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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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from Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (2014) | |||||
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4:19 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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4:49 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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3:56 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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0:42 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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4:03 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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3:51 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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3:54 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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4:29 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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5:42 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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4:53 | ||||
from Suzanne Vega - Sole Love (2010) | |||||
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3:53 | ||||
from Reggaeton, Vol. 1 (2009) | |||||
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from Reggaeton, Vol. 1 (2009) | |||||
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3:52 | ||||
from Cool - Legends (2009)
My name is Luka
제 이름은 루카예요 I live on the second floor 2층에 살지요 I live upstairs from you 당신 집 바로 위층이요 Yes I think you've seen me before 그래요, 전에 한번 본 적 있어요 If you hear something late at night 밤 늦게 말썽이 생긴것 같거나 Some kind of trouble. some kind of fight 누군가 싸우는 소리가 들려도 Just don't ask me what it was 무슨 일이 있었는지는 묻지 말아주세요 Just don't ask me what it was 별 일 아니니까 Just don't ask me what it was 아무것도 묻지 말아주세요 I think it's because I'm clumsy 제가 잘못한 일이거든요 I try not to talk too loud 조용히 말해야 하는데 Maybe it's because I'm crazy 아마 제가 좀 어리석었나봐요 I try not to act too proud 주눅든 표정을 지어야 하는데 They only hit until you cry 아래층에서 소리지르면 더이상 안때려요 And after that you don't ask why 무슨 일이었는진 묻지 마세요 You just don't argue anymore 더이상 설득하려고 하지마세요 You just don't argue anymore 제가 잘못한 거니까 You just don't argue anymore 아무것도 못들은척 해주세요 Yes I think I'm okay 네, 전 괜찮아요 I walked into the door again 다시 들어가봐야 해요 Well, if you ask that's what I'll say 만약 다음에 또 물어오시면 And it's not your business anyway 당신이 참견할일이 아니라고 말할 거예요 I guess I'd like to be alone 이제 혼자 있고 싶어요 With nothing broken, nothing thrown 부러지지도 않았고 삔곳도 없어요 Just don't ask me how I am ... 더이상 괜찮은지는 묻지 마세요 |
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from My Sister's Keeper [ost] (2009) | |||||
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from Suzanne Vega - Ludlow Street (2007)
Edith wharton's lovely figurines
Still speak to me today From their mantlepiece in time Where they wrestle and they play With passions and with prudences Finances and fears Her face and what its worth to her In the passing of the years See the portrait come to life See the vanity behind Cause in the struggle for survival Love is never blind Now, olivia lies under anasthesia Her wit and wonder snuffed In a routine operation Her own beauty not enough, Her passions and her prudences Finances and fears Her face, what it was worth to her In the passing of the years See the portrait come to life See the vanity behind Cause in the struggle for survival Love is never blind Edith whartons lovely figurines Still speak to me today From their mantlepiece in time Where they wrestle and they play We lie under anesthesia Our wit and wonder snuffed In our routine operations Our own beauty not enough |
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from Suzanne Vega - Ludlow Street (2007)
Love is the only thing that matters
Love is the only thing that's real I know we hear this every day It's still the hardest thing to feel This time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there Another generation's parties And it is still the same old scene I can recall each morning after Painted in nicotine This time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there All of the people I once knew... All of the ones I was close to... Love is the only thing that matters Love the only thing that's real And when I think about you now Love is the only thing I feel This time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there Tim, this time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there |
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2:55 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
Angel comes home
His clothes in a cloud Of the dust and the dirt and destruction She waits inside She knows he's arrived She feels this with no introduction At Angel's door You have to leave it on the floor Don't bring it in He can't show What she doesn't want to know Those things he's seen She knows the smell Of that life he can't tell Of the fires and the flesh and confusion Inside his brain It's never the same Though he tries to maintain the illusion At Angel's door You have to leave it on the floor Don't bring it in He can't show What she doesn't want to know Those things he's seen Angel comes home His clothes in a cloud Of the dust and the dirt and destruction |
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2:59 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
Fall and all attendant memories
Crowd the day with unrelated histories Each year leaves its unresolving fantasies To hang around each corner Hang around each street Thick with ghosts, the wind whips round in circuitries Carrying words as strangers exchange pleasantries Do they intrude upon your private reveries? As they meet you on each corner Meet you on each street Watch for daily braveries Notice newfound courtesies Finger sudden legacies As they clean up every corner Wash down every street Mark the month and all its anniversaries Put away the draft of all your eulogies Clear the way for all your private memories As they meet you on each corner Meet you on each street Make the time for all your possibilities They live on every street |
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2:21 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
I will take up all your tears
Salty tissues through the years Spread them in the sun to dry Diamonds from each time you cry I will treasure all your teeth Your laughter and the pearls beneath Keep them in a cardboard box Through the tickings and the tocks I will gather all your hair Floating in the sultry air We will make a braid of gold For you to keep when you are old Now I kiss your milky skin Sheet of silk and soul within Put this kiss upon your brow Treasure you as you are now |
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4:44 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
The way of the world
