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4:13 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
All good things to come, All good things to come, Will come, Wellcome, All good things to come, Will come, Wellcome, See you on battlefield, When we go through the mill.
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6:04 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
If there's been a way to build it
There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control If there's been a way to build it There'll be a way to destroy it Things are not all that out of control |
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6:52 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
To accentuate
Put against the uniform that... ..fit Deep into the ball of which it's part The only way it can communicate To accentuate What we have in common We have nothing common That can illuminate ..fragments Put against the uniform that... ..fit Deep into the ball of which it's part The only way it can communicate And so divisions open words What is above, what is below And in amongst the language An energy can end it What we have in common We have nothing common That can illuminate The way to communicate Within... The only (viable sun?) The only (guidable sun?) The uniforms... Golden Ball (album) The only (viable sun?) What we have in common We have nothing common Within... .. It can illuminate Within... To illuminate to accentuate To illuminate to accentuate .. Illuminate .. From visible to invisible Into... That illuminates each fragment of the screen Put into the ball of which it's part Observe... There's no above, there's no below Two... The only... |
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3:26 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
To compose, and decompose, to decompose
The ebb and flow of the darkness The ebb and flow de ma paresse (of my laziness) To compose, decompose, and recompose From a minute to another From minuscule to the grandeur To compose, decompose, I wander and I slip Get all those ghosts out of my sight They devour all of my might |
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18:08 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
Life on earth is a bloody
As in the city the public wears... I think the brilliant cast for insane realities to come and that's a decisive battle that we....haven't we lost I don't care if the fascists have to win I don't care democracy's being sucked I don't care socialism's full of sin (Or: I don't care socialism's collapsing) The unbeatable system engenders rot That what is exciting Is a challenge as the new nation but the tensions have to be creative with some time The innocent suffer from the transformation in the (their)country They balance asylum...down and they run you Obviously once more it could be culture... I bet a lot oh don't you get to... I don't care if the facists have to win I don't care democracy's being sucked I don't care socialism's collapsing The indubitable* the system is so corrupt (* this sounds like immutable on the album version) That what is exciting Is a challenge as the new nation But the tensions happy but (That the tensions happy but creative are so tight) PLUS: from the album version Life on earth is a bloody.... In place of the... The horrors of the war are keeping me free to... It was like taking candy from a baby. |
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3:38 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
Learn to earn how
Learn how things are I salute the people who perceive What's around, they digest so it clears Learn to learn love Learn how All the worlds of the world will deceive The idea before it is conceived Learn to dream Mystical Express through the body What is meant unconsciously |
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3:47 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
What you decide to be is what you are Your only way ahead your way to go far Your reasons that you do who you really are The decisions in your head it will be far Prejudice does no service to you Break your shackles it's up to you Be your own master owe it to you Self-doubt inner you, I believe It's hard in this cruel world to be who you are It might mean hardship it might take a while Struggle, conflict, causes they all have their power Don't let anyone hurt your heart Your desire...broken truths blew But you don't see what we will use upon you Refuse to blink when that thing wants you to You can't take your life hypnotized Don't let anyone hurt your heart You have an evil side of you We can live apart in the end What I decide to be is what I am What you invest with it is in my command My reasons that you do won't ?deal? with romance I wanna stress myself to be who I am ?Toss 'em off? is the best I can do Why kill a man to achieve other things? ....to explain, very cruel Self-doubt inner you, I still bleed I don't let anyone hurt my heart Don't want to be taken apart I have innocence in the end translation by David |
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5:06 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
The greater is the beauty, The profounder is the stain, Humanity, Significant of the forbidden is transgressed in eroticism.
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5:23 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
Retrieve the past, Like a prayer, Bringing it back, Into the light, What was yesterday, Will reform today, To retrieve, Lost life, Lost loves, Retrieve, Lost words, Ideas, Overcome, Unconscious, Made conscious, Out of the darkness, Into consciousness, Made conscious, Out of the darkness, Into ...
