존 바에즈/JOAN<BR> 1967년에 발매된 앨범 <NOEL>에서 이미 그 비상한 오케스트라 편곡 능력을 보여 주었던 피터 쉬클레와 다시 손을 잡은 앨범. 비틀즈의 <ELEANOR RIGBY>, 도노반의 <TURQUOISE>, 자크 브렐의 <LA COLOMBE-THE DOVE>, 폴 사이몬의 <DANGLING CONVERSATION>, 팀하단의 <THE LADY CAME FROM BALTIMORE>,<IF YOU WERE A CARPENTER>,에드가 아란 포의 시에 곡을 붙인 <아나벨 리>등을 촉촉한 존 바에즈의 목소리와 섬세한 오케스트라 반주로 만날 수 있다. 존 바에즈가 만든 최고의 반전가 중 하나로 오래 기억될 <SAINGON BRIDE>로 수록되어 있다. .... ....
Be not too hard for life is short And nothing is given to man. Be not too hard when he is sold or bought, For he must manage as best he can. Be not too hard when he blindly dies Fighting for things he does not own. Be not too hard when he tells lies Or if his heart is sometimes like a stone. Be not too hard for soon he'll die, Often no wiser than he began. Be not too hard for life is short And nothing is given to man. And nothing is given to man.
Ah, look at all the lonely people Ah, look at all the lonely people
Eleanor Rigby picks up the rice in the church where a wedding has been Lives in a dream Waits at the window, wearing the face that she keeps in a jar by the door Who is it for?
All the lonely people Where do they all come from ? All the lonely people Where do they all belong ?
Father McKenzie writing the words of a sermon that no one will hear No one comes near. Look at him working. Darning his socks in the night when there's nobody there What does he care?
All the lonely people Where do they all come from? All the lonely people Where do they all belong?
Ah, look at all the lonely people Ah, look at all the lonely people
Eleanor Rigby died in the church and was buried along with her name Nobody came Father McKenzie wiping the dirt from his hands as he walks from the grave No one was saved
All the lonely people Where do they all come from? All the lonely people Where do they all belong?
1- Your smile - beams like sunlight - on a gull's wing And the leaves - dance and play - after you Take my hand - and hold it - as you would a flower Take care with my heart - oh darling - she's made of glass
2- Your eyes - feel like silence - resting on me And the birds - cease to sing - when you rise Ride easy - your fairy stallion - you have mounted Take care how you fly - my precious - you might fall down
4- In the pastel skies - the sunset - I have wandered With my eyes and ears and heart - strained to the full I know I tasted the essence - in the few days Take care who you love - my precious - he might not know
It's a still life water color, Of a now late afternoon, As the sun shines through the curtained lace And shadows wash the room. And we sit and drink our coffee Couched in our indifference, Like shells upon the shore You can hear the ocean roar In the dangling conversation And the superficial sighs, The borders of our alliance.
And you read your Emily Dickinson, And I my Robert Frost, And we note our place with bookmarkers That measure what we've lost. Like a poem poorly written We are verses out of rhythm, Couplets out of rhyme, In syncopated time And the dangled conversation And the superficial sighs, Are the borders of our alliance.
Yes, we speak of things that matter, With words that must be said, "Can analysis be worthwhile?" "Is the theater really dead?" And how the room is softly faded And I only kiss your shadow, I cannot feel your hand, You're a stranger now unto me Lost in the dangling conversation. And the superficial sighs, In the borders of our alliance
Where icicles hung the blossoms swing, but in my heart there is no spring. You were my spring, my summer too, it's always winter without you.
The flocks head north and the lilacs bloom, at night they scent my moonlit room. You were my spring, my summer too, I'm going north to look for you.
Like a windblown bird my heart goes forth, sent by the spring to the shining north. You are my spring, my summer too, and I won't rest till I find you.
ⓒ 1967 Robbins Music Corporation and Chandos Music (ASCAP) Rights throughout the world controlled by Robbins Music Corporation
Oh, now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Oh, now in this age of confusion I have need for your company.
For I am a wild and a lonely child And the son of an angry man Now with the high wars raging I would offer you my hand For we are the children of darkness And the prey of a proud, proud land.
It's once I was free to go roaming in The wind of the springtime mind And once the clouds I sailed upon Were sweet as lilac wine Oh, why are the breezes of summer, dear Enlaced with a grim design?
So, now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Oh, now in this age of confusion I have need for your company. ....................................
the original song of RICHARD FARINA (copyright Whitmark and Sons) is the following
Now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Now in this age of confusion I have need for your company.
It's once I was free to go roaming in The wind of the springtime mind It's once the clouds I sailed upon Were sweet as lilac wine So why are the breezes of summer, dear Enlaced with a grim design?
And where was the will of my father when We raised our swords on high? And where was my mother's wailing when Our flags were justified? And where will we take our pleasures when Our bodies have been denied?
For I am a wild and a lonely child And the child of an angry man Now with the high wars raging I would offer you my hand For we are the children of darkness And the prey of a proud, proud land.
If you were a carpenter, and I were a lady Would you marry me anyway? would you have my baby? If a tinker were your trade, would you still find me Carrying the pots you made, following behind me?
See my love through loneliness See my love for sorrow I've given you my onlyness, Come give me your tomorrow
If you worked your hands in wood, would you still love me? Answer me, Yes I would, I'd put you above me" And if you were a miller, had a mill-wheel grinding, Would you see it written on my face? I'm here for the finding.
See my love through loneliness See my love for sorrow I've given you my onlyness, Come give me your tomorrow
If you were a carpenter, and I were a lady Would you marry me anyway? would you have my baby? Would you marry me anyway? would you have my baby?
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me.
I was a child and SHE was a child, In this kingdom by the sea, But we loved with a love that was more than love- I and my ANNABEL LEE- With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that,long ago, In this kingdom by the sea, A wind blew out of a cloud,chilling My ANNABEL LEE; So that her high-born kinsmen came And bore her away from me, To shut her up in a sepulcher In this kingdom by the sea. AND the angels,not half so happy in heaven, Went envying her and me- Yes!-that was the reason(as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling my ANNABEL LEE; That the wind came out of the cloud by night Killing my ANNABELLEE. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above Nor the the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE: And the moon never beams,without bringing me dreams Of the beautiful ANNABEL LEE; And the stars never rise,but I feel the bright eyes Of the beautiful ANNABEL LEE: And so,all the night-tide,I lie down by the side Of my darling my life and my bride, In the sepulcher there by the sea- In her tomb by the sounding sea.
Farewell my wistful Saigon bride I'm going out to stem the tide A tide that never saw the seas It flows through jungles, round the trees Some say it's yellow, some say red It will not matter when we're dead
How many dead men will it take To build a dike that will not break? How many children must we kill Before we make the waves stand still?
Though miracles come high today We have the wherewithal to pay It takes them off the streets you know To places they would never go alone It gives them useful trades The lucky boys are even paid
Men die to build their Pharoah's tombs And still and still the teeming wombs How many men to conquer Mars How many dead to reach the stars?
Farewell my wistful Saigon bride I'm going out to stem the tide A tide that never saw the seas It flows through jungles, round the trees Some say it's yellow, some say red It will not matter when we're dead
ⓒ 1967 Robbins Music Corporation and Chandos Music (ASCAP) Rights throughout the world controlled by Robbins Music Corporation