Has taken its toll Ravaged my body And bitten my soul I am ruined by rain Weathered by wind I've been invaded Without and within And I ask I am asking you Asking you if you Might still want me. Once you said I'm made of fine stuff. But I've been corrupted. And taken enough. Now you appear. Making your claim. Inside my heart Is the sign of your name. And I ask I am asking you Asking you if you Might still want me? All these words Like darling and angel and dear Crowd my mouth In a path to your ear. The way of the world Has taken it's toll Ravaged my body Bitten my soul And I ask I am asking you Asking you if you Might still want me? When I said: I am bound to you forever Here's what I meant: I am bound to you forever. |
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2:23 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
Edith wharton's lovely figurines
Still speak to me today From their mantlepiece in time Where they wrestle and they play With passions and with prudences Finances and fears Her face and what its worth to her In the passing of the years See the portrait come to life See the vanity behind Cause in the struggle for survival Love is never blind Now, olivia lies under anasthesia Her wit and wonder snuffed In a routine operation Her own beauty not enough, Her passions and her prudences Finances and fears Her face, what it was worth to her In the passing of the years See the portrait come to life See the vanity behind Cause in the struggle for survival Love is never blind Edith whartons lovely figurines Still speak to me today From their mantlepiece in time Where they wrestle and they play We lie under anesthesia Our wit and wonder snuffed In our routine operations Our own beauty not enough |
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2:37 | ||||
from Suzanne Vega - - Beauty & Crime (2007) | |||||
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3:16 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
Love is the only thing that matters
Love is the only thing that's real I know we hear this every day It's still the hardest thing to feel This time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there Another generation's parties And it is still the same old scene I can recall each morning after Painted in nicotine This time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there All of the people I once knew... All of the ones I was close to... Love is the only thing that matters Love the only thing that's real And when I think about you now Love is the only thing I feel This time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there Tim, this time When I go back to Ludlow Street I find each stoop and doorway's incomplete Without you there |
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2:55 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
New York City spread herself before you
With her bangles and her spangles and her stars You were impressed with a city so undressed You had to go out cruising all the bars Your business trip extended through the weekend Suburban boy here for your first time From the twenty-seventh floor above the midtown roar You were dazzled by her beauty and her crime And she's every girl you've seen in every movie Every dame you've ever known on late night TV In her steam and steel is the passion you feel Endlessly New York is a woman, she'll make you cry And to her you're just another guy Look down and see her ruined places Smoke and ash still rising to the sky She's happy that you're here, but when you disappear She won't know that you're gone to say goodbye New York is a woman, she'll make you cry And to her you're just another guy And she's every girl you've seen in every movie Every dame you've ever known on late night TV In her steam and steel is the passion you feel Desperately New York is a woman, she'll make you cry And to her you're just another guy |
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3:25 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
she's a pornographer's dream: he said
I knew what he meant but it made me imagine: what kind of a dream he would have, that hadn't been spent? would he still dream of the thigh? of the flesh upon high? what he saw so much of? wouldn't he dream of the thing that he never could quite get the touch of? it's out of his hands, over his head out of his reach, under this real life hidden in veils, covered in silk he's dreaming of what might be (dreaming of mystery) Bettie Page is still the rage with her legs and leather she turns to tease the camera, and please us at home and we let her who's to know what she'll show of herself in what measure? if what she reveals, or what she conceals is the key to our pleasure? it's out of our hands, over our heads out of our reach, under this real life hidden in veils, covered in silk we're dreaming of what might be (dreaming of mystery) it's out of our hands, over our heads out of our reach, under this real life hidden in veils we're dreaming of mystery she's a pornographer's dream, he said I knew what he meant but it made me imagine: what kind of a dream he would have? |
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3:36 | ||||
from Suzanne Vega - - Beauty & Crime (2007)
I knew a plant
Whose roots were bound And then returned Into the ground Every day I watched it grow Every day It struggled so Roots were bound, the roots were bound The roots were bound into the ground Watched it grow, watched it grow Watched it as it struggled so I dug it up I cut the twine And so like this I made it mine I watched it drink And watched it feed And grow beyond Its simple need Cut the twine, I've cut the twine Cut the twine and made it mine Watched it feed, watched it feed Watched it feed the simple need Unbound, roots unbound Unbound into the ground Unbound, roots unbound Unbound into the ground I was once Tied at the root Confined with twine Both mind and foot I cut it loose And now am free As anything Alive can be At the root, bound at the root At the root both mind and foot Am free, now am free As anything alive can be Unbound, roots unbound Unbound into the ground Unbound, roots unbound Unbound into the ground Unbound, roots unbound Unbound into the ground Unbound, roots unbound Unbound into the ground |
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3:12 | ||||
from Suzanne Vega - - Beauty & Crime (2007) | |||||
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3:52 | ||||
from I Write The Songs: 36 Singer Songwriters Performing... (2005)
My name is Luka
제 이름은 루카예요 I live on the second floor 2층에 살지요 I live upstairs from you 당신 집 바로 위층이요 Yes I think you've seen me before 그래요, 전에 한번 본 적 있어요 If you hear something late at night 밤 늦게 말썽이 생긴것 같거나 Some kind of trouble. some kind of fight 누군가 싸우는 소리가 들려도 Just don't ask me what it was 무슨 일이 있었는지는 묻지 말아주세요 Just don't ask me what it was 별 일 아니니까 Just don't ask me what it was 아무것도 묻지 말아주세요 I think it's because I'm clumsy 제가 잘못한 일이거든요 I try not to talk too loud 조용히 말해야 하는데 Maybe it's because I'm crazy 아마 제가 좀 어리석었나봐요 I try not to act too proud 주눅든 표정을 지어야 하는데 They only hit until you cry 아래층에서 소리지르면 더이상 안때려요 And after that you don't ask why 무슨 일이었는진 묻지 마세요 You just don't argue anymore 더이상 설득하려고 하지마세요 You just don't argue anymore 제가 잘못한 거니까 You just don't argue anymore 아무것도 못들은척 해주세요 Yes I think I'm okay 네, 전 괜찮아요 I walked into the door again 다시 들어가봐야 해요 Well, if you ask that's what I'll say 만약 다음에 또 물어오시면 And it's not your business anyway 당신이 참견할일이 아니라고 말할 거예요 I guess I'd like to be alone 이제 혼자 있고 싶어요 With nothing broken, nothing thrown 부러지지도 않았고 삔곳도 없어요 Just don't ask me how I am ... 더이상 괜찮은지는 묻지 마세요 |