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5:35 | ||||
from Stereolab - Transient Random-Noise Bursts With Announcements (1993)
Tels deux amants de longue date
Nous nouse retrouverions une apres-midi Nous ferions, nouse ferions longuement l'amour Ce souvenir vivra dans mes cellules Quand tes yeux penetrants rencontreront les miens Ton corps, ne quitterait jamais le mien Il y resterait une eternite Le son profond de ta voix Tel un rayon vibrant ouvrira mon coeur |
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7:33 | ||||
from Stereolab - Mars Audiac Quintet (1994)
hideous on the edge of a precipice
Their cavity filled up with forgetfulness We know there's no retribution, no reward Their society overtly ... The meaning of existence can be supplied by living and not by theology left to all the creativity we must find the real significance that won't be mystified their sense or nonsense that will emerge on a precipice it's only the impact of the creative activity |
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3:20 | ||||
from Stereolab - Mars Audiac Quintet (1994) | |||||
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4:05 | ||||
from Stereolab - Mars Audiac Quintet (1994) | |||||
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3:48 | ||||
from Stereolab - Mars Audiac Quintet (1994)
into outer space with lucia pamela
the moon is the place where there's space for lucia into outer space with lucia pamela the moon is the place where there's place for lucia before armstrong took his steps she'd been there with friends they took all instruments and recorded on the moon gathered variety of sound from where the air is different i'm so full of ideas and here is a good one lucia has a dream a dream that comes in colour of international colouring for your entry she's waiting into outer space with lucia pamela the moon is the place where there's space for lucia into outer space with lucia pamela the moon is the place where there's space for lucia |
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3:53 | ||||
from Stereolab - Mars Audiac Quintet (1994)
De la meme maniere
Que des filles un peu naives On se laisse faire Par la tete du pays On s'en va comme des poltrons Vivant mal leur ecartelement Entre emotion et indifference Entre revolte et derision On a le desir, on se dit il faut agir Mais cette lachete inavouable Nous rend bien trop gouvernables On s'en va comme des poltrons Vivant mal leur ecartelement Entre emotion et indifference Entre revolte et derision |
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4:35 | ||||
from Stereolab - Mars Audiac Quintet (1994)
De la mme manire,
Que des filles un peu naves, On se laisse faire, Par la tte du pays, On s'en va comme des poltrons, Vivant mal leur cartlement, Entre motion et indiffrence, Entre rvolte et drision, On a le dsir, on se dit il faut agir, Mais cette lchet inavouable, Nous rend bien trop gouvernables, On s'en va comme des poltrons, Vivant mal leur cartlement, Entre motion et indiffrence, Entre rvolte et drision. (Whispered at the end of the song...) on s'en va... TRANSLATION: Hell Of Forms In the same manner, As girls a bit naive, We are manipulated, By the head of the(our)country, We're behaving like cowards, Ill at ease because of the separation, Between emotion and indifference, Between revolt and derision, We feel the desire, we tell ourselves we must react, But this shameful cowardness, Makes us too easy to be controlled, We're behaving like cowards, Ill at ease because of the separation, Between emotion and indifference, Between revolt and derision. (Whispered at the end of the song...) we're going away... |
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6:55 | ||||
from Stereolab - Mars Audiac Quintet (1994)
What's morals after all
Set of rules from above Moral panic calls for more censorship While annihilating le perdure sens critique Critique, moral panic calls for more censorship Morals are for the Blind, not the critical mind (only on parts 3,4,5) Morals which don't even tackle the real issues Moral Which seek intervention and control Morals which don't even tackle the real problems Morals that just seek control over our lives |
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5:21 | ||||
from Stereolab - Mars Audiac Quintet (1994)
In whatever society,
There invariably, Will seem to be, Just a few men, keen to rule; Overwhelming, the majority, Will assent and allow them to do so. |
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3:02 | ||||
from Stereolab - Mars Audiac Quintet (1994)
it's alright 'cause the historical pattern has shown
how the economical cycle tends to revolve in a round of decades three stages stand out in a loop a slump and war then peel back to square one and back for more bigger slump and bigger wars and a smaller recovery huger slump and greater wars and a shallower recovery you see the recovery always comes 'round again there's nothing to worry for things will look after themselves it's alright recovery always comes 'round again there's nothing to worry if things can only get better there's only millions that lose their jobs and homes and sometimes accents there's only millions that die in their bloody wars, it's alright it's only their lives and the lives of their next of kin that they are losing it's only their lives and the lives of their next of kin that they are losing it's alright 'cause the historical pattern has shown how the economical cycle tends to revolve in a round of decades three stages stand out in a loop a slump and war then peel back to square one and back for more bigger slump and bigger wars and a smaller recovery huger slump and greater wars and a shallower recovery don't worry be happy things will get better naturally don't worry shut up sit down go with it and be happy dum, dum, dum, de dum dum, de duh de duh de dum dum dum... ah ah dum, dum, dum, de dum dum, de duh de duh de dum dum dum... ah ah |
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2:59 | ||||
from Stereolab - Mars Audiac Quintet (1994)
In a fluid and shifting
Creative and destructive Like water when it burns Conjunction of opposites Active/passive principles Freedom/slave, fire/water In a fluid and shifting Creative and destructive Like water when it burns Conjunction of opposites Active/passive principles Fame/glory, fire/water In a fluid and shifting I will drink fire/water |
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3:29 | ||||
from Stereolab - Mars Audiac Quintet (1994)
it's alright 'cos the historical pattern has shown
how the economical cycle tends to revolve in a round of decades three stages stand out in a loop a slump and war then peel back to square one and back for more bigger slump and bigger wars and a smaller recovery huger slump and greater wars and a shallower recovery you see the recovery always comes 'round again there's nothing to worry for things will look after themselves it's alright recovery always comes 'round again there's nothing to worry - things can only get better there's only millions that lose their jobs and homes and sometimes accents there's only millions that die in their bloody wars, it's alright it's only their lives and the lives of their next of kin that they are losing it's only their lives and the lives of their next of kin that they are losing it's alright 'cos the historical pattern has shown how the economical cycle tends to revolve in a round of decades three stages stand out in a loop a slump and war then peel back to square one and back for more bigger slump and bigger wars and a smaller recovery huger slump and greater wars and a shallower recovery don't worry be happy things will get better naturally don't worry shut up sit down go with it and be happy dum, dum, dum, de dum dum, de duh de duh de dum dum dum... ah ah dum, dum, dum, de dum dum, de duh de duh de dum dum dum... ah ah |
