![]() |
|
3:43 | ![]() |
||
from Jethro Tull - A + Slipstream (2004) | |||||
![]() |
|
7:50 | ![]() |
||
from Jethro Tull - Roots To Branches (1995)
A walk on the quiet side, late in the day --
Don't mean to get in anybody's way. The Gods seem willing: sun's in the sky. Old crows cawing as the straight crows fly. There was a time when love was the law. There was a time for the tooth and the claw. Last rites given, no holds barred. Heaven Express on my credit card. Now let me draw the jungle line -- I won't cross yours if you don't cross mine. Won't make trouble, I don't need no fuss. But I'm wounded, old and I'm treacherous. Allow me to draw the jungle line -- you cross it once, you cross some friends of mine. They won't make trouble, they don't need no fuss but they're wounded, old and they're treacherous. In the crisp of evening, on sacred ground -- Ghosts of fathers pushing moonbeams round. Big cats prowling inside your head -- They left for China; better left for dead. Let me draw the jungle line -- I won't cross yours if you don't cross mine. Won't make trouble, I don't need no fuss. But I'm wounded, old and I'm treacherous. A walk on the quiet side, late in the day -- Don't mean to get in anybody's way. The Gods seem willing: sun's in the sky. Old crows cawing as the straight crows fly. There was a time when love was the law. There was a time for the tooth and the claw. Last rites given, no holds barred. Heaven Express on my credit card. living mountains going to shake that town -- big mother calling you from underground. She don't want trouble, she don't need no fuss. But she's wounded, old and treacherous. |
|||||
![]() |
|
5:05 | ![]() |
||
from Jethro Tull - A + Slipstream (2004)
When I was a young man (as all good tales begin)
I was taught to hold out my hand And for my pay I worked an honest day And took what pittance I could win Now I'm a working john and I'm a working joe And I'm doing what I know For God and the economy Big brother watches over me And the state protects and feeds me And my conscience never leaves me And I'm loyal to the unions Who protect me at all levels And as I grew, the winds of fortune blew And the bank smiled down upon me And mortgaged to the hilt I threw The breeze of caution behind me Now I'm a working john and I'm a working joe And I'm good at what I know And God and the economy Have blessed me with equality Now I'm equal to the best of you And better than the rest of you Who would criticise my success In times of national unrest Now I own my horseless carriage In it's central-heated garage And I commute eighty miles a day --- Up at seven to make it pay I direct ten limited companies With seeming consummate expertise Two ulcers and a heart disease A trembling feeling in both knees --- I'm a working john and I'm a working joe |
|||||
![]() |
|
1:56 | ![]() |
||
from Jethro Tull - Aqualung (1971)
Wond'ring aloud --
How we feel today. Last night sipped the sunset -- My hands in her hair. We are our own saviours As we start both our hearts beating life Into each other. Wond'ring aloud -- Will the years treat us well. As she floats in the kitchen, I'm tasting the smell Of toast as the butter runs. Then she comes, spilling crumbs on the bed And I shake my head. And it's only the giving That makes you what you are. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - 20 Years of Jethro Tull (1988)
Wond'ring aloud --
How we feel today. Last night sipped the sunset -- My hands in her hair. We are our own saviours As we start both our hearts beating life Into each other. Wond'ring aloud -- Will the years treat us well. As she floats in the kitchen, I'm tasting the smell Of toast as the butter runs. Then she comes, spilling crumbs on the bed And I shake my head. And it's only the giving That makes you what you are. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Living With The Past [live] (2002)
Wond'ring aloud --
How we feel today. Last night sipped the sunset -- My hands in her hair. We are our own saviours As we start both our hearts beating life Into each other. Wond'ring aloud -- Will the years treat us well. As she floats in the kitchen, I'm tasting the smell Of toast as the butter runs. Then she comes, spilling crumbs on the bed And I shake my head. And it's only the giving That makes you what you are. |
|||||
![]() |
|
2:57 | ![]() |
||
from Jethro Tull - Living With The Past [video] (2008)
Wond'ring aloud --
How we feel today. Last night sipped the sunset -- My hands in her hair. We are our own saviours As we start both our hearts beating life Into each other. Wond'ring aloud -- Will the years treat us well. As she floats in the kitchen, I'm tasting the smell Of toast as the butter runs. Then she comes, spilling crumbs on the bed And I shake my head. And it's only the giving That makes you what you are. |
|||||
![]() |
|
6:20 | ![]() |
||
from Jethro Tull - Benefit (1970)
In days of peace
sweet smelling summer nights of wine and song; dusty pavements burning feet. Why am I crying, I want to know. How can I smile and make it right? For sixty days and eighty nights and not give in and lose the fight. I'm going back to the ones that I know, with whom I can be what I want to be. Just one week for the feeling to go and with you there to help me then it probably will. I won't go down acting the same old play. Give sixty days for just one night. Don't think I'd make it: but then I might. I'm going back to the ones that I know, with whom I can be what I want to be. Just one week for the feeling to go and with you there to help me then it probably will. |
|||||
![]() |
|
3:53 | ![]() |
||
from Jethro Tull - Benefit (1970) | |||||
![]() |
|
3:50 | ![]() |
||
from Jethro Tull - Original Masters (2007) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - 20 Years of Jethro Tull (1988)
Lend me your ear while I call you a fool.
You were kissed by a witch one night in the wood, And later insisted your feelings were true. The witches promise was coming, Believing he listened while laughing you flew. Leaves falling, red, yellow, brown, all look the same, And the love you had found lay outside in the rain, Washed clean by the water but nursing its pain. The witches promise was coming, And you're looking elsewhere for your own selfish gain. Keep looking, keep looking for somewhere to be, Well, you're wasting your time, they're not stupid like he is. Meanwhile leaves are still falling, you're too blind to see. You won't find it easy now, it's only fair. He was willing to give to you, you didn't care. You're waiting for more but you've already had your share. The witches promise is turning, so don't you wait up for him, he's going to be late. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Original Masters (2007)
Lend me your ear while I call you a fool.
