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3:53 | ||||
from 두 바퀴로 가는 자동차 1집 - 두 바퀴로 가는 자동차 (1996) | |||||
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3:50 | ||||
from Bob Dylan - Another Side Of Bob Dylan (1964)
Ramona, come closer,
Shut softly your watery eyes. The pangs of your sadness Shall pass as your senses will rise. The flowers of the city Though breathlike, get deathlike at times. And there's no use in tryin' T' deal with the dyin', Though I cannot explain that in lines. Your cracked country lips, I still wish to kiss, As to be under the strength of your skin. Your magnetic movements Still capture the minutes I'm in. But it grieves my heart, love, To see you tryin' to be a part of A world that just don't exist. It's all just a dream, babe, A vacuum, a scheme, babe, That sucks you into feelin' like this. I can see that your head Has been twisted and fed By worthless foam from the mouth. I can tell you are torn Between stayin' and returnin' On back to the South. You've been fooled into thinking That the finishin' end is at hand. Yet there's no one to beat you, No one t' defeat you, 'Cept the thoughts of yourself feeling bad. I've heard you say many times That you're better 'n no one And no one is better 'n you. If you really believe that, You know you got Nothing to win and nothing to lose. From fixtures and forces and friends, Your sorrow does stem, That hype you and type you, Making you feel That you must be exactly like them. I'd forever talk to you, But soon my words, They would turn into a meaningless ring. For deep in my heart I know there is no help I can bring. Everything passes, Everything changes, Just do what you think you should do. And someday maybe, Who knows, baby, I'll come and be cryin' to you. |
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4:31 | ||||
from Bob Dylan - Another Side Of Bob Dylan (1964)
I pounded on a farmhouse
Lookin' for a place to stay. I was mighty, mighty tired, I had gone a long, long way. I said, "Hey, hey, in there, Is there anybody home?" I was standin' on the steps Feelin' most alone. Well, out comes a farmer, He must have thought that I was nuts. He immediately looked at me And stuck a gun into my guts. I fell down To my bended knees, Saying, "I dig farmers, Don't shoot me, please!" He cocked his rifle And began to shout, "You're that travelin' salesman That I have heard about." I said, "No! No! No! I'm a doctor and it's true, I'm a clean-cut kid And I been to college, too." Then in comes his daughter Whose name was Rita. She looked like she stepped out of La Dolce Vita. I immediately tried to cool it With her dad, And told him what a Nice, pretty farm he had. He said, "What do doctors Know about farms, pray tell?" I said, "I was born At the bottom of a wishing well." Well, by the dirt 'neath my nails I guess he knew I wouldn't lie. "I guess you're tired," He said, kinda sly. I said, "Yes, ten thousand miles Today I drove." He said, "I got a bed for you Underneath the stove. Just one condition And you go to sleep right now, That you don't touch my daughter And in the morning, milk the cow." I was sleepin' like a rat When I heard something jerkin'. There stood Rita Lookin' just like Tony Perkins. She said, "Would you like to take a shower? I'll show you up to the door." I said, "Oh, no! no! I've been through this before." I knew I had to split But I didn't know how, When she said, "Would you like to take that shower, now?" Well, I couldn't leave Unless the old man chased me out, 'Cause I'd already promised That I'd milk his cows. I had to say something To strike him very weird, So I yelled out, "I like Fidel Castro and his beard." Rita looked offended But she got out of the way, As he came charging down the stairs Sayin', "What's that I heard you say?" I said, "I like Fidel Castro, I think you heard me right," And ducked as he swung At me with all his might. Rita mumbled something 'Bout her mother on the hill, As his fist hit the icebox, He said he's going to kill me If I don't get out the door In two seconds flat, "You unpatriotic, Rotten doctor Commie rat." Well, he threw a Reader's Digest At my head and I did run, I did a somersault As I seen him get his gun And crashed through the window At a hundred miles an hour, And landed fully blast In his garden flowers. Rita said, "Come back!" As he started to load The sun was comin' up And I was runnin' down the road. Well, I don't figure I'll be back There for a spell, Even though Rita moved away And got a job in a motel. He still waits for me, Constant, on the sly. He wants to turn me in To the F.B.I. Me, I romp and stomp, Thankful as I romp, Without freedom of speech, I might be in the swamp. |
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4:20 | ||||
from Bob Dylan - Another Side Of Bob Dylan (1964)
I can't understand, she let go of my hand
And left me here facing the wall I'd sure like to know why she did go But I can't get close to her at all Though we kissed through the wild blazing nighttime She said she would never forget But now morning is clear, it's like I ain't here She acts like we never met It's all new to me, like some mystery It could even be like a myth But it's hard to think on that she's the same one That last night I was with From darkness, dreams are deserted Am I still dreamin' yet? I wish she'd unlock her voice once and talk 'Stead of acting like we never met If she ain't feelin' well, then why don't she tell 'Stead of turnin' her back to my face? Without any doubt she seems too far out For me to return to or chase Though her skirt it swayed as the guitar played Her mouth was watery and wet But now something has changed, for she ain't the same She just acts like we never have met If I didn't have to guess, I'd gladly confess To anything I might have tried If I was with her too long or I've done something wrong I wish she'd tell me what it is, I'll run and hide Though the night ran swirling and whirling I remember her whispering yet But evidently she don't, evidently she won't She just acts like we never have met I'm leavin' today, I'll be on my way Of this I can't say very much But if you want me to, I can be just like you And pretend that we never have touched And if anybody asks me, "Is it easy to forget?" I'll say, "It's easily done You just pick anyone And pretend that you never have met" |
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4:37 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Well, they'll stone you when you're trying to be so good
They'll stone you just like they said they would They'll stone you when you're trying to go home And they'll stone you when you're there all alone But I would not feel so all alone Everybody must get stoned Well, they'll stone you when you're at the breakfast table They'll stone you when you are young and able They'll stone you when you're riding in your car And they'll stone you when you're playing your guitar But I would not feel so all alone Everybody must get stoned Well, they'll stone you when you're walking on the street They'll stone you when you're tryin' to keep your seat They'll stone you when you're tryin' to make a buck Then they'll stone you and then they'll say good luck But I would not feel so all alone Everybody must get stoned Well, they'll stone you when you're at the breakfast table They'll stone you when you are young and able They'll stone you and they'll say that you are brave They'll stone you when you're sent down in your grave But I would not feel so all alone Everybody must get stoned |
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3:50 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Well early in the mornin'
til late at night I got a poison headache But i feel all right I'm pledging my time to you Hopin' you'll come through too Well the hobo got to high He came down natur'lly he stole my baby Then he wanted to steal me But i'm pledging my time to you Hopin' you'll come through too Won't you come with me baby I'll take you where you wanna go And if it don't work out You'll be the first to know I'm pledging my time to you Hopin' you'll come through too Well the room is so stuffy I can hardly breathe Everybody's gone but me and you And i can't be the last to leave I'm pledging my time to you Hopin' you'll come through too Well they sent for the ambulance And one was sent Somebody got lucky But it was an accident Now i'm pledging my time to you Hopin' you'll come through too |
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7:34 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Ain't it just like the night to play tricks
when you're tryin' to be so quiet? We sit here stranded, though we're all doin' our best to deny it And Louise holds a handful of rain, temptin' you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise and her lover so entwined And these visions of Johanna that conquer my mind In the empty lot where the ladies play blindman's bluff with the key chain And the all-night girls they whisper of escapades out on the D train We can hear the night watchman click his flashlight Ask himself if it's him or them that's really insane Louise, she's all right, she's just near She's delicate and seems like the mirror But she just makes it all too concise and too clear That Johanna's not here The ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lotta gall to be so useless and all Muttering small talk at the wall while I'm in the hall How can I explain? Oh, it's so hard to get on And these visions of Johanna, they kept me up past the dawn Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, Jeeze I can't find my knees Oh, jewels and binoculars hang from the head of the mule But these visions of Johanna, they make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Sayin', Name me someone that's not a parasite and I'll go out and say a prayer for him But like Louise always says Ya can't look at much, can ya man? As she, herself, prepares for him And Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes ev'rything's been returned which was owed On the back of the fish truck that loads While my conscience explodes The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain |
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4:55 | ||||
from Bob Dylan - Blonde On Blonde (1966)
I didn't mean to treat you so bad You shouldn't take it so personal I didn't mean to make you so sad You just happened to be there, that's all When I saw you say "goodbye" to your friend and smile I thought that it was well understood That you'd be comin' back in a little while I didn't know that you were sayin' "goodbye" for good But, sooner or later, one of us must know You just did what you're supposed to do Sooner or later, one of us must know That I really did try to get close to you I couldn't see what you could show me Your scarf had kept your mouth well hid I couldn't see how you could know me But you said you knew me and I believed you did When you whispered in my ear And asked me if I was leavin' with you or her I didn't realize just what I did hear I didn't realize how young you were But, sooner or later, one of us must know You just did what you're supposed to do Sooner or later, one of us must know That I really did try to get close to you I couldn't see when it started snowin' Your voice was all that I heard I couldn't see where we were goin' But you said you knew an' I took your word And then you told me later, as I apologized That you were just kiddin' me, you weren't really from the farm An' I told you, as you clawed out my eyes That I never really meant to do you any harm But, sooner or later, one of us must know You just did what you're supposed to do Sooner or later, one of us must know That I really did try to get close to you |
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3:08 | ||||
from Bob Dylan - Blonde On Blonde (1966)
The guilty undertaker sighs,
The lonesome organ grinder cries, The silver saxophones say I should refuse you. The cracked bells and washed-out horns Blow into my face with scorn, But it's not that way, I wasn't born to lose you. I want you, I want you, I want you so bad, Honey, I want you. The drunken politician leaps Upon the street where mothers weep And the saviors who are fast asleep, They wait for you. And I wait for them to interrupt Me drinkin' from my broken cup And ask me to Open up the gate for you. I want you, I want you, I want you so bad, Honey, I want you. Now all my fathers, they've gone down True love they've been without it. But all their daughters put me down 'Cause I don't think about it. Well, I return to the Queen of Spades And talk with my chambermaid. She knows that I'm not afraid To look at her. She is good to me And there's nothing she doesn't see. She knows where I'd like to be But it doesn't matter. I want you, I want you, I want you so bad, Honey, I want you. Now your dancing child with his Chinese suit, He spoke to me, I took his flute. No, I wasn't very cute to him, Was I? But I did it, though, because he lied Because he took you for a ride And because time was on his side And because I . . . I want you, I want you, I want you so bad, Honey, I want you. |
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7:06 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Oh, the ragman draws circles
Up and down the block. I'd ask him what the matter was But I know that he don't talk. And the ladies treat me kindly And furnish me with tape, But deep inside my heart I know I can't escape. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Well, Shakespeare, he's in the alley With his pointed shoes and his bells, Speaking to some French girl, Who says she knows me well. And I would send a message To find out if she's talked, But the post office has been stolen And the mailbox is locked. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Mona tried to tell me To stay away from the train line. She said that all the railroad men Just drink up your blood like wine. An' I said, Oh, I didn't know that, But then again, there's only one I've met An' he just smoked my eyelids An' punched my cigarette. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Grandpa died last week And now he's buried in the rocks, But everybody still talks about How badly they were shocked. But me, I expected it to happen, I knew he'd lost control When he built a fire on Main Street And shot it full of holes. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the senator came down here Showing ev'ryone his gun, Handing out free tickets To the wedding of his son. An' me, I nearly got busted An' wouldn't it be my luck To get caught without a ticket And be discovered beneath a truck. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the preacher looked so baffled When I asked him why he dressed With twenty pounds of headlines Stapled to his chest. But he cursed me when I proved it to him, Then I whispered, Not even you can hide. You see, you're just like me, I hope you're satisfied. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the rainman gave me two cures, Then he said, Jump right in. The one was Texas medicine, The other was just railroad gin. An' like a fool I mixed them An' it strangled up my mind, An' now people just get uglier An' I have no sense of time. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. When Ruthie says come see her In her honky-tonk lagoon, Where I can watch her waltz for free 'Neath her Panamanian moon. An' I say, Aw come on now, You know about my debutante. An' she says, Your debutante just knows what you need But I know what you want. Oh, Mama, can this really be the end, To be stuck inside of Mobile With the Memphis blues again. Now the bricks lay on Grand Street Where the neon madmen climb. They all fall there so perfectly, It all seems so well timed. An' here I sit so patiently Waiting to find out what price You have to pay to get out of Going through all these things twice. Oh, Mama, is this really be the end, To be stuck inside of Mobile With the Memphis blues again. |
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3:58 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Well, I see you got your
brand new leopard-skin pill-box hat Yes, I see you got your brand new leopard-skin pill-box hat Well, you must tell me, baby How your head feels under somethin' like that Under your brand new leopard-skin pill-box hat Well, you look so pretty in it Honey, can I jump on it sometime? Yes, I just wanna see If it's really that expensive kind You know it balances on your head Just like a mattress balances On a bottle of wine Your brand new leopard-skin pill-box hat Well, if you wanna see the sun rise Honey, I know where We'll go out and see it sometime We'll both just sit there and stare Me with my belt Wrapped around my head And you just sittin' there In your brand new leopard-skin pill-box hat Well, I asked the doctor if I could see you It's bad for your health, he said Yes, I disobeyed his orders I came to see you But I found him there instead You know, I don't mind him cheatin' on me But I sure wish he'd take that off his head Your brand new leopard-skin pill-box hat Well, I see you got a new boyfriend You know, I never seen him before Well, I saw him Makin' love with him You forgot to close the garage door You might think he loves you for your money But I know what he really loves you for It's your brand new leopard-skin pill-box hat |
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4:53 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Nobody feels any pain
Tonight as i stand inside the rain Everybody knows That baby's got new clothes But lately i see her ribbons and her bows Have fallen from her curls She takes just like a woman yes she does She makes love just like a woman yes she does And she aches just like a woman But she breaks this like a little girl Queen mary she's my friend Yes i believe i'll go see her again Nobody has to guess Hat baby can't be blessed Till she finally sees that she's like all the rest With her fog her amphetamine and her pearls She takes just like a woman yes She makes love just like a woman yes she does And she aches just like a woman But she breaks this like a little girl It was raining from the first And i was dying there thirst So i came in here And your longtime curse hurts But what's worse Is this pain in here I can't stay in here Ain't it clear that I just can't fit Yes i believe it's time for us to quit When we meet again Introduced as friends Please don't let on that you knew me when I was hungry and it was your world Ah you fake just like a woman yes do You make love just like a woman yes do Then you ache just like a woman But you break just like a little girl |
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3:30 | ||||
from Bob Dylan - Blonde On Blonde (1966)
You say you love me
