|
1:46 | ||||
from Martin Scorsese Presents The Blues : The Soul Of A Man [ost] (2004) | |||||
|
4:46 | ||||
from 텔 미 썸씽 (Tell Me Something) by 방준석 [ost] (1999)
Take a litle walk to the edge of town
Go across the tracks Where the viaduct looms, like a bird of doom As it shifts and cracks Where secrets lie in the border fires, in the humming wires Hey man, you know you're never coming back Past the square, past the bridge, past the mills, past the stacks On a gathering storm comes a tall handsome man In a dusty black coat with a red right hand He'll wrap you in his arms, tell you that you've been a good boy He'll rekindle all the dreams it took you a lifetime to destroy He'll reach deep into the hole, heal your shrinking soul Hey buddy, you know you're never ever coming back He's a god, he's a man, he's a ghost, he's a guru They're whispering his name through this disappearing land But hidden in his coat is a red right hand You ain't got no money? He'll get you some You ain't got no car? He'll get you one You ain't got no self-respect, you feel like an insect Well don't you worry buddy, cause here he comes Through the ghettos and the barrio and the bowery and the slum A shadow is cast wherever he stands Stacks of green paper in his red right hand (Organ solo) You'll see him in your nightmares, you'll see him in your dreams He'll appear out of nowhere but he ain't what he seems You'll see him in your head, on the TV screen And hey buddy, I'm warning you to turn it off He's a ghost, he's a god, he's a man, he's a guru You're one microscopic cog in his catastrophic plan Designed and directed by his red right hand (Organ solo) Extra verse from DJ Spooky Remix (From Scream 2 Soundtrack): He'll extend his hand, real slowly for a shake You'll see it coming toward you, real slowly for a shake (Grabbing at your peril buddy?) cause you know you ain't getting near much as he will take. He's a... He's mumbling words you can't understand He's mumbling word behind his red right hand. |
|||||
|
6:11 | ||||
from Scream (스크림) by Marco Beltrami [ost] (1997)
Take a little walk to the edge of town
and go across the tracks Where the viaduct looms, like a bird of doom As it shifts and cracks Where secrets lie in the border fires, in the humming wires Hey man, you know you're never coming back Past the square, past the bridge, past the mills, past the stacks On a gathering storm comes a tall handsome man in a dusty black coat with a red right hand He'll wrap you in his arms, tell you that you've been a good boy He'll rekindle all the dreams it took you a lifetime to destroy He'll reach deep into the hole, heal your shrinking soul, but there won't be a single thing that you can do He's a god, he's a man, he's a ghost, he's a guru They're whispering his name through this disappearing land But hidden in his coat is a red right hand You don't have no money? He'll get you some You don't have no car? He'll get you one You don't have no self-respect, you feel like an insect Well don't you worry buddy, 'cause here he comes Through the ghettos and the barrio and the bowery and the slum A shadow is cast wherever he stands Stacks of green paper in his red right hand You'll see him in your nightmares, you'll see him in your dreams He'll appear out of nowhere but he ain't what he seems You'll see him in your head, on the TV screen And hey buddy, I'm warning you to turn it off He's a ghost, he's a god, he's a man, he's a guru You're one microscopic cog in his catastrophic plan Designed and directed by his red right hand |
|||||
|
8:23 | ||||
from Scream 2 (스크림 2) by Marco Beltrami [ost] (1997)
Take a litle walk to the edge of town
Go across the tracks Where the viaduct looms, like a bird of doom As it shifts and cracks Where secrets lie in the border fires, in the humming wires Hey man, you know you're never coming back Past the square, past the bridge, past the mills, past the stacks On a gathering storm comes a tall handsome man In a dusty black coat with a red right hand He'll wrap you in his arms, tell you that you've been a good boy He'll rekindle all the dreams it took you a lifetime to destroy He'll reach deep into the hole, heal your shrinking soul Hey buddy, you know you're never ever coming back He's a god, he's a man, he's a ghost, he's a guru They're whispering his name through this disappearing land But hidden in his coat is a red right hand You ain't got no money? He'll get you some You ain't got no car? He'll get you one You ain't got no self-respect, you feel like an insect Well don't you worry buddy, cause here he comes Through the ghettos and the barrio and the bowery and the slum A shadow is cast wherever he stands Stacks of green paper in his red right hand (Organ solo) You'll see him in your nightmares, you'll see him in your dreams He'll appear out of nowhere but he ain't what he seems You'll see him in your head, on the TV screen And hey buddy, I'm warning you to turn it off He's a ghost, he's a god, he's a man, he's a guru You're one microscopic cog in his catastrophic plan Designed and directed by his red right hand (Organ solo) Extra verse from DJ Spooky Remix (From Scream 2 Soundtrack): He'll extend his hand, real slowly for a shake You'll see it coming toward you, real slowly for a shake (Grabbing at your peril buddy?) cause you know you ain't getting near much as he will take. He's a... He's mumbling words you can't understand He's mumbling word behind his red right hand. |
|||||
|
4:18 | ||||
from The Beach (비치) by Angelo Badalamenti [ost] (2000) | |||||
|
5:40 | ||||
from Shrek 2 (슈렉 2) [ost] (2004)
People just ain't no good
I think that's welll understood You can see it everywhere you look People just ain't no good We were married under cherry trees Under blossom we made pour vows All the blossoms come sailing down Through the streets and through the playgrounds The sun would stream on the sheets Awoken by the morning bird We'd buy the Sunday newspapers And never read a single word People they ain't no good People they ain't no good People they ain't no good Seasons came, Seasons went The winter stripped the blossoms bare A different tree now lines the streets Shaking its fists in the air The winter slammed us like a fist The windows rattling in the gales To which she drew the curtains Made out of her wedding veils People they ain't no good People they ain't no good People they ain't no good at all To our love send a dozen white lilies To our love send a coffin of wood To our love let aal the pink-eyed pigeons coo That people they just ain't no good To our love send back all the letters To our love a valentine of blood To our love let all the jilted lovers cry That people they just ain't no good It ain't that in their hearts they're bad They can comfort you, some even try They nurse you when you're ill of health They bury you when you go and die It ain't that in their hearts they're bad They'd stick by you if they could But that's just bullshit People just ain't no good People they ain't no good People they ain't no good People they ain't no good People they ain't no good at all |
|||||
|
6:49 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
3:31 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