You were kissed by a witch one night in the wood, And later insisted your feelings were true. The witches promise was coming, Believing he listened while laughing you flew. Leaves falling, red, yellow, brown, all look the same, And the love you had found lay outside in the rain, Washed clean by the water but nursing its pain. The witches promise was coming, And you're looking elsewhere for your own selfish gain. Keep looking, keep looking for somewhere to be, Well, you're wasting your time, they're not stupid like he is. Meanwhile leaves are still falling, you're too blind to see. You won't find it easy now, it's only fair. He was willing to give to you, you didn't care. You're waiting for more but you've already had your share. The witches promise is turning, so don't you wait up for him, he's going to be late. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Christmas Album (2003) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Christmas Album (2003) | |||||
![]() |
|
5:42 | ![]() |
||
from Jethro Tull - Aqualung (1971)
When I was young and they packed me off to school
And taught me how not to play the game I didn't mind if they groomed me for success Or if they said that I was just a fool. So I left there in the morning With their God tucked underneath my arm Their half-assed smiles and the book of rules And I asked this God a question And by way of firm reply He said, “I'm not the kind you have to wind up on Sundays” So to my old headmaster (and to anyone who cares) Before I'm through I'd like to say my prayers I don't believe you You had the whole damn thing all wrong He's not the kind you have to wind up on Sundays. Well, you can excommunicate me on my way to Sunday school And have all the bishops harmonize these lines How do you dare tell me that I'm my Father's son? When that was just an accident of birth I'd rather look around me, compose a better song 'Cos that's the honest measure of my worth In your pomp and all your glory you're a poorer man than me As you lick the boots of death born out of fear When I was young and they packed me off to school And taught me how not to play the game I didn't mind if they groomed me for success Or if they said that I was just a fool I left there in the morning With their God under my arm Their half-assed smiles and the book of rules Well, you can excommunicate me on my way to Sunday school Have all the bishops harmonize these lines When I was young and they packed me off to school And they taught me how not to play the game I didn't mind if they groomed me for success Or if they said that I was just a fool So to my old headmaster (and to anyone who cares) Before I'm through I'd like to say my prayers Well you can excommunicate me on my way to Sunday school And have all the bishops harmonize these lines I don't believe you You had the whole damn thing all wrong He's not the kind you have to wind up on Sundays |
|||||
![]() |
|
5:23 | ![]() |
||
from Jethro Tull - Aqualung (1971) | |||||
![]() |
|
5:22 | ![]() |
||
from Jethro Tull - Aqualung (1971)
When I was young and they packed me off to school
And taught me how not to play the game I didn't mind if they groomed me for success Or if they said that I was just a fool. So I left there in the morning With their God tucked underneath my arm Their half-assed smiles and the book of rules And I asked this God a question And by way of firm reply He said, “I'm not the kind you have to wind up on Sundays” So to my old headmaster (and to anyone who cares) Before I'm through I'd like to say my prayers I don't believe you You had the whole damn thing all wrong He's not the kind you have to wind up on Sundays. Well, you can excommunicate me on my way to Sunday school And have all the bishops harmonize these lines How do you dare tell me that I'm my Father's son? When that was just an accident of birth I'd rather look around me, compose a better song 'Cos that's the honest measure of my worth In your pomp and all your glory you're a poorer man than me As you lick the boots of death born out of fear When I was young and they packed me off to school And taught me how not to play the game I didn't mind if they groomed me for success Or if they said that I was just a fool I left there in the morning With their God under my arm Their half-assed smiles and the book of rules Well, you can excommunicate me on my way to Sunday school Have all the bishops harmonize these lines When I was young and they packed me off to school And they taught me how not to play the game I didn't mind if they groomed me for success Or if they said that I was just a fool So to my old headmaster (and to anyone who cares) Before I'm through I'd like to say my prayers Well you can excommunicate me on my way to Sunday school And have all the bishops harmonize these lines I don't believe you You had the whole damn thing all wrong He's not the kind you have to wind up on Sundays |
|||||
![]() |
|
4:43 | ![]() |
||
from Jethro Tull - J-Tull Dot Com (1999) | |||||
![]() |
|
7:45 | ![]() |
||
from Jethro Tull - Catfish Rising (1991)
She drifted from some minor festival.
Didn't look like any sumrner of love: just a thousand weekend warriors in a muddy field. She was the hand to fit my glove. Funny thing, the innocence of the lonely. Funny thing, the charm of the young. See how she moves just like two angels (in white innocence). Yet one of them is on the run. The other's tapping at my car window and I'm squinting through the sun trying to see if she's some child of the nineties: or just another dangerous fantasy of mine. Yeah. White innocence. She was white innocence. A perfect hole was in her stocking: it made a perfect window to her heart. I could have moved among her waterfalls: her misty curtains drawn apart. Did she see warm safety in my numbers to want to hitch a ride this way? Felt like I was taking her to market now to be sold as the last lot of the day. Funny thing, the distance of the lonely. Funny thing, the charm of the young. White innocence. She pressed the button, lowered the window: let her hand trail in the slipstream of the night. A frost from nowhere seemed to lick her fingers: I could have warmed them, but the moment wasn't right. Obvious, she was headed nowhere special: yes, well it was even obvious to me. I was doing some, some watching, some waiting: she'd been here before, most definitely. There was the promise of early bed-time. There was the promise of heaven on earth. Think I was sending out low-voltage electricity: played it right down for what it was worth. She turned and looked at me in white innocence and with the clearest eyes of forever grey she rested one small hand for a second on my knee: I stopped the car. She walked away. Funny thing, the wisdom of the lonely. Funny thing, the charm of the young. Away you go now. White innocence. |
|||||
![]() |
|
5:08 | ![]() |
||
from Jethro Tull - Catfish Rising (1991)
I was in my watering-hole with some ugly friends of mine
when he door came off its hinges like a cork from fizzy wine. He said, My name is Jesus: I'm the leader of the band. Got to set up my equipment, if you boys can lend a hand. Oh yeah. When Jesus came to play. He set that bandstand jumping. Yeah, and he cranked it up so loud. And he moved up to the microphone: had the attention of the crowd. He said, My name is Jesus: going to turn your head around. I'm going to make this easy. Got no time to mess around. Oh yeah. When Jesus came to play. I got no twelve disciples, and I got no cross to bear. If you thought they had me crucified, I guess you weren't there. Oh yeah. When Jesus came to play. When Jesus came... He sang about three or four numbers, but we'd heard it all before. We boys were getting restless: no girls were moving on the floor. Those parables, they were merciless and the tables overturned. And there were no minor miracles but false prophets they were burned. Well, maybe he was Jesus; but his hair could have used a comb. Long before he hit the last notes, we boys had all gone home. Oh yeah. When Jesus came to play. Oh Jesus, is it really you? |
