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SONGS default | abc | date_new | date_old AGNUS DEI - ADAGIO OPUS11 (SAMUEL BARBER) (SAMUEL BARBER)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) AUF EIN ALTES BILD (CLYTUS GOTTWALD) (HUGO WOLF)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) DAS VERLASSENE MAGDLEIN (CLYTUS GOTTWALD) (HUGO WOLF)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) DIE NACHTIGALL (CLYTUS GOTTWALD) (ALBAN BERG)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) ICH BIN DER WELT ABHANDEN GEKOMMEN (CLYTUS GOTTWALD) (GUSTAV MAHLER)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) IMMORTAL BACH - KOMM, SUSSER TOD BWV478 (KNUT NYSTEDT/ ACCENTUS) (JOHANN SEBASTIAN BACH)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) KEIN DEUTSCHER HIMMEL - ADAGIETTO, SYMPHONIE (GERARD PESSON) (GUSTAV MAHLER)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) LACRIMOSA - ETUDE OPUS10, NO.6 (FRANCK KRAWCZYK) (FREDERIC CHOPIN)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) LES ANGELUS (CLYTUS GOTTWALD) (CLAUDE DEBUSSY)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) LULAJZE, JEZUNIU - LARGO, SONATE OPUS58 (FRANCK KRAWCZYK) (FREDERIC CHOPIN)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) SOUPIR (CLYTUS GOTTWALD) (MAURICE RAVEL)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) Agnus Dei - choral version in B-Flat Minor of Adagio for String Orchestra   Accentus, Laurence Equilbey - from Anne Gastinel, Accentus - Melancolie (2014) Symphony No. 5: IV. Adagietto - arr. for Solists and Chorus: Gerard Pesson   Accentus, Helene Moulin, Jean-Francois Chiama, Jean-Francois Lombard 외 - from Anne Gastinel, Accentus - Melancolie (2014) 2 Pieces from Kuolema, incidental music, Op. 44: No. 2, Valse triste - for orchestra   Jorma Panula, Turku Philharmonic Orchestra - from Anne Gastinel, Accentus - Melancolie (2014) 24 Preludes for Piano, Op. 28: No. 4, Largo in E Minor   Grigory Sokolov - from Anne Gastinel, Accentus - Melancolie (2014) 6 Romances, Op. 16: No. 1, Berceuse 'Kolybel'naja pesnja' (Moderato lugubre)   Evgeny Talisman, Lina Mkrtchyan - from Anne Gastinel, Accentus - Melancolie (2014) Concerto for Violin and Orchestra: II. Second movement   Adela Anthony, Takuo Yuasa, Ulster Orchestra - from Anne Gastinel, Accentus - Melancolie (2014) Die Zauberflote, K. 620, Act II, Scene 18: No. 17, Aria 'Ach, ich fuhls, es ist verschwunden' (Pamina)   Freiburger Barockorchester, Sandrine Piau - from Anne Gastinel, Accentus - Melancolie (2014) Don Juan ou le Festin de Pierre, ballet after Moliere, Wq. 52: No. 31, Danza degli spettri a delle furie - Allegro non troppo   Giovanni Antonini, Il Giardino Armonico - from Anne Gastinel, Accentus - Melancolie (2014) Elegie in C Minor for Cello and Orchestra, Op. 24   Anne Gastinel, Emmanuel Krivine, Orchestre National De Lyon - from Anne Gastinel, Accentus - Melancolie (2014) Flow My Tears - ayre   Ensemble Orlando Gibbons, Gerard Lesne - from Anne Gastinel, Accentus - Melancolie (2014) King Arthur, Z. 628, Act III, Scene 2: Aria 'What power art thou' (Cold Genius)   English Baroque Soloists, John Eliot Gardiner, Stephen Varcoe - from Anne Gastinel, Accentus - Melancolie (2014) Kreisleriana or 8 Fantasies for Piano, Op. 16: No. 1, ausserst bewegt   Laurent Cabasso - from Anne Gastinel, Accentus - Melancolie (2014) La lugubre gondola - 3rd version for Cello and Piano, S. 134   Anne Gastinel, Pierre-Laurent Aimard - from Anne Gastinel, Accentus - Melancolie (2014) La Melancolia, operatorio for Soloists, Chorus, Brass, Orchestra and Band: No. 2, Il quarto loco - excerpt   Cecile Eloir, David Robertson, Martyn Hill, Nan Christie 외 - from Anne Gastinel, Accentus - Melancolie (2014) Les Valseuses - from music for the film of Bertrand Blier   Jean-Efflam Bavouzet, Laurent Korcia - from Anne Gastinel, Accentus - Melancolie (2014) Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait)   Concerto Italiano, Rinaldo Alessandrini - from Anne Gastinel, Accentus - Melancolie (2014) Matthaus-Passion, BWV 244, Part II: Aria for Alto, Solo Violin, Strings and Continuo 'Erbarme dich mein Gott'   Angela Kazimiercszuk, Christoph Spering, Das Neue Orchester - from Anne Gastinel, Accentus - Melancolie (2014) Nisi Dominus in G Minor, RV 608: No. 4, Aria for Alto, Strings and Continuo 'Cum dederit' - Andante   Concerto Italiano, Rinaldo Alessandrini, Sara Mingardo - from Anne Gastinel, Accentus - Melancolie (2014) Piano Concerto No. 21 in C Major, K. 467: II. Andante   Fazil Say, Howard Griffiths, Zuricher KammerOrchester - from Anne Gastinel, Accentus - Melancolie (2014) Polifemo, Act III, Scene 5: Aria 'Alto giove' (Aci)   Christophe Rousset, Derek Lee Ragin, Ewa Mallas-Godlewska, Les Talens Lyriques - from Anne Gastinel, Accentus - Melancolie (2014) Preludes