 |
|
10:33 | 
|
||
|
from Yes - Fragile (1971)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
|||||
|
|
1:35 | 
|
||
| from Yes - Fragile (1971) | |||||
|
|
0:35 |
|
||
| from Yes - Fragile (1971) | |||||
|
|
10:34 |
|
||
|
from Yes - Fragile (1971)
Love comes to you and you follow Lose one on to the Heart of the Sunrise SHARP-DISTANCE How can the wind with its arms all around me Lost on a wave and then after Dream on on to the Heart of the Sunrise SHARP-DISANCE How can the wind with so many around me Lost in the city Lost in their eyes as you hurry by Counting their broken ties they decide Love comes to you and then after Dream on on to the Heart of the Sunrise Lost on a wave but you're dreaming Dream on on to the Heart of the Sunrise SHARP-DISTANCE How can the wind with its arms all around me SHARP-DISTANCE How can the wind with so many around me I feel lost in the city Lost in their eyes as you hurry by Counting their broken ties they decided Straight light moving and removing SHARPNESS of the colour sun shine Straight light searching all the meanings of the song Long last treatment of the telling that Relates to all the words sung Dreamer easy in the chair that really fits you Love comes to you and then after Dream on on to the Heart of the Sunrise SHARP-DISTANCE How can the sun with its arms all around me SHARP-DISTANCE How can the wind with so many around me I feel lost in the city |
|||||
|
|
3:33 |
|
||
|
from Yes - Fragile (1971)
Long distance run around long time waiting to feel the sound I still remember the dream there I still remember the time you said goodbye did we really tell lies letting in the sunshine did we really count to one hundred Cold summer listening hot colour melting the anger to stone I still remember the dream there I still remember the time you said goodbye did we really tell lies letting in the sunshine did we really count to one hundred Long distance run around long time waiting to feel the sound I still remember the dream there I still remember the time you said goodbye Cold summer listening hot colour melting the anger to stone I still remember the dream there I still remember the time you said goodbye did we really tell lies letting in the sunshine did we really count to one hundred Looking for the sunshine |
|||||
|
|
3:57 |
|
||
| from Yes - Fragile (1971) | |||||
|
|
8:29 |
|
||
|
from Yes - Fragile (1971)
I’ll be the roundabout The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley The music dance and sing They make the children really ring I'll spend the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you I will remember you Your silhouette will charge the view Of distance atmosphere Call it morning driving thru the sound and even in the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you Along the drifting cloud the eagle searching down on the land Catching the swirling wind the sailor sees the rim of the land The eagles dancing wings create as weather spins out of hand Go closer hold the land feel partly no more than grains of sand We stand to lose all time a thousand answers by in our hand Next to your deeper fears we stand Surrounded by a millions years I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you |
|||||
|
|
8:35 |
|
||
|
from Yes - Fragile (1971)
I’ll be the roundabout The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley The music dance and sing They make the children really ring I'll spend the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you I will remember you Your silhouette will charge the view Of distance atmosphere Call it morning driving thru the sound and even in the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you Along the drifting cloud the eagle searching down on the land Catching the swirling wind the sailor sees the rim of the land The eagles dancing wings create as weather spins out of hand Go closer hold the land feel partly no more than grains of sand We stand to lose all time a thousand answers by in our hand Next to your deeper fears we stand Surrounded by a millions years I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you |
|||||
|
|
8:04 |
|
||
|
from Yes - Fragile (1971)
A river a mountain to be crossed The sunshine in mountains sometimes lost Around the south side so cold that we cried Were we ever colder on that day a million miles away It seemed from all of eternity Move forward was my friends only cry In deeper to somewhere we could lie And rest for the day with cold in the way Were we ever colder on that day a million miles away It seemed from all of eternity The moments seemed lost in all the noise A snow storm a stimulating voice Of warmth of the sky of warmth when you die Were we ever warmer on that day a million miles away We seemed for all of eternity The sunshine in mountains sometimes lost The river can disregard the cost And melt in the sky to warmth when you die Were we ever warmer on that day a million miles away It seemed from all of eternity |
|||||
|
|
2:35 |
|
||
|
from Yes - Fragile (1971)
As one with the knowledge and magic of the source
Atuned to the majesty of music They marched as one with earth Sol, Dhoop Sun Ilios Naytheet Ah Kin Saule Tanatiuh Qurax Gunes, Grian Surie Ir Samse So the flowering creativity of life wove its Web face to face with the shallow And their gods soought out and conquered: Ah Kin Do the leaves of green stay greener through the autumn Does the colour of the sun turn crimson white Does a a shadow come between us in the winter Is the movement really light And I heard a million voices singing Acting to the story that they had heard about Does one child know the secret and can say it Or does it all come out along without you Along without you Along without you Where does reason stop and killing just take over Does a lamb cry out before we shoot it dead Are there many more in comfort understanding Is the movement in the head And I heard a million voices singing Acting to the story that they had heard about Does one child know the secret and can say it Or does it all come out along without you Along without you Along without you |
|||||
|
|
1:30 |
|
||
|
from Yes - Fragile (1971)
Tell the Moon-dog, tell the March-hare Tell the Moon-dog, tell the March-hare We...have...heaven To Look around, to look around Yes, he is here; Yes, he is here |
|||||
 |
|
- |
|
||
|
from Yes - Your Move [single] (1971)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
|||||
|
|
- |
|
||
|
from Yes - Your Move [single] (1971)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
|||||
|
|
- |
|
||
| from Yes - Your Move [single] (1971) | |||||
|
|
- |
|
||
| from Yes - Your Move [single] (1971) | |||||
|
|
- |
|
||
|
from Yes - Your Move [single] (1971)
I've seen all good people turn their heads each day
so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. Take a straight and stronger course to the corner of your life. Make the white queen run so fast she hasn't got time to make you a wife. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Move me on to any black square, Use me any time you want, Just remember that the goal 'Sfor us to capture all we want, anywhere, Yea, yea, yea. Don't surround yourself with yourself, Move on back two squares, Send an Instant Karma to me, Initial it with loving care Don't surround Yourself. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit Didda. Don't surround yourself with yourself, Move on back two squares, Send an Instant Karma to me, Initial it with loving care Don't surround Yourself with yourself. Don't surround yourself. Send an Instant Karma to me. Don't surround yourself. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. 'Cause it's time, it's time in time with your time and its news is captured. II. All Good People (Squire) I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. Yea, yea. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way |
|||||
|
|
- |
|
||
|
from Yes - Your Move [single] (1971)
I've seen all good people turn their heads each day
so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. Take a straight and stronger course to the corner of your life. Make the white queen run so fast she hasn't got time to make you a wife. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Move me on to any black square, Use me any time you want, Just remember that the goal 'Sfor us to capture all we want, anywhere, Yea, yea, yea. Don't surround yourself with yourself, Move on back two squares, Send an Instant Karma to me, Initial it with loving care Don't surround Yourself. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit Didda. Don't surround yourself with yourself, Move on back two squares, Send an Instant Karma to me, Initial it with loving care Don't surround Yourself with yourself. Don't surround yourself. Send an Instant Karma to me. Don't surround yourself. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. 'Cause it's time, it's time in time with your time and its news is captured. II. All Good People (Squire) I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. Yea, yea. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way |