|||||
![]() |
|
4:03 | ![]() |
||
from Jethro Tull - Heavy Horses (1978)
Good morning Weathercock,
How'd you fare last night? Did the cold wind bite you, Did you face up to the fright When the leaves spin from October And whip around your tail? Did you shake from the blast, And did you shiver through the gale? Give us direction, the best of goodwill, Put us in touch with fair winds. Sing to us softly, hum evening's song, Tell us what the blacksmith has done for you. Do you simply reflect changes In the patterns of the sky, Or is it true to say the weather heeds The twinkle in your eye? Do you fight the rush of winter, And hold snowflakes at bay? Do you lift the dawn sun from the fields And help him on his way? Good morning Weathercock, make this day bright. Put us in touch with your fair winds. Sing to us softly, hum evening's song. Point the way to better days we can share with you. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Christmas Album (2003)
Good morning Weathercock,
How'd you fare last night? Did the cold wind bite you, Did you face up to the fright When the leaves spin from October And whip around your tail? Did you shake from the blast, And did you shiver through the gale? Give us direction, the best of goodwill, Put us in touch with fair winds. Sing to us softly, hum evening's song, Tell us what the blacksmith has done for you. Do you simply reflect changes In the patterns of the sky, Or is it true to say the weather heeds The twinkle in your eye? Do you fight the rush of winter, And hold snowflakes at bay? Do you lift the dawn sun from the fields And help him on his way? Good morning Weathercock, make this day bright. Put us in touch with your fair winds. Sing to us softly, hum evening's song. Point the way to better days we can share with you. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Christmas Album (2003)
Good morning Weathercock,
How'd you fare last night? Did the cold wind bite you, Did you face up to the fright When the leaves spin from October And whip around your tail? Did you shake from the blast, And did you shiver through the gale? Give us direction, the best of goodwill, Put us in touch with fair winds. Sing to us softly, hum evening's song, Tell us what the blacksmith has done for you. Do you simply reflect changes In the patterns of the sky, Or is it true to say the weather heeds The twinkle in your eye? Do you fight the rush of winter, And hold snowflakes at bay? Do you lift the dawn sun from the fields And help him on his way? Good morning Weathercock, make this day bright. Put us in touch with your fair winds. Sing to us softly, hum evening's song. Point the way to better days we can share with you. |
|||||
![]() |
|
3:57 | ![]() |
||
from Jethro Tull - Stand Up (1969) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Christmas Album (2003) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Christmas Album (2003) | |||||
![]() |
|
3:37 | ![]() |
||
from Jethro Tull - Broadsword And The Beast (1982)
I sit by the cutting on the Beaconsfield line.
He's watching me watching the trains go by. And they move so fast --- boy, they really fly. He's still watching me watching you watching the trains go by. And the way he stares --- feel like locking my door and pulling my phone from the wall. His eyes, like lights from a laser, burn making my hair stand --- making the goose-bumps crawl. He's watching me watching you watching him watching me I'm watching you watching him watching me watching Stares. At the cocktail party with a Bucks Fizz in my hand I feel him watching me watching the girls go by. And they move so smooth without even trying. He's still watching me watching you watching the trains go by. And the crowd thins and he moves up close but he doesn't speak. I have to look the other way. But curiosity gets the better part of me and I peek: Got two drinks in his hand --- see his lips move --- what the hell's he trying to say. He's watching me watching you watching him watching me. I'm watching you watching him watching me watching Stares. He's watching me watching you watching him watching me. He's watching me watching you watching the trains go by. He's watching me watching you watching him watching me. He's watching me watching you watching him watching me. He's watching me watching you watching him watching me watching him watching. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Stormwatch (1979) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Stormwatch (1979) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Stormwatch (1979) | |||||
![]() |
|
4:19 | ![]() |
||
from Jethro Tull, Jethro Tull - Warchild (1974)
I'll take you down to that bright city mile
There to powder your sweet face and paint on a smile That will show all of the pleasures and none of the pain When you join my explosion and play with my games, Warchild, dance the days and dance the nights away Warchild, dance the days and dance the nights away No unconditional surrender, no armistice day Each night I'll die in my contentment and the lie, hide in your grave While you bring me water and I'll give you wine Let me dance in your tea cup and you shall swim in mine Warchild, dance the days and dance the nights away Open your windows and I'll walk through your doors Let me live in your country, let me sleep by your shores Warchild, dance the days and dance the nights away Warchild, dance the days and dance the nights away Warchild, dance the days and dance the nights away Warchild, dance the days and dance the nights away Warchild, dance the days |
|||||
![]() |
|
3:53 | ![]() |
||
from Jethro Tull, Jethro Tull - Warchild (1974)
I'll take you down to that bright city mile,
There to powder your sweet face and paint on a smile That will show all of the pleasures and none of the pain When you join my explosion and play with my games WarChild dance the days, and dance the nights away. No unconditional surrender: no armistice day Each night I'll die in my contentment and lie by your grave While you bring me water and I give you wine Let me dance in your tea-cup and you shall swim in mine. WarChild dance the days, and dance the nights away. Open your windows and I'll walk through your doors. Let me live in your country - let me sleep by your shores WarChild dance the days, and the nights away |
|||||
![]() |
|
4:33 | ![]() |
||
from Jethro Tull - Repeat - The Best Of Jethro Tull Volume 2 (2007)
I'll take you down to that bright city mile,
There to powder your sweet face and paint on a smile That will show all of the pleasures and none of the pain When you join my explosion and play with my games WarChild dance the days, and dance the nights away. No unconditional surrender: no armistice day Each night I'll die in my contentment and lie by your grave While you bring me water and I give you wine Let me dance in your tea-cup and you shall swim in mine. WarChild dance the days, and dance the nights away. Open your windows and I'll walk through your doors. Let me live in your country - let me sleep by your shores WarChild dance the days, and the nights away |
|||||
![]() |
|
5:03 | ![]() |
||
from The London Symphony Orchestra, Jethro Tull - A Classic Case : The Music Of Jethro Tull (1985) | |||||
![]() |
|
6:04 | ![]() |
||
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
Walking on Velvet Green - Scots Pine growing.
