Martin Barre

Let me bring you songs from the wood:
To make you feel much better than you could know -
Dust you down from tip to toe -
Show you how the garden grows -
Hold you steady as you go -
Join the chorus if you can:
It'll make of you an honest man.

Let me bring you love from the field:
Poppies red and roses filled with summer rain
To heal the wound and still the pain
That threatens again and again
As you drag down every lovers' lane.
Life's long celebration's here.
I'll toast you all in penny cheer.

Let me bring you all things refined:
Galliards and Lute songs served in chilling ale.
Greeting well-met fellow, hail!
I am the wind to fill your sail.
I am the cross to take your nail:
A singer of these ageless times -
With kitchen prose and gutter rhymes.

Songs from the wood - make you feel much better
Songs from the wood - make you feel much better

Songs from the wood
Songs from the wood

Let me bring you love from the field:
Poppies red and roses filled with summer rain
To heal the wound and still the pain
That threatens again and again
As you drag down every lovers' lane.
Life's long celebration's here.
I'll toast you all in penny cheer.

Songs from the wood - make you feel much better
Songs from the wood - make you feel much better

He sits quietly under every tree
In the folds of his velvet gown.
He drinks from the empty acorn cup.
The dew that dawn sweetly bestows.
And taps his cane upon the ground -
Signals the snow drops, it's time to grow

It's no fun being Jack-in-the-Green:
No place to dance, no time for song.
He wears the colours of the summer soldier;
And carries the green flag all the winter long.

Jack do you never sleep - does the green still run deep in your heart?
Or will these changing times, motorways, powerlines, keep us apart?
Well, I don't think so.
I saw some grass growing through the pavements today.

The Rowan, the Oak and the Holly tree
Are the charges left for him to groom.

Each blade of grass whispers, "Jack-in-the-Green."
"Oh Jack, please help me through my winter's night."
And - "We are the berries on the Holly tree:
Oh, the Mistle Thrush is coming. Jack, put out the light!"

May I make my fond excuses for the late-ness of the hour;
But we accept your invitation, and would bring you Beltane's flower.
For the May Day is the great day, sung along the old straight track.
And those who ancient lines did ley will heed this song that
calls them
back.

Pass the word and pass the lady and pass the plate to all who hunger.
And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder.
And pass the Cup of Crimson Wonder.

Ask the Green Man where he comes from, ask the cup that fills with
red.
Ask the old grey standing stones who show the sun his way to bed.
Question all as to their ways, and learn the secrets that they hold.
Walk the lines of Nature's palm, crossed with silver and with gold.

Pass the cup and pass the lady and pass the plate to all who hunger.
And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder.
And pass the Cup of Crimson Wonder.

Join in black December's sadness, lie in August's welcome corn.
Stir the cup that's ever filling with the blood of all that's born.
But the May Day is the great day, sung along the old straight track.
And those who ancient lines did ley will heed this song that
calls them
back.

Pass the word and pass the lady and pass the plate to all who hunger.
And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder.
And pass the Cup of Crimson Wonder.

One day I walked the road and crossed a field to go by where the
hounds ran
hard.
And on the master raced: behind the hunters chased to where the
path was
barred.
One fine young lady's horse refused the fence to clear.
I unlocked the gate but she did wait until the pack had disappeared.

Crop-handle carved in bone; sat high upon a throne of finest
English
leather.
The Queen of all the Pack: this joker raised his hat and talked
about the
weather.
All should be warned about this high-born Hunting Girl.
She took this simple man's downfall in hand; I raised the flag
that she
unfurled.

Boot leather flashing and spur-necks the size of my thumb.
This high-born hunter had tastes as strange as they come.

Unbridled passion: I took the bit in my teeth.
Her standing over: me on my knees underneath.

My lady, be discrete. I must get to my feet and go back to the farm.
Whilst I appreciate you are no deviate, I might come to some harm.
I'm not inclined to acts refined, if that's how it goes.
Oh, high-born Hunting Girl, I'm just a normal low-born so-and-so.

Now is the solstice of the year. Winter is the glad song that you
hear.
Seven maids move in seven time. Have the lads up ready in the line.
Ring out these bells. Ring out, ring Solstice Bells.
Ring, Solstice Bells.

Join together 'neath the Mistle-toe. By the Holly oak where-on it
grows.
Seven Druids dance in seven time. Sing the song the Bells call
loudly
chime.
Ring out these bells. Ring out, ring Solstice Bells.
Ring, Solstice Bells.

Ring out. Ring out the Solstice Bells.
Ring out. Ring out the Solstice Bells.

Praise be to the distant sister Sun. Joyful as the silver planets run.
Seven maids move in seven time. Sing the song the Bells call loudly
chime.
Ring out those bells. Ring out, ring Solstice Bells.
Ring, Solstice Bells.

Ring out!
Ring out!
Ring out!
Ring out!

Walking on Velvet Green - Scots Pine growing.
Isn't it rare to be taking the air, sinning -
Walking on Velvet Green.

Walking on Velvet Green - distant cows lowing.
Never a care; with your legs in the air, loving -
Walking on Velvet Green.

Won't you have my company, yes, take it in your hands.
Go down on Velvet Green, with a country-man.
Who's a young girl's fancy and an old maid's dream.
Tell your mother that you walked all night on Velvet Green.

One dusky half-hour's ride up to the north.
There lies your reputation and all that you're worth.
Where the scent of wild roses turns the milk to cream.
Tell your mother that you walked all night on Velvet Green.

And the long grass blows in the evening cool.
And August's rare delight may be April's fool.
But think not of that my love, I'm tight against the seam.
And I'm growing up to meet you down on Velvet Green.

Now I may tell you that it's love and not just lust.
And if we live the lie, let's lie in trust.
On golden daffodils, to catch the silver stream
That washes out the wild oat seed on Velvet Green.

We'll dream as lovers under the stars:
Of civilizations raging afar.
And the ragged dawn breaks on your battle scars
As you walk home cold and alone upon Velvet Green.

Walking on Velvet Green - Scots Pine growing.
Isn't it rare to be taking the air, sinning -
Walking on Velvet Green.

Walking on Velvet Green - distant cows lowing.
Never a care; with your legs in the air, loving -
Walking on Velvet Green.

I'll buy you six bay mares, to put in your stable;
Six golden apples bought with my pay.
I am the first piper who calls the sweet tune
But I must be gone by the seventh day.

So come on - I'm the Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
Whistle along on the seventh day.

All kinds of sadness I've left behind me.
Many's the day when I have done wrong.
But I'll be yours for ever and ever.
Climb in the saddle and whistle along.

So come on - I'm the Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
Whistle along on the seventh day.

Deep red are the sunsets in mystical places.
Black are the nights on summer-day sands.
We'll find the speck of truth in each riddle:
Hold the first grain of love in our hands

So come on - I'm the Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
So come on - I'm a Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
Whistle along on the seventh day.

There's a light in the house, in the wood in the valley.
There's a thought in the head, of the man.
Who carries his dreams, like the coat slung on his shoulder,
Bringing you love, in the cap in his hand.

And each step he takes, is one half of a life-time:

No word he would say, could you understand.
So he bundles his regrets, into a gesture of sorrow,
Bringing you love, cap in hand.

Catching breath, as he looks through the dining-room window:
Candle-lit table, for two has been laid.
Strange slippers by the fire:
Strange boots in the hall-way.
Put my cap on my head - I turn, and walk away.

I believe in fires at midnight, when the dogs have all been fed.
A golden toddy on the mantle; a broken gun beneath the bed.
Silken mist outside the window -
Frogs and newts slip in the dark.
Too much hurry ruins a body:
I'll sit easy; fan the spark.

Kindled by the dying embers, of another working day.
Go upstairs: take off your make-up -
Fold your clothes neatly away.
Me, I'll sit and write this love song
As I all too seldom do -
Build a little fire this midnight.
It's good to be back home with you.

Kindled by the dying embers, of another working day.
Go upstairs: take off your make-up -
Fold your clothes neatly away.
Me, I'll sit and write this love song
As I all too seldom do -
Build a little fire this midnight.
It's good to be back home with you.

The Minstrel in the Gallery looked down upon the smiling faces.
He met the gazes - observed the spaces between the old men's cackle.
He brewed a song of love and hatred - oblique suggestions - and he
waited.
He polarized the pumpkin-eaters - static-humming panel-beaters -
freshly
day-glo'd factory cheaters (salaried and collar-scrubbing).
He titillated men-of-action - belly warming, hands still rubbing
on the
parts they never mention.
He pacified the nappy-suffering, infant-bleating one-line jokers -
T.V.
documentary makers (over-fed and undertakers).
Sunday paper backgammon players - family-scarred and women-haters.
Then he called the band down to the stage and he looked at all the
friends
he'd made.

The Minstrel in the Gallery looked down upon the smiling faces.
He met the gazes - observed the spaces in between the old men's
cackle.
And he brewed a song of love and hatred - oblique suggestions -
and he
waited.
He polarized the pumpkin-eaters - static-humming panel-beaters.

The Minstrel in the Gallery looked down on the rabbit-run.
And threw away his looking-glass - saw his face in everyone.
Hey!

He titillated men-of-action - belly warming, hands still rubbing
on the
parts they never mention (salaried and collar-scrubbing).

He pacified the nappy-suffering, infant-bleating one-line jokers -
T.V.
documentary makers (over-fed and undertakers).
Sunday paper backgammon players - family-scarred and women-haters.
Then he called the band down to the stage and he looked at all the
friends
he'd made.

