Accentus

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Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVc. Presto-Recitativo 'O Freunde, Nicht Diese Tone!' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4c악장)   Accentus, Ekaterina Gubanova, Florian Boesch, Siobhan Stagg
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from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022)
Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVd. Allegro Assai Vivace. Alla Marcia 'Froh, Wie Seine Sonnen Fliegen' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4d악장)   Accentus, The Chamber Orchestra Of Europe, Werner Gura, Yannick Nezet-Seguin
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from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022)
Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVe. Andante Maestoso 'Seid Umschlungen, Millionen' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4e악장)   Accentus, The Chamber Orchestra Of Europe, Yannick Nezet-Seguin
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from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022)
Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVf. Allegro Energico E Sempre Ben Marcato 'Freude, Schoner Gotterfunken' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4f악장)   Accentus, The Chamber Orchestra Of Europe, Yannick Nezet-Seguin
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from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022)
Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVg. Allegro Ma Non Tanto 'Freude, Tochter Aus Elysium' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4g악장)   Accentus, Ekaterina Gubanova, Florian Boesch, Siobhan Stagg
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from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022)
Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVh. Poco Allegro–Prestissimo 'Seid Umschlungen, Millionen' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4h악장)   Accentus, The Chamber Orchestra Of Europe, Yannick Nezet-Seguin
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from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022)
Legende Sainte Cecile, S. 5   Accentus, Karine Deshayes, Laurence Equilbey, Orchestre de chambre de Paris
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Saint Francois d'Assise, CG. 34: La mort   Accentus, Laurence Equilbey, Orchestre de chambre de Paris, Stanislas De Barbeyrac
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Adagio for Strings, Op. 11 `Agnus Dei` (Arr. for Choir)   Accentus, Laurence Equilbey
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from Relaxing christmas (2017)
Adagio, Op. 11 'Agnus Dei'   Accentus, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
All-Night Vigil, Op. 37: VI. Ave Maria   Accentus, Eric Ericson, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ave verum corpus, K. 618   Accentus, Laurence Equilbey, Orchestre National De France
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Cantique de Jean Racine, Op. 11   Accentus, Laurence Equilbey, Orchestre National De France
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Christus Op. 97, MWV A26: Ihr Tochter Zions   Accentus, Ensemble Orchestral De Paris, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ein deutsches requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Great Mass in C Minor, K. 427: Et incarnatus est (Credo)   Accentus, Emmanuel Krivine, La Chambre Philharmonique, Sandrine Piau
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ave maria a 4 voci   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Credo, RV 592: III. Crucifixus   Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Gloria, RV 589: I. Gloria in excelsis Deo. Allegro   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Gloria, RV 589: II. Et in Terra pax hominibus. Andante   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
In furore iustissimae irae, RV 626: I. Allegro   Accademia Bizantina, Ottavio Dantone, Sandrine Piau
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Lauda Jerusalem, RV 609   Concerto Italiano, Gemma Bertagnolli, Rinaldo Alessandrini, Roberta Invernizzi
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Magnificat: I. Magnificat anima mea Dominum   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Matthauspassion, Arie, BWV 244: No. 7, Erbarme dich (Arr. by Felix Mendelssohn in 1841)   Alison Browner, Chorus Musicus, Christoph Spering, Das Neue Orchester
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Messe in B Minor, BWV 232: No. 26, Agnus Dei   Les Musiciens Du Louvre, Marc Minkowski, Nathalie Stutzmann
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Nisi Dominus, RV 608: IV. Cum dederit   Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ode for Saint Cecilia's Day, HWV 76: V. The Trumpet's Loud Clangour (Aria and Chorus)   Choeur des Musiciens du Louvre Grenoble, Les Musiciens Du Louvre, Grenoble, Marc Minkowski, Neil Baker
