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from Leonard Cohen - Songs Of Leonard Cohen (1968)
I remember the promise
That you made in the barn When the kittens were born And you could not keep warm So you moved away the mountain That the sun rose behind And you said yourself a prayer And laid down with the blind But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child And the vow of compassion That you swore through your teeth When the war began to end And the photographs weep Well, nobody blames you As the train pulls away With its cargo of snow For these German paper-weights But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child Well, its five in the morning There's no one home Except for your wife And your child on the phone Somebody's got to listen To a promise or two Oh, this room is far too small For a pilgrim like you But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child So, now that you've decided To follow the sun Like a shadow of birds Or a King on the run Oh, your chains are too dark For the seas you must swim You're smiling at the seaweed But your smile is too grim But you lost them in your freedom And you need him now, you're wild Blessed is the memory Of everybody's child Blessed is the memory Of everybody's child Blessed is the memory Of everybody's child |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
I loved you in the morning, our kisses deep and warm,
your hair upon the pillow like a sleepy golden storm, yes, many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but now it's come to distances and both of us must try, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I'm not looking for another as I wander in my time, walk me to the corner, our steps will always rhyme you know my love goes with you as your love stays with me, it's just the way it changes, like the shoreline and the sea, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I loved you in the morning, our kisses deep and warm, your hair upon the pillow like a sleepy golden storm, yes many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
I loved you in the morning, our kisses deep and warm,
your hair upon the pillow like a sleepy golden storm, yes, many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but now it's come to distances and both of us must try, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I'm not looking for another as I wander in my time, walk me to the corner, our steps will always rhyme you know my love goes with you as your love stays with me, it's just the way it changes, like the shoreline and the sea, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. I loved you in the morning, our kisses deep and warm, your hair upon the pillow like a sleepy golden storm, yes many loved before us, I know that we are not new, in city and in forest they smiled like me and you, but let's not talk of love or chains and things we can't untie, your eyes are soft with sorrow, Hey, that's no way to say goodbye. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Master Song
I believe that you heard your master sing when I was sick in bed. I suppose that he told you everything that I keep locked away in my head. Your master took you travelling, well at least that's what you said. And now do you come back to bring your prisoner wine and bread? You met him at some temple, where they take your clothes at the door. He was just a numberless man in a chair who'd just come back from the war. And you wrap up his tired face in your hair and he hands you the apple core. Then he touches your lips now so suddenly bare of all the kisses we put on some time before. And he gave you a German Shepherd to walk with a collar of leather and nails, and he never once made you explain or talk about all of the little details, such as who had a word and who had a rock, and who had you through the mails. Now your love is a secret all over the block, and it never stops not even when your master fails. And he took you up in his aeroplane, which he flew without any hands, and you cruised above the ribbons of rain that drove the crowd from the stands. Then he killed the lights in a lonely Lane and, an ape with angel glands, erased the final wisps of pain with the music of rubber bands. And now I hear your master sing, you kneel for him to come. His body is a golden string that your body is hanging from. His body is a golden string, my body has grown numb. Oh now you hear your master sing, your shirt is all undone. And will you kneel beside this bed that we polished so long ago, before your master chose instead to make my bed of snow? Your eyes are wild and your knuckles are red and you're speaking far too low. No I can't make out what your master said before he made you go. Then I think you're playing far too rough for a lady who's been to the moon; I've lain by this window long enough to get used to an empty room. And your love is some dust in an old man's cough who is tapping his foot to a tune, and your thighs are a ruin, you want too much, let's say you came back some time too soon. I loved your master perfectly I taught him all that he knew. He was starving in some deep mystery like a man who is sure what is true. And I sent you to him with my guarantee I could teach him something new, and I taught him how you would long for me no matter what he said no matter what you'd do. I believe that you heard your master sing while I was sick in bed, I'm sure that he told you everything I must keep locked away in my head. Your master took you travelling, well at least that's what you said, And now do you come back to bring your prisoner wine and bread? |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Master Song
I believe that you heard your master sing when I was sick in bed. I suppose that he told you everything that I keep locked away in my head. Your master took you travelling, well at least that's what you said. And now do you come back to bring your prisoner wine and bread? You met him at some temple, where they take your clothes at the door. He was just a numberless man in a chair who'd just come back from the war. And you wrap up his tired face in your hair and he hands you the apple core. Then he touches your lips now so suddenly bare of all the kisses we put on some time before. And he gave you a German Shepherd to walk with a collar of leather and nails, and he never once made you explain or talk about all of the little details, such as who had a word and who had a rock, and who had you through the mails. Now your love is a secret all over the block, and it never stops not even when your master fails. And he took you up in his aeroplane, which he flew without any hands, and you cruised above the ribbons of rain that drove the crowd from the stands. Then he killed the lights in a lonely Lane and, an ape with angel glands, erased the final wisps of pain with the music of rubber bands. And now I hear your master sing, you kneel for him to come. His body is a golden string that your body is hanging from. His body is a golden string, my body has grown numb. Oh now you hear your master sing, your shirt is all undone. And will you kneel beside this bed that we polished so long ago, before your master chose instead to make my bed of snow? Your eyes are wild and your knuckles are red and you're speaking far too low. No I can't make out what your master said before he made you go. Then I think you're playing far too rough for a lady who's been to the moon; I've lain by this window long enough to get used to an empty room. And your love is some dust in an old man's cough who is tapping his foot to a tune, and your thighs are a ruin, you want too much, let's say you came back some time too soon. I loved your master perfectly I taught him all that he knew. He was starving in some deep mystery like a man who is sure what is true. And I sent you to him with my guarantee I could teach him something new, and I taught him how you would long for me no matter what he said no matter what you'd do. I believe that you heard your master sing while I was sick in bed, I'm sure that he told you everything I must keep locked away in my head. Your master took you travelling, well at least that's what you said, And now do you come back to bring your prisoner wine and bread? |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
One Of Us Cannot Be Wrong
I lit a thin green candle, to make you jealous of me. But the room just filled up with mosquitos, they heard that my body was free. Then I took the dust of a long sleepless night and I put it in your little shoe. And then I confess that I tortured the dress that you wore for the world to look through. I showed my heart to the doctor: he said I just have to quit. Then he wrote himself a prescription, and your name was mentioned in it! Then he locked himself in a library shelf with the details of our honeymoon, and I hear from the nurse that he's gotten much worse and his practice is all in a ruin. I heard of a saint who had loved you, so I studied all night in his school. He taught that the duty of lovers is to tarnish the golden rule. And just when I was sure that his teachings were pure he drowned himself in the pool. His body is gone but back here on the lawn his spirit continues to drool. An Eskimo showed me a movie he'd recently taken of you: the poor man could hardly stop shivering, his lips and his fingers were blue. I suppose that he froze when the wind took your clothes and I guess he just never got warm. But you stand there so nice, in your blizzard of ice, oh please let me come into the storm. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
One Of Us Cannot Be Wrong
I lit a thin green candle, to make you jealous of me. But the room just filled up with mosquitos, they heard that my body was free. Then I took the dust of a long sleepless night and I put it in your little shoe. And then I confess that I tortured the dress that you wore for the world to look through. I showed my heart to the doctor: he said I just have to quit. Then he wrote himself a prescription, and your name was mentioned in it! Then he locked himself in a library shelf with the details of our honeymoon, and I hear from the nurse that he's gotten much worse and his practice is all in a ruin. I heard of a saint who had loved you, so I studied all night in his school. He taught that the duty of lovers is to tarnish the golden rule. And just when I was sure that his teachings were pure he drowned himself in the pool. His body is gone but back here on the lawn his spirit continues to drool. An Eskimo showed me a movie he'd recently taken of you: the poor man could hardly stop shivering, his lips and his fingers were blue. I suppose that he froze when the wind took your clothes and I guess he just never got warm. But you stand there so nice, in your blizzard of ice, oh please let me come into the storm. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Oh the sisters of mercy, they are not departed or gone.
They were waiting for me when I thought that I just can't go on. And they brought me their comfort and later they brought me this song. Oh I hope you run into them, you who've been travelling so long. Yes you who must leave everything that you cannot control. It begins with your family, but soon it comes around to your soul. Well I've been where you're hanging, I think I can see how you're pinned: When you're not feeling holy, your loneliness says that you've sinned. Well they lay down beside me, I made my confession to them. They touched both my eyes and I touched the dew on their hem. If your life is a leaf that the seasons tear off and condemn they will bind you with love that is graceful and green as a stem. When I left they were sleeping, I hope you run into them soon. Don't turn on the lights, you can read their address by the moon. And you won't make me jealous if I hear that they sweetened your night: We weren't lovers like that and besides it would still be all right, We weren't lovers like that and besides it would still be all right. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Oh the sisters of mercy, they are not departed or gone.