for Piano - Livre I: No. 6, Des pas sur la neige (Lent)   NoëL Lee - from Anne Gastinel, Accentus - Melancolie (2014) Requiem in D Minor for Soloists, Choir and Orchestra, K. 626: No. 6, Lacrimosa   Chorus Musicus Koln, Christoph Spering, Das Neue Orchester - from Anne Gastinel, Accentus - Melancolie (2014) Rinaldo, HWV 7, Act II, Scene 4: Aria 'Lascia ch'io pianga' (Almirena)   Capriccio Stravagante, Maria Bayo, Skip Sempe - from Anne Gastinel, Accentus - Melancolie (2014) String Quartet No. 6 in B-Flat Major, Op. 18: IV. Adagio 'La Malinconia' - Allegretto quasi allegro   Quatuor Mosaïques - from Anne Gastinel, Accentus - Melancolie (2014) 7 Chansons, for Chorus a cappella, FP. 081: No. 5, Belle et ressemblante   Accentus, Laurence Equilbey - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Albada, Interludi i Dansa, for Orchestra: No. 2, Interludi (Interlude)   Orquesta Sinfonica De Tenerife, Victor Pablo Perez - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Albada, Interludi i Dansa, for Orchestra: No. 3, Dansa (Danse)   Orquesta Sinfonica De Tenerife, Victor Pablo Perez - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Atlantida, scenic cantata (unfinished, completed by E. Halffter), G. 102, Act I: No. 5, Chorus 'Hymn to Barcelona'   Coral Universitat de les Illes Balears, Coro Polifonico Universitario de la Laguna, Edmon Colomer, Joven Orquesta Nacional De Espana 외 - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Canco i Dansa No. 6 in E-Flat Minor for Piano (Cantabile espressivo - Ritmado)   Rafael Orozco - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: III. Vivace flessibile - Scherzando   Edmon Colomer, Jaime Martin, Joan Enric Lluna, Jorge Pozas 외 - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile   Edmon Colomer, Isabelle Moretti, Real Orquesta Sinfonica De Sevilla - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) El Sombrero de tres picos, Suite for Orchestra No. 2: Dance of the Miller's Wife 'Fandango'   Edmon Colomer, Joven Orquesta Nacional De Espana - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Espana, Rhapsody for Orchestra   Herve Niquet, Orchestre Philharmonique De Monte-Carlo - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Estampes, L. 100: No. 2, Soiree dans Grenade (Mouvement de Habanera)   NoëL Lee - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Goyescas, H. 65, Tableau III, Scene 8: Aria 'La maja y el ruisenor' (Rosario)   Antonio Ros Marba, Maria Bayo, Orquesta Sinfónica de Madrid - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Iberia, Book 1: No. 1, Evocacion in A-Flat Minor/Major   Rafael Orozco - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) L'enfant et les sortileges: No. 13, Scene 'Deux robinets coulent dans un reservoir' (L'Arithmetique, Chorus)   Alain Lombard, Leonard Pezzino, Martine Mahe, Orchestre National De Bordeaux Aquitaine - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Le Sacre du printemps, Pt. II: No. 6, Danse sacrale (Allegro moderato)   Alain Lombard, Orchestre National De Bordeaux Aquitaine - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Noches en los jardines de Espana, for Piano and Orchestra, G. 49: II. Danza lejana   Edmon Colomer, Joven Orquesta Nacional De Espana, Rafael Orozco - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Parade: Petite fille americaine - Rag-Time du paquebot   Jerome Kaltenbach, Orchestre Symphonique Et Lyrique De Nancy - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Pulcinella: Overture (Allegro moderato)   The Bournemouth Sinfonietta, Thomas Sanderling - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Rapsodie espagnole, M. 54: No. 1, Prelude a la nuit (Tres modere) - Malaguena (Assez vif)   Ernest Bour, Southwest German Radio Symphony Orchestra - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Relache: No. 1, Ouverture (Mouvement de Marche) - No. 2, Projection (Un peu moins vite) - Rideau (Plus lent) - No. 3, Entree de la Femme (Tres lent)   Jerome Kaltenbach, Orchestre Symphonique Et Lyrique De Nancy - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey 외 - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey 외 - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Stabat Mater, Op. 58: I. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey 외 - from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016) Stabat Mater, Op. 58: II. Quartetto   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey 외 - from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016) Stabat Mater, Op. 58: III. Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey 외 - from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016) Stabat Mater, Op. 58: IV. Basso Solo e Coro   Accentus, Brigitte Engerer, Laurence Equilbey, Markus Butter - from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016) Stabat Mater, Op. 58: V. Duo   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey 외 - from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016) Stabat Mater, Op. 58: VI. Alto Solo   Accentus, Brigitte Engerer, Laurence Equilbey, Renata Pokupic - from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016) Stabat Mater, Op. 58: VII. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey 외 - from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016) 5 Lieder for Alto Voice and Orchestra on Poems by Friedrich Ruckert: No. 4, Ich bin der Welt abhanden gekommen - arr. for Choir: Clytus Gottwald   Accentus, Laurence Equilbey - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 9 Short Pieces: No. 5, 3 Variations on a Thema by Schumann in G Minor for String Quartet   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 1, Heftig bewegt   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 2, Sehr langsam   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 3, Sehr bewegt   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 4, Sehr langsam   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 5, In zarter Bewegung   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Langsamer Satz, for String Quartet   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) String Quartet in D Major: I. Allegro molto   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) String Quartet, Op. 3: I. Langsam   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 3 Intermezzi for Piano, Op. 117: No. 1, Andante moderato in E-Flat Major   Andrea Bonatta - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 5 Gesange for Voice and Piano: 5 Gesange for Voice and Piano: No. 4, Sie sind so schon, die milden, sonnenreichen   Amaury Du Closel, Anna Holroyd, Camerata de Versailles - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 5 Gesange for Voice and Piano: No. 3, Die Dunkelheit sinkt schwer wie Blei   Amaury Du Closel, Anna Holroyd, Camerata de Versailles - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 6 Klavierstucke for Piano, Op. 118: No. 3, Ballade: Allegro energico in G Minor   Andrea Bonatta - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 9 Short Pieces: No. 7, Theme and 5 Variations in E Major for Violon and Piano   Irvine Arditti, Stefan Litwin - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Also sprach Zarathustra, Tone Poem for Orchestra, Op. 30: No. 1, Introduction   Alain Lombard, Orchestre National de Bordeaux-Aquitaine - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Eine florentinische Tragodie, Opera in One Act after Oscar Wilde, Op. 16: Overture   Armin Jordan, Orchestre Philharmonique de Radio France - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen - arr. for Little Orchestra: A. Schoenberg   Hakon Austbo, Jean-Luc Chaignaud, Louise Bessette, Marc Marder 외 - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Rosen aus dem Suden, Waltz Op. 388 - arr. for Little Orchestra: A. Schoenberg   Arditti Quartet, Hakon Austbo, Louise Bessette - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Sonata in F Major for Cello and Piano, Op. 6: II. Andante ma non troppo   Anne Gastinel, Pierre-Laurent Aimard - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) String Quartet No. 2 in F-Sharp Minor, Op. 10: III. Litanei: Langsam   Arditti Quartet, Dawn Upshaw - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) String Quintet No. 2 in G Major, Op. 111: II. Adagio   Danish String Quartet, Serge Collot - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Symphony No. 5: IV. Adagietto   Bernard Haitink, Orchestre National De France - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Symphony No. 6: II. Scherzo: Wuchtig   Bernard Haitink, Orchestre National De France - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Till Eulenspiegels lustige Streiche, Tone Poem for Orchestra, Op. 28:   Alain Lombard, Orchestre National de Bordeaux-Aquitaine - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Verklarte Nacht in One Movement after Richard Dehmel, for String Sextet, Op. 4: Sehr ruhig   Arditti Quartet, Thomas Kakuska, Valentin Erben - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Il Terremoto (Das Erdbeden): 'Er ist nicht mehr': Presto e con tutta la forza   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Largo e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Maestoso Ed Adagio   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Virst Du Bei mir im Paradiese sein': II. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Wirst Du Bei mir im Paradise sein': I. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) REVIEW Trackback :: http://d2.maniadb.com/trackback/P168778 TALK

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