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4:13 | ||||
from Suzanne Vega - Solitude Standing (2004)
My name is Calypso
And I have lived alone I live on an island And I waken to the dawn A long time ago I watched him struggle with the sea I knew that he was drowning And I brought him into me Now today Come morning light He sails away After one last night I let him go. My name is Calypso My garden overflows Thick and wild and hidden Is the sweetness there that grows My hair it blows long As I sing into the wind My name is Calypso And I have lived alone I live on an island I tell of nights Where I could taste the salt on his skin Salt of the waves And of tears And though he,pulled away I kept him here for years I let him go My name is Calypso I have let him go In the dawn he sails away To be gone forever more And the waves will take him in again But he'll know their ways now I will stand upon the shore With a clean heart And my song in the wind The sand will sting my feet And the sky will burn It's a lonely time ahead I do not ask him to return I let him go I let him go |
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4:05 | ||||
from Suzanne Vega - Solitude Standing (2004)
You come from far away
With pictures in your eyes Of coffeeshops and morning streets In the blue and silent sunrise But night is the cathedral Where we recognized the sign We strangers know each other now As part of the whole design Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat You are the jester of this courtyard With a smile like a girl's Distracted by the women With the dimples and the curls By the pretty and the mischievous By the timid and the blessed By the blowing skirts of ladies Who promise to gather you to their breast Oh, hold me like a baby... You have hands of raining water And that earring in your ear The wisdom on your face Denies the number of your years With the fingers of the potter And the laughing tale of the fool The arranger of disorder With your strange and simple rules Yes now I've met me another spinner Of strange and gauzy threads With a long and slender body And a bump upon the head Oh, hold me like a baby... With a long and slender body And the sweetest softest hands And we'll blow away forever soon And go on to different lands And please do not ever look for me But with me you will stay And you will hear yourself in song Blowing by one day Oh, hold me like a baby... |
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4:15 | ||||
from Suzanne Vega - Solitude Standing (2004)
If you were to kill me now right here
I would still look you in the eye And I would burn myself into your memory as long as you were still alive I would live inside of you I'd make you wear me like a scar And I would burn myself into your memory and run through everything you are I would not run I would not turn I would not hide I would not run I would not turn I would not hide In the eye If you were to kill me now right here I would still look you in the eye And I would burn myself into your memory as long as you were still alive I would not run I would not turn I would not hide I would not run I would not turn I would not hide In the eye Look me in the eye |
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6:20 | ||||
from Suzanne Vega - Solitude Standing (2004) | |||||
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3:57 | ||||
from Suzanne Vega - Solitude Standing (2004)
If language were liquid
It would be rushing in Instead here we are In a silence more eloquent Than any word could ever be These words are too solid They don't move fast enough To catch the blur in the brain That flies by and is gone Gone Gone Gone I'd like to meet you In a timeless, placeless place Somewhere out of context And beyond all consequences Let's go back to the building (Words are too solid) On Little West Twelfth It is not far away (They don't move fast enough) And the river is there And the sun and the spaces Are all laying low (To catch the blur in the brain) And we'll sit in the silence (That flies by and is) That comes rushing in and is Gone (Gone) I won't use words again They don't mean what I meant They don't say what I said They're just the crust of the meaning With realms underneath Never touched Never stirred Never even moved through If language were liquid It would be rushing in Instead here we are In a silence more eloquent Than any word could ever be And is gone Gone Gone And is gone |
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3:51 | ||||
from Suzanne Vega - Solitude Standing (2004)
My name is Luka
I live on the second floor I live upstairs from you Yes I think you've seen me before If you hear something late at night Some kind of trouble. some kind of fight Just don't ask me what it was Just don't ask me what it was Just don't ask me what it was I think it's because I'm clumsy I try not to talk too loud Maybe it's because I'm crazy I try not to act too proud They only hit until you cry And after that you don't ask why You just don't argue anymore You just don't argue anymore You just don't argue anymore Yes I think I'm okay I walked into the door again Well, if you ask that's what I'll say And it's not your business anyway I guess I'd like to be alone With nothing broken, nothing thrown Just don't ask me how I am Just don't ask me how I am Just don't ask me how I am |
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2:47 | ||||
from Suzanne Vega - Solitude Standing (2004)
By day give thanks
By night beware Half the world in sweetness The other in fear When the darkness takes you With her hand across your face Don't give in too quickly Find the thing she's erased Find the line, find the shape Through the grain Find the outline, things will Tell you their name The table. the guitar The empty glass All will blend together when Daylight has passed Find the line, find the shape Through the grain Find the outline, things will Tell you their name Now I watch you falling into sleep Watch your fist curl against the sheet Watch your lips fall open and your eyes dim In blind faith I would shelter you Keep you in light But I can only teach you Night vision Night vision Night vision |
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4:51 | ||||
from Suzanne Vega - Solitude Standing (2004)
Solitude stands by the window
She turns her head as I walk in the room I can see by her eyes she's been waiting Standing in the slant of the late afternoon And she turns to me with her hand extended Her palm is split with a flower with a flame Solitude stands in the doorway And I'm struck once again by her black silhouette By her long cool stare and her silence I suddenly remember each time we've met And she turns to me with her hand extended Her palm is split with a flower with a flame And she says "I've come to set a twisted thing straight" And she says "I've come to lighten this dark heart" And she takes my wrist, I feel her imprint of fear And I say "I've never thought of finding you here" I turn to the crowd as they're watching They're sitting all together in the dark in the warm I wanted to be in there among them I see how their eyes are gathered into one And then she turns to me with her hand extended Her palm is split with a flower with a flame And she says "I've come to set a twisted thing straight" And she says"l've come to lighten this dark heart" And she takes my wrist, I feel her imprint of fear And I say "I've never thought of finding you here" Solitude stands in the doorway And I'm struck once again by her black silhouette By her long cool stare and her silence I suddenly remember each time we've met And she turns to me with her hand extended Her palm is split with a flower with a flame |