They were waiting for me when I thought that I just can't go on. And they brought me their comfort and later they brought me this song. Oh I hope you run into them, you who've been travelling so long. Yes you who must leave everything that you cannot control. It begins with your family, but soon it comes around to your soul. Well I've been where you're hanging, I think I can see how you're pinned: When you're not feeling holy, your loneliness says that you've sinned. Well they lay down beside me, I made my confession to them. They touched both my eyes and I touched the dew on their hem. If your life is a leaf that the seasons tear off and condemn they will bind you with love that is graceful and green as a stem. When I left they were sleeping, I hope you run into them soon. Don't turn on the lights, you can read their address by the moon. And you won't make me jealous if I hear that they sweetened your night: We weren't lovers like that and besides it would still be all right, We weren't lovers like that and besides it would still be all right. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
So Long Marianne
Come over to the window, my little darling, I'd like to try to read your palm. I used to think I was some kind of Gypsy boy before I let you take me home. Now so long, Marianne, it's time that we began to laugh and cry and cry and laugh about it all again. Well you know that I love to live with you, but you make me forget so very much. I forget to pray for the angels and then the angels forget to pray for us. Now so long, Marianne, it's time that we began ... We met when we were almost young deep in the green lilac park. You held on to me like I was a crucifix, as we went kneeling through the dark. Oh so long, Marianne, it's time that we began ... Your letters they all say that you're beside me now. Then why do I feel alone? I'm standing on a ledge and your fine spider web is fastening my ankle to a stone. Now so long, Marianne, it's time that we began ... For now I need your hidden love. I'm cold as a new razor blade. You left when I told you I was curious, I never said that I was brave. Oh so long, Marianne, it's time that we began ... Oh, you are really such a pretty one. I see you've gone and changed your name again. And just when I climbed this whole mountainside, to wash my eyelids in the rain! Oh so long, Marianne, it's time that we began ... |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
So Long Marianne
Come over to the window, my little darling, I'd like to try to read your palm. I used to think I was some kind of Gypsy boy before I let you take me home. Now so long, Marianne, it's time that we began to laugh and cry and cry and laugh about it all again. Well you know that I love to live with you, but you make me forget so very much. I forget to pray for the angels and then the angels forget to pray for us. Now so long, Marianne, it's time that we began ... We met when we were almost young deep in the green lilac park. You held on to me like I was a crucifix, as we went kneeling through the dark. Oh so long, Marianne, it's time that we began ... Your letters they all say that you're beside me now. Then why do I feel alone? I'm standing on a ledge and your fine spider web is fastening my ankle to a stone. Now so long, Marianne, it's time that we began ... For now I need your hidden love. I'm cold as a new razor blade. You left when I told you I was curious, I never said that I was brave. Oh so long, Marianne, it's time that we began ... Oh, you are really such a pretty one. I see you've gone and changed your name again. And just when I climbed this whole mountainside, to wash my eyelids in the rain! Oh so long, Marianne, it's time that we began ... |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
It's not the wind that keeps you up it's not the snow
It's not the moon coming like a headlight through your window It's not the thumbnail of a screen that scrapes away your dream It's just a man taking what he needs from the store room It's not the news of burning towns that ruins your mind Like a spool you turn and you turn but it won't unwind No these wars you did not start they don't tear your sleep apart It's just a man taking what he needs from the store room And now this woman by your side well she's asleep And there's nothing you can give her and there's nothing you want to keep You don't even try to prove that the noisy neighbour's making love It's just a man taking what he needs from the store room Well go to sleep and change the locks when you wake up Share your toast maybe spill some coffee from your cup There's nothing left to choose and there is so much more to lose There's this man taking what he needs from the store room It's not the news of burning towns that ruins your mind Like a spool you turn and you turn but it won't unwind No these wars you did not stop they don't tear your sleep apart It's just a man taking what he needs from the store room And now this woman by your side well she's awake But there's nothing you can give her there's nothing you want to take You don't even try to prove that the noisy neighbour's making love It's just a man taking what he needs from the store room Well go to sleep and change the locks when you wake up Share your toast maybe spill a little coffee from your cup He's got nothing left to choose and you've got so much more to lose There's a man taking what he needs from the store room |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Stories of the Street
The stories of the street are mine,the Spanish voices laugh. The Cadillacs go creeping now through the night and the poison gas, and I lean from my window sill in this old hotel I chose, yes one hand on my suicide, one hand on the rose. I know you've heard it's over now and war must surely come, the cities they are broke in half and the middle men are gone. But let me ask you one more time, O children of the dusk, All these hunters who are shrieking now oh do they speak for us? And where do all these highways go, now that we are free? Why are the armies marching still that were coming home to me? O lady with your legs so fine O stranger at your wheel, You are locked into your suffering and your pleasures are the seal. The age of lust is giving birth, and both the parents ask the nurse to tell them fairy tales on both sides of the glass. And now the infant with his cord is hauled in like a kite, and one eye filled with blueprints, one eye filled with night. O come with me my little one, we will find that farm and grow us grass and apples there and keep all the animals warm. And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. With one hand on the hexagram and one hand on the girl I balance on a wishing well that all men call the world. We are so small between the stars, so large against the sky, and lost among the subway crowds I try to catch your eye. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Stories of the Street
The stories of the street are mine,the Spanish voices laugh. The Cadillacs go creeping now through the night and the poison gas, and I lean from my window sill in this old hotel I chose, yes one hand on my suicide, one hand on the rose. I know you've heard it's over now and war must surely come, the cities they are broke in half and the middle men are gone. But let me ask you one more time, O children of the dusk, All these hunters who are shrieking now oh do they speak for us? And where do all these highways go, now that we are free? Why are the armies marching still that were coming home to me? O lady with your legs so fine O stranger at your wheel, You are locked into your suffering and your pleasures are the seal. The age of lust is giving birth, and both the parents ask the nurse to tell them fairy tales on both sides of the glass. And now the infant with his cord is hauled in like a kite, and one eye filled with blueprints, one eye filled with night. O come with me my little one, we will find that farm and grow us grass and apples there and keep all the animals warm. And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. With one hand on the hexagram and one hand on the girl I balance on a wishing well that all men call the world. We are so small between the stars, so large against the sky, and lost among the subway crowds I try to catch your eye. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Suzanne takes you down to her place near the river
You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Suzanne takes you down to her place near the river
You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Teachers
I met a woman long ago her hair the black that black can go, Are you a teacher of the heart? Soft she answered no. I met a girl across the sea, her hair the gold that gold can be, Are you a teacher of the heart? Yes, but not for thee. I met a man who lost his mind in some lost place I had to find, follow me the wise man said, but he walked behind. I walked into a hospital where none was sick and none was well, when at night the nurses left I could not walk at all. Morning came and then came noon, dinner time a scalpel blade lay beside my silver spoon. Some girls wander by mistake into the mess that scalpels make. Are you the teachers of my heart? We teach old hearts to break. One morning I woke up alone, the hospital and the nurses gone. Have I carved enough my Lord? Child, you are a bone. I ate and ate and ate, no I did not miss a plate, well How much do these suppers cost? We'll take it out in hate. I spent my hatred everyplace, on every work on every face, someone gave me wishes and I wished for an embrace. Several girls embraced me, then I was embraced by men, Is my passion perfect? No, do it once again. I was handsome I was strong, I knew the words of every song. Did my singing please you? No, the words you sang were wrong. Who is it whom I address, who takes down what I confess? Are you the teachers of my heart? We teach old hearts to rest. Oh teachers are my lessons done? I cannot do another one. They laughed and laughed and said, Well child, are your lessons done? are your lessons done? are your lessons done? |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Teachers
I met a woman long ago her hair the black that black can go, Are you a teacher of the heart? Soft she answered no. I met a girl across the sea, her hair the gold that gold can be, Are you a teacher of the heart? Yes, but not for thee. I met a man who lost his mind in some lost place I had to find, follow me the wise man said, but he walked behind. I walked into a hospital where none was sick and none was well, when at night the nurses left I could not walk at all. Morning came and then came noon, dinner time a scalpel blade lay beside my silver spoon. Some girls wander by mistake into the mess that scalpels make. Are you the teachers of my heart? We teach old hearts to break. One morning I woke up alone, the hospital and the nurses gone. Have I carved enough my Lord? Child, you are a bone. I ate and ate and ate, no I did not miss a plate, well How much do these suppers cost? We'll take it out in hate. I spent my hatred everyplace, on every work on every face, someone gave me wishes and I wished for an embrace. Several girls embraced me, then I was embraced by men, Is my passion perfect? No, do it once again. I was handsome I was strong, I knew the words of every song. Did my singing please you? No, the words you sang were wrong. Who is it whom I address, who takes down what I confess? Are you the teachers of my heart? We teach old hearts to rest. Oh teachers are my lessons done? I cannot do another one. They laughed and laughed and said, Well child, are your lessons done? are your lessons done? are your lessons done? |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
It's true that all the men you knew were dealers
