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6:02 | 
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from Genesis, Genesis - Seconds Out [live] (1977)
The streets were deserted though the police were alerted,
They considered the phone call a hoax. Furtively glancing then jauntily prancing The youth caught the guards unaware. Slipping between them he ought to have seen then The eyes and their owner so near. With torch shining bright he strode on in the night Till he came to the room with the safe. "Hello son, I hope you're having fun." "You've got it wrong Sir, I'm only the cleaner." With that he fired, the other saying as he died, "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. He picked up the diamonds and bundles of fivers He pushed them well down in his sack. But the alarm had been sounded, he was completely surrounded But he had some more tricks up his sleeve. "Come outside with your hands held high." "You'll not get me alive Sir, I promise you that Sir. With that he fired, the other saying as he died "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. "He's leaving via the roof, the bastard's got away. God always fights on the side of the bad man. Bad man. Bad man" "I've got clean away but I'll be back some day, Just the combination will have changed. Some day they'll catch me, to a chain they'll attach me, But until that day I'll ride the old crime wave. If they try to hold me for trial I'll stay out of gaol by paying my bail And after I'll go to the court of appeal saying "You've done me wrong," it's the same old song forever." Done me wrong - same old song - done me wrong Done me wrong - same old song - done me wrong Done me wrong - same old song - done me wrong |
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9:34 |
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from Genesis - Never A Time [ep] (1992)
I'm coming down
Coming down like a monkey But it's all right It's like a load on your back That you can't see Oh but it's all right Try to shake it loose, cut it free Let it go Just get it away from me 'Cos tonight, tonight, tonight I'm gonna make it right Tonight, tonight, tonight I'm going down Going down like a monkey But it's all right It's like a helter skelter Going down and down Round and round But just get it away from me Because tonight, tonight, tonight We're gonna make it right Tonight, tonight, tonight I've got some money in my pocket I don't remember where I got it I gotta give it to you So please answer the phone 'Cause I keep calling But you're never home What am I gonna do Tonight, tonight, tonight I'm gonna make it right Tonight, tonight, tonight You keep telling me I've got everything You say I've got everything I want You keep telling me you're gonna help me You're gonna help me but you don't But now I'm in too deep It's got me so that I just can't sleep Get me out of here Please get me out of here Just help me I'll do anything Anything if you'll just help Get me out of here I'm coming down Coming down like a monkey But it's all right Like a load on your back That you can't see But it's all right Try to shake it loose, cut it free Let it go But just get it away from me 'Cause tonight, tonight, tonight May be we'll make it right Tonight, tonight, tonight Please get me out of here Someone get me out of here Just help me I'll do anything Anything if you'll just help Get me out of here Tonight I'm gonna make it right Tonight, tonight, tonight |
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from Genesis - Wind And Wuthering (1977)
(Written by Mike Rutherford/Steve Hackett)
< Instrumental > |
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2:53 |
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from Phil Collins - Going Back [remake] (2010)
Whenever I'm with him
Something inside Starts to burnin' And I'm filled with desire Could it be the devil in me Or is this the way love's supposed to be Just like a heatwave Burning in my heart Can't keep from cryin' It's tearing me apart Whenever he calls my name So slow sweet and plain feel that burning flame Has my blood pressure got a hold on me Or is this the way love's supposed to be Just like a heatwave Burning in my heart Can't keep from cryin' It's tearing me apart Sometimes I stare in space Tears all over my face I can't explain it don't understand it don't understand it I 'ain't never felt like this before well that doesn't mean it has me amazed Come on what to do my head's in a haze Just like a heatwave Burning in my heart It's tearing me apart Don't pass up this chance it's a true romance Heatwave |
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4:49 |
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from Genesis - Wind And Wuthering (1977)
(Written by Tony Banks/Phil Collins/Mike Rutherford/Steve Hackett)
< Instrumental > |
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| from Genesis - Visible Touch [video, live] (1987) | |||||
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3:30 |
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from Phil Collins - Serious Hits Live [live] (1990)
When I'm feeling blue, all I have to do
Is take a look at you, then I'm not so blue When you're close to me, I can feel your heart beat I can hear you breathing near my ear Wouldn't you agree, baby you and me got a groovy kind of love Anytime you want to you can turn me onto Anything you want to, anytime at all When I kiss your lips, ooh I start to shiver Can't control the quivering inside Wouldn't you agree, baby you and me got a groovy kind of love, oh When I'm feeling blue, all I have to do Is take a look at you, then I'm not so blue When I'm in your arms, nothing seems to matter My whole world could shatter, I don't care Wouldn't you agree, baby you and me got a groovy kind of love We got a groovy kind of love We got a groovy kind of love, oh We got a groovy kind of love |
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from Phil Collins - Serious Hits Live [live] (1990)
When I'm feeling blue, all I have to do
Is take a look at you, then I'm not so blue When you're close to me, I can feel your heart beat I can hear you breathing near my ear Wouldn't you agree, baby you and me got a groovy kind of love Anytime you want to you can turn me onto Anything you want to, anytime at all When I kiss your lips, ooh I start to shiver Can't control the quivering inside Wouldn't you agree, baby you and me got a groovy kind of love, oh When I'm feeling blue, all I have to do Is take a look at you, then I'm not so blue When I'm in your arms, nothing seems to matter My whole world could shatter, I don't care Wouldn't you agree, baby you and me got a groovy kind of love We got a groovy kind of love We got a groovy kind of love, oh We got a groovy kind of love |
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3:29 |
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from Phil Collins - ...Hits (1998)
When I'm feeling blue, all I have to do
Is take a look at you, then I'm not so blue When you're close to me, I can feel your heart beat I can hear you breathing near my ear Wouldn't you agree, baby you and me got a groovy kind of love Anytime you want to you can turn me onto Anything you want to, anytime at all When I kiss your lips, ooh I start to shiver Can't control the quivering inside Wouldn't you agree, baby you and me got a groovy kind of love, oh When I'm feeling blue, all I have to do Is take a look at you, then I'm not so blue When I'm in your arms, nothing seems to matter My whole world could shatter, I don't care Wouldn't you agree, baby you and me got a groovy kind of love We got a groovy kind of love We got a groovy kind of love, oh We got a groovy kind of love |
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| from Genesis - Visible Touch [video, live] (1987) | |||||
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4:34 |
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from Genesis - A Trick Of The Tail (1976)
Bored of the life in the city of gold
He'd left and let nobody know. Gone were the towers he had known from a child, Alone with the dream of a life He travelled the wide open road, The blinkered arcade, In search of another to share in his life. Nowhere. Everyone looked so strange to him. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept as they led him away to a cage 'Beast that can talk' read the sign. The creatures they pushed and they proddes his frame And questioned his story again. But soon they grew bored of their prey Beast that can talk? More like a freak or publicity stunt. Oh No. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And broke down the door of the cage and marched on out. He grabbed a creature by the scruff of his neck, pointing out: There, beyond the bounds of your weak imagination Lie the noble towers of my city, bright and gold. Let me take you there and show you a living story Let me show you others such as me Why did I ever leave? They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept. And so we set out with the beast and his horns And his crazy description of home. After many days journey we cam to a peak Where the beast gazed abroad and cried out. We followed his gaze and we thought maybe we saw A spire of gold ~ no, a trick of the eye that's all. But the beast was gone and a voice was heard: They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried Hello friend, welcome home. |
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from Genesis - The VIdeo Show [video] (2004)
Bored of the life in the city of gold
He'd left and let nobody know. Gone were the towers he had known from a child, Alone with the dream of a life He travelled the wide open road, The blinkered arcade, In search of another to share in his life. Nowhere. Everyone looked so strange to him. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept as they led him away to a cage 'Beast that can talk' read the sign. The creatures they pushed and they proddes his frame And questioned his story again. But soon they grew bored of their prey Beast that can talk? More like a freak or publicity stunt. Oh No. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And broke down the door of the cage and marched on out. He grabbed a creature by the scruff of his neck, pointing out: There, beyond the bounds of your weak imagination Lie the noble towers of my city, bright and gold. Let me take you there and show you a living story Let me show you others such as me Why did I ever leave? They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept. And so we set out with the beast and his horns And his crazy description of home. After many days journey we cam to a peak Where the beast gazed abroad and cried out. We followed his gaze and we thought maybe we saw A spire of gold ~ no, a trick of the eye that's all. But the beast was gone and a voice was heard: They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried Hello friend, welcome home. |
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5:18 |
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| from Tarzan (타잔) by Phil Collins [ost] (1999) | |||||
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7:04 |
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from Genesis, Genesis - Abacab (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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7:04 |
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from Genesis, Genesis - Abacab (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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4:12 |
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from Genesis - Abacab [single] (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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4:12 |
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from Genesis - Abacab [single] (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - Three Sides Live [video, live] (1982)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - The Mama Tour [video, live] (1985)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - Invisible Touch [video, live] (1991)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - The VIdeo Show [video] (2004)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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4:15 |