5:16 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
5:22 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
4:41 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
4:44 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
4:59 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
3:00 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
3:20 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
14:45 | ||||
from Nick Cave & The Bad Seeds - Nocturama (2003) | |||||
|
4:27 | ||||
from 휴머니스트 (Humanist) by 이무영, 어어부 프로젝트 [ost] (2001) | |||||
|
6:11 | ||||
from The X-Files (엑스파일) [ost] (1996)
Take a litle walk to the edge of town
Go across the tracks Where the viaduct looms, like a bird of doom As it shifts and cracks Where secrets lie in the border fires, in the humming wires Hey man, you know you're never coming back Past the square, past the bridge, past the mills, past the stacks On a gathering storm comes a tall handsome man In a dusty black coat with a red right hand He'll wrap you in his arms, tell you that you've been a good boy He'll rekindle all the dreams it took you a lifetime to destroy He'll reach deep into the hole, heal your shrinking soul Hey buddy, you know you're never ever coming back He's a god, he's a man, he's a ghost, he's a guru They're whispering his name through this disappearing land But hidden in his coat is a red right hand You ain't got no money? He'll get you some You ain't got no car? He'll get you one You ain't got no self-respect, you feel like an insect Well don't you worry buddy, cause here he comes Through the ghettos and the barrio and the bowery and the slum A shadow is cast wherever he stands Stacks of green paper in his red right hand (Organ solo) You'll see him in your nightmares, you'll see him in your dreams He'll appear out of nowhere but he ain't what he seems You'll see him in your head, on the TV screen And hey buddy, I'm warning you to turn it off He's a ghost, he's a god, he's a man, he's a guru You're one microscopic cog in his catastrophic plan Designed and directed by his red right hand (Organ solo) Extra verse from DJ Spooky Remix (From Scream 2 Soundtrack): He'll extend his hand, real slowly for a shake You'll see it coming toward you, real slowly for a shake (Grabbing at your peril buddy?) cause you know you ain't getting near much as he will take. He's a... He's mumbling words you can't understand He's mumbling word behind his red right hand. |
|||||
|
5:27 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
4:27 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
2:10 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
0:43 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
6:24 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
2:13 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
2:43 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
5:45 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
3:49 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
2:42 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
4:07 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
1:23 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
2:24 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
4:24 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
5:13 | ||||
from Barry Adamson - Moss Side Story (1989) | |||||
|
1:14 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
3:58 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
3:04 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
4:05 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
3:50 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
0:59 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
6:32 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
4:50 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
2:55 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
3:57 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
3:45 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
3:31 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
3:16 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
0:58 | ||||
from Barry Adamson - Soul Murder (1992) | |||||
|
4:23 | ||||
from Barry Adamson - The Negro Inside Me (1993) | |||||
|
4:52 | ||||
from Barry Adamson - The Negro Inside Me (1993) | |||||
|
5:44 | ||||
from Barry Adamson - The Negro Inside Me (1993) | |||||
|
6:26 | ||||
from Barry Adamson - The Negro Inside Me (1993) | |||||
|
5:31 | ||||
from Barry Adamson - The Negro Inside Me (1993) | |||||
|
4:07 | ||||
from Barry Adamson - The Negro Inside Me (1993) | |||||
|
5:39 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996)
(SAVE ME FROM MY OWN HAND)
Oooohhh, set the controls for the heart of the pelvis Haven't you heard my name rhymes with elvis And one thing I know is this That your mouth is telling me to give you A big kiss (NOW MY GUARD'S DOWN) (SAVE ME FROM MY OWN HAND) Ahhhh, can't you see what's an offer Yeah babe it's going cheap today I enter a room and all the girls say C'mon jarv, can I be the first? Oh you make us so hot we feel we're gonna burst (NOW MY GUARD'S DOWN) Oh yeah… So please, so please Don't leave me alone in this double bed It smells of damp towels and asthma inhalers Say you're gonna call back later Save me from these glossy photographs Save me from my mother's laugh Save me (NOW MY GUARD'S DOWN) That's right girls That's right girls SAVE ME FROM MY OWN HAND Do you know how much I want you? Don't stop |
|||||
|
4:33 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
4:48 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996)
Ok, what have we got here
Horny black boy with frisky white girl Eye each other across the room and The chemistry is unbearable and Definitely not on anyones agenda He suggests they go to someplace they won't be seen And she thinks otherwise Finally they agree to go And put up with Dunkin donuts The usual story, they fall in love Under the hail of spit they ignore All the while secretly conspiring to murder each other Hoping that will eleviate the slightly more Uncomfortable feelings that may arise in a situation like this But behind closed doors The eyes of the world becoming their wallpaper They melt into a beautiful example of a power that definitely exists And come together on a warm moonlit night In spite of themselves Ummmm, likely story |
|||||
|
4:30 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
5:31 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
7:30 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
4:14 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
4:28 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
3:02 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996)
Once upon a time a very handsome prince was walking along Dead Man's Trail. Morning had just about broken and the wings of tiny birds cut through the rays of the sun, casting slithering shadows as they went about their pleasure. The handsome prince was preparing to engage in this splendour, when all of a sudden he noticed a beautiful and quite voluptuous maiden travelling towards him in slow motion. "Oh my god," thought the handsome prince with shameful excitement, "she's incredible and so very… stimulating."