And you're thinkin' of me But you know you could be wrong You say you told me That you wanna hold me But you know you're not that strong I just can't do what I done before I just can't beg you any more I'm gonna let you pass And I'll go last. Then time will tell just who fell And who's been left behind When you go your way and I go mine You say you disturb me And you don't deserve me But you know sometimes you lie You say you're shakin' And you're always achin' But you know how hard you try Sometimes it gets so hard to care It can't be this way ev'rywhere And I'm gonna let you pass Yes, and I'll go last Then time will tell just who fell And who's been left behind When you go your way and I go mine The judge, he holds a grudge He's gonna call on you But he's badly built And he walks on stilts Watch out he don't fall on you You say you're sorry For tellin' stories That you know I believe are true You say ya got some Other kinda lover And yes, I believe you do You say my kisses are not like his But this time I'm not gonna tell you why that is I'm just gonna let you pass Yes, and I'll go last Then time will tell who fell And who's been left behind When you go your way and I go mine |
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5:03 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Standing on your window, honey,
Yes, I've been here before. Feeling so harmless, I'm looking at your second door. How come you don't send me no regards? You know I want your lovin', Honey, why are you so hard? Kneeling 'neath your ceiling, Yes, I guess I'll be here for a while. I'm tryin' to read your portrait, but, I'm helpless, like a rich man's child. How come you send someone out to have me barred? You know I want your lovin', Honey, why are you so hard? Like a poor fool in his prime, Yes, I know you can hear me walk, But is your heart made out of stone, or is it lime, Or is it just solid rock? Well, I rush into your hallway, Lean against your velvet door. I watch upon your scorpion Who crawls across your circus floor. Just what do you think you have to guard? You know I want your lovin', Honey, but you're so hard. Achilles is in your alleyway, He don't want me here, He does brag. He's pointing to the sky And he's hungry, like a man in drag. How come you get someone like him to be your guard? You know I want your lovin', Honey. but you're so hard. |
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4:57 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Well, your railroad gate,
you know I just can't jump it Sometimes it gets so hard, you see I'm just sitting here beating on my trumpet With all these promises you left for me But where are you tonight, sweet Marie? Well, I waited for you when I was half sick Yes, I waited for you when you hated me Well, I waited for you inside of the frozen traffic When you knew I had some other place to be Now, where are you tonight, sweet Marie? Well, anybody can be just like me, obviously But then, not again, not too many can be like you, fortunately. Well, six white horses that you did promise Were fin'lly delivered down to the penitentiary But to live outside the law, you must be honest I know you always say that you agree Alright where are you tonight, sweet Marie? Well, I don't know how it happened But the river-boat captain, he knows my fate But ev'rybody else, even yourself They're just gonna have to wait. Well, I got the fever down in my pockets The Persian drunkard, he follows me Yes, I can take him to your house but I can't unlock it You see, you forgot to leave me with the key Oh, where are you tonight, sweet Marie? Well, I been in jail when all my mail showed That a man can't give his address out to bad company And now I stand here lookin' at your yellow railroad In the ruins of your balcony Wond'ring where you are tonight, sweet Marie. |
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4:35 | ||||
from Bob Dylan - Blonde On Blonde (1966)
When she said,
Don't waste your words, they're just lies, I cried she was deaf. And she worked on my face until breaking my eyes, Then said, What else you got left? It was then that I got up to leave But she said, Don't forget, Everybody must give something back For something they get. I stood there and hummed, I tapped on her drum and asked her how come. And she buttoned her boot, And straightened her suit, Then she said, Don't get cute. So I forced my hands in my pockets And felt with my thumbs, And gallantly handed her My very last piece of gum. She threw me outside, I stood in the dirt where ev'ryone walked. And after finding I'd Forgotten my shirt, I went back and knocked. I waited in the hallway, she went to get it, And I tried to make sense Out of that picture of you in your wheelchair That leaned up against . . . Her Jamaican rum And when she did come, I asked her for some. She said, No, dear. I said, Your words aren't clear, You'd better spit out your gum. She screamed till her face got so red Then she fell on the floor, And I covered her up and then Thought I'd go look through her drawer. And, when I was through I filled up my shoe And brought it to you. And you, you took me in, You loved me then You didn't waste time. And I, I never took much, I never asked for your crutch. Now don't ask for mine. |
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3:36 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Early in the mornin'
Early in the mornin' I'm callin' you to I'm callin' you to Please come home Yes, I guess I could make it without you If I just didn't feel so all alone Don't let me down Don't let me down I won't let you down I won't let you down No I won't You know I can if you can, honey But, honey, please don't I got my black dog barkin' Black dog barkin' Yes it is now Yes it is now Outside my yard Yes, I could tell you what he means If I just didn't have to try so hard Your mama's workin' Your mama's moanin' She's cryin' you know She's tryin' you know You better go now Well, I'd tell you what she wants But I just don't know how Fifteen jugglers Fifteen jugglers Five believers Five believers All dressed like men Tell yo' mama not to worry because They're just my friends Early in the mornin' Early in the mornin' I'm callin' you to I'm callin' you to Please come home Yes, I could make it without you If I just did not feel so all alone |
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11:20 | ||||
from Bob Dylan - Blonde On Blonde (1966)
Where the sad-eyed prophet says
that no man comes, My warehouse eyes, With your mercury mouth my Arabian drums, in the missionary times, And your eyes like smoke Should I leave them by your gate, and your prayers like rhymes, Or, sad-eyed lady, should I wait? And your silver cross, and your voice like chimes, With your sheet-metal Oh, who among them memory of Cannery Row, do they think could bury you? And your magazine-husband With your pockets who one day just had to go, well protected at last, And your gentleness now, And your streetcar visions which you just can't help but show, which you place on the grass, Who among them And your flesh like silk, do you think would employ you? and your face like glass, Now you stand with your thief, Who among them you're on his parole do they think could carry you? With your holy medallion Sad-eyed lady of the lowlands, which your fingertips fold, And your saintlike face Where the sad-eyed prophet says and your ghostlike soul, that no man comes, Oh, who among them My warehouse eyes, do you think could destroy you my Arabian drums, Sad-eyed lady of the lowlands, Should I leave them by your gate, Where the sad-eyed prophet says that no man comes, Or, sad-eyed lady, should I wait? My warehouse eyes, my Arabian drums, With your sheets like metal and your belt like lace, And your deck of cards missing Should I leave them by your gate, the jack and the ace, Or, sad-eyed lady, should I wait? And your basement clothes and your hollow face, Who among them can think he could outguess you? With your silhouette when the sunlight dims Into your eyes where the moonlight swims, And your match-book songs and your gypsy hymns, Who among them would try to impress you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? The kings of Tyrus with their convict list Are waiting in line for their geranium kiss, And you wouldn't know it would happen like this, But who among them really wants just to kiss you? With your childhood flames on your midnight rug, And your Spanish manners and your mother's drugs, And your cowboy mouth and your curfew plugs, Who among them do you think could resist you? Sad-eyed lady of the lowlands, Where the sad-eyed prophet says that no man comes, My warehouse eyes, my Arabian drums, Should I leave them by your gate, Or, sad-eyed lady, should I wait? Oh, the farmers and the businessmen, they all did decide To show you the dead angels that they used to hide. But why did they pick you to sympathize with their side? Oh, how could they ever mistake you? They wished you'd accepted the blame for the farm, But with the sea at your feet and the phony false alarm, And with the child of a hoodlum wrapped up in your arms, How could they ever, ever persuade you? Sad-eyed lady of the lowlands, |
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3:49 | ||||
from Bob Dylan - Oh Mercy (1989)
We live in a political world,
Love don't have any place. We're living in times where men commit crimes, And crime don't have a face. We live in a political world, Icicles hanging down, Wedding bells ring and angels sing, clouds cover up the ground. We live in a political world, Wisdom is thrown into jail, It rots in a cell, is misguided as hell, Leaving no one to pick up a trail. We live in a political world Where mercy walks the plank, Life is in mirrors, death disappears Up the steps into the nearest bank. We live in a political world Where courage is a thing of the past, Houses are haunted, children are unwanted, The next day could be your last. We live in a political world, The one we can see and can feel, But there's no one to check, it's all a stacked deck, We all know for sure that it's real. We live in a political world, In the cities of lonesome fear, Little by little you turn in the middle But you're never sure why you're here. We live in a political world, Under the microscope, You can travel anywhere and hang yourself there, You always got more than enough rope. We live in a political world, Turning and a-thrashing about, As soon as you're awake, you're trained to take, What looks like the easy way out. We live in a political world, Where peace is not welcome at all, It's turned away from the door to wander some more, Or put up against the wall. We live in a political world, Everything is hers or his, Climb into the frame and shout God's name, But you're never sure what it is. |
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2:33 | ||||
from Bob Dylan - Oh Mercy (1989)
Far Away where the soft winds blow,
Far away from it all, There is a place you go Where teardrops fall. Far away in the stormy night, Far away and over the wall, You are there in the flickering light Where teardrops fall. We banged the drum slowly And played the fife lowly, You know the song in my heart. In the turning of twilight, In the shadows of moonlight, You can show me a new place to start. I've torn my clothes and I've drained the cup, Strippin' away at it all, Thinking of you when the sun comes up Where teardrops fall. By rivers of blindness, In love and with kindness We could hold up a toast if we meet. To the cuttin' of fences, To sharpen the senses That linger in the fireball heat. Roses are red, violets are blue, And time is beginning to crawl, I just might have to come see you Where teardrops fall. |
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3:15 | ||||
from Bob Dylan - Oh Mercy (1989)
Broken lines, broken strings,
Broken threads, broken springs, Broken idols, broken heads, People sleeping in broken beds. Ain't no use jiving Ain't no use joking Everything is broken. Broken bottles, broken plates, Broken switches, broken gates, Broken dishes, broken parts, Streets are filled with broken hearts. Broken words never meant to be spoken, Everything is broken. Seem like every time you stop and turn around Something else just hit the ground Broken cutters, broken saws, Broken buckles, broken laws, Broken bodies, broken bones, Broken voices on broken phones. Take a deep breath, feel like you're chokin', Everything is broken. Every time you leave and go off someplace Things fall to pieces in my face Broken hands on broken ploughs, Broken treaties, broken vows, Broken pipes, broken tools, People bending broken rules. Hound dog howling, bull frog croaking, Everything is broken. |
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3:01 | ||||
from Bob Dylan - Oh Mercy (1989)
Ring them bells, ye heathen
From the city that dreams, Ring them bells from the sanctuaries Cross the valleys and streams, For they're deep and they're wide And the world's on its side And time is running backwards And so is the bride. Ring them bells St. Peter Where the four winds blow, Ring them bells with an iron hand So the people will know. Oh it's rush hour now On the wheel and the plow And the sun is going down Upon the sacred cow. Ring them bells Sweet Martha, For the poor man's son, Ring them bells so the world will know That God is one. Oh the shepherd is asleep Where the willows weep And the mountains are filled With lost sheep. Ring them bells for the blind and the deaf, Ring them bells for all of us who are left, Ring them bells for the chosen few Who will judge the many when the game is through. Ring them bells, for the time that flies, For the child that cries When innocence dies. Ring them bells St. Catherine From the top of the room, Ring them from the fortress For the lilies that bloom. Oh the lines are long And the fighting is strong And they're breaking down the distance Between right and wrong. |
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4:35 | ||||
from Bob Dylan - Oh Mercy (1989)
Crickets are chirpin', the water is high,
There's a soft cotton dress on the line hangin' dry, Window wide open, African trees Bent over backwards from a hurricane breeze. Not a word of goodbye, not even a note, She gone with the man In the long black coat. Somebody seem him hanging around At the old dance hall on the outskirts of town. He looked into her eyes when she stopped him to ask If he wanted to dance, he had a face like a mask. Somebody said from the Bible he'd quote There was dust on the man In the long black coat. Preacher was a talkin', there's a sermon he gave, He said every man's conscience is vile and depraved, You cannot depend on it to be your guide When it's you who must keep it satisfied. It ain't easy to swallow, it sticks in the throat, She gave her heart to the man In the long black coat. There are no mistakes in life some people say It is true sometimes you can see it that way. But people don't live or die, people just float. She went with the man In the long black coat. There's smoke on the water, it's been there since June, Tree trunks uprooted, 'neath the high crescent moon Feel the pulse and vibration and the rumbling force Somebody is out there beating a dead horse. She never said nothing, there was nothing she wrote, She gone with the man In the long black coat. |
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5:04 | ||||
from Bob Dylan - Oh Mercy (1989)
Most of the time
I'm clear focused all around, Most of the time I can keep both feet on the ground, I can follow the path, I can read the signs, Stay right with it when the road unwinds, I can handle whatever I stumble upon. I don't even notice she's gone, Most of the time. Most of the time It's well understood, Most of the time I wouldn't change it if I could, I can't make it all match up, I can hold my own, I can deal with the situation right down to the bone, I can survive, I can endure And I don't even think about her Most of the time. Most of the time My head is on straight, Most of the time I'm strong enough not to hate. I don't build up illusion 'til it makes me sick, I ain't afraid of confusion no matter how thick. I can smile in the face of mankind. Don't even remember what her lips felt like on mine Most of the time. Most of the time She ain't even in my mind, I wouldn't know her if I saw her, She's that far behind. Most of the time I can't even be sure If she was ever with me Or if I was with her. Most of the time I'm halfway content, Most of the time I know exactly where it went, I don't cheat on myself, I don't run and hide, Hide from the feelings that are buried inside. I don't compromised and I don't pretend, I don't even care if I ever see her again Most of the time. |
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4:45 | ||||
from Bob Dylan - Oh Mercy (1989)
If I just turn away, when I see how you're dressed,
If I shut myself off so I can't hear you cry, What good am I? What good am I if I know and don't do, I If I see and don't say, if I look right through you, If I turn a deaf ear to the thunderin' sky, What good am I? What good am I while you softly weep And I hear in my head what you say in your sleep, And I freeze in the moment like the rest who don't try, What good am I? What good am I then to others and me If I've had every chance and yet still fail to see If my hands are tied must I not wonder within Who tied them and why and where must I have been What good am I if I say foolish things And I laugh in the face of what sorrow brings And I just turn my back while you silently die, What good am I? |
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3:44 | ||||
from Bob Dylan - Oh Mercy (1989)
There's a whole lot of people suffering tonight
From the disease of conceit. Whole lot of people struggling tonight From the disease of conceit. Comes right down the highway, Straight down the line, Rips into your senses Through your body and your mind. Nothing about it that's sweet, The disease of conceit. There's a whole lot of hearts breaking tonight From the disease of conceit. Whole lot of hearts shaking tonight From the disease of conceit. Steps into your room, Eats your soul, Over your senses You have no control. Ain't nothing too discreet About of disease of conceit. There's a whole lot of people dying tonight From the disease of conceit. Whole lot of people crying tonight From the disease of conceit. Comes right out of nowhere, And you're down for the count From the outside world, The pressure will mount, Turn you into a piece of meat, The disease of conceit. Conceit is a disease That the doctors got no cure They've done a lot of research on it, But what it is, they're still not sure There's a whole lot of people in trouble tonight From the disease of conceit. Whole lot of people seeing double tonight From the disease of conceit. Give ya delusions of grandeur And a evil eye, Give you idea that You're too good to die, Then they bury you from your head to your feet From the disease of conceit. |
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5:03 | ||||
from Bob Dylan - Oh Mercy (1989)
WHAT WAS IT YOU WANTED?