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| from Genesis - Selling England By The Pound (1973) | |||||
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4:25 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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4:24 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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4:12 |
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from Genesis - Wind And Wuthering (1977)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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from Genesis - Wind And Wuthering (1977)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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from Genesis - Three Sides Live [video, live] (1982)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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3:26 |
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from Grammy Winning Collection Vol. 2 (0000)
How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh You're the only one who really knew me at all How can you just walk away from me, when all I can do is watch you leave Cos we've shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now, oh there's just an empty space And there's nothing left here to remind me, just the memory of your face Ooh take a look at me now, well there's just an empty space And you coming back to me is against all odds and that's what I've got to face I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, well there's just an empty space And there's nothing left here to remind me, just the memory of your face Now take a look at me now, cos there's just an empty space But to wait for you, is all I can do and that's what I've got to face Take a good look at me now, cos I'll still be standing here And you coming back to me is against all odds It's the chance I've gotta take Take a look at me now |
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3:25 |
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from Forever Hits Vol. 1 (1994)
How can I just let you walk away? Just let you leave without a trace? When I stand here taking every breath with you You're the only one who really knew me at all How can you just walk away from me? When all I can do is watch you leave? Cuz we shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now Cuz there's just an empty space There's nothin left here to remind me just the memory of your face So take a look at me now When there's just an empty space And you comin back to me is against the odds and that's what I've gotta face I wish I could just make you turn around Turn around and see me cry There's so much I need to say to you, So many reasons why You're the only one who really knew me at all |
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from Hit Singles (1980-1988) (1988)
How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh You're the only one who really knew me at all How can you just walk away from me, when all I can do is watch you leave Cos we've shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now, cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, well there's just an empty space And you coming back to me is against the odds and that's what I've got to face. I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, well there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, cos there's just an empty space But to wait for you, is all I can do and that's what I've got to face Just take a look at me now, cos I'll still be standing here And you coming back to me is against all odds It's a chance I've got to take. Just take a look at me now. |
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5:04 |
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| from Phil Collins Big Band - A Hot Night In Paris (1999) | |||||
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3:27 |
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from Love Stories (2010)
How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh You're the only one who really knew me at all How can you just walk away from me, when all I can do is watch you leave Cos we've shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now, cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, well there's just an empty space And you coming back to me is against the odds and that's what I've got to face. I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, well there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, cos there's just an empty space But to wait for you, is all I can do and that's what I've got to face Just take a look at me now, cos I'll still be standing here And you coming back to me is against all odds It's a chance I've got to take. Just take a look at me now. |
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3:29 |
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from Phil Collins - Serious Hits Live [live] (1990)
How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh You're the only one who really knew me at all How can you just walk away from me, when all I can do is watch you leave Cos we've shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now, cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, well there's just an empty space And you coming back to me is against the odds and that's what I've got to face. I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, well there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, cos there's just an empty space But to wait for you, is all I can do and that's what I've got to face Just take a look at me now, cos I'll still be standing here And you coming back to me is against all odds It's a chance I've got to take. Just take a look at me now. |
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from Phil Collins - Serious Hits Live [live] (1990)
How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh You're the only one who really knew me at all How can you just walk away from me, when all I can do is watch you leave Cos we've shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now, cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, well there's just an empty space And you coming back to me is against the odds and that's what I've got to face. I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, well there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, cos there's just an empty space But to wait for you, is all I can do and that's what I've got to face Just take a look at me now, cos I'll still be standing here And you coming back to me is against all odds It's a chance I've got to take. Just take a look at me now. |
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3:25 |
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from Phil Collins - ...Hits (1998)
How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh You're the only one who really knew me at all How can you just walk away from me, when all I can do is watch you leave Cos we've shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now, cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, well there's just an empty space And you coming back to me is against the odds and that's what I've got to face. I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, well there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, cos there's just an empty space But to wait for you, is all I can do and that's what I've got to face Just take a look at me now, cos I'll still be standing here And you coming back to me is against all odds It's a chance I've got to take. Just take a look at me now. |
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3:25 |
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from Cool - Legends (2009)
How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh You're the only one who really knew me at all How can you just walk away from me, when all I can do is watch you leave Cos we've shared the laughter and the pain and even shared the tears You're the only one who really knew me at all So take a look at me now, cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, well there's just an empty space And you coming back to me is against the odds and that's what I've got to face. I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, well there's just an empty space And there's nothing left here to remind me, just the memory of your face Just take a look at me now, cos there's just an empty space But to wait for you, is all I can do and that's what I've got to face Just take a look at me now, cos I'll still be standing here And you coming back to me is against all odds It's a chance I've got to take. Just take a look at me now. |
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1:32 |
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from Genesis - Selling England By The Pound (1973)
"I don't belong here," said old Tessa out loud.
"Easy, love, there's the Safe Way Home." - And, thankful for her Fine Fair discount, Tess Co-operates Still alone in o-hell-o - See the deadly nightshade grow ENGLISH RIBS OF BEEF CUT DOWN TO 47P. LB PEEK FREANS FAMILY ASSORTED FROM 17 1/2 P to 12P FAIRY LIQUID GIANT-SLASHED FROM 20P. TO 17% 1/2 P TABLE JELLYS AT 4P EACH ANCHOR BUTTER DOWN TO 11P. FOR A 1/2 LB BIRDS EYE DAIRY CREAM SPONG ON OFFER THIS WEEK. It's Scrambled Eggs |
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from Genesis - Wind And Wuthering (1977)
Loving Couple:
I can't see you but I know you're there. Got to get beside you cos it's really cold out here. Come up close to me you'll soon be warm. Hold me tightly like we're sheltering from a storm. Mouse: Think I might go out for a stroll Into the night, and out of this hole. Maybe find me a meal. Walking along this new shag pile Presents a problem all the while. Nearly the door. Suddenly he bumps into wood, the door is closed. A voice from the bed, he'll be exposed. Which way to run, must make for the hole, The light's been turned on, he's blind as a mole in coal. Now I can see they're coming at me, They've blocked off my door, I haven't a chance in hell. Couple: Come on baby let the poor thing go. I'm not sleeping with that thing around here, no. Alright then, I'll fetch a box from below, Guard him carefully, they're very quick you know. Mouse: The door's been opened, my chance to escape. Must run out quick, better sorry than late. I'm out on the stairs. They won't catch me now, I've the run of the house now. I'll make it downstairs and into the breadbin. That would be nice. Suddenly he bumps into fur, that's very unwise, A cat is much quicker than men and their eyes. The chase that ensues can have only one end, Unless outside help steps in for our friend in need. But now the cat comes in for the kill, His paw is raised, soon blood will spill, yes it will. Cat: Hard luck mouse, this is the end of your road. The signpost says inside me, let me bear your heavy load. But it's not to be, that final pounce Knocks a jar upon his head, and lays him out. But it's all in a mouse's night To take on all those who would fight. Cat's Story: There I was with my back to the wall, Then comes this monster mouse, he's ten feet tall, With teeth and claws to match. It only took one blow. |
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6:37 |
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from Genesis - Wind And Wuthering (1977)
Loving Couple:
I can't see you but I know you're there. Got to get beside you cos it's really cold out here. Come up close to me you'll soon be warm. Hold me tightly like we're sheltering from a storm. Mouse: Think I might go out for a stroll Into the night, and out of this hole. Maybe find me a meal. Walking along this new shag pile Presents a problem all the while. Nearly the door. Suddenly he bumps into wood, the door is closed. A voice from the bed, he'll be exposed. Which way to run, must make for the hole, The light's been turned on, he's blind as a mole in coal. Now I can see they're coming at me, They've blocked off my door, I haven't a chance in hell. Couple: Come on baby let the poor thing go. I'm not sleeping with that thing around here, no. Alright then, I'll fetch a box from below, Guard him carefully, they're very quick you know. Mouse: The door's been opened, my chance to escape. Must run out quick, better sorry than late. I'm out on the stairs. They won't catch me now, I've the run of the house now. I'll make it downstairs and into the breadbin. That would be nice. Suddenly he bumps into fur, that's very unwise, A cat is much quicker than men and their eyes. The chase that ensues can have only one end, Unless outside help steps in for our friend in need. But now the cat comes in for the kill, His paw is raised, soon blood will spill, yes it will. Cat: Hard luck mouse, this is the end of your road. The signpost says inside me, let me bear your heavy load. But it's not to be, that final pounce Knocks a jar upon his head, and lays him out. But it's all in a mouse's night To take on all those who would fight. Cat's Story: There I was with my back to the wall, Then comes this monster mouse, he's ten feet tall, With teeth and claws to match. It only took one blow. |
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5:36 |
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from Phil Collins 4집 - ...But Seriously (1989)
All of my life, I've been searching
For the words to say how I feel. I'd spend my time thinking too much And leave too little to say what I mean I've tried to understand the best I can All of my life. All of my life, I've been saying sorry For the things I know I should have done All the things I could have said come back to me Sometimes I wish that it had just begun Seems I'm always that little too late All of my life Set 'em up, I'll take a drink with you Pull up a chair, I think I'll stay Set 'em up, cos I'm going nowhere There's too much I need to remember, too much I need to say All of my life, I've been looking But it's hard to find the way Reaching past the goal in front of me While what's important just slips away It doesn't come back but I'll be looking All of my life Set 'em up... All of my life, there have been regrets That I didn't do all I could Making records upstairs, while he watched TV I didn't spend the time I should It's a memory I will live with All of my life. |
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from Phil Collins - All Of My Life (2005)
All of my life, I've been searching For the words to say how I feel. I'd spend my time thinking too much And leave too little to say what I mean I've tried to understand the best I can All of my life. All of my life, I've been saying sorry For the things I know I should have done All the things I could have said come back to me Sometimes I wish that it had just begun Seems I'm always that little too late All of my life Set 'em up, I'll take a drink with you Pull up a chair, I think I'll stay Set 'em up, cos I'm going nowhere There's too much I need to remember, too much I need to say All of my life, I've been looking But it's hard to find the way Reaching past the goal in front of me While what's important just slips away It doesn't come back but I'll be looking All of my life Set 'em up... All of my life, there have been regrets That I didn't do all I could Making records upstairs, while he watched TV I didn't spend the time I should It's a memory I will live with All of my life. |
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3:57 |
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from Genesis, Genesis - Duke (1980)
There's nothing here that I can understand
And no one cares I'm a lonely man I touch your face and I don't know why I call your name but you're going by Now I'm alone again. I have no name for each and every day Until the year is done and fades away There's a time in between the two The old years gone by but it's not the new And I, I know that'll be all Alone again, alone again tonight oh I'm Alone again, alone again tonight oh I'm Alone again, it seems to me that every time I try to change Say that you're say that you'll Help me reach the other side When the morning comes the sun is out And warms me up again What a funny world it is for me And all I'll never be It's not enough, it's not enough This feeling I'm feeling inside Oh I know it I know tonight that I'll be On my own again, alone again tonight Oh I'm alone again, alone again tonight Oh I'm alone again, it seems to me that everytime I try to change Say that you'll, say that you'll Help me reach the other side Help me please cos I know I'm gonna be On my own again alone again tonight |
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3:57 |
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from Genesis, Genesis - Duke (1980)
There's nothing here that I can understand
And no one cares I'm a lonely man I touch your face and I don't know why I call your name but you're going by Now I'm alone again. I have no name for each and every day Until the year is done and fades away There's a time in between the two The old years gone by but it's not the new And I, I know that'll be all Alone again, alone again tonight oh I'm Alone again, alone again tonight oh I'm Alone again, it seems to me that every time I try to change Say that you're say that you'll Help me reach the other side When the morning comes the sun is out And warms me up again What a funny world it is for me And all I'll never be It's not enough, it's not enough This feeling I'm feeling inside Oh I know it I know tonight that I'll be On my own again, alone again tonight Oh I'm alone again, alone again tonight Oh I'm alone again, it seems to me that everytime I try to change Say that you'll, say that you'll Help me reach the other side Help me please cos I know I'm gonna be On my own again alone again tonight |
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5:21 |
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from Grammy Winning Collection Vol. 1 (1994)
She calls out to the man on the street Sir can you help me It's cold and I've nowhere to sleep Is there somewhere you can tell me He walks on doesn't look back He pretends he can't hear her Starts to whistle as he crosses the street Seems embarrassed to be there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Think about it She calls out to the man on the street He can see she's been crying yeah She's got blisters on the soles of her feet She can't walk but she's trying Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it Oh lord Is there nothing more anybody can do Oh lord There must be something you can say You can tell from the lines on her face You can see that she's been there Probably been moved on from every place Cause she didn't fit in there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it Think about it It's just another day for you and me in paradise It's just another day for you and me in paradise Paradise Just think about it Paradise Just think about it |
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5:22 |
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from Hit Bank(14-In-One Originals) (1997)
She calls out to the man
on the street Sir can you help me It's cold and I've nowhere to sleep Is there somewhere you can tell me He walks on doesn't look back He pretends he can't hear her Starts to whistle as he crosses the street Seems embarrassed to be there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise She calls out to the man on the street He can see she's been crying yeah She's got blisters on the soles of her feet She can't walk but she's trying Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Oh lord Is there nothing more anybody can do Oh lord There must be something you can say You can tell from the lines on her face You can see that she's been there Probably been moved on from every place Cause she didn't fit in there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it think about it It's just another day for you and me in paradise It's just another day for you and me in paradise Paradise Just think about it Paradise Just think about it Paradise Paradise |
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5:22 |
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from Phil Collins 4집 - ...But Seriously (1989)
She calls out to the man
on the street Sir can you help me It's cold and I've nowhere to sleep Is there somewhere you can tell me He walks on doesn't look back He pretends he can't hear her Starts to whistle as he crosses the street Seems embarrassed to be there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise She calls out to the man on the street He can see she's been crying yeah She's got blisters on the soles of her feet She can't walk but she's trying Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Oh lord Is there nothing more anybody can do Oh lord There must be something you can say You can tell from the lines on her face You can see that she's been there Probably been moved on from every place Cause she didn't fit in there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it think about it It's just another day for you and me in paradise It's just another day for you and me in paradise Paradise Just think about it Paradise Just think about it Paradise Paradise |
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5:37 |
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from Phil Collins - Serious Hits Live [live] (1990)
She calls out to the man on the street 그녀가 길을 걷고 있는 남자에게 소리쳤어요. "Sir, can you help me? '이봐요 날 좀 도와주시겠어요? It's cold and I've nowhere to sleep, 날씨가 추운데 잘 곳이 없네요. Is there somewhere you can tell me?" 어디 추천해줄 곳 있나요? He walks on, doesn't look back 그는 뒤도 돌아 보지 않고 계속 걸었어. He pretends he can't hear her 그는 그녀의 말을 못 들은척 했어 Starts to whistle as he crosses the street 거리를 가로지르며 휘파람을 불기시작했어 Seems embarrassed to be there 거기있는게 당황스러워 보여서 Oh think twice, 다시한번 생각해 봐요 'Cause it's another day for you and me in paradise 당신과 나는 천국에서 또 하루를 보내고 있어요 Oh think twice 다시한번 생각해 봐요 It's just another day for you you and me in paradise 당신과 나는 천국에서 또 하루를 보내고 있어요 She calls out to the man on the street 그녀는 길위의 남자에게 소리쳤어 He can see she's been crying, yeah 그는 그녀가 울고 있는 것을 볼수 있었지 She's got blisters on the soles of her feet 그녀의 발바닥들은 물집이 생겼네 She can't walk but she's trying 그녀는 걸을 수 없지만,노력하고 있었어 Oh think twice, 다시한번 생각해 봐요 'Cause it's another day for you and me in paradise 당신과 나는 천국에서 또 하루를 보내고 있어요 Oh think twice 다시한번 생각해 봐요 It's just another day for you you and me in paradise 당신과 나는 천국에서 또 하루를 보내고 있어요 Oh lord 오 하나님 Is there nothing more anybody can do? 누군가 해줄 수 있는 일이 아무것도 없나요? Oh lord 오 하나님 There must be something you can say 하실 말씀이 정말 없으신가요 You can tell from the lines on her face 그녀 얼굴의 주름을 보면 알 수 있을 꺼에요 You can see that she's been there, yeah 그녀가 그곳에서 고생을 했다는걸 당신은 아실꺼에요 She's probably been moved on from every place 그녀는 온 세상을 떠돌아 다녔을꺼에요 'Cause she didn't fit in there 왜냐하면 그곳에서 적응 못하는 걸 보면 알수있어요 Oh think twice, 다시한번 생각해 봐요 'Cause it's another day for you and me in paradise 당신과 나는 천국에서 또 하루를 보내고 있어요 Oh think twice 다시한번 생각해 봐요 It's just another day for you you and me in paradise 당신과 나는 천국에서 또 하루를 보내고 있어요 |
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from Phil Collins - Serious Hits Live [live] (1990)
She calls out to the man
on the street Sir can you help me It's cold and I've nowhere to sleep Is there somewhere you can tell me He walks on doesn't look back He pretends he can't hear her Starts to whistle as he crosses the street Seems embarrassed to be there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Think about it She calls out to the man on the street He can see she's been crying yeah She's got blisters on the soles of her feet She can't walk but she's trying Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it Oh lord Is there nothing more anybody can do Oh lord There must be something you can say You can tell from the lines on her face You can see that she's been there Probably been moved on from every place Cause she didn't fit in there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it Think about it It's just another day for you and me in paradise It's just another day for you and me in paradise Paradise Just think about it Paradise Just think about it |