who said they were through with dealing Every time you gave them shelter I know that kind of man It's hard to hold the hand of anyone who is reaching for the sky just to surrender. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And then leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains, he'll say I told you when I came I was a stranger I told you when I came I was a stranger. But now another stranger seems to want you to ignore his dreams as though they were the burden of some other O you've seen that man before his golden arm dispatching cards but now it's rusted from the elbow to the finger And he wants to trade the game he plays for shelter Yes he wants to trade the game he knows for shelter. You hate to watch another tired man lay down his hand like he was giving up the holy game of poker And while he talks his dreams to sleep you notice there's a highway that is curling up like smoke above his shoulder It's curling up like smoke above his shoulder. You tell him to come in sit down but something makes you turn around The door is open you can't close you shelter You try the handle of the road It opens do not be afraid It's you my love, you who are the stranger It is you my love, you who are the stranger. Well, I've been waiting, I was sure we'd meet between the trains we're waiting for I think it's time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter Well he talks like this you don't know what he's after When he speaks like this, you don't know what he's after. Let's meet tomorrow if you chose upon the shore, beneath the bridge that they are building on some endless river Then he leaves the platform for the sleeping car that's warm You realize, he's only advertising one more shelter And it comes to you, he never was a stranger And you say ok the bridge or someplace later. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains he'll say I told you when I came I was a stranger I told you when I came I was a stranger |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
It's true that all the men you knew were dealers
who said they were through with dealing Every time you gave them shelter I know that kind of man It's hard to hold the hand of anyone who is reaching for the sky just to surrender. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And then leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains, he'll say I told you when I came I was a stranger I told you when I came I was a stranger. But now another stranger seems to want you to ignore his dreams as though they were the burden of some other O you've seen that man before his golden arm dispatching cards but now it's rusted from the elbow to the finger And he wants to trade the game he plays for shelter Yes he wants to trade the game he knows for shelter. You hate to watch another tired man lay down his hand like he was giving up the holy game of poker And while he talks his dreams to sleep you notice there's a highway that is curling up like smoke above his shoulder It's curling up like smoke above his shoulder. You tell him to come in sit down but something makes you turn around The door is open you can't close you shelter You try the handle of the road It opens do not be afraid It's you my love, you who are the stranger It is you my love, you who are the stranger. Well, I've been waiting, I was sure we'd meet between the trains we're waiting for I think it's time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter Well he talks like this you don't know what he's after When he speaks like this, you don't know what he's after. Let's meet tomorrow if you chose upon the shore, beneath the bridge that they are building on some endless river Then he leaves the platform for the sleeping car that's warm You realize, he's only advertising one more shelter And it comes to you, he never was a stranger And you say ok the bridge or someplace later. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he'll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger. And leaning on your window sill he'll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains he'll say I told you when I came I was a stranger I told you when I came I was a stranger |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Winter Lady
Trav'ling lady, stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. Well I lived with a child of snow when I was a soldier, and I fought every man for her until the nights grew colder. She used to wear her hair like you except when she was sleeping, and then she'd weave it on a loom of smoke and gold and breathing. And why are you so quiet now standing there in the doorway? You chose your journey long before you came upon this highway. Trav'ling lady stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. |
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from Leonard Cohen - Songs Of Leonard Cohen (1968)
Winter Lady
Trav'ling lady, stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. Well I lived with a child of snow when I was a soldier, and I fought every man for her until the nights grew colder. She used to wear her hair like you except when she was sleeping, and then she'd weave it on a loom of smoke and gold and breathing. And why are you so quiet now standing there in the doorway? You chose your journey long before you came upon this highway. Trav'ling lady stay awhile until the night is over. I'm just a station on your way, I know I'm not your lover. |
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from Leonard Cohen - Songs From A Room (1969)
A Bunch of Lonesome Heroes
A bunch of lonesome and very quarrelsome heroes were smoking out along the open road; the night was very dark and thick between them, each man beneath his ordinary load. "I'd like to tell my story," said one of them so young and bold, "I'd like to tell my story, before I turn into gold." But no one really could hear him, the night so dark and thick and green; well I guess that these heroes must always live there where you and I have only been. Put out your cigarette, my love, you've been alone too long; and some of us are very hungry now to hear what it is you've done that was so wrong. I sing this for the crickets, I sing this for the army, I sing this for your children and for all who do not need me. "I'd like to tell my story," said one of them so bold, "Oh yes, I'd like to tell my story 'cause you know I feel I'm turning into gold." |
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from Leonard Cohen - Songs From A Room (1969)
Bird on the Wire Like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, like a beast with his horn I have torn everyone who reached out for me. But I swear by this song and by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, he said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, she cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. |
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from Leonard Cohen - Songs From A Room (1969)
Leonard Cohen Like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, like a beast with his horn I have torn everyone who reached out for me. But I swear by this song and by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, he said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, she cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. |
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from Leonard Cohen - Songs From A Room (1969)
Bird on the Wire
Like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, like a beast with his horn I have torn everyone who reached out for me. But I swear by this song and by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, he said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, she cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. |
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969)
Lady Midnight
I came by myself to a very crowded place; I was looking for someone who had lines in her face. I found her there but she was past all concern; I asked her to hold me, I said, "Lady, unfold me," but she scorned me and she told me I was dead and I could never return. Well, I argued all night like so many have before, saying, "Whatever you give me, I seem to need so much more." Then she pointed at me where I kneeled on her floor, she said, "Don't try to use me or slyly refuse me, just win me or lose me, it is this that the darkness is for." I cried, "Oh, Lady Midnight, I fear that you grow old, the stars eat your body and the wind makes you cold." "If we cry now," she said, "it will just be ignored." So I walked through the morning, sweet early morning, I could hear my lady calling, "You've won me, you've won me, my lord, you've won me, you've won me, my lord, yes, you've won me, you've won me, my lord, ah, you've won me, you've won me, my lord, ah, you've won me, you've won me, my lord." |
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from Leonard Cohen - Songs From A Room (1969)
Lady Midnight I came by myself to a very crowded place; I was looking for someone who had lines in her face. I found her there but she was past all concern; I asked her to hold me, I said, "Lady, unfold me," but she scorned me and she told me I was dead and I could never return. Well, I argued all night like so many have before, saying, "Whatever you give me, I seem to need so much more." Then she pointed at me where I kneeled on her floor, she said, "Don't try to use me or slyly refuse me, just win me or lose me, it is this that the darkness is for." I cried, "Oh, Lady Midnight, I fear that you grow old, the stars eat your body and the wind makes you cold." "If we cry now," she said, "it will just be ignored." So I walked through the morning, sweet early morning, I could hear my lady calling, "You've won me, you've won me, my lord, you've won me, you've won me, my lord, yes, you've won me, you've won me, my lord, ah, you've won me, you've won me, my lord, ah, you've won me, you've won me, my lord." |
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969)
I finally broke into the prison,
I found my place in the chain. Even damnation is poisoned with rainbows, all the brave young men they're waiting now to see a signal which some killer will be lighting for pay. Into this furnace I ask you now to venture, you whom I cannot betray. I fought in the old revolution on the side of the ghost and the King. Of course I was very young and I thought that we were winning; I can't pretend I still feel very much like singing as they carry the bodies away. Into this furnace I ask you now to venture... Lately you've started to stutter as though you had nothing to say. To all of my architects let me be traitor. Now let me say I myself gave the order to sleep and to search and to destroy. Into this furnace I ask you now to venture... Yes, you who are broken by power, you who are absent all day, you who are kings for the sake of your children's story, the hand of your beggar is burdened down with money, the hand of your lover is clay. Into this furnace I ask you now to venture... |
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from Leonard Cohen - Songs From A Room (1969)
I finally broke into the prison,
I found my place in the chain. Even damnation is poisoned with rainbows, all the brave young men they're waiting now to see a signal which some killer will be lighting for pay. Into this furnace I ask you now to venture, you whom I cannot betray. I fought in the old revolution on the side of the ghost and the King. Of course I was very young and I thought that we were winning; I can't pretend I still feel very much like singing as they carry the bodies away. Into this furnace I ask you now to venture... Lately you've started to stutter as though you had nothing to say. To all of my architects let me be traitor. Now let me say I myself gave the order to sleep and to search and to destroy. Into this furnace I ask you now to venture... Yes, you who are broken by power, you who are absent all day, you who are kings for the sake of your children's story, the hand of your beggar is burdened down with money, the hand of your lover is clay. Into this furnace I ask you now to venture... |