What was it you wanted? Tell me again so I'll know. What's happening in there, What's going on in your show. What was it you wanted, Could you say it again? I'll be back in a minute You can get it together by then. What was it you wanted You can tell me, I'm back, We can start it all over Get it back on the track, You got my attention, Go ahead, speak. What was it you wanted Was there somebody looking When you give me that kiss Someone there in the shadows Someone that I might have missed? Is there something you needed, Something I don't understand. What was it you wanted, Do I have it here in my hand? Whatever you wanted Slipped out of my mind, Would you remind me again If you'd be so kind. Has the record been breaking, Did the needle just skip, Is there somebody waitin', Was there a slip of the lip? What was it you wanted I ain't keepin' score Are you the same person That was here before? Is it something important? Maybe not. What was it you wanted? Tell me again I forgot. Whatever you wanted What could it be Did somebody tell you That you could get it from me, Is it something that comes natural Is it easy to say, Why do you want it, Who are you anyway? Is the scenery changing, Am I getting it wrong, Is the whole thing going backwards, Are they playing our song? Where were you when it started Do you want it for free What was it you wanted Are you talking to me? |
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3:13 | ||||
from Bob Dylan - Oh Mercy (1989)
Seen a shooting star tonight
And I thought of you. You were trying to break into another world A world I never knew. I always kind of wondered If you ever made it through. Seen a shooting star tonight And I thought of you. Seen a shooting star tonight And I thought of me. If I was still the same If I ever became what you wanted me to be Did I miss the mark or Over-step the line That only you could see? Seen a shooting star tonight And I thought of me. Listen to the engine, listen to the bell As the last fire truck from hell Goes rolling by, all good people are praying, It's the last temptation The last account The last time you might hear the sermon on the mount, The last radio is playing. Seen a shooting star tonight Slip Away. Tomorrow will be another day. Guess it's too late to say the things to you That you needed to hear me say. Seen a shooting star tonight Slip away. |
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5:22 | ||||
from Bob Dylan - Time Out Of Mind (1997)
I'm walking,
through streets that are dead Walking, walking with you in my head My feet are so tired My brain is so wired And the clouds are weeping Did I, hear someone tell a lie Did I, hear someone's distant cry I spoke like a child You destroyed me with a smile while i was sleeping I'm sick of love That I'm in the thick of it This kind of love I'm so sick of it I see, I see lovers in the meadow I see, I see silhouettes in the window I watch them 'til they're gone and they leave me hangin' on to a shadow I'm sick of love I hear the clock tick this kind of love I'm lovesick Sometimes the silence can be like thunder Sometimes I wanna take to the road of plunder Could you ever be true? I think of you and I wonder I'm sick of love I wish I'd never met you I'm sick of love I'm tryin' to forget you Just don't know what to do I'd give anything to be with you |
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3:36 | ||||
from Bob Dylan - Time Out Of Mind (1997)
Gonna walk down that dirt road 'Til someone will let me ride
Gonna walk down that dirt road 'Til someone will let me ride If I can't find my baby I'm gonna run away and hide Well, I been pacing round the room, hoping maybe she come back pacing round the room, hoping maybe she come back Well, I been praying for salvation Laying round in a one-room country shack Gonna walk down that dirt road, until my eyes begin to bleed Gonna walk down that dirt road, until my eyes begin to bleed 'Til there's nothing left to see 'Til the chains have been shattered and I been freed But I'm looking at my shadow, I been watching the clouds up above looking at my shadow, watching the clouds up above Rolling through the rain and hail Looking for the sunny side of love Gonna walk down that dirt road 'til everything becomes the same Gonna walk down that dirt road 'til everything becomes the same I keep on walking 'til I hear her holler out my name |
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7:43 | ||||
from Bob Dylan - Time Out Of Mind (1997)
I'm walkin' through the summer nights
the jukebox playing low yesterday everything was goin' too fast Today it's movin' too slow I got no place left to turn I got nothin' left to burn Don't know if I saw you if I would kiss you or kill you It probably wouldn't matter to you anyhow You left me standing in the doorway cryin' I got nothin' to go back to now. The light in this place is so bad Makin' me sick in the head All the laughter is just makin' me sad The stars have turned cherry red I'm strummin' on my gay guitar Smokin' a cheap cigar The ghost of our old love has not gone away Don't look it like it will anytime soon You left me standin' in the doorway cryin' Under the midnight moon. Maybe they'll get me and maybe they won't But not tonight and it won't be here There are things I could say, but I don't I know the mercy of God must be near I been ridin a midnight train Got ice water in my veins I would be crazy if I took you back It would go up against every rule You left me standin' in the doorway cryin' Sufferin' like a fool. When the last rays of daylight go down Buddy you're old no more I can hear the church bells ringin' in the yard I wonder who they're ringin' for I know I can't win But my heart just won't give in Last night I danced with a stranger But she just reminded me you were the one You left me standin' in the doorway cryin' In the dark land of the sun. I eat when I'm hungry drink when I'm dry And live my life on the square And even if the flesh falls off of my face I know someone will be there to care It always means so much Even the softest touch I see nothing to be gained by any explanation There's no words that need to be said You left me standin' in the doorway cryin' Blues wrapped around my head. |
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5:53 | ||||
from Bob Dylan - Time Out Of Mind (1997)
You took a part of me that I really miss
I keep asking myself how long it can go on like this You told yourself a lie; that's all right mama, I told myself one too I'm trying to get closer but I'm still a million miles from you You took the silver, you took the gold You left me standing out in the cold People ask about you; I didn't tell them everything I knew Well I'm trying to get closer, but I'm still a million miles from you I'm drifting in and out of dreamless sleep Throwing all my memories in a ditch so deep Did so many things I never did intend to do Well I'm trying to get closer, but I'm still a million miles from you I need your love so bad, turn your lamp down low I need every bit of it for the places that I go Sometimes I wonder just what it's all coming to Well I'm tryin' to get closer, but I'm still a million miles from you Well I don't dare close my eyes and I don't dare wink Maybe in the next life I'll be able to hear myself think Feel like talking to somebody but I just don't know who Well, I'm tryin' to get closer but I'm still a million miles from you The last thing you said before you hit the street "Gonna find me a janitor to sweep me off my feet" I said, "That's all right mama.... you..... you do what you gotta do" Well, I'm tryin' to get closer; I'm still a million miles from you Rock me, pretty baby, rock me 'til everything gets real Rock me for a little while, rock me 'til there's nothing left to feel And I'll rock you too I'm tryin' to get closer but I'm still a million miles from you Well, there's voices in the night trying to be heard I'm sitting here listening to every mind polluting word I know plenty of people who would put me up for a day or two Yes, I'm tryin' to get closer but I'm still a million miles from you |
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5:22 | ||||
from Bob Dylan - Time Out Of Mind (1997)
The air is getting hotter
There's a rumbling in the skies I've been wading through the high muddy water With the heat rising in my eyes Every day your memory grows dimmer It doesn't haunt me like it did before I've been walking through the middle of nowhere Trying to get to heaven before they close the door When I was in Missouri They would not let me be I had to leave there in a hurry I only saw what they let me see You broke a heart that loved you Now you can seal up the book and not write anymore I've been walking that lonesome valley Trying to get to heaven before they close the door People on the platforms Waiting for the trains I can hear their hearts a-beatin' Like pendulums swinging on chains When you think that you lost everything You find out you can always lose a little more I'm just going down the road feeling bad Trying to get to heaven before they close the door I'm going down the river Down to New Orleans They tell me everything is gonna be all right But I don't know what "all right" even means I was riding in a buggy with Miss Mary-Jane Miss Mary-Jane got a house in Baltimore I been all around the world, boys Now I'm trying to get to heaven before they close the door Gonna sleep down in the parlor And relive my dreams I'll close my eyes and I wonder If everything is as hollow as it seems Some trains don't pull no gamblers No midnight ramblers, like they did before I been to Sugar Town, I shook the sugar down Now I'm trying to get to heaven before they close the door |
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5:18 | ||||
from Bob Dylan - Time Out Of Mind (1997)
Well my nerves are exploding and my body's tense
I feel like the whole world got me pinned up against a fence I've been hit too hard, seen too much Nothing can heal me now but your touch I just don't know what I'm gonna do I was alright 'til I fell in love with you Well, my house is on fire, burnin' to the sky Well, I thought it would rain but the clouds passed by And I feel like I'm comin' to the end of my way But I know God is my shield and he won't lead me astray Still, I don't know what I'm gonna do I was alright 'til I fell in love with you Boys in the street beginnin' to play Girls like birds, flyin' away When I'm gone you will remember my name I'm gonna win my way to wealth and fame Yet I just don't know what I'm gonna do I was alright 'til I fell in love with you Well, junk's pilin' up, takin' up space My eyes feel like they're falling off my face Sweat pourin' down, I'm starin' at the floor I'm thinkin' about that girl who won't be back no more I just don't know what to do I was alright 'til I fell in love with you Well, I'm tired of talkin', I'm tired of tryin' to explain My attemps to please ya, they were all in vain Tomorrow night before the sun goes down If I'm still among the living, I'll be Dixie bound Still, I just don't know what I'm gonna do I was alright 'til I fell in love with you |
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6:29 | ||||
from Bob Dylan - Time Out Of Mind (1997)
Shadows are falling and I been here all day
It's too hot to sleep and time is running away Feel like my soul has turned into steel I've still got the scars that the sun/son? didn't/let me? heal There's not even room enough to be anywhere It's not dark yet, but it's getting there Well my sense of humanity is going down the drain Behind every beautiful thing, there's been some kind of pain She wrote me a letter and she wrote it so kind She put down in writin' what was in her mind I just don't see why I should even care It's not dark yet, but it's getting there Well I been to London and I been to gay Paris I followed the river and I got to the sea I've been down to the bottom of a whirlpool of lies I ain't lookin' for nothin' in anyone's eyes Sometimes my burden is more than I can bear It's not dark yet, but it's getting there I was born here and I'll die here, against my will I know it looks like I'm movin' but I'm standin' still Every nerve in my body is so naked and numb I can't even remember what it was I came here to get away from Don't even hear the murmur of a prayer It's not dark yet, but it's getting there |
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7:16 | ||||
from Bob Dylan - Time Out Of Mind (1997)
I'm beginning to hear voices and there's no one around
now I'm all used up and I kind of feel turned around ?? I went to church on Sunday and she passed by and my love for her is taking such a long time to die God I'm waist deep, waist deep in the mist It's almost like, almost like I don't exist I'm 20 miles out of town, Cold Irons bound There's a wall of pride high and wide, can't see over to the other side It's such a sad thing to see such? beauty/human? decay, it's sadder still to feel your heart torn? away one look at you and I'm out of control like the universe has swallowed me whole I'm 20 miles out of town and Cold Irons bound There's too many people, too many to recall I thought some of 'em were friends of mine I was wrong about 'em all Well, the road is rocky and the hillside's mud Up over my head nothing but clouds of blood I found my own, I found my one in you but your love just hasn't proved true I'm 20 miles out of town, Cold Irons bound 20 miles out of town, Cold Irons bound ... Well the winds in Chicago have turned me to shreds reality has always had too many heads some things last longer than you think they will some kind of things you can never kill it's you and you only I'm thinking about but you can't see in, and it's hard looking out I'm 20 miles out of town, Cold Irons bound Well the fat's in the fire, and the water's in the tank and the whiskey's in the jar, and the money's in the bank I tried to love and protect you because I cared I'm gonna remember forever the joy we've shared but looking at you and I'm on my bended knee you have no idea what you do to me I'm 20 miles out of town Cold Irons bound 20 miles out of town, Cold Irons bound |
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3:33 | ||||
from Bob Dylan - Time Out Of Mind (1997)
When the rain is blowing in your face
and the whole world is on your case I could offer a warm embrace to make you feel my love When evening shadows and the stars appear and there is no one there to dry your tears I could hold you for a million years to make you feel my love I know you haven't made your mind up yet but I would never do you wrong I've known it from the moment that we met no doubt in my mind where you belong I'd go hungry, I'd go black and blue I'd go crawling down the avenue Oh there's nothing that I wouldn't do to make you feel my love The storms are raging on the rolling sea and on the highway of regret the winds of change are blowing wild and free you ain't seen nothing like me yet I could make you happy, make your dreams come true nothing that I wouldn't do go to the ends of the earth for you to make you feel my love |
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5:48 | ||||
from Bob Dylan - Time Out Of Mind (1997)
I can't wait
Wait for you to change my mind It's late I'm tryin' to walk the line Well it's way past midnight And there's some people all around Some on their way up Some on their way down The air burns and I'm tryin to think straight And I don't know how much longer I can wait I'm your man I've tried to recover the sweet love that we knew You understand That my heart can't go on beating without you Well your loveliness has wounded me I'm reeling from the blow I wish I knew what it was that keeps me loving you so I'm breathin' hard standin' at the gate And I don't know how much longer I can wait Skies are gray I'm looking for anything that will bring a happy glow Night or day It doesn't matter where I go anymore I just go If I ever saw you comin' I don't know what I might do I'd like to think I could control myself But it isn't true That's how it is When things disintegrate And I don't know how much longer I can wait I'm doomed to love you I been rollin' through stormy weather I'm thinkin' of you And all the places we could roam together It's mighty funny The end of time has just begun Oh honey, after all these years you're still the one Well I'm strollin' through the lonely graveyard of my mind I left my life with you Somewhere back there along the line I thought somehow that I would be spared this day I don't know how much longer I can wait |
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16:32 | ||||
from Bob Dylan - Time Out Of Mind (1997)
Well my heart's in the Highlands gentle and fair