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5:23 |
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from Phil Collins - ...Hits (1998)
She calls out to the man
on the street Sir can you help me It's cold and I've nowhere to sleep Is there somewhere you can tell me He walks on doesn't look back He pretends he can't hear her Starts to whistle as he crosses the street Seems embarrassed to be there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Think about it She calls out to the man on the street He can see she's been crying yeah She's got blisters on the soles of her feet She can't walk but she's trying Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it Oh lord Is there nothing more anybody can do Oh lord There must be something you can say You can tell from the lines on her face You can see that she's been there Probably been moved on from every place Cause she didn't fit in there Oh think twice Cause it's another day for you and me in paradise Oh think twice It's just another day for you you and me in paradise Just think about it Think about it It's just another day for you and me in paradise It's just another day for you and me in paradise Paradise Just think about it Paradise Just think about it |
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4:29 |
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from Genesis, Genesis - Abacab (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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4:29 |
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from Genesis, Genesis - Abacab (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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3:58 |
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from Genesis - Abacab [single] (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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3:58 |
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from Genesis - Abacab [single] (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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4:09 |
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from Genesis, Genesis - Invisible Touch (1986)
You know
You decorate the garage wall Hang in people's halls Live in secret drawers If you could look around you Wonder what you'd see Fiction That's all you really are I know Editorial dreams They can't make you real Tell me where you came from And where you're going to I won't ever no I'll never get to know her Or be the cause of anything she does I won't ever no I'll never get to know her Do you think this aching could be love? You know You've figured in some fantasies You would not believe What you've had to do Life goes on around you All because of you I won't ever no I'll never... You know That in twenty years or more You still look the same As you do today You'll still be a young girl When I'm old and grey I won't ever no I'll never |
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from Genesis - Visible Touch [video, live] (1987)
You know
You decorate the garage wall Hang in people's halls Live in secret drawers If you could look around you Wonder what you'd see Fiction That's all you really are I know Editorial dreams They can't make you real Tell me where you came from And where you're going to I won't ever no I'll never get to know her Or be the cause of anything she does I won't ever no I'll never get to know her Do you think this aching could be love? You know You've figured in some fantasies You would not believe What you've had to do Life goes on around you All because of you I won't ever no I'll never... You know That in twenty years or more You still look the same As you do today You'll still be a young girl When I'm old and grey I won't ever no I'll never |
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from Genesis - The VIdeo Show [video] (2004)
You know
You decorate the garage wall Hang in people's halls Live in secret drawers If you could look around you Wonder what you'd see Fiction That's all you really are I know Editorial dreams They can't make you real Tell me where you came from And where you're going to I won't ever no I'll never get to know her Or be the cause of anything she does I won't ever no I'll never get to know her Do you think this aching could be love? You know You've figured in some fantasies You would not believe What you've had to do Life goes on around you All because of you I won't ever no I'll never... You know That in twenty years or more You still look the same As you do today You'll still be a young girl When I'm old and grey I won't ever no I'll never |
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from Genesis - The Lamb Lies Down On Broadway (1974)
All the pumping's nearly over for my sweet heart,
This is the one for me. Time to meet the chef, O boy! running man is out of death. Feel cold and old, it's getting hard to catch my breath. It's back to ash, 'now you've had your flash boy' The rocks, in time, compress Your blood to oil, Your flesh to coal, Enrich the soil, Not everbody's goal. Anyway, they say she comes on a pale horse, But I'm sure I hear a train. O boy! I don't even feel no pain - I guess I must be driving myself insane. Damn it all! Does earth plug a hole in heaven, Or heaven plug a hole in earth - 'how wonderful to be so Profound, When everything you are is dying underground.' I feel the pull on the rope, let me off at the rainbow, I could have been exploded in space Different orbits for my bones Not me, just quietly buried in stones. Keep the deadline open with my maker! See me stretch; for God's elastic acre The doorbell rings and it's "Good morning Rael So sorry you had to wait, It won't be long, yeh! She's very rarely late." |
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3:08 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
All the pumping's nearly over for my sweet heart,
This is the one for me. Time to meet the chef, O boy! running man is out of death. Feel cold and old, it's getting hard to catch my breath. It's back to ash, 'now you've had your flash boy' The rocks, in time, compress Your blood to oil, Your flesh to coal, Enrich the soil, Not everbody's goal. Anyway, they say she comes on a pale horse, But I'm sure I hear a train. O boy! I don't even feel no pain - I guess I must be driving myself insane. Damn it all! Does earth plug a hole in heaven, Or heaven plug a hole in earth - 'how wonderful to be so Profound, When everything you are is dying underground.' I feel the pull on the rope, let me off at the rainbow, I could have been exploded in space Different orbits for my bones Not me, just quietly buried in stones. Keep the deadline open with my maker! See me stretch; for God's elastic acre The doorbell rings and it's "Good morning Rael So sorry you had to wait, It won't be long, yeh! She's very rarely late." |
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5:43 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
I see faces and traces of home back in New York City -
So you think I'm a tough kid? Is that what you heard? And well I like to see some action and it gets into my blood. They call me the trail blazer - Rael - electric razor I'm the pitcher in the chain gang, we don't believe in pain 'Cos we're only as strong, as we're only as strong, as the weakest link in the chain. Let me out of Pontiac when I was just seventeen, I had to get it out of me, if you know what I mean, what I mean. You say I must be crazy, 'cos I don't care who I hit, who I hit. But I know it's me that's hitting out and I'm not full of shit. I don't care who I hurt, I don't care who I do wrong. This is your mess I'm stuck in, I really don't belong. When I take out my bottle, filled up high with gasoline, You can tell by the night fires where Rael has been, has been. As I cuddled the porcupine He said I had none to blame, but me. Held my heart, deep in hair, Time to shave, shave it off, it off. No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! Off we go. Off we go. Off we go. Off we go. You're sitting in your comfort you don't believe I'm real, You cannot buy protection from the way that I feel. Your progressive hypocrites hand out their trash, But it was mine in the first place, so I'll burn it to ash. And I've tasted all the strongest meats, And laid them down in coloured sheets. Laid them down in coloured sheets. Who needs illusion of love and affection When you're out walking in the streets with your mainline Connection? connection. As I cuddled the porcupine He said I had none to blame, but me. Held my heart, deep in hair, Time to shave, shave it off, it off. No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! |
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from Genesis - The Lamb Lies Down On Broadway (1974)
I see faces and traces of home back in New York City -
So you think I'm a tough kid? Is that what you heard? And well I like to see some action and it gets into my blood. They call me the trail blazer - Rael - electric razor I'm the pitcher in the chain gang, we don't believe in pain 'Cos we're only as strong, as we're only as strong, as the weakest link in the chain. Let me out of Pontiac when I was just seventeen, I had to get it out of me, if you know what I mean, what I mean. You say I must be crazy, 'cos I don't care who I hit, who I hit. But I know it's me that's hitting out and I'm not full of shit. I don't care who I hurt, I don't care who I do wrong. This is your mess I'm stuck in, I really don't belong. When I take out my bottle, filled up high with gasoline, You can tell by the night fires where Rael has been, has been. As I cuddled the porcupine He said I had none to blame, but me. Held my heart, deep in hair, Time to shave, shave it off, it off. No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! Off we go. Off we go. Off we go. Off we go. You're sitting in your comfort you don't believe I'm real, You cannot buy protection from the way that I feel. Your progressive hypocrites hand out their trash, But it was mine in the first place, so I'll burn it to ash. And I've tasted all the strongest meats, And laid them down in coloured sheets. Laid them down in coloured sheets. Who needs illusion of love and affection When you're out walking in the streets with your mainline Connection? connection. As I cuddled the porcupine He said I had none to blame, but me. Held my heart, deep in hair, Time to shave, shave it off, it off. No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! |
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4:50 |
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from Genesis, Genesis - And Then There Were Three (1978)
Big Jim Cooley commanded respect,
Whatever he wanted he could get. The badge on his waistcoat shone in the sun. It ain't no lie, Big Jim was feared by everyone. In the saloon one evening Big took a bet With a rancher whose name I forget. He wanted a herd taken over the plain, And he called Jim "yellow," He'll never do that again. He got mad! He threw his badge on the floor and walked out, He's gonna give it a try, he left no doubt. "Must be mad, must be mad!" The people wished him well, and good luck. "Hell, I don't need it!" he laughed, got on His horse and rode away. Over on the trail Jim 'n' his crew of five Were trying their best to keep the cattle alive. The weather was hard, but so were the men. Though I don't think even Jim will try this trip again. His horses were edgy, sensing trouble ahead. But the trouble didn't start till the men were in bed A-whooping and a-hollering and flashing their knives, Big Jim and his men were jumped By an all-star Indian tribe. He was scared, Big Jim was scared. Alive, they called him lucky, but not today. Cos he died like all good cowboys With his boots on next to his men. Big Jim, he still won't lie down, For him the bet is still on. Some say he rides there, cursing still. Some say they've seen him. |