Isn't it rare to be taking the air, sinning - Walking on Velvet Green. Walking on Velvet Green - distant cows lowing. Never a care; with your legs in the air, loving - Walking on Velvet Green. Won't you have my company, yes, take it in your hands. Go down on Velvet Green, with a country-man. Who's a young girl's fancy and an old maid's dream. Tell your mother that you walked all night on Velvet Green. One dusky half-hour's ride up to the north. There lies your reputation and all that you're worth. Where the scent of wild roses turns the milk to cream. Tell your mother that you walked all night on Velvet Green. And the long grass blows in the evening cool. And August's rare delight may be April's fool. But think not of that my love, I'm tight against the seam. And I'm growing up to meet you down on Velvet Green. Now I may tell you that it's love and not just lust. And if we live the lie, let's lie in trust. On golden daffodils, to catch the silver stream That washes out the wild oat seed on Velvet Green. We'll dream as lovers under the stars: Of civilizations raging afar. And the ragged dawn breaks on your battle scars As you walk home cold and alone upon Velvet Green. Walking on Velvet Green - Scots Pine growing. Isn't it rare to be taking the air, sinning - Walking on Velvet Green. Walking on Velvet Green - distant cows lowing. Never a care; with your legs in the air, loving - Walking on Velvet Green. |
|||||
![]() |
|
6:09 | ![]() |
||
from Jethro Tull - Roots To Branches (1995)
Wake hard in the morning.
See the young girl milking. Stream rushing by on a bed of stone. Old goats and sandstone cracking -- All containing -- Squeezing that river like it squeeze your bones. In the long red, red valley people live here too long. In the long red, red valley they only sing the valley song. Some bad people living further down the valley, Not easy for us to do good trade. We got snowmelt, snowmelt sweet water. They got that valley road that they made. In the long red, red valley people dying here too long. In the long red, red valley they only sing the valley song. Holding hands on the hillside. Showing love to your brother -- your sister and your mother -- but we hate those people down the valley. Has anybody seen Moses? Get him off that mountain. Bring back the tablets of stone. It's a wise, wise prophet who keeps his own council. Yeah, leave the other man's wife alone. In the long red, red valley people live here too long. In the long red, red valley they only sing the valley song. Wake hard in the morning. See the young girl milking. Stream rushing by on a bed of stone. Old goats and sandstone cracking -- All containing -- Squeezing that river like it squeeze your bones. In the long red, red valley people living here too long. In the long red, red valley they only live the valley song. In the long red, red valley people dying here too long. In the long red, red valley they only know the valley song. |
|||||
![]() |
|
3:18 | ![]() |
||
from Jethro Tull - Aqualung (1971)
Take her to the cinema
And leave you in a Wimpy bar You tell me that we've gone too far Come running up to me Make the scene at cousin Jack's Leave him to put the bottles back Mends his glasses that I cracked Well that one's up to me, hey Oh, it's up to me It's up to me I buy a silver cloud to ride Pack the tennis club inside Trouser cuffs hung far too wide Well, it was up to me Tyres down on your bicycle Your nose feels like an icicle The yellow fingered smoky girl Is looking up to me, yeah Whoa, you know it's up to me, yeah Well I'm a common working man With a half of bitter, bread and jam And if it pleases me I'll put one on you, man When the cuppa fades away Whoa, it's up to me Whoa, I said, it's up to me, yeah The rainy season comes to pass The day-glo pirate sinks at last And if I laughed a bit too fast Well, it was up to me Take you to the cinema And leave you in a Wimpy bar You tell me that we've gone too far Come running up to me, hey Whoa, you know it's up to me, yeah I said it's up to me, yeah |
|||||
![]() |
|
3:34 | ![]() |
||
from Jethro Tull - A + Slipstream (2004)
See black, see yellow with little notebooks drawn
See grey stripes bowling down the street Silver streaks and T-shirts so precisely torn Strange foreign chaps in white bed-sheets --- Uniforms See golden halo'd men of high renown prance to the politicians' beat Well tailored in unswerving elegance with shoes by Gucci on their feet --- Uniforms How do you know who the hell you are? Wake up each day under a different star Dressed to the nines, meet yourself going home like a clone, smartly dressed in your pressed uniform White battle dress on green pitch, proud eleven Beneath the swelling box so neat the teeming millions of the future fly --- the spinning cricket ball to cheat They're all uniform |
|||||
![]() |
|
5:24 | ![]() |
||
from Jethro Tull - Rock Island (1989)
Working on the late shift --- first drink of the day.
Pull a chair up to the table, have to look the other way. What kind of place am I in? And who's this over here? Shaking through the silver bubbles climbing through my beer. Won't let it move me, but I can't sit still. Could you meet the eyes of a working girl undressed to kill? Staring through the smoke haze --- plaid shirts in the night. Well, I'm making sure that everything is zipped up tight. Who's that jumping on the table? Putting tonic in my gin? Brushing silken dollars on her cold white skin. Won't let it move me, but I can't sit still. Could you meet the eyes of a working girl undressed to kill? She could have been sweet seventeen. There again, well, so could I. There was a tear drop sparkle on the inside of her thigh. Going to fetch myself a cold beer. I've got to get a grip. Find some place to touch down. Find a landing strip. Won't let it move me, but I can't sit still. Can you meet the eyes of a working girl all undressed to kill? Last one out is a cold duck. Padding down the road. I wait outside, my motor running --- got a warm dream to unload. Can I face her in the sunshine? In he harsh real light of day? She walks out with recognition in her eyes --- I look away. Won't let it move me, but I can't sit still. Couldn't meet the eyes of a working girl undressed to kill. |
|||||
![]() |
|
2:14 | ![]() |
||
from Jethro Tull - Under Wraps (1984) | |||||
![]() |
|
4:02 | ![]() |
||
from Jethro Tull - Under Wraps (1984) | |||||
![]() |
|
5:11 | ![]() |
||
from Jethro Tull, Jethro Tull - Warchild (1974)
I'll see you at the Weighing-In,
When your life's sum-total's made And you set your wealth in Godly deeds Against the sins you've laid. And you place your final burden On your hard-pressed next of kin: Send the chamber-pot back down the line To be filled up again. And the hard-headed miracle worker Who bathes his hands in blood, Will welcome you to the final nod And cover you with mud. And he'll say, "You really should make the deal," As he offers round the hat. "You'd better lick two fingers clean He'll thank you all for that." As you slip on the greasy platform, And you land upon your back, You make a wish and you wipe your nose upon the railway track. While the high-strung locomotive, With furnace burning bright, Lumbers on You wave goodbye And the sparks fade into night. And as you join the Good Ship Earth, And you mingle with the dust You'd better leave your underpants With someone you can trust. And when the Old Man with the telescope Cuts the final strand You'd better lick two fingers clean, Before you shake his hand. |
|||||
![]() |
|
3:41 | ![]() |
||
from Jethro Tull - Under Wraps (1984)
Short Arctic desert day ---
and someone left their snow-shoes in the tundra. Look around every which way but I can't see just where the footprints go. Is it a casual disappearance? --- Plucked from the middle atmosphere like straw wind-blown. No speck on the horizon --- no simple message scrawled upon the snow. Unearthly visitation --- someone left their snow-shoes in the tundra. Hungry buzzard flier circling round and round rattling death's tambourine. Have to run it down the cold wire --- late insertion in tomorrow's lost and found. Should I spread out searching? But I'm a little thin upon the ground. So I raise my lips to coax the last drop of brandy from the bottle. Rest my feet and contemplate the mystery that's haunting this Siberian space. Show-shoes they bind me down --- I'm just one more parasite of the surface layer. I begin to get the feeling I've been on this stage before and I'm the only player. One more Arctic desert day --- another set of shoes out in the tundra snow. I make my fade to white-out and you can't see me where my footprints go. |
|||||
![]() |
|
3:47 | ![]() |
||
from Jethro Tull - Nightcap - The Unreleased Masters 1973-1991 (2007)
Stopped off on a long drive.