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969) | |||||
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from Leonard Cohen - Songs From A Room (1969)
Seems So Long Ago, Nancy It seems so long ago, Nancy was alone, looking ate the Late Late show through a semi-precious stone. In the House of Honesty her father was on trial, in the House of Mystery there was no one at all, there was no one at all. It seems so long ago, none of us were strong; Nancy wore green stockings and she slept with everyone. She never said she'd wait for us although she was alone, I think she fell in love for us in nineteen sixty one, in nineteen sixty one. It seems so long ago, Nancy was alone, a forty five beside her head, an open telephone. We told her she was beautiful, we told her she was free but none of us would meet her in the House of Mystery, the House of Mystery. And now you look around you, see her everywhere, many use her body, many comb her hair. In the hollow of the night when you are cold and numb you hear her talking freely then, she's happy that you've come, she's happy that you've come. |
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from Leonard Cohen - Songs From A Room (1969)
Seems So Long Ago, Nancy
It seems so long ago, Nancy was alone, looking ate the Late Late show through a semi-precious stone. In the House of Honesty her father was on trial, in the House of Mystery there was no one at all, there was no one at all. It seems so long ago, none of us were strong; Nancy wore green stockings and she slept with everyone. She never said she'd wait for us although she was alone, I think she fell in love for us in nineteen sixty one, in nineteen sixty one. It seems so long ago, Nancy was alone, a forty five beside her head, an open telephone. We told her she was beautiful, we told her she was free but none of us would meet her in the House of Mystery, the House of Mystery. And now you look around you, see her everywhere, many use her body, many comb her hair. In the hollow of the night when you are cold and numb you hear her talking freely then, she's happy that you've come, she's happy that you've come. |
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from Leonard Cohen - Songs From A Room (1969)
Story of Isaac
The door it opened slowly, my father he came in, I was nine years old. And he stood so tall above me, his blue eyes they were shining and his voice was very cold. He said, "I've had a vision and you know I'm strong and holy, I must do what I've been told." So he started up the mountain, I was running, he was walking, and his axe was made of gold. Well, the trees they got much smaller, the lake a lady's mirror, we stopped to drink some wine. Then he threw the bottle over. Broke a minute later and he put his hand on mine. Thought I saw an eagle but it might have been a vulture, I never could decide. Then my father built an altar, he looked once behind his shoulder, he knew I would not hide. You who build these altars now to sacrifice these children, you must not do it anymore. A scheme is not a vision and you never have been tempted by a demon or a god. You who stand above them now, your hatchets blunt and bloody, you were not there before, when I lay upon a mountain and my father's hand was trembling with the beauty of the word. And if you call me brother now, forgive me if I inquire, "Just according to whose plan?" When it all comes down to dust I will kill you if I must, I will help you if I can. When it all comes down to dust I will help you if I must, I will kill you if I can. And mercy on our uniform, man of peace or man of war, the peacock spreads his fan. |
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from Leonard Cohen - Songs From A Room (1969)
Story of Isaac The door it opened slowly, my father he came in, I was nine years old. And he stood so tall above me, his blue eyes they were shining and his voice was very cold. He said, "I've had a vision and you know I'm strong and holy, I must do what I've been told." So he started up the mountain, I was running, he was walking, and his axe was made of gold. Well, the trees they got much smaller, the lake a lady's mirror, we stopped to drink some wine. Then he threw the bottle over. Broke a minute later and he put his hand on mine. Thought I saw an eagle but it might have been a vulture, I never could decide. Then my father built an altar, he looked once behind his shoulder, he knew I would not hide. You who build these altars now to sacrifice these children, you must not do it anymore. A scheme is not a vision and you never have been tempted by a demon or a god. You who stand above them now, your hatchets blunt and bloody, you were not there before, when I lay upon a mountain and my father's hand was trembling with the beauty of the word. And if you call me brother now, forgive me if I inquire, "Just according to whose plan?" When it all comes down to dust I will kill you if I must, I will help you if I can. When it all comes down to dust I will help you if I must, I will kill you if I can. And mercy on our uniform, man of peace or man of war, the peacock spreads his fan. |
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from Leonard Cohen - Songs From A Room (1969)
The Butcher
I came upon a butcher, he was slaughtering a lamb, I accused him there with his tortured lamb. He said, "Listen to me, child, I am what I am and you, you are my only son." Well, I found a silver needle, I put it into my arm. It did some good, did some harm. But the nights were cold and it almost kept me warm, how come the night is long? I saw some flowers growing up where that lamb fell down; was I supposed to praise my Lord, make some kind of joyful sound? He said, "Listen, listen to me now, I go round and round and you, you are my only child." Do not leave me now, do not leave me now, I'm broken down from a recent fall. Blood upon my body and ice upon my soul, lead on, my son, it is your world. |
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from Leonard Cohen - Songs From A Room (1969)
The Old Revolution
I finally broke into the prison, I found my place in the chain. Even damnation is poisoned with rainbows, all the brave young men they're waiting now to see a signal which some killer will be lighting for pay. Into this furnace I ask you now to venture, you whom I cannot betray. I fought in the old revolution on the side of the ghost and the King. Of course I was very young and I thought that we were winning; I can't pretend I still feel very much like singing as they carry the bodies away. Into this furnace I ask you now to venture... Lately you've started to stutter as though you had nothing to say. To all of my architects let me be traitor. Now let me say I myself gave the order to sleep and to search and to destroy. Into this furnace I ask you now to venture... Yes, you who are broken by power, you who are absent all day, you who are kings for the sake of your children's story, the hand of your beggar is burdened down with money, the hand of your lover is clay. Into this furnace I ask you now to venture... |
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from Leonard Cohen - Songs From A Room (1969)
When they poured across the border I was cautioned to surrender, this I could not do; I took my gun and vanished. I have changed my name so often, I've lost my wife and children but I have many friends, and some of them are with me. An old woman gave us shelter, kept us hidden in the garret, then the soldiers came; she died without a whisper. There were three of us this morning I'm the only one this evening but I must go on; the frontiers are my prison. Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we'll come from the shadows. Les Allemands e'taient chez moi, [The Germans were at my home] ils me dirent, "Signe toi," [They said, "Sign yourself,"] mais je n'ai pas peur; [But I am not afraid] j'ai repris mon arme. [I have retaken my weapon.] J'ai change' cent fois de nom, [I have changed names a hundred times] j'ai perdu femme et enfants [I have lost wife and children] mais j'ai tant d'amis; [But I have so many friends] j'ai la France entie`re. [I have all of France] Un vieil homme dans un grenier [An old man, in an attic] pour la nuit nous a cache', [Hid us for the night] les Allemands l'ont pris; [The Germans captured him] il est mort sans surprise. [He died without surprise.] Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we'll come from the shadows. |
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from Leonard Cohen - Songs From A Room (1969)
Tonight Will Be Fine Sometimes I find I get to thinking of the past. We swore to each other then that our love would surely last. You kept right on loving, I went on a fast, now I am too thin and your love is too vast. But I know from your eyes and I know from your smile that tonight will be fine, will be fine, will be fine, will be fine for a while. I choose the rooms that I live in with care, the windows are small and the walls almost bare, there's only one bed and there's only one prayer; I listen all night for your step on the stair. But I know from your eyes and I know from your smile that tonight will be fine, will be fine, will be fine, will be fine for a while. Oh sometimes I see her undressing for me, she's the soft naked lady love meant her to be and she's moving her body so brave and so free. If I've got to remember that's a fine memory. And I know from her eyes and I know from her smile that tonight will be fine, will be fine, will be fine, will be fine for a while. |
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from Leonard Cohen - Songs From A Room (1969)
Tonight Will Be Fine
Sometimes I find I get to thinking of the past. We swore to each other then that our love would surely last. You kept right on loving, I went on a fast, now I am too thin and your love is too vast. But I know from your eyes and I know from your smile that tonight will be fine, will be fine, will be fine, will be fine for a while. I choose the rooms that I live in with care, the windows are small and the walls almost bare, there's only one bed and there's only one prayer; I listen all night for your step on the stair. But I know from your eyes and I know from your smile that tonight will be fine, will be fine, will be fine, will be fine for a while. Oh sometimes I see her undressing for me, she's the soft naked lady love meant her to be and she's moving her body so brave and so free. If I've got to remember that's a fine memory. And I know from her eyes and I know from her smile that tonight will be fine, will be fine, will be fine, will be fine for a while. |
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from Leonard Cohen - Songs From A Room (1969)
You Know Who I Am
I cannot follow you, my love, you cannot follow me. I am the distance you put between all of the moments that we will be. You know who I am, you've stared at the sun, well I am the one who loves changing from nothing to one. Sometimes I need you naked, sometimes I need you wild, I need you to carry my children in and I need you to kill a child. You know who I am... If you should ever track me down I will surrender there and I will leave with you one broken man whom I will teach you to repair. You know who I am... I cannot follow you, my love, you cannot follow me. I am the distance you put between all of the moments that we will be. You know who I am... |
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from Leonard Cohen - Songs From A Room (1969)
