|
- |
|
|||
|
from Genesis - Wind And Wuthering (1977)
(Written by Mike Rutherford)
Go far enough and you will reach, A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Won't you come here, wherever you are, I've been alone long enough. You, you have your own special way. Of holding my hand keep it way 'bove the water, Don't ever let go. Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Who's seen the wind, not you or I, But when the ship moves, she's passing by, Between you and me, I really don't think, She knows where she's going at all. You, you have your own special way. Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way. Hold onto my hand keep it way 'bove the water, Don't ever let go - no, no, no. What mean the dreams night after night, The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quite long enough. You, you have your own special way Of holding my hand, don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever, Don't ever leave me. |
|||||
|
6:18 |
|
|||
|
from Genesis - Wind And Wuthering (1977)
(Written by Mike Rutherford)
Go far enough and you will reach, A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Won't you come here, wherever you are, I've been alone long enough. You, you have your own special way. Of holding my hand keep it way 'bove the water, Don't ever let go. Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Who's seen the wind, not you or I, But when the ship moves, she's passing by, Between you and me, I really don't think, She knows where she's going at all. You, you have your own special way. Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way. Hold onto my hand keep it way 'bove the water, Don't ever let go - no, no, no. What mean the dreams night after night, The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quite long enough. You, you have your own special way Of holding my hand, don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever, Don't ever leave me. |
|||||
|
- |
|
|||
|
from Steve Hackett - Genesis Files (2002)
Go far enough and you will reach,
A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Oh, won't you come here, wherever you are, I've been all alone long enough. You, you have your own special way, Of holding my hand keep it way 'bove the water, Don't ever let go - Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Whose seen the wind not you or I, But when the ship moves she's passing by. Between you and me I really don't think, She knows where she's going at all. You, you have your own special way, Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way, Hold onto my hand keep it way 'bove the water, Don't ever let go no, no, no. What mean the dreams night after night. The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quiet long enough. You, you have your own special way, Of holding my hand, Don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going, Don't ever, Don't ever leave me |
|||||
|
- |
|
|||
|
from Steve Hackett - Genesis Revisited (2003)
Go far enough and you will reach,
A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Oh, won't you come here, wherever you are, I've been all alone long enough. You, you have your own special way, Of holding my hand keep it way 'bove the water, Don't ever let go - Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Whose seen the wind not you or I, But when the ship moves she's passing by. Between you and me I really don't think, She knows where she's going at all. You, you have your own special way, Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way, Hold onto my hand keep it way 'bove the water, Don't ever let go no, no, no. What mean the dreams night after night. The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quiet long enough. You, you have your own special way, Of holding my hand, Don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going, Don't ever, Don't ever leave me |
|||||
|
- |
|
|||
|
from Steve Hackett - Watcher Of The Skies (2004)
Go far enough and you will reach,
A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Oh, won't you come here, wherever you are, I've been all alone long enough. You, you have your own special way, Of holding my hand keep it way 'bove the water, Don't ever let go - Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Whose seen the wind not you or I, But when the ship moves she's passing by. Between you and me I really don't think, She knows where she's going at all. You, you have your own special way, Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way, Hold onto my hand keep it way 'bove the water, Don't ever let go no, no, no. What mean the dreams night after night. The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quiet long enough. You, you have your own special way, Of holding my hand, Don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going, Don't ever, Don't ever leave me |
|||||
|
- |
|
|||
| from Genesis - Wind And Wuthering (1977) | |||||
|
3:19 |
|
|||
| from Genesis - Wind And Wuthering (1977) | |||||
|
- |
|
|||
| from Steve Hackett - Momentum (1998) | |||||
|
- |
|
|||
|
from Steve Hackett - Blues With A Feeling (2002)
Dreaming of the rose
I left behind Staring at these four walls It's time to hitch a ride You'll find me way down south You'll find me way down south You'll find me The city's like a ghost town They can all go to hell One thought that's with me To see that Southern belle You'll find me way down south You'll find me way down south You'll find me Blue in the morning My empty bed That's why I'm going Where angels fear to tread You'll find me way down south You'll find me way down south You'll find me |
|||||
|
7:24 |
|
|||
|
from Genesis, Genesis - Foxtrot (1972)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to an end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games? Maybe the lizard's shed its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth. From life alone to life as one, Think not your journey's done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
|||||
|
8:34 |
|
|||
|
from Genesis, Genesis - Live [live] (1973)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
|||||
|
- |
|
|||
|
from Steve Hackett - Genesis Files (2002)
Watcher of the skies, watcher of all
His is a world alone no world is his own He whom life can no longer surprise Raising his eyes beholds a planet unknown Creatures shaped this planet's soil Now their reign has come to end Has life again destroyed life? Do they play elsewhere, do they know More than their childhood games? Maybe the lizard's shed its tail This is the end of man's long union with Earth Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth From life alone to life as one Think not now your journey's done For though your ship be sturdy No mercy has the sea. Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way Sadly now your thoughts turn to the stars Where we have gone you know you never can go Watcher of the skies watcher of all This is your fate alone, this fate is your own |
|||||
|
- |
|
|||
|
from Steve Hackett - Genesis Revisited (2003)
Watcher of the skies, watcher of all
His is a world alone no world is his own He whom life can no longer surprise Raising his eyes beholds a planet unknown Creatures shaped this planet's soil Now their reign has come to end Has life again destroyed life? Do they play elsewhere, do they know More than their childhood games? Maybe the lizard's shed its tail This is the end of man's long union with Earth Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth From life alone to life as one Think not now your journey's done For though your ship be sturdy No mercy has the sea. Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way Sadly now your thoughts turn to the stars Where we have gone you know you never can go Watcher of the skies watcher of all This is your fate alone, this fate is your own |