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2:12 | ||||
from Suzanne Vega - Solitude Standing (2004)
to moonn6pence from shootingstar(papayeverte)
Tom's Diner I am sitting in the morning At the diner on the corner I am waiting at the counter For the man to pour the coffee (아침에 길모퉁이에 있는 식당에 앉아 있어 식당 주인이 커피를 따라 주기를 기다리며 카운터에 있었지.) And he fills it only halfway And before I even argue He is looking out the window At somebody coming in (그가 커피를 반 잔밖에 따르지 않아서 따지려고 했지만^^* 그는 누군가가 들어 오는 것을 보고 그 쪽을 바라봤어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee "It is always nice to see you" Says the man behind the counter To the woman who has come in She is shaking her umbrella ("당신만 보면 기분이 좋아요" 방금 들어온 그 여인에게 카운터에서 그가 말했지. 그녀는 우산을 털고 있었어.) And I look the other way As they are kissing their hellos I'm pretending not to see them Instead, I pour the milk (그들이 서로에게 가벼운 키스로 인사를 나누고 있을 때 난 다른 쪽을 보고 있었어. 그 대신 우유를 부으면서 그들을 안 보고 있는 척 했어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee I open up the paper There's a story of an actor Who had died while he was drinking It was no one I had heard of (신문을 폈어.술 먹다가 죽은 배우에 관한 기사가 있었지. 한 번도 못 들어본 배우였어.) And I'm turning to the horoscope And looking for the funnies When I'm feeling someone watching me And so I raise my head (오늘의 운세를 보고 나서 재미있는 게 있을까 해서 뒤적거렸어. 그 때 누군가 날 보고 있는 것 같아 고개를 들었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee There's a woman on the outside Looking inside, does she see me? No she does not really see me 'Cause she sees her own reflection (밖에서 어떤 여인이 안을 들여다 보고 있었어. 날 보고 있는 걸까? 아냐, 실제로는 날 보는 게 아니었어. 창에 비친 그녀의 모습을 보는 거였지.) And I'm trying not to notice That she's hitching up her skirt And while she's straightening her stockings Her hair is getting wet (그녀가 치마를 치켜 올리는 걸 안 보는 척 했지. 그녀가 스타킹을 반듯이 하는동안 그녀의 머리는 젖고 있었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Oh, this rain, it will continue Through the morning as I'm listening To the bells of the cathedral I am thinking of your voice (성당의 종소리가 들리는 이 오전 내내 비가 계속 될거야. ) And of the midnight picnic Once upon a time before the rain began I finish up my coffee It's time to catch the train (난 당신 목소리를 떠올려. 그리고, 비가 내리기 전에 했었던 그 예전 한 때의 야간 피크닉을 생각해. 커피를 다 마셨어. 이제 기차를 탈 시간이군...) |
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2:40 | ||||
from Suzanne Vega - Solitude Standing (2004)
to moonn6pence from shootingstar(papayeverte)
Tom's Diner I am sitting in the morning At the diner on the corner I am waiting at the counter For the man to pour the coffee (아침에 길모퉁이에 있는 식당에 앉아 있어 식당 주인이 커피를 따라 주기를 기다리며 카운터에 있었지.) And he fills it only halfway And before I even argue He is looking out the window At somebody coming in (그가 커피를 반 잔밖에 따르지 않아서 따지려고 했지만^^* 그는 누군가가 들어 오는 것을 보고 그 쪽을 바라봤어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee "It is always nice to see you" Says the man behind the counter To the woman who has come in She is shaking her umbrella ("당신만 보면 기분이 좋아요" 방금 들어온 그 여인에게 카운터에서 그가 말했지. 그녀는 우산을 털고 있었어.) And I look the other way As they are kissing their hellos I'm pretending not to see them Instead, I pour the milk (그들이 서로에게 가벼운 키스로 인사를 나누고 있을 때 난 다른 쪽을 보고 있었어. 그 대신 우유를 부으면서 그들을 안 보고 있는 척 했어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee I open up the paper There's a story of an actor Who had died while he was drinking It was no one I had heard of (신문을 폈어.술 먹다가 죽은 배우에 관한 기사가 있었지. 한 번도 못 들어본 배우였어.) And I'm turning to the horoscope And looking for the funnies When I'm feeling someone watching me And so I raise my head (오늘의 운세를 보고 나서 재미있는 게 있을까 해서 뒤적거렸어. 그 때 누군가 날 보고 있는 것 같아 고개를 들었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee There's a woman on the outside Looking inside, does she see me? No she does not really see me 'Cause she sees her own reflection (밖에서 어떤 여인이 안을 들여다 보고 있었어. 날 보고 있는 걸까? 아냐, 실제로는 날 보는 게 아니었어. 창에 비친 그녀의 모습을 보는 거였지.) And I'm trying not to notice That she's hitching up her skirt And while she's straightening her stockings Her hair is getting wet (그녀가 치마를 치켜 올리는 걸 안 보는 척 했지. 그녀가 스타킹을 반듯이 하는동안 그녀의 머리는 젖고 있었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Oh, this rain, it will continue Through the morning as I'm listening To the bells of the cathedral I am thinking of your voice (성당의 종소리가 들리는 이 오전 내내 비가 계속 될거야. ) And of the midnight picnic Once upon a time before the rain began I finish up my coffee It's time to catch the train (난 당신 목소리를 떠올려. 그리고, 비가 내리기 전에 했었던 그 예전 한 때의 야간 피크닉을 생각해. 커피를 다 마셨어. 이제 기차를 탈 시간이군...) |
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from Suzanne Vega - Solitude Standing (2004)
I am sitting
In the morning At the diner On the corner I am waiting At the counter For the man To pour the coffee And he fills it Only halfway And before I even argue He is looking Out the window At somebody Coming in "It is always Nice to see you" Says the man Behind the counter To the woman Who has come in She is shaking Her umbrella And I look The other way As they are kissing Their hellos I'm pretending Not to see them Instead I pour the milk I open Up the paper There's a story Of an actor Who had died While he was drinking It was no one I had heard of And I'm turning To the horoscope And looking For the funnies When I'm feeling Someone watching me And so I raise my head There's a woman On the outside Looking inside Does she see me? No she does not Really see me Cause she sees Her own reflection And I'm trying Not to notice That she's hitching Up her skirt And while she's Straightening her stockings Her hair Is getting wet Oh, this rain It will continue Through the morning As I'm listening To the bells Of the cathedral I am thinking Of your voice And of the midnight picnic Once upon a time Before the rain began I finish up my coffee It's time to catch the train |
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from Suzanne Vega - Solitude Standing (2004) | |||||
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5:13 | ||||
from Suzanne Vega - Solitude Standing (2004)
I came out of the darkness A small white wooden horse I'd been holding inside Holding one thing If you could tell them this And when I'm dead What was wood became alive That what was wood became alive In the night the walls disappeared In the day they returned "I want to be a rider like my father" Were the only words I could say And when I'm dead If you could tell them this What was wood became alive That what was wood became alive Alive A moving piece of sun And I fell under Freedom Holding one thing I know I have a power I am afraid I may be killed I came out of the darkness But when I'm dead What was wood became alive If you could tell them this That what was wood became alive Alive
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from Suzanne Vega - Solitude Standing (2004)
I came out of the darkness