As the beautiful maiden approached him, he gathered all of his resources, plucked up courage, and gave her one of his special curtseys that would hopefully see him in with a chance, when he realised she was very tearful if not completely crushed. The handsome prince swallowed a wave of guilt as the beautiful maiden now openly stood before him, sobbing her heart out. Realising something was terribly wrong, the handsome prince put all of his hang-ups on the shelf and asked: "What are you so inconceivably sad about if I may be so bold to enquire?" The beautiful maiden gave a big sigh, which seemed to last a lifetime, as the handsome prince sat on the edge of his metaphorical seat in preparation for her answer. She announced: "I've just seen my therapist, who's convinced I have a borderline personality disorder with narcissistic traits, which means I'll be unhappy all my life as nobody will be able to measure up to the fantastically high standards that I just can't help but impose on them." The handsome prince's heart exploded with joy, as in this moment he fell strangely and completely in love. "Why that's outrageous, who is this doctor of misery?" The beautiful maiden had broken into the tiniest of smiles, and on seeing she had the handsome prince by the short and curlies she began to weave a little magic here and a little magic there. "I've never met anyone like you before. Not only are you compassionate, you're also very handsome. I've lost my purse and the keys to my hovel and it looks like storm and I was wondering…" The Handsome Prince floundered slightly, then ejaculated: "You're so very beautiful, I think I might die if I don't invite you to my castle at the end of this trail." "Would you like to kiss me my handsome prince?" His knees began to knock as he lent towards the voluptuous maiden in implicit expectation. When they kissed, the handsome prince felt a wave of nausea and a pain in his chest as blood began to now pour from it, and the tiny birds dipped in the morning light and said "goodbye" to the handsome prince, who folded into a heap on Dead Man's Trail, the beautiful maiden exclaiming: "Ah, there is one born every minute." |
|||||
|
3:37 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996)
spoken words:
"Everything I tell you today I'm gonna show you it in black and white. I'm wanted for murder, kidnapping, robbery, armed robbery, conspiracy, threatening New York." "You have nothing to worry about, Mr Adamson." "You have nothing to worry about, Mr Adamson." "You have nothing to worry about, Mr Adamson." "You have nothing to worry about, Mr Adamson." (repeat) |
|||||
|
1:39 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
4:49 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996)
Our time is done my love
We've laid it all to waste One thousand moonlit kisses can't Sweeten this bitter taste My desire for you is endless And I'll love you 'til we fall I just don't want you no more And that's the sweetest embrace of all To think we can find happiness Hidden in a kiss Ah, to think we can find happiness That's the greatest mistake there is There is nothing left to cling to babe There is nothing left to soil I just don't want you no more And that's the sweetest embrace of all Oooohhh where did it begin When all we did was lose There's nothin' left to win So lay your weapons down They serve no purpose in your hands And if you wanna hold me Then go ahead and hold me I won't upset your plans If it's revenge you want Then take it babe Or you can walk right out the door I just don't care anymore And that's the sweetest embrace of all Oooohhh where did it begin When all we did was lose There's nothin' left to win It's over babe And it really is a shame We are losers you and me babe In a rigged and crooked game My desire for you is endless And I love you most of all I just don't want you no more And that's the sweetest embrace of all |
|||||
|
1:34 | ||||
from Barry Adamson - Oedipus Schmoedipus (1996) | |||||
|
5:26 | ||||
from Barry Adamson - As Above So Below (1998)
I see myself but don't see me
Two burning eyes that don't agree While in the shades there's someone Following my every little movement from the score I call a friend who's never there Too tired for love too tired to care while in the shade there's someone Ridiculing every little moment I adore (yeah) I fold and fall down on a knee and ask a God that I can't see If maybe He or She will call on me The days they pass with no relief my head all swollen up with grief Then somethin' awaketh me from sleep I can't get loose to using you but that's what I'm a gonna do Havin' fun in heaven while you're crucified I can't get loose to using you but that's what I'm a gonna do Watching lillie's flower while your hands are tied Did you just hear what I just heard Or have I simply gone beserk Cos in the shades there's someone Laughing at my whimsical intentions to be free Two burning minds that don't agree One praying hoping desperately While in the shade there's someone Wallowing in what I know will never happen now (yeah) I crash and fall down on my knee and beg a God that I can't see If maybe He or She will call on me The days just pass with no relief my head all swollen up with grief Then somethin' awaketh me from sleep I can't get loose to using you but that's what I'm a gonna do Havin' fun in heaven while you're crucified I can't get loose to using you but that's what I'm a gonna do Watching lillie's flower while your hands are tied |
|||||
|
3:59 | ||||
from Barry Adamson - As Above So Below (1998)
I feel good. I feel bad. Ain't it sad
One day it's all going to end Up in flames. Without a shame Cos I'm here. To change the total course of the world (yeah yeah) And that's what I'm singing (yeah yeah) Heat it up. Cool it down Spread it around under the cold shadow of love. I have found (I have found) What it means (what it means). To believe (to believe) And leave the world to the remains Of the day (of the day). What I say (what I say). Ain't so clear (ain't so clear) To souls who die when the decline Can't be seen (can't be seen). They're getting mean (they're getting mean) Now we're going (now we're going) To change the total course (chorus) Here am I. Love just spilled on what comes naturally. Buy and bye Love just spills and I don't mean rationally What it means. Is you're dead One to the head. If you don't know what is behind. This disguise. It's no surprise. When you think About your own every step of the way The energy pirates will get you They'll chew on your bones for breakfast They'll convince you that baby you're desperate They'll spit on your mound and keep pounding and pounding and (repeat chorus) All the time. Love just comes and I don't mean casually. Wait a while Love will come and fuck that tragedy (Cancel that shrink we're travelling up to the sky minds on the blink Or maybe the lies. Out of time) I have found. What it means. To believe That what is all going to end Up in flames. Is your heart So let it speak. And change the total course of the world |
