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3:09 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
wanna [want to] remember. In your hands you've got a
martyr's head, in your mind, I know that's what you wish you were. Turn my blue sky black, you're such a hard luck baby. Yeah. That's what's the matter with you. But I could sleep through this. I am mystified as I am in it. If that's your ride, well then you ought to get it. It's just as if I wasn't dreaming. It's all the same, 'cause I still wake up screaming. Turn my blue sky black... You're pilgrim in the boxcar. You can never look back too far. You can't ever look back. Turn my blue... I could sleep through anything |
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3:27 | ||||
from 10 Things I Hate About You (내가 널 사랑할 수 없는 10가지 이유) by Richard Gibbs [ost] (1999)
I want you to want me
I need you to need me I'd love you to love me I'm begging you to beg me I want you to want me I need you to need me I'd love you to love me I'll shine up my old brown shoes I'll put on a brand new shirt I'll get home early from work If you say that you love me Didn't I, didn't I, didn't I see you crying? Oh, didn't I, didn't I, didn't I see you crying? Feeling all alone without a friend you know you feel like dying Oh, didn't I, didn't I, didn't I see you crying? I want you to want me I need you to need me I'd love you to love me I'm begging you to beg me I'll shine up my old brown shoes I'll put on a brand new shirt I'll get home early from work If you say that you love me Didn't I, didn't I, didn't I see you crying? Oh, didn't I, didn't I, didn't I see you crying? Feeling all alone without a friend you know you feel like dying Oh, didn't I, didn't I, didn't I see you crying? Hey Feeling all alone without a friend you know you feel like dying Oh, didn't I, didn't I, didn't I see you crying? I want you to want me I need you to need me I'd love you to love me I'm begging you to beg me I want you to want me I want you to want me I want you to want me I want you to want meeeee |
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3:03 | ||||
from 10 Things I Hate About You (내가 널 사랑할 수 없는 10가지 이유) by Richard Gibbs [ost] (1999)
Oh I can't take another heartache
Though you say you're my friend I'm at my wits end You say your love is bona fide But that don't coincide With the things that you do And when I ask you to be nice You say you gotta be Cruel to be kind, in the right measure Cruel to be kind, it's a very good sign Cruel to be kind, means that I love you Baby (you gotta be cruel) You gotta be cruel to be kind Well I do my best to understand dear But you still mystify, and I wanna know why I pick myself up off the ground To have you knock me back down Again and again And when I ask you to explain You say you gotta be Cruel to be kind, in the right measure Cruel to be kind, it's a very good sign Cruel to be kind, means that I love you Baby (you gotta be cruel) You gotta be cruel to be kind Well I do my best to understand dear But you still mystify, and I wanna know why I pick myself up off the ground To have you knock me back down Again and again And when I ask you to explain You say you gotta be Cruel to be kind, in the right measure Cruel to be kind, it's a very good sign Cruel to be kind, means that I love you Baby (you gotta be cruel) You gotta be cruel to be kind (Cruel to be kind), in the right measure (Cruel to be kind), it's a very, very, very good sign (Cruel to be kind), means that I love you Baby (you gotta be cruel) You gotta be cruel to be kind |
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3:40 | ||||
from Music From the Motion Picture "The Craft" (크래프트) [ost] (1996)
Can I touch you, are you out of touch
I guess I never noticed that much Geranium lover, I'm live on your wire Come and take me whoever you are She's a lot like you The dangerous type She's a lot like you Come on and hold me tight Inside angel, always upset Keeps on forgetting that we ever met Can I bring you out in the light My curiosity's got me tonight She's a lot like you The dangerous type She's a lot like you Come on and hold me tight The museum directors with their high shaking heads They kick white shadows until they play dead They want to crack your crosswoird smile Can I take you out for awhile She's a lot like you The dangerous type She's a lot like you Come on and hold me tight... |
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3:24 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
What say you demon, [what] say you demon rock of what
I'm the rock of Gibraltar. [What] say you demon so say what. If you think of it then you should know if I'm getting kind of low. If you think of it then you should know if I'm getting kind of low. You [make] made the sunshine. [Then] you take my air to breathe. [If I'm gonna] And I let you back again tell me what does that make me? If you think of it... If it was me you wanted [then] why don't you just say so. |
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3:59 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
Why you gotta sit in my easychair. What makes you
think that I would care? When I say to you - what are you going to do? So I got you to at least say please, that's how I know that you're on your knees. But I'm thinking too. What am I gonna do. To not take the fast way it evens out every time. God how I love a boy on the go and what you've got I just have to know. [And] 'cause what else is there to say [when] it's such a sunny day. So I got you to at least say please that's how I know that you're on you knees. But I'm thinking too, baby, are we through? To not take the fast way it evens out every time. |
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5:10 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
Started out with defeat. Everyone was asleep. And now
you know that it's time to make up you mind like me. Now I'm not one to complain but you're driving me insane. And now you know that it's time to make up your mind like me. Jennifer, Jennifer, Jennifer, Open up your door. If there could be last bliss; well here's the one you missed and now you know that it's time to make up your mind like me. Jennifer... |
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3:55 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
I guess it's been awhile and a long time too.
