<B>존 바에즈/BAPTISM</B><BR>시 낭송과 노래로 하나의 앨범을 만든,존 바에즈로서는 이례적인 1968년 "컨셉트 앨범", 유머러스한 클래식 공연을 통해 널리 알려진 P.D.W. BACH로 더 유명한 피터 쉬클레가 여기서 존 바에즈의 낭송을 위해 배경음악을 작곡/지휘한다. "전쟁, 고통,슬픔 등이 낳는 공포를 순수한 어린 시절로의 희귀나 미래에 대한 희망을 통해서 극복하려는 소박한 "꿈"을 월트 휘트만, 자크 프레베르, 랭보, 가르시아 로르카 등의 시나 그 시에 곡을 붙인 노래들을 낭송하고 부르면서 절절하게 표현하고 있다. .... ....
OLD WELSH SONG (Henry Treece) I take with me where I go a pen and a golden bowl; Poet and beggar step in my shoes, or a prince in a purple shawl. I bring with me when I return to the house that my father's hands made, A crooning bird on a chrystal bough and, o, a sad, sad word!
I saw the vision of armies; and I saw, as in noiseless dreams, hundreds of battle-flags, borne through the smoke of the battles and pierced with missiles, I saw them, and carried, hither and yon through the smoke, and torn and bloody; and at last but a few shreds of 'the flags left on the staffs, (and all in silence,) and the staffs all splintered and broken.
I saw battle-corpses, myriads of them, and the white skeletons of young men, I saw them; I saw the debris and debris of all dead soldiers, But I saw they were not as was thought; they themselves were fully at rest, they suffered not; the living remained and suffered, the mother suffered, and the wife and the child and the musing comrade suffered, and the armies that remained suffered..
MINISTER OF WAR (translated form the Chinese by Arthur Waley) Minister of War, we are the king's claws and fangs. Why should you roll us on from misery to misery, giving us no place to stop in or take rest?
Minister of War, we are the king's claws and teeth. Why should you roll us from misery to misery, Giving us no place to come and stay?
Minister of War, surely you are not wise. Why should you roll us from misery to misery? We have mothers who lack food
there are great puddles of blood on the world where is it all going? all this spilled blood? is it the earth that drinks it and gets drunk? funny kind of drunkography then, so wise, so monotonous, no, the earth doesn’t get drunk the earth doesn’t turn askew it pushes its little car regularly, it’s four seasons, rain, snow, hail, fair weather, never is it drunk it’s with difficulty it permits itself from time to time an unhappy little volcano it turns, the earth, it turns with its trees, its gardens, its houses it turns with its great pools of blood and all living things turn with it and bleed
it doesn’t give a damn the earth it turns and all living things set up a howl, it doesn’t give a damn, it turns it doesn’t stop turning and the blood doesn’t stop running
where’s it going all this spilled blood? murder’s blood, war’s blood, misery’s blood, and the blood of men tortured in prisons, and the blood of children calmly tortured by their papa and their mama and the blood of men whose heads bleed in padded cells and the roofers blood when the roofer slips and falls from the roof and the blood that comes and flows in great gushes with the newborn the mother cries, the baby cries, the blood flows the earth turns the earth doesn’t stop turning, the blood doesn’t stop flowing
where’s it going all this spilled blood? blood of the blackjacked, of the humiliated, of suicides of firing squad victims of the condemned and the blood of those that die just like that by accident
in the street a living being goes by with all his blood inside suddenly there he is, dead and all his blood outside and other living beings make the blood disappear they carry the body away but it’s stubborn the blood and there where the dead one was, much later, all black, a little blood still stretches coagulated blood, life’s rust, body’s rust blood curdled like milk, like milk when it turns, when it turns like the earth, like the earth it turns with its milk, with its cows, with its living, with its dead, the earth that turns with its trees, with it’s living beings, its houses the earth that turns with marriages, burials, shells, regiments, the earth that turns and turns and turns with its great streams of blood.
I wander through each chartered street, Near where the chartered Thames does flow, And mark in every face I meet, Marks of weakness, marks of woe.
In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear:
How the chimney-sweeper's cry Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls.
But most, through midnight streets I hear How the youthful harlot's curse Blasts the new-born infant's tear, And blights with plagues the marriage-hearse
In Guernica the dead children were layed out in order on the sidewalk In their white starched dresses In their pitiful white dresses On their foreheads and breasts the little round holes where death came in as thunder while they were playing their important summer games Do not weep for them, Madre They are gone forever, the little ones Straight to heaven to the saints And God will fill the bullet holes with candy
I want to sleep the dream of the apples To withdraw from the tumult of cemeteries I want to sleep the dream of that child Who wanted to cut his heart on the high seas I don't want to hear again that the dead do not lose their blood That the putrid mouth goes on asking for water I don't want to learn of the tortures of the grass Nor of the moon with the serpent's mouth that labors before dawn I want to sleep a while A while, a minute, a century But all must know that I have not died That there is a stable of gold in my lips That I am the small friend of the west wind That I am the immense shadow of my tears Cover me at dawn with a veil Because dawn will throw fists full of ants at me And wet with hard water my shoes So that the pincers of the scorpion slide For I want to sleep the dream of the apples To learn a lament that will cleanse me of the earth For I want to live with that dark child Who wanted to cut his heart on the high seas
So Abram rose, and clave the wood, and went, And took the fire with him, and a knife. And as they sojourned both of them together, Isaac the first-born spake and said, My Father, Behold the preparations, fire and iron, But where the lamb for this burnt-offering? Then Abram bound the youth with belts and straps, And builded parapets and trenches there, And stretched forth the knife to slay his son. When lo! an Angel called him out of heaven, Saying, Lay not thy hand upon the lad, Neither do anything to him, thy son. Behold! Caught in a thicket by its horns, A Ram. Offer the Ram of Pride instead.
But the old man would not so, but slew his son, And half the seed of Europe, one by one
OLD WELSH SONG (Henry Treece) I take with me where I go a pen and a golden bowl; Poet and beggar step in my shoes, or a prince in a purple shawl. I bring with me when I return to the house that my father's hands made, A crooning bird on a chrystal bough and, o, a sad, sad word!