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4:51 |
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from Genesis, Genesis - And Then There Were Three (1978)
Big Jim Cooley commanded respect,
Whatever he wanted he could get. The badge on his waistcoat shone in the sun. It ain't no lie, Big Jim was feared by everyone. In the saloon one evening Big took a bet With a rancher whose name I forget. He wanted a herd taken over the plain, And he called Jim "yellow," He'll never do that again. He got mad! He threw his badge on the floor and walked out, He's gonna give it a try, he left no doubt. "Must be mad, must be mad!" The people wished him well, and good luck. "Hell, I don't need it!" he laughed, got on His horse and rode away. Over on the trail Jim 'n' his crew of five Were trying their best to keep the cattle alive. The weather was hard, but so were the men. Though I don't think even Jim will try this trip again. His horses were edgy, sensing trouble ahead. But the trouble didn't start till the men were in bed A-whooping and a-hollering and flashing their knives, Big Jim and his men were jumped By an all-star Indian tribe. He was scared, Big Jim was scared. Alive, they called him lucky, but not today. Cos he died like all good cowboys With his boots on next to his men. Big Jim, he still won't lie down, For him the bet is still on. Some say he rides there, cursing still. Some say they've seen him. |
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5:33 |
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from Genesis, Genesis - Duke (1980)
I held the book so tightly in my hands
I saw your picture, heard you call my name There was something strange, I could not look away I wanted to be there, I wanted to go You gave me no warning, you gave no reason But I was with you, right by your side Just give me the strength and I can help you They can try their hardest, they don't frighten me It's written in the book It's hotter than I've known before But I feel so cold and I don't know why But if the fire within your heart can beat the storm Then I really believe you could make it right The time has come now, we must show our feelings But I'm looking right through you and your heart is empty Whatever happened to you, it's too late to change now There's nowhere you can run to, no place to hide Ah, you let me down ...but wait a minute, I don't understand It's getting stronger, so grab my hand Don't wanna leave you, don't wanna go But I'm losing all control Can't you see me, I'm slipping away I can only stay if you've the will to keep me here It's written in the book Oh, so many times since hten I've read those words Just waiting to see you, can you see me |
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5:31 |
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from Genesis, Genesis - Duke (1980)
I held the book so tightly in my hands
I saw your picture, heard you call my name There was something strange, I could not look away I wanted to be there, I wanted to go You gave me no warning, you gave no reason But I was with you, right by your side Just give me the strength and I can help you They can try their hardest, they don't frighten me It's written in the book It's hotter than I've known before But I feel so cold and I don't know why But if the fire within your heart can beat the storm Then I really believe you could make it right The time has come now, we must show our feelings But I'm looking right through you and your heart is empty Whatever happened to you, it's too late to change now There's nowhere you can run to, no place to hide Ah, you let me down ...but wait a minute, I don't understand It's getting stronger, so grab my hand Don't wanna leave you, don't wanna go But I'm losing all control Can't you see me, I'm slipping away I can only stay if you've the will to keep me here It's written in the book Oh, so many times since hten I've read those words Just waiting to see you, can you see me |
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3:55 |
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from Phil Collins 1집 - Face Value (1981)
I held the book so tightly in my hands, I saw your picture, heard you call my name It was strange I could not look away I had to be there, I wanted to go You gave me no reason you gave me no warning But I was with you, by your side Give me the strength, so I can help you And I can be strong now, they don't frighten me It's written in the book The sun is hotter than before But inside it's cold, I wonder why But if the fire within your heart can beat the storm Well I believe we can make it right It's time now to show our feelings Looking through you your heart's empty Whatever happened to you, you can't change it, Nowhere to run to, please, oh please don't let me down But wait a minute I don't understand it's getting stronger, hold my hand Don't want to leave you I don't want to go But I'm a' losing all control Can't you see me I'm slipping away I can only stay if you've the will to keep me here Oh Lord It's written in the book I held the book so tightly in my hands Saw your picture, heard you call my name Oh, and even though we never, never touched I keep waiting for you just the same La la la la la la la la la la la La la la la la la la la la la la... |
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from Genesis - Three Sides Live [video, live] (1982)
I held the book so tightly in my hands
I saw your picture, heard you call my name There was something strange, I could not look away I wanted to be there, I wanted to go You gave me no warning, you gave no reason But I was with you, right by your side Just give me the strength and I can help you They can try their hardest, they don't frighten me It's written in the book It's hotter than I've known before But I feel so cold and I don't know why But if the fire within your heart can beat the storm Then I really believe you could make it right The time has come now, we must show our feelings But I'm looking right through you and your heart is empty Whatever happened to you, it's too late to change now There's nowhere you can run to, no place to hide Ah, you let me down ...but wait a minute, I don't understand It's getting stronger, so grab my hand Don't wanna leave you, don't wanna go But I'm losing all control Can't you see me, I'm slipping away I can only stay if you've the will to keep me here It's written in the book Oh, so many times since hten I've read those words Just waiting to see you, can you see me |
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3:26 |
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from Phil Collins - Going Back [remake] (2010)
Where has my love gone?
How can I go on? It seems dear love has gone away Where is my spirit? I'm nowhere near it, Oh yes, my love has gone astray But I'll blame it on the sun, The sun that didn't shine, I'll blame it on the wind and the trees I'll blame it on the time that never was enough, I'll blame it on the tide and the sea, But, my heart blames it on me Who poured the love out? What made this bitter doubt? Is peace not here for me to see? Wish I could tell you, What I am feeling, But, words won't come for me to speak But I'll blame it on the sun, That didn't fill the sky, I'll blame it on the birds and the trees I'll blame it on the day that ended once too soon, I'll blame it on the nights that could not be, But, my heart blames it on me Yeh, yeh, yeh, ooh, Your heart blames it on you this time |
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from Genesis - Wind And Wuthering (1977)
(Written by Phil Collins/Steve Hackett)
Dark and grey, an English film, the Wednesday Play We always watch the Queen on Christmas Day, Won't you stay? Though your eyes see shipwrecked sailors you're still dry The outlook's fine though Wales might have some rain Saved again. Let's skip the news boy (I'll make some tea) Arabs and Jews boy (too much for me) They get me confused boy (puts me off to sleep) And the thing I hate - Oh Lord! Is staying up late, to watch some debate, on some nation's fate. Hypnotised by Batman, Tarzan, still surprised! You've won the West in time to be our guest Name your prize! Drop of wine, a glass of beer dear what's the time? The grime on the Tyne is mine, all mine, all mine. Five past nine. Blood on the rooftops - Venice in the Spring The Streets of San Francisco - a word from Peking The trouble was started - by a young Errol Flynn Better in my day - Oh Lord! For when we got bored, we'd have a world war, happy but poor So let's skip the news boy (I'll go make that tea) Blood on the rooftops (too much for me) When old Mother Goose stops - and they're out for 23 Then the rain at Lords stopped play Seems Helen of Troy has found a new face again. |
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5:27 |
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from Genesis - Wind And Wuthering (1977)
(Written by Phil Collins/Steve Hackett)
Dark and grey, an English film, the Wednesday Play We always watch the Queen on Christmas Day, Won't you stay? Though your eyes see shipwrecked sailors you're still dry The outlook's fine though Wales might have some rain Saved again. Let's skip the news boy (I'll make some tea) Arabs and Jews boy (too much for me) They get me confused boy (puts me off to sleep) And the thing I hate - Oh Lord! Is staying up late, to watch some debate, on some nation's fate. Hypnotised by Batman, Tarzan, still surprised! You've won the West in time to be our guest Name your prize! Drop of wine, a glass of beer dear what's the time? The grime on the Tyne is mine, all mine, all mine. Five past nine. Blood on the rooftops - Venice in the Spring The Streets of San Francisco - a word from Peking The trouble was started - by a young Errol Flynn Better in my day - Oh Lord! For when we got bored, we'd have a world war, happy but poor So let's skip the news boy (I'll go make that tea) Blood on the rooftops (too much for me) When old Mother Goose stops - and they're out for 23 Then the rain at Lords stopped play Seems Helen of Troy has found a new face again. |
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6:38 |
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from Phil Collins 5집 - Both Sides (1993)
Find yourself in the gutter in a lonely part of town Where death waits in the
darkness with a weapon to cut some stranger down Sleeping with an empty bottle, he's a sad and an empty hearted man All he needs is a job, a little respect, so he can get out while he can We always need to hear both sides of the story A neighbourhood peace is shattered it's the middle of the night Young faces hide in the shadows, while they watch their mother and father fight He says she's been unfaithful, she says her love for him has gone And the brother shrugs to his sister, and says "looks like it's just us from now on" We always need to hear both sides of the story . *And the lights are all on, the world is watching now People looking for truth, we must not fail them now Be sure, before we close our eyesDon't walk away from here 'Til you hear both sides Here we are all gathered in what seems to be the centre of the storm Neighbours once friendly now stand each side of the line that has been drawn They've been fighting here for years, but now there's killing on the streets . While small coffins are lined up sadly, now united in defeat . We always need to hear both sides of the story *(Repeat) White man turns the corner, finds himself within a different world . Ghetto kid grabs his shoulder, Throws him up against the wall He says "Would you respect me if I didn't have this gun 'cos without it, I don't get it, and that's why I carry one" We always need to hear both sides of the story |
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6:37 |
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from Phil Collins - ...Hits (1998)