The Minstrel in the Gallery looked down on the rabbit-run.
And he threw away his looking-glass and saw his face in everyone.
Hey!
The Minstrel in the Gallery. Yes!
Looked down upon the smiling faces.
He met the gazes. Yeah!
Mm. The Minstrel in the Gallery.

And ride with us young bonny lass - with the angels of the night.
Crack wind clatter - flesh rein bite on an out-size unicorn.
Rough-shod winging sky blue flight on a Cold Wind to Valhalla.
And join with us please - Valkyrie maidens cry above the Cold
Wind to
Valhalla.

Break fast with the Gods. Night angels serve with ice-bound majesty.
Frozen flaking fish raw nerve - in a cup of silver liquid fire.
Moon jet brave beam split ceiling swerve and light the old Valhalla.
Come join with us please - Valkyrie maidens cry above the Cold
Wind to
Valhalla.

The heroes rest upon the sighs of Thor's trusty hand-maidens.
Midnight lonely whisper cries, "We're getting a bit short on
heroes
lately."
Sword snap fright white pale good-byes in the desolation of Valhalla.
And join with us please - Valkyrie maidens ride empty-handed on
the Cold
Wind to Valhalla.

Come, let me play with you, Black Satin Dancer.
In all your giving, given is the answer.
Tearing life from limb and looking sweeter than the brightest flower
in my
garden.
Begging your pardon - shedding right unreason.
Over sensation fly the fleeting seasons.
Thin wind whispering on broken mandolin.
Bending the minutes - the hours ever turning on that old gold
story of
mercy.
Desperate breathing. Tongue nipple-teasing.
Your fast river flowing - your Northern fire fed.
Come, Black Satin Dancer, come softly to bed.

Black Satin Dancer, given is the answer.
Tearing life from limb and looking sweeter than the brightest flower
in my
garden.

Come, let me play with you; Come, Black Satin Dancer.
In all your giving, given is the answer.
Your fast river flowing - your Northern fire fed.
Come, Black Satin Dancer, come softly to bed.

Well I saw a bird today - flying from a bush and the wind blew it
away.
And the black-eyed mother sun scorched the butterfly at play -
velvet
veined I saw it burn.
With a wintry storm-blown sigh, a silver cloud blew right on by
And, taking in the morning, I sang - O Requiem.
Well, my lady told me, "Stay."
I looked aside and walked away along the Strand.

But I didn't say a word, as the train time-table blurred close
behind the
taxi stand.
Saw her face in the tear-drop black cab window.
Fading in the traffic; watched her go.
And taking in the morning, heard myself singing - O Requiem.
Here I go again. It's the same old story.

Well, I saw a bird today - I looked aside and walked away along the
Strand.

A one, two, three.
There's a haze on the skyline, to wish me on my way -
And there's a note on the telephone - some roses on a tray.
And the motorway's stretching right out to us all, as I pull on my old
wings - One White Duck on your wall.
Isn't it just too damn real? One White Duck on your wall.
One Duck on your wall.

I'll catch a ride on your violin - strung upon your bow.
And I'll float on your melody - sing your chorus soft and low.
There's a picture-view postcard to say that I called.
You can see from the fireplace, One White Duck on your wall.
Isn't it just too damn real? One White Duck on your wall.
One Duck on your wall.

So fly away Peter and fly away Paul - from the finger-tip ledge of
contentment.
The long restless rustle of high heel boots calls.
And I'm probably bound to deceive you after all.
Something must be wrong with me and my brain - if I'm so patently
unrewarding.
But my dreams are for dreaming and best left that way - and my zero to your
power of ten equals nothing at all.

There's no double-lock defense; there's no chain on my door.
And I'm available for consultation,
But remember your way in is also my way out, and love's four-letter word is
no compensation.

Well, I'm the Black Ace dog handler: I'm a waiter on skates - so don't you
jump to your foreskin conclusion -
Because I'm up to my deaf ears in cold breakfast trays -
To be cleared before I can dine on your sweet Sunday lunch confusion.

Windy bus-stop. Click. Shop-window. Heel.
Shady gentleman. Fly-button. Feel.
In the underpass, the blind man stands.
With cold flute hands.
Symphony match-seller, breath out of time.
You can call me on another line.
Indian restaurants that curry my brain.
Newspaper warriors changing the names they

advertise from the station stand.
With cold print hands.
Symphony word-player, I'll be your headline.
If you catch me another time.

Didn't make her --- with my Baker Street Ruse.
Couldn't shake her --- with my Baker Street Bruise.
Like to take her --- but I'm just a Baker Street Muse.

Ale-spew, puddle-brew --- boys, throw it up clean.
Coke and Bacardi colours them green.
From the typing pool goes the mini-skirted princess
with great finesse.
Fertile earth-mother, your burial mound is fifty feet
down in the Baker Street underground. (What the hell!)
Walking down the gutter thinking,
``How the hell am I today?''
Well, I didn't really ask you but thanks all the same.

Hello sun.
Hello bird.
Hello my lady.
Hello breakfast. May I
buy you again tomorrow?

Thick As A Brick

Really don't mind if you sit this one out.
My words but a whisper -- your deafness a SHOUT.
I may make you feel but I can't make you think.
Your sperm's in the gutter -- your love's in the sink.

So you ride yourselves over the fields and
you make all your animal deals and
your wise men don't know how it feels
to be thick as a brick.

And the sand-castle virtues are all swept away
In the tidal destruction the moral melee.
The elastic retreat rings the close of play
as the last wave uncovers the newfangled way.

But your new shoes are worn at the heels
and your suntan does rapidly peel
and your wise men don't know how it feels
to be thick as a brick.

And the love that I feel is so far away:
I'm a bad dream that I just had today --
and you shake your head
and say it's a shame.

Spin me back down the years and the days of my youth.
Draw the lace and black curtains and shut out the whole truth.
Spin me down the long ages: let them sing the song.

See there! A son is born --
and we pronounce him fit to fight.
There are black-heads on his shoulders,
and he pees himself in the night.
We'll make a man of him
put him to trade
teach him to play Monopoly
and not to sing in the rain.

The Poet and the painter casting shadows on the water --
as the sun plays on the infantry returning from the sea.
The do-er and the thinker: no allowance for the other --
as the failing light illuminates the mercenary's creed.
The home fire burning: the kettle almost boiling --
but the master of the house is far away.
The horses stamping -- their warm breath clouding
in the sharp and frosty morning of the day.
And the poet lifts his pen while the soldier sheaths his sword.

And the youngest of the family
Is moving with authority.
Building castles by the sea,
he dares the tardy tide
to wash them all aside.

The cattle quietly grazing at the grass down by the river
where the swelling mountain water moves onward to the sea:
the builder of the castles renews the age-old purpose
and contemplates the milking girl whose offer is his need.
The young men of the household have all gone into service
and are not to be expected for a year.
The innocent young master -- thoughts moving ever faster --
has formed the plan to change the man he seems.
And the poet sheaths his pen while the soldier lifts his sword.

And the oldest of the family
Is moving with authority.
Coming from across the sea,
he challenges the son
who puts him to the run.

What do you do when the old man's gone --
do you want to be him?
And your real self sings the song.
Do you want to free him?
No one to help you get up steam --
and the whirlpool turns you 'way off-beam.

LATER.
I've come down from the upper class
to mend your rotten ways.
My father was a man-of-power
whom everyone obeyed.
So come on all you criminals!
I've got to put you straight
just like I did with my old man --
twenty years too late.
Your bread and water's going cold.
Your hair is too short and neat.
I'll judge you all and make damn sure
that no-one judges me.

You curl your toes in fun as you smile at everyone --
you meet the stares. You're unaware that your doings aren't done.
And you laugh most ruthlessly as you tell us what not to be.
But how are we supposed to see where we should run?

I see you shuffle in the courtroom with your rings upon your fingers
and your downy little sidies and your silver-buckle shoes.
Playing at the hard case, you follow the example
of the comic-paper idol who lets you bend the rules.

So! Come on ye childhood heroes!
Won't you rise up from the pages
of your comic-books your super crooks
and show us all the way.
Well! Make your will and testament.
Won't you? Join your local government.
We'll have Superman for president
let Robin save the day.

You put your bet on number one and it comes up every time.
The other kids have all backed down and they put you first in line.
And so you finally ask yourself just how big you are --
and take your place in a wiser world of bigger motor cars.
And you wonder who to call on.

So! Where the hell was Biggles when you needed him last Saturday?
And where were all the sportsmen who always pulled you though?
They're all resting down in Cornwall --
writing up their memoirs for a paper-back edition of the Boy Scout Manual.

LATER.
See there! A man born --
and we pronounce him fit for peace.
There's a load lifted from his shoulders
with the discovery of his disease.
We'll take the child from him
put it to the test
teach it to be a wise man
how to fool the rest.

QUOTE
We will be geared to the average rather than the exceptional
God is an overwhelming responsibility
we walked through the maternity ward and saw 218 babies wearing nylons
It says here that cats are on the upgrade
upgrade? Hipgrave. Oh, Mac.

LATER
In the clear white circles of morning wonder,
I take my place with the lord of the hills.
And the blue-eyed soldiers stand slightly discoloured (in neat little rows)
sporting canvas frills.
With their jock-straps pinching, they slouch to attention,
while queueing for sarnies at the office canteen.
Saying -- how's your granny and good old Ernie:
he coughed up a tenner on a premium bond win.