|||||
|
4:23 | ||||
from Barry Adamson - As Above So Below (1998) | |||||
|
5:29 | ||||
from Barry Adamson - As Above So Below (1998) | |||||
|
5:06 | ||||
from Barry Adamson - As Above So Below (1998)
When God appeared before me I was drowning in my pool
I was fifty over thirty but lookin' real cool He said a life of tedious insights and an overflowing cup Just don't cut the mustard I'm afraid you can't come up I fell way down it seemed into a bottomless pit A sign saying "Hotel Hades" was the only thing a-lit Beelzebub was hangin' but he wouldn't cut no slack He told me the big cat hath spoken I'm afraid you're going back as the Jazz Devil. Full and greedy I'm the Jazz Devil. Libido needy I'm the Jazz Devil, fly me in the mix Where you can call me agent double-oh six-six-six I cruise the streets of London with just one thing on my mind Gotta passport labelled fun of the interactive kind But first I found some cats and they were howling at the moon I told 'em you play the instruments and I'll play the buffoon We broke into a sombre march called "Misery and Woe" And then we upped the tempo 'til the juice began to flow All a sudden this chick named Mimi just appeared right outta the blue Sayin' I've been searchin' for someone and now I know who Jazz Devil. Sick and racy I'm the Jazz Devil. But very tasty I'm the Jazz Devil, fly me in the mix Where you can call me agent double-oh six-six-six Me and Mimi settled down in the family kinda way Won ten million on the lottery without no debt to pay And in the wee small hours when there was no place left to spend We'd open up each other so the days would never end Some jealous cats caught wind of this and armed up to the teeth They came in search of me and she with their pistols underneath And they caught me going down a thing that made them just see red And as Mimi hit the no return they filled me fulla lead Damn… I'm dead! When God appeared before me I was lyin' in a pool I was fifty over thirty but lookin' real cool He said a life of tedious insights and a tendency to crack Just don't cut the mustard time to head on back I fell way down I knew into a bottomless pit (Oh no here we go) The sign saying "Hotel Hades" is the only sign that's lit Beezelbub was hangin' but he never cuts no slack He says, the big cat hath spoken again you're going back as the Jazz Devil. Every mornin hail the Jazz Devil. Cos as long as days keep dawnin' I'm the Jazz Devil, fly me in the mix you know that I am agent double-oh six-six-six (wow) |
|||||
|
2:17 | ||||
from Barry Adamson - As Above So Below (1998)
And still I rise
God beams down from his Red velour chaise longue where he scans "Thigh High" magazine and just gets right on with the business in hand. His reverence is interrupted by the sounds of seduction and keeping himself in check he screams "who the hell else is here, show thyself that I may be at peace once more" but… Still I rise "Who the hell else, who the hell else?" It is I Anaestheus the king of lust, king of all that is unjust putting ideas into the minds of men, chained to the tracks by their own desires and frittering away the choice to live amongst the most noble the most magnificent, the most that a man can possibly be but… Still I rise As a bright red capital A hits the centre plate. I grit somebody else's teeth and haul off to the next spot, my life taking on new meaning as I tread the unknown, blinkered and shivering with candle snot trickling down my beak, landing on my lip which gives me more food for thought as I fall down drunk and screw up the union but… Still I rise Angels place their hands on my forehead, the anaesthetic now splitting the death probe while surgeons hack and crack, spilling more claret than the time they kissed the sober dawn. Move on up to leg mountain and pluck out the chosen one, my mind is full from memory overload, the anaesthetic truck like shot, drains I.V.s and a back fulla 'phine but… Still I rise Walk with the king, the son and myself and the whole damn ministry. Sleeping under bright lights that keep watch over our every move (takes a while but we'll get there baby) and so we stroll, remembering Albert Johanson, Albert Adamson, the soul murdered father, the Moss Side tory the negro inside me, the man with the Golden hip bone connected to the… devil's fucking plaything |
|||||
|
4:46 | ||||
from Barry Adamson - As Above So Below (1998) | |||||
|
5:31 | ||||
from Barry Adamson - As Above So Below (1998)
There's like a bad dream creepin' in the scene
Stinkin' rotten dirty when I thought that I was clean And now there's no more heads up off the floor It's breakin' and it's entered and it's closer to the core You plant a love seed but hatred only breed So now I'm gonna shove it in the place you used to feed So help me good God I'm nailed into this spot It's time to sink my teeth into everything I've got to save me Oh the cats are bustin' mine and screamin' "Faster, harder, faster, harder, faster" Oh the world seems so sublime Then what do you know The monkey speaks his mind Midnight a fist fulla dynamite I'm starin' at this crystal and the future isn't bright I'm packin' no zees and nightmares reek of cheese When everything was peachy and we only shot the breeze But sadly no more there's rocks against the door It's beaten and it's battered and its head's an open sore I'm in my sick den and pounded by the yen Time to pass the thirty-eight and all begin again and then a Oh the bulls are bustin' mine and screamin' "Faster, harder, faster, harder, faster" Oh and man they'll break your spine Every time your monkey speaks his mind I gotta black skin with Satan kickin' in And underneath my hide he put an evil dorsal fin So see my blood need all swollen up with greed It takes a piece of nothin' 'til I'm finally relieved So give me no more I've said it all before It's suckin' on my juices like a plague I can't ignore Before my soul rot afraid I gotta cop I'm thinkin' 'bout the free list and I think I'd rather not Cos baby… Oh the chicks are bustin' mine and screamin' "Faster, harder, faster, harder, faster" Oh, this couch feels so sublime Then what do you know The monkey speaks his mind My people are you with me sing… VIVA LA REVOLUTION! |