|||||
|
|
- |
|
||
| from Yes - Your Move [single] (1971) | |||||
 |
|
4:10 |
|
||
|
from Yes - Close To The Edge (1972)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
|||||
|
|
10:15 |
|
||
|
from Yes - Close To The Edge (1972)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
|||||
|
|
10:08 |
|
||
|
from Yes - Close To The Edge (1972)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
|||||
|
|
18:41 |
|
||
|
from Yes - Close To The Edge (1972)
I. The Solid Time Of Change
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching out to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approached to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden problems shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down In her white lace, you could clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. I get up. |
|||||
|
|
9:20 |
|
||
| from Yes - Close To The Edge (1972) | |||||
|
|
8:55 |
|
||
|
from Yes - Close To The Edge (1972)
Sing, bird of prey; Beauty begins at the foot of you. Do you believe the manner? Gold stainless nail, Torn through the distance of man As they regard the summit. Even Siberia goes through the motions. Hold out and hold up; Hold down the window. Outbound, river, Hold out the morning that comes into view. Bluetail, tailfly. River running right on over my head. How does she sing? Who holds the ring? And ring and you will find me coming. Cold reigning king, Hold all the secrets from you As they produce the movement. Even Siberia goes through the motions. Hold out and hold up; Hold down the window. Outbound, river, Hold out the morning that comes into view. Bluetail, tailfly. River running right over the outboard, river, Bluetail, tailfly, Luther, in time. Dood'ndoodit, dah, d't-d't-dah. Hold down the window; Hold out the morning that comes into view. Warm side, the tower; Green leaves reveal the heart spoken Khatru. Gold stainless nail, torn through the distance of man as they regard the summit. Cold reigning king, Shelter the women that sing As they produce the movement. River running right on over my head Outboard, river. Bluetail, tailfly, Luther, in time, Suntower, asking, Cover, lover, June cast, moon fast, As one changes, Heart gold, leaver, Soul mark, mover, Christian, changer, Called out, saviour, Moon gate, climber, Turn round, glider. |
|||||
|
|
3:19 |
|
||
| from Yes - Close To The Edge (1972) | |||||
 |
|
6:38 |
|
||
| from Yes, Yes - Yessongs [live] (1973) | |||||
|
|
9:34 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
|||||
|
|
18:14 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
|||||
|
|
11:34 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
Love comes to you and you follow Lose one on to the Heart of the Sunrise SHARP-DISTANCE How can the wind with its arms all around me Lost on a wave and then after Dream on on to the Heart of the Sunrise SHARP-DISANCE How can the wind with so many around me Lost in the city Lost in their eyes as you hurry by Counting their broken ties they decide Love comes to you and then after Dream on on to the Heart of the Sunrise Lost on a wave but you're dreaming Dream on on to the Heart of the Sunrise SHARP-DISTANCE How can the wind with its arms all around me SHARP-DISTANCE How can the wind with so many around me I feel lost in the city Lost in their eyes as you hurry by Counting their broken ties they decided Straight light moving and removing SHARPNESS of the colour sun shine Straight light searching all the meanings of the song Long last treatment of the telling that Relates to all the words sung Dreamer easy in the chair that really fits you Love comes to you and then after Dream on on to the Heart of the Sunrise SHARP-DISTANCE How can the sun with its arms all around me SHARP-DISTANCE How can the wind with so many around me I feel lost in the city |
|||||
|
|
7:09 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
I've seen all good people turn their heads each day
so satisfied I'm on my way I've seen all good people turn their heads each day so satisfied I'm on my way Take a straight and stronger course to the corner of your life Make the white queen run so fast she hasn't got time to make you a wife 'Cause it's time, it's time in time with your time and it's news is captured for the queen to use Move me on to any black square Use me anytime you want Just remember that the goal Is for us to capture all we want, anywhere Don't surround yourself with yourself Move on back two squares Send an instant karma to me Initial it with loving care Don't surround yourself 'Cause it's time, it's time in time with your time and it's news is captured for the queen to use Don't surround yourself with yourself Don't surround yourself with yourself Move on back two squares Send an instant karna to me Send an instant Initial it with loving care karma to me Don't surround yourself 'Cause it's time, it's time in time with your time and it's news is captured for the queen to use 'Cause it's time, it's time in time with your time and it's news is captured for the queen to use |
|||||
|
|
13:37 |
|
||
| from Yes, Yes - Yessongs [live] (1973) | |||||
|
|
2:53 |
|
||
| from Yes, Yes - Yessongs [live] (1973) | |||||
|
|
3:48 |
|
||
| from Yes, Yes - Yessongs [live] (1973) | |||||
|
|
14:11 |
|
||
| from Yes, Yes - Yessongs [live] (1973) | |||||
|
|
8:33 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
I’ll be the roundabout The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley The music dance and sing They make the children really ring I'll spend the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you I will remember you Your silhouette will charge the view Of distance atmosphere Call it morning driving thru the sound and even in the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you Along the drifting cloud the eagle searching down on the land Catching the swirling wind the sailor sees the rim of the land The eagles dancing wings create as weather spins out of hand Go closer hold the land feel partly no more than grains of sand We stand to lose all time a thousand answers by in our hand Next to your deeper fears we stand Surrounded by a millions years I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you |
|||||
|
|
9:04 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
Sing, bird of prey; Beauty begins at the foot of you. Do you believe the manner? Gold stainless nail, Torn through the distance of man As they regard the summit. Even Siberia goes through the motions. Hold out and hold up; Hold down the window. Outbound, river, Hold out the morning that comes into view. Bluetail, tailfly. River running right on over my head. How does she sing? Who holds the ring? And ring and you will find me coming. Cold reigning king, Hold all the secrets from you As they produce the movement. Even Siberia goes through the motions. Hold out and hold up; Hold down the window. Outbound, river, Hold out the morning that comes into view. Bluetail, tailfly. River running right over the outboard, river, Bluetail, tailfly, Luther, in time. Dood'ndoodit, dah, d't-d't-dah. Hold down the window; Hold out the morning that comes into view. Warm side, the tower; Green leaves reveal the heart spoken Khatru. Gold stainless nail, torn through the distance of man as they regard the summit. Cold reigning king, Shelter the women that sing As they produce the movement. River running right on over my head Outboard, river. Bluetail, tailfly, Luther, in time, Suntower, asking, Cover, lover, June cast, moon fast, As one changes, Heart gold, leaver, Soul mark, mover, Christian, changer, Called out, saviour, Moon gate, climber, Turn round, glider. |
|||||
|
|
10:18 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