The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call.
And all the promises they made are ground beneath the sadist's fall.
The poet and the wise man stand behind the gun,
and signal for the crack of dawn. Light the sun.

Do you believe in the day?
Do you? Believe in the day!
The Dawn Creation of the Kings has begun.
Soft Venus (lonely maiden) brings the ageless one.

Do you believe in the day?
Do you? Believe in the day!
The fading hero has returned to the night --
and fully pregnant with the day, wise men endorse the poet's sight.
Do you believe in the day?
Do you? Believe in the day!

Let me tell you the tales of your life
of your love and the cut of the knife
the tireless oppression the wisdom instilled
the desire to kill or be killed.
Let me sing of the losers who lie
in the street as the last bus goes by.
The pavements are empty: the gutters run red --
while the fool toasts his god in the sky.

So come all ye young men who are building castles!
Kindly state the time of the year
and join your voices in a hellish chorus.
Mark the precise nature of your fear.

Let me help you pick up your dead
as the sins of the father are fed
with the blood of the fools and the thoughts of the wise
and from the pan under your bed.
Let me make you a present of song as
the wise man breaks wind and is gone while
the fool with the hour-glass is cooking his goose and
the nursery rhyme winds along.

So! Come all ye young men who are building castles!
Kindly state the time of the year
and join your voices in a hellish chorus.
Mark the precise nature of your fear.
See! The summer lightning casts its bolts upon you
and the hour of judgement draweth near.
Would you be the fool stood in his suit of armour
or the wiser man who rushes clear.

So! Come on ye childhood heroes!
Won't your rise up from the pages
of your comic-books your super-crooks
and show us all the way.
Well! Make your will and testament.
Won't you? Join your local government.
We'll have Superman for president
let Robin save the day.

So! Where the hell was Biggles when you needed him last Saturday?
And where were all the sportsmen who always pulled you through?
They're all resting down in Cornwall -- writing up their memoirs
for a paper-back edition of the Boy Scout Manual.

OF COURSE
So you ride yourselves over the fields
and you make all your animal deals
and your wise men don't know how it feels
to be thick as a brick.

Muscled, black with steel-green eye
swishing through the rye grass
with thoughts of mouse-and-apple pie.
Tail balancing at half-mast.
...And the mouse police never sleeps ---
lying in the cherry tree.
Savage bed foot-warmer of purest feline ancestry.
Look out, little furry folk!
He's the all-night working cat.
Eats but one in every ten ---
leaves the others on the mat.
...And the mouse police never sleeps ---
waiting by the cellar door.
Window-box town crier;
birth and death registrar.
With claws that rake a furrow red ---
licensed to mutilate.
From warm milk on a lazy day
to dawn patrol on hungry hate.
...No, the mouse police never sleeps ---
climbing on the ivy.
Windy roof-top weathercock.
Warm-blooded night on a cold tile.

I'll make love to you in all good places -
Under black mountains, in open spaces.
By deep brown rivers that slither darkly,
Through far marches where the blue hare races.

Come with me to the Winged Isle -
Northern father's western child.
Where the dance of ages is playing still
Through far marches of acres wild.

I'll make love to you in narrow side streets,
With shuttered windows, and crumbling chimneys.

Come with me to the weary town -
Discos silent under tiles
That slide from roof-tops, scatter softly
On concrete marches of acres wild.

By red bricks pointed with cement fingers
Flaking damply from sagging shoulders.

Come with me to the Winged Isle -
Northern father's western child.
Where the dance of ages is playing still
Through far marches of acres wild

Keep your eyes open and prick up your ears,
Rehearse your loudest cry.
There's folk out there who would do you harm
So I'll sing you no lullaby.

There's a lock on the window, there's a chain on the door,
And a big dog in the hall.
But there's dragons and beasties out there in the night
To snatch you if you fall.

So come out fighting with your rattle in hand, thrust and parry. Light
A match to catch the devil's eye, bring a cross of fire to the fight.
And let no sleep bring false relief from the tension of the fray.
Come wake the dead with the scream of life, do battle with ghosts at play.
And gather your toys at the call-to-arms and swing your big bear down
Upon our necks when we come to set you sleeping safe and sound.
It's as well we tell no lie to chase the face that cries.
And little birds can't fly so keep an open eye.
It's as well we tell no lie, so I'll sing you no lullaby.

It's as well we tell no lie to chase the face that cries.
And little birds can't fly so keep an open eye.
It's as well we tell no lie, so I'll sing you no lullaby.

Keep your eyes open and prick up your ears,
Rehearse your loudest cry.
There's folk out there who would do you harm
So I'll sing you no lullaby.

There's a lock on the window, there's a chain on the door,
And a big dog in the hall.
But there's dragons and beasties out there in the night
To snatch you if you fall.

So come out fighting with your rattle in hand, thrust and parry. Light
A match to catch the devil's eye, bring a cross of fire to the fight.
And let no sleep bring false relief from the tension of the fray.
Come wake the dead with the scream of life, do battle with ghosts at play.
And gather your toys at the call-to-arms and swing your big bear down.
Upon our necks when we come to set you sleeping safe and sound.
It's as well we tell no lie to chase the face that cries.
And little birds can't fly so keep an open eye.
It's as well we tell no lie, so I'll sing you no lullaby.

Oh the leaded window opened
but you moved the dancing candle flame
and the first moths of summer
suicidal came, oh suicidal came.

And the new breeze chattered
in its May-bud tenderness
sending water-lilies sailing
as she turned to get undressed.

And the long night awakened
and we soared on powdered wings
circling our tomorrows
in the wary month of spring.

Chasing shadows slipping
in the magic lantern's light -
creatures of the candle
on the night's light's rite.

Dipping and weaving, flutter
through the golden needle's eye
in our haystack madness, butterfly stroking
on a spring-tide high.

Life's too long (as the lemmings said)
as the candle burned and the moths were wed.
And we'll all burn together as the wick grows higher
before the candle's dead.

Oh the leaded window opened
but you moved the dancing candle flame.
And the first moths of summer
suicidal came, oh suicidal came,
to join in the worship
of the light that never dies
in the moments reflection
of two moths spinning in her eyes.

Spine-tingling railway sleepers ---
Sleepy houses lying four-square and firm
Orange beams divide the darkness
Rumbling fit to turn the waking worm.
Sliding through Victorian tunnels
where green moss oozes from the pores.
Dull echoes from the wet embankments
Battlefield allotments. Fresh open sores.

In late night commuter madness
Double-locked black briefcase on the floor
like a faithful dog with master
sleeping in the draught beside the carriage door.
To each Journeyman his own home-coming
Cold supper nearing with each station stop
Frosty flakes on empty platforms
Fireside slippers waiting. Flip. Flop.

Journeyman night-tripping on the late fantasic
Too late to stop for tea at Gerard's Cross
and hear the soft shoes on the footbridge shuffle
as the wheels turn biting on the midnight frost.
On the late commuter special
Carriage lights that flicker, fade and die
Howling into hollow blackness
Dusky diesel shudders in full cry.
Down redundant morning papers
Abandon crosswords with a cough
Stationmaster in his wisdom
told the guard to turn the heating off.

I chase your every footstep
and I follow every whim.
When you call the tune I'm ready
to strike up the battle hymn.
My lady of the meadows ---
My comber of the beach ---
You've thrown the stick for your dog's trick
but it's floating out of reach.
The long road is a rainbow and the pot of gold lies there.
So slip the chain and I'm off again ---
You'll find me everywhere. I'm a Rover.

As the robin craves the summer
to hide his smock of red,
I need the pillow of your hair
in which to hide my head.
I'm simple in my sadness,
resourceful in remorse.
Then I'm down straining at the lead ---
holding on a windward course.

Strip me from the bundle
of balloons at every fair:
colourful and carefree ---
Designed to make you stare.
But I'm lost and I'm losing
the thread that holds me down.
And I'm up hot and rising
in the lights of every town.

Smile your little smile --- take some tea with me awhile.
Brush away that black cloud from your shoulder.
Twitch your whiskers. Feel that you're really real.
Another tea-time --- another day older.

Puff warm breath on your tiny hands.
You wish you were a man
who every day can turn another page.
Behind your glass you sit and look
at my ever-open book ---
One brown mouse sitting in a cage.

Do you wonder if I really care for you ---
Am I just the company you keep ---
Which one of us exercises on the old treadmill ---
Who hides his head, pretending to sleep?

Smile your little smile --- take some tea with me awhile.
And every day we'll turn another page.
Behind our glass we'll sit and look
at our ever-open book ---
One brown mouse sitting in a cage.

Iron-clad feather-feet pounding the dust
An October's day, towards evening
Sweat embossed veins standing proud to the plough
Salt on a deep chest seasoning
Last of the line at an honest day's toil
Turning the deep sod under
Flint at the fetlock, chasing the bone
Flies at the nostrils plunder.

The Suffolk, the Clydesdale, the Percheron vie
with the Shire on his feathers floating
Hauling soft timber into the dusk
to bed on a warm straw coating.

Heavy Horses, move the land under me
Behind the plough gliding --- slipping and sliding free
Now you're down to the few
And there's no work to do
The tractor's on its way.

Let me find you a filly for your proud stallion seed
to keep the old line going.
And we'll stand you abreast at the back of the wood
behind the young trees growing
To hide you from eyes that mock at your girth,
and your eighteen hands at the shoulder
And one day when the oil barons have all dripped dry
and the nights are seen to draw colder
They'll beg for your strength, your gentle power
your noble grace and your bearing
And you'll strain once again to the sound of the gulls
in the wake of the deep plough, sharing.