Down from the high country. Spent a long time sitting here, Long time counting hot miles. Ohh, oh I'd like a cup of black coffee and a piece of sweet cake. But the girl in the print dress doesn't want my money-- she won't take it: she says-- Oh she says. Oh she says I just know you're a Leo, I can tell you've got a lion's heart. She went on in this way for a while, Like some 60's sister playing a part. Ohh this cup of black coffee gonna do me just fine. Through the dust in the mirror tiles I can see that door, Keep it close behind. Oh she says. She says, come on over to my house, make a journey here sometime. You know there's a party going on, a ladder in my stocking you can climb, There's a ladder you can climb. Oh she looked so liberated. She was looking fit to start. She got this back to front and sideways, wore her sleeve upon her heart. Ohhh, oh, just one more coffee's 'bout all I can take. Have to do a truck stop runner now. I'm not man enough to make it, She says. She says. Oh she says. She says, come on over to my house, make a journey here sometime. You know there's a party going on, a ladder in my stocking you can climb, There's a ladder you can climb. Stopped off on a long drive. Down from the high country. Spent a long time sitting here, Long time counting hot miles. Ohh, oh I'd like a cup of black coffee and a piece of sweet cake. But the girl in the print dress doesn't want my money-- she won't take it: she says-- Oh she says. She says, come on over to my house, make a journey here sometime. Kick off those tired sports shoes-- got a ladder in my stocking you can climb, There's a ladder you can climb. Truck stop runner. I'll be a truck stop runner. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - A + Slipstream (2004) | |||||
![]() |
|
3:32 | ![]() |
||
from The London Symphony Orchestra, Jethro Tull - A Classic Case : The Music Of Jethro Tull (1985) | |||||
![]() |
|
5:38 | ![]() |
||
from Jethro Tull - Too Old To Rock 'N' Roll (1976) | |||||
![]() |
|
5:39 | ![]() |
||
from Jethro Tull - Repeat - The Best Of Jethro Tull Volume 2 (2007) | |||||
![]() |
|
5:44 | ![]() |
||
from Jethro Tull - Original Masters (2007) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Original Masters (2007) | |||||
![]() |
|
3:28 | ![]() |
||
from Jethro Tull - Broadsword And The Beast (1982)
Too many drivers in too many cars.
Too many lost souls drinking in too many bars. Too many heroes stepping on too many toes. Too many yes-men nodding when they really mean no. Too many lives each cat can lose --- we've got too many too. Too many too. Too much sunshine. Too many drops of rain. Too many equal and average children who will all grow up the same. Too many fireside politicians holding too many views. Too many questions --- but there are answers too few. Too many lives each cat can lose --- we've got too many too. If I were a liar --- yes, and you were a cheat --- there would be too many places where we all could meet. Too many temples where we could worship the beast. Where he who thinks he had the most in fact has the least. Too many lives each cat can lose -- I've got too many too. I've got too many too. |
|||||
![]() |
|
6:16 | ![]() |
||
from Jethro Tull - Benefit (1970)
Flying so high, trying to remember
how many cigarettes did I bring along? When I get down I'll jump in a taxi cab driving through London town to cry you a song. It's been a long time still shaking my wings. Well, I'm a glad bird I got changes to ring. Closing my dream inside its paper-bag. Thought I saw angels but I could have been wrong. Search in my case, can't find what they're looking for Waving me through to cry you a song. It's been a long time still shaking my wings. Well I'm a glad bird I got changes to ring. Lights in the street, peeping through curtains drawn. Rattling of safety chain taking too long. The smile in your eyes was never so sweet before Came down from the skies to cry you a song. |
|||||
![]() |
|
6:09 | ![]() |
||
from Jethro Tull - Repeat - The Best Of Jethro Tull Volume 2 (2007)
Flying so high, trying to remember
how many cigarettes did I bring along? When I get down I'll jump in a taxi cab driving through London town to cry you a song. It's been a long time still shaking my wings. Well, I'm a glad bird I got changes to ring. Closing my dream inside its paper-bag. Thought I saw angels but I could have been wrong. Search in my case, can't find what they're looking for Waving me through to cry you a song. It's been a long time still shaking my wings. Well I'm a glad bird I got changes to ring. Lights in the street, peeping through curtains drawn. Rattling of safety chain taking too long. The smile in your eyes was never so sweet before Came down from the skies to cry you a song. |
|||||
![]() |
|
1:35 | ![]() |
||
from Jethro Tull - Nightcap - The Unreleased Masters 1973-1991 (2007) | |||||
![]() |
|
3:59 | ![]() |
||
from Jethro Tull - Catfish Rising (1991)
Winds howled, rains spit down.