|||||
|
- |
|
|||
|
from Genesis - Genesis Live [video, live] (2004)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
|||||
|
- |
|
|||
|
from Genesis - Genesis Live [video, live] (2004)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
|||||
|
- |
|
|||
|
from Genesis - Genesis Live [video, live] (2004)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
|||||
|
- |
|
|||
|
from Steve Hackett - Watcher Of The Skies (2004)
Watcher of the skies, watcher of all
His is a world alone no world is his own He whom life can no longer surprise Raising his eyes beholds a planet unknown Creatures shaped this planet's soil Now their reign has come to end Has life again destroyed life? Do they play elsewhere, do they know More than their childhood games? Maybe the lizard's shed its tail This is the end of man's long union with Earth Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth From life alone to life as one Think not now your journey's done For though your ship be sturdy No mercy has the sea. Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way Sadly now your thoughts turn to the stars Where we have gone you know you never can go Watcher of the skies watcher of all This is your fate alone, this fate is your own |
|||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir (2003) | |||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir (2003) | |||||
|
- |
|
|||
| from Steve Hackett - There Are Sides To The Night (2003) | |||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
|
- |
|
|||
| from Steve Hackett - Genesis Files (2002) | |||||
|
- |
|
|||
| from Steve Hackett - Genesis Revisited (2003) | |||||
|
- |
|
|||
| from Steve Hackett - Watcher Of The Skies (2004) | |||||
|
- |
|
|||
| from Steve Hackett - Momentum (1998) | |||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
As New Orleans slips far away
When the gas lights dim and the street cars fade When the beast within takes on a new shape The blood runs cold make no mistake You're just a vampyre with a healthy appetite And you stay awake half the night A band strikes up and they're starting to play When the sirens wail but they're way too late The crowds don't see they're drunk anyway The inquest said it was coming her way You're just a vampyre with a healthy appetite And you stay awake half the night Well you ran to ground as you always do And then they finally caught up with you Well they sent you down and Old Smokey was waiting But pressure groups being what they are these days You were released after five years at a funny farm In upstate bankrupt New York To walk the streets once more |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
As New Orleans slips far away
When the gas lights dim and the street cars fade When the beast within takes on a new shape The blood runs cold make no mistake You're just a vampyre with a healthy appetite And you stay awake half the night A band strikes up and they're starting to play When the sirens wail but they're way too late The crowds don't see they're drunk anyway The inquest said it was coming her way You're just a vampyre with a healthy appetite And you stay awake half the night Well you ran to ground as you always do And then they finally caught up with you Well they sent you down and Old Smokey was waiting But pressure groups being what they are these days You were released after five years at a funny farm In upstate bankrupt New York To walk the streets once more |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
As New Orleans slips far away
When the gas lights dim and the street cars fade When the beast within takes on a new shape The blood runs cold make no mistake You're just a vampyre with a healthy appetite And you stay awake half the night A band strikes up and they're starting to play When the sirens wail but they're way too late The crowds don't see they're drunk anyway The inquest said it was coming her way You're just a vampyre with a healthy appetite And you stay awake half the night Well you ran to ground as you always do And then they finally caught up with you Well they sent you down and Old Smokey was waiting But pressure groups being what they are these days You were released after five years at a funny farm In upstate bankrupt New York To walk the streets once more |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
As New Orleans slips far away
When the gas lights dim and the street cars fade When the beast within takes on a new shape The blood runs cold make no mistake You're just a vampyre with a healthy appetite And you stay awake half the night A band strikes up and they're starting to play When the sirens wail but they're way too late The crowds don't see they're drunk anyway The inquest said it was coming her way You're just a vampyre with a healthy appetite And you stay awake half the night Well you ran to ground as you always do And then they finally caught up with you Well they sent you down and Old Smokey was waiting But pressure groups being what they are these days You were released after five years at a funny farm In upstate bankrupt New York To walk the streets once more |
|||||
|
- |
|
|||
| from Steve Hackett - Genesis Files (2002) | |||||
|
- |
|
|||
| from Steve Hackett - Genesis Revisited (2003) | |||||
|
- |
|
|||
| from Steve Hackett - Watcher Of The Skies (2004) | |||||
|
2:23 |
|
|||
|
from Genesis - Wind And Wuthering (1977)
(Written by Mike Rutherford/Steve Hackett)
< Instrumental > |
|||||
|
7:48 |
|
|||
|
from Genesis - Twilight Alehouse [single] (1973)
1971. released as b-side of "i know what I like" single, 1974.
Is it really true what they're saying Are you really sure there's nobody come for me When I'm walking home there is no-one Once there was a house, full of laughter - so warm Trying to pretend there is someone Someone who will care when I need it I will now receive my comfort, conjured by the magic power of wine Just a drink, I'll get that drink, and I'm feeling good Just a drink, I'll get that drink, and I'm feeling fine Just a drink to take my sorrow Just a drink and you can blast tomorrow Just a drink to make me feel like a man again Now I'm down When I walk outside, there is nowhere Children follow me, with their laughter - so cold... Casting just a glance at the churchyard Casting just a glance, at my painted female friend. Now I'm on my way, I am falling Got to find some 'elp, ooh I will need that now So I will receive my comfort, conjured by the magic power of wine Just a drink, I'll get that drink, and I'm feeling good Just a drink, I'll get that drink, and I'm feeling fine Just a drink to take my sorrow Just a drink and you can blast tomorrow Just a drink to make me feel like a man again Now I'm down... I will now receive my comfort, conjured by the magic power of wine Just a drink, I'll get that drink, and I'm feeling good Just a drink, I'll get that drink, and I'm feeling fine Just a drink to take my sorrow Just a drink and you can blast tomorrow, now... |
|||||
|
- |
|
|||
| from Steve Hackett - Genesis Files (2002) | |||||
|
- |
|
|||
| from Steve Hackett - Momentum (1998) | |||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir (2003) | |||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir (2003) | |||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
|
- |
|
|||
|
from Steve Hackett - Blues With A Feeling (2002)
Eagle lands on my tombstone
Six feet under, I'm dead and gone Said, someone dancing on your grave Shake off the dust and live again A hundred ways that a man can die He come back if he really try Said, sunlight on the water's edge Shake off the dust and live again A new-born babe with an old man's face Sleep all night and he cry all day Blue-eyed boy how still he lay Shake off the dust and live again |