You Know Who I Am I cannot follow you, my love, you cannot follow me. I am the distance you put between all of the moments that we will be. You know who I am, you've stared at the sun, well I am the one who loves changing from nothing to one. Sometimes I need you naked, sometimes I need you wild, I need you to carry my children in and I need you to kill a child. You know who I am... If you should ever track me down I will surrender there and I will leave with you one broken man whom I will teach you to repair. You know who I am... I cannot follow you, my love, you cannot follow me. I am the distance you put between all of the moments that we will be. You know who I am... |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
A Singer Must Die Now the courtroom is quiet, but who will confess. Is it true you betrayed us? The answer is Yes. Then read me the list of the crimes that are mine, I will ask for the mercy that you love to decline. And all the ladies go moist, and the judge has no choice, a singer must die for the lie in his voice. And I thank you, I thank you for doing your duty, you keepers of truth, you guardians of beauty. Your vision is right, my vision is wrong, I'm sorry for smudging the air with my song. Oh, the night it is thick, my defences are hid in the clothes of a woman I would like to forgive, in the rings of her silk, in the hinge of her thighs, where I have to go begging in beauty's disguise. Oh goodnight, goodnight, my night after night, my night after night, after night, after night, after night, after night. I am so afraid that I listen to you, your sun glassed protectors they do that to you. It's their ways to detain, their ways to disgrace, their knee in your balls and their fist in your face. Yes and long live the state by whoever it's made, sir, I didn't see nothing, I was just getting home late. |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
Chelsea Hotel #2 I remember you well in the Chelsea Hotel, you were talking so brave and so sweet, giving me head on the unmade bed, while the limousines wait in the street. Those were the reasons and that was New York, we were running for the money and the flesh. And that was called love for the workers in song probably still is for those of them left. Ah but you got away, didn't you babe, you just turned your back on the crowd, you got away, I never once heard you say, I need you, I don't need you, I need you, I don't need you and all of that jiving around. I remember you well in the Chelsea Hotel you were famous, your heart was a legend. You told me again you preferred handsome men but for me you would make an exception. And clenching your fist for the ones like us who are oppressed by the figures of beauty, you fixed yourself, you said, "Well never mind, we are ugly but we have the music." And then you got away, didn't you babe... I don't mean to suggest that I loved you the best, I can't keep track of each fallen robin. I remember you well in the Chelsea Hotel, that's all, I don't even think of you that often. Click here to read a story about The Chelsea Hotel by Christof Graf, and to check the lyrics of Chelsea Hotel # 1! |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
Field Commander Cohen Field Commander Cohen, he was our most important spy. Wounded in the line of duty, parachuting acid into diplomatic cocktail parties, urging Fidel Castro to abandon fields and castles. Leave it all and like a man, come back to nothing special, such as waiting rooms and ticket lines, silver bullet suicides, and messianic ocean tides, and racial roller-coaster rides and other forms of boredom advertised as poetry. I know you need your sleep now, I know your life's been hard. But many men are falling, where you promised to stand guard. I never asked but I heard you cast your lot along with the poor. But then I overheard your prayer, that you be this and nothing more than just some grateful faithful woman's favourite singing millionaire, the patron Saint of envy and the grocer of despair, working for the Yankee Dollar. I know you need your sleep now ... Ah, lover come and lie with me, if my lover is who you are, and be your sweetest self awhile until I ask for more, my child. Then let the other selves be wrong, yeah, let them manifest and come till every taste is on the tongue, till love is pierced and love is hung, and every kind of freedom done, then oh, oh my love, oh my love, oh my love, oh my love, oh my love, oh my love. |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
I tried to leave you, I don't deny I closed the book on us, at least a hundred times. I'd wake up every morning by your side. The years go by, you lose your pride. The baby's crying, so you do not go outside, and all your work it's right before your eyes. Goodnight, my darling, I hope you're satisfied, the bed is kind of narrow, but my arms are open wide. And here's a man still working for your smile. |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
Is This What You Wanted You were the promise at dawn, I was the morning after. You were Jesus Christ my Lord, I was the money lender. You were the sensitive woman, I was the very reverend Freud. You were the manual orgasm, I was the dirty little boy. And is this what you wanted to live in a house that is haunted by the ghost of you and me? Is this what you wanted ... You were Marlon Brando, I was Steve McQueen. You were K.Y. Jelly, I was Vaseline. You were the father of modern medicine, I was Mr. Clean. You where the whore and the beast of Babylon, I was Rin Tin Tin. And is this what you wanted ... And is this what you wanted ... You got old and wrinkled, I stayed seventeen. You lusted after so many, I lay here with one. You defied your solitude, I came through alone. You said you could never love me, I undid your gown. And is this what you wanted ... And is this what you wanted ... I mean is this what you wanted ... That's right, is this what you wanted ... |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
Leaving Green Sleeves Alas, my love, you did me wrong, to cast me out discourteously, for I have loved you so long, delighting in your very company. Now if you intend to show me disdain, don't you know it all the more enraptures me, for even so I still remain your lover in captivity. Green sleeves, you're all alone, the leaves have fallen, the men have gone. Green sleeves, there's no one home, not even the Lady Green Sleeves I sang my songs, I told my lies, to lie between your matchless thighs. And ain't it fine, ain't it wild to finally end our exercise Then I saw you naked in the early dawn, oh, I hoped you would be someone new. I reached for you but you were gone, so lady I'm going too. Green sleeves, you're all alone ... Green sleeves, you're all alone, the leaves have fallen, the men have all gone home. Green sleeves, it's so easily done, leaving the Lady Green Sleeves. |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
Lover Lover Lover I asked my father, I said, "Father change my name." The one I'm using now it's covered up with fear and filth and cowardice and shame. Yes and lover, lover, lover, lover, lover, lover, lover come back to me, yes and lover, lover, lover, lover, lover, lover, lover come back to me. He said, "I locked you in this body, I meant it as a kind of trial. You can use it for a weapon, or to make some woman smile." Yes and lover, lover, lover, lover, lover, lover, lover come back to me yes and lover, lover, lover, lover, lover, lover, lover come back to me. "Then let me start again," I cried, "please let me start again, I want a face that's fair this time, I want a spirit that is calm." Yes and lover, lover, lover, lover, lover, lover, lover come back to me yes and lover, lover, lover, lover, lover, lover, lover come back to me. "I never never turned aside," he said, "I never walked away. It was you who built the temple, it was you who covered up my face." Yes and lover, lover, lover, lover, lover, lover, lover come back to me yes and lover, lover, lover, lover, lover, lover, lover come back to me. And may the spirit of this song, may it rise up pure and free. May it be a shield for you, a shield against the enemy. Yes and lover, lover, lover, lover, lover, lover, lover come back to me yes and lover, lover, lover, lover, lover, lover, lover come back to me. Yes and lover, lover, lover, lover, lover, lover, lover come back to me yes and lover, lover, lover, lover, lover, lover, lover come back to me. |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
Many men have loved the bells you fastened to the rein, and everyone who wanted you they found what they will always want again. Your beauty lost to you yourself just as it was lost to them. Oh take this longing from my tongue, whatever useless things these hands have done. Let me see your beauty broken down like you would do for one you love. Your body like a searchlight my poverty revealed, I would like to try your charity until you cry, "Now you must try my greed." And everything depends upon how near you sleep to me Just take this longing from my tongue all the lonely things my hands have done. Let me see your beauty broken down like you would do for one your love. Hungry as an archway through which the troops have passed, I stand in ruins behind you, with your winter clothes, your broken sandal straps. I love to see you naked over there especially from the back. Oh take this longing from my tongue, all the useless things my hands have done, untie for me your hired blue gown, like you would do for one that you love. You're faithful to the better man, I'm afraid that he left. So let me judge your love affair in this very room where I have sentenced mine to death. I'll even wear these old laurel leaves that he's shaken from his head. Just take this longing from my tongue, all the useless things my hands have done, let me see your beauty broken down, like you would do for one you love. |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
There is a War There is a war between the rich and poor, a war between the man and the woman. There is a war between the ones who say there is a war and the ones who say there isn't. Why don't you come on back to the war, that's right, get in it, why don't you come on back to the war, it's just beginning. Well I live here with a woman and a child, the situation makes me kind of nervous. Yes, I rise up from her arms, she says "I guess you call this love"; I call it service. Why don't you come on back to the war, don't be a tourist, why don't you come on back to the war, before it hurts us, why don't you come on back to the war, let's all get nervous. You cannot stand what I've become, you much prefer the gentleman I was before. I was so easy to defeat, I was so easy to control, I didn't even know there was a war. Why don't you come on back to the war, don't be embarrassed, why don't you come on back to the war, you can still get married. There is a war between the rich and poor, a war between the man and the woman. There is a war between the left and right, a war between the black and white, a war between the odd and the even. Why don't you come on back to the war, pick up your tiny burden, why don't you come on back to the war, let's all get even, why don't you come on back to the war, can't you hear me speaking? |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
And who by fire, who by water, who in the sunshine, who in the night time, who by high ordeal, who by common trial, who in your merry merry month of may, who by very slow decay, and who shall I say is calling? And who in her lonely slip, who by barbiturate, who in these realms of love, who by something blunt, and who by avalanche, who by powder, who for his greed, who for his hunger, and who shall I say is calling? And who by brave assent, who by accident, who in solitude, who in this mirror, who by his lady's command, who by his own hand, who in mortal chains, who in power, and who shall I say is calling? |
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from Leonard Cohen - New Skin For The Old Ceremony (1974)
Why don't you try to do without him?