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5:02 | ||||
from Stereolab - Mars Audiac Quintet (1994)
Hideous, on the edge of a precipice
The cavity filled up with forgetfulness Beyond there's no retribution only war The society of oblivion after The meaning of existence Can't be supplied by religion or ideology Left to all our creativity we must find The real significance that wouldn't be mystified The meaning of existence Can't be supplied by religion or ideology The sense or non-sense that will emerge from the precipice Is only the impact of a creative activity |
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5:32 | ||||
from Stereolab - Mars Audiac Quintet (1994)
They are one of the same,
Two inevitables, Two inevitables, We can't avoid dying, Bursting through our barriers, They are one of the same, Two inevitables. |
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4:20 | ||||
from Stereolab - Mars Audiac Quintet (1994)
Dans ce long linceul
Le reve virtuel on se fait tres seul non pas la plus belle Mais la pire des ?????????? (Second voice, with a very strange accent!) Maladie des sens cinq sens...experience innocence...des experience (Chorus) Plus besoin de connaitre son voisin Le bouton de toute puissance Non plus besoin d'etablir des liens Je fais l'amour a distance... La vitesse qui resume a rien Renie ce que c'est d'etre humain (x2) (And then again from the top...) Non plus besoin d'etablir des liens pas besoin... Transporte sans bouger Transported Without Moving In this long shroud the virtual dream we feel lonely Not the best but the worst of....??? (Second voice, with a very strange accent!) Sickness of the perception five senses experience innocence of the experiences. (Chorus) No need to know your neighbours The all-powerful key No need anymore to link up I make love from a distance... The speed that amounts to nothing Disown what it is to be human...(x2) (And then again from the top...) No need to link up anymore No need to... Carried away without moving. |
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3:09 | ||||
from Stereolab - Mars Audiac Quintet (1994)
I didn't question I didn't know
As far as I'd seen life was endless When I realized I had to let go We are mere mortals as to the rest It's not eternal, imperishable While on the move It's not eternal, interminable Progress is the clue I though IBM was born with the world The US flag would float forever The cold opponent did pack away The capital will have to follow It's not eternal, imperishable Oh yes it will go It's not eternal, imperishable The dinosaur law It's not eternal, imperishable Oh yes it will go It's not eternal, imperishable The dinosaur law Look at the symbols, they are alive They move evolve and then they die |
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4:33 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
you and me are moulded by things
well beyond our acknowlegment You and me are shaped by some things well beyond our acknowledgement |
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4:43 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
matiĿres sensuelles et sans suite
l'enfance est plus sympathique l'enfance apporte le magique que faire quand on a tout fait tout lu tout bu tout mange tout donne en vrac et en detail quand on a crie sur tous les toits pleure et ri dans les villes et en campagne l'enfance est plus authentique le jardin au haut portique la maison la maison d'autrefois la maison la maison Ħ venir et le silence me penetrera les pierres, les arbres, les murs, racontent (from 1'45'') (with "la maison...") and they seemed to say : "et le silence-trera et me penetrera" but silence-trera means nothing, or it's just for the rhyme. Cybele's Reverie childhood is very nice childhood brings magic What to do when one has done everything? Read everything, drunk everything, eaten everything? Given everthing in truth and in detail, when one has cried on all the rooftops, wept and laughed in the towns and in the country? childhood is the most real the garden of new visions the house, the house, of other times the house, the house that we have left and the silence that penetrates me |
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4:37 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
les all?s, les venues, labyrinthe, mais qu'y vois je?
la sortie, je la voie, elle est l??n, on est peu, bien trop peu, au travers, murs ?ais je peux le faire, faire tomber, les ?rans, du trompage, du trompage s'accrochant au vide, ??n de la fum?, les balles sont crev?s, tout recommencer que voudra-t-on voir, le rideau lever, le silence est d'or, je ne suis pas d'accord ne pas faire d'effort, et beaucoup bailler, pouvoir s'?ever, et vous saluer, on n'est pas pigeon, peut-?re bien des cons, la r?lit???, de l'autre fa?n |
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4:05 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
you go in that team
i go on this team divide everything a flag or a number make 'em opposites so there's a reason stigmatisation ok now we can fight divide everything just put it all flat justification ok now you can fight it is correct and reasonable |
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- | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
crazy, sturdy, a torpedo
crazy, brutal, a torpedo who knows does not speak, who speaks doas not know, keep the mouth closed, rounding the sharpness untie the tangles, to be vacuous, to be infinite, leap into the void |
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7:55 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
crazy, sturdy, a torpedo
crazy, brutal, a torpedo who knows does not speak, who speaks doas not know, keep the mouth closed, rounding the sharpness untie the tangles, to be vacuous, to be infinite, leap into the void |
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3:44 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
hastened decrepit,
old shrunken apple, ready for the pit, i have let you go, without forgiving or understanding, so now you are gone, there could be nothing, you live within me, we communicate, the light it creates and the tears it generates bring the forgivness don't let me down now life half sapped away, it took all that time, sice you passed away, to moisten the love wa have forged the sought after union brought us together and the fullness, the completeness, the infinite simplicity the world offers forgivness |
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3:49 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
what's society built on