|||||
|
4:47 |
|
|||
|
from Genesis, Genesis - Foxtrot (1972)
A carved oak table,
Tells a tale Of times when kings and queens sipped wine from goblets gold, And the brave would lead their ladies from out of the room to arbours cool. A time of valour, and legends born A time when honour meant much more to a man than life And the days knew only strife to tell right from wrong Through lance and sword. Why, why can we never be sure till we die Or have killed for an answer, Why, why do we suffer each race to believe That no race has been grander It seems because through time and space Though names may change each face retains the mask it wore. A dusty table Musty smells Tarnished silver lies discarded upon the floor Only feeble light descends through a film of grey That scars the panes. Gone the carving, And those who left their mark, Gone the kings and queens now only the rats hold sway And the weak must die according to nature's law As old as they. Why, why can we never be sure till we die Or have killed for an answer, Why, why do we suffer each race to believe That no race has been grander It seems because through time and space Though names may change each face retains the mask it wore. |
|||||
|
- |
|
|||
| from Steve Hackett - There Are Sides To The Night (2003) | |||||
|
- |
|
|||
| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
|
- |
|
|||
| from Steve Hackett - Bay Of Kings (1998) | |||||
|
- |
|
|||
| from Steve Hackett - Genesis Files (2002) | |||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
Standing under the lamplight
In one of the nicer parts of hell Behold this dreamer with rich red ruby lips Some pay for the privilege And some just pay to talk Because there are many sides to the night When Father Thames lies sleeping His ever watchful sons Divide up the spoils of the day's takings A woman's work is never ever done She's a child a slave a teacher and a fool And then she vanishes from sight Did no one ever tell you There are many sides to the night Standing under the lamplight Selling perfume sweetcorn and lace She looks beautiful from a distance But it's too dark to see her face I do it for my child alone And who would say it's just not right Verily I say unto you There are many sides to the night |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
Standing under the lamplight
In one of the nicer parts of hell Behold this dreamer with rich red ruby lips Some pay for the privilege And some just pay to talk Because there are many sides to the night When Father Thames lies sleeping His ever watchful sons Divide up the spoils of the day's takings A woman's work is never ever done She's a child a slave a teacher and a fool And then she vanishes from sight Did no one ever tell you There are many sides to the night Standing under the lamplight Selling perfume sweetcorn and lace She looks beautiful from a distance But it's too dark to see her face I do it for my child alone And who would say it's just not right Verily I say unto you There are many sides to the night |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
Standing under the lamplight
In one of the nicer parts of hell Behold this dreamer with rich red ruby lips Some pay for the privilege And some just pay to talk Because there are many sides to the night When Father Thames lies sleeping His ever watchful sons Divide up the spoils of the day's takings A woman's work is never ever done She's a child a slave a teacher and a fool And then she vanishes from sight Did no one ever tell you There are many sides to the night Standing under the lamplight Selling perfume sweetcorn and lace She looks beautiful from a distance But it's too dark to see her face I do it for my child alone And who would say it's just not right Verily I say unto you There are many sides to the night |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
In the theatre of sleep
Where no reason remains Dreamers and drifters Make their entrance onto the stage Non-stop scenery changes With promptings in the dark Trapped in unremitting violence As trees stripped of their bark When they're buried in your dream The past is a foreign country They do things differently there You're back in the old schoolhouse With rows and rows of chairs Well it might be war or Christmas With the tanks and guns and flares Or a witch that wields her broomstick The stars of your nightmare When they're buried in your dream I was trapped on the edge of a waterfall In an old riverboat A proud queen washed up at last She's giving up the ghost Slimy green water rising I knew that I would die I had no time to abandon ship, The morning had arrived |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
In the theatre of sleep
Where no reason remains Dreamers and drifters Make their entrance onto the stage Non-stop scenery changes With promptings in the dark Trapped in unremitting violence As trees stripped of their bark When they're buried in your dream The past is a foreign country They do things differently there You're back in the old schoolhouse With rows and rows of chairs Well it might be war or Christmas With the tanks and guns and flares Or a witch that wields her broomstick The stars of your nightmare When they're buried in your dream I was trapped on the edge of a waterfall In an old riverboat A proud queen washed up at last She's giving up the ghost Slimy green water rising I knew that I would die I had no time to abandon ship, The morning had arrived |
|||||
|
- |
|
|||
| from Genesis - The Lamb Lies Down On Broadway (1974) | |||||
|
5:25 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
He panics, feels around for a stone and hurls it at the brightest
point. The sound of breaking glass echoes around the cave. As his vision is restored he catches sight of two golden gloves about one foot in diameter hovering away down the tunnel. When they disappear a resounding crack sears across the roof, and it collapses all around him. Our hero is trapped once again. "This is it" he thinks, failing to move any of the fallen rocks |
|||||
|
- |
|
|||
|
from Steve Hackett - An Unauthorised Biography (1995)
A gypsy compliment for (kneel down)
The scent of tyranny's daughter (we are found) At seventeen were bled in wild cream Passing milk thistle by Fox on the run Old ragged robin flies Virtue undone A garland of green flowers (field of lime) Surround a silver smoke tree (yours and mine) Sweet marigold, not easy to find Passing milk thistle by... |
|||||
|
- |
|
|||
| from Steve Hackett - Momentum (1998) | |||||
|
2:59 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
Here comes the supernatural anaesthetist.
If he wants you to snuff it, All he has to do is puff it -he's such a fine dancer. |
|||||
|
- |
|
|||
| from Steve Hackett - Blues With A Feeling (2002) | |||||
|
- |
|
|||
| from Steve Hackett - An Unauthorised Biography (1995) | |||||
|
- |
|
|||
| from Steve Hackett - Genesis Files (2002) | |||||
|
- |
|
|||
| from Steve Hackett - Momentum (1998) | |||||
|
8:10 |
|
|||
|
from Genesis, Genesis - Nursery Cryme (1971)
Turn and run,
Nothing can stop them, Around every river and canal their power is growing. Stamp them out, We must destroy them. They infiltrate each city with their thick dark warning odour. They are invincible, They seem immune to all our herbicidal battering. Long ago in the Russian hills, A Victorian explorer found the regal Hogweed by a marsh, He captured it and brought it home. Botanical creature stirs, seeking revenge. Royal beast did not forget. He came home to London, And made a present of the Hogweed to the Royal Gardens at Kew. Waste no time, They are approaching. Hurry now, we must ptotect ourselves and find some shelter Strike by night They are defenceless. They all need the sun to photosensitize their venom. Still they're invincible, Still they're immune to all our herbicidal battering. Fashionable country gentlemen had some cultivated wild gardens, In which they innocently planted the Giant Hogweed throughout the land. Botanical creature stirs, seeking revenge. Royal beast did not forget. Soon they escaped, spreading their seed, preparing for an onslaught, Threatening the human race. < THE DANCE OF THE GIANT HOGWEED > Mighty Hogweed is avenged. Human bodies soon will know our anger. Kill them with your Hogweed hairs HERACLEUM MANTEGAZZIANI Giant Hogweed lives |