Standing like tanks on the brow of the hill
Up into the cold wind facing
In stiff battle harness, chained to the world
Against the low sun racing
Bring me a wheel of oaken wood
A rein of polished leather
A Heavy Horse and a tumbling sky
Brewing heavy weather.

Bring a song for the evening
Clean brass to flash the dawn
across these acres glistening
like dew on a carpet lawn
In these dark towns folk lie sleeping
as the heavy horses thunder by
to wake the dying city
with the living horseman's cry
At once the old hands quicken ---
bring pick and wisp and curry comb ---
thrill to the sound of all
the heavy horses coming home.

Good morning Weathercock,
How'd you fare last night?
Did the cold wind bite you,
Did you face up to the fright
When the leaves spin from October
And whip around your tail?
Did you shake from the blast,
And did you shiver through the gale?

Give us direction, the best of goodwill,
Put us in touch with fair winds.
Sing to us softly, hum evening's song,
Tell us what the blacksmith has done for you.

Do you simply reflect changes
In the patterns of the sky,
Or is it true to say the weather heeds
The twinkle in your eye?
Do you fight the rush of winter,
And hold snowflakes at bay?
Do you lift the dawn sun from the fields
And help him on his way?

Good morning Weathercock, make this day bright.
Put us in touch with your fair winds.
Sing to us softly, hum evening's song.
Point the way to better days we can share with you.

The bomb's in the china. The fat's in the fire.
There's no turkey left on the table.
The commuter's return on the six o'clock flyer
brings no bale of hay for the stable.
Well, the light, it is failing along the green belt
as we follow the hard road signs.
Semi-detached in our suburban-ness ---
we're living in these hard times.

Well the fly's in the milk and the cat's in the stew.
Another bun in the oven --- oh, what to do?
We'll laugh and we'll sing and try to bring
a pound from your pocket.
Good day to you.
Oh, these hard times.

The politicians sat on the wall
and traded with the union game.
Someone slapped a writ on our deficit ---
not a penny left to our name.
Oh, the times are hard and the credits lean,
and they toss and they turn in sleep.
And the line they take is the line they make ---
but it's not the line they keep.

The cow jumped over yesterday's moon
and the lock ran away with the key.
You know what you like, and you like what you know
but there is no jam for tea.
Well the light it is failing along the green belt
as we follow the hard road signs.
Semi-detached in our suburban-ness ---
we're living in these hard times.

Sitting on a park bench
Eyeing little girls with bad intent

Snot running down his nose
Greasy fingers smearing shabby clothes
Hey, Aqualung

Drying in the cold sun
Watching as the frilly panties run
Hey, Aqualung

Feeling like a dead duck
Spitting out pieces of his broken luck
Whoa, Aqualung

Sun streaking cold
An old man wandering lonely
Taking time the only way he knows
Leg hurting bad
As he bends to pick a dog-end
He goes down to the bog and warms his feet

Feeling alone
The army's up the road
Salvation a la mode and a cup of tea
Aqualung, my friend
Don't you start away uneasy
You poor old sod, you see, it's only me

Do you still remember
December's foggy freeze
When the ice that
Clings onto your beard was
Screaming agony? Hey!
And you snatch your rattling last breaths
With deep-sea diver sounds
And the flowers bloom like
Madness in the spring

Sun streaking cold
An old man wandering lonely
Taking time the only way he knows
Leg hurting bad
As he bends to pick a dog-end
He goes down to the bog and warms his feet
Ohh

Feeling alone
The army's up the road
Salvation a la mode and a cup of tea
Aqualung, my friend
Don't you start away uneasy
You poor old sod, you see, it's only me
Ohh

Dee dee dee dee dee...

Aqualung, my friend
Don't you start away uneasy
You poor old sod, you see, it's only me

Sitting on a park bench
Eyeing little girls with bad intent

Snot running down his nose
Greasy fingers smearing shabby clothes
Hey, Aqualung

Drying in the cold sun
Watching as the frilly panties run
Hey, Aqualung

Feeling like a dead duck
Spitting out pieces of his broken luck
Hey, Aqualung

Whoa, Aqualung

Who would be a poor man, a beggarman, a thief
If he had a rich man in his hand?
And who would steal the candy from a laughing baby's mouth
If he could take it from the money man?
Cross-eyed Mary goes jumping in again
She signs no contract, but she always plays the game
She dines in Hampstead village on expense accounted gruel
And the jack-knife barber drops her off at school

Laughing in the playground, gets no kicks from little boys
Would rather make it with a letching grey
Or maybe her attention is drawn by Aqualung
Who watches through the railings as they play
Cross-eyed Mary finds it hard to get along
She's a poor man's rich girl and she'll do it for a song.
She's a rich man stealer, but her favour's good and strong:
She's the Robin Hood of Highgate, helps the poor man get along.

Laughing in the playground, gets no kicks from little boys
Would rather make it with a letching grey
Or maybe her attention is drawn by Aqualung
Who watches through the railings as they play
Cross-eyed Mary goes jumping in again
She signs no contract, but she always plays the game
She dines in Hampstead village on expense accounted gruel
And the jack-knife barber drops her off at school

Cross-eyed Mary
Oh, Mary
Oh, cross-eyed Mary

On Preston Platform
Do your soft shoe shuffle dance
Brush away the cigarette ash
That's falling down your pants
And then you sadly wonder
Does the nurse treat your old man
The way she should?
She made you tea
Asked for your autograph--
What a laugh

As I did walk by Hampstead Fair,
I came upon Mother Goose,
So I turned her loose--
She was screaming.
And a foreign student said to me
Was it really true
There are elephants, lions too,
Piccadilly Circus?

Walked down by the bathing pond
To try and catch some sun.
Saw at least a hundred school girls
Sobbing into handkerchiefs as one.
I don't believe they knew
I was a schoolboy.

And a bearded lady said to me
If you start your raving
And your misbehaving,
You'll be sorry.
And the chicken fancier came to play
With his long red beard,
And his sister's weird--
She drives a lorry.

Laughed down by the putting green,
I popped 'em in their holes.
Four and twenty labourers were labouring
And digging up their gold.
I don't believe they knew
That I was Long John Silver.

Saw Johnny Scarecrow make his rounds
In his jet black mac
Which he won't give back--
Stole it from a snowman.
As I did walk by Hampstead Fair,
I came upon Mother Goose,
So I turned her loose--
She was screaming.

Walked down by the bathing pond
To try and catch some sun.
Must have been least a hundred school girls
Sobbing into handkerchiefs as one.
I don't believe they knew
I was a schoolboy.

Wond'ring aloud --
How we feel today.
Last night sipped the sunset --
My hands in her hair.
We are our own saviours
As we start both our hearts beating life
Into each other.

Wond'ring aloud --
Will the years treat us well.
As she floats in the kitchen,
I'm tasting the smell
Of toast as the butter runs.
Then she comes, spilling crumbs on the bed
And I shake my head.
And it's only the giving
That makes you what you are.

Take her to the cinema
And leave you in a Wimpy bar
You tell me that we've gone too far
Come running up to me
Make the scene at cousin Jack's
Leave him to put the bottles back
Mends his glasses that I cracked
Well that one's up to me, hey

Oh, it's up to me
It's up to me

I buy a silver cloud to ride
Pack the tennis club inside
Trouser cuffs hung far too wide
Well, it was up to me
Tyres down on your bicycle
Your nose feels like an icicle
The yellow fingered smoky girl
Is looking up to me, yeah

Whoa, you know it's up to me, yeah

Well I'm a common working man
With a half of bitter, bread and jam
And if it pleases me I'll put one on you, man
When the cuppa fades away

Whoa, it's up to me
Whoa, I said, it's up to me, yeah

The rainy season comes to pass
The day-glo pirate sinks at last
And if I laughed a bit too fast
Well, it was up to me
Take you to the cinema
And leave you in a Wimpy bar
You tell me that we've gone too far
Come running up to me, hey

Whoa, you know it's up to me, yeah
I said it's up to me, yeah

People what have you done?
Locked Him in His golden cage
Golden cage

Made Him bend to your religion
Him resurrected from the grave
From the grave

He is the God of nothing
If that’s all that you can see
You are the God of everything
He’s inside you and me

So lean upon Him gently
And don't call on Him to save
You from your social graces
And the sins you used to waive
You used to waive

The bloody Church of England
In chains of history
Requests your earthly presence
At the vicarage for tea

And the graven image
You know who
With his plastic crucifix
He's got Him fixed
Confuses me as to who and where and why
As to how he gets his kicks
He gets his kicks.