All these nights playing precious games. Cheap hotel in some seaboard town Closed down for the winter and whispered names. Puppy-dog waves on a big moon sea Snapped our heels half-heartedly. How come you know better than me that this is not love? No, this is not love. Empty drugstore, postcards freeze Sunburst images of summers gone. Think I see us in these promenade days Before we learned October's song. Out on the headland, one gale-whipped tree - Curious, head bent to see. How come you know better than me that this is not love? No, this is not love. This is not love, yeah. How come you know better than me, Well, how come you know better than me. So how come you know better than me that this is not love? This is not love. Down to the sad south, smoky plumes Mark that real world city home. Broken spells and silent gloom Ooze from that concrete honeycomb. Puppy-dog waves on a big moon sea Snapped our heels half-heartedly. And how come you know better than me that this is not love? No, this is not love. No, this is not love. This is not love, this is not love, this is not love. |
|||||
![]() |
|
4:05 | ![]() |
||
from Jethro Tull - Roots To Branches (1995)
She peeled from a stretch black snake
which slipped up to the hotel door. Darting looks from piercing eyes -- The stir of memory and then no more. Well, you know how I have to believe -- She can almost remember my name. It's been a long time coming, babe -- Long time loose amongst foreign hills -- Shaking my faith in this free will. Years ago in a coastal town, mosquitoes buzzed in her hair. Schooldress torn and bare feet brown -- Then the rains came and she wasn't there. You're closing your doors on me when you had almost remembered my name. It's been a long time coming, babe -- Long time loose amongst foreign hills -- Shaking my faith in this free will. Sharp points in an ink black sky -- Faint words collide, then are lost. I'll follow you beneath this dome -- Win you back at any cost. I know we were children then, but you can almost remember my name. It's been a long time coming, babe -- Long time loose amongst foreign hills -- Well, let's be children still -- Don't shake my faith in this free will. Don't shake my faith in this free will. |
|||||
![]() |
|
3:32 | ![]() |
||
from Jethro Tull - Catfish Rising (1991)
All of you sit up in bed. Don't think in straight lines ahead.
Can't sleep? Head spin? Don't think in circles, it'll do you in. Think back to the dream you had; no sense of being good or bad. Jump to the left, jump to the right. Think round corners into night. Let's go in wet corridors: dive down drains. Draw strength from machinery, it's al] the same. Thinking round corners. Think round corners, I say. Pretty girl with neon eyes: best man between white thighs. Bridegroom didn't know a thing: got his love in lights, she wears two rings. Think back to that dream you had. Blue boy sorry, pink girl sad. Yellow cow, big-eyed moon all coming round the corner soon. Let's stand in rapids: cling to carnivals. Spit life from the maypole in savage ceremony. Let's go in wet corridors: dive down drains. Draw strength from machinery, it's all the same. Thinking round corners. Think round corners, I say. Paper cowboys, tin drums banging where the white man comes. Landowners with whips and chains but soft in bed amidst warm rains. Thinking back to the dream they had. Jack and Jill. Jack the lad. Homestead. Home free. How about leaving some for me? Let's bathe in malt whisky: covet gold finery through the eyes of a Jackdaw, dressed to the nines. Let's go in wet corridors: dive down drains. Draw strength from machinery, it's all the same. Thinking round corners. Think round corners, I say. Thinking round corners. |
|||||
![]() |
|
21:05 | ![]() |
||
from Jethro Tull - Thick As A Brick (1972) | |||||
![]() |
|
22:39 | ![]() |
||
from Jethro Tull - Thick As A Brick (1972) | |||||
![]() |
|
3:27 | ![]() |
||
from Jethro Tull - Repeat - The Best Of Jethro Tull Volume 2 (2007)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
|||||
![]() |
|
3:01 | ![]() |
||
from Jethro Tull - Original Masters (2007)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
|||||
![]() |
|
3:01 | ![]() |
||
from Jethro Tull - Mu - The Best Of Jethro Tull (2007)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
|||||
![]() |
|
11:48 | ![]() |
||
from Jethro Tull - Thick As A Brick (1972)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Bursting Out [live] (1978)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
|||||
![]() |
|
4:30 | ![]() |
||
from The London Symphony Orchestra, Jethro Tull - A Classic Case : The Music Of Jethro Tull (1985) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Original Masters (2007)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
|||||
![]() |
|
4:55 | ![]() |
||
from Jethro Tull - Living With The Past [video] (2008)
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
|||||
![]() |
|
3:31 | ![]() |
||
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
I'll buy you six bay mares, to put in your stable;
Six golden apples bought with my pay. I am the first piper who calls the sweet tune But I must be gone by the seventh day. So come on - I'm the Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. Whistle along on the seventh day. All kinds of sadness I've left behind me. Many's the day when I have done wrong. But I'll be yours for ever and ever. Climb in the saddle and whistle along. So come on - I'm the Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. Whistle along on the seventh day. Deep red are the sunsets in mystical places. Black are the nights on summer-day sands. We'll find the speck of truth in each riddle: Hold the first grain of love in our hands So come on - I'm the Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. So come on - I'm a Whistler. I have a fife and a drum to play. Get ready - for the Whistler. I whistle along on the seventh day. Whistle along on the seventh day. |
|||||
![]() |
|
7:53 | ![]() |
||
from Jethro Tull - Rock Island (1989) | |||||
![]() |
|
5:17 | ![]() |
||
from Jethro Tull - Living With The Past [video] (2008)
Crystal fountain springing from the hill.
It irrigates your soul. you may drink your fill. Water of life, carried high. One hand upon the gallon jar. feel her fix my eye. Every good traveller's for the taking. All good money for the making. Seller's market: wet appeal. Water carrier------let's make the deal. Covered face and black pool eyes. Between us, no words spoken: no words to the wise. Here's to another time and a drink somewhere. Plush on a nain carpet; on a cafe chair. |
|||||
![]() |
|
4:49 | ![]() |
||
from Jethro Tull, Jethro Tull - Crest Of A Knave (1987)
As I wake up in a room somewhere...
dawn light not yet showing. There's just a thin horizon between me and her... the edge of a half-dream glowing. Well, you know, I felt her in my dream last night. Strange how the sheets are warm beside me. Now, how do I catch the waking edge? As it slips to the far and wide of me. Didn't I try to hold it down? Freeze on the picture, hang sharp on the sound. Catch the waking edge another time. Familiar shadows in my hotel room are still here for the taking. They seem to linger on as the street lights fade and the empty dawn is breaking. Private movie showing in my head... which button do I press for re-run? And how do I catch the waking edge? The edge of a dream about someone. Well, you know, I felt her in my dream last night... now the sheets are cold beside me. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull, Jethro Tull - Crest Of A Knave (1987)
As I wake up in a room somewhere...
dawn light not yet showing. There's just a thin horizon between me and her... the edge of a half-dream glowing. Well, you know, I felt her in my dream last night. Strange how the sheets are warm beside me. Now, how do I catch the waking edge? As it slips to the far and wide of me. Didn't I try to hold it down? Freeze on the picture, hang sharp on the sound. Catch the waking edge another time. Familiar shadows in my hotel room are still here for the taking. They seem to linger on as the street lights fade and the empty dawn is breaking. Private movie showing in my head... which button do I press for re-run? And how do I catch the waking edge? The edge of a dream about someone. Well, you know, I felt her in my dream last night... now the sheets are cold beside me. |
|||||
![]() |
|
4:49 | ![]() |
||
from Jethro Tull, Jethro Tull - Warchild (1974)
Hoorah!
