Pretty keen - yes, my hobby keeps me busy and if I talk to myself, what's the crime? In the darkroom I am a dealer in space and time.... When all memory is mellowed, when the photograph is yellowed, still it never lies.
There you are, your eyes laced with secret pleasure, saying that you're on the way to change, devouring in inordinate measure every diversion that's arranged. For every appetite, a cruel attraction, but there's a panic in your actions... oh, I never saw you look so strange.
Fixing memory chemically, holding time on the stop-clock, hanging back from that last frame just in case it didn't show you in the way I used to know you... I thought you'd always stay the same. (But you won't.)
Oh, the red light, the silver, the black and the bromide; the silence, the waiting for overview.... The past seems under-exposed, low tide, but still the images ghost through. And you're there in the bath, which is all this has led to, and I can't say your path is a right one to choose....
If I'm the mirror and you're the image then what's the secret between the two, these 'me's and 'you's, how many can there be? Oh, I don't mind all that around the place, as long as you keep it well away from me.
I've begun to regret that we ever met between the dimensions. It gets such a strain to pretend that the change is anything but cheap... with your infant pique and your angst pretensions sometimes you act like a creep.
And now I'm standing in the corner, looking at the room and the furniture in cheap imitation of alienation and grief. And now we're going to the kitchen, fix ourselves a drink and a cigarette, getting no closer to being the joker or thief.
Still, I reflect, this nervous wreck who stands before me can see as well, can surely tell that he's not yet free; he can turn aside, but can no more ignore me than know which one of us is he, than tell what we are going to be, than know which one of is me.
And now we're going to the kitchen, fix ourselves a drink and a cigarette, getting no closer to being the joker or thief.
These mirror images, these mirror images won't stay, go away, are no help.
In these mirror images of myself there are no secrets.
fingers groping for the galaxies, reddened eyes stared up into the void, 1000 stars to be exploited Somebody help me I'm falling, somebody help me, I'm falling down Into sky, into earth, into sky, into earth ..... It is so dark around, no life, no hope, no sound no chance of seeing home again ... The universe is on fire, exploding without flame. We are the lost ones; we are the pioneers; we are the lost ones We are the ones they are going to build a statue for ten centuries ago or were going to fifteen forward ...
One Last brief whisper in our loved ones' ears to reassure them and to pierce the fear standing at controls then still unknown we told the world we were about to go Somebody help me I'm missing, somebody help me I'm missing now touch with my mind, I have no frame, touch with my mind, I have no frame ... Well now where is the time and who the hell am I, here floating in an aimless way? No-one knows where we are, they can't feel us precisely ..
There is no fear here. How can such a thing exist in a place where living and knowing and being have never been heard of?
Doomed to vanish in the flickering light, disappearing to a darker night, doomed to vanish in a living death, living anti-matter, anti-breath Somebody help me I'm losing, somebody help me, I'm losing now people around, there's no-one to touch, no people around, no-one to touch. I am now quite alone, part of a vacant time-zone, here floating in the void, only dimly aware of existence, a dimly existing awareness, I am the lost one, I am the one you fear, I am the lost one, I am the one who went up into space, or stayed where I was,
The captain's in a coma, the lieutenant's on a drunk; the owner's in his cabin with his special friend, the monk; the midget's on the bridge, dispensing platitudes and junk - those wild and special places, those strange and dangerous places, those sad, sweet faces, it's a Ship of Fools. The nurse in black seamed stockings, she's already on patrol for fake fur starlets panicked by the watering-hole; everybody's waiting for the drama to unfold in those cold and treasured places, those old and degenerate places; those posed, posed, empty faces it's a Ship of Fools.
Run, rabbit, run, you're the only one that can do it; turn, baby, turn, there's a ring of fire and you've got to go through it. Fun, baby, fun, when the sands have run to the limit turn, baby, turn, there's a ring of fire and you're in it.
Looking for logic and adventure down the dark end of the street, open city, open season, open lips that gleam so sweet offer kisses like piranhas to the soft flesh of your feet, and any man's poison is every man's meat in those mad and special places, those sad and desperate places, those sad, sweet soul embraces, it's a Ship of Fools Those strange and special places those wild and dangerous places, those dead, dead, dead faces... It's a Ship of Fools; no rules.
What have we become? What have we chosen to be? Now all history is reduced to the syllables or our name - nothing can ever be the same: now the Immortals are here. At the time it seemed a reasonable course to harness all the force of life without the threat of death, but soon we found that boredom and inertia are not negative, but all the law we know, and dead are will and words like survival Arrival at immunity from all age, all fear and all end... why do I pretend? Our essence is distilled and all familiar taste is now drained and though purity is maintained it leaves us sterile, living through the millions of years, a laugh as close as any tear; living, if you claim that all that entails is breathing, eating, defacating, screwing, drinking, spewing, sleeping, sinking ever down and down and ultimately passing away time which no longer has any meaning.
Take away the threat of death and all you're left with is a round if make-believe. Marshall every sullen breath and though you're ultimately bored by endless ectasy it's still the ring by which you hope to be engaged to marry the girl who will give you forever - it's crazy and plainly that simply is not enough.
What is this dulles and bluntest of pains, such that my eyes never close without feeling it there? What abject despair demands an end to all things of infinity? If we have gained, how do we now meet the cost? What have we bargained, and what have we lost? What have we relinquished, never knowing it was thee?
What thoughts now of holding fast the line, defying death and time? Everything we had is gone, everything we laboured for and favoured more that earthly things reveals the hollow ring of false hope and false deliverance.
But now the nuptial bed is made, the dowry has been paid: the toothless, haggard features of eternity now welcome me between the sheets to couple with her withered body - my wife. Hers forever, hers forever, hers forever, in still life