what's society built on what's society built on what's society built on it's built on, built on bluff, built on bluff, built on trust, what's society built on it's built on, built on words, built on words, built on work responsible for what i say responsible for what i hush |
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5:42 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
Depuis le temps que c'est promis
nous irons tous au paradis- c'est un appel sourd une promesse aveuglante qui noie la conscience; ce paradis me pĿse, son poids incommensurable abruti; ancree dans des strates profondes, une pulsion des plus alienantes; telle une fausse liberation, un etat de pure dependance; le paradis est derriĿre moi dans le ventre de ma maman- unchallenged myths, they lie heavy, l'imaginaire is our worse enemy, the paradise, what an idea ! a guardian still on duty. Olv 26 Before the promised times we were always in paradise it's a name given to one promise (.....)who kills conscience the paradise I think of, its weight incomprehensibly abrupt (....) in these profound layers (....) a false liberation a state of pure dependence the paradise is behind me in the center of my mother- unchallenged myths, they lie heavy, l'imaginaire is our worse enemy, the paradise, what an idea ! a guardian still on duty. |
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3:47 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
J'ai tres tres peur ca c'est certain,
j'ai tres tres peur mais beaucoup moins que tous les gens a cette table de mon bateau ancre profond, naviguer une direction et aller loin. Percolator I am very very scared, that's for sure I am very very scared but much less than all the people at this table of my deeply anchored boat choose a direction and go there |
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3:53 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
discovery of fire, america,
the invention of the wheel, steel work and democracy philosophy, the soviets and other events in history of humanity happened at a certain given moment in time won't go back to the days couldn't even start a fire won't go back to the days america'd not been discovered the transition has been operated for ever what had gone on before from what there'd been after |
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2:29 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
there is no sense in being interested in a child a group or in a society,
there is no sense if one cannot see in them before anything else, the life it's capacity to founded upon itself there is no sense in being interested in an ill person or unwell a society if one cannot believe their readiness and the capacity for proper recovery; auto production organisation |
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3:06 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
i hate to see your broken face
this world would give you anything as long as you will want to as long as you will want to i hate your state of hopelessness and that vain articulateness your loser type wreck wanna be not a pretty sight really in another world it'd be funny i hate to see your broken face a lazy life of fatal waste of fashionable cynicism the poison they want you to drink oh no man that's too easy oh no man that's too easy we weren't talking bout happiness apply your leading potential to be useful to this planet the world would give you anything as long as you will want to as long as you will want to ba da ba... |
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4:57 | ||||
from Stereolab - Emperor Tomato Ketchup (1996)
originally this set up was to serve society
now the roles have been reversed that want society to serve the institutions originally, serve society, serve society, role have been reversed institutions, alienation |
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0:27 | ||||
from Red Hot Org 1집 - Red Hot & Rio (1996) | |||||
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5:31 | ||||
from Stereolab - Dots And Loops (1997)
We need so damn many things
To keep our dazed lives going Many things, to keep our lives Lives going, so many things We need so damn many things (We need so damn, we need so damn many things) To keep our stupid lives going (To keep our stupid, keep our stupid lives going) Many things to keep our lives (To keep our lives, to keep our lives, many things) Lives going, so many things (So many things, so many things, lives going) We can be bound, run around (We can be bound, we can be bound, run around) Fooled animal bite its tail (Fooled animal, fooled animal, bite its tail) Animal, he has been bound (He has been bound, he has be bound, animal) Run around, around and 'round ('Round and around, 'round and around, run around) |
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9:04 | ||||
from Stereolab - Dots And Loops (1997)
My dearest friend you can,
My dearest friend you can, You can get well, You can heat up, You can heat up get well surely you can My dearest friend don't go, My dearest friend don't go, Don't go to war, Don't choose to go, You will not win down the the cursed path of war... This is the future of an illusion Aggressive culture of despotism Living fantasy of the immortal The reality of an animal |
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5:15 | ||||
from Stereolab - Dots And Loops (1997)
Souviens-toi des vacances
vacances de l'appetit qui cherchent ressemblance a la grande bourgeoisie Par quelle difference peuvent-elles se distinguer leurs ?"tontures sans provence"? ou nos vies passionnees evite dependances au doux gens tout petits ?"retour"? a l'importance de leur vies etourdies Un moment de vacance rien apres interdit moment d'independance et ce que c'est beau la vie un moment de vacance oublier ses soucis embrasser l'abondance qu'a a ?"confier"? la vie J'ai envi de prendre l'avance qu'on prenne de la distance ?"televison m'ennui et des vives harmonies"? translation Remember the vacations Vacations of the Petty Which seeks to ressemble The Great Bourgeoisie Through which difference Can they be distinguished? Their tortures without "provence" Or passionate envies Lives of dependance/addiction Or small/petty people Return to the importance Of their dizzy lives A moment of vacation Nothing after forbidden Moment of independance And how beautiful live is! A moment of vacation To forget all worries/To be carefree To embrace the abundance that life "confides/procures" I want us to move ahead/forward That we take some distance Divisions bore me ?Divisions...me? transcription & translation by david |
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4:29 | ||||
from Stereolab - Dots And Loops (1997)
Sur la bo?te cartonn?e un trompe-l'oeil
Avoue volontiers qu'il est trompe-l'oeil. Sur la bo?te cartonn?e un trompe-l'oeil Avoue volontiers qu'il est trompe-l'oeil, Donne l'id?e du jeu et du myst?re, Un spectacle intime donne l'id?e du jeu et de l'humour, Spectacle qui rime, qui suscite dans les yeux un ?clair, Une d?couverte, une id?e qui peut jouer des tours, Une muse, certes, donne l'id?e du jeu et du myst?re, Un spectacle intime. Sur la bo?te cartonn?e un trompe-l'oeil Avoue volontiers qu'il est trompe-l'oeil. Sur la bo?te cartonn?e un trompe-l'oeil Avoue volontiers qu'il est trompe-l'oeil. gives the idea of the game and the mystery an intimate show gives the idea of the game and humour show that rhymes which provokes in the eyes a flash a discovery an idea that can play tricks a muse indeed gives the idea of the game and the mystery an intimate show On the cardboard box a trompe-l'oeil willingly admits to being a trompe-l'oeil On the cardboard box a trompe-l'oeil willingly admits to being a trompe-l'oeil |