|||||
|
8:14 |
|
|||
|
from Genesis, Genesis - Live [live] (1973)
Turn and run,
Nothing can stop them, Around every river and canal their power is growing. Stamp them out, We must destroy them. They infiltrate each city with their thick dark warning odour. They are invincible, They seem immune to all our herbicidal battering. Long ago in the Russian hills, A Victorian explorer found the regal Hogweed by a marsh, He captured it and brought it home. Botanical creature stirs, seeking revenge. Royal beast did not forget. He came home to London, And made a present of the Hogweed to the Royal Gardens at Kew. Waste no time, They are approaching. Hurry now, we must ptotect ourselves and find some shelter Strike by night They are defenceless. They all need the sun to photosensitize their venom. Still they're invincible, Still they're immune to all our herbicidal battering. Fashionable country gentlemen had some cultivated wild gardens, In which they innocently planted the Giant Hogweed throughout the land. Botanical creature stirs, seeking revenge. Royal beast did not forget. Soon they escaped, spreading their seed, preparing for an onslaught, Threatening the human race. < THE DANCE OF THE GIANT HOGWEED > Mighty Hogweed is avenged. Human bodies soon will know our anger. Kill them with your Hogweed hairs HERACLEUM MANTEGAZZIANI Giant Hogweed lives |
|||||
|
3:18 |
|
|||
|
from Genesis, Genesis - Seconds Out [live] (1977)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
|||||
|
3:18 |
|
|||
|
from Genesis, Genesis - Seconds Out [live] (1977)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
|||||
|
10:30 |
|
|||
|
from Genesis, Genesis - Nursery Cryme (1971)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
|||||
|
10:55 |
|
|||
|
from Genesis, Genesis - Live [live] (1973)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
|||||
|
- |
|
|||
|
from Genesis - Genesis Live [video, live] (2004)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
|||||
|
- |
|
|||
|
from Genesis - Genesis Live [video, live] (2004)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
|||||
|
3:33 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
As he walks along the gorge's edge,
He meets a sense of yesteryear. A window in the bank above his head Reveals his home amidst the streets. Subway sounds, the sounds of complaint The smell of acid on his gun of paint. As it carves out anger in a blood-red band, Destroyed tomorrow by an unknown hand; -My home. Is this the way out from this endless scene? Or just an entrance to another dream? And the light dies down on Broadway. But as the skylight beckons him to leave, He hears a scream fro far below. Within the raging water, writhes the form Of brother John, he cries for help. The gate is fading now, but open wide, But John is drowning, I must decide Between the freedom I had in the rat-race, Or to stay forever in this forsaken place; Hey John! He makes for the river and the gate is gone, Back to the void where it came from. And the light dies down on Broadway |
|||||
|
- |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
As he walks along the gorge's edge,
He meets a sense of yesteryear. A window in the bank above his head Reveals his home amidst the streets. Subway sounds, the sounds of complaint The smell of acid on his gun of paint. As it carves out anger in a blood-red band, Destroyed tomorrow by an unknown hand; -My home. Is this the way out from this endless scene? Or just an entrance to another dream? And the light dies down on Broadway. But as the skylight beckons him to leave, He hears a scream fro far below. Within the raging water, writhes the form Of brother John, he cries for help. The gate is fading now, but open wide, But John is drowning, I must decide Between the freedom I had in the rat-race, Or to stay forever in this forsaken place; Hey John! He makes for the river and the gate is gone, Back to the void where it came from. And the light dies down on Broadway |
|||||
|
- |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
The scent grows richer, he knows he must be near,
He finds a long passageway lit by chandelier. Each step he takes, the perfumes change From familiar fragrance to flavours strange. A magnificent chamber meets his eye. Inside, a long rose-water pool is shrouded by fine mist. Stepping in the moist silence, with a warm breeze he's gently kissed. Thinking he is quite alone, He enters the room, as if it were his own, But ripples on the sweet pink water Reveal some company unthought of- Rael stands astonished doubting his sight, Struck by beauty, gripped in fright; Three vermilion snakes of female face, The smallest motion, filled with grace. Muted melodies fill the echoing hall, But there is no sign of warning in the siren's call: "Rael welcome, we are the Lamia of the pool. We have been waiting for our waters to bring you cool." Putting fear beside him, he trusts in beauty blind, He slips into the nectar, leaving his shredded clothes behind. "With their tongues, they test, taste and judge all that is mine. They move in a series of caresses That glide up and down my spine. As they nibble the fruit of my flesh, I feel no pain, Only a magic that a name would stain. With the first drop of my blood in their veins Their faces are convulsed in mortal pains. The fairest cries, 'We all have loved you Rael'." Each empty snakelike body floats, Silent sorrow in empty boats. A sickly sourness fills the room, The bitter harvest of a dying bloom. Looking for motion I know I will not find, I stroke the curls now turning pale, in which I'd lain entwined "O Lamia, your flesh that remains I will take as my food" It is the scent of garlic that lingers on my choclate fingers. Looking behind me, the water turns icy blue, The lights are dimmed and once again the stage is set for you |
|||||
|
6:58 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
The scent grows richer, he knows he must be near,
He finds a long passageway lit by chandelier. Each step he takes, the perfumes change From familiar fragrance to flavours strange. A magnificent chamber meets his eye. Inside, a long rose-water pool is shrouded by fine mist. Stepping in the moist silence, with a warm breeze he's gently kissed. Thinking he is quite alone, He enters the room, as if it were his own, But ripples on the sweet pink water Reveal some company unthought of- Rael stands astonished doubting his sight, Struck by beauty, gripped in fright; Three vermilion snakes of female face, The smallest motion, filled with grace. Muted melodies fill the echoing hall, But there is no sign of warning in the siren's call: "Rael welcome, we are the Lamia of the pool. We have been waiting for our waters to bring you cool." Putting fear beside him, he trusts in beauty blind, He slips into the nectar, leaving his shredded clothes behind. "With their tongues, they test, taste and judge all that is mine. They move in a series of caresses That glide up and down my spine. As they nibble the fruit of my flesh, I feel no pain, Only a magic that a name would stain. With the first drop of my blood in their veins Their faces are convulsed in mortal pains. The fairest cries, 'We all have loved you Rael'." Each empty snakelike body floats, Silent sorrow in empty boats. A sickly sourness fills the room, The bitter harvest of a dying bloom. Looking for motion I know I will not find, I stroke the curls now turning pale, in which I'd lain entwined "O Lamia, your flesh that remains I will take as my food" It is the scent of garlic that lingers on my choclate fingers. Looking behind me, the water turns icy blue, The lights are dimmed and once again the stage is set for you |
