60년대 미국에서 일어난인권/반전 운동의 상징적인 인물로 존 바에즈를 자리 매김 시킨[WE SHALL OVER COME]이 담긴 63년 앨범. 이 네 번재 앨범을 통해 그녀는 전래 민요뿐 아니라, 60년대에 등장한 사회적인 의식을 담아낸 모던 포크 뮤지션들의 레퍼토리에도 관심을 갖게 된다. 음악적인 동료이자 연인 사이이기도 했던 밥딜런의 곡이 담겨있는 이 앨범은 밥 딜런 자신이 앨범 내지의 글을 직접 쓰기도 해 더욱 흥미롭다. 트윈 폴리오의 [슬픈 운염]으로 잘 알려진[QUEEN OF HEARTS],[카니발의 아침]등 관객과의 따스한 교감이 듣는 이의 마음을 사로잡는 노래들을 담고 있다. .... ....
Once I had sweetheart, and now I have none, Once I had sweetheart, and now I have none, She's gone and leave me, she's gone and leave me, She's gone and leave me to sorrow and moan.
Last night in sweet slumber I dreamed I did see, Last night in sweet slumber I dreamed I did see, My own precious jewel sat smiling by me, My own precious jewel sat smiling by me.
And when I awakened I found it not so, And when I awakened I found it not so, My eyes like some fountain with tears overflow, My eyes like some fountain with tears overflow.
I'll venture through England, through France and through Spain, I'll venture through England, through France and through Spain, All my life I will venture the watery main, All my life I will venture the watery main.
Once I sweetheart, and now I have none, Once I sweetheart, and now I have none, She's gone and leave me, she's gone and leave me, She's gone and leave me to sorrow and moan.
There was a wealthy merchant, In London he did dwell He had a lovely daughter, The truth to you I'll tell Oh the truth to you I'll tell
She had sweethearts a-plenty And men of high degree There was none but Jack the sailor, Her true love e'er could be Oh her true love e'er could be
Now Jackie's gone a-sailing With trouble on his mind To leave his native country And his darling girl behind Oh, his darling girl behind.
She went into a tailor shop And dressed in men's array And stepped on board a vessel To convey herself away Oh, to convey herself away.
"Before you step on board, sir, Your name I'd like to know" She smiled all in her countenance, "They call me Jackaroe" Oh, they call me Jackaroe.
"Your waist is light and slender, Your fingers are neat and small Your cheeks too red and rosy To face the cannonball" Oh, to face the cannon-ball.
"I know my waist is slender, My fingers neat and small But it would not make me tremble To see ten thousand fall" Oh, to see ten thousand fall.
The war soon being over, They hunted all around And among the dead and dying Her darling boy she found Oh, her darling boy she found.
She picked him up all in her arms And carried him to the town And sent for a physician who Quickly healed his wounds Oh, who quickly healed his wounds.
This couple they got married And well they did agree This couple they got married, So why not you and me Oh, so why not you and me.
I was born in Portland town I was born in Portland town yes I was, yes I was, Yes I was. I was born in Portland town, Got married in Portland town, Yes I did, yes I did, Yes, I did. Got married in Portland town, Had children one, two, three, Yes I did, yes I did, Yes, I did. They sent them away to war, Ain't got no kids no more, No I ain't, no I ain't, No, I ain't. I was born in Portland town, I was born in Portland town, Yes I was, yes I was, Yes, I was.
To the queen of hearts is the ace of sorrow He's here today, he's gone tomorrow Young men are plenty but sweethearts few If my love leaves me what shall I do?
Had I the store in yonder mountain Where gold and silver is there for counting I could not count for thought of thee My eyes so full I could not see
I love my father, I love my mother I love my sister, I love my brother I love my friends and relatives too I'll forsake them all and go with you
To the queen of hearts is the ace of sorrow He's here today, he's gone tomorrow Young men are plenty but sweethearts few If my love leaves me what shall I do ?
Manha tao bonita manha Te um dia feliz que chegou. O sol ne ceu surgiu, e em cada cor brilhou Voltou o son ho entao ao coracao. Depois deste dia feliz, nao sei se outro dia havea e´ nossa a manha, tao bela afina! Manha de carnaval.
Canta o meu coracao, a alegria voltou, Tao feliz a manha desse amor.
Te ador, tu amor, deixasse corpo da gente marcado, Oh, porque se mina gente tatuado.
Te ador, tu amor, deixasse corpo da gente marcado, Oh, porque se mina gente tatuado.
La la la, la la la la la, la la la la la la la la La la la la la la la, la la la la la la la la. La la la, la la la, lalalalalalala, La la la la la la, la la la la.
Te ador, tu amor, deixasse corpo da gente marcado, Oh, porque se mina gente tatuado, porque se mina gente tatuado.