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5:34 | ||||
from Stereolab - Dots And Loops (1997)
vous etiez l'evidence
vous n'etes plus que l'enigme vous etiez l'evidence vous n'etes plus que l'enigme vous etiez l'eternite vous n'etes que du passe you were the evidence now you're nothing but the enigma you were the evidence now you're nothing but the enigma you were eternity now you're just the past translation by david |
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4:03 | ||||
from Stereolab - Dots And Loops (1997)
Searching news ways of laughing
ones whereby one could express and transform all the shattering all the gratuitious the burdens of guilt growing these new ways will dawn on us if we look hard enough searching and finding mais l'arbre tombe |
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4:46 | ||||
from Stereolab - Dots And Loops (1997)
I yearn for romantic compassion
To love is my sole aspiration For thee who has love in a million That has burnt unto consternation All those who're pig-face and dimi... Glowing for our face and our hearts Fusing at the sad transformation That has sadly altered the |
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17:32 | ||||
from Stereolab - Dots And Loops (1997)
Ce qui est n'est pas clos, du point de vue le
plus essentiel, Ce qui est ouvert, est a etre Dans une action sans fin, sans trophee et sans gloire- Une creation sans fond, Sans profit ni victoire Refractions in the Plastic Pulse What is isn't closed, in the point of view the most essential, What is open, is to be In a non-ending action, without trophy and without glory- A creation without bottom, Without profit nor victory |
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4:55 | ||||
from Stereolab - Dots And Loops (1997)
All the small boats on the water aren't
going anywhere, Surely they must be loaded with more than simple matter, Floating on top and gracefully tending to the same pole, All the small boats on the water going nowhere Is it true that none of them, will ever break free and sail? Feel the night is made of rocks, the stagnant mass... Is it true that none of them, will ever break free and sail? Break free from the stagnant boats, left in obscurity All the faces with their eyes closed, giving a smile, weightless Like a body that would vacate to its own light Is it true that none of these contented happy faces will not ever hear a cry, won't hear a cry? Is it true that none of these contented happy faces will not ever hear a cry, filled with love not with desire, love not desire? |
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4:46 | ||||
from Stereolab - Dots And Loops (1997)
Vous etiez l'evidence,
vous n'etes plus que (???). Vous etiez l'evidence, vous n'etes plus que (???). Vous etiez l'eternite, vous n'etes que du passe. Ticker-tape of the Unconscious You were the evidence, you are now only (???). You were the evidence, you are now only (???). You were the eternity, you are only some past. |
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4:29 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
I pick up by the handful
the somber heap at my feet eyes closed to see the hopeful trusting my deepest instinct I pick up by the handful the somber heap at my feet eyes closed to see the hopeful trusting my deepest instinct but I go on, dawning light, task of hope ??? dawning light, task of hope ??? at last dare to raise my eyes, I saw the ship in the stars strong of glittering fleet, bringing light to the new born I pick up by the handful the somber heap at my feet eyes closed to see the hopeful trusting my deepest instinct at last dare to raise my eyes, I saw the ship in the stars strong of glittering fleet, bringing light to the new born in a dawn light, task of hope, these are stars |
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11:30 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
c'est l'image qui,
vit dans le sang elle enfante eternellement aneantit toute la vie fusion de mondes universels de l'esprit et du sang de l'esprit et du sang et du sang source de bonheur qui c'est la fougue de la vie where's the father ou'est sa voir? l'autre qu'on aime la fene tre du soi qui mele et qui associe les tendances cours vers la mer te donne une fin et un debut reconnais l'appel eperdu de l'esprit et du sang de l'esprit et du sang le rapport a la mort qui c'est la fougue de la vie de l'esprit et du sang de l'esprit et du sang Blue Milk It is the image that lives in the blood It gives birth eternally,obliterates all life Fusion of universal worlds >From spirit and blood Source of happiness Yes,it's the spirit of life Where's the father Where is his voice The other that one loves One's window that mingles and joins the sentiments Running toward the sea, Gives you an end and a beginning Recognize the submerged call The connection in death that is the spirit of life. |
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8:09 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
all the women
who understand how natural and good it is to bare all clothes and bring the smile of knowledge, try the freedom that comes with it with a smile, trumpets and drums the desire for meaning comes, with a smile, trumpets and drums the desire for meaning comes, ... roaring inside her woman and anger roaring inside her woman and ire roaring inside her woman and anger roaring inside her woman and ire |
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4:38 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
led astray
before the fragile defense of words come and stay bring the stars play in the milky night led astray before the fragile defense of words come and stay bring the stars play in the milky night |
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3:40 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999) | |||||
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3:56 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
new realities are conditions
much to little for us to suffer because we don't know any better there are a hundred ways to fall in step new realities are conditions much to little for us to suffer because we don't know any better there are a hundred ways to fall in step because for the past two hundred years the wine drunk and the freedom proclaimed o are dubious and laughable waiting to yield a new use of life scatter, scatter brained by the sins, sins of silence scatter, scatter brained by the sins, sins of silence scatter, scatter brained by the sins, sins of silence scatter, scatter brained by the sins, sins of silence scatter, scatter brained by the sins, sins of silence a knife to cut the root the root of ignorance a knife to cut the root the root of ignorance scatter, scatter brained by the sins, sins of silence scatter, scatter brained by the sins, sins of silence new realities are conditions much to little for us to suffer because we don't know any better there are a hundred ways to fall in step because for the past two hundred years the wine drunk and the freedom proclaimed o are dubious and laughable waiting to yield a new use of life |