|||||
|
4:51 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
And the lamb lies down on Broadway. Early morning Manhattan, Ocean winds blow on the land. The Movie-Palace is now undone, The all-night watchmen have had their fun. Sleeping cheaply on the midnight show, It's the same old ending - time to go. Get out! It seems they cannot leave their dream. There's something moving in the sidewalk steam, And the lamb lies down on Broadway. Nighttimes's flyers feel their pains, Drugstore takes down the chains. Metal motion comes in bursts, But the gas station can quench that thirst. Suspension cracked on unmade road The trucker's eyes read 'Overload' And out of the subway, Rael Imperial Aerosol Kid Exits into daylight, spraygun hid, And the lamb lies down on Broadway. The lamb seems right out of place, Yet the Broadway street scene find a focus in its face. Somehow it's lying there, Brings a stillness to the air. Though man-made light, at night is very bright, There's no whitewash victim, As the neons dim, to the coat of white. Rael Imperial Aerosol Kid Wipes his gun - he's forgotten what he did, And the lamb lies down on Broadway. Suzanne tired her work all done, Thinks money - honey - be on - neon. Cabman's velvet glove sounds the horn And the sawdust king spits out his scorn, Wonder women you can draw your blind! Don't look at me! I'm not your kind. I'm Rael! Something inside me has just begun, Lord knows what I have done, And the lamb lies down on Broadway, On Broadway - They say the lights are always bright on Broadway, They say there's always magic in the air. |
|||||
|
- |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
And the lamb lies down on Broadway. Early morning Manhattan, Ocean winds blow on the land. The Movie-Palace is now undone, The all-night watchmen have had their fun. Sleeping cheaply on the midnight show, It's the same old ending - time to go. Get out! It seems they cannot leave their dream. There's something moving in the sidewalk steam, And the lamb lies down on Broadway. Nighttimes's flyers feel their pains, Drugstore takes down the chains. Metal motion comes in bursts, But the gas station can quench that thirst. Suspension cracked on unmade road The trucker's eyes read 'Overload' And out of the subway, Rael Imperial Aerosol Kid Exits into daylight, spraygun hid, And the lamb lies down on Broadway. The lamb seems right out of place, Yet the Broadway street scene find a focus in its face. Somehow it's lying there, Brings a stillness to the air. Though man-made light, at night is very bright, There's no whitewash victim, As the neons dim, to the coat of white. Rael Imperial Aerosol Kid Wipes his gun - he's forgotten what he did, And the lamb lies down on Broadway. Suzanne tired her work all done, Thinks money - honey - be on - neon. Cabman's velvet glove sounds the horn And the sawdust king spits out his scorn, Wonder women you can draw your blind! Don't look at me! I'm not your kind. I'm Rael! Something inside me has just begun, Lord knows what I have done, And the lamb lies down on Broadway, On Broadway - They say the lights are always bright on Broadway, They say there's always magic in the air. |
|||||
|
4:58 |
|
|||
|
from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
And the lamb lies down on Broadway. Early morning Manhattan, Ocean winds blow on the land. The Movie-Palace is now undone, The all-night watchmen have had their fun. Sleeping cheaply on the midnight show, It's the same old ending - time to go. Get out! It seems they cannot leave their dream. There's something moving in the sidewalk steam, And the lamb lies down on Broadway. Nighttimes's flyers feel their pains, Drugstore takes down the chains. Metal motion comes in bursts, But the gas station can quench that thirst. Suspension cracked on unmade road The trucker's eyes read 'Overload' And out of the subway, Rael Imperial Aerosol Kid Exits into daylight, spraygun hid, And the lamb lies down on Broadway. The lamb seems right out of place, Yet the Broadway street scene find a focus in its face. Somehow it's lying there, Brings a stillness to the air. Though man-made light, at night is very bright, There's no whitewash victim, As the neons dim, to the coat of white. Rael Imperial Aerosol Kid Wipes his gun - he's forgotten what he did, And the lamb lies down on Broadway. Suzanne tired her work all done, Thinks money - honey - be on - neon. Cabman's velvet glove sounds the horn And the sawdust king spits out his scorn, Wonder women you can draw your blind! Don't look at me! I'm not your kind. I'm Rael! Something inside me has just begun, Lord knows what I have done, And the lamb lies down on Broadway, On Broadway - They say the lights are always bright on Broadway, They say there's always magic in the air. |
|||||
|
4:59 |
|
|||
|
from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
And the lamb lies down on Broadway. Early morning Manhattan, Ocean winds blow on the land. The Movie-Palace is now undone, The all-night watchmen have had their fun. Sleeping cheaply on the midnight show, It's the same old ending - time to go. Get out! It seems they cannot leave their dream. There's something moving in the sidewalk steam, And the lamb lies down on Broadway. Nighttimes's flyers feel their pains, Drugstore takes down the chains. Metal motion comes in bursts, But the gas station can quench that thirst. Suspension cracked on unmade road The trucker's eyes read 'Overload' And out of the subway, Rael Imperial Aerosol Kid Exits into daylight, spraygun hid, And the lamb lies down on Broadway. The lamb seems right out of place, Yet the Broadway street scene find a focus in its face. Somehow it's lying there, Brings a stillness to the air. Though man-made light, at night is very bright, There's no whitewash victim, As the neons dim, to the coat of white. Rael Imperial Aerosol Kid Wipes his gun - he's forgotten what he did, And the lamb lies down on Broadway. Suzanne tired her work all done, Thinks money - honey - be on - neon. Cabman's velvet glove sounds the horn And the sawdust king spits out his scorn, Wonder women you can draw your blind! Don't look at me! I'm not your kind. I'm Rael! Something inside me has just begun, Lord knows what I have done, And the lamb lies down on Broadway, On Broadway - They say the lights are always bright on Broadway, They say there's always magic in the air. |
|||||
|
9:47 |
|
|||
|
from Genesis, Genesis - Live [live] (1973)
Tell me my life is about to begin
Tell me that I am a hero Promise me all your violent dreams Light up your body in anger. Now, in this ugly world It is time to destroy this evil. Now, when I give the word Are you ready to fight for your freedom? NOW Stand up and fight, for you know we are right We must strike at the lies That have spread like disease through our minds. Soon we'll have power, every soldier will rest And we'll spread out of kindness To all who our love now deserve. Some of you are going to die Martyrs of course to the freedom that I shall provide. I'll give you the names of those you must kill, All must die with their children. Carry their heads to the palace of old, Hang them on stakes let the blood flow. Now, in this hate-filled world We must break all the chains that have bound us. Now, the crusade has begun We shall make this a land fit for heroes. NOW Stand up and fight, for you know we are right We must strike at the lies That have spread like disease through our minds. Soon we'll have power, every soldier will rest And we'll spread out of kindness To all who our love now deserve. Some of you are going to die Martyrs of course to the freedom that I shall provide. We are only wanting freedom. WE HAVE WON Some of you are going to die, Martyrs of course to the freedom I shall provide. |