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Requiem in D Minor, K. 626: III. Lacrimosa (Sequenz)   Ensemble Accentus, Insula Orchestra, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Requiem, Op. 48: VII. In Paradisum   Laurence Equilbey, Maitrise De Paris, Orchestre National De France
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Stabat Mater, P. 77: I. Stabat Mater dolorosa. Grave (Duet)   Concerto Italiano, Gemma Bertagnolli, Rinaldo Alessandrini, Sara Mingardo
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Stabat Mater, RV 621: I. Largo   Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Theodora, HWV 68: To thee, Thou Glorious Son of Worth   Alan Curtis, Il Complesso Barocco, Karina Gauvin, Marie-Nicole Lemieux
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Theodora, HWV 68: With Darkness Deep as In My Woe (Aria)   Accademia Bizantina, Sandrine Piau, Stefano Montanari
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109)   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Adagio for Strings, Op. 11 (Agnus Dei, Choral Version in B-Flat Minor)   Accentus, Laurence Equilbey
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from Classical Melancholy (2017)
Adagio for Strings, Op. 11 (Arr. as Agnus Dei by Laurence Equilbey)   Accentus, Laurence Equilbey
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from Classical Melancholy (2017)
Symphony No. 5: IV. Adagietto (Arr. for Solists and Chorus by Gerard Pesson)   Accentus, Helene Moulin, Jean-Francois Chiama, Jean-Francois Lombard
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from Classical Melancholy (2017)
7 Chansons, for Chorus a cappella, FP. 081: No. 5, Belle et ressemblante   Accentus, Laurence Equilbey
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Albada, Interludi i Dansa, for Orchestra: No. 2, Interludi (Interlude)   Orquesta Sinfonica De Tenerife, Victor Pablo Perez
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Albada, Interludi i Dansa, for Orchestra: No. 3, Dansa (Danse)   Orquesta Sinfonica De Tenerife, Victor Pablo Perez
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Atlantida, scenic cantata (unfinished, completed by E. Halffter), G. 102, Act I: No. 5, Chorus 'Hymn to Barcelona'   Coral Universitat de les Illes Balears, Coro Polifonico Universitario de la Laguna, Edmon Colomer, Joven Orquesta Nacional De Espana
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Canco i Dansa No. 6 in E-Flat Minor for Piano (Cantabile espressivo - Ritmado)   Rafael Orozco
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: III. Vivace flessibile - Scherzando   Edmon Colomer, Jaime Martin, Joan Enric Lluna, Jorge Pozas
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile   Edmon Colomer, Isabelle Moretti, Real Orquesta Sinfonica De Sevilla
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
El Sombrero de tres picos, Suite for Orchestra No. 2: Dance of the Miller's Wife 'Fandango'   Edmon Colomer, Joven Orquesta Nacional De Espana
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Espana, Rhapsody for Orchestra   Herve Niquet, Orchestre Philharmonique De Monte-Carlo
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Estampes, L. 100: No. 2, Soiree dans Grenade (Mouvement de Habanera)   NoëL Lee
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Goyescas, H. 65, Tableau III, Scene 8: Aria 'La maja y el ruisenor' (Rosario)   Antonio Ros Marba, Maria Bayo, Orquesta Sinfónica de Madrid
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Iberia, Book 1: No. 1, Evocacion in A-Flat Minor/Major   Rafael Orozco
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
L'enfant et les sortileges: No. 13, Scene 'Deux robinets coulent dans un reservoir' (L'Arithmetique, Chorus)   Alain Lombard, Leonard Pezzino, Martine Mahe, Orchestre National De Bordeaux Aquitaine
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Le Sacre du printemps, Pt. II: No. 6, Danse sacrale (Allegro moderato)   Alain Lombard, Orchestre National De Bordeaux Aquitaine
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Noches en los jardines de Espana, for Piano and Orchestra, G. 49: II. Danza lejana   Edmon Colomer, Joven Orquesta Nacional De Espana, Rafael Orozco
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Parade: Petite fille americaine - Rag-Time du paquebot   Jerome Kaltenbach, Orchestre Symphonique Et Lyrique De Nancy
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Pulcinella: Overture (Allegro moderato)   The Bournemouth Sinfonietta, Thomas Sanderling
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Rapsodie espagnole, M. 54: No. 1, Prelude a la nuit (Tres modere) - Malaguena (Assez vif)   Ernest Bour, Southwest German Radio Symphony Orchestra
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Relache: No. 1, Ouverture (Mouvement de Marche) - No. 2, Projection (Un peu moins vite) - Rideau (Plus lent) - No. 3, Entree de la Femme (Tres lent)   Jerome Kaltenbach, Orchestre Symphonique Et Lyrique De Nancy