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4:36 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
chassez le
naturel pas la peine de ses ailes il revient lassez le dans les veines suivre comm l'eau de seine son chemin Italian Shoes Continuum (translation) Pursue the Natural Not the sorrow Of his/its wings He/it returns Leave it In the veins To run like The water of the Seine His/its path |
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3:33 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
suffer you little children,
remain passive and fearful suffer don't grow out of it revel, and let's celebrate the poor love of this poor world the sad love the vampire suffer you little children, remain passive and fearful suffer don't grow out of it revel, and let's celebrate the poor love of this poor world the sad love the vampire we who're young and beautiful we who can stand up and walk our lives we will learn to control we who're young and beautiful respond revolution when we hear the word suffering ???? learn to control we who're young and beautiful respond with revolution when we hear the word suffering we who're young and beautiful we who can stand up and walk our lives we will learn to control we who're young and beautiful respond revolution when we hear the word suffering |
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3:42 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
fragile rare occasion
out of chaos a creation binding into one form lucid drunkeness aiming truth and openess baby you are a joy I want you free when you grow boy revive the old idea that we carry binding into one form lucid drunkeness aiming truth and openess baby you are a joy nothingless truth and openess nothingless but truth and openess revive the old idea that we carry |
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5:49 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
lonely walker humanoid,
listening to forgotten sounds tasting smells and colours, hiking mounts crossing rivers humble biped you've come undone, you detached the mechanical freedom it inspires, fusing with your desire primal hiker lonely walker, rediscovering your own pace left here to go elsewhere, abandon all impatience reposess the senses, impression of freedom time doesn't know itself, has mingle path and dream animal survivor, you belong to nature reposess the senses, impression of freedom time doesn't know itself, has mingle path and dream animal survivor, you belong to nature reposess the senses, impression of freedom time doesn't know itself, has mingle path and dream animal survivor, you belong to nature dreams of return to nature, barred with satellite dishes |
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3:56 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
ou est la liberte de la femme
a l'abris dans ses appartements porquoi vouloir proteger nos dames cacher leurs corps en s'en excusant portant c'est bon la liberte au plus profond de la sensation ou est la liberte de la femme a l'abris dans ses appartements ou est la liberte de la femme un soupire d'homme ne jette pas de flamme est-elle si febrile que meme les mots la font s'eclater en mille morceaux? expression libre au cou robuste l'esprit ou vibre ce qu il y'ade plus juste ou est la liberte de la femme un regard d'homme ne jette pas de lame Strobo Acceleration (translation) Where is female emancipation Sheltered in their flats Why would we want to protect our women To hide their bodies by apologizing for them Yet it's good,liberty In the deepest sense of feeling Where is female emancipation A sigh from man Don't discard the flame Is it so febrile That those self-same words explode into a thousand pieces The strong-necked (?) free expression The vibrating spirit It is this that is more right Where is female emancipation A look from man Don't throw out the blade (?). |
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5:54 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
je donnerais cher
pour etre a nouveau asise sur un banc au parc avec toi le fond de mon cour etait radiation la toutes les couleurs une revelation le temps s'est age et la j'ai vu combien tes levres sont desirables l'impalpable est devenu matiere il s'est clotie contre le vide la tendresse aboutie la violente carresse qui reveille dans mon etre chavire une enigme |
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3:48 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
Wher it had been left
hundreds of years ago extract from the depth is but a setting sun paradise is scace in this light that won't shine what is our earthly task but a worthy design? some held it in sight for scattered it may have been they're ready to fight in a priceless inkling the request is here ready to resurrect what else can we do but recover the project our earthly design can be so detached what crushes our desire not to be trapped when the higher spheres tell us to and not to everyone agrees demanding more veto our earthly design can we be so detached what crushes our desire not to be trapped? ------------- Lyrics Powered by LyricFind Written By GANE SADIER <i>Lyrics © Universal Music Publishing Group</i> |
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3:41 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
la lumiere des jours
d'automne qui pene tre irremediablement et sans violence la lumiere d'automne fragile dans son incandescence elle brille comme une force qui decoiffe l'ame la lumiere des jours d'automne etale les ombres du plus qu elles puissent se rependre la lumiere d'automne qui aspire a la transcendance elle eblouit comme une force qui decoiffe l'ame la lumiere des jours d'automne qui pene tre irremediablement et sans violence la lumiere d'automne fragile dans son incandescence elle brille comme une force qui decoiffe l'ame |
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4:25 | ||||
from Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (1999)
vois la vague se creuse comme la braise dans le vent
vois la c'est ici qu a son aise il s'enfuit le temps, par moment quand le temps qui passe qui s'egard ne se retrouve pas c'est la lumiere du sombre regard qui qui de mes pas, vain combat vois la vague se creuse comme la braise dans le vent vois la c'est ici qu a son aise il s'enfuit le temps, et pourtant quand il se devoile l'eblouissement de la flamme au corps nu quand le temps qui passe qui s'egard ne se retrouve pas c'est la lumiere du sombre regard qui qui de mes pas, vain combat vois la vague se creuse comme la braise dans le vent vois la c'est ici qu a son aise il s'enfuit le temps, et pourtant quand il se devoile l'eblouissement de la flamme au corps nu s'arrache a la nuit ou scintille l'ame du temps devolu de la flamme au corps nu c'est la flamme au corps nu celle quschintille l'ame le temps est devlu la y brille une flamme le nageur n'a plus peur il plonge sous la lumiere vit dans les elements eperdu dans la mer sa bouche veut le sel Velvet Water (translation) See the wave hollowing out like an ember in the wind Look there,it's here that one is comfortable Time runs away,now and then When time that passes and loses its way can't find itself It's the light or the shadowed look that guides my steps,vain battle And yet When he/it reveals itself The flame's dazzlement In the naked body Fighting in the night Where does the soul of time That is attached to the flame In the naked body glow ( It's the flame In the naked body It's here that the soul glows Time is attached There where a flame burns The swimmer is fearless He dives beneath the light Lives in the elements Submerged in the sea His mouth wants salt.) |