Ten years ago, on a cold dark night Someone was killed 'neath the town hall light The people who saw, they all agreed That the slayer who ran looked a lot like me
The judge said, "Son, what is your alibi? If you were somewheres else, then you won't have to die" I spoke not a word, though it meant my life For I'd been in the arms of my best friend's wife
She walks these hills in a long black veil Visits my grave when the night winds wail Nobody knows, nobody sees Nobody knows but me
The scaffold is high, eternity near She stands in the crowd, she sheds not a tear But sometimes at night, when the cold winds moan In a long black veil, she cries o'er my bones
She walks these hills in a long black veil Visits my grave when the night winds wail Nobody knows, nobody sees Nobody knows but me
C Am F C As we marched down to Fennario, C Em Am Em As we marched down to Fennario, F Em C Am Our captain fell in love with a lady like a dove. F C They call her by name pretty Peggy-o.
C Am F C What will your mother think pretty Peggy-o? C Em Am Em What will your mother think pretty Peggy-o? F Em C Am What will your mother think when she hears the guineas clink, F C The soldiers all marchin' before you-o?
C Am F C In a carriage you will ride, pretty Peggy-o. C Em Am Em In a carriage you will ride, pretty Peggy-o. F Em C Am In a carriage you will ride with your true love by your side, F C As fair as any maiden in the are-o.
C Am F C Come skippin' down the stair, pretty Peggy-o. C Em Am Em Come skippin' down the stair, pretty Peggy-o. F Em C Am Come skippin' down the stair combin' back your yellow hair, F C And bid farewell to sweet William-o.
C Am F C Sweet William is dead, pretty Peggy-o. C Em Am Em Sweet William is dead, pretty Peggy-o. F Em C Am Sweet William is dead, and he died for a maid, F C The fairest maid in the are-o.
C Am F C If ever I return, pretty Peggy-o. C Em Am Em If ever I return, pretty Peggy-o. F Em C Am If ever I return all your cities I will burn, F C Destroying all the ladies in the are-o. F C Destroying all the ladies in the are-o.
Oh my name it is nothin' My age it means less The country I come from Is called the Midwest I's taught and brought up there The laws to abide And that land that I live in Has God on its side.
Oh the history books tell it They tell it so well The cavalries charged The Indians fell The cavalries charged The Indians died Oh the country was young With God on its side.
Oh the Spanish-American War had its day And the Civil War too Was soon laid away And the names of the heroes I's made to memorize With guns in their hands And God on their side.
Oh the First World War, boys It closed out its fate The reason for fighting I never got straight But I learned to accept it Accept it with pride For you don't count the dead When God's on your side.
When the Second World War Came to an end We forgave the Germans And we were friends Though they murdered six million In the ovens they fried The Germans now too Have God on their side.
I've learned to hate Russians All through my whole life If another war starts It's them we must fight To hate them and fear them To run and to hide And accept it all bravely With God on my side.
But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side.
In a many dark hour I've been thinkin' about this That Jesus Christ Was betrayed by a kiss But I can't think for you You'll have to decide Whether Judas Iscariot Had God on his side.
So now as I'm leavin' I'm weary as Hell The confusion I'm feelin' Ain't no tongue can tell The words fill my head And fall to the floor If God's on our side He'll stop the next war.
Three fishers went sailing out into the west, Out into the west as the sun went down, Each thought on the woman that loves him the best, And the children stood watching them out of the town.
For men must work and women must weep, For there's little to earn and many to keep, And the harbor bar be moaning.
Three wives sat up in the lighthouse tower, They trimmed the lamps as the sun went down, And they looked at the squall and they looked at the shower, And the night-wrack came rolling in ragged and brown.
For men must work and women must weep, ‘Though storms be sudden and the waters be deep And the harbor bar be moaning.
Three corpses lay out on the shining sand, In the morning gleam as the tide went down, And the women were weeping and wringing their hands, For those who would never come back to the town.
For men must work and women must weep, And the sooner it's over, the sooner to sleep And good-bye to that bar and its moaning.
For men must work and women must weep, And the sooner it's over, the sooner to sleep And good-bye to that bar and its moaning.
VERSE 1 : Mine eyes have seen the glory of the coming of the Lord He is trampling out the vintage where the grapes of wrath are stored He has lost the fatefull lightening of His terrible swift sword His truth is marching on
CHORUS : Glory, Glory, Hallelujah, Glory, Glory, Hallelujah, Glory, Glory, Hallelujah, His truth is marching on
VERSE 2 : In the beauty of the lilies Christ was born across the sea With a glory in His bosom that transfigures you and me As He died to make men holy, let us die to make men free His truth is marching on