|||||
|
- |
|
|||
| from Steve Hackett - Bay Of Kings (1998) | |||||
|
- |
|
|||
| from Steve Hackett - There Are Sides To The Night (2003) | |||||
|
- |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
"It's the last great adventure left to mankind"
- Screams a drooping lady Offering her dreamdolls at less than extortionate prices. And as the notes and coins are taken out I'm taken in, to the factory floor. For the Grand Parade of Lifeless Packaging - All ready to use The Grand Parade of Lifeless Packaging - Just need a fuse. Got people stocked in every shade, He must be doing well with trade. Stamped, addressed, in odd fatality, That evens out their personality. With profit potential marked by a sign. I can recognise some of the production line. No bite at all in labour bondage, Just wrinkled wrappers or human bandage. The Grand Parade of Lifeless Packaging - All ready to use It's the Grand Parade of Lifeless Packaging - Just need a fuse. The hall runs like clockwork Their hands mark out the time, Empty in their fullness Like a frozen pantomime. Everyone's a sales representative Wearing slogans in their shrine. Dishing out failsafe superlative. Brother John is No. 9. For the Grand Parade of Lifeless Packaging - All ready to use It's the Grand Parade of Lifeless Packaging - Just need a fuse. And the decor on the ceiling Has planned out their future day I see no sign of free will, So I guess I'll have to pay, Pay my way. For the Grand Parade. For the Grand Parade. For the Grand Parade. For the Grand Parade of Lifeless Packaging - All ready to use The Grand Parade of Lifeless Packaging - Just need a fuse. The Grand parade, The Grand parade, The Grand parade... |
|||||
|
2:46 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
"It's the last great adventure left to mankind"
- Screams a drooping lady Offering her dreamdolls at less than extortionate prices. And as the notes and coins are taken out I'm taken in, to the factory floor. For the Grand Parade of Lifeless Packaging - All ready to use The Grand Parade of Lifeless Packaging - Just need a fuse. Got people stocked in every shade, He must be doing well with trade. Stamped, addressed, in odd fatality, That evens out their personality. With profit potential marked by a sign. I can recognise some of the production line. No bite at all in labour bondage, Just wrinkled wrappers or human bandage. The Grand Parade of Lifeless Packaging - All ready to use It's the Grand Parade of Lifeless Packaging - Just need a fuse. The hall runs like clockwork Their hands mark out the time, Empty in their fullness Like a frozen pantomime. Everyone's a sales representative Wearing slogans in their shrine. Dishing out failsafe superlative. Brother John is No. 9. For the Grand Parade of Lifeless Packaging - All ready to use It's the Grand Parade of Lifeless Packaging - Just need a fuse. And the decor on the ceiling Has planned out their future day I see no sign of free will, So I guess I'll have to pay, Pay my way. For the Grand Parade. For the Grand Parade. For the Grand Parade. For the Grand Parade of Lifeless Packaging - All ready to use The Grand Parade of Lifeless Packaging - Just need a fuse. The Grand parade, The Grand parade, The Grand parade... |
|||||
|
- |
|
|||
| from Steve Hackett - Genesis Files (2002) | |||||
|
7:54 |
|
|||
|
from Genesis, Genesis - Nursery Cryme (1971)
From a dense forest of tall, dark, pinewood,
Mount Ida rises like an island. Within a hidden cave, nymphs had kept a child; Hermaphroditus, son of gods, so afraid of their love. As the dawn creeps up the sky The hunter caught sight of a doe. In desire for conquest, He found himself, within a glade he'd not beheld before. Hermaphroditus: "Where are you my father. Give wisdom to your son" Narrator: "Then he could go no farther. Now lost, the boy was guided by the sun" And as his strength began to fail He saw a shimmering lake. A shadow in the dark green depths Distrubed the strange tranquility. Salmacis: "The waters are disturbed. Some creature has been stirred" Narrator: "The waters are disturbed The naiad queen Salmacis has been stirred" As he rushed to quench his thirst, A fountain spring appeared before him And as his heated breath brushed through the cool mist, A liquid voice called "Son of gods, drink from my spring." The water tasted strangely sweet. Behind him the voice called again. He turned and saw her, in a cloak of mist alone And as he gazed, her eyes were filled with the darkness of the lake. Salmacis: "We shall be one. We shall be joined as one" Narrator: "She wanted them as one. Yet he had no desire to be one" Hermaphroditus: "Away from me cold-blooded woman Your thirst is not mine" Salmacis: "Nothing will cause us to part Hear me O gods" Unearthly calm descended from ther sky And then their flesh and bones were strangely merged Forever to be joined as one. The creature crawled into the lake A fading voice was heard: "And I beg, yes I beg, that all who touch this spring May share my fate" Salmacis: "We are the one. We are the one" Narrator: "The two are now made one, Demi-god and nymph are now made one" Both had given everything they had. A lover's dream had been fulfilled at last, Forever still beneath the lake. |
|||||
|
8:13 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
i) The Arrival
Rael: I wandered lonely as a cloud Till I came upon this dirty street I've never seen a stranger crowd Slubberdegullions on squeaky feet Continually pacing With nonchalant embracing Each orifice disgracing And one facing me Moves to say "hellay" Your skin's all covered in slimy lumps With lips that slide across each chin His twisted limbs like rubber stumps Are waved in welcome Say "Please join in:" My grip must be flipping 'Cause his handshake keeps slipping My hopes keep on dipping And his lips keep on Smiling all the time Slipperman: "We, like you Have tasted love Don't be alarmed At what you see You yourself Are just the same As what you see in me" Rael: Me Like you? Like that!? Slipperman: "You better watch it, son Your sentence has only just begun You better run and join your brother John" ii) A Visit to the Doktor Slipperman: "You're in the colony of slippermen There's no who, why What or when You can get out If you've got the gripe To see, Doktor Dyper Reformed sniper He'll whip off Your windscreenwiper" Rael: John and I are able To face the Doktor And his marble table He said... The Doktor: Understand, Rael That's the end of your tail Rael: "Don't delay Dock the dick!" I watch his countdown Timer tick... iii) The Raven He places the number into a tube It's a yellow plastic Shoobedoobe It says: "Though your fingers may tickle You'll be safe in our pickle" Suddenly, black cloud Come down from the sky Its a supersized black bird That sure can fly The raven brings on Darkness and night He flies right down Gives me one hell of a fright He takes the tube Right out of my hands Man, I've got to find Where that black bird lands "Look here, John I've got to run I need you now You're going to come?" He says to me... John: "Now can't you see Where the raven flies There's jeopardy? We've been cured on the couch Now you're sick with your grouch I'll not risk my honey pouch Which my slouch Will wear slung very low" Rael: He walks away And leaves me once again Even though I never learn I'd hoped he'd show Just some concern Some concern Ah... Some concern I'm in the agony of Slipperpain I pray my undercarriage will sustain The chase is on The pace is hot But I'm running so very hard With everything That I've got He leads me down an underpass Though it narrows He still flies very fast When the tunnel stops Catch sight of the tube Just as it drops I'm on top of a bank Too steep to climb I see it hit the water Just in time To watch it float away Watch it float away Watch it float away... |