Confessing to the endless sin
With endless whining sounds
You'll be praying 'til next Thursday
To all the gods that you can count

Our Father high in heaven, smile down upon your son
Who is busy with his money games - his women and his gun
Oh Jesus save me

And the unsung western hero, he killed an Indian or three
And then he made his name in Hollywood to set the white man free
Oh Jesus save me

If Jesus saves, well he better save himself
From the gory glory seekers who use his name in death
Oh Jesus save me

If Jesus saves, well he better save himself
From the gory glory seekers who use his name in death
Oh Jesus save me

Well I saw him in the city, and on the mountains of the moon
His cross was rather bloody, and he could hardly roll his stone
Oh Jesus save me

Well, the lush separation unfolds you
And the products of wealth
Push you along on the bow wave
Of their spiritless undying selves
And you press on God's waiter your last dime
As he hands you the bill
And you spin in the slipstream
Timeless, unreasoning
Paddle right out of the mess
And you paddle right out of the mess

In the shuffling madness
Of the locomotive breath
Runs the all time loser
Headlong to his death
Oh, he feels the pistons screaming
Steam breaking on his brow
Old Charlie stole the handle
And the train it won't stop going
No way to slow down

He sees his children jumpin’ off
At stations one by one
His woman and his best friend
In bed and having fun
So he's crawling down the corridor
On his hands and knees
Old Charlie stole the handle
And the train it won't stop going
No way to slow down

He hears the silence howling
Catches angels as they fall
And the all time winner
Has got him by the balls
Oh, he picks up Gideon's Bible
Open at page one
I think God, he stole the handle
And the train it won't stop going
No way to slow down

No way to slow down
No way to slow down
No way to slow down
No way to slow down

When I was young and they packed me off to school
And taught me how not to play the game
I didn't mind if they groomed me for success
Or if they said that I was just a fool.

So I left there in the morning
With their God tucked underneath my arm
Their half-assed smiles and the book of rules

And I asked this God a question
And by way of firm reply
He said, “I'm not the kind you have to wind up on Sundays”

So to my old headmaster (and to anyone who cares)
Before I'm through I'd like to say my prayers

I don't believe you
You had the whole damn thing all wrong
He's not the kind you have to wind up on Sundays.
Well, you can excommunicate me on my way to Sunday school
And have all the bishops harmonize these lines

How do you dare tell me that I'm my Father's son?
When that was just an accident of birth
I'd rather look around me, compose a better song
'Cos that's the honest measure of my worth
In your pomp and all your glory you're a poorer man than me
As you lick the boots of death born out of fear

When I was young and they packed me off to school
And taught me how not to play the game
I didn't mind if they groomed me for success
Or if they said that I was just a fool
I left there in the morning
With their God under my arm
Their half-assed smiles and the book of rules

Well, you can excommunicate me on my way to Sunday school
Have all the bishops harmonize these lines

When I was young and they packed me off to school
And they taught me how not to play the game
I didn't mind if they groomed me for success
Or if they said that I was just a fool

So to my old headmaster (and to anyone who cares)
Before I'm through I'd like to say my prayers
Well you can excommunicate me on my way to Sunday school
And have all the bishops harmonize these lines

I don't believe you
You had the whole damn thing all wrong
He's not the kind you have to wind up on Sundays

I'll see you at the weighing in
When your life's sum-total's made
And you set your wealth in godly deeds
Against the sins you've laid

So place your final burden
On your hard-pressed next of kin
Send the chamber pot back down the line
To be filled up again.

Take your mind off your election
And try to get it straight
And don't pretend perfection
You'll be crucified too late

And he'll say “you really should make the deal”
As he offers round the hat.
Well, you'd better lick your fingers clean
I’ll thank you all for that

And as you join the good ship earth
And you mingle with the dust
Be sure to leave your underpants
With someone you can trust

And the hard-headed social worker
Who bathes his hands in blood
Will welcome you with arms held high
And cover you with mud

And he'll say “you really should make the deal”
As he offers round the hat.
Well, you'd better lick your fingers clean
Well, I’ll thank you all for that

Don't want to be a fat man
People would think that I was just good fun, man
Would rather be a thin man
I am so glad to go on being one, man

Too much to carry around with you
No chance of finding a woman, who
Will love you in the morning and all the nighttime too

Don't want to be a fat man
Have not the patience to ignore all that
Hate to admit to myself
I thought my problems came from being fat

Won't waste my time feeling sorry for him
I've seen the other side to being thin
Roll us both down a mountain and I'm sure the fat man would win

There's a light in the house in the wood in the valley.
There's a thought in the head of the man.
Who carries his dreams like the coat slung on his shoulder,
Bringing you love in the cap in his hand.

And each step he takes is one half of a lifetime:
no word he would say could you understand.
So he bundles his regrets into a gesture of sorrow,
Bringing you love cap in hand.

Catching breath as he looks through the dining-room window:
candle lit table for two has been laid.
Strange slippers by the fire.
Strange boots in the hallway.
Put my cap on my head.
I turn and walk away.

What would you like for Christmas ---
a new polarity?
You're binary, and desperate to deal
in high figures
that lick us with their hotter flame ---
lick each and everyone the same.
And March, the mad scientist,
rings a new change
in ever-dancing colours.

He rings it here and he rings it...
but no one stops to see
the change of fate and the fate of change
that slips into his pocket ---
so he locks it all away from view
and shares not what he thought you knew.
And April is summer-bound,
And February's blue.
And no one stops to see the colours.

The minstrel in the gallery
Looked down upon the smiling faces.
He met the gazes observed the spaces
Between the old men's cackle.
He brewed a song of love and hatred,
Oblique suggestions and he waited.
He polarized the pumpkin-eaters,
Static-humming panel-beaters,
Freshly day-glow'd factory cheaters
(salaried and collar-scrubbing.)
He titillated men-of-action
Belly warming, hands still rubbing
On the parts they never mention.
He pacified the nappy-suffering, infant-bleating,
One-line jokers, TV documentary makers
(overfed and undertakers.)
Sunday paper backgammon players
Family-scarred and women-haters.
Then he called the band down to the stage
And he looked at all the friends he'd made.

The minstrel in the gallery
Looked down upon the smiling faces.
He met the gazes observed the spaces
In between the old men's cackle.
He brewed a song of love and hatred,
Oblique suggestions and he waited.
He polarized the pumpkin-eaters,
Static-humming panel-beaters,

The minstrel in the gallery
Looked down on the rabbit-run.
And threw away his looking-glass -
Saw his face in everyone.

He titillated men-of-action
Belly warming, hands still rubbing
On the parts they never mention.
(salaried and collar-scrubbing.)

He pacified the nappy-suffering, infant-bleating,
One-line jokers, TV documentary makers
(overfed and undertakers.)
Sunday paper backgammon players
Family-scarred and women-haters.
Then he called the band down to the stage
And he looked at all the friends he'd made.

The minstrel in the gallery
Looked down on the rabbit-run.
And threw away his looking-glass -
And saw his face in everyone.

The minstrel in the gallery
Looked down upon the smiling faces.
He met the gazes...
The minstrel in the gallery

And ride with us young bonny lass ---
with the angels of the night.
Crack wind clatter --- flesh rein bite on an out-size
unicorn.
Rough-shod winging sky blue flight on a cold wind
to Valhalla.
And join with us please --- Valkyrie maidens cry
above the cold wind to Valhalla.
Break fast with the gods. Night angels serve
with ice-bound majesty.
Frozen flaking fish raw nerve ---
in a cup of silver liquid fire.
Moon jet brave beam split ceiling swerve and light
the old Valhalla.
Come join with us please --- Valkyrie maidens cry
above the cold wind to Valhalla.
The heroes rest upon the sighs of Thor's trusty
hand maidens.
Midnight lonely whisper cries,
We're getting a bit short on heroes lately.
Sword snap fright white pale goodbyes in the
desolation of Valhalla.
And join with us please --- Valkyrie maidens ride
empty-handed on the cold wind to Valhalla.

Breaking hearts in a market town. She eats filet of sole
and washes it down with sparkling wine.
Nice girl, but a bad girl's better. Qualifies in both ways
to my mind. But now she's kissing Willie.

She shows a leg --- shows it damn well. Knows how to drive a man
right back to being a child.
Well, she's a --- nice girl, but her bad girl's better. I can read
it in her cheating eyes and know that in a while --- Well,
she'll be kissing Willie. (My best friend, Willie.)

Willie stands and Willie falls. Willie bangs his head
behind grey factory walls.
She's a --- nice girl, but her bad girl's better. Me and Willie
just can't help come, when she calls.
Now she's kissing Willie. (My best friend, Willie.)

Got a hair shirt round my shoulder. Got a cold stew in my spoon.
And I'm falling on my head, lifting feet of lead ---
now it's got me baying at the moon.
Well, there's a race on for tomorrow. I'm stretching out
for what might have been.
Going to come out from the night, got my second sight ---
play rough --- you know what I mean.
I'm going for the kill. I'm going tooth and nail
up that dusty hill --- on the rattlesnake trail.

Got the law laid down to the left of me. Got the real world to the right.
Heading up through the middle with my cat and my fiddle ---
yeah, looking for a fight.
Going to ride hard in bandit country --- on the blind side of the bend.
Keep my nose to the wind while the rabbit's skinned ---
bed down at the journey's end. (Be a rattlesnake.)
I'm going for the kill. I'm going tooth and nail
up that dusty hill --- on the rattlesnake trail.

The rattlesnake trail.
I'm going on the rattlesnake trail.

Going to be with wolves in winter --- run in angry packs by day.
But when you give a dog a bone, he has to be alone ---
growl, keep the other dogs away.
See that thin moon on the mountain. See that cold star in the sky.
Going to bring them down --- shake them to the ground ---
put that apple in the pie. (Be a rattlesnake.)
I'm going for the kill. I'm going tooth and nail
up that dusty hill --- on the rattlesnake trail.

In the late hours of a sunset rendezvous ---
chill breeze against tide, that carries me from you.
Got a job in a southern city --- got some lead-free in my tank.
Now I must whisper goodbye --- I'm bound for the mainland.