War Child, dance the days and nights away Sweet child, how do you do today? When your back's to the wall, And your luck is your all, Then side with whoever you may. Seek that which within lies waiting to begin The fight of your life that is everyday. Dance with the War Child, the War Child Hoorah! War Child, dance the days and nights away Sweet child, how do you do today? In the heart of your heart, there's the tiniest part Of an urge to live to the death With a sword on your hip and a cry on your lips To strike life in the inner child's breast. Dance with the War Child, the War Child Hoorah! War Child, dance the days and nights away Sweet child, how do you do today? |
|||||
![]() |
|
23:30 | ![]() |
||
from Jethro Tull, Jethro Tull - A Passion Play (1973) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull, Jethro Tull - A Passion Play (1973) | |||||
![]() |
|
4:01 | ![]() |
||
from Jethro Tull - Rock Island (1989)
Got a hair shirt round my shoulder. Got a cold stew in my spoon.
And I'm falling on my head, lifting feet of lead --- now it's got me baying at the moon. Well, there's a race on for tomorrow. I'm stretching out for what might have been. Going to come out from the night, got my second sight --- play rough --- you know what I mean. I'm going for the kill. I'm going tooth and nail up that dusty hill --- on the rattlesnake trail. Got the law laid down to the left of me. Got the real world to the right. Heading up through the middle with my cat and my fiddle --- yeah, looking for a fight. Going to ride hard in bandit country --- on the blind side of the bend. Keep my nose to the wind while the rabbit's skinned --- bed down at the journey's end. (Be a rattlesnake.) I'm going for the kill. I'm going tooth and nail up that dusty hill --- on the rattlesnake trail. The rattlesnake trail. I'm going on the rattlesnake trail. Going to be with wolves in winter --- run in angry packs by day. But when you give a dog a bone, he has to be alone --- growl, keep the other dogs away. See that thin moon on the mountain. See that cold star in the sky. Going to bring them down --- shake them to the ground --- put that apple in the pie. (Be a rattlesnake.) I'm going for the kill. I'm going tooth and nail up that dusty hill --- on the rattlesnake trail. |
|||||
![]() |
|
3:28 | ![]() |
||
from Jethro Tull - A + Slipstream (2004) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Living With The Past [live] (2002) | |||||
![]() |
|
3:35 | ![]() |
||
from Jethro Tull - J-Tull Dot Com (1999)
Rusted and ropy.
Dog-eared old copy. Vintage and classic, or just plain Jurassic: all words to describe me. Relaxed in the knowledge that happily present are all things to sustain me, nurture and claim me: roll back the mileage. You have settled beside me. To the far and the wide of me. A matter of choosing, of finding and losing on the rough ride with me. Take whisky with water, kick stones down the gutter. Think back to long days with stale breath recycled in my face. Rattling through airways - plastic on cold trays. Watching through windows, deep landscapes below await another time and space. There must come some time to walk through the night line. Hands tight: heads high. These are the dog-ear years. Don't turn back. Don't linger. For God's sake keep moving. Primitive shadows sidle beside. |
|||||
![]() |
|
3:39 | ![]() |
||
from Jethro Tull - Nightcap - The Unreleased Masters 1973-1991 (2007)
Young Gladys was a silky maiden
At thirteen, she was going strong, yeah. Oh, Gladys. Nicely filled out, fully laden, But down below there was something wrong, yeah. Oh, Gladys. Nobody told her about the secrets That ladies have to hide Mom had no words to describe the things That happened inside. Need someone to help me, I feel that there's a curse on me, oh. Went down into the local disco, For what used to be the one night, yeah, Oh Gladys. Felt a searching hand to frisk her, Along the legs of the water line, yeah, Oh Gladys. Now Gladys knew she was in no condition In no mood to play I cracked a knee in her soft spot, nothing Had got in her way. I want no one to touch me, I feel there's a curse on me, oh. Directed down to the local drugstore Got fixed up, now she's doing fine, yeah Oh Gladys Equipped with various kinds of apparatus You know the feminine hygiene kind, yeah Oh Gladys Must have been a man to do these things Who won her fall from grace That day he programmed Eve You should have seen the smile on his face He said You'll need someone to help you When you feel like cursing me, oh. |
|||||
![]() |
|
5:23 | ![]() |
||
from Jethro Tull - Too Old To Rock 'N' Roll (1976)
The disc brakes drag, the chequered flag sweeps across the oil-slick track.
The young man's home; dry as a bone. His helmet off, he waves: the crowd waves back. One lap victory roll. Gladiator soul. The taker of the day in winning has to say Isn't it grand to be playing to the stand, dead or alive. The sunlight streaks through the curtain cracks Touches the old man where he sleeps. The nurse brings up a cup of tea ? two biscuits and the morning paper mystery. The hard road's end, the white God's send is nearer everyday, in dying the old man says Isn't it grand to be playing to the stand, dead or alive. The still-born child can't feel the rain as the chequered flag falls once again. The deaf composer completes his final score. He'll never hear his sweet encore. The chequered flag, the bull's red rag The lemming-hearted hordes running ever-faster to the shore singing, Isn't it grand to be playing to the stand, dead or alive. |
|||||
![]() |
|
4:43 | ![]() |
||
from Jethro Tull - Benefit (1970)
Well the dawn was coming,
heard him ringing on my bell. He said, My name's the teacher, that is what I call myself. And I have a lesson that I must impart to you. It's an old expression but I must insist it's true. Jump up, look around, find yourself some fun, no sense in sitting there hating everyone. No man's an island and his castle isn't home, the nest is full of nothing when the bird has flown. So I took a journey, threw my world into the sea. With me went the teacher who found fun instead of me. Hey man, what's the plan, what was that you said? Sun-tanned, drink in hand, lying there in bed. I try to socialize but I can't seem to find what I was looking for, got something on my mind. Then the teacher told me it had been a lot of fun. Thanked me for his ticket and all that I had done. Hey man, what's the plan, what was that you said? Sun-tanned, drink in hand, lying there in bed. I try to socialize but I can't seem to find what I was looking for, got something on my mind. |
|||||
![]() |
|
4:07 | ![]() |
||
from Jethro Tull - Mu - The Best Of Jethro Tull (2007)
Well the dawn was coming,
heard him ringing on my bell. He said, My name's the teacher, that is what I call myself. And I have a lesson that I must impart to you. It's an old expression but I must insist it's true. Jump up, look around, find yourself some fun, no sense in sitting there hating everyone. No man's an island and his castle isn't home, the nest is full of nothing when the bird has flown. So I took a journey, threw my world into the sea. With me went the teacher who found fun instead of me. Hey man, what's the plan, what was that you said? Sun-tanned, drink in hand, lying there in bed. I try to socialize but I can't seem to find what I was looking for, got something on my mind. Then the teacher told me it had been a lot of fun. Thanked me for his ticket and all that I had done. Hey man, what's the plan, what was that you said? Sun-tanned, drink in hand, lying there in bed. I try to socialize but I can't seem to find what I was looking for, got something on my mind. |
|||||
![]() |
|
3:51 | ![]() |
||
from Jethro Tull - Too Old To Rock 'N' Roll (1976)
Shake a leg, it's the big rush, can't find a taxi can't find a bus.