|||||
|
3:09 | ||||
from Barry Adamson - As Above So Below (1998)
Oh God this cell phone's dead
If I hit a red light I'm gonna lose my head Slip into fifth and crank it up Now that push has come to shove |
|||||
|
7:18 | ||||
from Barry Adamson - As Above So Below (1998) | |||||
|
5:16 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999) | |||||
|
5:06 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999)
When God appeared before me I was drowning in my pool
I was fifty over thirty but lookin' real cool He said a life of tedious insights and an overflowing cup Just don't cut the mustard I'm afraid you can't come up I fell way down it seemed into a bottomless pit A sign saying "Hotel Hades" was the only thing a-lit Beelzebub was hangin' but he wouldn't cut no slack He told me the big cat hath spoken I'm afraid you're going back as the Jazz Devil. Full and greedy I'm the Jazz Devil. Libido needy I'm the Jazz Devil, fly me in the mix Where you can call me agent double-oh six-six-six I cruise the streets of London with just one thing on my mind Gotta passport labelled fun of the interactive kind But first I found some cats and they were howling at the moon I told 'em you play the instruments and I'll play the buffoon We broke into a sombre march called "Misery and Woe" And then we upped the tempo 'til the juice began to flow All a sudden this chick named Mimi just appeared right outta the blue Sayin' I've been searchin' for someone and now I know who Jazz Devil. Sick and racy I'm the Jazz Devil. But very tasty I'm the Jazz Devil, fly me in the mix Where you can call me agent double-oh six-six-six Me and Mimi settled down in the family kinda way Won ten million on the lottery without no debt to pay And in the wee small hours when there was no place left to spend We'd open up each other so the days would never end Some jealous cats caught wind of this and armed up to the teeth They came in search of me and she with their pistols underneath And they caught me going down a thing that made them just see red And as Mimi hit the no return they filled me fulla lead Damn… I'm dead! When God appeared before me I was lyin' in a pool I was fifty over thirty but lookin' real cool He said a life of tedious insights and a tendency to crack Just don't cut the mustard time to head on back I fell way down I knew into a bottomless pit (Oh no here we go) The sign saying "Hotel Hades" is the only sign that's lit Beezelbub was hangin' but he never cuts no slack He says, the big cat hath spoken again you're going back as the Jazz Devil. Every mornin hail the Jazz Devil. Cos as long as days keep dawnin' I'm the Jazz Devil, fly me in the mix you know that I am agent double-oh six-six-six (wow) |
|||||
|
3:36 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999)
spoken words:
"Everything I tell you today I'm gonna show you it in black and white. I'm wanted for murder, kidnapping, robbery, armed robbery, conspiracy, threatening New York." "You have nothing to worry about, Mr Adamson." "You have nothing to worry about, Mr Adamson." "You have nothing to worry about, Mr Adamson." "You have nothing to worry about, Mr Adamson." (repeat) |
|||||
|
3:59 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999)
I feel good. I feel bad. Ain't it sad
One day it's all going to end Up in flames. Without a shame Cos I'm here. To change the total course of the world (yeah yeah) And that's what I'm singing (yeah yeah) Heat it up. Cool it down Spread it around under the cold shadow of love. I have found (I have found) What it means (what it means). To believe (to believe) And leave the world to the remains Of the day (of the day). What I say (what I say). Ain't so clear (ain't so clear) To souls who die when the decline Can't be seen (can't be seen). They're getting mean (they're getting mean) Now we're going (now we're going) To change the total course (chorus) Here am I. Love just spilled on what comes naturally. Buy and bye Love just spills and I don't mean rationally What it means. Is you're dead One to the head. If you don't know what is behind. This disguise. It's no surprise. When you think About your own every step of the way The energy pirates will get you They'll chew on your bones for breakfast They'll convince you that baby you're desperate They'll spit on your mound and keep pounding and pounding and (repeat chorus) All the time. Love just comes and I don't mean casually. Wait a while Love will come and fuck that tragedy (Cancel that shrink we're travelling up to the sky minds on the blink Or maybe the lies. Out of time) I have found. What it means. To believe That what is all going to end Up in flames. Is your heart So let it speak. And change the total course of the world |
|||||
|
4:49 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999)
Ok, what have we got here
Horny black boy with frisky white girl Eye each other across the room and The chemistry is unbearable and Definitely not on anyones agenda He suggests they go to someplace they won't be seen And she thinks otherwise Finally they agree to go And put up with Dunkin donuts The usual story, they fall in love Under the hail of spit they ignore All the while secretly conspiring to murder each other Hoping that will eleviate the slightly more Uncomfortable feelings that may arise in a situation like this But behind closed doors The eyes of the world becoming their wallpaper They melt into a beautiful example of a power that definitely exists And come together on a warm moonlit night In spite of themselves Ummmm, likely story |
|||||
|
4:26 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999) | |||||
|
4:25 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999) | |||||
|
5:31 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999)
I see myself but don't see me