Island in the city, Cut by a cold sea.
People moving on an ocean. Groundswell of humanity.

Now the sum breaks through rain as I climb Glen Shiel
on the trail of those old cattlemen who drove their bargain south again.
And in the eyes of those five sisters of Kintail
there's a wink of seduction from the mainland.

Island in the city. Cut by a cold sea.
People moving on an ocean. Groundswell of humanity.
Storm-lashed on the high-rise --- their words are spray to the wind.
Blown like silent laughter. Falling on ears of tin.

Take my heart and take my brawn.
Take by stealth or take by storm ---
set my brain to cruise.
I can see the glow of the suburb lights.
I'm fresh from the out-world ---
singing the mainland blues.

There was a girl where I came from.
Seems a long time, long time gone by.
Wears the west wind in her hair.
She calls from the hill --- yeah, she calls
in my mainland blues.

There's a coast road that winds to heaven's door
where a fat ferry floats on muted diesel roar.
And there's a light on the hillside --- and there's a flame in her
eyes, but how cold the lights burn on the mainland.

Island in the city. Cut by a cold sea.
People moving on an ocean. Groundswell of humanity.
Storm-lashed on the high-rise --- their words are spray to the wind.
Blown like silent laughter. Falling on ears of tin
in my mainland blues.

Working on the late shift --- first drink of the day.
Pull a chair up to the table, have to look the other way.
What kind of place am I in? And who's this over here?
Shaking through the silver bubbles climbing through my beer.
Won't let it move me, but I can't sit still.
Could you meet the eyes of a working girl
undressed to kill?

Staring through the smoke haze --- plaid shirts in the night.
Well, I'm making sure that everything is zipped up tight.
Who's that jumping on the table? Putting tonic in my gin?
Brushing silken dollars on her cold white skin.
Won't let it move me, but I can't sit still.
Could you meet the eyes of a working girl
undressed to kill?

She could have been sweet seventeen. There again, well, so could I.
There was a tear drop sparkle on the inside of her thigh.
Going to fetch myself a cold beer. I've got to get a grip.
Find some place to touch down. Find a landing strip.
Won't let it move me, but I can't sit still.
Can you meet the eyes of a working girl
all undressed to kill?

Last one out is a cold duck. Padding down the road.
I wait outside, my motor running --- got a warm dream to unload.
Can I face her in the sunshine? In he harsh real light of day?
She walks out with recognition in her eyes --- I look away.
Won't let it move me, but I can't sit still.
Couldn't meet the eyes of a working girl
undressed to kill.

Savage night on a misty island. Lights wink out in the
canyon walls.
Two old boys in a stolen racer. Black rubber contrails in
the unwashed halls.
And all roads out of here, seem to lead right back to the
Rock Island.

I've gone back to Paris, London, and even riding on a
jumbo to Bombay.
The long haul back holds faint attraction, but the people
here know they're o.k.
See the girl following the red balloon: walking all alone
on her Rock Island.

Doesn't everyone have their own Rock Island? Their own little
patch of sand?
Where the slow waves crawl and your angels fall and you find
you can hardly stand.
And just as you're drowning, well, the tide goes down.
And you're back on your Rock Island.

Hey there girlie with the torn dress, shaking: who was it
touched you? Who was it ruined your day?
Whose footprint calling card? And what they want, stepping
on your beach anyway?
I'll be your life raft out of here, but you'd only drift right
back to your Rock Island.

Hey, boy with the personal stereo: nothing 'tween the ears
but that hard rock sound.
Playing to your empty room, empty guitar tune, No use waiting
for that C.B.S. to come around.
'Cos all roads out of here, seem to lead right back to your
Rock Island.

I walked out in the city night,
A burning in my eyes, like it was broad daylight.
And it was hot, down there in the crowd.
The stars went out behind a thunder cloud.
Chatter in the air, like a telegraph line.
Big drops hissing on the neon sign.
Thumping in my heart, and it's hurting me to see.
Smokestack blowing, now they're pouring
Heavy water on me.

She was a southern girl. we stared man to man.
I move like a stranger in this strange land.
She was a round hole, I was a square peg.
I watched the little black specks running down her leg.
Didn't seem to mind that dirty rain coming down ---


Shirt hanging open. she was wet and brown.
Thumping in my heart, and it's hurting me to see.
Smokestack blowing, now they're pouring
Heavy water on me.

What goes up has to fall back down.
It's no night to be out dancing in a party town
When it runs hot and it runs so wide ---
Running in the street like a thin black tide.
Chatter in the air, like a telegraph line.
Big drops hissing on the neon sign.
Thumping in my heart, and it's hurting me to see.
Smokestack blowing, now they're pouring
Heavy water on me.

Hope everybody's ringing on their own bell this fine morning
Hope everyone's connected to that long distance phone
Old man he's a mountain
Old man he's an island
Old man he's a-waking says
"I'm going to call, call all my children home"

Hope everybody's dancing to their own drum this fine morning
The beat of distant Africa or a Polish factory town
Old man he's calling for his supper
Calling for his whisky
Calling for his sons and daughters, yeah
Calling, calling all his children round

Sharp ears are tuned in to the drones and chanters warming
Mist blowing round some headland, somewhere in your memory
Everyone is from somewhere
Even if you've never been there
So take a minute to remember the part of you
That might be the old man calling me

How many wars you fighting out there this winter's morning?
Maybe there's always time for another christmas song
Old man is asleep now
Got appointments to keep now
Dreaming of his sons and daughters, and proving
Proving that the blood is strong

Marty loved the sound of the stolen mandolin.
Somebody took it on a dare in the night-time.
Run up to the radio, calling out to the wind.
Now, bring it, bring it back at least an hour before flight time.
It was a souvenir, but it was a right arm missing.
Swap a woodwork rhythm for a humbucking top line.

Big Riff, rough boy, wants to be a singer in a band.
A little slow in the brain box, but he had a quick right hand.
Run left, run right --- everywhere he look ---
nobody watching, no, but that was
all he took last night.

Running on the power of a stolen mandolin.
Steal a little inspiration. Steal a little muscle.
Will he wake in the morning, wondering --- was it really worth it?
So make a little deal, Yeah, make a little hustle.

Ringing on the radio --- got a proposition for those English boys.
I'll make the sing-song --- you can make the background noise.
One, two, three, four --- one bar and in.
Give you back the mando, if you'll let this singer sing tonight.

Marty loved the sound of the stolen mandolin.
Big Riff took it on a dare in the night-time.
Now it's four o'clock, and we're waiting at the sound-check.
Looking for a face staring in from the sunshine.
We got two strong lawmen from the sheriff's office.
They're going to lift Big Riff before he plays the first line.

Big Riff, rough boy, wants to be a singer in a band.
Yeah, help him on the stage now, put that microphone in his hand.
Think hard, think right --- nothing in his mind ---
So Riff did a runner, but he left the mandolin behind.

Strange avenues where you lose all sense of direction
and everywhere is Main Street in the winter sun.
The wino sleeps --- cold coat lined with he money section.
Looking like a a record cover from 1971.

And here am I --- warm feet and a limo waiting.
Shall I make us both feel good? And would a dollar do?
But in your streets, I have no credit rating
and it might not take a lot to be alone just like you.

Heading up and out now, from your rock island.
Really good to have had you here with me.
And somewhere in the crowd I think I hear a young girl whisper
Are you ever lonely, just like me?

Once in Royal David's City
Stood a lonely cattle shed,
Where a mother held her baby.
You'd do well to remember the things he later said.
When you're stuffing yourselves at the Christmas parties,
You'll just laugh when I tell you to take a running jump.
You're missing the point I'm sure does not need making
That Christmas spirit is not what you drink.

So how can you laugh when your own mother's hungry,
And how can you smile when the reasons for smiling are wrong?
And if I just messed up your thoughtless pleasures,
Remember, if you wish, this is just a Christmas song.

(Hey! Santa! Pass us that bottle, will you?)

In the shuffling madness
Of the locomotive breath
Runs the all time loser
Headlong to his death
Oh, he feels the pistons screaming
Steam breaking on his brow
Old Charlie stole the handle
And the train it won't stop going
No way to slow down

He sees his children jumpin’ off
At stations one by one
His woman and his best friend
In bed and having fun
So he's crawling down the corridor
On his hands and knees
Old Charlie stole the handle
And the train it won't stop going
No way to slow down

He hears the silence howling
Catches angels as they fall
And the all time winner
Has got him by the balls
Oh, he picks up Gideon's Bible
Open at page one
I think God, he stole the handle
And the train it won't stop going
No way to slow down

No way to slow down
No way to slow down
No way to slow down
No way to slow down

Winds howled, rains spit down.
All these nights playing precious games.
Cheap hotel in some seaboard town
Closed down for the winter and whispered names.
Puppy-dog waves on a big moon sea
Snapped our heels half-heartedly.
How come you know better than me that this is not love?
No, this is not love.

Empty drugstore, postcards freeze
Sunburst images of summers gone.
Think I see us in these promenade days
Before we learned October's song.
Out on the headland, one gale-whipped tree -
Curious, head bent to see.
How come you know better than me that this is not love?
No, this is not love.
This is not love, yeah.

How come you know better than me,
Well, how come you know better than me.
So how come you know better than me that this is not love?
This is not love.