|||||
|
- |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
[1. THE ARRIVAL]
Rael: I wandered lonely as a cloud, Till I came upon this dirty street. I've never seen a stranger crowd; Slubberdegullions on squeaky feet. Continually pacing, With nonchalant embracing. Each orifice disgracing And one facing me moves to say 'hellay.' His skin's all covered in slimy lumps, With lips that slide across each chin. His twisted limbs like rubber stumps Are waved in welcome say 'Please join in.' My grip must be flipping, Cos his handshake keep slipping, My hopes keep on dipping And his lips keep on smiling all the time. Slipperman: "We, like you, have tasted love. Don't be alarmed at what you see, You yourself are just the same As what you see in me." Rael: Me, like you? like that? Slipperman: "You better watch it son, you sentence has only just begun You better run and join your brother John." [2. A VISIT TO THE DOKTOR] Slipperman: "You're in the colony of slippermen. There's no who? why? what? or when? You get out if you've got the gripe To see Doktor Dyper, reformed sniper - he'll whip off your Windscreenwiper Rael: John and I are able To face the Doktor and his marble table. The Doktor: Understand Rael, its the end of your tail. Rael: "Don't delay, dock the dick!" I watch his countdown timer tick... [3. THE RAVEN] He places the number into a tube, It's a yellow plastic shoobedoobe." It says: "Though your fingers may tickle You'll be safe in our pickle." Suddenly, black cloud comes down from the sky, It's a supersize black bird that sure can fly. The raven brings on darkness and night He flies right down, gives me one hell of a fright. He take the tube right out of my hands Man, I've got to find where that black bird lands. "Look here John, I've got to run I need you now, you going to come?" He says to me: John: "Now can't you see Where the raven flies there's jeopardy. We've been cured on the couch Now you're sick with your grouch. I'll not risk my honey pouch Which my slouch will wear slung very low." Rael: He walks away and leaves me once again. Even though I never learn, I'd hoped he'd show just some concern. Some concern... some concern... I'm in agony of Slipperpain I pray my undercarriage will sustain. The chase is on, the pace is hot But I'm running so very hard with everything that I've got. He leads me down an underpass Though it narrows, he still flies very fast, When the tunnel stops I catch sight of the tube, just as it drops. I'm on top of a bank too steep to climb I see it hit the water just in time To watch it float away. Watch it float away... |
|||||
|
11:09 |
|
|||
|
from Genesis - Selling England By The Pound (1973)
Home from work our Juliet
Clears her morning meal. She dabs her skin with pretty smells Concealing to appeal. I will make my bed, She said, but turned to go. Can she be late for her cinema show? Cinema show? Romeo locks his basement flat, And scurries up the stair. With head held high and floral tie, A weekend millionaire. I will make my bed With her tonight, he cries. Can he fail armed with his chocolate surprise? Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. There is in fact more earth than sea. Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. But there is in fact more earth than sea. |
|||||
|
10:58 |
|
|||
|
from Genesis, Genesis - Seconds Out [live] (1977)
Home from work our Juliet
Clears her morning meal. She dabs her skin with pretty smells Concealing to appeal. I will make my bed, She said, but turned to go. Can she be late for her cinema show? Cinema show? Romeo locks his basement flat, And scurries up the stair. With head held high and floral tie, A weekend millionaire. I will make my bed With her tonight, he cries. Can he fail armed with his chocolate surprise? Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. There is in fact more earth than sea. Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. But there is in fact more earth than sea. |
|||||
|
5:41 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
At the top of the stairs, there's hundreds of people,
Running around to all the doors. They try to find, find themselves an audience; Their deductions need applause. The rich man stands in front of me. The poor man behind my back. They believe they can control the game, But the juggler holds another pack. I need someone to believe in, someone to trust. I need someone to believe in, someone to trust. I'd rather trust a countryman than a townman, You can judge by his eyes, take a look if you can. He'll smile through his guard, Survival trains hard. I'd rather trust a man who works with his hands, He looks at you once, you know he understands, Don't need any shield, When you're out in the field. But down here, I'm so alone with my fear, With everything that I hear. And every single door, that I've walked through Brings me back, back here again, I've got to find my own way. The priest and the magician, Singing all the chants that they have ever heard; And they're all calling out my name, Even academics, searching printed word. My father to the left of me, My mother to the right. Like everyone else they're pointing But nowhere feels quite right. And I need someone to believe in, someone to trust. I need someone to believe in, someone to trust. I'd rather trust a man who doesn't shout what he's found. There's no need to sell if you're homeword bound. If I choose a side. He won't take me for a ride. Back inside This chamber of so many doors; I've nowhere, nowhere to hide. I'd give you all of my dreams, if you'd help me. Find a door That doesn't lead me back again - Take me away. |
|||||
|
- |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
At the top of the stairs, there's hundreds of people,
Running around to all the doors. They try to find, find themselves an audience; Their deductions need applause. The rich man stands in front of me. The poor man behind my back. They believe they can control the game, But the juggler holds another pack. I need someone to believe in, someone to trust. I need someone to believe in, someone to trust. I'd rather trust a countryman than a townman, You can judge by his eyes, take a look if you can. He'll smile through his guard, Survival trains hard. I'd rather trust a man who works with his hands, He looks at you once, you know he understands, Don't need any shield, When you're out in the field. But down here, I'm so alone with my fear, With everything that I hear. And every single door, that I've walked through Brings me back, back here again, I've got to find my own way. The priest and the magician, Singing all the chants that they have ever heard; And they're all calling out my name, Even academics, searching printed word. My father to the left of me, My mother to the right. Like everyone else they're pointing But nowhere feels quite right. And I need someone to believe in, someone to trust. I need someone to believe in, someone to trust. I'd rather trust a man who doesn't shout what he's found. There's no need to sell if you're homeword bound. If I choose a side. He won't take me for a ride. Back inside This chamber of so many doors; I've nowhere, nowhere to hide. I'd give you all of my dreams, if you'd help me. Find a door That doesn't lead me back again - Take me away. |
|||||
|
5:15 |
|
|||
|
from Genesis - The Lamb Lies Down On Broadway (1974)
There is lamb's wool under my naked feet.