Everything's still the same and so are you. It's only in this light that I could see what you'd be like. If it took a million years, well, this is what I am. You're awake and I'm asleep and we are so complete that way. You're asleep and I'm awake and everything is so great. Everything is so great. Oh yea. Heavy. I wash my hands of you. I wash my dirty feet too. And when I wash my hair the dust clouds disappear. You're leaning out the window, you're beating down [the] a path real slow with your heavy plastic bags and heavy head. You're awake... (I wish we had a laugh but you're just not funny. Baby, I'm leaving out the irony. You're awake.) |
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4:01 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
It's getting harder to believe I've gotta go, but I don't
want to leave. You've got your mortality on your sleeve. And if I'm something you've outgrown, you think that maybe I'd have know. God I wish I'd just known. I want you to be like me. It would be so easy if you'd just agree. [I] I've chucked it all out in the past 'cause you're the one I want at last you are the one for me. I want you to be... |
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3:02 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
So the sky is crumbling. I am not afraid 'cause you see
this too. So my hands are shaking. I am not afraid 'cause you've got it bad. I was counting all the monsters I am ever going to be and I was falling a thousand miles an hour swirling around, the only sound was Acid Jed. If this were the last day and this mind were not mine, then I can't be ruined and that's 'cause you're all mine. So the sky is. So my hands are. |
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4:02 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
I was on you side and I can't believe that it's coming
back to haunt me. You were on that side too and I can't, no I can't go back and save you. Why didn't you do as you were told? Why didn't you just go home? And what you got in the bag? Non-recognition is the way to keep everything you want to hide. You stay on that side now 'cause I won't, no I won't go back and bail you out. Closer to the thing we had before. And what you got in the bag? You were closer than you thought. Closer than you thought you'd get. Don't you worry that pretty head now. Never thought that's what you'd get. Non-recognition is the... Why didn't you do as you were told? Why didn't you just go home? Now you're never coming back. You were closer... |
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4:13 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
I know what you did. And now he's waiting. He knows
what you did too. You're not what you say you are. If you were why was you head down in his car? It's just not the same, try and try I'm still the last to know. You get the sticker and the prize, you let me in - you showed me how. That honey face complete with pillow case. It just don't become you. Did you listen when he spoke the gospel? You know St. Peter he's a liar, and you're a liar. It's just not the same... |
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3:07 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
Little Rosa was gonna shine. Little Rosa had a real
bad time. She was not like anyone else. She never will. Little Rosa the boys let her know she's just not that way she don't put on a show for nobody. Not even you. She gonna sit alone. Why would you make her feel so small that she'd just disappear |
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2:51 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
(Hello, how are you?) Do What You Want, Yeah.