Two burning eyes that don't agree While in the shades there's someone Following my every little movement from the score I call a friend who's never there Too tired for love too tired to care while in the shade there's someone Ridiculing every little moment I adore (yeah) I fold and fall down on a knee and ask a God that I can't see If maybe He or She will call on me The days they pass with no relief my head all swollen up with grief Then somethin' awaketh me from sleep I can't get loose to using you but that's what I'm a gonna do Havin' fun in heaven while you're crucified I can't get loose to using you but that's what I'm a gonna do Watching lillie's flower while your hands are tied Did you just hear what I just heard Or have I simply gone beserk Cos in the shades there's someone Laughing at my whimsical intentions to be free Two burning minds that don't agree One praying hoping desperately While in the shade there's someone Wallowing in what I know will never happen now (yeah) I crash and fall down on my knee and beg a God that I can't see If maybe He or She will call on me The days just pass with no relief my head all swollen up with grief Then somethin' awaketh me from sleep I can't get loose to using you but that's what I'm a gonna do Havin' fun in heaven while you're crucified I can't get loose to using you but that's what I'm a gonna do Watching lillie's flower while your hands are tied |
|||||
|
4:00 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999) | |||||
|
4:35 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999) | |||||
|
5:02 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999) | |||||
|
4:15 | ||||
from Barry Adamson - The Murky World Of Barry Adamson (1999) | |||||
|
5:13 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
(Leonard Cohen)
I stepped into an avalanche It covered up my soul When I am not this hunchback that you see I sleep beneath the golden hill You who wish to conquer pain You must learn to serve me well You strike my side by accident As you go down to your goal This cripple here that you clothe and feed Is neither starved nor cold He does not ask for your company Not at the centre, the centre of the world I who am on a pedestal You did not raise me there Your laws do not compel me now To kneel grotesque and bare For I myself am the pedestal For this ugly hump at which you stare You who wish to conquer pain You must learn what makes me kind The crumbs of love that you offer me Are the crumbs I've left behind Your pain is no credential here It's just a shadow of my wound I have begun to ask for you I who have no greed I have begun to long for you I who have no need You say you've gone away from me But I can feel you when you breathe Do not dress in those rags for me I know you are not poor And do not love me quite so fiercely now When you know that you are not sure It is your turn, my beloved one It is your flesh that I wear |
|||||
|
6:11 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
The Captain's fore-arm like bunched-up rope
with A-N-I-T-A wrigglin' free on a skull'n'dagger and a portrait of Christ, nailed to an anchor etched into his upper... O o o' Cabin Fever! O o o' Cabin Fever! Slams his fucken tin-dish down Our Captain, takes time to crush Some Bloo-Bottles glowin in his gruel with a lump in his throat, and lumpy mush Thumbing a scrapbook stuck up with clag and a morbid lump of Love in his flags. Done is the Missing, now all that remain Is to sail forever, upon the stain Cabin Fever! O o o' Cabin Fever! The captain's free-hand is a cleaver which he fashions his beard, n' he rations his jerkey! and carves his peg outa the finest mahagony! Or was it Ebony? etc... Tallies up his loneliness, notch by notch For the sea offers nuthin to hold or touch Notch by notch, winter by winter Notch x notch, winter x winter Now his leg is whittled, right down to a splinter O o Cabin Fever! O o o Cabin Fever! O the rollin sea still rollin on! She's everywhere! now that she's gone! Gone! Gone! O Cabin Fever! O Cabin Fever! Welcome to his table, Beloved-Unconscious Raisin her host of hair from her crooks and strugglin to summony one of her looks! His arm now like coiled s-s-s-snakes Whips all the bottles that he's drunken, like crystal - skittles about the cabin, of a ship they'd been sailing Five years sunken... etc... |
|||||
|
5:25 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984) | |||||
|
5:33 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
Ah wanna tell ya 'bout a girl
You know, she lives in room 29 Why... Why... that's the one right up top a mine Ah start to cry, Ah start to cry O Ah hear her walkin' Walkin' barefoot cross the floor-boards All thru this lonesome night Ah hear her crying too. Hot-tears come splashin on down Leaking thru the cracks, Down upon my face, Ah catch'em in my mouth! Ah catch'em in my mouth! Ah catch'em in my mouth! Walk'n'cry Walk'n'cry-y!!! From her to eternity! From her to eternity! From her to eternity! Ah read her diary on her sheets Scrutinizin' every lil bit of dirt Tore out a page'n'stufft it inside my shirt Fled outa the window, And shinning it down the vine Outa her night-mare, and back into mine Mine! O Mine! From her to eternity! From her to eternity! From her to eternity! Cry! Cry! CRY! She's wearing them bloo-stockens, ah bet! and standin' like this with my ear to the ceiling Listen, Ah know it must sound absurd but Ah can hear the most melancholy sound Ah ever heard! Walk'n'cry! Kneel'n'cry-y! From her to eternity! From her to eternity! O tell me why? O tell me why? Oh Why? Why? Why? O tell me why and don't tell me a lie! Why the ceiling still shakes? Shakes! Shakes! Shakes! Why the fixtures turn to serpents and snakes? This desire to possess her is a wound and its naggin at me like a shrew but, Ah know, that to possess her Is, therefore, not to desire her. O o o then ya know, that lil girl would just have to go! Go! Go-o-o! From her to eternity! From her to eternity! [Repeat] |
|||||
|
4:06 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
(M. Davies)
As the snow flies On a cold and grey Chicago morn A poor little baby child is born in the ghetto And his mama cries Cause there's one thing that she don't need Is another little hungry mouth to feed in the ghetto Oh people don't you understand This child needs a helping hand He's gonna grow to be an angry young man some day Take a look at you and me Are we that blind to see? Do we simply turn our heads and look the other way? And the world turns And the hungry little boy with the runny nose Plays in the streets as the cold wind blows in the ghetto And his hunger burns So he starts to roam the streets at night And he learns how to steal and he learns how to fight in the ghetto Then one night in desperation The young man breaks away He buys a gun and steals a car He tries to run but he don't get far And his mama cries A crowd gathers round an angry young man Face down in the street with a gun in his hand in the ghetto Oh people don't you understand This child needs a helping hand He's gonna grow to be an angry young man some day Take a look at you and me Are we that blind to see? Do we simply turn our heads and look the other way? And as her young man dies On a cold and grey Chicago morn Another little baby child is born in the ghetto |