Why don't you try to live alone? Do you really need his hands for your passion? Do you really need his heart for your throne? Do you need his labour for your baby? Do you need his beast for the bone? Do you need to hold a leash to be a lady? I know you're going to make, make it on your own. Why don't your try to forget him? Just open up your dainty little hand. You know this life is filled with many sweet companions, many satisfying one-night stands. Do you want to be the ditch around a tower? Do you want to be the moonlight in his cave? Do you want to give your blessing to his power as he goes whistling past his daddy, past his daddy's grave. I'd like to take you take you to the ceremony, well, that is if I remember the way. You see Jack and Jill they're going to join their misery, I'm afraid it's time for everyone to pray. You can see they've finally taken cover, they're willing, yeah they're willing to obey. Their vows are difficult, they're for each other, so let nobody put a loophole, a loophole in their way |
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from Leonard Cohen - Death Of A Ladies'Man (1977)
Ah the man she wanted all her life was hanging by a thread "I never even knew how much I wanted you," she said. His muscles they were numbered and his style was obsolete. "O baby, I have come too late." She knelt beside his feet. "I'll never see a face like yours in years of men to come I'll never see such arms again in wrestling or in love." And all his virtues burning in the smoky Holocaust She took unto herself most everything her lover lost Now the master of this landscape he was standing at the view with a sparrow of St. Francis that he was preaching to She beckoned to the sentry of his high religious mood She said, "I'll make a place between my legs, I'll show you solitude." He offered her an orgy in a many mirrored room He promised her protection for the issue of her womb She moved her body hard against a sharpened metal spoon She stopped the bloody rituals of passage to the moon She took his much admired oriental frame of mind and the heart-of-darkness alibi his money hides behind She took his blonde madonna and his monastery wine "This mental space is occupied and everything is mine." He tried to make a final stand beside the railway track She said, "The art of longing's over and it's never coming back." She took his tavern parliament, his cap, his cocky dance, she mocked his female fashions and his working-class moustache. The last time that I saw him he was trying hard to get a woman's education but he's not a woman yet And the last time that I saw her she was living with some boy who gives her soul an empty room and gives her body joy. So the great affair is over but whoever would have guessed it would leave us all so vacant and so deeply unimpressed It's like our visit to the moon or to that other star I guess you go for nothing if you really want to go that far. It's like our visit to the moon or to that other star I guess you go for nothing if you really want to go that far. It's like our visit to the moon or to that other star I guess you go for nothing if you really want to go that far. |
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from Leonard Cohen - Death Of A Ladies'Man (1977)
I was born in a beauty salon My father was a dresser of hair My mother was a girl you could call on When you called she was always there When you called she was always there When you called she was always there When you called she was always there When you called she was always there Ah but don't go home with your hard-on It will only drive you insane You can't shake it (or break it) with your Motown You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain I've looked behind all of the faces That smile you down to you knees And the lips that say, Come on, taste us And when you try to they make you say Please When you try to they make you say Please When you try to they make you say Please When you try to they make you say Please When you try to they make you say Please Ah but don't go home with your hard-on ... Here come's your bride with her veil on Approach her, you wretch, if you dare Approach her, you ape with your tail on Once you have her she'll always be there Once you have her she'll always be there Once you have her she'll always be there Once you have her she'll always be there Once you have her she'll always be there Ah but don't go home with your hard-on ... So I work in that same beauty salon I'm chained to the old masquerade The lipstick, the shadow, the silicone I follow my father's trade I follow my father's trade Yes I follow my father's trade Yes I follow my father's trade Yes I follow my father's trade Ah but don't go home with your hard-on It will only drive you insane You can't shake it (or break it) with your Motown You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain You can't melt it down in the rain |
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from Leonard Cohen - Death Of A Ladies'Man (1977)
Fingerprints I touched you once too often Now I don't know who I am My fingerprints were missing When I wiped away the jam Yes I called my fingerprints all night But they don't seem to care The last time that I saw them They were leafing through your hair Fingerprints, fingerprints Where are you now my fingerprints? Yeah I thought I'd leave this morning So I emptied out your drawer A hundred thousand fingerprints They floated to the floor You know you hardly stopped to pick them up You don't care what you lose Ah you don't even seem to know Whose fingerprints are whose Fingerprints, fingerprints Where are you now my fingerprints? And now you want to marry me You want to take me down the aisle You want to throw confetti fingerprints You know that's not my style O sure I'd like to marry you But I can't face the dawn With any girl who knew me When my fingerprints were on Fingerprints, fingerprints Where are you now my fingerprints? Fingerprints, oh fingerprints Where are you now my fingerprints? |
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from Leonard Cohen - Death Of A Ladies'Man (1977)
Iodine I needed you, I knew I was in danger of losing what I used to think was mine You let me love you till I was a failure, You let me love you till I was a failure -- Your beauty on my bruise like iodine I asked you if a man could be forgiven And though I failed at love, was this a crime? You said, Don't worry, don't worry, darling You said, Don't worry, don't you worry, darling There are many ways a man can serve his time You covered up that place I could not master It wasn't dark enough to shut my eyes So I was with you, O sweet compassion Yes I was with you, O sweet compassion Compassion with the sting of iodine Your saintly kisses reeked of iodine Your fragrance with a fume of iodine And pity in the room like iodine Your sister fingers burned like iodine And all my wanton lust was iodine My masquerade of trust was iodine And everywhere the flare of iodine |
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from Leonard Cohen - Death Of A Ladies'Man (1977) | |||||
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from Leonard Cohen - Death Of A Ladies'Man (1977)
Memories Frankie Lane, he was singing Jezebel I pinned an Iron Cross to my lapel I walked up to the tallest and the blondest girl I said, Look, you don't know me now but very soon you will So won't you let me see I said "won't you let me see" I said "won't you let me see Your naked body?" Just dance me to the dark side of the gym Chances are I'll let you do most anything I know you're hungry, I can hear it in your voice And there are many parts of me to touch, you have your choice Ah but no you cannot see She said "no you cannot see" She said "no you cannot see My naked body" So We're dancing close, the band is playing Stardust Balloons and paper streamers floating down on us She says, You've got a minute left to fall in love In solemn moments such as this I have put my trust And all my faith to see I said all my faith to see I said all my faith to see Her naked body |
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from Leonard Cohen - Death Of A Ladies'Man (1977) | |||||
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from Leonard Cohen - Death Of A Ladies'Man (1977)
As the mist leaves no scar
On the dark green hill So my body leaves no scar On you and never will Through windows in the dark The children come, the children go Like arrows with no targets Like shackles made of snow True love leaves no traces If you and I are one It's lost in our embraces Like stars against the sun As a falling leaf may rest A moment on the air So your head upon my breast So my breath upon your hair And many nights endure Without a moon or star So we will endure When one is gone and far True love leaves no traces If you and I are one It's lost in our embraces Like stars against the sun |
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from Leonard Cohen - Recent Songs (1979)
Ballad of the Absent Mare Say a prayer for the cowboy His mare's run away And he'll walk til he finds her His darling, his stray but the river's in flood and the roads are awash and the bridges break up in the panic of loss. And there's nothing to follow There's nowhere to go She's gone like the summer gone like the snow And the crickets are breaking his heart with their song as the day caves in and the night is all wrong Did he dream, was it she who went galloping past and bent down the fern broke open the grass and printed the mud with the iron and the gold that he nailed to her feet when he was the lord And although she goes grazing a minute away he tracks her all night he tracks her all day Oh blind to her presence except to compare his injury here with her punishment there Then at home on a branch in the highest tree a songbird sings out so suddenly Ah the sun is warm and the soft winds ride on the willow trees by the river side Oh the world is sweet the world is wide and she's there where the light and the darkness divide and the steam's coming off her she's huge and she's shy and she steps on the moon when she paws at the sky And she comes to his hand but she's not really tame She longs to be lost he longs for the same and she'll bolt and she'll plunge through the first open pass to roll and to feed in the sweet mountain grass Or she'll make a break for the high plateau where there's nothing above and there's nothing below and it's time for the burden it's time for the whip Will she walk through the flame Can he shoot from the hip So he binds himself to the galloping mare and she binds herself to the rider there and there is no space but there's left and right and there is no time but there's day and night And he leans on her neck and he whispers low "Whither thou goest I will go" And they turn as one and they head for the plain No need for the whip Ah, no need for the rein Now the clasp of this union who fastens it tight? Who snaps it asunder the very next night Some say the rider Some say the mare Or that love's like the smoke beyond all repair But my darling says "Leonard, just let it go by That old silhouette on the great western sky" So I pick out a tune and they move right along and they're gone like the smoke and they're gone like this song |
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from Leonard Cohen - Recent Songs (1979)