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3:52 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
Ten thousand years have passed and [it] don't matter
much to him that ten thousand years have passed before. There's nothing he can't do. Nothing he won't say. 'Cause don't you know he knows it anyway. He's got an answer for everything. So if you want to know about landlocked countries in Asia under the strong-arm hold of Buddhists, it's Nepal. He's got an answer. |
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3:09 | ||||
from Letters To Cleo - Wholesale Meats And Fish (1995)
It's okay that you forget. It's alright
that you don't wanna remember. In your hands you've got a martyr's head, in your mind, I know that's what you wish you were. Turn my blue sky black, you're such a hard luck baby. Yeah. That's what's the matter with you. But I could sleep through this. I am mystified as I am in it. If that's your ride, well then you ought to get it. It's just as if I wasn't dreaming. It's all the same, 'cause I still wake up screaming. Turn my blue sky black you're such a hard luck baby. Yeah. That's what's the matter with you. But I could sleep through this. You're pilgrim in the boxcar. You can never look back too far. You can't ever look back. ... Turn my blue sky black you're such a hard luck baby. Yeah. That's what's the matter with you. But I could sleep through anything.. |
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2:44 | ||||
from Letters To Cleo - Go! (1997)
that's the greatest picture i have ever seen
so i stole it for myself so you could see just what i mean and this alluvial fan it represents my life i've got the strength to move but why should i i got time i got time that's the greatest story i have heard so far lilies in the toilet spider driving motor cars all the evidence would seem to point out that i'm just another choke in your wheels and that you got me trapped i got time i got time you take the weight off the heavy notion i'll take the wave from coast to ocean that's why the ride is light it's all alright it's alright this alluvial fan it represents my life i've got the strength to move but why should i you take the weight off the heavy notion and i'll... i got time it's what i got |
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3:02 | ||||
from Letters To Cleo - Go! (1997)
i can stand here and do this again, i can see it but where to begin,
i know that i'm caving in, cause' i'm heavy i'm heavy, so the wonder of you is done, i'm tired and bloodied and good to be gone, i know that you did me wrong, cause i'm ready i'm ready, as for the part about having something more, let's not pretend that it's like it was before, and i wish i could say that it's not because of you but it's because of you, i had a dark and snowy rememberance of this but remind me again of what i'm gonna miss, when all you do is let me down, you better tell me something and tell it to me now, as for the part about having something more, let's not pretend that it's like it was before, and i wish i could say that it's not because of you but it's because of you, and are you sorry? as for the part about having something more, let's not pretend that it's like it was before, i wish i could say that it's not because of you but it's all because of you, and it's all because of you, the light went out and i got scared |
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3:25 | ||||
from Letters To Cleo - Go! (1997)
the anchor is a kickstand so i'm taking you down
with me to the wrong side of the quicksand and our flashlight destiny you can be the walker i'm gonna be your wire you can be the ugly truth i'm gonna be your liar still the future lit up so bright for all to see i can't look now you're all the same you're all the same to me up and away up and away the anchor is a kickstand so i'm taking you down with me to the wrong side of the quicksand and our flashlight destiny it's all wrong we tripped along so much worse off for it and only god can help the one who put the magnets in you head up and away up and away with you if i could just get up i'd be fine if i could just get up |
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2:53 | ||||
from Letters To Cleo - Go! (1997)
once i knew this boy you wanted what you could
get if you wanted is so bad why did you go and take it out in trade instead my momma cried she shook and wandered off to a different place my daddy couldn't make things bettter then if he couldn't say it wait around and maybe i'll forget about it after awhile instead i like to think ahead 'til they find you dead skipping out on god is bad but not worse than mitigating it that's why i don't make the time to hope and pray so i'm just gonna shine in the brillance of the only one who's gotten you behind wait around... 'til i find a bag and get my turn in effigy you'll burn |
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3:31 | ||||
from Letters To Cleo - Go! (1997)
that was my heart when time was a seed tell
me what it means we made it out okay but soon it turned to dust tell me what it means cut it out and get off the floor because it doesn't make you matter more veda very shining who will you wait up for life love heaven death is that what makes you such a mess veda very shining at the well and out of luck you said "i've had enough" still you couldn't make a man out of me is that such a bad disease just cut it out and get off the floor becasue it doesn't make you matter more veda very shining and who will you wait up for love life heaven death is that what makes you such a mess veda very shining you're not real and yet you seem familiar if that's what you want if that's what you want that was my heart when time was a seed... tell me what it means cut it out get off the floor |
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3:41 | ||||
from Letters To Cleo - Go! (1997)
everybody says that you're no good