Sister Bluebird flying high above, Shine your wings forward to the sun. Hide the myst'ries of life on your way. Though you've seen them, please don't say a word. What you don't know, I have never heard. Starship Trooper, go sailing on by, Catch my soul, catch the very light. Hide the moment from my eager eye. Though you've seen them, please don't tell a soul. What you can't see, can't be very whole. Speak to me of summer, long winters longer than time can remember, The setting up of other roads, to travel on in old accustomed ways. I still remember the talks by the water, the proud sons and daughter that, Knew the knowledge of the land, that spoke to me in sweet accustomed ways. Mother life, hold firmly on to me. Catch my knowledge higher than the day. Lose as much as only you can show. Though you've seen them, please don't say a word. What I don't know, I have never shared. II. Disillusion Squire Loneliness is a pow'r that we possess to give or take away forever. All I know can be shown by your acceptance of the facts there shown before you. Take what I say in a diff'rent way and it's easy to say that this is all confusion. As I see a new day in me, I can also show it you and you may follow. Speak to me of summer, long winters longer than time can remember, The setting up of other roads, to travel on in old accustomed ways. I still remember the talks by the water, the proud sons and daughter that, Knew the knowledge of the land, spoke to me in sweet accustomed ways. III: Wurm Howe (Instrumental) |
|||||
|
|
- |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
I've seen all good people turn their heads each day
so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. Take a straight and stronger course to the corner of your life. Make the white queen run so fast she hasn't got time to make you a wife. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Move me on to any black square, Use me any time you want, Just remember that the goal 'Sfor us to capture all we want, anywhere, Yea, yea, yea. Don't surround yourself with yourself, Move on back two squares, Send an Instant Karma to me, Initial it with loving care Don't surround Yourself. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit Didda. Don't surround yourself with yourself, Move on back two squares, Send an Instant Karma to me, Initial it with loving care Don't surround Yourself with yourself. Don't surround yourself. Send an Instant Karma to me. Don't surround yourself. 'Cause it's time, it's time in time with your time and its news is captured For the queen to use. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. Diddit diddit diddit diddit diddit diddit diddit didda. 'Cause it's time, it's time in time with your time and its news is captured. II. All Good People (Squire) I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. Yea, yea. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way. I've seen all good people turn their heads each day so satisfied I'm on my way |
|||||
|
|
14:24 |
|
||
|
from Yes, Yes - Yessongs [live] (1973)
Yours Is No Disgrace
Anderson/Squire/Howe/Kaye/Bruford Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no disgrace. Battleships confide in me and tell me where you are, Shining, flying, purple wolfhound, show me where you are, Lost in summer, born in winter, travel very far, Lost in losing circumstances, that's just where you are. Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no, Yours is no disgrace. Yours is no disgrace. Yours is no disgrace. Death defying, mutilated armies scatter the earth, Crawling out of dirty holes, their morals, their morals disappear. Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no, Yours is no disgrace. Yours is no disgrace. Yours is no disgrace. |
|||||
 |
|
23:21 |
|
||
| from Yes, Yes - Tales From The Topographic Oceans (1974) | |||||
|
|
17:18 |
|
||
| from Yes, Yes - Tales From The Topographic Oceans (1974) | |||||
|
|
21:33 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
Nous sommes du soleil. We love when we play. Nous sommes du soleil. We love when we play. Open doors we find our way We look we see we smile Surely daybreaks cross our path And stay maybe a while Let them run, let them chase Let them hid between Constant doors will open eyes As life seems like Life seems like a Fight, fight, fight Maybe I'll just sing awhile And then give you a call Maybe I'll just say hello And say maybe that's all Hurry home as love is true Will help us through the night Till we're coming home again Our life seems like Life seems like a Fight, fight, fight Catch as we look and use the passions that flow As we try we continue We receive all we venture to give Maybe we'll just stand awhile And surely we can call Dreams are said to blossom courage Constant to the soul Change we must as surely time does Changes call the course Held inside we enter daybreaks Asking for asking for The source The source The source Sent as we sing our music's total retain As we try and consider We receive all we venture to give All we say is our Soul constant sight listener We won't tender our song clearer Till we sail Then I will be there And I will be there As clearer companions Shall call to be near you They move around tell me that Move around surely sing As they don't seem to matter at all At all at all ... Hold me my love, hold me today, call me round Travel we say, wander we choose, love tune Lay upon me, hold me around lasting hours We love when we play We hear a sound and alter our returning We drift the shadows and course our way on home Flying home Going home Look me my love sentences move dancing away We join we receive As our song memories long hope in a way Nous sommes du soleil Hold me around lasting ours We love when we play Nous sommes du soleil Nous sommes du soleil Nous sommes du soleil |
|||||
|
|
21:38 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
Nous sommes du soleil. We love when we play. Nous sommes du soleil. We love when we play. Open doors we find our way We look we see we smile Surely daybreaks cross our path And stay maybe a while Let them run, let them chase Let them hid between Constant doors will open eyes As life seems like Life seems like a Fight, fight, fight Maybe I'll just sing awhile And then give you a call Maybe I'll just say hello And say maybe that's all Hurry home as love is true Will help us through the night Till we're coming home again Our life seems like Life seems like a Fight, fight, fight Catch as we look and use the passions that flow As we try we continue We receive all we venture to give Maybe we'll just stand awhile And surely we can call Dreams are said to blossom courage Constant to the soul Change we must as surely time does Changes call the course Held inside we enter daybreaks Asking for asking for The source The source The source Sent as we sing our music's total retain As we try and consider We receive all we venture to give All we say is our Soul constant sight listener We won't tender our song clearer Till we sail Then I will be there And I will be there As clearer companions Shall call to be near you They move around tell me that Move around surely sing As they don't seem to matter at all At all at all ... Hold me my love, hold me today, call me round Travel we say, wander we choose, love tune Lay upon me, hold me around lasting hours We love when we play We hear a sound and alter our returning We drift the shadows and course our way on home Flying home Going home Look me my love sentences move dancing away We join we receive As our song memories long hope in a way Nous sommes du soleil Hold me around lasting ours We love when we play Nous sommes du soleil Nous sommes du soleil Nous sommes du soleil |
|||||
|
|
18:32 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
As one with the knowledge and magic of the source Atuned to the majesty of music They marched as one with earth Sol, Dhoop Sun Ilios Naytheet Ah Kin Saule Tonatiuh Qurax Gunes, Grian Surje Ir Samse So the flowering creativity of life wove its web face to face with the shallow And their gods sought out and conquered Ah Kin Do the leaves of green stay greener through the autumn Does the colour of the sun turn crimson white Does a shadow come between us in the winter Is the movement really light And I heard a million voices singing Acting to the story that they had heard about Does one child know the secret and can say it Or does it all come out along without you Along without you Along without you Where does reaon stop and killing just take over Does a lamb cry out before we shoot it dead Are there many more in comfort understanding Is the movement in the head And I heard a million voices singing Acting to the story that they had heard about Does one child know the secret and can say it Or does it all come out along without you Along without you Along without you |
|||||
|
|
18:35 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