Down to the sad south, smoky plumes
Mark that real world city home.
Broken spells and silent gloom
Ooze from that concrete honeycomb.
Puppy-dog waves on a big moon sea
Snapped our heels half-heartedly.
And how come you know better than me that this is not love?
No, this is not love.
No, this is not love.
This is not love, this is not love, this is not love.

Well, you got a big-jib crane waiting to pick you up.
Mmmm, you see those snakes that crawl, they're just dying
to trip you up.
Live out in sad shacks at the back of town.
Hold your breath while we do you down
'cos we're all kinds of animals coming here:
occasional demons too.

Well, you got a nice apartment here with appliances and CD.
We're gonna leave your stereo, but we'll have your soul for tea.
I'm not speaking of material things.
Gonna chew you up, gonna suck you in
'cos we're all kinds of animals coming here:
occasional demons too.

Smokestacks, belching black, we're the have-nots in your shade.
How about a slice of life, how about some
human trade?
Eat at the best table in town.
No headwaiter going to turn us down
'cos we're all kinds of animals coming here:
occasional demons too.

Roll yer own. Don't mean you got no money.
Only that you got no opportunity to shake it with that friend of mine.
Roll yer own if you can't buy readymade;
you won't be satisfied when you feel the sudden need
to unwind.
You know what moves you in the wee hours
when there's nothing on the answerphone.
And if you don't get enough of that electric love
don't try to get by ---
roll yer own, roll it when there's no-one listening:
when those re-runs play on the late-night
black and white TV.
Roll yer own, roll it when there's something missing
and those wild cats howl, running in the moonshine.

Roll yer own: you got to hit that spot.
Roll yer own when your hands are hot.

There's a black cat down on the quayside.
Ship's lights, green eyes glowing in the dark.
Two young cops handing out a beating:
know how to hurt and leave no mark.
Down in the half-lit bar of the hotel
there's a call for the last round of the day.
Push back the stool, take that elevator ride.
Fall in bed and kick my shoes away.
Rocks on the road.

Can't sleep through the wild sound of the city.
Hear a car full of young boys heading for a fight.
Long distance telephone keeps ringing out engaged:
wonder who you're talking with tonight.
Who you talking with tonight?
Rocks on the road.

Tired plumbing wakes me in the morning.
Shower runs hot, runs cold playing with me.
Well, I'm up for the down side, life's a bitch
and all that stuff:
so come and shake some apples from my tree.
Have to pay for my minibar madness.
Itemised phone bill overload.
Well now, how about some heavy rolling?
Move these rocks on the road.

Crumbs on the breakfast table.
And a million other little things to spoil my day.
Now how about a little light music
to chase it all away?
To chase it all away.

There's a black cat down on the quayside.
Ship's lights, green eyes glowing in the dark.
Two young cops handing out a beating:
know how to hurt and leave no mark.
Down in the half-lit bar of the hotel
there's a call for the last round of the day.
Push back the stool, take that elevator ride.
Fall in bed and kick my shoes away.
Kick my shoes away, kick my shoes away.
Rocks on the road.

You want to be a bookworm? You wanna be aloof?
You wanna sit in judgement, looking down from the roof?
Try a wee sensation: but first you have to want to join in.
You should be, should be raging down the freeway
with some friends from the mall.
Don't stay forever in your limbo: fly before you fall
little sparrow on the schoolyard wall.

So dress a little dangerous and modify your walk.
There's nothing wrong with sparrows, but try
to be a sparrowhawk.
Hunting in the evening and floating in the heat in the day.
You might, might acquire some predatory instinct.
Do the wolf pack crawl.
Don't stay forever in your limbo: fly before you fall
little sparrow on the schoolyard wall.

Well, I don't want to be your daddy.
Don't want to be your engineer of sin.
And I don't want to play the piper here.
I'm only banging on a mandolin
and anyway, you're just a little sparrow
on the schoolyard wall.

There's nothing wrong with learning. Nothing wrong
with your books.
So exercise some judgement. Too much broth can spoil the cook.
Feel a little sensation and know when it's time to join in.
You should be, should be raging down the freeway
with some friends from the mall.
Don't stay forever in your limbo: fly before you fall
little sparrow on the schoolyard wall.

All of you sit up in bed. Don't think in straight lines ahead.
Can't sleep? Head spin? Don't think in circles, it'll do you in.
Think back to the dream you had; no sense of being good or bad.
Jump to the left, jump to the right. Think round corners into night.

Let's go in wet corridors: dive down drains.
Draw strength from machinery, it's al] the same.
Thinking round corners. Think round corners, I say.

Pretty girl with neon eyes: best man between white thighs.
Bridegroom didn't know a thing: got his love in lights,
she wears two rings.
Think back to that dream you had.
Blue boy sorry, pink girl sad.
Yellow cow, big-eyed moon all coming round the corner soon.

Let's stand in rapids: cling to carnivals.
Spit life from the maypole in savage ceremony.
Let's go in wet corridors: dive down drains.
Draw strength from machinery, it's all the same.
Thinking round corners. Think round corners, I say.

Paper cowboys, tin drums banging where the white man comes.
Landowners with whips and chains but soft in bed amidst
warm rains.
Thinking back to the dream they had. Jack and Jill.
Jack the lad.
Homestead. Home free. How about leaving some for me?

Let's bathe in malt whisky: covet gold finery
through the eyes of a Jackdaw, dressed to the nines.
Let's go in wet corridors: dive down drains.
Draw strength from machinery, it's all the same.
Thinking round corners. Think round corners, I say.
Thinking round corners.

It's a lonely life I live and I live this life to go
and if I leave you with one thing it's just that I want
you to know
I'll still be loving you tonight.

I left flowers on your table, left the lock on your door.
Staked a claim in your heartlands, put grain in your store.
I'll still be loving you tonight.
Got fingers on the button of that telephone dial.
Call in and move your mountains, fill your spaces while
I'm still loving you tonight.

You want to know how I can leave you?
How can I move along this way?
Too much of a good thing can make you crazy
and it's a good thing that happened to me today.
I'll still be loving you tonight.

I've been treated for mild depression
and I've been treated for growing pains.
I've been treated for hallucinations;
now I can see it all coming again.
Well, you can wind me up. Yeah, you can slow me down.
You can dig a little, and you can mess me around.
But there's one thing I should tell you, to which
you must agree:
There's no use you playing doctor to my disease.
Said it's no use you playing doctor to my disease.

I got no cure for this condition
that you've been causing me tonight.
Well, you put my heart in overdrive:
hand me the bullet I must bite.
You can stir me up and you can cut me down.
You can probe a little, push that knife around.
But there's one thing I should tell you, to which
you must agree:
It's no use you playing doctor to my disease.

Do you have to break my engine
so you can fix it up again?
Tuned to crazy imperfection
just to score me out of ten.
Well, you can wind me up. Yeah, you can slow me down.
You can dig a little. Yeah, you can mess me around.
But there's one thing I should tell you, to which
you must agree:
That it's no use you playing doctor to my disease.

Well, I don't care to eat out in smart restaurants.
I'd rather do a Vindaloo: take away is what I want.
I was down at the old Bengal, having telephoned a treat
when I saw her framed in the kitchen door.
She looked good enough to eat.
(And I mean eat.)
She was a tall thin girl.
She looked like a tall thin girl.
She said, Whose is this carry-out?
My face turned chilli red.
Well, I don't know about carrying out,
but you can carry me off to bed.
(And I mean bed.)
She was a tall thin girl.
She moved like a tall thin girl.
Maybe I can fetch for it,
and maybe I can stretch for it.

I may not be a fat man and I'm not exactly small
but when it all comes down, couldn't stand my ground.
This girl was tall.
(And I mean tall.)

Big boy Doane, he's a drummer. Don't play no tambourine
but he's Madras hot on the bongo trot,
if you know just what I mean.
Stands six foot three in his underwear;
going to get him down here and see
if this good lady's got a little sister 'bout the same size as me.
She was a tall thin girl.
She looked like a tall thin girl.
Well, can I fetch for it?
Well, maybe I can stretch for it?
Well, am I up for it? Or do I have to go down for it?

She drifted from some minor festival.
Didn't look like any sumrner of love:
just a thousand weekend warriors in a muddy field.
She was the hand to fit my glove.
Funny thing, the innocence of the lonely.
Funny thing, the charm of the young.

See how she moves just like two angels (in white innocence).
Yet one of them is on the run.
The other's tapping at my car window
and I'm squinting through the sun
trying to see if she's some child of the nineties:
or just another dangerous fantasy of mine.
Yeah. White innocence.
She was white innocence.

A perfect hole was in her stocking:
it made a perfect window to her heart.
I could have moved among her waterfalls:
her misty curtains drawn apart.
Did she see warm safety in my numbers
to want to hitch a ride this way?
Felt like I was taking her to market now
to be sold as the last lot of the day.
Funny thing, the distance of the lonely.
Funny thing, the charm of the young.
White innocence.

She pressed the button, lowered the window:
let her hand trail in the slipstream of the night.
A frost from nowhere seemed to lick her fingers:
I could have warmed them, but the moment wasn't right.
Obvious, she was headed nowhere special:
yes, well it was even obvious to me.
I was doing some, some watching, some waiting:
she'd been here before, most definitely.

There was the promise of early bed-time.
There was the promise of heaven on earth.
Think I was sending out low-voltage electricity:
played it right down for what it was worth.
She turned and looked at me in white innocence
and with the clearest eyes of forever grey
she rested one small hand for a second on my knee:
I stopped the car. She walked away.
Funny thing, the wisdom of the lonely.
Funny thing, the charm of the young.
Away you go now.
White innocence.