Holding one thing A small white wooden horse I'd been holding inside And when I'm dead If you could tell them this That what was wood became alive What was wood became alive In the night the walls disappeared In the day they returned "I want to be a rider like my father" Were the only words I could say And when I'm dead If you could tell them this That what was wood became alive What was wood became alive Alive And I fell under A moving piece of sun Freedom I came out of the darkness Holding one thing I know I have a power I am afraid I may be killed But when I'm dead If you could tell them this That what was wood became alive What was wood became alive Alive |
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3:47 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
(I`ll Never Be) Your Maggie May
no capo December 2000 1. i'll never be your Maggie May the one you loved and left behind the face you see in light of day and then you cast away that isn't me in that bed you'll find 2. I'd rather take myself away be like those ladies in Japan rather paint myself a face conjure up some grace or be the eyes behind a fan And so you go no girl could say no to you 3. there's the way we may appear but that will change from day to night would you ever see within? underneath the skin? could I believe you had that sight? 4. instrumental And so you go no girl could say no to you 5. I'll never be your Maggie May the one you loved and then forgot I'll love you first and let you go because it must be so and you'll forgive or you will not 6. and so a woman leaves a man and so a world turns on it's end so I'll see your face in dreams where nothing's what it seems you still appear some kind of friend And so you go no girl could say no to you .. |
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4:19 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
i dreamed you were a rich man and that i had no place to go i came to you to see if you would take me in through golden curtains you told me you'd let me know. well, you drink for ten and you smoke for twenty and your fickle heart will never be true but still i feel the wind in from the harbor thats when i know the longing for you when i know the old longing for you. i saw you in my mind's eye you were laid out on your final day i stood in line to see that handsome face once more it had been so dear to me, and i kissed you as you lay you were so dear, i kissed you as you lay. now, whenever i do travel if to portugal, england, or spain as i do walk by the shipyards and the harbors i smell the salt, and the bay rum of your ghost again i know the salt, and the bay rum, you beside me again. |
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2:46 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
oooh if I were a weapon you said I'd be a gun lethal at close range i guess with silencer and stun but I feel more like a needle always pulling on the thread always making the same point again and wondering if you heard what I just said if you were a weapon a hammer's what you'd be blunt and heavy at the end and coming down on me but i've concealed a weapon in a pocket knife attack all folded up inside until you see the shine and then you'll want it back oooh if I were a weapon you said i'd be a gun lethal at close range I guess w silencer and stun well, if I am that weapon I am pointing now at you so just put down the hostage and we'll talk it down until we see this through |
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4:00 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
1. the virgin mary on a chain has hit me in the mouth again as we explore the carnal score of sacred and profane 2. sulky boy won't drink his milk mothers breast beneath the silk remains untouched it's way too much reject all of that ilk ch; i have to say it makes me wonder if you are holding me to the same blue flame that you are under i feel you scolding me 3. your virgin mary's in the way hallucinate her face by day obscure the view in front of you it's me here made of clay 4. you're playing near that line so thin, austerity? or just give in to endless appetite, embrace that white oblivion? ch; and why so high the expectation? who could live up to this? well, there's no time now for explanation cold as an angel's kiss i have to say it makes me wonder if you were holding me to that cold blue flame that you are under when you were holding me |
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3:35 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
Last year's troubles are so old fashioned the robber on the highway the pirate on the seas maybe it's the clothing that's so entertaining the earrings and swashbuckling blouses that please here we have heroes of times that have passed now but nobody these days has that kind of chin over there the petticoats of ladies of virtue you can hardly tell them from the petticoats of sin last year's troubles look at all the waifs of Dickensian England why is it their suffering is more picturesque? must be cause their rags are so very Victorian the ones here at home just don't give it their best last years troubles they shine up so pretty they gleam with a luster they don't have today here it's just dirty and violent and troubling etc. last year's troubles but trouble is still trouble and evil still evil sometimes we wonder; is there more now, or less? if we had a tool or could tally the handfuls measure for measure it's the same would be my guess |
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2:57 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
Am I an afternoon's pastime? a thing on a string to be thrown and retrieved like a phone call received on somebody's birthday to tease and delight and then say goodnight and then just say goodbye? Am I a toy on a tray ? a soft piece of clay queen or clown for the day machine ballerina soldier of tin standing so loyal while you sit so royal then I'm put away? Ch: For your approval, perusal, and your possible refusal, I'm amusing, I'm a puppet for your play. Am I your Mad Magazine? skin trampoline pin-up pinball machine your fantasy girl of puzzling parts but none fits or starts we match wits but not hearts I'm heard but never seen? Chorus again |
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4:17 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
Once I stood alone so proud now i am low on the ground. held myself above the crowd From here i look around to see what avenues belong to me I can't tell what ive found. Now what would You have me do i ask you please? I wait to hear. The mother, and the matador, the mystic, all were here before, like me, to stare You down. disappear, but leave your trace, You appear without a face, i feel your unseen frown. Now what would you have me do i wait to hear I ask you please? the word, your voice, you say. i wait to see your sign would i I look for you in heathered moor, obey? the desert, and the ocean floor how low does one heart go. looking for your fingerprints i find them in coincidence, and make my faith to grow. Forgive me all my blindnesses my weakness and unkindnesses as yet unbending still. my fist against eternity struggling so hard to see and will you break my will? Now what would you have me do i wait to hear i ask you please? your voice, the word you say i wait to see your sign could i obey? |