As one with the knowledge and magic of the source Atuned to the majesty of music They marched as one with earth Sol, Dhoop Sun Ilios Naytheet Ah Kin Saule Tonatiuh Qurax Gunes, Grian Surje Ir Samse So the flowering creativity of life wove its web face to face with the shallow And their gods sought out and conquered Ah Kin Do the leaves of green stay greener through the autumn Does the colour of the sun turn crimson white Does a shadow come between us in the winter Is the movement really light And I heard a million voices singing Acting to the story that they had heard about Does one child know the secret and can say it Or does it all come out along without you Along without you Along without you Where does reaon stop and killing just take over Does a lamb cry out before we shoot it dead Are there many more in comfort understanding Is the movement in the head And I heard a million voices singing Acting to the story that they had heard about Does one child know the secret and can say it Or does it all come out along without you Along without you Along without you |
|||||
|
|
20:34 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
As the silence of seasons on we relive abridge sails afloat As to call light the soul shall sing of the velvet sailors course on Of the velvet sailors course on Shine or moons send me memories trail over days of forgotten tales Course the compass to offer into a time that we've all seen on Into a time that we've all seen on High the memory carry on While the moments start to linger Sail away among your dreams The strength regains us in between our time The strength regains us in between our time As we shall speak to differ also the ends meet the river's son So the ends meet the river's son Ours the story shall we carry on And search the forest of the sun We dream as we dream! Dream as one And I do think very well That the song might take you silently They move fast They tell me There's someone rainbow Alternate tune In the days of summers so long We danced as evenings sang their song We wander out the days so long And I do feel very well That the evenings take you Silently. They move round Sunlight, seeing ground Whispers of clay Alternate ways Softer messages bringing light to a truth long forgotten on As we shall speak to differ also the ends meet the river's son So the ends meet the river's son I reach over and the fruit of life stands still Stand awhile we search our past we start anew The music sings of love you knew We walk around the story Out in the city running free Sands of companions sides that be The strength of the meeting lies with you Wait all the more regard your past School gates remind us of our class Chase all confusion away with us Stand on hills of long forgotten yesterdays Pass amongst your memories told returning ways As certain as we walk today We walk around the story Out in the city running free Days pass as seconds turn they key The strength of the moment lies with you Don the cap and close your eyes imagine all the glorious challenge Iron metal cast to others Distant drums Force the bit between the mouth of freedom didn't we learn to fly Remember to sail the skies Distant suns Will we reach Winds allow Other skylines Other skylines to hold you Relayer All the dying cried before you Relayer We've rejoiced in all their meaining Relayer We advance we retrace our stories Like a dreamer all our lives are only lost begotten changes We relive in seagull's pages Outwards ways. Things are all in colours and the size of others shall send you forward Arranged to sail you toward A peace of mind Will we reach Winds allow Other skylines Other skylines to hold you Relayer All the passion spent on one cross Relayer Sail the futile wars they suffer Relayer We advance we retrace our story, fail safe now Stand on hills of long forgotten yesterdays Pass amongst your memories told returning ways As certain as we walk today Press over moments leaving you Out in the city running free Days pass as seconds turn the key The strength of the moment lies with you Out tender outward lights of you Shine over mountains make the view The strength of you seeing lies with you Ours entrance we surely carry on And change the passing of the sun We don't even need to try we are one And I do think very well As the truth unfolds you Silently They move time Rainbows Sunlight Alternate tune Alternate tune Rainbows Soft light Alternate view Sunlight Tell me Someone Alternate view Alternate view, surely, surely |
|||||
|
|
20:39 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
As the silence of seasons on we relive abridge sails afloat As to call light the soul shall sing of the velvet sailors course on Of the velvet sailors course on Shine or moons send me memories trail over days of forgotten tales Course the compass to offer into a time that we've all seen on Into a time that we've all seen on High the memory carry on While the moments start to linger Sail away among your dreams The strength regains us in between our time The strength regains us in between our time As we shall speak to differ also the ends meet the river's son So the ends meet the river's son Ours the story shall we carry on And search the forest of the sun We dream as we dream! Dream as one And I do think very well That the song might take you silently They move fast They tell me There's someone rainbow Alternate tune In the days of summers so long We danced as evenings sang their song We wander out the days so long And I do feel very well That the evenings take you Silently. They move round Sunlight, seeing ground Whispers of clay Alternate ways Softer messages bringing light to a truth long forgotten on As we shall speak to differ also the ends meet the river's son So the ends meet the river's son I reach over and the fruit of life stands still Stand awhile we search our past we start anew The music sings of love you knew We walk around the story Out in the city running free Sands of companions sides that be The strength of the meeting lies with you Wait all the more regard your past School gates remind us of our class Chase all confusion away with us Stand on hills of long forgotten yesterdays Pass amongst your memories told returning ways As certain as we walk today We walk around the story Out in the city running free Days pass as seconds turn they key The strength of the moment lies with you Don the cap and close your eyes imagine all the glorious challenge Iron metal cast to others Distant drums Force the bit between the mouth of freedom didn't we learn to fly Remember to sail the skies Distant suns Will we reach Winds allow Other skylines Other skylines to hold you Relayer All the dying cried before you Relayer We've rejoiced in all their meaining Relayer We advance we retrace our stories Like a dreamer all our lives are only lost begotten changes We relive in seagull's pages Outwards ways. Things are all in colours and the size of others shall send you forward Arranged to sail you toward A peace of mind Will we reach Winds allow Other skylines Other skylines to hold you Relayer All the passion spent on one cross Relayer Sail the futile wars they suffer Relayer We advance we retrace our story, fail safe now Stand on hills of long forgotten yesterdays Pass amongst your memories told returning ways As certain as we walk today Press over moments leaving you Out in the city running free Days pass as seconds turn the key The strength of the moment lies with you Out tender outward lights of you Shine over mountains make the view The strength of you seeing lies with you Ours entrance we surely carry on And change the passing of the sun We don't even need to try we are one And I do think very well As the truth unfolds you Silently They move time Rainbows Sunlight Alternate tune Alternate tune Rainbows Soft light Alternate view Sunlight Tell me Someone Alternate view Alternate view, surely, surely |
|||||
|
|
20:22 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
Dawn of light lying between a silence and sold sources