Honeysuckle blooming in the wildwood air Bluebelles blazing, where the Aberdeen waters flow Well my heart's in the Highland, I'm gonna go there when I feel good enough to go Windows were shakin' all night in my dreams Everything was exactly the way that it seems Woke up this morning and I looked at the same old page Same ol' rat race Life in the same ol' cage. I don't want nothing from anyone, ain't that much to take Wouldn't know the difference between a real blonde and a fake Feel like a prisoner in a world of mystery I wish someone would come And push back the clock for me Well my heart's in the Highlands wherever I roam That's where I'll be when I get called home The wind, it whispers to the buckeyed trees in rhyme Well my heart's in the Highland, I can only get there one step at a time. I'm listening to Neil Young, I gotta turn up the sound Someone's always yelling turn it down Feel like I'm drifting Drifting from scene the scene I'm wondering what in the devil could it all possibly mean? Insanity is smashing up against my soul You can say I was on anything but a roll If I had a conscience, well I just might blow my top What would I do with it anyway Maybe take it to the pawn shop My heart's in the Highlands at the break of dawn By the beautiful lake of the Black Swan Big white clouds, like chariots that swing down low Well my heart's in the Highlands Only place left to go I'm in Boston town, in some restaurant I got no idea what I want Well, maybe I do but I'm just really not sure Waitress comes over Nobody in the place but me and her It must be a holiday, there's nobody around She studies me closely as I sit down She got a pretty face and long white shiny legs She says, "What'll it be?" I say, "I don't know, you got any soft boiled eggs?" She looks at me, Says "I'd bring you some but we're out of 'm, you picked the wrong time to come" Then she says, "I know you're an artist, draw a picture of me!" I say, "I would if I could, but, I don't do sketches from memory." "Well", she says, "I'm right here in front of you, or haven't you looked?" I say," all right, I know, but I don't have my drawing book!" She gives me a napkin, she says, "you can do it on that" I say, "yes I could but, I don't know where my pencil is at!" She pulls one out from behind her ear She says "all right now, go ahead, draw me, I'm standing right here" I make a few lines, and I show it for her to see Well she takes a napkin and throws it back And says "that don't look a thing like me!" I said, "Oh, kind miss, it most certainly does" She says, "you must be jokin.'" I say, "I wish I was!" Then she says, "you don't read women authors, do you?" Least that's what I think I hear her say, "Well", I say, "how would you know and what would it matter anyway?" "Well", she says, "you just don't seem like you do!" I said, "you're way wrong." She says, "which ones have you read then?" I say, "I read Erica Jong!" She goes away for a minute and I slide up out of my chair I step outside back to the busy street, but nobody's going anywhere Well my heart's in the Highlands, with the horses and hounds Way up in the border country, far from the towns With the twang of the arrow and a snap of the bow My heart's in the Highlands Can't see any other way to go Every day is the same thing out the door Feel further away then ever before Some things in life, it gets too late to learn Well, I'm lost somewhere I must have made a few bad turns I see people in the park forgetting their troubles and woes They're drinking and dancing, wearing bright colored clothes All the young men with their young women looking so good Well, I'd trade places with any of them In a minute, if I could I'm crossing the street to get away from a mangy dog Talking to myself in a monologue I think what I need might be a full length leather coat Somebody just asked me If I registered to vote The sun is beginning to shine on me But it's not like the sun that used to be The party's over, and there's less and less to say I got new eyes Everything looks far away Well, my heart's in the Highlands at the break of day Over the hills and far away There's a way to get there, and I'll figure it out somehow But I'm already there in my mind And that's good enough for now |
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8:34 | ||||
from The Hurricane (허리케인 카터) by Christopher Young [ost] (2000) | |||||
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4:35 | ||||
from Vanilla Sky (바닐라 스카이) by Nancy Wilson [ost] (2001)
When she said,
"Don't waste your words, they're just lies," I cried she was deaf. And she worked on my face until breaking my eyes, Then said, "What else you got left?" It was then that I got up to leave But she said, "Don't forget, Everybody must give something back For something they get." I stood there and hummed, I tapped on her drum and asked her how come. And she buttoned her boot, And straightened her suit, Then she said, "Don't get cute." So I forced my hands in my pockets And felt with my thumbs, And gallantly handed her My very last piece of gum. She threw me outside, I stood in the dirt where ev'ryone walked. And after finding I'd Forgotten my shirt, I went back and knocked. I waited in the hallway, she went to get it, And I tried to make sense Out of that picture of you in your wheelchair That leaned up against... Her Jamaican rum And when she did come, I asked her for some. She said, "No, dear." I said, "Your words aren't clear, You'd better spit out your gum." She screamed till her face got so red, Then she fell on the floor, And I covered her up and then Thought I'd go look through her drawer. And when I was through, I filled up my shoe, and brought it to you. And you, you took me in, You loved me then, You never wasted time. And I, I never took much, I never asked for your crutch, Now don't ask for mine. |
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5:13 | ||||
from Wonder Boys (원더 보이즈) [ost] (2000)
A worried man with a worried mind
No one in front of me and nothing behind There's a woman on my lap and she's drinking champagne Got white skin, got assassin's eyes I'm looking up into the sapphire tinted skies I'm well dressed, waiting on the last train Standing on the gallows with my head in a noose Any minute now I'm expecting all hell to break loose *People are crazy and times are strange I'm locked in tight, I'm out of range I used to care, but things have changed This place ain't doing me any good I'm in the wrong town, I should be in Hollywood Just for a second there I thought I saw something move Gonna take dancing lessons do the jitterbug rag Ain't no shortcuts, gonna dress in drag Only a fool in here would think he's got anything to prove Lot of water under the bridge, Lot of other stuff too Don't get up gentlemen, I'm only passing through *Repeat I've been walking forty miles of bad road If the bible is right, the world will explode I've been trying to get as far away from myself as I can Some things are too hot to touch The human mind can only stand so much You can't win with a losing hand Feel like falling in love with the first woman I meet Putting her in a wheel barrow and wheeling her down the street *Repeat I hurt easy, I just don't show it You can hurt someone and not even know it The next sixty seconds could be like an eternity Gonna get low down, gonna fly high All the truth in the world adds up to one big lie I'm love with a woman who don't even appeal to me Mr. Jinx and Miss Lucy, they jumped in the lake I'm not that eager to make a mistake *Repeat |
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3:12 | ||||
from Wonder Boys (원더 보이즈) [ost] (2000)
Seen a shooting star tonight
And I thought of you. You were trying to break into another world A world I never knew. I always kind of wondered If you ever made it through. Seen a shooting star tonight And I thought of you. Seen a shooting star tonight And I thought of me. If I was still the same If I ever became what you wanted me to be Did I miss the mark or Over-step the line That only you could see? Seen a shooting star tonight And I thought of me. Listen to the engine, listen to the bell As the last fire truck from hell Goes rolling by, all good people are praying, It's the last temptation The last account The last time you might hear the sermon on the mount, The last radio is playing. Seen a shooting star tonight Slip Away. Tomorrow will be another day. Guess it's too late to say the things to you That you needed to hear me say. Seen a shooting star tonight Slip away. |
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6:32 | ||||
from Wonder Boys (원더 보이즈) [ost] (2000)
Shadows are falling and I've been here all day
It's too hot to sleep time is running away Feel like my soul has turned into steel I've still got the scars that the sun didn't heal There's not even room enough to be anywhere It's not dark yet, but it's getting there Well my sense of humanity has gone down the drain Behind every beautiful thing there's been some kind of pain She wrote me a letter and she wrote it so kind She put down in writing what was in her mind I just don't see why I should even care It's not dark yet, but it's getting there Well, I've been to London and I've been to gay Paree I've followed the river and I got to the sea I've been down on the bottom of a world full of lies I ain't looking for nothing in anyone's eyes Sometimes my burden seems more than I can bear It's not dark yet, but it's getting there I was born here and I'll die here against my will I know it looks like I'm moving, but I'm standing still Every nerve in my body is so vacant and numb I can't even remember what it was I came here to get away from Don't even hear a murmur of a prayer It's not dark yet, but it's getting there |
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3:26 | ||||
from Wonder Boys (원더 보이즈) [ost] (2000)
Buckets of rain
Buckets of tears Got all them buckets comin' out of my ears. Buckets of moonbeams in my hand, I got all the love, honey baby, You can stand. I been meek And hard like an oak I seen pretty people disappear like smoke. Friends will arrive, friends will disappear, If you want me, honey baby, I'll be here. Like your smile And your fingertips Like the way that you move your lips. I like the cool way you look at me, Everything about you is bringing me Misery. Little red wagon Little red bike I ain't no monkey but I know what I like. I like the way you love me strong and slow, I'm takin' you with me, honey baby, When I go. Life is sad Life is a bust All ya can do is do what you must. You do what you must do and ya do it well, I'll do it for you, honey baby, Can't you tell? |
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3:09 | ||||
from The Royal Tenenbaums [Expanded] (로얄 테넌바움) by Mark Mothersbaugh [best, ost] (2001) | |||||
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6:04 | ||||
from Jerry Maguire (제리 맥과이어) by Nancy Wilson [ost] (1996) | |||||
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3:23 | ||||
from Moonlight Mile (문라이트 마일) by Mark Isham [ost] (2002)
Buckets of rain Buckets of tears Got all them buckets comin' out of my ears. Buckets of moonbeams in my hand, I got all the love, honey baby, You can stand. I been meek And hard like an oak I seen pretty people disappear like smoke. Friends will arrive, friends will disappear, If you want me, honey baby, I'll be here. Like your smile And your fingertips Like the way that you move your lips. I like the cool way you look at me, Everything about you is bringing me Misery. Little red wagon Little red bike I ain't no monkey but I know what I like. I like the way you love me strong and slow, I'm takin' you with me, honey baby, When I go. Life is sad Life is a bust All ya can do is do what you must. You do what you must do and ya do it well, I'll do it for you, honey baby, Can't you tell |
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4:54 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Hey! Mr. Tambourine Man, play a song for me,
I'm not sleepy and there is no place I'm going to. Hey! Mr. Tambourine Man, play a song for me, In the jingle jangle morning I'll come followin' you. Though I know that evenin's empire has returned into sand, Vanished from my hand, Left me blindly here to stand but still not sleeping. My weariness amazes me, I'm branded on my feet, I have no one to meet And the ancient empty street's too dead for dreaming. Hey! Mr. Tambourine Man, play a song for me, I'm not sleepy and there is no place I'm going to. Hey! Mr. Tambourine Man, play a song for me, In the jingle jangle morning I'll come followin' you. Take me on a trip upon your magic swirlin' ship, My senses have been stripped, my hands can't feel to grip, My toes too numb to step, wait only for my boot heels To be wanderin'. I'm ready to go anywhere, I'm ready for to fade Into my own parade, cast your dancing spell my way, I promise to go under it. Hey! Mr. Tambourine Man, play a song for me, I'm not sleepy and there is no place I'm going to. Hey! Mr. Tambourine Man, play a song for me, In the jingle jangle morning I'll come followin' you. Though you might hear laughin', spinnin', swingin' madly across the sun, It's not aimed at anyone, it's just escapin' on the run And but for the sky there are no fences facin'. And if you hear vague traces of skippin' reels of rhyme To your tambourine in time, it's just a ragged clown behind, I wouldn't pay it any mind, it's just a shadow you're Seein' that he's chasing. Hey! Mr. Tambourine Man, play a song for me, I'm not sleepy and there is no place I'm going to. Hey! Mr. Tambourine Man, play a song for me, In the jingle jangle morning I'll come followin' you. Then take me disappearin' through the smoke rings of my mind, Down the foggy ruins of time, far past the frozen leaves, The haunted, frightened trees, out to the windy beach, Far from the twisted reach of crazy sorrow. Yes, to dance beneath the diamond sky with one hand waving free, Silhouetted by the sea, circled by the circus sands, With all memory and fate driven deep beneath the waves, Let me forget about today until tomorrow. Hey! Mr. Tambourine Man, play a song for me, I'm not sleepy and there is no place I'm going to. Hey! Mr. Tambourine Man, play a song for me, In the jingle jangle morning I'll come followin' you. |
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4:30 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
'Twas in another lifetime, one of toil and blood
When blackness was a virtue the road was full of mud I came in from the wilderness, a creature void of form "Come in," she said, "I'll give you shelter from the storm" And if I pass this way again, you can rest assured I'll always do my best for her, on that I give my word In a world of steel-eyed death, and men who are fighting to be warm. "Come in," she said, "I'll give you shelter from the storm" Not a word was spoke between us, there was little risk involved Everything up to that point had been left unresolved Try imagining a place where it's always safe and warm "Come in," she said, "I'll give you shelter from the storm" I was burned out from exhaustion, buried in the hail Poisoned in the bushes an' blown out on the trail Hunted like a crocodile, ravaged in the corn "Come in," she said, "I'll give you shelter from the storm" Suddenly I turned around and she was standin' there With silver bracelets on her wrists and flowers in her hair She walked up to me so gracefully and took my crown of thorns "Come in," she said, "I'll give you shelter from the storm" Now there's a wall between us, somethin' there's been lost I took too much for granted, I got my signals crossed Just to think that it all began on an noneventful morn "Come in," she said, "I'll give you shelter from the storm" Well, the deputy walks on hard nails and the preacher rides a mount But nothing really matters much, it's doom alone that counts And the one-eyed undertaker, he blows a futile horn "Come in," she said, "I'll give you shelter from the storm" I've heard newborn babies wailin' like a mournin' dove And old men with broken teeth stranded without love Do I understand your question, man, is it hopeless and forlorn? "Come in," she said, "I'll give you shelter from the storm" In a little hilltop village, they gambled for my clothes I bargained for salvation an' she gave me a lethal dose I offered up my innocence and got repaid with scorn "Come in," she said, "I'll give you shelter from the storm" Well, I'm livin' in a foreign country but I'm bound to cross the line Beauty walks a razor's edge, someday I'll make it mine If I could only turn back the clock to when God and her were born "Come in," she said, "I'll give you shelter from the storm" |
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3:52 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
My love, she speaks like silence