|||||
|
2:36 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
The moon is in the gutter
And the stars wash down the sink I am the king of the blues I scape the clay off my shoes And wade down the gutter and the moon The moon blinds my eye with opal cataracts As I cut through the saw-mills and the stacks, Leaping over the gully where I would one day take Lucy Then wash up my hands in the gutter and the moon. Such a long way from home, just me and The moon is in the gutter All my plans are flushed down the drain I wander lonely as a cloud Over memories at her mound Then lie down in the bitter gutter moon. |
|||||
|
7:22 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
Born of the river,
Born of its ever-changing, never-changing murky water Oh riverboat just rollin' along through the great great greasy city Huck standing like a Saint, upon its deck If ya wanna catch a Saint, then bait ya hook, let's take a walk... 'O come to me!, O come to me!' is what the dirty city say to Huck... HUCK woah-woah, woah woah! woah-woah, woah woah! Saint Huck! Huck! Straight in the arms of the city goes Huck, down the beckonin' streets of op-po-tunity whistling his favorite river-song... And a bad-blind nigger at the piano Buts a sinister blooo lilt into that sing-a-long Huck senses somthing's wrong! Sirens wail in the city, and lil-Ulysses turn to putty and Ol Man River's got a bone to pick! and our boy's hardly got a bone to suck! He go, woah-woah, woah woah! woah-woah, woah woah! Saint Huck! Huck! The mo-o-o-on, its huge cycloptic eye watches the city streets contract twist and cripple and crack. Saint Huck goes on a dog's-leg now Saint Huck goes on a dog's-leg now You know the story! Ya wake up one morning and you find you're a thug blowing smoke rings in some dive Ya fingers hot and itchin, ya cracking ya knuckles Ya bull neck bristling... Still Huck he ventures on whistling, and Death reckons Huckleberry's time is up, O woah woah woah! Saint Huck! O woah woah woah! Saint Huck! Huck! Yonder go Huck, minus pocket-watch an' wallet gone Skin shrink-wraps his skeleton No wonder he gets thinner, what with his cold'n'skinny dinners! Saint Huck-a-Saint Elvis, Saint Huck-a-Saint Elvis O you recall the song ya used to sing-a-long Shifting the river-trade on that ol' steamer Life is but a dream! But ya traded in the Mighty ol' man River for the Dirty ol' Man Latrine! The brothel shift The hustle'n'the bustle and the green-backs rustle And all the sexy-cash And the randy-cars And the two dollar fucks O o o ya outa luck, ya outa luck Woah-woah-woah-woah Saint Huck! Huck! This is the track of deception leads to the heart of despair Huck whistles like he just don't care but in the pocket of the jacket is a chamber Lead pellets sleeps in there Wake Up! Now Huck whistles and he kneels and he lays down there See ya huck, good luck A smoke ring hovers above his head And the rats and the dogs and the men all come and put a bullet through his eye and the drip and the drip and the drip of the Mississippi cryin' And Saint Huck hears his own Mississippi just rollin' by him Woah-woah-woah-woah Woah-woah-woah-woah Saint Huck! Saint Huck! Saint Huck! Woah-woah-woah-woah Woah-woah-woah-woah Saint Huck! Saint Huck! Saint Huck! Woah-woah-woah-woah |
|||||
|
4:06 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
She loves me, she loves me not
She loves me, she loves me not She loves me, she loves me not We-e-ll, ah've spent seven days and seven nights tryin to get sunk in this brine Don't turn on ya water-works 'cause ah got me a pair of water-wings, right?! Insects suicide against the window, and my heart goes out to those lil flies There's a buzzin in my ear but it's more of her black-mail, ham shakespeare + lies Wings off Flies, She loves me, she loves me not. O o o o oh she loves me not!! Lord, Ah've discovered the recipe of Heaven ya git solitude and ya mix with sanctuary and silence, then bake it! Listen, I plead guilty to misanthropy so hang me! Ah'd appreciate it!! Witness her gate-crash my tiny hell with some obscene tte--tte, If ya wanna talk to me about Love'n'Pain consult my ulcer, it'd be happy to co-operate Wings off Flies, she loves me, loves me not Uh hey, Joe! Another outa do the job. Time to drown our lil fire, ya can keep the ashes, Now bye bye, bye, bye, see ya in a pigs eye! Ah will be one, in need of no-one In this, my deepest dive... Fill'er up, Joe... Hey! Ah am obliged! Ah am olbiged! Wings off Flies, She loves me, she loves me not Wings off Flies etc... ad infinitum Welcome the solitary flyer ya see it land on the rim of my glass it's going around and around and around look I just don't have the heart to hurt a fly I grabbed it in my paw snatched it up and then I held it to my ear could hear it scream could hear it scream and scream and scream till it screamed not... Hey Joe, ya know anything about this scream? |
|||||
|
9:42 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
Who'll build a box for Black Paul?
Ah'm enquirin on behalf of his soul Ah'd be beholdin to ya all For a lil information, just a little indication Just who'll dig the hole? When ya done ransackin' his room grabbin any damn thing that shines, throw the scraps down on the street Like all his books and his notes. All his books and his notes and All the junk that he wrote the whole fucken lot right up in smoke Ain't there nuthin sacred anymore Won't someone will build a box for Black Paul? And their shootin off his guns and their shootin off their mouths saying 'Fuck with us ... and die!' 'Fuck with us ... and die!' (Let's see that rat of fear go scuttle in their skulls) 'Cover that eye! Cover that frozen eye!' Black-puppet, in a heap up against the stoning-wall Black-puppet, go to sleep, ma-ma won't scold ya anymore Armies of ants, wade up the lil red streams they're headin for the mother-pool O lord, it's cruel! O man it's hot! O man it's hot and And some of them ants they just climb to the spot Who threw the first stone at Black Paul? 'Don't ask us', say the critics and the hacks The pen-pushers and the quacks 'We jes cum to git dah facks!' 