Chased amid fusions of wonder In moments hardly seen forgotten Coloured in pastures of chance dancing leaves cast spells of challenge Amused but real in thought, we fled from the sea whole Dawn of thought transferred through moments of days undersearching earth Revealing corridors of time provoking memories Disjointed but with purpose Craving penetrations offer links with the self instructors sharp and tender love As we took to the air a picture of distance Dawn of our power we amuse redescending as fast as misused expression As only to teach love as to reveal passion chasing late into corners And we danced from the ocean Dawn of love sent within us colours of awakening among the many wont to follow Only tunes of a different age As the links span our endless caresses for the freedom of life everlasting Talk to the sunlight caller Soft summer mover distance mine Called out a tune but I never saw the face Heard but not replaced I ventured to talk but I never lost my place Cast out a spell rendered for the light of day Lost in lights array I ventured to see as the sound began to play What happened to this song we once knew so well Signed promise for moments caught within the spell I must have waited all my life for this Moment moment The future poised with the splendour just begun The light we were as one And crowded through the curtains of liquid into sun And for a moment when our world had filled the skies Magic turned our eyes To feast on the treasure set for our strange device What happened to wonders we once knew so well Did we forget what happened, surely we can tell We must have waited all our lives for this Moment moment moment Starlight movement Reasons Release forward Tallest rainbow Sun shower seasons Life flower reasons They move fast, they tell me But I just can't believe that I can feel it There's someone to tell you Amid the challenge we look around in unison with you Getting over overhanging trees, let them rape the forest Thoughts would send our fusion clearly to be home Getting over wars we do not mean, or so it seems so clearly Sheltered with our passion clearly to be home They move fast, they tell me But I just can't believe they really mean to There's someone to tell you And I just can't believe our song will leave you Skyline teacher Warland seeker Send out poison Cast iron leader And through the rhythm of moving slowly Sent through the rhythm work out the story Move over glory to sons of old fighters past Young Christians see it from the beginning Old people feel it, that's what they're saying Move over glory to sons of old fighters past They move fast, they tell me But I just can't believe they really mean to There's someone to tell you A course towards a universal season Getting over overhanging trees, let them rape the forest They might stand and leave them clearly to be home Getting over wars they do not mean, we charm the movement suffers Call out all our memories clearly to be home We've moved fast, we need love A part we offer is our only freedom What happened to this song we once knew so well Signed promise for moments caught within the spell We must have waited all our lives for this Moment moment Past present movers moments we'll process the future, But only through Him we know Send flowered rainbows A piece apart chased flowers of the dark and lights of songs To follow and show all we feel for and know of Cast round You seekers of the truth aceepting that reason will relive And breathe and hope and chase and love For you and you and you |
|||||
|
|
22:22 |
|
||
|
from Yes, Yes - Tales From The Topographic Oceans (1974)
Dawn of light lying between a silence and sold sources
Chased amid fusions of wonder In moments hardly seen forgotten Coloured in pastures of chance dancing leaves cast spells of challenge Amused but real in thought, we fled from the sea whole Dawn of thought transferred through moments of days undersearching earth Revealing corridors of time provoking memories Disjointed but with purpose Craving penetrations offer links with the self instructors sharp and tender love As we took to the air a picture of distance Dawn of our power we amuse redescending as fast as misused expression As only to teach love as to reveal passion chasing late into corners And we danced from the ocean Dawn of love sent within us colours of awakening among the many wont to follow Only tunes of a different age As the links span our endless caresses for the freedom of life everlasting Talk to the sunlight caller Soft summer mover distance mine Called out a tune but I never saw the face Heard but not replaced I ventured to talk but I never lost my place Cast out a spell rendered for the light of day Lost in lights array I ventured to see as the sound began to play What happened to this song we once knew so well Signed promise for moments caught within the spell I must have waited all my life for this Moment moment The future poised with the splendour just begun The light we were as one And crowded through the curtains of liquid into sun And for a moment when our world had filled the skies Magic turned our eyes To feast on the treasure set for our strange device What happened to wonders we once knew so well Did we forget what happened, surely we can tell We must have waited all our lives for this Moment moment moment Starlight movement Reasons Release forward Tallest rainbow Sun shower seasons Life flower reasons They move fast, they tell me But I just can't believe that I can feel it There's someone to tell you Amid the challenge we look around in unison with you Getting over overhanging trees, let them rape the forest Thoughts would send our fusion clearly to be home Getting over wars we do not mean, or so it seems so clearly Sheltered with our passion clearly to be home They move fast, they tell me But I just can't believe they really mean to There's someone to tell you And I just can't believe our song will leave you Skyline teacher Warland seeker Send out poison Cast iron leader And through the rhythm of moving slowly Sent through the rhythm work out the story Move over glory to sons of old fighters past Young Christians see it from the beginning Old people feel it, that's what they're saying Move over glory to sons of old fighters past They move fast, they tell me But I just can't believe they really mean to There's someone to tell you A course towards a universal season Getting over overhanging trees, let them rape the forest They might stand and leave them clearly to be home Getting over wars they do not mean, we charm the movement suffers Call out all our memories clearly to be home We've moved fast, we need love A part we offer is our only freedom What happened to this song we once knew so well Signed promise for moments caught within the spell We must have waited all our lives for this Moment moment Past present movers moments we'll process the future, But only through Him we know Send flowered rainbows A piece apart chased flowers of the dark and lights of songs To follow and show all we feel for and know of Cast round You seekers of the truth aceepting that reason will relive And breathe and hope and chase and love For you and you and you |
|||||
 |
|
2:31 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
4:22 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
3:16 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
2:58 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
3:04 |
|
||
|
from Strawbs - Deep Cuts (1976)
It takes a little sunshine
It takes a little rain It takes a little laughter It takes a little pain But I can take the heartaches I only want my love to grow in you. It takes a little kindness It takes a little tears It takes some understanding To last so many years But I can take the changes I only want my love to grow in you. I'll hang in on you While you hang out on me I know you have your reasons For needing to be free Why don't we talk it over And find out where we stand In my old-fashioned way I'll always lend a helping hand. It takes the joy of knowing That even if we're poor We somehow turn out richer Than we ever were before Now I don't need much money I only want my love to grow in you. |
|||||
|
|
2:19 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
4:44 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
3:02 |
|
||
|
from Strawbs - Deep Cuts (1976)
You're my secret
You're my inspiration You're my journey You're my destination You have always Been so close and yet so far away You're my best friend You're my total stranger You're my lifeline You're my hint of danger You have always Been so close and yet so far away In my hour of need I call on you To comfort me But you could only set me free You're my memories You're my Rock of Ages You're my future You're my empty pages You have always Been so close and yet so far away... |
|||||
|
|
4:19 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
3:46 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
|
|
2:52 |
|
||
| from Strawbs - Deep Cuts (1976) | |||||
 |
|
2:36 |
|
||
|
from Yes, Yes - Going For The One (1977)
Amazing grace! How sweet the sound