Her love is like a candle: you light it up at night.
Her heart is like a pack of cards: one chance to guess it right.
Sometimes I do.
She's got a tongue like a viper, but she can whisper like a dove.
Soft touch like brushed velvet: till she hits you from above.
And sometimes she does.

She leaves me breathing: down like a fallen log.
Just when I feel like dancing
I wake up sleeping with the dog.
And it goes: (woof) sleeping with the dog.

I have to guess at the mysteries of her unfathomable soul.
Guess when the time seems right
to make a broken spirit whole
and that time is due. C'm'on.

She leaves me breathing: down like a fallen log
and just when I feel like dancing
I wake up sleeping with the dog.
And it goes: (woof) sleeping with the dog.

I was in my watering-hole with some ugly friends of mine
when he door came off its hinges like a cork from fizzy wine.
He said, My name is Jesus: I'm the leader of the band.
Got to set up my equipment, if you boys can lend a hand.
Oh yeah. When Jesus came to play.

He set that bandstand jumping. Yeah, and he cranked it up so loud.
And he moved up to the microphone: had the attention of the crowd.
He said, My name is Jesus: going to turn your head around.
I'm going to make this easy. Got no time to mess around.
Oh yeah. When Jesus came to play.

I got no twelve disciples, and I got no cross to bear.
If you thought they had me crucified, I guess you weren't there.
Oh yeah. When Jesus came to play. When Jesus came...

He sang about three or four numbers, but we'd heard it all before.
We boys were getting restless: no girls were moving on the floor.
Those parables, they were merciless and the tables overturned.
And there were no minor miracles
but false prophets they were burned.
Well, maybe he was Jesus;
but his hair could have used a comb.
Long before he hit the last notes, we boys had all gone home.
Oh yeah. When Jesus came to play.

Oh Jesus, is it really you?

I could he sitting on the left of you.
You'd be looking straight ahead.
If I was adrift right across from you,
You still would cut me dead.
I've had better deep discussions
With this plate of soft-shelled crab.

I'd put some spice in your rice.
You'd give me blues in the stew.
I'd give you catfish jumping.
You'd give me all this work to do.
Who's got the cheque on this hot dinner?
Who's got the tabs on the crab?



Another night in the wilderness:
Should have been a night on the town.
Lesson in learning how to hold a conversation down.
I'm in splendid isolation, feel that heavy silence fall.
Got all this cut out for me to do.
Another night in the wilderness of you.

Here I am drinking you with my eyes.
You're looking at the gravy on my bib.
I go weak-kneed at the suggestion of you.
What's wrong with the cut of my jib?
Is there a lobster in the offing, or just a fifty dollar cheque?

In the dark of the city backwoods, something stirs then slips away.
Law and order in darkest Knightsbridge. Crime and punishment at play.
Hey, Mr. Policeman won't you come on over. Hook me up to the power lines
of your love.
Jump start, or tow me away.

And through the bruised machinery, the smoking haze of industry.
Another day with ball and chain. I do my time, then home again.
Hey, Mrs. Maggie won't you come on over. Hook me up to the power lines
of your love.
Jump start, or tow me away.

Well, should I blame the officers? Or maybe, I should blame the priest?
Or should I blame the poor foot soldier
who's left to make the most from least?
Hey, Jack Ripper won't you come on over. Hook me up to the power lines
of your love.
Jump start, or tow me away.

You can blame the newsman talking at you on the satellite T.V.
And if you're fighting for your shipyards, you might as well just blame the sea.
Hey, Mr. Weatherman come on over. Hook me up to the power lines
of your love.
Jump start, or tow me away.

Words get written. Words get twisted.
Old meanings move in the drift of time.
Lift the flickering torches. See gentle shadows change
the features of the faces cut in unmoving stone.
Bad mouth on a prayer day, hope no one's listening.
Roots down in the wet clay, branches glistening.

True disciples carrying that message
to colour just a little with their personal touch.
Home-spun fancy weavers and naked half-believers --
Crusades and creeds descend like fiery flakes of snow.
Bad mouth on a prayer day, hope no one's listening.
Roots down in the wet clay, branches glistening.
Roots to branches
Roots to branches
Roots to branches

In wet and windy priest-holes. Grand in vast cathedrals.
High on lofty minarets or in the temples of doom.
I hope the old man's got his face on.
He'd better be some quick change artist.
Suffer little children to make their minds up soon.
Bad mouth on a prayer day, hope no one's listening.
Roots down in the wet clay, branches glistening.
Roots to branches
Roots to branches
Roots to branches

Roots to branches
Roots to branches
Roots to branches

Rare and precious chain
Do I have to tell you, tell you once again?
Under red lights, on soft nights, it all comes back to you.
Rare and precious chain
Binds me to your soul round gently pulsing veins.
Shackled tight, feel love's bite coming back to you.

No gold of fools.
No hostage taking.
No engagement rules.
To leave you forsaken.

Tiny beads of sweat
thin diamond glistening, glistening around your neck,
forgotten rooms, dark catacombs
they all come back to you.

No crock of glittering prizes.
No sharply worded telegram.
No excuses for the word-weary.
No excuses for who I am.

It's a rare and precious chain.
Around your neck I place it, place it once again.
Drawn finger tight, feel love's bite coming back to you.
Under red lights, on soft nights, it all comes back to you.
Rare and precious chain.

Glued to the kerbstone, staring.
Frozen at the stop-sign too.
See that crazy suicide mongrel.
He's going to try to cross that avenue.
Old dog of experience,
ripping through the black and yellow cabs,
dodging rickshaws and the bicycle boys.
He's got his mind on someone else's dinner --
Over the road, round the corner, out of the noise.

Lives down in some cool, cool basement --
Sharing with a family of bouncy, ratty little guys
Works to a discipline of ritual undertakings --
Sleep, eat, and gentle exercise
Old dog of experience,
ripping through the black and yellow cabs,
dodging rickshaws and the bicycle boys.
He's got his mind on someone else's dinner --
Over the road, round the corner, out of the noise.

Some towns I know, he could end up in a restaurant --
wrong side of a table for two.
It's enough to send him running, running for cover.
Back into traffic, what's a poor dog to do?
Old mutt of experience,
ripping through the black and yellow cabs,
dodging rickshaws and the bicycle boys.
He's got his mind on someone else's dinner --
Over the road, round the corner, out of the noise.

She peeled from a stretch black snake
which slipped up to the hotel door.
Darting looks from piercing eyes --
The stir of memory and then no more.
Well, you know how I have to believe --
She can almost remember my name.

It's been a long time coming, babe --
Long time loose amongst foreign hills --
Shaking my faith in this free will.

Years ago in a coastal town,
mosquitoes buzzed in her hair.
Schooldress torn and bare feet brown --
Then the rains came and she wasn't there.
You're closing your doors on me
when you had almost remembered my name.

It's been a long time coming, babe --
Long time loose amongst foreign hills --
Shaking my faith in this free will.

Sharp points in an ink black sky --
Faint words collide, then are lost.
I'll follow you beneath this dome --
Win you back at any cost.
I know we were children then,
but you can almost remember my name.

It's been a long time coming, babe --
Long time loose amongst foreign hills --
Well, let's be children still --
Don't shake my faith in this free will.

Don't shake my faith in this free will.

Wake hard in the morning.
See the young girl milking.
Stream rushing by on a bed of stone.
Old goats and sandstone cracking --
All containing --
Squeezing that river like it squeeze your bones.
In the long red, red valley people live here too long.
In the long red, red valley they only sing the valley song.

Some bad people living further down the valley,
Not easy for us to do good trade.
We got snowmelt, snowmelt sweet water.
They got that valley road that they made.
In the long red, red valley people dying here too long.
In the long red, red valley they only sing the valley song.

Holding hands on the hillside.
Showing love to your brother --
your sister and your mother --
but we hate those people down the valley.

Has anybody seen Moses?
Get him off that mountain.
Bring back the tablets of stone.
It's a wise, wise prophet who keeps his own council.
Yeah, leave the other man's wife alone.
In the long red, red valley people live here too long.
In the long red, red valley they only sing the valley song.

Wake hard in the morning.
See the young girl milking.
Stream rushing by on a bed of stone.
Old goats and sandstone cracking --
All containing --
Squeezing that river like it squeeze your bones.
In the long red, red valley people living here too long.
In the long red, red valley they only live the valley song.
In the long red, red valley people dying here too long.
In the long red, red valley they only know the valley song.

Desert candle in a tented space
throwing softer shadows on a covered face.
Sister, silent to the likes of me --
Pay my respects to her propriety.

Is this some crazy woman here,
dancing behind her thin black veil?
Am I misreading those mysterious eyes?
Duet impossible to harmonize.

I'm not inviting any stiff reaction.
I'm not one for naming holy names.
And I won't peek behind those dangerous veils.
Though you might hate me just the same.

Name of the Father ringing in her head --
Thinking over what the prophet said.
Words and tradition bind her in their spell.
Don't drink the water from this holy well.

I'm not inviting any fierce reaction
and I'm not one for naming holy names.
I won't peek behind those dangerous veils.
Though you might hate me just the same.

Desert candle in a tented space
Softer shadows on a covered face.
Sister, silent to the likes of me --
I tip my hat to her propriety.

I'm not inviting any fierce reaction
and I'm not one for naming holy names.
I won't peek behind those dangerous veils.
Though you might hate me just the same.