Bodies jammed in the underground evacuating London town. Nowhere to put your feet as the big store shoppers and the pavements meet. Red lights --- pin stripes --- short step shuffle into the night. Tea time calls --- the Bingo Halls open at seven in the old front stalls. How about a Taxi Grab. There's an empty cab by the taxi stand driver's in the cafe washing his hands. Big diesel idles --- the keys inside --- c'mon Sally let's take a ride. Flag down --- uptown --- no sweat. For rush hour travel, it's the best bet yet. Taxi Grab. |
|||||
![]() |
|
4:02 | ![]() |
||
from Jethro Tull - Stand Up (1969)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Bursting Out [live] (1978)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
|||||
![]() |
|
8:20 | ![]() |
||
from Jethro Tull - Living With The Past [live] (2002)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - A + Slipstream (2004)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
|||||
![]() |
|
4:04 | ![]() |
||
from Jethro Tull - Original Masters (2007)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Original Masters (2007)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
|||||
![]() |
|
8:20 | ![]() |
||
from Jethro Tull - Living With The Past [video] (2008)
You'll hear me calling in your sweet dream
Can't hear your daddy's warning cry You're going back to be all the things you want to be While in sweet dreams you softly sigh You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping No one can see us in your sweet dream Don't hear you leave to start the car All wrapped up tightly in the coat you borrowed from me, Your place of resting is not far You hear my voice is calling To be mine again Live the rest of your life in a day Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping Get out and get what you can While your mummy's at home a-sleeping No time to understand 'Cause they lost what they thought they were keeping |
|||||
![]() |
|
3:44 | ![]() |
||
from Jethro Tull, Jethro Tull - Ministrel In The Gallery (1975) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - 20 Years of Jethro Tull (1988) | |||||
![]() |
|
4:06 | ![]() |
||
from Jethro Tull - Roots To Branches (1995)
Brings jasmine tea on a painted tray
and bends to kiss my frown away. But I'm still still stuck in the August rain; stuck out in the cloudburst once again. The cover's on, the coast is clear. We're all battened down, only us here. But I'm still still stuck in the August rain; stuck out in the cloudburst once again. She walks between the lines and she can read my signs. Stuck out in the August rain: Out in the cloudburst once again. Single-minded in my gloom. I appear to revel in this darkened room. But I'm still still stuck in the August rain; stuck out in the cloudburst once again. She walks between the lines and she can read my signs. Stuck out in the August rain: Out in the cloudburst once again. |
|||||
![]() |
|
3:17 | ![]() |
||
from Jethro Tull - Too Old To Rock 'N' Roll (1976)
Fish and chips, sandpaper lips and a rainy pavement.
Soho lights, another night --- thinking of you. Black cat, sat on a wall, winks at me darkly. Suggesting ways and means that I might win a smile --- as you leave the place where you work until 12.30 and the policemen nods as you pass along his beat. Sweaty feet, troubled brow -- we're all in the same game, lady. Life's no bowl of cherries --- it's a black and white strip cartoon. I've been warned that you and your friends are crazy as from your hearts you bare your parts to the gentlemen, who, while they drool, trying to keep cool, spill their Scotch and water. But I'm not that way, I must say --- I'd much prefer to see you in your texturised rubber rainwear around 12.30. Come and play shades of grey in my black and white strip cartoon. Strip cartoon is all I'm after. Strip cartoon is all I crave --- so come to my place around 12.30 'cos I'm a leading politician at a dangerous age. |
|||||
![]() |
|
4:14 | ![]() |
||
from Jethro Tull - Rock Island (1989)
Strange avenues where you lose all sense of direction
and everywhere is Main Street in the winter sun. The wino sleeps --- cold coat lined with he money section. Looking like a a record cover from 1971. And here am I --- warm feet and a limo waiting. Shall I make us both feel good? And would a dollar do? But in your streets, I have no credit rating and it might not take a lot to be alone just like you. Heading up and out now, from your rock island. Really good to have had you here with me. And somewhere in the crowd I think I hear a young girl whisper Are you ever lonely, just like me? |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - 20 Years of Jethro Tull (1988)
I said they call it Stormy Monday
But I said [...] I said they call it Stormy Monday [...] Wednesday's full of sorrow, I said that Thursday's oh-so, it's oh-so-sad. It's oh-so-sad. I said lord, lord, why don't you have mercy, You gotta have mercy on me. I been trying to find my woman, Won't you bring her home to me? I said they call it stormy Monday. |
|||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Stormwatch (1979) | |||||
![]() |
|
- | ![]() |
||
from Jethro Tull - Stormwatch (1979) | |||||
![]() |
|
4:33 | ![]() |
||
from Jethro Tull - Catfish Rising (1991)
It's a lonely life I live and I live this life to go
and if I leave you with one thing it's just that I want you to know I'll still be loving you tonight. I left flowers on your table, left the lock on your door. Staked a claim in your heartlands, put grain in your store. I'll still be loving you tonight. Got fingers on the button of that telephone dial. Call in and move your mountains, fill your spaces while I'm still loving you tonight. You want to know how I can leave you? How can I move along this way? Too much of a good thing can make you crazy and it's a good thing that happened to me today. I'll still be loving you tonight. |