Without ideals or violence She doesn't have to say she's faithful Yet she's true like ice, like fire People carry roses And make promises by the hours My love, she laughs like the flowers Valentines can't buy her In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall Some speak of the future My love, she speaks softly She knows there's no success like failure And that failure's no success at all The cloak and dagger dangles Madams light the candles In ceremonies of the horsemen Even the pawn must hold a grudge Statues made of matchsticks Crumble into one another My love winks, she does not bother She knows too much to argue or to judge The bridge at midnight trembles The country doctor rambles Banker's nieces seek perfection Expecting all the gifts that wise men bring The wind howls like a hammer And the night blows rainy My love, she's like some raven At my window with a broken wing |
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4:47 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
You walk into the room
With your pencil in your hand You see somebody naked And you say, “Who is that man?” You try so hard But you don’t understand Just what you’ll say When you get home Because something is happening here But you don’t know what it is Do you, Mister Jones? You raise up your head And you ask, “Is this where it is?” And somebody points to you and says “It’s his” And you say, “What’s mine?” And somebody else says, “Where what is?” And you say, “Oh my God Am I here all alone?” Because something is happening here But you don’t know what it is Do you, Mister Jones? You hand in your ticket And you go watch the geek Who immediately walks up to you When he hears you speak And says, “How does it feel To be such a freak?” And you say, “Impossible” As he hands you a bone Because something is happening here But you don’t know what it is Do you, Mister Jones? You have many contacts Among the lumberjacks To get you facts When someone attacks your imagination But nobody has any respect Anyway they already expect you To just give a check To tax-deductible charity organizations You’ve been with the professors And they’ve all liked your looks With great lawyers you have Discussed lepers and crooks You’ve been through all of F. Scott Fitzgerald’s books You’re very well read It’s well known Because something is happening here But you don’t know what it is Do you, Mister Jones? Well, the sword swallower, he comes up to you And then he kneels He crosses himself And then he clicks his high heels And without further notice He asks you how it feels And he says, “Here is your throat back Thanks for the loan” Because something is happening here But you don’t know what it is Do you, Mister Jones? Now you see this one-eyed midget Shouting the word “NOW” And you say, “For what reason?” And he says, “How?” And you say, “What does this mean?” And he screams back, “You’re a cow Give me some milk Or else go home” Because something is happening here But you don’t know what it is Do you, Mister Jones? Well, you walk into the room Like a camel and then you frown You put your eyes in your pocket And your nose on the ground There ought to be a law Against you comin’ around You should be made To wear earphones Because something is happening here But you don’t know what it is Do you, Mister Jones? |
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4:54 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Well, it ain't no use to sit and wonder why, babe
If'n you don't know by now And it ain't no use to sit and wonder why, babe It'll never do somehow When your rooster crows at the break of dawn Look out your window and I'll be gone You're the reason I'm a-travellin' on But don't think twice, it's all right And it ain't no use in a-turnin' on your light, babe The light I never knowed And it ain't no use in turnin' on your light, babe I'm on the dark side of the road But I wish there was something you would do or say To try and make me want to change my mind and stay But we never did much talkin' anyway But don't think twice, it's all right So it ain't no use in callin' out my name, gal Like you never done before And it ain't no use in callin' out my name, gal I can't hear you anymore I'm a-thinkin' and a-wonderin', walkin' down the road I once loved a woman, a child I'm told I give her my heart but she wanted my soul But don't think twice, it's all right So long, honey baby Where I'm bound I can't tell And goodbye's too good a word, babe So I'll just say "fare thee well" I ain't a-sayin' you treated me unkind You could've done better, but I don't mind You just kind of wasted my precious time But don't think twice, it's all right |
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5:05 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
I ain't gonna work on Maggie's farm no more
No, I ain't gonna work on Maggie's farm no more Well, I wake up in the morning, fold my hands and pray for rain I got a head full of ideas that are drivin' me insane It's a shame the way she makes me scrub the floor I ain't gonna work on Maggie's farm no more I ain't gonna work for Maggie's brother no more No, I ain't gonna work for Maggie's brother no more Well, he hands you a nickel, he hands you a dime He asks you with a grin if you're havin' a good time Then he fines you every time you slam the door I ain't gonna work for Maggie's brother no more I ain't gonna work for Maggie's pa no more No, I ain't gonna work for Maggie's pa no more Well, he puts his cigar out in your face just for kicks His bedroom window, it is made out of bricks The National Guard stands around his door I ain't gonna work for Maggie's pa no more I ain't gonna work for Maggie's ma no more No, I ain't gonna work for Maggie's ma no more Well, she talks to all the servants about man and God and law Everybody says she's the brains behind pa She's sixty-eight, but she says she's fifty-four I ain't gonna work for Maggie's ma no more I ain't gonna work on Maggie's farm no more I ain't gonna work on Maggie's farm no more Well, I try my best to be just like I am But everybody wants you to be just like them They say sing while you slave and I just get bored I ain't gonna work on Maggie's farm no more |
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3:19 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Your breath is sweet, your eyes are like
Two jewels in the sky. Your back is straight, your hair is smooth On the pillow where you lie. But I don't sense affection No gratitude or love. Your loyalty is not to me but to the stars above. Chourus : One more cup of coffee for the road. One more cup of coffee 'fore I go, To the valley below. Your daddy he's an outlaw And a wanderer by trade. He'll teach you how to pick an' choose And how to throw the blade. And he oversees his kingdom So no stranger does intrude. His voice it trembles as he calls out For another plate of food. Chorus Your sister sees the future Like your momma and yourself. You've never learned to read or write There's no books upon your shelf. And your pleasure know no limits Your voice is like a meadow lark. But your heart is like an ocean Mysterious and dark. Chorus |
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6:30 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn't you? People call, say, "Beware doll, you're bound to fall" You thought they were all kiddin' you You used to laugh about Everybody that was a-hangin' out Now you don't talk so loud Now you don't seem so proud About having to be scrounging your next meal How does it feel How does it feel To be without a home Like a complete unknown Like a rolling stone? Ah, you've gone to the finest school all right, Miss Lonely But you know you only used to get juiced in it Nobody's ever taught you how to live out on the street And now you're gonna have to get used to it You say you'd never compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And say, "Do you want to make a deal?" How does it feel How does it feel To be on your own With no direction home A complete unknown Like a rolling stone? Ah, you never turned around to see the frowns On the jugglers and the clowns when they all did tricks for you You never understood that it ain't no good You shouldn't let other people get your kicks for you You used to ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat Ain't it hard when you discover that He really wasn't where it's at After he took from you everything he could steal? How does it feel How does it feel To have on your own With no direction home Like a complete unknown Like a rolling stone? Ah, princess on the steeple and all the pretty people They're all drinkin', thinkin' that they got it made Exchanging all precious gifts, but you'd better take your diamond ring You'd better pawn it, babe You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you ain't got nothin', you got nothin' to lose You're invisible now, you got no secrets to conceal How does it feel Ah, how does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? |
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4:12 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
They say ev'rything can be replaced,
Yet ev'ry distance is not near. So I remember ev'ry face Of ev'ry man who put me here. I see my light come shining From the west unto the east. Any day now, any day now, I shall be released. They say ev'ry man needs protection, They say ev'ry man must fall. Yet I swear I see my reflection Some place so high above this wall. I see my light come shining From the west unto the east. Any day now, any day now, I shall be released. Standing next to me in this lonely crowd, Is a man who swears he's not to blame. All day long I hear him shout so loud, Crying out that he was framed. I see my light come shining From the west unto the east. Any day now, any day now, I shall be released. |
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4:01 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Do you love me, or are you just extending goodwill?
Do you need me half as bad as you say, or are you just feeling guilt? I've been burned before and I know the score So you won't hear me complain. Will I be able to count on you Or is your love in vain? Are you so fast that you cannot see that I must have solitude? When I am in the darkness, why do you intrude? Do you know my world, do you know my kind Or must I explain? Will you let me be myself Or is your love in vain? Well I've been to the mountain and I've been in the wind, I've been in and out of happiness. I have dined with kings, I've been offered wings And I've never been too impressed. All right, I'll take a chance, I will fall in love with you If I'm a fool you can have the night, you can have the morning too. Can you cook and sew, make flowers grow, Do you understand my pain? Are you willing to risk it all Or is your love in vain? |
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4:22 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
I've just reached a place
Where the willow don't bend There's not much more to be said It's the top of the end I'm going I'm going I'm gone I'm closin' the book On the pages and the text And I don't really care What happens next I'm just going I'm going I'm gone I been hangin' on threads I been playin' it straight Now, I've just got to cut loose Before it gets late So I'm going I'm going I'm gone Grandma said, "Boy, go and follow your heart And you'll be fine at the end of the line All that's gold isn't meant to shine Don't you and your one true love ever part." I been walkin' the road I been livin' on the edge Now, I've just got to go Before I get to the ledge So I'm going I'm just going I'm gone |
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4:25 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
How many roads must a man walk down
Before you call him a man? How many seas must the white dove sail Before she sleeps in the sand? Yes, and how many times must the cannonballs fly Before they are forever banned? The answer, my friend, is blowin' in the wind The answer is blowin' in the wind Yes, and how many years can a mountain exist Before it is washed to the sea? Yes, and how many years can some people exist Before they're allowed to be free? Yes, and how many times can a man turn his head And pretend that he just doesn't see? The answer, my friend, is blowin' in the wind The answer is blowin' in the wind Yes, and how many times must a man look up Before he can see the sky? Yes, and how many ears must one man have Before he can hear people cry? Yes, and how many deaths will it take 'til he knows That too many people have died? The answer, my friend, is blowin' in the wind The answer is blowin' in the wind |
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5:02 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Nobody feels any pain
Tonight as I stand inside the rain Everybody knows that baby's got new clothes But lately I see her ribbons and her bows Have fallen from her curls She takes just like a woman Yes, she does, she makes love just like a woman Yes, she does, and she aches just like a woman But she breaks just like a little girl Queen Mary, she's my friend Yes, I believe I'll go see her again Nobody has to guess that baby can't be blessed 'Til she finally sees that she's like all the rest With her fog, her amphetamine, and her pearls She takes just like a woman Yes, she makes love just like a woman Yes, she does, and she aches just like a woman But she breaks just like a little girl It was raining from the first and I was dying there of thirst So I came in here And your long-time curse hurts, but what's worse Is this pain in here, I can't stay in here, ain't it clear That I just can't fit Yes, I believe that it's time for us to quit But when we meet again, introduced as friends Please don't let on that you knew me when I was hungry and it was your world Ah, you fake just like a woman Yes, you do, you make love just like a woman Yes, you do, then you ache just like a woman But you break just like a little girl |
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4:43 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Oh, sister, when I come to lie in your arms
You should not treat me like a stranger. Our Father would not like the way that you act And you must realize the danger. Oh, sister, am I not a brother to you And one deserving of affection? And is our purpose not the same on this earth, To love and follow His direction? We grew up together From the cradle to the grave We died and were reborn And then mysteriously saved. Oh, sister, when I come to knock on your door, Don't turn away, you'll create sorrow. Time is an ocean but it ends at the shore You may not see me tomorrow. |
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4:14 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
They sat together in the park
As the evening sky grew dark. She looked at him and he felt a spark Tingle to his bones. 'Twas then he felt alone And wished that he'd gone straight And watched out for a simple twist of fate. They walked alone by the old canal. A little confused, I remember well, And stopped into a strange hotel with a neon burning bright. He felt the heat of the night hit him like a freight train Moving with a simple twist of fate. A saxophone someplace far off played As she was walking on by the arcade As the light bust through a beat up shade Where he was waking up. She dropped a coin into the cup of a blind man at the gate And forgot about a simple twist of fate. He woke up; the room was bare. He didn't see her anywhere. He told himself he didn't care; pushed the window open wide; Felt an emptiness inside to which he just could not relate Brought on by a simple twist of fate. He hears the ticking of the clocks And walks along with a parrot that talks. Hunts her down by the waterfront docks Where the sailors all come in. Maybe she'll pick him out again. How long must he wait One more time for a simple twist of fate. People tell me it's a sin To know and feel too much within. I still believe she was my twin, but I lost the ring. She was born in spring, but I was born too late. Blame it on a simple twist of fate. |
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3:19 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
"There must be some way out of here," said the joker to the thief,
"There's too much confusion, I can't get no relief. Businessmen, they drink my wine, plowmen dig my earth, None of them along the line know what any of it is worth." "No reason to get excited," the thief, he kindly spoke, "There are many here among us who feel that life is but a joke. But you and I, we've been through that, and this is not our fate, So let us not talk falsely now, the hour is getting late." All along the watchtower, princes kept the view While all the women came and went, barefoot servants, too. Outside in the distance a wildcat did growl, Two riders were approaching, the wind began to howl. |
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2:34 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
The guilty undertaker sighs, the lonesome organ grinder cries