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Stabat Mater, Op. 58: I. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: II. Quartetto   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: III. Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: IV. Basso Solo e Coro   Accentus, Brigitte Engerer, Laurence Equilbey, Markus Butter
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: V. Duo   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: VI. Alto Solo   Accentus, Brigitte Engerer, Laurence Equilbey, Renata Pokupic
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: VII. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
5 Lieder for Alto Voice and Orchestra on Poems by Friedrich Ruckert: No. 4, Ich bin der Welt abhanden gekommen - arr. for Choir: Clytus Gottwald   Accentus, Laurence Equilbey
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
9 Short Pieces: No. 5, 3 Variations on a Thema by Schumann in G Minor for String Quartet   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Five Movements for String Quartet, Op. 5: No. 1, Heftig bewegt   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Five Movements for String Quartet, Op. 5: No. 2, Sehr langsam   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Five Movements for String Quartet, Op. 5: No. 3, Sehr bewegt   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Five Movements for String Quartet, Op. 5: No. 4, Sehr langsam   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Five Movements for String Quartet, Op. 5: No. 5, In zarter Bewegung   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Langsamer Satz, for String Quartet   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quartet in D Major: I. Allegro molto   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quartet, Op. 3: I. Langsam   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
3 Intermezzi for Piano, Op. 117: No. 1, Andante moderato in E-Flat Major   Andrea Bonatta
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
5 Gesange for Voice and Piano: 5 Gesange for Voice and Piano: No. 4, Sie sind so schon, die milden, sonnenreichen   Amaury Du Closel, Anna Holroyd, Camerata de Versailles
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
5 Gesange for Voice and Piano: No. 3, Die Dunkelheit sinkt schwer wie Blei   Amaury Du Closel, Anna Holroyd, Camerata de Versailles
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
6 Klavierstucke for Piano, Op. 118: No. 3, Ballade: Allegro energico in G Minor   Andrea Bonatta
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
9 Short Pieces: No. 7, Theme and 5 Variations in E Major for Violon and Piano   Irvine Arditti, Stefan Litwin
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Also sprach Zarathustra, Tone Poem for Orchestra, Op. 30: No. 1, Introduction   Alain Lombard, Orchestre National de Bordeaux-Aquitaine
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Eine florentinische Tragodie, Opera in One Act after Oscar Wilde, Op. 16: Overture   Armin Jordan, Orchestre Philharmonique de Radio France
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen - arr. for Little Orchestra: A. Schoenberg   Hakon Austbo, Jean-Luc Chaignaud, Louise Bessette, Marc Marder
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Rosen aus dem Suden, Waltz Op. 388 - arr. for Little Orchestra: A. Schoenberg   Arditti Quartet, Hakon Austbo, Louise Bessette
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Sonata in F Major for Cello and Piano, Op. 6: II. Andante ma non troppo   Anne Gastinel, Pierre-Laurent Aimard
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quartet No. 2 in F-Sharp Minor, Op. 10: III. Litanei: Langsam   Arditti Quartet, Dawn Upshaw
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quintet No. 2 in G Major, Op. 111: II. Adagio   Danish String Quartet, Serge Collot
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Symphony No. 5: IV. Adagietto   Bernard Haitink, Orchestre National De France
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Symphony No. 6: II. Scherzo: Wuchtig   Bernard Haitink, Orchestre National De France
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Till Eulenspiegels lustige Streiche, Tone Poem for Orchestra, Op. 28:   Alain Lombard, Orchestre National de Bordeaux-Aquitaine
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Verklarte Nacht in One Movement after Richard Dehmel, for String Sextet, Op. 4: Sehr ruhig   Arditti Quartet, Thomas Kakuska, Valentin Erben
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Il Terremoto (Das Erdbeden): 'Er ist nicht mehr': Presto e con tutta la forza   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Largo e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Maestoso Ed Adagio   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)

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