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4:14 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
1. she'd come to my house and dance in the hall with the music up loud against the light on the wall I danced beside her feeling no shame we were in costume and this was a game 2. she'd put on her skirt of layers of chiffon the top of the umbrella had come off so I put that on we'd dance together then an awkward ballet she was 20 years older than I was but still we did play 3. She was 20 years older than me and many times my size but it's her little feet I remember and the look in her eyes once when I saw her she made me a doll of ribbon and paper and ink and lace, I recall 4. I danced beside her feeling no shame we were in costume and this was a game I think of her now I'm older I still love to dance something will shine through the body if you give it a chance |
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3:03 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
Soap and water take the day from my hand scrub the salt from my stinging skin slip me loose of this wedding band Soap and water hang my heart on the line scour it down in a wind of sand bleach it clean to a vinegar shine Daddy's a dark riddle Mama's a headful of bees you are my little kite carried away in the wayward breeze Soap and water wash the year from my life straighten all that we trampled and tore heal the cut we call husband and wife Daddy's a dark riddle Mama's a handful of thorns you are my little kite caught up again in the household storms Daddy's a dark riddle Mama's a headful of bees you are my little kite carried away in the wayward breeze |
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2:11 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
1. Black on the red and the red on the black. It's a tic of a tired mind. Come and sit down, won't you try your luck. See if you unwind. 2. Never use your threes and twos. Follow superstition. Otherwise you are going to lose. Compulsion makes you listen. Take what's wrong, and make it go right. Weave it like a prayer. Wonder if you you'll spend the night? Playing solitaire? 3. Do it again, when you find you're all done. Like an idiot savant. Shuffle up your luck. You see, you almost won. Now wrestle down what you want. 4. Jack on the Queen, and the ten on the Jack. It's a happy repetition. You and your fate in a kind of check-mate. And you are your only competition. Take what's wrong, and make it go right. Weave it like a prayer. Wonder if you you'll spend the night? Playing solitaire? |
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4:18 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
the reproach in your daughter's most beautiful face made me wonder just how she could know of that something that happened between you and me so much more than a long time ago her mother, I can see, lives within her still cause she looked at me with her eyes though I had only just met her right then I feel that she peeled back my guilty disguise did i break the thread, or did you break the thread? well at this point we could ask who cares as for the promises broken and frayed it's 19 years late for repairs the grey pewter vase held the deep red rose, one piece of coral shone white, by the brass candlestick near your red velvet coat, is everything I can recall of one night will you please tell me why I remember these things after all of this time, I don't know i must have left all those feelings inside cause that year I had no courage to show was i the name you could never pronounce? or did i even figure at all? all of this happened before she was born did i shadow her young pencil marks on the wall still i am sure i was only but one of a number who darkened that door of your home and your hearth and your family and wife who'd been darkened so often before oh, the red leaf looks to the hard gray stone to each other, they know what they mean somewhere, their future is still yet to come in ways that are yet as of now unforeseen |
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2:30 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
call on that saint and the candle that burns keeping her safe until her return plaster and paint holding the fire a poor woman's saint holding all man's desire bold little bird fly away home could I but ride herd on the wind and the foam all of the souls that curl by the fire they never know all man's desire watercress clings to the banks of the stream in the first grip of spring when the snow melts to green barefoot and cold and holding a lyre by the side of the road holding all man's desire call on the saint when the white candle burns keeping her safe until her return |
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3:34 | ||||
from Suzanne Vega - Songs In Red And Gray (2001)
Consider me a widow, boys and I will tell you why. It's not the man, but it's the marriage that was drowned. and wait with watchful eye out to the sky, So I walk the walk Looking for a kind of vessel I have never found. Though I saw it splinter Like a dog with little sense, I keep looking out to sea, I did see the thing go down I keep returning, as if there's something at the site To the very area where I should be learning. We watch the wind and set the sail, That line is the horizon. point to fail. but save ourselves when all omens Though I grieve (and I believe If I tell the truth i feel it truly) then I will have to tell you this But I knew that ship was empty by the time it hit the rocks, we could not hold on when fate became unruly. So consider me a widow, boys, and I have told you why. a better day is nearing? Does the weather say and wait upon the Will It's clear that I need I'll set my house in order now better skill in steering... That line is the horizon. We watch the wind and set the sail, But save ourselves when all omens point to fail. |
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from Suzanne Vega - Tired And True (2000)
99.9 Fahrenheit degrees
Stable now, with rising possibilities It could be normal but it isn't quite Could make you want to stay awake at night You seem to me Like a man 0n the verge of burning 99.9 Fahrenheit degrees Pale as a candle And your face is hot And if I touch you I might get what you've got You seem to me Like a man On the verge of running 99.9 Fahrenheit degrees Something cool Against the skin Is what you could be Something cool Against the skin Is what you Could be needing 99.9 Fahrenheit degrees You seem to me Like a man On the verge of burning 99.9 Fahrenheit degrees Something cool Against the skin Is what you could be Something cool Against your skin Is what you Could be needing 99.9 Fahrenheit degrees 99.9 Fahrenheit degrees |
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3:13 | ||||
from Suzanne Vega - Tired And True (2000)
99.9 Fahrenheit degrees