The silver saxophones say I should refuse you The cracked bells and washed-out horns blow into my face with scorn But it's not that way, I wasn't born to lose you I want you I want you I want you so bad Honey, I want you The drunken politician leaps upon the street where mothers weep And the saviors who are fast asleep, they wait for you And I wait for them to interrupt me drinking from my broken cup And ask me to open up the gate for you I want you I want you Yes, I want you so bad Honey, I want you Now all my fathers, they've gone down True love, they've been without it And all their daughters put me down 'Cause I don't think about it Well, I return to the Queen of Spades and talk with my chambermaid She knows that I'm not afraid to look at her She is good to me and there's nothing she doesn't see She knows where I'd like to be, but it doesn't matter I want you I want you Yes, I want you so bad Honey, I want you Now your dancing child with his Chinese suit, he spoke to me, I took his flute No, I wasn't that cute to him, was I? But I did it because he lied and because he took you for a ride And because time was on his side and because I Want you I want you Yes, I want you so bad Honey, I want you |
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3:37 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
I ain't lookin' to compete with you
Beat or cheat or mistreat you Simplify you, classify you Deny, defy, or crucify you All I really want to do Is, baby, be friends with you No, and I ain't lookin' to fight with you Frighten you or uptighten you Drag you down or drain you down Chain you down or bring you down All I really want to do Is, baby, be friends with you I ain't lookin' to block you up Shock or knock or lock you up Analyze you, categorize you Finalize you or advertise you All I really want to do Is, baby, be friends with you I don't want to straight-face you Race or chase you, track or trace you Or disgrace you or displace you Or define you or confine you All I really want to do Is, baby, be friends with you I don't want to meet your kin Make you spin or do you in Or select you or dissect you Or inspect you or reject you All I really want to do Is, baby, be friends with you I don't want to fake you out Take or shake or forsake you out I ain't lookin' for you to feel like me See like me or be like me All I really want to do Is, baby, be friends with you |
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3:59 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Mama, take this badge off o' me
I can't use it anymore It's gettin' dark, too dark to see I feel I'm knockin' on Heaven's door Knock, knock, knockin' on Heaven's door Knock, knock, knockin' on Heaven's door Knock, knock, knockin' on Heaven's door Knock, knock, knockin' on Heaven's door Mama, put my guns in the ground I can't shoot them anymore That long black cloud is comin' down I feel I'm knockin' on Heaven's door Knock, knock, knockin' on Heaven's door Knock, knock, knockin' on Heaven's door Knock, knock, knockin' on Heaven's door Knock, knock, knockin' on Heaven's door |
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6:03 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Darkness at the break of noon
Shadows even the silver spoon The handmade blade, the child's balloon Eclipses both the sun and moon To understand you know too soon there is no sense in trying Pointed threats, they bluff with scorn Suicide remarks are torn From the fool's gold mouthpiece, the hollow horn Plays wasted words, proves to warn That he not busy being born is busy dying Temptation's page flies out the door You follow, find yourself at war Watch waterfalls of pity roar You feel to moan but unlike before You discover that you'd just be one more person crying So don't fear if you hear A foreign sound to your ear It's alright, Ma I'm only sighing As some warn victory, some downfall Private reasons great or small Can be seen in the eyes of those that call To make all that should be killed to crawl While others say don't hate nothing at all, except hatred Disillusioned words like bullets bark As human gods aim for their mark Make everything from toy guns that spark To flesh-colored Christs that glow in the dark It's easy to see without looking too far that not much is really sacred While preachers preach of evil fates Teachers teach that knowledge waits Can lead to hundred dollar plates Goodness hides behind its gates But even the president of the United States sometimes must have to stand naked And though the rules of the road have been lodged It's only people's games that you got to dodge And it's alright, Ma I can make it Advertising signs that con You into thinking you're the one That can do what's never been done That can win what's never been won Meantime, life outside goes on all around you You lose yourself, you reappear You suddenly find you got nothing to fear Alone you stand with nobody near When a trembling distant voice unclear Startles your sleeping ears to hear that somebody thinks they really found you A question in your nerves is lit Yet you know there is no answer fit To satisfy, insure you not to quit To keep it in your mind and not forget That it is not he or she or them or it that you belong to But though the masters make the rules For the wise men and the fools I got nothing, Ma To live up to Old lady judges watch people in pairs Limited in sex, they dare To push fake morals, insult and stare While money doesn't talk, it swears Obscenity, who really cares, propaganda, all is phony While them that defend what they cannot see With a killer's pride, security It blows their minds most bitterly For them that think death's honesty Won't fall upon them naturally, life sometimes must get lonely My eyes collide head-on with stuffed Graveyards, false goals, I scuff At pettiness which plays so rough Walk upside-down inside handcuffs Kick my legs to crash it off Say, "Okay, I've had enough, what else can you show me?" And if my thought-dreams could be seen They'd probably put my head in a guillotine But it's alright, Ma It's life, and life only |
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5:38 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
May God bless and keep you always,
May your wishes all come true, May you always do for others And let others do for you. May you build a ladder to the stars And climb on every rung, May you stay forever young, Forever young, forever young, May you stay forever young. May you grow up to be righteous, May you grow up to be true, May you always know the truth And see the lights surrounding you. May you always be courageous, Stand upright and be strong, May you stay forever young, Forever young, forever young, May you stay forever young. May your hands always be busy, May your feet always be swift, May you have a strong foundation When the winds of changes shift. May your heart always be joyful, May your song always be sung, May you stay forever young, Forever young, forever young, May you stay forever young. |
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5:30 | ||||
from Bob Dylan - Bob Dylan At Budokan (1978)
Come gather 'round people, wherever you roam
And admit that the waters around you have grown And accept it that soon you'll be drenched to the bone If your time to you is worth saving Then you better start swimmin' or you'll sink like a stone For the times they are a-changin' Come writers and critics who prophesise with your pen And keep your eyes wide, the chance won't come again And don't speak too soon, for the wheel's still in spin And there's no tellin' who that it's namin' For the loser now will be later to win For the times they are a-changin' Come senators, congressmen, please heed the call Don't stand in the doorway, don't block up the hall For he that gets hurt will be he who has stalled The battle outside ragin' Will soon shake your windows and rattle your walls For the times they are a-changin' Come mothers and fathers throughout the land And don't criticize what you can't understand Your sons and your daughters are beyond your command Your old road is rapidly aging Please get out of the new one if you can't lend your hand For the times they are a-changin' The line, it is drawn, the curse, it is cast The slow one now will later be fast As the present now will later be past The order is rapidly fadin' And the first one now will later be last For the times they are a-changin' |
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8:31 | ||||
from Bob Dylan - Desire (1976)
Pistol shots ring out in the barroom night Enter Patty Valentine from the upper hall. She sees the bartender in a pool of blood, Cries out, "My God, they?ve killed them all!" Here comes the story of the Hurricane, The man the authorities came to blame For somethin' that he never done. Put in a prison cell, but one time he could-a been The champion of the world. Three bodies lyin' there does Patty see And another man named Bello, movin' around mysteriously. "I didn't do it," he says, and he throws up his hands "I was only robbin' the register, I hope you understand. I saw them leavin'," he says, and he stops "One of us had better call up the cops." And so Patty calls the cops And they arrive on the scene with their red lights flashin' In the hot New Jersey night. Meanwhile, far away in another part of town Rubin Carter and a couple of friends are drivin' around. Number one contender for the middleweight crown Had no idea what kinda shit was about to go down When a cop pulled him over to the side of the road Just like the time before and the time before that. In Paterson that's just the way things go. If you're black you might as well not show up on the street 'Less you wanna draw the heat. Alfred Bello had a partner and he had a rap for the cops. Him and Arthur Dexter Bradley were just out prowlin' around He said, "I saw two men runnin' out, they looked like middleweights They jumped into a white car with out-of-state plates." And Miss Patty Valentine just nodded her head. Cop said, "Wait a minute, boys, this one's not dead" So they took him to the infirmary And though this man could hardly see They told him that he could identify the guilty men. Four in the mornin' and they haul Rubin in, Take him to the hospital and they bring him upstairs. The wounded man looks up through his one dyin' eye Says, "Wha'd you bring him in here for? He ain't the guy!" Yes, here's the story of the Hurricane, The man the authorities came to blame For somethin' that he never done. Put in a prison cell, but one time he could-a been The champion of the world. Four months later, the ghettos are in flame, Rubin's in South America, fightin' for his name While Arthur Dexter Bradley's still in the robbery game And the cops are puttin' the screws to him, lookin' for somebody to blame. "Remember that murder that happened in a bar?" "Remember you said you saw the getaway car?" "You think you'd like to play ball with the law?" "Think it might-a been that fighter that you saw runnin' that night?" "Don't forget that you are white." Arthur Dexter Bradley said, "I'm really not sure." Cops said, "A poor boy like you could use a break We got you for the motel job and we're talkin' to your friend Bello Now you don't wanta have to go back to jail, be a nice fellow. You'll be doin' society a favor. That sonofabitch is brave and gettin' braver. We want to put his ass in stir We want to pin this triple murder on him He ain't no Gentleman Jim." Rubin could take a man out with just one punch But he never did like to talk about it all that much. It's my work, he'd say, and I do it for pay And when it's over I'd just as soon go on my way Up to some paradise Where the trout streams flow and the air is nice And ride a horse along a trail. But then they took him to the jail house Where they try to turn a man into a mouse. All of Rubin's cards were marked in advance The trial was a pig-circus, he never had a chance. The judge made Rubin's witnesses drunkards from the slums To the white folks who watched he was a revolutionary bum And to the black folks he was just a crazy nigger. No one doubted that he pulled the trigger. And though they could not produce the gun, The D.A. said he was the one who did the deed And the all-white jury agreed. Rubin Carter was falsely tried. The crime was murder "one," guess who testified? Bello and Bradley and they both baldly lied And the newspapers, they all went along for the ride. How can the life of such a man Be in the palm of some fool's hand? To see him obviously framed Couldn't help but make me feel ashamed to live in a land Where justice is a game. Now all the criminals in their coats and their ties Are free to drink martinis and watch the sun rise While Rubin sits like Buddha in a ten-foot cell An innocent man in a living hell. That's the story of the Hurricane, But it won't be over till they clear his name And give him back the time he's done. Put in a prison cell, but one time he could-a been The champion of the world |
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6:56 | ||||
from Bob Dylan - Desire (1976)
I married Isis on the fifth day of May, But I could not hold on to her very long. So I cut off my hair and I rode straight away For the wild unknown country where I could not go wrong. I came to a high place of darkness and light. The dividing line ran through the center of town. I hitched up my pony to a post on the right, Went in to a laundry to wash my clothes down. A man in the corner approached me for a match. I knew right away he was not ordinary. He said, "Are you lookin' for somethin' easy to catch?" I said, "I got no money." He said, "That ain't necessary." We set out that night for the cold in the North. I gave him my blanket, he gave me his word. I said, "Where are we goin'?" He said we'd be back by the fourth. I said, "That's the best news that I've ever heard." I was thinkin' about turquoise, I was thinkin' about gold, I was thinkin' about diamonds and the world's biggest necklace. As we rode through the canyons, through the devilish cold, I was thinkin' about Isis, how she thought I was so reckless. How she told me that one day we would meet up again, And things would be different the next time we wed, If I only could hang on and just be her friend. I still can't remember all the best things she said. We came to the pyramids all embedded in ice. He said, "There's a body I'm tryin' to find. If I carry it out it'll bring a good price." 'Twas then that I knew what he had on his mind. The wind it was howlin' and the snow was outrageous. We chopped through the night and we chopped through the dawn. When he died I was hopin' that it wasn't contagious, But I made up my mind that I had to go on. I broke into the tomb, but the casket was empty. There was no jewels, no nothin', I felt I'd been had. When I saw that my partner was just bein' friendly, When I took up his offer I must-a been mad. I picked up his body and I dragged him inside, Threw him down in the hole and I put back the cover. I said a quick prayer and I felt satisfied. Then I rode back to find Isis just to tell her I love her. She was there in the meadow where the creek used to rise. Blinded by sleep and in need of a bed, I came in from the East with the sun in my eyes. I cursed her one time then I rode on ahead. She said, "Where ya been?" I said, "No place special." She said, "You look different." I said, "Well, not quite." She said, "You been gone." I said, "That's only natural." She said, "You gonna stay?" I said, "Yeah, I jes might." Isis, oh, Isis, you mystical child. What drives me to you is what drives me insane. I still can remember the way that you smiled On the fifth day of May in the drizzlin' rain. |
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2:58 | ||||
from Bob Dylan - Desire (1976)
I like to spend some time in Mozambique The sunny sky is aqua blue And all the couples dancing cheek to cheek. It's very nice to stay a week or two. There's lots of pretty girls in Mozambique And plenty time for good romance And everybody likes to stop and speak To give the special one you seek a chance Or maybe say hello with just a glance. Lying next to her by the ocean Reaching out and touching her hand, Whispering your secret emotion Magic in a magical land. And when it's time for leaving Mozambique, To say goodbye to sand and sea, You turn around to take a final peek And you see why it's so unique to be Among the lovely people living free Upon the beach of sunny Mozambique. |
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3:44 | ||||
from Bob Dylan - Desire (1976)
Your breath is sweet Your eyes are like two jewels in the sky Your back is straight Your hair is smooth On the pillow where you lie But I don't sense affection No gratitude or love Your loyalty is not to me But to the stars above One more cup of coffee fore I go One more cup of coffee fore I go To the valley below Your daddy he's an outlaw And a wanderer by trade He'll teach you how to pick and choose And how to throw the blade He oversees his kingdom So no stranger does intrude His voice it trembles as he calls out For another plate of food One more cup of coffee for the road One more cup of coffee fore I go To the valley below Your sister sees the future Like your mama and yourself You've never learned to read or write There's no books upon your shelf And your pleasure knows no limits Your voice is like a meadowlark But your heart is like an ocean Mysterious and dark One more cup of coffee for the road One more cup of coffee fore I go To the valley below |
