we began ... For now I need your hidden love. I'm cold as a new razor blade. You left when I told you I was curious, I never said that I was brave. Oh so long, Marianne, it's time that we began ... Oh, you are really such a pretty one. I see you've gone and changed your name again. And just when I climbed this whole mountainside, to wash my eyelids in the rain! Oh so long, Marianne, it's time that we began ... |
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from Leonard Cohen - Songs (2002)
I loved you in the morning, our kisses deep and warm, your hair upon the pillow like a sleepy golden storm, yes, many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but now it's come to distances and both of us must try, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I'm not looking for another as I wander in my time, walk me to the corner, our steps will always rhyme you know my love goes with you as your love stays with me, it's just the way it changes, like the shoreline and the sea, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I loved you in the morning, our kisses deep and warm, your hair upon the pillow like a sleepy golden storm, yes many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. |
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from Leonard Cohen - Songs (2002)
Stories of the Street The stories of the street are mine,the Spanish voices laugh. The Cadillacs go creeping now through the night and the poison gas, and I lean from my window sill in this old hotel I chose, yes one hand on my suicide, one hand on the rose. I know you've heard it's over now and war must surely come, the cities they are broke in half and the middle men are gone. But let me ask you one more time, O children of the dusk, All these hunters who are shrieking now oh do they speak for us? And where do all these highways go, now that we are free? Why are the armies marching still that were coming home to me? O lady with your legs so fine O stranger at your wheel, You are locked into your suffering and your pleasures are the seal. The age of lust is giving birth, and both the parents ask the nurse to tell them fairy tales on both sides of the glass. And now the infant with his cord is hauled in like a kite, and one eye filled with blueprints, one eye filled with night. O come with me my little one, we will find that farm and grow us grass and apples there and keep all the animals warm. And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. With one hand on the hexagram and one hand on the girl I balance on a wishing well that all men call the world. We are so small between the stars, so large against the sky, and lost among the subway crowds I try to catch your eye. |
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from Leonard Cohen - Songs (2002)
Teachers I met a woman long ago her hair the black that black can go, Are you a teacher of the heart? Soft she answered no. I met a girl across the sea, her hair the gold that gold can be, Are you a teacher of the heart? Yes, but not for thee. I met a man who lost his mind in some lost place I had to find, follow me the wise man said, but he walked behind. I walked into a hospital where none was sick and none was well, when at night the nurses left I could not walk at all. Morning came and then came noon, dinner time a scalpel blade lay beside my silver spoon. Some girls wander by mistake into the mess that scalpels make. Are you the teachers of my heart? We teach old hearts to break. One morning I woke up alone, the hospital and the nurses gone. Have I carved enough my Lord? Child, you are a bone. I ate and ate and ate, no I did not miss a plate, well How much do these suppers cost? We'll take it out in hate. I spent my hatred everyplace, on every work on every face, someone gave me wishes and I wished for an embrace. Several girls embraced me, then I was embraced by men, Is my passion perfect? No, do it once again. I was handsome I was strong, I knew the words of every song. Did my singing please you? No, the words you sang were wrong. Who is it whom I address, who takes down what I confess? Are you the teachers of my heart? We teach old hearts to rest. Oh teachers are my lessons done? I cannot do another one. They laughed and laughed and said, Well child, are your lessons done? are your lessons done? are your lessons done? |
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from Leonard Cohen - Songs (2002)
One Of Us Cannot Be Wrong I lit a thin green candle, to make you jealous of me. But the room just filled up with mosquitos, they heard that my body was free. Then I took the dust of a long sleepless night and I put it in your little shoe. And then I confess that I tortured the dress that you wore for the world to look through. I showed my heart to the doctor: he said I just have to quit. Then he wrote himself a prescription, and your name was mentioned in it! Then he locked himself in a library shelf with the details of our honeymoon, and I hear from the nurse that he's gotten much worse and his practice is all in a ruin. I heard of a saint who had loved you, so I studied all night in his school. He taught that the duty of lovers is to tarnish the golden rule. And just when I was sure that his teachings were pure he drowned himself in the pool. His body is gone but back here on the lawn his spirit continues to drool. An Eskimo showed me a movie he'd recently taken of you: the poor man could hardly stop shivering, his lips and his fingers were blue. I suppose that he froze when the wind took your clothes and I guess he just never got warm. But you stand there so nice, in your blizzard of ice, oh please let me come into the storm. |
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from Leonard Cohen - Songs From A Room (1969)
Bird on the Wire Like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, like a beast with his horn I have torn everyone who reached out for me. But I swear by this song and by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, he said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, she cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. |
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from Leonard Cohen - Songs From A Room (1969)
Story of Isaac The door it opened slowly, my father he came in, I was nine years old. And he stood so tall above me, his blue eyes they were shining and his voice was very cold. He said, "I've had a vision and you know I'm strong and holy, I must do what I've been told." So he started up the mountain, I was running, he was walking, and his axe was made of gold. Well, the trees they got much smaller, the lake a lady's mirror, we stopped to drink some wine. Then he threw the bottle over. Broke a minute later and he put his hand on mine. Thought I saw an eagle but it might have been a vulture, I never could decide. Then my father built an altar, he looked once behind his shoulder, he knew I would not hide. You who build these altars now to sacrifice these children, you must not do it anymore. A scheme is not a vision and you never have been tempted by a demon or a god. You who stand above them now, your hatchets blunt and bloody, you were not there before, when I lay upon a mountain and my father's hand was trembling with the beauty of the word. And if you call me brother now, forgive me if I inquire, "Just according to whose plan?" When it all comes down to dust I will kill you if I must, I will help you if I can. When it all comes down to dust I will help you if I must, I will kill you if I can. And mercy on our uniform, man of peace or man of war, the peacock spreads his fan. |
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969)
Seems So Long Ago, Nancy It seems so long ago, Nancy was alone, looking ate the Late Late show through a semi-precious stone. In the House of Honesty her father was on trial, in the House of Mystery there was no one at all, there was no one at all. It seems so long ago, none of us were strong; Nancy wore green stockings and she slept with everyone. She never said she'd wait for us although she was alone, I think she fell in love for us in nineteen sixty one, in nineteen sixty one. It seems so long ago, Nancy was alone, a forty five beside her head, an open telephone. We told her she was beautiful, we told her she was free but none of us would meet her in the House of Mystery, the House of Mystery. And now you look around you, see her everywhere, many use her body, many comb her hair. In the hollow of the night when you are cold and numb you hear her talking freely then, she's happy that you've come, she's happy that you've come. |
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from Leonard Cohen - Songs From A Room (1969)
I finally broke into the prison,
I found my place in the chain. Even damnation is poisoned with rainbows, all the brave young men they're waiting now to see a signal which some killer will be lighting for pay. Into this furnace I ask you now to venture, you whom I cannot betray. I fought in the old revolution on the side of the ghost and the King. Of course I was very young and I thought that we were winning; I can't pretend I still feel very much like singing as they carry the bodies away. Into this furnace I ask you now to venture... Lately you've started to stutter as though you had nothing to say. To all of my architects let me be traitor. Now let me say I myself gave the order to sleep and to search and to destroy. Into this furnace I ask you now to venture... Yes, you who are broken by power, you who are absent all day, you who are kings for the sake of your children's story, the hand of your beggar is burdened down with money, the hand of your lover is clay. Into this furnace I ask you now to venture... |