'We jes cum to git dah facks!' Hey, hey, hey, hey... Here is the hammer, that built the scaffold, and built the box... Here is the shovel, that dug the hole, in this ground of rocks... And here is the pile of stones! and for each one planted, God only knows, a blood-rose grown... These are the true Demon-Flowers! These are the true Demon-Flowers! Stand back everyone! Blood-black everyone! Who'll build a box for Black Paul? Who'll carry it up the hill? 'Not I', said the widow, adjusting her veil 'Ah will not drive the nail Or cart his puppet-body home, For ah done that one hundred times before, Yeah! ah done that one hundred times or more, And why should ah dress his wounds? When he has wounded my dress, nightly, Right across the floor' Who'll build a box for Black Paul? Who'll carry it up the hill? Who'll bury it in the black-soil? And from the woods and the thickets Come the ghosts of his victims 'We love you!' 'Ah love you!' 'and this will not hurt a bit, Outta my eyes was your rise to full glory Spring up from the corp() of life we'll go up, up, up, up, up into Death up, up, up, up, inhale its breath O yes, Death favours those that favor Death' Here is the stone, and this is the inscription it bare: 'Below Lies Black Paul, Under The Upper... But Above and Beyond The Surface-Flat-Fall There.' And all the angels come on down, And all you men and women crowd around And all the old widows weeping into their skirts And all the lil gals and the lil Boys And the scribes with their pens poised All the hullaballoo, all the norse All the hullaballoo, all the noise All the hullaballoo, all of the noise clears his throat of black blood singin Black Paul like a lonely boy... We-e-e-ll, ah have cried one thousand tears Ah've cried a thousand tears, its true And the next stormy night you know, That ah'm still cryin them for you Well, ah had a gal she was so sweet, Red dress, and long red hair hangin down And heaven yes ain't heaven Without that lil girl hangin around Well, ya know ah've beenn a bad-man and Lord knows ah done some good things too But ah confess, my soul will never rest Until you've, until you've build Until you've built a box for my gal, too. my gal, too my gal, too |
|||||
|
4:35 | ||||
from Nick Cave & The Bad Seeds - From Her To Eternity (1984)
Ah wanna tell ya 'bout a girl
You know, she lives in room 29 Why... Why... that's the one right up top a mine Ah start to cry, Ah start to cry O Ah hear her walkin' Walkin' barefoot cross the floor-boards All thru this lonesome night Ah hear her crying too. Hot-tears come splashin on down Leaking thru the cracks, Down upon my face, Ah catch'em in my mouth! Ah catch'em in my mouth! Ah catch'em in my mouth! Walk'n'cry Walk'n'cry-y!!! From her to eternity! From her to eternity! From her to eternity! Ah read her diary on her sheets Scrutinizin' every lil bit of dirt Tore out a page'n'stufft it inside my shirt Fled outa the window, And shinning it down the vine Outa her night-mare, and back into mine Mine! O Mine! From her to eternity! From her to eternity! From her to eternity! Cry! Cry! CRY! She's wearing them bloo-stockens, ah bet! and standin' like this with my ear to the ceiling Listen, Ah know it must sound absurd but Ah can hear the most melancholy sound Ah ever heard! Walk'n'cry! Kneel'n'cry-y! From her to eternity! From her to eternity! O tell me why? O tell me why? Oh Why? Why? Why? O tell me why and don't tell me a lie! Why the ceiling still shakes? Shakes! Shakes! Shakes! Why the fixtures turn to serpents and snakes? This desire to possess her is a wound and its naggin at me like a shrew but, Ah know, that to possess her Is, therefore, not to desire her. O o o then ya know, that lil girl would just have to go! Go! Go-o-o! From her to eternity! From her to eternity! [Repeat] |
|||||
|
7:17 | ||||
from Nick Cave & The Bad Seeds - The Firstborn Is Dead (1985)
Looka yonder! Looka yonder!
Looka yonder! A big black cloud come! A big black cloud come! O comes to Tupelo. Comes to Tupelo Yonder on the horizon Yonder on the horizon Stopped at the mighty river Stopped at the mighty river and Sucked the damn thing dry Tupelo-o-o, O Tupelo In a valley hides a town called Tupelo Distant thunder rumble. Distant thunder rumble Rumble hungry like the Beast The Beast it cometh, cometh down The Beast it cometh, cometh down Wo wo wo-o-o Tupelo bound. Tupelo-o-o. Yeah Tupelo The Beast it cometh, Tupelo bound Why the hen won't lay no egg Can't get that cock to crow The nag is spooked and crazy O God help Tupelo! O God help Tupelo! O God help Tupelo! O God help Tupelo! Ya can say these streets are rivers Ya can call these rivers streets Ya can tell ya self ya dreaming buddy But no sleep runs this deep No! No sleep runs this deep No sleep runs this deep Women at their windows Rain crashing on the pane Writing in the frost Tupelos' shame. Tupelo's shame O God help Tupelo! O God help Tupelo! O go to sleep lil children The sandmans on his way O go to sleep lil children The sandmans in his way But the lil children know They listen to the beating of their blood listen to the beating of their blood listen to the beating of their blood listen to the beating of their blood They listen to the beating of their blood The sandman's mud! The sandman's mud! And the black rain come down the black rain come down the black rain come down Water water everywhere Where no bird can fly no fish can swim Where no bird can fly no fish can swim No fish can swim Until The King is born! Until The King is born! In Tupelo! Tupelo-o-o! Til The King is born in Tupelo! In a clap-board shack with a roof of tin Where the rain came down and leaked within A young mother frozen on a concrete floor With a bottle and a box and a cradle of straw Tupelo-o-o! O Tupelo! With a bottle and a box and a cradle of straw Well Saturday gives what Sunday steals And a child is born on his brothers heels Come Sunday morn the first-born dead In a shoebox tied with a ribbon of red Tupelo-o-o! Hey Tupelo! In a shoebox buried with a ribbon of red O ma-ma rock you lil' one slow O ma-ma rock your baby O ma-ma rock your lil' one slow O God help Tupelo! O God help Tupelo! Mama rock your lil' one slow The lil one will walk on Tupelo The lil one will walk on Tupelo Black rain come down, Black rain come down Tupelo-o-o! Yeah Tupelo! And carry the burden of Tupelo Tupelo-o-o! O Tupelo! Yeah! The King will walk on Tupelo! Tupelo-o-o! O Tupelo! He carried the burden outa Tupelo! Tupelo-o-o! Hey Tupelo! [Repeat] You will reap just what you sow |
|||||
|
5:10 | ||||
from Nick Cave & The Bad Seeds - The Firstborn Is Dead (1985) |