Find yourself in the gutter in a lonely part of town where death waits in the darkness with a weapon to cut some stranger down sleeping with an empty bottle, he's a sad and an empty hearted man all he needs is a job, and a little respect, so he can get out while he can We always need to hear both sides of the story A neighbourhood peace is shattered it's the middle of the night young faces hide in the shadows, while they watch their mother and father fight he says she's been unfaithful, she says her love for him has gone and the brother shrugs to his sister and says "looks like it's just us from now on" We always need to hear both sides of the story And the lights are all on, the world is watching now people looking for truth, we must not fail them now be sure, before we close our eyes don't walk away from here 'til you hear both sides Here we are all gathered in what seems to be the centre of the storm neighbours once friendly now stand each side of the line that has been drawn they've been fighting here for years, but now there's killing on the streets while small coffins are lined up sadly, now united in defeat We always need to hear both sides of the story And the lights are all on, the world is watching now people looking for truth, we must not fail them now be sure, before we close our eyes don't walk away from here 'til you see both sides White man turns the corner, finds himself within a different world ghetto kid grabs his shoulder, throws him up against the wall he says "would you respect me if I didn't have this gun 'cos without it, I don't get it, and that's why I carry one" We always need to hear both sides of the story |
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0:33 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
Echoes of the Broadway Everglades,
With her mythical madonnas still walking in their shades; Lenny Bruce, declares a truce and plays his other hand. Marshall Mcluhan, casual viewin' ead buried in the sand. Sirens on the rooftops wailing, but there's no ship sailing. Groucho, with his movies trailing, stands alone with his punchline failing. Klu Klux Klan serve hot soul food as the band plays 'In the Mood' The cheerleader waves her cyanide wand, there's a smell of peach blossom and bitter almonde. Caryl Chessman sniffs the air and leads the parade, he knows In a scent, you can bottle all you made. There's Howard Hughes in blue suede shoes, smiling at the Majorettes smoking Winston Cigarettes. And as the song and dance begins, the children play at home with needles; needles and pins. |
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from Genesis - The Lamb Lies Down On Broadway (1974)
Echoes of the Broadway Everglades,
With her mythical madonnas still walking in their shades; Lenny Bruce, declares a truce and plays his other hand. Marshall Mcluhan, casual viewin' ead buried in the sand. Sirens on the rooftops wailing, but there's no ship sailing. Groucho, with his movies trailing, stands alone with his punchline failing. Klu Klux Klan serve hot soul food as the band plays 'In the Mood' The cheerleader waves her cyanide wand, there's a smell of peach blossom and bitter almonde. Caryl Chessman sniffs the air and leads the parade, he knows In a scent, you can bottle all you made. There's Howard Hughes in blue suede shoes, smiling at the Majorettes smoking Winston Cigarettes. And as the song and dance begins, the children play at home with needles; needles and pins. |
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7:09 |
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from Genesis, Genesis - And Then There Were Three (1978)
The warming sun, the cooling rain
The snowflake drifting on the breath of the breeze, The lightning bolt that frees the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You climbed upon a burning rope to escape the Mob below, But you had put the flaming out so That others could now follow, To be out of the bounds and the barks Of those who do not wish you well. You must blaze a train of your own, unknown, alone, But keep in mind Don't live today for tomorrow like you were immortal. The onl survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You're old and disillusioned now As you realize that at last, That all you have accomplished here Will have soon all turned to dust. You dream of a future after life, Well that's as maybe, I don't know But you can't take what you left behind, You're all alone. So keep in mind Don't live today for tomorrow Like you were immortal The only survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. |
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7:10 |
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from Genesis, Genesis - And Then There Were Three (1978)
The warming sun, the cooling rain
The snowflake drifting on the breath of the breeze, The lightning bolt that frees the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You climbed upon a burning rope to escape the Mob below, But you had put the flaming out so That others could now follow, To be out of the bounds and the barks Of those who do not wish you well. You must blaze a train of your own, unknown, alone, But keep in mind Don't live today for tomorrow like you were immortal. The onl survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You're old and disillusioned now As you realize that at last, That all you have accomplished here Will have soon all turned to dust. You dream of a future after life, Well that's as maybe, I don't know But you can't take what you left behind, You're all alone. So keep in mind Don't live today for tomorrow Like you were immortal The only survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. |
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5:09 |
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from Phil Collins 5집 - Both Sides (1993)
I've been doing some thinking, here on my own
it's been on my mind this debt I owe to you I have to repay in kind But I can't find my way Tired and weary, I follow the path that leads to your door but it occurred to me, all that I have is already yours But I can't find my way Oh, just to sit a while Oh, just to sit and watch you smile But I can't find my way Keep the faith you say to keep the faith I pray be strong you say just follow the light Wheels keep turning but the close I get the farther I seem peace will only come finding the peace within But I can't find my way |
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from Phil Collins - Can't Stop Loving You (2002)
So you're leavin'
In the mornin' On the early train. Well I could say Everything's all right And I could pretend And say goodbye. Got your ticket, Got your suitcase, Got your leaving smile, Though I could say that's the way it goes, And I could pretend you won't know That I was lying... Cause I can't stop loving you, No, I can't stop loving you, No, I won't stop loving you, Why should I? We took a taxi, to the station, not a word was said. and I saw you walk across the road for maybe the last time, I don't know. Feeling humble heard a rumble on the railway track and when I hear the whistle blow, I'll walk away and you won't know, that I'll be crying... Cause I can't stop loving you, No, I can't stop loving you, No, I won't stop loving you, Why should I? Even try, I'll always be here by your side. Why, why, why? I never wanted to say, Why even try? I'm always here, if you change, Change your mind. So you're leavin', In the mornin', On the early train. Well, I could say everything's alright, And I could pretend and say goodbye, But that would be lying... Cause I can't stop loving you, No, I can't stop loving you, No, I won't stop loving you, Why should I? Cause I can't stop loving you, No, I can't stop loving you, No, I won't stop loving you, Why should I? Why should I? Why should I? tell me, Why should I, even try? |
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4:16 |
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from Phil Collins 7집 - Testify (2002)
So you're leaving In the morning On the early train Well I could say everything's alright And I could pretend and say good bye Got your ticket Got your suitcase Got your leaving smile I could say that's the way it goes And I could pretend and you won't know That I was lying Cause I can't stop loving you No I can't stop loving you No I won't stop loving you Why should I We took a taxi to the station Not a word was said I saw you walk across the road For maybe the last time, I don't know Feeling humble Heard the rumble On the railway track And when I hear the whistle blow I walk away and you won't know That I'll be crying Cause I can't stop loving you No, I can't stop loving you No I won't stop loving you Why should I (Even try) I'll always be here by your side (why why why) I never wanted to say goodbye (why even try) I'm always here if your change, change your mind So you're leaving In the morning On the early train Well I could say everything's alright And I could pretend and say good bye The guy would be lying Because I can't stop loving you No I can't stop loving you No I won't stop loving you Why should I Even try Because I can't stop loving you No I can't stop loving you No I won't stop loving you Why should I Why should I Why should I Tell me why Why should I Even try
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4:41 |
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from Phil Collins 5집 - Both Sides (1993)
Could've given you everything that you need
but I cannot turn back the years The perfect love was all you wanted from me but I cannot turn back the years So we have to be strong, and I'm finding that hard we have to move on, but no matter how hard I try if your heart's in pieces, you look for the truth and when I look deep down inside I know, it's too bad I love you Sometimes, hits me in the morning, hits me at night that I cannot turn back the years so I look out my window, turn off my light but I cannot turn back the years Can't make it seem easy, when you're all that I see can't live in a dream and I won't serenade the truth people are hurting and they're looking to me and I look at you there's nothing more to say, it's too bad I love you But I'm never gonna give it up All that I lived for, all that I dreamed but I cannot turn back the years You're the water I drink, you're the air that I breathe but I cannot turn back the years So we have to be strong, and I'm finding that hard we have to move on, but no matter how hard I try if your heart's in pieces, you look for the truth and when I look deep down inside I know, it's too bad I love you But I'm never gonna give it up |
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5:45 |
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from Genesis, Genesis - Foxtrot (1972)
The scattered pages of a book by the sea
Held by the sand, washed by the waves A shadow forms cast by a cloud, Skimming by as eyes of the past, but the rising tide Absorbs them effortlessly claiming. They told of one who tired of all singing, "Praise him, praise him." "We heed not flatterers," he cried, "By our command, waters retreat, Show my power, halt at my feet," But the cause was lost, Now cold winds blow. For from the north overcast ranks advance Fear of the storm accusing with rage and scorn. The waves surround the sinking throne Singing "Crown him, crown him," "Those who love our majesty show themselves!" All bent their knees. But he forced a smile even though His hopes lay dashed where offerings fell (where they fell). "Nothing can my peace destroy as long as none smile." More opened ears and opened eyes, And soon they dared to laugh. See a little man with his face turning red Though his story's often told you can tell he's dead. |
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5:15 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
There is lambswool under my naked feet,