That saved a wretch like me. I once was lost, but now am found, Was blind, but now I see. 'Twas grace that taught my heart to fear, And grace my fears relieved. How precious did that grace appear The hour I first believed. Through many dangers, toils and snares I have already come; 'Tis grace has brought me safe thus far And grace will lead me home. The Lord has promised good to me His word my hope secures; He will my shield and portion be, As long as life endures. Yea, when this flesh and heart shall fail, and mortal life shall cease, I shall possess within the veil, A life of joy and peace. When we've been there ten thousand years Bright shining as the sun, We've no less days to sing God's praise Than when we've first begun. |
|||||
|
|
15:38 |
|
||
|
from Yes, Yes - Going For The One (1977)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
|||||
|
|
12:17 |
|
||
| from Yes, Yes - Going For The One (1977) | |||||
|
|
5:32 |
|
||
|
from Yes, Yes - Going For The One (1977)
Get the idea cross around the track
Underneath the flank of a thoroughbred racing chaser Getting the feel as a river flows Would you like to go n' shoot the mountain masses And here you stand no taller than the grass sees And should you really chase so hard The truth of sport plays rings around you Going for the one Going for the one Get in the way as the tons of water Racing with you crashing thru the rudder Once at the start can you gamble That you really surely really mean to finish After seeing all your sense of fear diminish As you treat danger a pure collection As you throw away misconceptions Going for the one Going for the one Going for a listen in time taken so high to touch to move listen to life touching touch time travel twilight taken so high Roundabout, sounding out, love you so love you so love you so Now the verses I've sang Don't add much weight to the story in my head So I'm thinking I should go and write a punch line But they're so hard to find In my cosmic mind So I think I'll take a look out of the window When I think about you I don't feel low N'should I really chase so hard The truth of sport plays rings around you Going for the one Going for the one Going for to listen in time taken so high to touch to move listen to life Touching touch time travel twilight taken so high taking your time turn on to love turnstile to one tender timing rocking rolling listen in time taken so high to touch to move listen to life touching touchtime travel twilight taken so high taking your time turn on to love turnstile to one tender timing rocking rolling turn on to love turnstile to one tender timing rocking rolling Moments decide Moments delight Moments in flight Talk about sending love |
|||||
|
|
5:11 |
|
||
|
from Yes, Yes - Going For The One (1977)
Get the idea cross around the track
Underneath the flank of a thoroughbred racing chaser Getting the feel as a river flows Would you like to go n' shoot the mountain masses And here you stand no taller than the grass sees And should you really chase so hard The truth of sport plays rings around you Going for the one Going for the one Get in the way as the tons of water Racing with you crashing thru the rudder Once at the start can you gamble That you really surely really mean to finish After seeing all your sense of fear diminish As you treat danger a pure collection As you throw away misconceptions Going for the one Going for the one Going for a listen in time taken so high to touch to move listen to life touching touch time travel twilight taken so high Roundabout, sounding out, love you so love you so love you so Now the verses I've sang Don't add much weight to the story in my head So I'm thinking I should go and write a punch line But they're so hard to find In my cosmic mind So I think I'll take a look out of the window When I think about you I don't feel low N'should I really chase so hard The truth of sport plays rings around you Going for the one Going for the one Going for to listen in time taken so high to touch to move listen to life Touching touch time travel twilight taken so high taking your time turn on to love turnstile to one tender timing rocking rolling listen in time taken so high to touch to move listen to life touching touchtime travel twilight taken so high taking your time turn on to love turnstile to one tender timing rocking rolling turn on to love turnstile to one tender timing rocking rolling Moments decide Moments delight Moments in flight Talk about sending love |
|||||
|
|
2:38 |
|
||
| from Yes, Yes - Going For The One (1977) | |||||
|
|
5:58 |
|
||
|
from Yes, Yes - Going For The One (1977)
(Squire)
When you've tried most everything and nothing's taking you higher. When you come to realize, you've been playing with fire. Hear me when I say to you, it's really down to your heart. It's the beginning of a new love in sight. You've got the way to make it all happen. Set it spinning turning roundabout. Create a new dimension. When we are winning we can stop and shout making love towards perfection. I've been all around the world and seen so many faces. Young and old a story told, filling in my spaces. Now without a trce of doubt I feel it every hour. It's the beginning of a new love inside. Could be an ever opening flower. No hesitation when we're all about to build a shining tower. No explanations, need to work it out. You know we've got the power. Parallel our sights. And we will find, that we, we need, to be, where we, belong. Parallel our heights display our rights, and wrongs, and always keep it--STRONG. It's the beginning of a new love in sight. Could be an ever opening flower. No explanations, need to work it out. You know we've got the power. It's the beginning of a new love inside. You've got the way to make it all happen. Set it spinning turning roundabout. Create a new dimension. When we are winning we can stop and shout making love towards perfection. |
|||||
|
|
6:21 |
|
||
|
from Yes, Yes - Going For The One (1977)
(Squire)
When you've tried most everything and nothing's taking you higher. When you come to realize, you've been playing with fire. Hear me when I say to you, it's really down to your heart. It's the beginning of a new love in sight. You've got the way to make it all happen. Set it spinning turning roundabout. Create a new dimension. When we are winning we can stop and shout making love towards perfection. I've been all around the world and seen so many faces. Young and old a story told, filling in my spaces. Now without a trce of doubt I feel it every hour. It's the beginning of a new love inside. Could be an ever opening flower. No hesitation when we're all about to build a shining tower. No explanations, need to work it out. You know we've got the power. Parallel our sights. And we will find, that we, we need, to be, where we, belong. Parallel our heights display our rights, and wrongs, and always keep it--STRONG. It's the beginning of a new love in sight. Could be an ever opening flower. No explanations, need to work it out. You know we've got the power. It's the beginning of a new love inside. You've got the way to make it all happen. Set it spinning turning roundabout. Create a new dimension. When we are winning we can stop and shout making love towards perfection. |
|||||
|
|
7:56 |
|
||
|
from Yes, Yes - Going For The One (1977)
(Anderson,Howe,White)
Realising a form out of stone. Set hands moving. Roan shaped his heart through his working hands. Work to mold his passion into clay, like the sun. In his room, his lady she would dance and sing so completely. So be still he now cries I have time, oh let clay transform thee so. In the deep cold of night winter calls, he cries "Don't deny me!" For his lady, deep her illness. Time has caught her and will for all reasons take her. In the still light of dawn, she dies. Helpless hands soul revealing. Like leaves we touch we learn. We once knew the story. As winter calls he will starve. All but to see the stone be life Now Roan, no more tears. Set to work his strength. So transformed him realising a form out of stone. His work so absorbed him. Could she hear him? Could she see him? All aglow was his room dazed in this light. He would touch her he would hold her. Laughing as they danced. Highest colors touching others. Did her eyes at the turn of the century tell me plainly when we meet, how we'll love, oh let life so transform me. Like leaves we touched we danced. We once knew the story. As autumn called and we both remembered all those many years ago. I'm sure we know. Was the sign with a touch As I kiss your fingers. We walk hands in the sun. Memories when we're young. Love lingers so. Was it sun through the haze that made all your looks as warm as moonlight? As a pearl deep in your eyes, tears have flown away, all the same light. Did her eyes at the turn of the century tell me plainly when we meet how we'll look as we smile time will leave me clearly. Like leaves we touch, we see. We will know the story. As autumn calls we'll both remember all those many years ago. |