I came so far for beauty left so much behind My patience and my family My masterpiece unsigned I thought I'd be rewarded For such a lonely choice And surely she would answer To such a very hopeless voice I practiced on my sainthood I gave to one and all But the rumours of my virtue They moved her not at all I changed my style to silver I changed my clothes to black And where I would surrender Now I would attack I stormed the old casino For the money and the flesh And I myself decided What was rotten and what was fresh And men to do my bidding And broken bones to teach The value of my pardon The shadow of my reach But no, I could not touch her With such a heavy hand Her star beyond my order Her nakedness unmanned I came so far for beauty I left so much behind My patience and my family My masterpiece unsigned |
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from Leonard Cohen - Recent Songs (1979)
Do you remember all of those pledges That we pledged in the passionate night Ah they're soiled now, they're torn at the edges Like moths on a still yellow light No penance serves to renew them No massive transfusions of trust Why not even revenge can undo them So twisted these vows and so crushed And you say you've been humbled in love Cut down in your love Forced to kneel in the mud next to me Ah but why so bitterly turn from the one Who kneels there as deeply as thee Children have taken these pledges They have ferried them out of the past Oh beyond all the graves and the hedges Where love must go hiding at last And here where there is no description Oh here in the moment at hand No sinner need rise up forgiven No victim need limp to the stand And you say you've been humbled in love... Cut down in your love Forced to kneel in the mud next to me Who kneels there as deeply as thee Ah but why so bitterly turn from the one And look dear heart, look at the virgin Look how she welcomes him into her gown Yes, and mark how the stranger's cold armour Dissolves like a star falling down Why trade this vision for desire When you may have them both You will never see a man this naked I will never hold a woman this close And you say you've been humbled in love... Cut down in your love Forced to kneel in the mud next to me Ah but why so bitterly turn from the one Who kneels there as deeply as thee |
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from Leonard Cohen - Recent Songs (1979)
Our Lady of Solitude All summer long she touched me She gathered in my soul From many a thorn, from many thickets Her fingers, like a weaver's Quick and cool And the light came from her body And the night went through her grace All summer long she touched me And I knew her, I knew her Face to face And her dress was blue and silver And her words were few and small She is the vessel of the whole wide world Mistress, oh mistress, of us all Dearly dead; Queen of Solitude I thank you with my heart for keeping me so close to thee while so many, oh so many, stood apart And the light came from her body And the night went through her grace All summer long she touched me I knew her, I knew her Face to face |
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from Leonard Cohen - Recent Songs (1979)
The Guests One by one, the guests arrive The guests are coming through The open-hearted many The broken-hearted few And no one knows where the night is going And no one knows why the wine is flowing Oh love I need you I need you I need you I need you Oh . . . I need you now And those who dance, begin to dance Those who weep begin And "Welcome, welcome" cries a voice "Let all my guests come in." And no one knows where the night is going ... And all go stumbling through that house in lonely secrecy Saying "Do reveal yourself" or "Why has thou forsaken me?" And no one knows where the night is going ... All at once the torches flare The inner door flies open One by one they enter there In every style of passion And no one knows where the night is going ... And here they take their sweet repast While house and grounds dissolve And one by one the guests are cast Beyond the garden wall And no one knows where the night is going ... Those who dance, begin to dance Those who weep begin Those who earnestly are lost Are lost and lost again And no one knows where the night is going ... One by the guests arrive The guests are coming through The broken-hearted many The open-hearted few And no one knows where the night is going ... |
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from Leonard Cohen - Recent Songs (1979)
And where, where, where is my Gypsy wife tonight I've heard all the wild reports, they can't be right But whose head is this she's dancing with on the threshing floor whose darkness deepens in her arms a little more And where, where is my Gypsy wife tonight? Where, where is my Gypsy wife tonight? Ah the silver knives are flashing in the tired old cafe A ghost climbs on the table in a bridal negligee She says, "My body is the light, my body is the way" I raise my arm against it all and I catch the bride's bouquet And where, where is my Gypsy wife tonight?... Too early for the rainbow, too early for the dove These are the final days, this is the darkness, this is the flood And there is no man or woman who can't be touched But you who come between them will be judged And where, where is my Gypsy wife tonight?... |
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from Leonard Cohen - Recent Songs (1979)
A wandering Canadian, banned from his hearths, travelled while crying travelled while crying in foreign lands. One day, sad and pensive, sitting by the flowing waters, to the fleeing current he addressed these words: to the fleeing current he addressed these words: |
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from Leonard Cohen - Recent Songs (1979)
The Smokey Life I've never seen your eyes so wide I've never seen your appetite quite this occupied Elsewhere is your feast of love I know ... where long ago we agreed to keep it light So lets be married one more night It's light, light enough To let it go It's light enough to let it go Remember when the scenery started fading I held you til you learned to walk on air So don't look down the ground is gone, there's no one waiting anyway The Smoky Life is practiced Everywhere So set your restless heart at ease Take a lesson from these Autumn leaves They waste no time waiting for the snow Don't argue now you'll be late There is nothing to investigate It's light enough, light enough To let it go Light enough to let it go Remember when the scenery started fading I held you til you learned to walk on air So don't look down the ground is gone, there's no one waiting anyway The Smoky Life is practiced everywhere Come on back if the moment lends You can look up all my very closest friends Light, light enough To let it go It's light enough to let it go |
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from Leonard Cohen - Recent Songs (1979)
Now the Swan it floated on the English river Ah the Rose of High Romance it opened wide A sun tanned woman yearned me through the summer and the judges watched us from the other side I told my mother Mother I must leave you preserve my room but do not shed a tear Should rumour of a shabby ending reach you it was half my fault and half the atmosphere But the Rose I sickened with a scarlet fever and the Swan I tempted with a sense of shame She said at last I was her finest lover and if she withered I would be to blame The judges said you missed it by a fraction rise up and brace your troops for the attack Ah the dreamers ride against the men of action Oh see the men of action falling back But I lingered on her thighs a fatal moment I kissed her lips as though I thirsted still My falsity had stung me like a hornet The poison sank and it paralysed my will I could not move to warn all the younger soldiers that they had been deserted from above So on battlefields from here to Barcelona I'm listed with the enemies of love And long ago she said I must be leaving, Ah but keep my body here to lie upon You can move it up and down and when I'm sleeping Run some wire through that Rose and wind the Swan So daily I renew my idle duty I touch her here and there I know my place I kiss her open mouth and I praise her beauty and people call me traitor to my face |
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from Leonard Cohen - Recent Songs (1979)
The Window Why do you stand by the window Abandoned to beauty and pride The thorn of the night in your bosom The spear of the age in your side Lost in the rages of fragrance Lost in the rags of remorse Lost in the waves of a sickness That loosens the high silver nerves Oh chosen love, Oh frozen love Oh tangle of matter and ghost Oh darling of angels, demons and saints And the whole broken-hearted host Gentle this soul And come forth from the cloud of unknowing And kiss the cheek of the moon The New Jerusalem glowing Why tarry all night in the ruin And leave no word of discomfort And leave no observer to mourn But climb on your tears and be silent Like a rose on its ladder of thorns Oh chosen love, Oh frozen love... Then lay your rose on the fire The fire give up to the sun The sun give over to splendour In the arms of the high holy one For the holy one dreams of a letter Dreams of a letter's death Oh bless thee continuous stutter Of the word being made into flesh Oh chosen love, Oh frozen love... Gentle this soul |
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from Leonard Cohen - Various Positions (1985)
Maybe I'm still hurting I can't turn the other cheek But you know that I still love you It's just that I can't speak I looked for you in everyone And they called me on that too I lived alone but I was only Coming back to you Ah they're shutting down the factory now Just when all the bills are due And the fields they're under lock and key Tho' the rain and the sun come through And springtime starts but then it stops In the name of something new And all the senses rise against this Coming back to you And they're handing down my sentence now And I know what I must do Another mile of silence while I'm Coming back to you There are many in your life And many still to be Since you are a shining light There's many that you'll see But I have to deal with envy When you choose the precious few Who've left their pride on the other side of Coming back to you Even in your arms I know I'll never get it right Even when you bend to give me Comfort in the night I've got to have your word on this Or none of it is true And all I've said was just instead of Coming back to you |
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from Leonard Cohen - Various Positions (1985)
dance me to your beauty with a burning violin dance me through the panic till I’m gathered safely in lift me like an olive branch and be my homeward dove dance me to the end of love dance me to your beauty when the witness are gone let me feel you moving like they do in babylon show me slowly what I only know the limits of dance me to the end of love dance me to the wedding now, dance me on and on dance me very tenderly and dance me very long we’re both of us beeath our love, we’re both of us above dance me to the end of love dance me to the children who are asking to be born dance me through the curtains that our kisses have outworn raise a tent of shelter now though every thread is torn dance me to the end of love dance me to your beauty with a burning violin dance me through the panic till I’m gathered safely in touch me with your naked hand or touch me with your glove dance me to the end of love |