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6:36 | ||||
from High Fidelity (2000)
La
La lune est libre je crois, qui rayonne au-dessus, rayonne au-d'sus des toits. La lune est libre, bien plus libre qu'on ne le croit, elle fluctue de 裔 et l? les parties qu'on ne voit pas, c'est pas grave ? reviendra et quand elle est plong? dans la froide obscurit? donne l'impression qu'elle se noie, bien vite reprend pied, avec ses apparences instables y en a qu'elle fait douter bien plus fid?e qu'on ne le croit, La lune est libre. R?eptive et absorbante de la lumi?e qu'elle renvoie, Elle rayonne au-dessus des toits et fluctue de 裔 et l? Changeante, fascinante, parfois m?e ?louissante. C'est ainsi qu'on l'aper?it Disque parfait, disque lumineux ne vous rappelle-t-elle pas l'hostie/le style ? de ceux qui l?ent la t?e dans l'espoir de s'?ever un peu. Transitoire, unique, symbolique de quelques visions imaginaires, Elle en impressionne plus d'un qui prennent peur et d?irent. Elle est au-dessus de tout ?, Elle est au-dessus de tout ?, Elle est libre de tout ?, Elle est au-dessus de tout ?, Elle est libre de tout ?, Elle est au-dessus de tout ?, La lune est libre je crois, qui rayonne au-dessus, rayonne au-d'sus des toits. La lune est libre, bien plus libre qu'on ne le croit, elle fluctue de 裔 et l? les parties qu'on ne voit pas, c'est pas grave ? reviendra. Disque parfait, disque lumineux ne vous rappelle-t-elle pas l'hostie/le style ? de ceux qui l?ent la t?e dans l'espoir de s'?ader un peu. Transitoire, unique, symbolique de quelques visions imaginaires, Elle en impressionne plus d'un qui prennent peur et d?irent. Elle est libre de tout ?. Elle est libre de tout ? |
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3:01 | ||||
from Stereolab - The First Of The Microbe Hunters (2001) | |||||
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3:42 | ||||
from Stereolab - The First Of The Microbe Hunters (2001)
Love befall from the apple tree
none have (verve?) left to come to me (thus fallen, I turned around) A good fair distance bringing my presents dressed like I had been seeing the woman seeing the woman (finally, eyes familiar) With her bandaged face she was mystery with the falling leaves Wish these idiots would leave me the space to bear my homage to his prickly face Love befall from the apple tree Energy creates energy Transmit to all of you is what I wanna do What I want to do: not work but transmit To transmit what i want I have thought about being (nature's ????) But I am worried about the health risks Those who work but don't earn Those who earn and don't work (we want peace of the senses) She could be my friend ??(And the jealous end)?? She was mystery Of the (fallen?) rain Transmit to all of you is what I wanna do What I want to do: not work but transmit To transmit what i want. |
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8:14 | ||||
from Stereolab - The First Of The Microbe Hunters (2001) | |||||
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4:38 | ||||
from Stereolab - The First Of The Microbe Hunters (2001)
Once the mind is calm, Once the ego is quailed
Travel in the realm Of which there is no sign Hold your thoughts to the present, the present Personally realize The infinite of being Inner peace brings about Harmony with the times Hold your thoughts to the present, the present Become one with the dusty world Hold your thoughts to the present Pacify, realize the infinite |
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4:23 | ||||
from Stereolab - The First Of The Microbe Hunters (2001)
Mon doux bebe soit un battant de la liberte
Ne laisse pas les gens mechants la loi te dicter Mon doux bebe soit un battant de la verite Ne laisse pas les gens apeures t'en eloigner Mon doux bebe engage-tioi dans l'activite Tu apprendras c'est etre libre de se reposer. C'est le projet d'autonomie, tu peux lui redonner la vie. Il te semblera de l'ennui, Il faut qu'on se souvienne de lui. |
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9:29 | ||||
from Stereolab - The First Of The Microbe Hunters (2001) | |||||
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6:22 | ||||
from Stereolab - The First Of The Microbe Hunters (2001)
Fous moi la paix
leave me alone |
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from Stereolab - Switched On (2002)
We need a shake and therefore demand more than the cold conclusion of reason
The only impossible thing is to delimit the impossible The realm of necessity (to restore the confidence) (is) the triumph of human spirit (triumph of the will) Everything remains to be done To devestate the ideas of family, famine and religion |
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from Stereolab - Switched On (2002) | |||||
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from Stereolab - Switched On (2002)
What would
What would we do without you See you should all let my... ....your own superficiality We get the idea you're being so generous and free We don't (listen) "an aptitude" could you smile and forget me |
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from Stereolab - Switched On (2002)
Changer
Changer Changer la vie Changer le monde I want to go I lost myself translation Change Change Change life Change the world I want to go I lost myself |
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from Stereolab - Switched On (2002) | |||||
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from Stereolab - Switched On (2002)
Doubt will kill you
Youth passed away Amongst the various controls of resignation Unmistakable Appeal of the marvelous Doubt doubt doubt doubt... Is it enough to show How the nightmare works So the people will wake up Is it enough? |
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from Stereolab - Switched On (2002)
Do you really want
To love someone Who does not love you Do you really want To stab your Enemy in the back Stab him in front I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. Is it what you want I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. Do you want to be the offshoot of delusion Do you think they'll mind your decision I'm sorry I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. Do you feel you owe the errant foe Anything at all I don't, I don't, I don't, I sorry. I don't, I don't, I don't, I sorry. I don't, I don't, I don't, I sorry. Do you want to be the offshoot of delusion Give in to resignation I'm sorry. I won't, I won't, I won't, I sorry. I won't, I won't, I won't, I sorry. I won't, I won't, I won't, I sorry. Do you feel you owe the errant foe Anything at all I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. I don't, I don't, I don't, I'm sorry. |
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from Stereolab - Switched On (2002)
...