|||||
|
|
6:59 |
|
||
|
from Yes, Yes - Going For The One (1977)
(Anderson,Howe,White)
Realising a form out of stone. Set hands moving. Roan shaped his heart through his working hands. Work to mold his passion into clay, like the sun. In his room, his lady she would dance and sing so completely. So be still he now cries I have time, oh let clay transform thee so. In the deep cold of night winter calls, he cries "Don't deny me!" For his lady, deep her illness. Time has caught her and will for all reasons take her. In the still light of dawn, she dies. Helpless hands soul revealing. Like leaves we touch we learn. We once knew the story. As winter calls he will starve. All but to see the stone be life Now Roan, no more tears. Set to work his strength. So transformed him realising a form out of stone. His work so absorbed him. Could she hear him? Could she see him? All aglow was his room dazed in this light. He would touch her he would hold her. Laughing as they danced. Highest colors touching others. Did her eyes at the turn of the century tell me plainly when we meet, how we'll love, oh let life so transform me. Like leaves we touched we danced. We once knew the story. As autumn called and we both remembered all those many years ago. I'm sure we know. Was the sign with a touch As I kiss your fingers. We walk hands in the sun. Memories when we're young. Love lingers so. Was it sun through the haze that made all your looks as warm as moonlight? As a pearl deep in your eyes, tears have flown away, all the same light. Did her eyes at the turn of the century tell me plainly when we meet how we'll look as we smile time will leave me clearly. Like leaves we touch, we see. We will know the story. As autumn calls we'll both remember all those many years ago. |
|||||
|
|
4:47 |
|
||
| from Yes, Yes - Going For The One (1977) | |||||
|
|
3:50 |
|
||
|
from Yes, Yes - Going For The One (1977)
I awoke this morning
Love laid me down by the river Drifting I turned on up stream Bound for my forgiver In the giving of my eyes to see your face Sound did silence me Leaving no trace I beg to leave, to hear your wonderous stories Beg to hear your wonderous stories 'LA AHA' He spoke of lands not far Nor lands they were in his mind Of fusion captured high Where reason captured his time In no time at all he took me to the gate In haste I quickly Checked the time If I was late I had to leave, to hear your wonderous stories Had to hear your wonderous stories 'LA AHA, LA AHA' Hearing Hearing hearing your wonderous stories Hearing your wonderous stories It is no lie I see deeply into the future Imagine everything You're close And were you there To stand so cautiously at first And then so high As he spoke my spirit climbed into the sky I bid it to return To hear your wonderous stories Return to hear your wonderous stories Return to hear your wonderous stories LA AH LA AH AH AH Hearing Hearing Hearing Hearing Hearing |
|||||
 |
|
4:02 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
3:18 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
3:27 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
4:02 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
3:28 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
3:47 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
3:44 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
4:43 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
2:59 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
3:29 |
|
||
| from Strawbs - Burning For You (1977) | |||||
|
|
3:18 |
|
||
| from Strawbs - Burning For You (1977) | |||||
 |
|
- |
|
||
| from Yes - Don'T Kill The Whale [single] (1978) | |||||
|
|
- |
|
||
|
from Yes - Don'T Kill The Whale [single] (1978)
You're first I'm last
You're thirst I'm asked to justify Killing our last heaven beast Don't hunt the whale In beauty vision Do we offer much If we reason with destiny, gonna lose our touch Don't kill the whale Rejoice they sing They worship their own space In a moment of love, they will die for their grace Don't kill the whale If time will allow We will judge all who came In the wake of our new age to stand for the frail Don't kill the whale CETACEI.... |
|||||
|
|
- |
|
||
|
from Yes - Don'T Kill The Whale [single] (1978)
Have you heard before, hit it out, don't look back
Rock is the medium of our generation Stand for every right, kick it out, hear you shout For the right of all of creation We've heard before, but we just don't seem to move The pressure's on is there lack of concentration Power defy our needs, lift us up, show us now Show us how amid the rack of confusion Drive in thoughts of high, satisfy, in a plan Set it out for all to understand it We've heard before, but we just don't seem to move The pressure's on is there lack of concentraion Lost and wondering, maybe, how it is Seems to me, it's as simple as this No matter, where you go, you're going to find You won't see me in front, but you can't leave me behind Power at first to the needs of each others' days Simple to lose in the void sounds of anarchy's calling ways All unaccounted for in the craziness of power In the craziness Release all, release all, or abandon your hope for your brother Release all, release all, or abandon your hope for your sister Release, release, enough controllers Show some signs of appreciated loyalties Release, release, enough controllers Show some signs of appreciated loyalties Straight jacket, freedom's march, is it all, far beyond Our reason of understanding Campaign everything, anti-right, anti-left Anticipate the love of creation Stand for every right Kick it out, hear you shout Further the right Further the right Further the right Of all of creation Power at first to the needs of each others' days Simple to lose in the void sounds of anarchy's calling ways All unaccounted for in the craziness of power In the craziness Release all, release all, or abandon your hope for your brother Release all, release all, or abandon your hope for your sister Release, release Release, release Release, release Release, release |
|||||
 |
|
4:02 |
|
||
|
from Yes, Yes - Tormato (1978)
Something's goin on
I don't know what it is But my phone just rang and I didn't get no call No call. Just waiting here Abilene, it's got a lot of what you don't need It's got lots of space Still nothing seems misplaced You've got a face You are spacey You got to take it as it comes to you Don't need no act of contemplation Just keep it off your wasteful way for now (? ) It's not you who has got to change It's not your way at all It's got to be you It's got to be you The look in your eyes, The feel of your body close to me It's got to be you Who tells me the world spin away without love You... Reason, oh, reason for being once more together It's got to be you. It's got to be you The look in your eyes, The feel of your body close to me It's got to be you Who tells me the world spin away without love You... Reason, oh, reason for being once more together It's got to be you. It's got to be you. It's got to be you. It's got to be you. |
|||||
|
|
6:08 |
|
||
|
from Yes, Yes - Tormato (1978)
I could not take it oh so seriously really When you called and said you'd seen a UFO But then it dawned on me the message in writing Spelt out a meeting never dreamed of before I looked out, in the night Strange and startling Was the voice of time just saying There's got to be a linking of everyone Got to be a centre It all comes flooding back Arriving thru the eons of times immortal power of the future to behold Vessels of a different impression, none that we could ever hope to have known So look out, in the night Once they arrive Oh that perennial light Impress a bolder Empire of Energy In the ships we see The coming of outer space You say there's no reason to conjure With the force as it has been known to be seen You say I'm a fool a believer Put your feet on the earth it is green But look out, in the night Wait for they arrive To start such sciences anew Here it is the coming of outer space Such a pure delight The coming of outer space |
|||||
|
|
4:31 |
|
||
|
from Yes, Yes - Tormato (1978)