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4:00 | ||||
from Bob Dylan - Desire (1976)
Oh, sister, when I come to lie in your arms You should not treat me like a stranger. Our Father would not like the way that you act And you must realize the danger. Oh, sister, am I not a brother to you And one deserving of affection? And is our purpose not the same on this earth, To love and follow His direction? We grew up together From the cradle to the grave We died and were reborn And then mysteriously saved. Oh, sister, when I come to knock on your door, Don't turn away, you'll create sorrow. Time is an ocean but it ends at the shore You may not see me tomorrow. |
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11:04 | ||||
from Bob Dylan - Desire (1976)
Born in Red Hook, Brooklyn, in the year of who knows when Opened up his eyes to the tune of an accordion Always on the outside of whatever side there was When they asked him why it had to be that way, "Well," he answered, "just because." Larry was the oldest, Joey was next to last. They called Joe "Crazy," the baby they called "Kid Blast." Some say they lived off gambling and runnin' numbers too. It always seemed they got caught between the mob and the men in blue. Joey, Joey, King of the streets, child of clay. Joey, Joey, What made them want to come and blow you away? There was talk they killed their rivals, but the truth was far from that No one ever knew for sure where they were really at. When they tried to strangle Larry, Joey almost hit the roof. He went out that night to seek revenge, thinkin' he was bulletproof. The war broke out at the break of dawn, it emptied out the streets Joey and his brothers suffered terrible defeats Till they ventured out behind the lines and took five prisoners. They stashed them away in a basement, called them amateurs. The hostages were tremblin' when they heard a man exclaim, "Let's blow this place to kingdom come, let Con Edison take the blame." But Joey stepped up, he raised his hand, said, "We're not those kind of men. It's peace and quiet that we need to go back to work again." Joey, Joey, King of the streets, child of clay. Joey, Joey, What made them want to come and blow you away? The police department hounded him, they called him Mr. Smith They got him on conspiracy, they were never sure who with. "What time is it?" said the judge to Joey when they met "Five to ten," said Joey. The judge says, "That's exactly what you get." He did ten years in Attica, reading Nietzsche and Wilhelm Reich They threw him in the hole one time for tryin' to stop a strike. His closest friends were black men 'cause they seemed to understand What it's like to be in society with a shackle on your hand. When they let him out in '71 he'd lost a little weight But he dressed like Jimmy Cagney and I swear he did look great. He tried to find the way back into the life he left behind To the boss he said, "I have returned and now I want what's mine." Joey, Joey, King of the streets, child of clay. Joey, Joey, Why did they have to come and blow you away? It was true that in his later years he would not carry a gun "I'm around too many children," he'd say, "they should never know of one." Yet he walked right into the clubhouse of his lifelong deadly foe, Emptied out the register, said, "Tell 'em it was Crazy Joe." One day they blew him down in a clam bar in New York He could see it comin' through the door as he lifted up his fork. He pushed the table over to protect his family Then he staggered out into the streets of Little Italy. Joey, Joey, King of the streets, child of clay. Joey, Joey, What made them want to come and blow you away? Sister Jacqueline and Carmela and mother Mary all did weep. I heard his best friend Frankie say, "He ain't dead, he's just asleep." Then I saw the old man's limousine head back towards the grave I guess he had to say one last goodbye to the son that he could not save. The sun turned cold over President Street and the town of Brooklyn mourned They said a mass in the old church near the house where he was born. And someday if God's in heaven overlookin' His preserve I know the men that shot him down will get what they deserve. Joey, Joey, King of the streets, child of clay. Joey, Joey, What made them want to come and blow you away? |
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5:44 | ||||
from Bob Dylan - Desire (1976)
Hot chili peppers in the blistering sun Dust on my face and my cape, Me and Magdalena on the run I think this time we shall escape. Sold my guitar to the baker's son For a few crumbs and a place to hide, But I can get another one And I'll play for Magdalena as we ride. No llores, mi querida Dios nos vigila Soon the horse will take us to Durango. Agarrame, mi vida Soon the desert will be gone Soon you will be dancing the fandango. Past the Aztec ruins and the ghosts of our people Hoofbeats like castanets on stone. At night I dream of bells in the village steeple Then I see the bloody face of Ramon. Was it me that shot him down in the cantina Was it my hand that held the gun? Come, let us fly, my Magdalena The dogs are barking and what's done is done. No llores, mi querida Dios nos vigila Soon the horse will take us to Durango. Agarrame, mi vida Soon the desert will be gone Soon you will be dancing the fandango. At the corrida we'll sit in the shade And watch the young torero stand alone. We'll drink tequila where our grandfathers stayed When they rode with Villa into Torre6n. Then the padre will recite the prayers of old In the little church this side of town. I will wear new boots and an earring of gold You'll shine with diamonds in your wedding gown. The way is long but the end is near Already the fiesta has begun. The face of God will appear With His serpent eyes of obsidian. No llores, mi querida Dios nos vigila Soon the horse will take us to Durango. Agarrame, mi vida Soon the desert will be gone Soon you will be dancing the fandango. Was that the thunder that I heard? My head is vibrating, I feel a sharp pain Come sit by me, don't say a word Oh, can it be that I am slain? Quick, Magdalena, take my gun Look up in the hills, that flash of light. Aim well my little one We may not make it through the night. No llores, mi querida Dios nos vigila Soon the horse will take us to Durango. Agarrame, mi vida Soon the desert will be gone Soon you will be dancing the fandango. |
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7:27 | ||||
from Bob Dylan - Desire (1976)
Up on the white veranda She wears a necktie and a Panama hat. Her passport shows a face From another time and place She looks nothin' like that. And all the remnants of her recent past Are scattered in the wild wind. She walks across the marble floor Where a voice from the gambling room is callin' her to come on in. She smiles, walks the other way As the last ship sails and the moon fades away From Black Diamond Bay. As the mornin' light breaks open, the Greek comes down And he asks for a rope and a pen that will write. "Pardon, monsieur," the desk clerk says, Carefully removes his fez, "Am I hearin' you right?" And as the yellow fog is liftin' The Greek is quickly headin' for the second floor. She passes him on the spiral staircase Thinkin' he's the Soviet Ambassador, She starts to speak, but he walks away As the storm clouds rise and the palm branches sway On Black Diamond Bay. A soldier sits beneath the fan Doin' business with a tiny man who sells him a ring. Lightning strikes, the lights blow out. The desk clerk wakes and begins to shout, "Can you see anything?" Then the Greek appears on the second floor In his bare feet with a rope around his neck, While a loser in the gambling room lights up a candle, Says, "Open up another deck." But the dealer says, "Attendez-vous, s'il vous plait,'' As the rain beats down and the cranes fly away From Black Diamond Bay. The desk clerk heard the woman laugh As he looked around the aftermath and the soldier got tough. He tried to grab the woman's hand, Said, "Here's a ring, it cost a grand." She said, "That ain't enough." Then she ran upstairs to pack her bags While a horse-drawn taxi waited at the curb. She passed the door that the Greek had locked, Where a handwritten sign read, "Do Not Disturb." She knocked upon it anyway As the sun went down and the music did play On Black Diamond Bay. "I've got to talk to someone quick!" But the Greek said, "Go away," and he kicked the chair to the floor. He hung there from the chandelier. She cried, "Help, there's danger near Please open up the door!" Then the volcano erupted And the lava flowed down from the mountain high above. The soldier and the tiny man were crouched in the corner Thinking of forbidden love. But the desk clerk said, "It happens every day," As the stars fell down and the fields burned away On Black Diamond Bay. As the island slowly sank The loser finally broke the bank in the gambling room. The dealer said, "It's too late now. You can take your money, but I don't know how You'll spend it in the tomb." The tiny man bit the soldier's ear As the floor caved in and the boiler in the basement blew, While she's out on the balcony, where a stranger tells her, "My darling, je vous aime beaucoup." She sheds a tear and then begins to pray As the fire burns on and the smoke drifts away From Black Diamond Bay. I was sittin' home alone one night in L.A., Watchin' old Cronkite on the seven o'clock news. It seems there was an earthquake that Left nothin' but a Panama hat And a pair of old Greek shoes. Didn't seem like much was happenin', So I turned it off and went to grab another beer. Seems like every time you turn around There's another hard-luck story that you're gonna hear And there's really nothin' anyone can say And I never did plan to go anyway To Black Diamond Bay |
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5:29 | ||||
from Bob Dylan - Desire (1976)
I laid on a dune, I looked at the sky, When the children were babies and played on the beach. You came up behind me, I saw you go by, You were always so close and still within reach. Sara, Sara, Whatever made you want to change your mind? Sara, Sara, So easy to look at, so hard to define. I can still see them playin' with their pails in the sand, They run to the water their buckets to fill. I can still see the shells fallin' out of their hands As they follow each other back up the hill. Sara, Sara, Sweet virgin angel, sweet love of my life, Sara, Sara, Radiant jewel, mystical wife. Sleepin' in the woods by a fire in the night, Drinkin' white rum in a Portugal bar, Them playin' leapfrog and hearin' about Snow White, You in the marketplace in Savanna-la-Mar. Sara, Sara, It's all so clear, I could never forget, Sara, Sara, Lovin' you is the one thing I'll never regret. I can still hear the sounds of those Methodist bells, I'd taken the cure and had just gotten through, Stayin' up for days in the Chelsea Hotel, Writin' "Sad-Eyed Lady of the Lowlands" for you. Sara, Sara, Wherever we travel we're never apart. Sara, oh Sara, Beautiful lady, so dear to my heart. How did I meet you? I don't know. A messenger sent me in a tropical storm. You were there in the winter, moonlight on the snow And on Lily Pond Lane when the weather was warm. Sara, oh Sara, Scorpio Sphinx in a calico dress, Sara, Sara, You must forgive me my unworthiness. Now the beach is deserted except for some kelp And a piece of an old ship that lies on the shore. You always responded when I needed your help, You gimme a map and a key to your door. Sara, oh Sara, Glamorous nymph with an arrow and bow, Sara, oh Sara, Don't ever leave me, don't ever go. |
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4:01 | ||||
from Bob Dylan - Masked And Anonymous (2003)
Crimson flames tied through my ears
Rollin' high and mighty traps Pounced with fire on flaming roads Using ideas as my maps "We'll meet on edges soon" said I Proud 'neath heated brow Ah, but I was so much older then I'm younger than that now Half-wracked prejudice leaped forth "Rip down all hate" I screamed Lies that life is black and white Spoke from my skull, I dreamed Romantic facts of musketeers Foundationed deep somehow Ah, but I was so much older then I'm younger than that now Girl's faces formed the forward path From phony jealousy To memorizing politics Of ancient history Flung down by corpse evangelists Unthought of, though, somehow Ah, but I was so much older then I'm younger than that now A self-ordained professor's tongue Too serious to fool Spouted out that liberty Is just equality in school "Equality," I spoke the word As if a wedding vow Ah, but I was so much older then I'm younger than that now In a soldier's stance, I aimed my hand At the mongrel dogs who teach Fearing not I'd become my enemy In the instant that I preach My existence led by confusion boats Mutiny from stern to bow Ah, but I was so much older then I'm younger than that now Yes, my guard stood hard when abstract threats Too noble to neglect Deceived me into thinking I had something to protect Good and bad, I define these terms Quite clear, no doubt, somehow Ah, but I was so much older then I'm younger than that now |
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5:50 | ||||
from Bob Dylan - Masked And Anonymous (2003)
You may be an ambassador
To England or France You might like to gamble You might like to dance You may be the heavyweight Champion of the world You might be a socialite With a long string of pearls But you're gonna have to serve somebody Yes indeed, you're gonna have to serve somebody Well it may be the Devil Or it may be the Lord But you're gonna have to serve somebody Might be a Rock-n-roll addict Prancing on the stage Money, Drugs at your command Women in a cage You may be a businessman Or some high degree thief They may call you doctor Or they may call you chief But you're gonna have to serve somebody Yes you are, you're gonna have to serve somebody Well it may be the Devil Or it may be the Lord But you're gonna have to serve somebody You may be a state trooper You might be a young tough You may be the head Of some big TV network You may be rich or poor You may be blind or lame Maybe livin' in another Country Under another name But you're gonna have to serve somebody Yes you are, you're gonna have to serve somebody Well it may be the Devil Or it may be the Lord But you're gonna have to serve somebody Maybe a construction worker Workin' on a home Might be livin' in a Mansion You might live in a dome You may own guns And you may even own tanks You may be someone's landlord You may even own banks But you're gonna have to serve somebody Yes, you're gonna have to serve somebody Well it may be the Devil Or it may be the Lord But you're gonna have to serve somebody You may be a Preacher Preaching Spiritual Pride Maybe a City Councilman Takin' bribes on the side Maybe working in a Barbershop You may know how to cut hair You may be somebody's mistress Maybe somebody's heir But you're gonna have to serve somebody Yes, you're gonna have to serve somebody Well it may be the Devil Or it may be the Lord But you're gonna have to serve somebody Might like to wear cotton Might like to wear silk Might like to drink whiskey Might like to drink milk Might like to eat caviar You might like to eat bread Maybe sleeping on the floor Sleepin' in a king-size bed But you're gonna have to serve somebody Yes indeed, you're gonna have to serve somebody Well it may be the Devil Or it may be the Lord But you're gonna have to serve somebody You may call me Terry You may call me Timmy You may call me Bobby Or you may call me Zimmy You may call me RJ You may call me Ray You may call me anything No matter what you say You're still gonna have to serve somebody Yes, you're gonna have to serve somebody Well it may be the Devil And it may be the Lord But you're gonna have to serve somebody Ohh Yeah Serve Somebody |
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3:36 | ||||
from Bob Dylan - Masked And Anonymous (2003)
Crash on the levee, mama,
Water's gonna overflow, Swamp's gonna rise, No boat's gonna row. Now, you can train on down To Williams Point, You can bust your feet, You can rock this joint. But oh mama, ain't you gonna miss your best friend now? You're gonna have to find yourself Another best friend, somehow. Now, don't you try an' move me, You're just gonna lose. There's a crash on the levee And, mama, you've been refused. Well, it's sugar for sugar And salt for salt, If you go down in the flood, It's gonna be your own fault. Oh mama, ain't you gonna miss your best friend now? You're gonna have to find yourself Another best friend, somehow. Well, that high tide's risin', Mama, don't you let me down. Pack up your suitcase, Mama, don't you make a sound. Now, it's king for king, Queen for queen, It's gonna be the meanest flood That anybody's seen. Oh mama, ain't you gonna miss your best friend now? Yes, you're gonna have to find yourself Another best friend, somehow. |