The wool is soft and warm Gives off some kind of heat A salamander scurries into flame to be destroyed Imaginary creatures are trapped in birth on celluloid The fleas cling to the golden fleece Hoping they'll find peace Each thought and gesture are caught in celluloid There's no hiding in memory There's no room to avoid The crawlers cover the floor In the red ocher corridor For my second sight of people They've more life blood than before They're moving in time to a heavy wooden door Where the needle's eye is winking Closing on the poor The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out There's only one direction In the faces that I see It's upward to the ceiling Where the chamber's said to be Like the forest fight for sunlight That takes root in every tree. They are pulled up by the magnet Believing they're free The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out Mild-mannered supermen Are held in kryptonite, And the wise and foolish virgins Giggle with their bodies glowing bright Through the door a harvest feast Is lit by candlelight It's the bottom of a staircase That spirals out of sight The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out The porcelain mannequin With shattered skin fears attack And the eager pack lift up their pitchers They carry all they lack The liquid has congealed Which has seeped out through the crack And the tickler takes his stickleback The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out The carpet crawlers heed their callers |
|||||
|
5:60 |
|
|||
| from Genesis, Genesis - Seconds Out [live] (1977) | |||||
|
11:44 |
|
|||
|
from Genesis - Selling England By The Pound (1973)
(Taken from a news story concerning two rival gangs fighting over East-End Protection rights)
Along the Forest Road, there's hundreds of cars - luxury cars. Each has got its load of convertible bars, cutlery cars - superscars! For today is the day when they sort it out, sort it out, 'Cos they disagree on a gangland boundary. Yes, they disagree on a gangland boundary. There's Willy Wright and his boys - one helluva noise, that's Billy's boys! With fully fashioned mugs, that's Little John's thugs, the Barking Slugs - supersmugs! For today is the day when they sort it out, sort it out, Yes, these Christian soldiers fight to protect the poor, East end heroes got to score in... The Battle of Epping Forest, yes it's the Battle of Epping Forest, right outside your door. No, you ain't seen nothing like it, No, you ain't seen nothing like it, Not since the Civil War. Coming over the hill are the boys of Bill, And Johnny's lads stand very still. With the thumpire's shout, they all start to clout - There's no guns in this gentleman's bout. Georgie moves in on the outside left With a chain flying round his head; And Harold Demure, from Art Literature, Nips up the nearest tree. (Here comes the cavalry!) Amidst the battle roar, Accountants keep the score: 10-4 They've never been alone, after getting a radiophone. The bluebells are ringing for Sweetmeal Sam, real ham, Handing out bread and jam just like any picnic picnic,picnic,picnic It's 5-4 on William Wright; he made his pile on Derby night. When Billy was a kid, walking the streets, the other kids hid - so they did! And now, after working hard in security trade, he's got it made. The shops that need aid are those that haven't paid. "I do my dobule-show quick!" said Mick the Prick, fresh out the nick. "I sell cheap holiday. The minute they leave, then a visit I pay - and does it pay!" And his friend, Liquid Len by name, of Wine Women and Wandsworth fame, said "I'm breaking the legs of the bastard that got me framed! I'm breaking the legs of the bastard that got me framed! Got me framed!" They called me the Reverend when I entered the Church unstained; My employers have changed but the name has remained. It all began when I went on a tour, Hoping to find some furniture. I followed a sign - it said "Beautiful Chest." It led to a lady who showed me her best. She was taken by surprise when I quickly closed my eyes. So she rang the bell, and quick as hell Bob the Nob came out of his job To see what the trouble was. "Louise, is the Reverend hard to please?" "You're telling me!" "Perhaps, sir, it's not too late, We could interest you in our old-fashioned Staffordshire plate?" "Oh no, not me, I'm a man of repute." But the Devil caught hold of my soul and a voice called out "Shoot!" To save my steeple, I visited people; For this I'd gone when I met Little John. His name came, I understood, When the judge said "You are a robbing hood." He told me of his strange foundation, Conceived on sight of the Woodstock nation; He'd had to hide his reputation. When poor, 'twas salvation from door to door. But now, with a pin-up guru every week, It's Love, Peace & Truth Incorporated for all who seek. He employed me as a karmamechanic, with overall charms. His hands were then fit to receive, receive alms. That's why we're in The Battle of Epping Forest, yes it's the Battle of Epping Forest, Right outside your door. We guard your souls for peanuts, And we guard your shops and houses For just a little more Just a little more In with a left hook is the Bethnal Green Butcher, But he's countered on the right by Mick's chain-gang fight, And Liquid Len, with his smashed bottle men, Is lobbing Bob the Nob across the gob. With his kisser in a mess, Bob seems under stress, But Jones the Jug hits Len right in the mug; And Harold Demure, who's still not quite sure, Fires acorns from out of his sling. (Here come the cavalry!) Up, up above the crowd, Inside their Silver Cloud, done proud, The bold and brazen brass, seen darkly through the glass. The butler's got jam on his Rolls; Roy doles out the lot, With tea from a silver pot just like any picnic. picnic, picnic, picnic Along the Forest Road, it's the end of the day and the Clouds roll away. Each has got its load - they'll come out for the count at the break-in of day. When the limos return for their final review, it's all through - All they can see is the morning goo. "There's no-one left alive - must be a draw." So the Blackcap Barons toss a coin to settle the score. |
|||||
|
- |
|
|||
| from Steve Hackett - Bay Of Kings (1998) | |||||
|
- |
|
|||
| from Steve Hackett - An Unauthorised Biography (1995) | |||||
|
- |
|
|||
| from Steve Hackett - Blues With A Feeling (2002) | |||||
|
- |
|
|||
| from Steve Hackett - Bay Of Kings (1998) | |||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
Take these pearls from an oyster shell
From the depths of the ocean bed From the bottom of the sea like a wishing well Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
Take these pearls from an oyster shell
From the depths of the ocean bed From the bottom of the sea like a wishing well Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir (2003)
Take these pearls from an oyster shell
From the depths of the ocean bed From the bottom of the sea like a wishing well Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky |
|||||
|
- |
|
|||
|
from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
Take these pearls from an oyster shell
From the depths of the ocean bed From the bottom of the sea like a wishing well Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky |
|||||