The day the Circus of Heaven came to town Local folks lined the streets in a Midwestern town Waiting anxiously for the parade to begin all round On the very last day A Unicorn headed the Mystical way Surrounded by what seemed a thousand golden angels at play Behind were Centaurs, elves, bright fairies all in colours of Jade On the very final day For what seemed only just a moment in time Seven solemn flying silvered regal horses rode by Seven golden chariots in tow, a wonder to behold The Seven Lords of the Mountains of time There then arose where nothing really stood there before A giant tent rising one thousand feet high from the floor Towns people flocked inside with their eyes all amazed To greet the Seventh Lord of the Seventh age A fanfare rang out in an incredible sound Bringing out the strangest visions perfect harmony round Any dreams he asked would they like to have seen From historical or mythical scenes Then there above their heads just as vivid as life Each vision transported in multitudes inventing light Grecian galleons, The Sack of Troy, to the Gardens of Babylon A play of millions roared along The gigantic dreams of Alexander the Great Civil wars where brothers fought and killed their friendship in hate All seen by Zeus performing scenes of the magical way The day the circus came to town Outside great animals as tame as the trees Angels high in starlight dancing streets Tuning their colours with indigo and gold Dropping violet, red and emerald snow As the circus finally changed its invisible course A new world to be found On the dreamy ground we walked upon I turned to my son and said "Was that something beautiful, amazing, wonderful, extraordinary beautiful?" "Oh! it was OK!! But there were no clowns, no tigers, lions or bears, candy-floss, toffee apples, no clowns." |
|||||
|
|
3:11 |
|
||
| from Yes, Yes - Tormato (1978) | |||||
|
|
1:00 |
|
||
| from Yes, Yes - Tormato (1978) | |||||
|
|
3:56 |
|
||
|
from Yes, Yes - Tormato (1978)
You're first I'm last
You're thirst I'm asked to justify Killing our last heaven beast Don't hunt the whale In beauty vision Do we offer much If we reason with destiny, gonna lose our touch Don't kill the whale Rejoice they sing They worship their own space In a moment of love, they will die for their grace Don't kill the whale If time will allow We will judge all who came In the wake of our new age to stand for the frail Don't kill the whale CETACEI.... |
|||||
|
|
6:48 |
|
||
| from Yes, Yes - Tormato (1978) | |||||
|
|
6:47 |
|
||
|
from Yes, Yes - Tormato (1978)
In the fountains of the universe
(set time in accord) Sits the boychild Solomon (Ever turning round and round) In the cities of the Southern Sky (set points universe) Dreams he of glory (pulsating round and round) Future times will stand and clearly see (highest dancing) Of the course of innocence (Drifting drifting) See it all See it all Till tomorrow See it all See it all Till tomorrow Future times will stand and clearly smile Of the course of innocence Dantalion will ride again (raging forth underland) The course of evils standing straight (grind to grind) Hot metal will abound the land (churning out shout) As the form regards our blazing hand Future times will stand and clearly see Of the course of innocence One the word will enter all our hearts Two the duel will alter them Three jewels countenance divine away delight away Four the fight to free the land Five the islands of Arabia Six the tears that separate Six the tears that separate ------------- Lyrics Powered by LyricFind Written By RICK WAKEMAN, ANDERSON, HOWE, SQUIRE, WHITE <i>Lyrics © Universal Music Publishing Group</i> |
|||||
|
|
4:30 |
|
||
| from Yes, Yes - Tormato (1978) | |||||
|
|
2:27 |
|
||
|
from Yes, Yes - Tormato (1978)
I will be there said my friend of a distant life Covered in greens of a golden age, set in stone Follow me "he sounded of dreams supreme" follow me Drifting within the glow and the after-glow of the eve And if that firelight, I could match the inner flame Sacred ships do sail the seventh age Cast off your garments of fear, replace them with love Most of all play with the game of the age Highest of places remain all as one with you Giving us light and the freedom of the day And if that firelight, I could match the inner flame Sacred ships do sail the seventh age And have always been here Celestial travelers have always been here with us Set in the homes of the Universe we have yet to go Countless expansions will arrive and flow inside of us My friend, he of fantasy, dancing with the spirit of the age |
|||||
|
|
3:14 |
|
||
|
from Yes, Yes - Tormato (1978)
Money high, Money low
Money come , Money go. Don't worry me Don't worry me (money don't buy) The things that we like, the things that we love The things that we have, so high above Don't bother me (it doesn't even matter to you) Don't bother me (money doesn't grow on trees) Just don't worry! Now listen! Suns do shine, moons do glow Simplicity everyone knows Don't hurry me (i'm in the middle of a dream) Don't hurry me (it's not at all the way it seems) Now! Money so high, money so low Money to count, money to go It won't be there where I go (where is that you*re going to?) It won't be there where I go (where is that you*re going to?) Just won't be there! No way! Do wop... Da da da... ---- in the background: A good evening and welcome to a party satirical broadcast On behalf of the Labour Party, your Chancellor of the Exchequer, Dennis Healey. Money comes and money goes. Taxes are high and incomes low, But you see they don't worry me, You see it doesn't worry me at all, It doesn't worry anybody actually. For example there's an accountant called David Moss, He's an absolute ----ing disaster, But he don't worry me. In fact he worried some people in the Yes group. And a few others.... not me, you see, You've all been silly billies, Complaining about high taxation, But I can tell you quite categorically, That taxation has never been a problem for me or Michael Foot - please stop eating those baked beans! Try and deal with this immigration problem. Do please, I can't stand it, you see the nig nogs come and the rock stars go, Jobs get less and dole queues grow, They don't worry me. But let's be fair, you see I am alright, You're all in really a very difficult situation, But it don't seem to worry me at all. Now let's have a close look at the financial situation in the country and the home, And let's face the facts, I've been up to the North of England, I hear all the trouble's meant to be, And for those who are working, things are easy, And I'm convinced I'm the man who put the second four letters in the word S----horpe. You see a very good friend of mine, Who was once a PM - Well, we'll call him the PM, He's the Prime Minister, he said, "Screw anything you can," and I'm trying to do that now with the country. You see the Tories said "The housewife has never had it so good." Well I can tell you quite categorically that my wife said she's never had it! Barbara Castle in fact has tried to look at all inflationary things on the backbench Well she looked at me, I know! In fact next week she's going to Bangkok. Do you feel inflation in your pocket? I know I do and I'm convinced that Pan's People are at the root of my problem My main problem these days is that I just can't get a root! And so ends my party satirical broadcast on behalf of the Labour Party. Good Evening. |
|||||
|
|
7:46 |
|
||
|
from Yes, Yes - Tormato (1978)
On the silent wings of Freedom Where I offer myself midst the balancing of the Sun On the winds of Celestial Seasons That would carry me on, midst the balance of being one On the dream of our love Eternal That will eventually bring our living once more with you Where we are coming from Or where we go We only know we come with sound Where we are coming from Or where we go We only know we go around and round On the back of your forty-second screamdown Do you choose to be lost midst the challenge of being one On the flight of regardless feelings As you hurtle to fear midst the challenge of everyone On the darkest night so painful Do you hunger for love midst the torture of being one On the passing light of Easing Have you seen you inside midst the being of Everyone To the common goal of Freedom Where we offer ourselves midst the balancing of the Sun Where we are coming from Or where we go We only know we come with sound Where we are coming from Or where we go We only know we go around and round |
|||||
|
|
4:05 |
|
||
|
from Yes, Yes - Tormato (1978)
Contained in everything I do There's a love, I feel for you Proclaimed in everything I write You're the light Burning, brightly Onward through the night Onward through the night Onward through the night of my life Displayed in all the things I see There's a love you show to me Portrayed in all the things you say You're the day Leading the way Onward through the night Onward through the night Onward through the night of my life Onward through the night Onward through the night Onward through the night of my life |
|||||
|
|
2:12 |
|
||
| from Yes, Yes - Tormato (1978) | |||||
|