The wool is soft and warm, - 'Gives off some kind of heat. A salamander scurries into flame to be destroyed. Imaginary creatures are trapped in birth on celluloid. The fleas cling to the golden fleece, Hoping they'll find peace. Each thought and gesture are caught in celluloid. There's no hiding in my memory. There's no room to avoid. The crawlers cover the floor in the red ochre corridor. For my second sight of people, they've more lifeblood than before. They're moving in time to a heavy wooden door, Where the needle's eye is winking, closing on the poor. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." There's only one direction in the faces that I see; It's upward to the ceiling, where the chamber's said to be. Like the forest fight for sunlight, that takes root in every tree, There are pulled up by the magnet, believeing they're free. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." Mild mannered supermen are held in kryptonite, And the wise and foolish virgins giggle with their bodies glowing bright. Through the door a harvest feast is lit by candlelight; It's the bottom of a staircase that spirals out of sight. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." The porcelain mannikin with shattered skin fears attack. The eager pack lit up their pitchers - they carry all they lack. The liquid has congealed, which has seeped out through the crack. And the tickler takes his sticleback. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." |
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5:20 |
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from Genesis, Genesis - Seconds Out [live] (1977)
There is lambswool under my naked feet,
The wool is soft and warm, - 'Gives off some kind of heat. A salamander scurries into flame to be destroyed. Imaginary creatures are trapped in birth on celluloid. The fleas cling to the golden fleece, Hoping they'll find peace. Each thought and gesture are caught in celluloid. There's no hiding in my memory. There's no room to avoid. The crawlers cover the floor in the red ochre corridor. For my second sight of people, they've more lifeblood than before. They're moving in time to a heavy wooden door, Where the needle's eye is winking, closing on the poor. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." There's only one direction in the faces that I see; It's upward to the ceiling, where the chamber's said to be. Like the forest fight for sunlight, that takes root in every tree, There are pulled up by the magnet, believeing they're free. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." Mild mannered supermen are held in kryptonite, And the wise and foolish virgins giggle with their bodies glowing bright. Through the door a harvest feast is lit by candlelight; It's the bottom of a staircase that spirals out of sight. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." The porcelain mannikin with shattered skin fears attack. The eager pack lit up their pitchers - they carry all they lack. The liquid has congealed, which has seeped out through the crack. And the tickler takes his sticleback. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." |
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from Genesis - The VIdeo Show [video] (2004)
There is lambswool under my naked feet,
The wool is soft and warm, - 'Gives off some kind of heat. A salamander scurries into flame to be destroyed. Imaginary creatures are trapped in birth on celluloid. The fleas cling to the golden fleece, Hoping they'll find peace. Each thought and gesture are caught in celluloid. There's no hiding in my memory. There's no room to avoid. The crawlers cover the floor in the red ochre corridor. For my second sight of people, they've more lifeblood than before. They're moving in time to a heavy wooden door, Where the needle's eye is winking, closing on the poor. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." There's only one direction in the faces that I see; It's upward to the ceiling, where the chamber's said to be. Like the forest fight for sunlight, that takes root in every tree, There are pulled up by the magnet, believeing they're free. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." Mild mannered supermen are held in kryptonite, And the wise and foolish virgins giggle with their bodies glowing bright. Through the door a harvest feast is lit by candlelight; It's the bottom of a staircase that spirals out of sight. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." The porcelain mannikin with shattered skin fears attack. The eager pack lit up their pitchers - they carry all they lack. The liquid has congealed, which has seeped out through the crack. And the tickler takes his sticleback. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." |
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5:23 |
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| from Phil Collins Big Band - A Hot Night In Paris (1999) | |||||
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10:58 |
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| from Genesis, Genesis - Seconds Out [live] (1977) | |||||
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8:13 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
i) The Arrival
Rael: I wandered lonely as a cloud Till I came upon this dirty street I've never seen a stranger crowd Slubberdegullions on squeaky feet Continually pacing With nonchalant embracing Each orifice disgracing And one facing me Moves to say "hellay" Your skin's all covered in slimy lumps With lips that slide across each chin His twisted limbs like rubber stumps Are waved in welcome Say "Please join in:" My grip must be flipping 'Cause his handshake keeps slipping My hopes keep on dipping And his lips keep on Smiling all the time Slipperman: "We, like you Have tasted love Don't be alarmed At what you see You yourself Are just the same As what you see in me" Rael: Me Like you? Like that!? Slipperman: "You better watch it, son Your sentence has only just begun You better run and join your brother John" ii) A Visit to the Doktor Slipperman: "You're in the colony of slippermen There's no who, why What or when You can get out If you've got the gripe To see, Doktor Dyper Reformed sniper He'll whip off Your windscreenwiper" Rael: John and I are able To face the Doktor And his marble table He said... The Doktor: Understand, Rael That's the end of your tail Rael: "Don't delay Dock the dick!" I watch his countdown Timer tick... iii) The Raven He places the number into a tube It's a yellow plastic Shoobedoobe It says: "Though your fingers may tickle You'll be safe in our pickle" Suddenly, black cloud Come down from the sky Its a supersized black bird That sure can fly The raven brings on Darkness and night He flies right down Gives me one hell of a fright He takes the tube Right out of my hands Man, I've got to find Where that black bird lands "Look here, John I've got to run I need you now You're going to come?" He says to me... John: "Now can't you see Where the raven flies There's jeopardy? We've been cured on the couch Now you're sick with your grouch I'll not risk my honey pouch Which my slouch Will wear slung very low" Rael: He walks away And leaves me once again Even though I never learn I'd hoped he'd show Just some concern Some concern Ah... Some concern I'm in the agony of Slipperpain I pray my undercarriage will sustain The chase is on The pace is hot But I'm running so very hard With everything That I've got He leads me down an underpass Though it narrows He still flies very fast When the tunnel stops Catch sight of the tube Just as it drops I'm on top of a bank Too steep to climb I see it hit the water Just in time To watch it float away Watch it float away Watch it float away... |
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8:51 |
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from Phil Collins 4집 - ...But Seriously (1989)
Deep inside the border Children are crying Fighting for food Holding their heads Breaking their bread with a stone All along the roadside people are standing watching the sun shielding their eyes Brushing the flies from their face Tell me, what can you say Tell me, who do you blame Like a mirror you see yourself These people each have a name All around the township Young men are dying (of) hunger and thirst The well has run dry The tears from her eye feeds her son Tell me... You can say you're pulling back We see the pictures everywhere But what we don't see is what's Going on behind the closed doors And you don't seem to care Do you expect me to believe you How can you really think You can take your horse down to the water Hold a gun at his head And make him drink No matter what you say, it never gets any better No matter what you do, we never see any change People living without rights Without their dignity How loud does one man have to shout To earn his right to be free You can keep your toy soldiers To segregate the black and white But when the dust settles And the blood stops running How do you sleep at night? No matter what you say... What makes you so high and mighty What makes you so qualified You can sit there and say How many have their freedom But how many more have died You decide to sit in judgement Trying to play God yourself Someday soon the buck is gonna stop Stop with you and noone else No matter... |
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from Phil Collins - Come With Me (1983)
I'll try to make the sunshine
Brighter for you Now we're leaving beautiful There's a tear in your eyes After all is said After all is done I'll do anything for you Come with me Close your eyes Hold my hands and feel alright Don't be scared Don't be shy Lift your head It's gonna be alright I'll try to make the star shine Brighter for you and I'll take you in the shoulder Holding you way up high I even chase the rainbow Handed it in the sky After all is said After all is done I'll do anything for you Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright Through the eyes of innocence You will find You will see They'll come in time all make sense And you won't know That it will show inside Deep inside Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright I'll try to make the days last longer for you From the daybreak to the sunset to the end of time I'll keep you safe away from the hurting Cause when all is said When all is done I'll do anything for you Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright |
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4:32 |
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from Phil Collins 7집 - Testify (2002)
I'll try to make the sunshine
Brighter for you Now we're leaving beautiful There's a tear in your eyes After all is said After all is done I'll do anything for you Come with me Close your eyes Hold my hands and feel alright Don't be scared Don't be shy Lift your head It's gonna be alright I'll try to make the star shine Brighter for you and I'll take you in the shoulder Holding you way up high I even chase the rainbow Handed it in the sky After all is said After all is done I'll do anything for you Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright Through the eyes of innocence You will find You will see They'll come in time all make sense And you won't know That it will show inside Deep inside Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright I'll try to make the days last longer for you From the daybreak to the sunset to the end of time I'll keep you safe away from the hurting Cause when all is said When all is done I'll do anything for you Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright |
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from Genesis - The VIdeo Show [video] (2004)
You say that I put chains on you
But I don't think that's really true But if you want to be free from me You gotta lose me in another world Send me to the Congo I'm free to leave There's always somewhere anybody can lead Send me to the Congo you have to believe You can do it if you wanna just do what you please Like a soldier ant I will wait for the signal to act To take a walk right through the door If you don't want me here any more Send me to the Congo I'm free to leave There's always somewhere anybody can lead Send me to the Congo you have to believe You can do it if you wanna just do what you please Into my heart you came And gave a whole new meaning to my life Into my world you brought a light I thought it never would go out Send me to the Congo I'm free to leave There's always somewhere anybody can lead Send me to the Congo you have to believe You can do it if you wanna just do what you please You can send me to the Congo I'm free to leave There's always somewhere anybody can lead Yes you can send me to the Congo, you have to believe You can do it if you wanna just do what you please I would never be the one to say you had no reason To want me somewhere else far far away But someday you may understand, someday you will see That someone who would die for you is all I've ever been Congo the Congo, if that's how it's got to be Congo the Congo, if that's what you want from me I would never be the one to say you had no reason To want me somewhere else far far away Someday you may understand someday you will see |