Unexpected moments The most inopportune Some see the flesh before they see the bones Some see the bones before Before they see the flesh ... Unexpected moments The most inopportune Some never see the bones at all Some never see the flesh at all Some never see the flesh at all No never never flesh at all To explain, I was made to exorcise his pain Torn to pieces and (inform them) ... beyond repair ... reforging Some ... at easy failure |
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from Stereolab - Switched On (2002)
So terminal, unreachable
<<Or maybe>> so turn it on. . . (la-la-la-la bum-bum, la-la-la-la bum-bum) so turn it on. . . |
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from Stereolab - Switched On (2002)
The Way Will Be Opening
Total insubordination Complete revolt, formal sabotage Still it must be stressed that on this port There is no room for compromise Faint, all our crime is crime of physical setting Except inside the mind (All inside the mind) How come more and more futile The American dream is the fertilize? (oh the fertilize) Nothing at all can be expected Except for the use of violence Nothing at all cvan be changed if Evolution turned us to silence Confrontations clearing the way Will be opening (will be opening) Not as en d in itself But as a beginning (as a beginning) |
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003)
Clearly we won't know unless we try
The possibilities are open To create a new situation Surely we won't know unless we try I am far too young to die Tell me about the general people My belly's bursting without a... And who are the general people? Just a grain of sense that you confess I have regrets if I die Refuge in superstitions and dreams Toying with the imaginary Memory becomes a luxury Refuge in superstitions and dreams It's no way to make History No we won't know, we won't know We won't know unless we try |
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from Stereolab - Aluminum Tunes (2003)
Constitution biologique
a la fois rigide et plastique Dont la souplesse laisse place a la faculte critique Dont la souplesse laisse place a une bien plus grande optique Extension trip Biological constitution At the time rigid and plastic Of which the flexibility loses it's place To the critical faculties Of which the flexibility loses it's place To a nice large perspective |
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003)
parler francais
parler anglais parler allemand parler chinois parler gitan pendant longtemps parler le grec parler en langues parler du temps parler des sens parler maudire parler predire parler d'histoire parler aurevoir parler ferme parler ouvert parler tout fort parler tout bas parler parler pour ne rien dire parler parler ne pas s'agir. |
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003)
sur des rosiers ardents
Melochord Seventy-Five On burning bushes |
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from Stereolab - Aluminum Tunes (2003) | |||||
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from Stereolab - Aluminum Tunes (2003)
Humour et verite
senses demanteler tout frais et toute pimpante allemande al'aise et insouciante confiante son sourire est vivant son coeur intelligent merci pour le manteau il m'a tenu chaud (Elle n'aurait pas, je t'Ecrierai) translation Humour and truth supposed to dismantle all fresh and all spruced up German comfortable and carefree confident her smile is lively her heart intelligent thanks for the coat it kept me warm (She wouldn't have, I will write you) |
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from Stereolab - Aluminum Tunes (2003)
De la mme manire,
Que des filles un peu naves, On se laisse faire, Par la tte du pays, On s'en va comme des poltrons, Vivant mal leur cartlement, Entre motion et indiffrence, Entre rvolte et drision, On a le dsir, on se dit il faut agir, Mais cette lchet inavouable, Nous rend bien trop gouvernables, On s'en va comme des poltrons, Vivant mal leur cartlement, Entre motion et indiffrence, Entre rvolte et drision. (Whispered at the end of the song...) on s'en va... TRANSLATION: Hell Of Forms In the same manner, As girls a bit naive, We are manipulated, By the head of the(our)country, We're behaving like cowards, Ill at ease because of the separation, Between emotion and indifference, Between revolt and derision, We feel the desire, we tell ourselves we must react, But this shameful cowardness, Makes us too easy to be controlled, We're behaving like cowards, Ill at ease because of the separation, Between emotion and indifference, Between revolt and derision. (Whispered at the end of the song...) we're going away... |