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from Leonard Cohen - Various Positions (1985)
Hallelujah Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this The fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah Your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew her She tied you To a kitchen chair She broke your throne, and she cut your hair And from your lips she drew the Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah You say I took the name in vain I don't even know the name But if I did, well really, what's it to you? There's a blaze of light In every word It doesn't matter which you heard The holy or the broken Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah I did my best, it wasn't much I couldn't feel, so I tried to touch I've told the truth, I didn't come to fool you And even though It all went wrong I'll stand before the Lord of Song With nothing on my tongue but Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Hallelujah |
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from Leonard Cohen - Various Positions (1985)
Heart With No Companion I greet you from the other side Of sorrow and despair With a love so vast and shattered It will reach you everywhere And I sing this for the captain Whose ship has not been built For the mother in confusion Her cradle still unfilled For the heart with no companion For the soul without a king For the prima ballerina Who cannot dance to anything Through the days of shame that are coming Through the nights of wild distress Tho' your promise count for nothing You must keep it nonetheless You must keep it for the captain Whose ship has not been built For the mother in confusion Her cradle still unfilled For the heart with no companion ... I greet you from the other side ... |
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from Leonard Cohen - Various Positions (1985)
Your father's gone a-hunting
He's deep in the forest so wild And he cannot take his wife with him He cannot take his child Your father's gone a-hunting In the quicksand and the clay And a woman cannot follow him Although she knows the way Your father's gone a-hunting Through the silver and the glass Where only greed can enter But spirit, spirit cannot pass Your father's gone a-hunting For the beast we'll never cannot bind And he leaves a baby sleeping And his blessings all behind Your father's gone a-hunting And he's lost his lucky charm And he's lost the guardian heart That keeps the hunter from the harm Your father's gone a-hunting He asked me to say goodbye And he warned me not to stop him I wouldn't, I wouldn't even try |
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from Leonard Cohen - Various Positions (1985)
If It Be Your Will If it be your will That I speak no more And my voice be still As it was before I will speak no more I shall abide until I am spoken for If it be your will If it be your will That a voice be true From this broken hill I will sing to you From this broken hill All your praises they shall ring If it be your will To let me sing From this broken hill All your praises they shall ring If it be your will To let me sing If it be your will If there is a choice Let the rivers fill Let the hills rejoice Let your mercy spill On all these burning hearts in hell If it be your will To make us well And draw us near And bind us tight All your children here In their rags of light In our rags of light All dressed to kill And end this night If it be your will If it be your will. |
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from Leonard Cohen - Various Positions (1985)
I went down to the place Where I knew she lay waiting Under the marble and the snow I said, Mother I'm frightened The thunder and the lightning I'll never come through this alone She said, I'll be with you My shawl wrapped around you My hand on your head when you go And the night came on It was very calm I wanted the night to go on and on But she said, Go back to the World We were fighting in Egypt When they signed this agreement That nobody else had to die There was this terrible sound And my father went down With a terrible wound in his side He said, Try to go on Take my books, take my gun Remember, my son, how they lied And the night comes on It's very calm I'd like to pretend that my father was wrong But you don't want to lie, not to the young We were locked in this kitchen I took to religion And I wondered how long she would stay I needed so much To have nothing to touch I've always been greedy that way But my son and my daughter Climbed out of the water Crying, Papa, you promised to play And they lead me away To the great surprise It's Papa, don't peek, Papa, cover your eyes And they hide, they hide in the World Now I look for her always I'm lost in this calling I'm tied to the threads of some prayer Saying, When will she summon me When will she come to me What must I do to prepare When she bends to my longing Like a willow, like a fountain She stands in the luminous air And the night comes on And it's very calm I lie in her arms and says, When I'm gone I'll be yours, yours for a song Now the crickets are singing The vesper |
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from Leonard Cohen - Various Positions (1985)
The Captain Now the Captain called me to his bed He fumbled for my hand "Take these silver bars," he said "I'm giving you command." "Command of what, there's no one here There's only you and me -- All the rest are dead or in retreat Or with the enemy." "Complain, complain, that's all you've done Ever since we lost If it's not the Crucifixion Then it's the Holocaust." "May Christ have mercy on your soul For making such a joke Amid these hearts that burn like coal And the flesh that rose like smoke." "I know that you have suffered, lad, But suffer this awhile: Whatever makes a soldier sad Will make a killer smile." "I'm leaving, Captain, I must go There's blood upon your hand But tell me, Captain, if you know Of a decent place to stand." "There is no decent place to stand In a massacre; But if a woman take your hand Go and stand with her." "I left a wife in Tennessee And a baby in Saigon -- I risked my life, but not to hear Some country-western song." "Ah but if you cannot raise your love To a very high degree, Then you're just the man I've been thinking of -- So come and stand with me." "Your standing days are done," I cried, "You'll rally me no more. I don't even know what side We fought on, or what for." "I'm on the side that's always lost Against the side of Heaven I'm on the side of Snake-eyes tossed Against the side of Seven. And I've read the Bill of Human Rights And some of it was true But there wasn't any burden left So I'm laying it on you." Now the Captain he was dying But the Captain wasn't hurt The silver bars were in my hand I pinned them to my shirt. |
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from Leonard Cohen - Various Positions (1985)
The Law How many times did you call me And I knew it was late I left everybody But I never went straight I don't claim to be guilty But I do understand There's a Law, there's an Arm, there's a Hand There's a Law, there's an Arm, there's a Hand Now my heart's like a blister From doing what I do If the moon has a sister It's got to be you I'm going to miss you forever Tho' it's not what I planned There's a Law, there's an Arm, there's a Hand There's a Law, there's an Arm, there's a Hand Now the deal has been dirty Since dirty began I'm not asking for mercy Not from the man You just don't ask for mercy While you're still on the stand There's a Law, there's an Arm, there's a Hand There's a Law, there's an Arm, there's a Hand I don't claim to be guilty Guilty's too grand There's a Law, there's an Arm, there's a Hand There's a Law, there's an Arm, there's a Hand That's all I can say, baby That's all I can say It wasn't for nothing That they put me away I fell with my angel Down the chain of command There's a Law, there's an Arm, there's a Hand There's a Law, there's an Arm, there's a Hand There's a Law, there's an Arm, there's a Hand |
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988)
Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed Everybody knows the war is over Everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor, the rich get rich That's how it goes, everybody knows Everybody knows that the boat is leaking Everybody knows that the captain lied Everybody got this broken feeling Like their father or their dog just died Everybody talking to their pockets Everybody wants a box of chocolates And a long stem rose, everybody knows Everybody knows that you love me, baby Everybody knows that you really do Everybody knows that you've been faithful Ah, give or take a night or two Everybody knows you've been discreet But there were so many people you just had to meet Without your clothes and everybody knows Everybody knows, everybody knows That's how it goes, everybody knows Everybody knows, everybody knows That's how it goes, everybody knows And everybody knows that it's now or never Everybody knows that it's me or you And everybody knows that you live forever Ah, when you've done a line or two Everybody knows the deal is rotten Old Black Joe's still pickin' cotton For your ribbons and bows and everybody knows And everybody knows that the plague is coming Everybody knows that it's moving fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows the scene is dead But there's gonna be a meter on your bed That will disclose what everybody knows And everybody knows that you're in trouble Everybody knows what you've been through From the bloody cross on top of Calvary To the beach of Malibu Everybody knows it's coming apart Take one last look at this sacred heart Before it blows and everybody knows And everybody knows, everybody knows That's how it goes, everybody knows Everybody knows, everybody knows That's how it goes, oh, everybody knows Everybody knows, everybody knows That's how it goes, everybody knows Everybody knows |
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988)
Oh, the sisters of mercy
They are not departed or gone They were waiting for me When I thought that I just can't go on And they brought me their comfort And later they brought me this song Oh, I hope you run into them You, who've been traveling so long Yes, you who must leave everything That you cannot control It begins with your family But soon it comes around to your soul Well, I've been where you're hanging And I think, I can see how you're pinned When you're not feeling holy Your loneliness says, that you've sinned Well, they lay down beside me I made my confessions to them They touched both my eyes And I touched the dew on their hem If your life is a leaf That the seasons tear off and condemn They will bind you with love That is graceful and green as a stem When I left they were sleeping And I hope you run into them soon Don't turn on the lights You can read their address by the moon And you won't make me jealous If I find that they've sweetened your night We weren't lovers like that And besides it would still be all right We weren't lovers like that And besides it would still be all right |
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) | |||||
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from I'M Your Man (아임 유어 맨) by Leonard Cohen [ost] (1988) |