i don't pay attention it doesn't matter though i know it should i don't pay attention so what's the use when it never ends and you're singular it's true so much for them who cares about my friends be my co-pilot come be in my dream you looked so beautiful there just like a part of you that makes a part of me seem... everybody tries so hard to bring me down i don't pay attention no it's doesn't matter i can hardly hear a sound and i don't pay attention because number one i'm good with you and the way you look at me is number to so what else would i do be my co-pilot come be in my dream you looked so beautiful there just like a part of you it makes a part of me seem... seem like a one way track i feel like i could float away... so what's the use when it never ends and you're singular it's true who cares about my friends be my co-pilot come be in my dream you looked so beautfil there just like a part of you it makes a part of me seem... take a ride co-pilot shimmer on in my dream |
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2:16 | ||||
from Letters To Cleo - Go! (1997)
say it's a good clip is a real good way to go
real fast say it i'm on track and i'm built for speed pull up the back on your mark ready set go teaser with pretty lines with shiny glass and perfect time ease up against my spine because there's still a million miles to climb on your mark go would i do what it takes if it would shut you off? now don't be so sure but don't make me have to find out i feel lucky you look nice i'm not gonna say it twice you're in my car now say it a good clip is a real good way to go real fast could i do what it takes if it would shut you off? now don't be so sure but don't make me have to find out i fell lucky you look nice and i'm gonna say it twice you're in my car now |
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3:19 | ||||
from Letters To Cleo - Go! (1997)
A good girl always knows what's right
Don't forget your keys now don't be late I'm told that if you last the night they'll make you drown or float just wait be more like a fire than a firefly cuz that's the best way to be happy sparklegirl it's clear there's an awful lot to fear that so up and I wont try to slow down but I gotta get there first or be buried it's not like us to say we told you so it's no like life to be that fair sparklegirl it's clear there's an awful lot to fear that's so up sparklegirl it's clear there's an awful lot to fear that's so up and i won't try to slow you down but i've gotta get there first or be buried |
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3:39 | ||||
from Letters To Cleo - Go! (1997)
so you'd trade me in for them when they're so
mean i wouldn't do that if i were you why would you say all those love things when you knew you'd leave i wouldn't say that if i were you alouette and me i don't want to know you lately alouette and me why did you go ruin everything in a dream i held my head up but i'm not brave let them see it what you've done stultifier you're such a liar you should be so ashamed let them see it what you've done alouette and me but it's alright and i'm not mad even thought i'm not there for you no more alouette and me just mark off the territory it's the strangest thing it doesn't hurt but i won't forget the sting but it's alright and i'm not mad even though i'm not there for you no more |
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3:16 | ||||
from Letters To Cleo - Go! (1997)
it would be nice to know everything
but i never said i did and now that i'm a moving target with nothing to admit what will i find when i cross that line for now it's fine just say goodnight though it would be a kick to get my way but i hardly ever do and the closest that i ever get is nothing on you like what happened when i said you'd never go but now i know that i'm a fool to think that you could ever be that true so you decide i'm not a child and somehow i'll get by and now just think for a minute what you said and then about what you've done and i'll think about your other girls and how i want to be the only one make a plan figure out where you stand and see it through just make your move i'm a fool to think that you could ever be that true now you decide i'm not a child and somehow i'll get by i don't care what you say i don't care what you do i don't care what you say i don't care what you do just make it me just make it me |
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3:33 | ||||
from Letters To Cleo - Go! (1997)
what would you do for me my sweet cherubic
baby ideally way up high and lovely but i had a thought that i'n not waiting for you anymore i'm astral crystalline pure though you could disappear tomorrow who would care it's not like the retribution would end there you could disappear tell us a story tell us all about your heavenly life in deatil and don't leave out a word i'm listening all growed up stepford son don't ever change and don't go away too quiet ever to be heard buy you could disappear tomorrow who would care it's not like retribution would end there you could disapper tomorrow but just let me make it clear so keep your eyes down low and keep very still hands up |
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3:40 | ||||
from Music From the Motion Picture "The Craft" (크래프트) [ost] (1996)
Can I touch you, are you out of touch
I guess I never noticed that much Geranium lover, I'm live on your wire Come and take me whoever you are She's a lot like you The dangerous type She's a lot like you Come on and hold me tight Inside angel, always upset Keeps on forgetting that we ever met Can I bring you out in the light My curiosity's got me tonight She's a lot like you The dangerous type She's a lot like you Come on and hold me tight The museum directors with their high shaking heads They kick white shadows until they play dead They want to crack your crosswoird smile Can I take you out for awhile She's a lot like you The dangerous type She's a lot like you Come on and hold me tight... |
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3:39 | ||||
from Melrose Place- The Music (0000) | |||||
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from Melrose Place OST (멜로즈 플레이스) [ost] (1998) |