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7:26 | ||||
from Bob Dylan - Masked And Anonymous (2003)
You must leave now, take what you need, you think will last
But whatever you wish to keep, you better grab it fast Yonder stands your orphan with his gun Crying like a fire in the sun Look out, the saints are comin' through And it's all over now, Baby Blue The highway is for gamblers, better use your sense Take what you have gathered from coincidence The empty-handed painter from your streets Is drawing crazy patterns on your sheets The sky too is folding under you And it's all over now, Baby Blue All your seasick sailors, they're all rowing home Your empty-handed army is all going home Your lover who just walked out the door Has taken all his blankets from the floor The carpet too is moving under you And it's all over now, Baby Blue Leave your stepping stones behind there, something calls for you Forget the dead you've left, they will not follow you The vagabond who's rapping at your door Is standing in the clothes that you once wore Strike another match, go start anew And it's all over now, Baby Blue |
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5:30 | ||||
from Bob Dylan - Masked And Anonymous (2003)
Most of the time, I'm clear focused all around
Most of the time, I can keep both feet on the ground I can follow the path, I can read the signs Stay right with it when the road unwinds I can handle whatever I stumble upon I don't even notice she's gone Most of the time Most of the time, it's well understood Most of the time, I wouldn't change it if I could I can't make it all match up, I can hold my own I can deal with the situation right down to the bone I can survive, I can endure And I don't even think about her Most of the time Most of the time, my head is on straight Most of the time, I'm strong enough not to hate I don't build up illusion 'till it makes me sick I ain't afraid of confusion no matter how thick I can smile in the face of mankind Don't even remember what her lips felt like on mine Most of the time Most of the time, she ain't even in my mind I wouldn't know her if I saw her, she's that far behind Most of the time, I can't even be sure If she was ever with me or if I was with her Most of the time, I'm halfway content Most of the time, I know exactly where it all went I don't cheat on myself, I don't run and hide Hide from the feelings, that are buried inside I don't compromise and I don't pretend I don't even care if I ever see her again Most of the time |
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3:11 | ||||
from Bob Dylan - Masked And Anonymous (2003)
On a night like this
So glad you came around Hold on to me so tight And heat up some coffee grounds We got much to talk about And much to reminisce It sure is right On a night like this On a night like this So glad you've come to stay Hold on to me, pretty miss Say you'll never go away to stray Run your fingers down my spine Bring me a touch of bliss It sure feels right On a night like this On a night like this I can't get any sleep The air is so cold outside And the snow's so deep Build a fire, throw on logs And listen to it hiss And let it burn, burn, burn, burn On a night like this Put your body next to mine And keep me company There is plenty a room for all So please don't elbow me Let the four winds blow Around this old cabin door If I'm not too far off I think we did this once before There's more frost on the window glass With each new tender kiss But it sure feels right On a night like this |
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2:33 | ||||
from Bob Dylan - Masked And Anonymous (2003)
1. Now There's a man you'll hear about
Most anywhere you go, And his holdings are in Texas And his name is Diamond Joe. 2. And he carries all his money In a diamond-studded jar. He never took much trouble With the process of the law. 3. I hired out to Diamond Joe, boys, Did offer him my hand, He gave a string of horses So old they could not stand. 4. And I nearly starved to death, boys, He did mistreat me so, And I never saved a dollar In the pay of Diamond Joe. 5. Now his bread it was corn dodger And his meat you couldn't chaw, Nearly drove me crazy With the waggin' of his jaw. 6. And the tellin' of his story, Mean to let you know That there never was a rounder That could lie like Diamond Joe. Instrumental 7. Now, I tried three times to quit him, But he did argue so I'm still punchin' cattle In the pay of Diamond Joe. 8. And when I'm called up yonder And it's my time to go, Give my blankets to my buddies Give the fleas to Diamond Joe. |
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4:12 | ||||
from Bob Dylan - Masked And Anonymous (2003) | |||||
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3:53 | ||||
from Bob Dylan - Masked And Anonymous (2003)
Your breath is sweet, your eyes are like
Two jewels in the sky. Your back is straight, your hair is smooth On the pillow where you lie. But I don't sense affection No gratitude or love. Your loyalty is not to me but to the stars above. Chourus : One more cup of coffee for the road. One more cup of coffee 'fore I go, To the valley below. Your daddy he's an outlaw And a wanderer by trade. He'll teach you how to pick an' choose And how to throw the blade. And he oversees his kingdom So no stranger does intrude. His voice it trembles as he calls out For another plate of food. Chorus Your sister sees the future Like your momma and yourself. You've never learned to read or write There's no books upon your shelf. And your pleasure know no limits Your voice is like a meadow lark. But your heart is like an ocean Mysterious and dark. Chorus |
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4:53 | ||||
from Bob Dylan - Masked And Anonymous (2003) | |||||
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2:13 | ||||
from Bob Dylan - Masked And Anonymous (2003) | |||||
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7:50 | ||||
from Bob Dylan - Masked And Anonymous (2003) | |||||
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5:44 | ||||
from Bob Dylan - Masked And Anonymous (2003)
I'm beginning to hear voices and there's no one around
Well, I'm all used up and the fields have turned brown I went to church on Sunday and she passed by My love for her is taking such a long time to die I'm waist deep, waist deep in the mist It's almost like, almost like I don't exist I'm twenty miles out of town in cold irons bound The walls of pride are high and wide Can't see over to the other side It's such a sad thing to see beauty decay It's sadder still to feel your heart torn away One look at you and I'm out of control Like the universe has swallowed me whole I'm twenty miles out of town in cold irons bound There's too many people, too many to recall I thought some of 'em were friends of mine, I was wrong about 'em all Well, the road is rocky and the hillside's mud Up over my head nothing but clouds of blood I found my world, found my world in you But your love just hasn't proved true I'm twenty miles out of town in cold irons bound Twenty miles out of town in cold irons bound Oh, the winds in Chicago have torn me to shreds Reality has always had too many heads Some things last longer than you think they will Some kind of things you can never kill 'Cause it's you and you only I been thinking about But you can't see in and it's hard lookin' out I'm twenty miles out of town in cold irons bound Well, the fats in the fire and the water's in the tank Well, the <a href="/Thin_Lizzy:Whiskey_In_The_Jar" title="Thin Lizzy:Whiskey In The Jar">whiskey's in the jar</a> and the money's in the bank I tried to love and protect you because I cared I'm gonna remember forever the joy that we shared Looking at you and I'm on my bended knee You have no idea what you do to me I'm twenty miles out of town in cold irons bound Twenty miles out of town in cold irons bound |
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5:35 | ||||
from Bob Dylan - Masked And Anonymous (2003) | |||||
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from Bob Dylan - Masked And Anonymous (2003)
I ain't lookin' to compete with you
Beat or cheat or mistreat you Simplify you, classify you Deny, defy, or crucify you All I really want to do Is, baby, be friends with you No, and I ain't lookin' to fight with you Frighten you or uptighten you Drag you down or drain you down Chain you down or bring you down All I really want to do Is, baby, be friends with you I ain't lookin' to block you up Shock or knock or lock you up Analyze you, categorize you Finalize you or advertise you All I really want to do Is, baby, be friends with you I don't want to straight-face you Race or chase you, track or trace you Or disgrace you or displace you Or define you or confine you All I really want to do Is, baby, be friends with you I don't want to meet your kin Make you spin or do you in Or select you or dissect you Or inspect you or reject you All I really want to do Is, baby, be friends with you I don't want to fake you out Take or shake or forsake you out I ain't lookin' for you to feel like me See like me or be like me All I really want to do Is, baby, be friends with you |
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from Bob Dylan - Masked And Anonymous (2003)
My love, she speaks like silence
Without ideals or violence She doesn't have to say she's faithful Yet she's true like ice, like fire People carry roses And make promises by the hours My love, she laughs like the flowers Valentines can't buy her In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall Some speak of the future My love, she speaks softly She knows there's no success like failure And that failure's no success at all The cloak and dagger dangles Madams light the candles In ceremonies of the horsemen Even the pawn must hold a grudge Statues made of matchsticks Crumble into one another My love winks, she does not bother She knows too much to argue or to judge The bridge at midnight trembles The country doctor rambles Banker's nieces seek perfection Expecting all the gifts that wise men bring The wind howls like a hammer And the night blows rainy My love, she's like some raven At my window with a broken wing |
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from Bob Dylan - Masked And Anonymous (2003) | |||||
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from Bob Dylan - Masked And Anonymous (2003)
Early one morning, the sun was shining
I was laying in bed Wondering if she'd changed it all If her hair was still red Her folks, they said our lives together Sure was gonna be rough They never did like mama's homemade dress Papa's bankbook wasn't big enough And I was standing on the side of the road Rain falling on my shoes Heading out for the east coast Lord knows I've paid some dues getting through Tangled up in blue She was married when we first met Soon to be divorced I helped her out of a jam, I guess But I used a little too much force We drove that car as far as we could Abandoned it out west Split up on a dark, sad night Both agreeing it was best She turned around to look at me As I was walking away I heard her say over my shoulder "We'll meet again someday on the avenue" Tangled up in blue I had a job in the great north woods Working as a cook for a spell But I never did like it all that much And one day the axe just fell So I drifted down to New Orleans Where I's lucky for to be employed Working for a while on a fishing boat Right outside of Delacroix But all the while I was alone The past was close behind I seen a lot of women But she never escaped my mind and I just grew Tangled up in blue She was working in a topless place And I stopped in for a beer I just kept looking at the sight of her face In the spotlight so clear And later on when the crowd thinned out I's just about to do the same She was standing there in back of my chair Said, "Tell me, don't I know your name?" I muttered something underneath my breath She studied the lines on my face I must admit I felt a little uneasy When she bent down to tie the laces of my shoe Tangled up in blue She lit a burner on the stove and offered me a pipe "I thought you'd never say hello," she said "You look like the silent type" Then she opened up a book of poems And handed it to me Written by an Italian poet From the thirteenth century And every one of them words rang true And glowed like burning coal Pouring off of every page Like it was written in my soul from me to you Tangled up in blue I lived with them on Montague Street In a basement down the stairs There was music in the cafés at night And revolution in the air Then he started into dealing with slaves And something inside of him died She had to sell everything she owned And froze up inside And when finally the bottom fell out I became withdrawn The only thing I knew how to do Was to keep on keeping on like a bird that flew Tangled up in blue So now I'm going back again I got to get her somehow All the people we used to know They're an illusion to me now Some are mathematicians Some are carpenter's wives Don't know how it all got started I don't what they do with their lives But me, I'm still on the road Heading for another joint We always did feel the same We just saw it from a different point of view Tangled up in blue |
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from Bob Dylan - Masked And Anonymous (2003) | |||||
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from Bob Dylan - Masked And Anonymous (2003)
The seasons they are turning
And my sad heart is yearning To hear again the songbird's sweet melodious tone Won't you meet me out in the moonlight alone? The dusky light the day is losing Orchids, poppies, black eyed susan The earth and sky that melts with flesh and bone Won't you meet me out in the moonlight alone? The air is thick and heavy All along the levee Where the geese into the countryside have flown Won't you meet me out in the moonlight alone? Well, I'm preaching peace and harmony The blessings of tranquility Yet I know when the time is right to strike I take you 'cross the river, dear You've no need to linger here I know the kinds of things you like The clouds are turning crimson The leaves fall from the limbs and The branches cast their shadows over stone Won't you meet me out in the moonlight alone? The boulevards of cypress trees The masquerade of birds and bees The petals pink and white, the wind has blown Won't you meet me out in the moonlight alone? The trailing moss in mystic glow The purple blossom, soft as snow My tears keep flowing to the sea Doctor, lawyer, indian chief It takes a thief to catch a thief For whom does the bell toll for, love? It tolls for you and me Old pulse's running through my palm The sharp hills are rising from Yellow fields with twisted oaks that grow Won't you meet me out in the moonlight alone? |
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from Bob Dylan - Masked And Anonymous (2003)
I'm beginning to hear voices and there's no one around
Well, I'm all used up and the fields have turned brown I went to church on Sunday and she passed by My love for her is taking such a long time to die I'm waist deep, waist deep in the mist It's almost like, almost like I don't exist I'm twenty miles out of town in cold irons bound The walls of pride are high and wide Can't see over to the other side It's such a sad thing to see beauty decay It's sadder still to feel your heart torn away One look at you and I'm out of control Like the universe has swallowed me whole I'm twenty miles out of town in cold irons bound There's too many people, too many to recall I thought some of 'em were friends of mine, I was wrong about 'em all Well, the road is rocky and the hillside's mud Up over my head nothing but clouds of blood I found my world, found my world in you But your love just hasn't proved true I'm twenty miles out of town in cold irons bound Twenty miles out of town in cold irons bound Oh, the winds in Chicago have torn me to shreds Reality has always had too many heads Some things last longer than you think they will Some kind of things you can never kill 'Cause it's you and you only I been thinking about But you can't see in and it's hard lookin' out I'm twenty miles out of town in cold irons bound Well, the fats in the fire and the water's in the tank Well, the <a href="/Thin_Lizzy:Whiskey_In_The_Jar" title="Thin Lizzy:Whiskey In The Jar">whiskey's in the jar</a> and the money's in the bank I tried to love and protect you because I cared I'm gonna remember forever the joy that we shared Looking at you and I'm on my bended knee You have no idea what you do to me I'm twenty miles out of town in cold irons bound Twenty miles out of town in cold irons bound |