Alexander Schneider

남성솔로
Alexander Schneider    알렉산더 슈나이더
ACTIVE:
2000s -
BIRTH:
1908년 10월 21일 / 리투아니아,Vilna
DEATH:
1993년 02월 02일
STYLE:
클래식
PROFILE:
MANIADB:

DISCOGRAPHY

11. Vespro della Beata Vergine, SV 206: XIIIf. Magnificat `Fecit potentiam in brachio suo` - Alexander Schneider, Bart Uvyn, Collegium Vocale Gent, Philippe Herreweghe / 15. Vespro della Beata Vergine, SV 206: XIIIj. Magnificat `Sicut locutus est` - Alexander Schneider, Bart Uvyn, Collegium Vocale Gent, Philippe Herreweghe / 7. Vespro della Beata Vergine, SV 206: XIIIb. Magnificat `Et exultavit spiritus meus` - Alexander Schneider, Bart Uvyn, Collegium Vocale Gent, Philippe Herreweghe 외 / 9. Vespro della Beata Vergine, SV 206: XIIId. Magnificat `Quia fecit mihi magna` - Alex
1. Schütz: Musikalische Exequien, Op. 7 - I. Concert in Form einer teutschen Begräbnis-Messe, SWV 279 - Alexander Schneider, Anja Zügner, Dorothee Mields, Dresdner Kammerchor 외 / 17. Schütz: Kleine geistliche Konzerte I, Op. 8 - No. 17, Lobet der Herren, der zu Zion wohnet, SWV 293 - Alexander Schneider, David Erler, Felix Schwandtke, Hans-Christoph Rademann 외 / 5. Schütz: Grimmige Gruft, SWV 52 - Alexander Schneider, David Erler, Dorothee Mields, Dresdner Kammerchor 외 / 7. Schütz: Ich hab mein Sach Gott heimgestellt, SWV 94 - Alexander Schn
1. Concerto in B-flat for Bassoon, K.191 (Arranged for Clarinet): Allegro - Alexander Schneider, Richard Stoltzman / 3. Concerto in B-flat for Bassoon, K.191 (Arranged for Clarinet): Rondo: Tempo di menuetto - Alexander Schneider, Richard Stoltzman
1. Schütz: Musikalische Exequien, Op. 7 - I. Concert in Form einer teutschen Begräbnis-Messe, SWV 279 - Alexander Schneider, Anja Zügner, Dorothee Mields, Dresdner Kammerchor 외 / 5. Schütz: Grimmige Gruft, SWV 52 - Alexander Schneider, David Erler, Dorothee Mields, Dresdner Kammerchor 외 / 7. Schütz: Ich hab mein Sach Gott heimgestellt, SWV 94 - Alexander Schneider, Andreas Wolf, Anja Zügner, Dorothee Mields
13. Concerto in A for Clarinet, K. 622: Adagio (conclusion) - Alexander Schneider, Richard Stoltzman

REVIEW
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