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3:42 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
I'm counting out time,
Got the whole thing down by numbers, All those numbers! Give me guidance! O Lord I need that now. That day of judgement's come, And you can bet that I've been resting, For this testing. Digesting every word the experts say. Erogenous zones I love you. Without you, what would a poor boy do? Found a girl I wanted to date, Thought I'd better get it straight. Went to buy a book before's too late. Don't leave nothing to fate. And I have studied every line, every page in the book, And now I've got the real thing here, I'm gonna take a look, Take a look. This is it Rael! I'm counting out time, hoping it goes like I planned it, 'Cos I understand it. Look! I've found the hotspots, Figures 1-9. - Still counting out time, i've got my finger on the button, "Don't say nuttin - just lie there still And I'll get you turned on just fine." Erogenous zones I love you, Without you, what would a poor boy do? Touch and go with 1-6. Bit of trouble in zone No. 7. Gotta remember all of my tricks. There's heaven ahead in No. 11! Getting crucial responses with dilation of the pupils. "Honey get hip! It's time to unzip, to unzip. Whipee! - Move over Casanova - I'm counting out time, reaction none too happy, Please don't slap me, I'm a red blooded male and the book said I could not fail. I'm counting out time, I got unexpected distress from my Mistress. I'll get my money back from the bookstore right away. Erogenous zones I question you - Without you, what would a poor boy do? Without you, what would a poor boy do? Without you, mankind handkinds thru' the blues. |
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from Genesis - The Lamb Lies Down On Broadway (1974)
I'm counting out time,
Got the whole thing down by numbers, All those numbers! Give me guidance! O Lord I need that now. That day of judgement's come, And you can bet that I've been resting, For this testing. Digesting every word the experts say. Erogenous zones I love you. Without you, what would a poor boy do? Found a girl I wanted to date, Thought I'd better get it straight. Went to buy a book before's too late. Don't leave nothing to fate. And I have studied every line, every page in the book, And now I've got the real thing here, I'm gonna take a look, Take a look. This is it Rael! I'm counting out time, hoping it goes like I planned it, 'Cos I understand it. Look! I've found the hotspots, Figures 1-9. - Still counting out time, i've got my finger on the button, "Don't say nuttin - just lie there still And I'll get you turned on just fine." Erogenous zones I love you, Without you, what would a poor boy do? Touch and go with 1-6. Bit of trouble in zone No. 7. Gotta remember all of my tricks. There's heaven ahead in No. 11! Getting crucial responses with dilation of the pupils. "Honey get hip! It's time to unzip, to unzip. Whipee! - Move over Casanova - I'm counting out time, reaction none too happy, Please don't slap me, I'm a red blooded male and the book said I could not fail. I'm counting out time, I got unexpected distress from my Mistress. I'll get my money back from the bookstore right away. Erogenous zones I question you - Without you, what would a poor boy do? Without you, what would a poor boy do? Without you, mankind handkinds thru' the blues. |
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from Genesis - The Lamb Lies Down On Broadway (1974)
Wrapped up in some powdered wool - I guess I'm losing touch.
Don't tell me this is dying, 'cos I ain't changed that much. The only sound is water drops, I wonder where the hell I am, Some kind of jam? Cuckoo cocoon have I come to, too soon for you! There's nothing I can recognise; this is nowhere that I've known. With no sign of life at all, I guess that I'm alone, And I feel so secure that I know this can't be real But I feel good. Cuckoo cocoon have I come to, too soon for you? I wonder if I'm a prisoner locked in some Brooklyn jail - Or some sort of Jonah shut up inside the whale. No - I'm still Rael and I'm stuck in some kind of cave. What could have saved me? Cuckoo cocoon have I come to, too soon for you? |
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2:12 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
Wrapped up in some powdered wool - I guess I'm losing touch.
Don't tell me this is dying, 'cos I ain't changed that much. The only sound is water drops, I wonder where the hell I am, Some kind of jam? Cuckoo cocoon have I come to, too soon for you! There's nothing I can recognise; this is nowhere that I've known. With no sign of life at all, I guess that I'm alone, And I feel so secure that I know this can't be real But I feel good. Cuckoo cocoon have I come to, too soon for you? I wonder if I'm a prisoner locked in some Brooklyn jail - Or some sort of Jonah shut up inside the whale. No - I'm still Rael and I'm stuck in some kind of cave. What could have saved me? Cuckoo cocoon have I come to, too soon for you? |
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5:06 |
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from Genesis, Genesis - Duke (1980)
Wake up now, this is the time you've waited for.
Far below, where shadown fester as they grow, An army thousands strong, obsessed by right and wrong, Sense their time is coming near. So they turn towards the light from their region of the night, Marching on and on, They near the air, it won't be long. You know you're on the way out, It's just a matter of time. You thought you'd rule the world forever, Long live the king, don't spare the loser. After all, you're not what you thought you were at all. You're just a natural fact, another cul-de-sac On nature's hard unfeeling trail. And all those dreams of old will be stories left untold, Cut off in your prime, extinct until the end of time. Now the host emerges, a shadow starts to fall. Not one knows what hit them, none can see at all. Even as the end approaches still they're not aware, How can you fight a foe so deadly When you don't even know it's there? And now that the job is almost done Maybe some escape, no, not even one |
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5:05 |
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from Genesis, Genesis - Duke (1980)
Wake up now, this is the time you've waited for.
Far below, where shadown fester as they grow, An army thousands strong, obsessed by right and wrong, Sense their time is coming near. So they turn towards the light from their region of the night, Marching on and on, They near the air, it won't be long. You know you're on the way out, It's just a matter of time. You thought you'd rule the world forever, Long live the king, don't spare the loser. After all, you're not what you thought you were at all. You're just a natural fact, another cul-de-sac On nature's hard unfeeling trail. And all those dreams of old will be stories left untold, Cut off in your prime, extinct until the end of time. Now the host emerges, a shadow starts to fall. Not one knows what hit them, none can see at all. Even as the end approaches still they're not aware, How can you fight a foe so deadly When you don't even know it's there? And now that the job is almost done Maybe some escape, no, not even one |
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from Phil Collins - Dance Into The Light [single] (1996)
It's there in the eyes of the children
In the faces smiling in the windows You can come on out, come on open the doors Brush away the tears of freedom Now we're here, there's no turning back We have each other We have one voice Hand in hand we will lay the tracks Because the train is coming to carry you home Come dance with me Come on and dance into the light Everybody dance into the light There'll be no more hiding in the shadows of fear there'll be no more chains to hold you The future is yours- you hold the key and there are no walls with freedom Now we're here, we won't go back We are one world We have one voice Side by side we are not afraid Because the train is coming to carry you home Come dance with me Come on and dance into the light Everybody dance into the light Do you see the sun- it's a brand new day Oh, the world's in your hands, now use it What's past is past, don't turn around Brush away the cobwebs of freedom Now we're here, there's no turning back We have each other We have one voice Hand in hand you can lay the tracks Because the train is coming to carry you home Come dance with me Come on and dance into the light Everybody dance into the light Come dance with me Come on and dance into the light Everybody dance into the light |
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4:24 |
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from Phil Collins 6집 - Dance Into The Light (1996)
It's there in the eyes of the children,
in the faces smiling in the windows - you can come on out, come on open the doors, brush away the tears of freedom. Now we're here there's no turning back, we have each other, we have one voice hand in hand, we will lay the track because the train is coming to carry you home - come dance with me. Dance into the light, everybody dance into the light. There'll be no more hiding in the shadows of fear, there'll be no more chains to hold you. The future is yours, you hold the key and there are no walls with freedom Now we're here, we won't go back, we are one world, we have one voice side by side we are not afraid because the train is coming to carry you home - come dance with me. Dance into the light, everybody dance into the light. Do you see the sun, it's a brand new day? All the world's in your hands, now use it - what's past is past, don't turn around, brush away the cobwebs of freedom. Now we're here there's no turning back, you have each other, you have one voice hand in hand, you can lay the tracks because the train is coming to carry you home - come dance with me. Dance into the light, everybody dance into the light. |
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4:23 |
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from Phil Collins - ...Hits (1998)
It's there in the eyes of the children
In the faces smiling in the windows You can come on out, come on open the doors Brush away the tears of freedom Now we're here, there's no turning back We have each other We have one voice Hand in hand we will lay the tracks Because the train is coming to carry you home Come dance with me Come on and dance into the light Everybody dance into the light There'll be no more hiding in the shadows of fear there'll be no more chains to hold you The future is yours- you hold the key and there are no walls with freedom Now we're here, we won't go back We are one world We have one voice Side by side we are not afraid Because the train is coming to carry you home Come dance with me Come on and dance into the light Everybody dance into the light Do you see the sun- it's a brand new day Oh, the world's in your hands, now use it What's past is past, don't turn around Brush away the cobwebs of freedom Now we're here, there's no turning back We have each other We have one voice Hand in hand you can lay the tracks Because the train is coming to carry you home Come dance with me Come on and dance into the light Everybody dance into the light Come dance with me Come on and dance into the light Everybody dance into the light |
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