Stable now, with rising possibilities It could be normal but it isn't quite Could make you want to stay awake at night You seem to me Like a man 0n the verge of burning 99.9 Fahrenheit degrees Pale as a candle And your face is hot And if I touch you I might get what you've got You seem to me Like a man On the verge of running 99.9 Fahrenheit degrees Something cool Against the skin Is what you could be Something cool Against the skin Is what you Could be needing 99.9 Fahrenheit degrees You seem to me Like a man On the verge of burning 99.9 Fahrenheit degrees Something cool Against the skin Is what you could be Something cool Against your skin Is what you Could be needing 99.9 Fahrenheit degrees 99.9 Fahrenheit degrees |
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2:29 | ||||
from Suzanne Vega - Tired And True (2000)
I'd like to help you doctor
Yes I really really would But the din in my head It's too much and it's no good I'm standing in a windy tunnel Shouting through the roar And I'd like to give the information You're asking for But blood makes noise It's a ringing in my ear Blood makes noise And I can't really hear you In the thickening of fear I think that you might want to know The details and the facts But there's something in my blood Denies the memory of the acts So just forget it Doc I think it's really Cool that you're concerned But we'll have to try again After the silence has returned Cause blood makes noise It's a ringing in my ear Blood makes noise And I can't really hear you In the thickening of fear Blood makes noise |
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from Suzanne Vega - Tired And True (2000)
I'd like to help you doctor
Yes I really really would But the din in my head It's too much and it's no good I'm standing in a windy tunnel Shouting through the roar And I'd like to give the information You're asking for But blood makes noise It's a ringing in my ear Blood makes noise And I can't really hear you In the thickening of fear I think that you might want to know The details and the facts But there's something in my blood Denies the memory of the acts So just forget it Doc I think it's really Cool that you're concerned But we'll have to try again After the silence has returned Cause blood makes noise It's a ringing in my ear Blood makes noise And I can't really hear you In the thickening of fear Blood makes noise |
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from Suzanne Vega - Tired And True (2000) | |||||
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from Suzanne Vega - Tired And True (2000) | |||||
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from Suzanne Vega - Tired And True (2000)
Book Of Dreams
In my book of dreams In my book of dreams In my book of dreams I took your urgent whisper Stole the arc of a white wing Rode like foam on the river of pity Turned its tide to strength Healed the hole that ripped in living In my book of dreams In my book of dreams In my book of dreams The spine is bound to last a life Tough enough to take the pounding Pages made of days of open hand In my book of dreams In my book of dreams In my book of dreams Number every page in silver Underline in magic marker Take the name of every prisoner Yours is there my word of honor I took your urgent whisper Stole the arc of a white wing Rode like foam on the river of pity Healed the hole that ripped in living In my book of dreams In my book of dreams In my book of dreams |
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3:22 | ||||
from Suzanne Vega - Tired And True (2000)
Book Of Dreams
In my book of dreams In my book of dreams In my book of dreams I took your urgent whisper Stole the arc of a white wing Rode like foam on the river of pity Turned its tide to strength Healed the hole that ripped in living In my book of dreams In my book of dreams In my book of dreams The spine is bound to last a life Tough enough to take the pounding Pages made of days of open hand In my book of dreams In my book of dreams In my book of dreams Number every page in silver Underline in magic marker Take the name of every prisoner Yours is there my word of honor I took your urgent whisper Stole the arc of a white wing Rode like foam on the river of pity Healed the hole that ripped in living In my book of dreams In my book of dreams In my book of dreams |
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from Suzanne Vega - Tired And True (2000)
It wont do to dream of caramel
to think of cinnamon and long for you. It wont do to stir a deep desire, to fan a hidden fire that can never burn true I know your name, I know your skin, I know the way these things begin But I dont know how I would live with myself, what Id forgive of myself if you dont go So goodbye, sweet appetite, no single bite could satisfy I know your name, I know your skin, I know the way these things begin But I dont know what I would give of myself, how I would live with myself if you dont go It wont do to dream of caramel to think of cinnamon and long for you |
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2:53 | ||||
from Suzanne Vega - Tired And True (2000)
It wont do to dream of caramel
to think of cinnamon and long for you. It wont do to stir a deep desire, to fan a hidden fire that can never burn true I know your name, I know your skin, I know the way these things begin But I dont know how I would live with myself, what Id forgive of myself if you dont go So goodbye, sweet appetite, no single bite could satisfy I know your name, I know your skin, I know the way these things begin But I dont know what I would give of myself, how I would live with myself if you dont go It wont do to dream of caramel to think of cinnamon and long for you |
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2:39 | ||||
from Suzanne Vega - Tired And True (2000)
It wont do to dream of caramel
to think of cinnamon and long for you. It wont do to stir a deep desire, to fan a hidden fire that can never burn true I know your name, I know your skin, I know the way these things begin But I dont know how I would live with myself, what Id forgive of myself if you dont go So goodbye, sweet appetite, no single bite could satisfy I know your name, I know your skin, I know the way these things begin But I dont know what I would give of myself, how I would live with myself if you dont go It wont do to dream of caramel to think of cinnamon and long for you |
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4:04 | ||||
from Suzanne Vega - Tired And True (2000)
You come from far away
With pictures in your eyes Of coffeeshops and morning streets In the blue and silent sunrise But night is the cathedral Where we recognized the sign We strangers know each other now As part of the whole design Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat You are the jester of this courtyard With a smile like a girl's Distracted by the women With the dimples and the curls By the pretty and the mischievous By the timid and the blessed By the blowing skirts of ladies Who promise to gather you to their breast Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat You have hands of raining water And that earring in your ear The wisdom on your face Denies the number of your years With the fingers of the potter And the laughing tale of the fool The arranger of disorder With your strange and simple rules Yes now I've met me another spinner Of strange and gauzy threads With a long and slender body And a bump upon the head Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat With a long and slender body And the sweetest softest hands And we'll blow away forever soon And go on to different lands And please do not ever look for me But with me you will stay And you will hear yourself in song Blowing by one day Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat |
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from Suzanne Vega - Tired And True (2000)
You come from far away
With pictures in your eyes Of coffeeshops and morning streets In the blue and silent sunrise But night is the cathedral Where we recognized the sign We strangers know each other now As part of the whole design Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat You are the jester of this courtyard With a smile like a girl's Distracted by the women With the dimples and the curls By the pretty and the mischievous By the timid and the blessed By the blowing skirts of ladies Who promise to gather you to their breast Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat You have hands of raining water And that earring in your ear The wisdom on your face Denies the number of your years With the fingers of the potter And the laughing tale of the fool The arranger of disorder With your strange and simple rules Yes now I've met me another spinner Of strange and gauzy threads With a long and slender body And a bump upon the head Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat With a long and slender body And the sweetest softest hands And we'll blow away forever soon And go on to different lands And please do not ever look for me But with me you will stay And you will hear yourself in song Blowing by one day Oh, hold me like a baby That will not fall asleep Curl me up inside you And let me hear you through the heat |
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from Suzanne Vega - Tired And True (2000)
In Liverpool
On Sunday No traffic On the avenue The light is pale and thin Like you No sound, down In this part of town Except for the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am Homesick for a clock That told the same time sometimes you made no sense to me if you lie on the ground in somebody's arms you'll probably swallow some of their history And the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am I'll be the girl who sings for my supper You'll be the monk whose forehead is high He'll be the man who's already working Spreading a memory all through the sky In Liverpool On Sunday No reason to even remember you now Except for the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am In Liverpool In Liverpool |
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4:44 | ||||
from Suzanne Vega - Tired And True (2000)
In Liverpool
On Sunday No traffic On the avenue The light is pale and thin Like you No sound, down In this part of town Except for the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am Homesick for a clock That told the same time sometimes you made no sense to me if you lie on the ground in somebody's arms you'll probably swallow some of their history And the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am I'll be the girl who sings for my supper You'll be the monk whose forehead is high He'll be the man who's already working Spreading a memory all through the sky In Liverpool On Sunday No reason to even remember you now Except for the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am In Liverpool In Liverpool |
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5:06 | ||||
from Suzanne Vega - Tired And True (2000)
In Liverpool
On Sunday No traffic On the avenue The light is pale and thin Like you No sound, down In this part of town Except for the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am Homesick for a clock That told the same time sometimes you made no sense to me if you lie on the ground in somebody's arms you'll probably swallow some of their history And the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am I'll be the girl who sings for my supper You'll be the monk whose forehead is high He'll be the man who's already working Spreading a memory all through the sky In Liverpool On Sunday No reason to even remember you now Except for the boy in the belfry He's crazy, he's throwing himself Down from the top of the tower Like a hunchback in heaven He's ringing the bells in the church For the last half an hour He sounds like he's missing something Or someone that he knows he can't Have now and if he isn't I certainly am In Liverpool In Liverpool |
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from Suzanne Vega - Tired And True (2000)
If you want me
You can find me Left of center Off of the strip In the outskirts In the fringes In the corner Out of the grip If you want me You can find me Left of center Off of the strip In the outskirts In the fringes In the corner Out of the grip When they ask me What are you looking at I always answer Nothing much not much I think they know that I'm looking at them I think they think I must be out of touch But I'm only In the outskirts And in the fringes On the edge And off the avenue And if you want me You can find me Left of center Wondering about you I think that somehow Somewhere inside of us We must be similar If not the same So I continue To be wanting you Left of center Against the grain If you want me You can find me Left of center Off of the strip In the outskirts In the fringes In the corner Out of the grip When they ask me What are you looking at I always answer Nothing much not much I think they know that I'm looking at them I think they think I must be out of touch But I'm only In the outskirts And in the fringes On the edge And off the avenue And if you want me You can find me Left of center Wondering about you If you want me You can find me Left of center Wondering about you If you want me You can find me Left of center Wondering about you Wondering about you Wondering about you If you want me You can find me Left of center Wondering about you If you want me You can find me Left of center Wondering about you Wondering about you Wondering about you |
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3:33 | ||||
from Suzanne Vega - Tired And True (2000)
If you want me
You can find me Left of center Off of the strip In the outskirts In the fringes In the corner Out of the grip If you want me You can find me Left of center Off of the strip In the outskirts In the fringes In the corner Out of the grip When they ask me What are you looking at I always answer Nothing much not much I think they know that I'm looking at them I think they think I must be out of touch But I'm only In the outskirts And in the fringes On the edge And off the avenue And if you want me You can find me Left of center Wondering about you I think that somehow Somewhere inside of us We must be similar If not the same So I continue To be wanting you Left of center Against the grain If you want me You can find me Left of center Off of the strip In the outskirts In the fringes In the corner Out of the grip When they ask me What are you looking at I always answer Nothing much not much I think they know that I'm looking at them I think they think I must be out of touch But I'm only In the outskirts And in the fringes On the edge And off the avenue And if you want me You can find me Left of center Wondering about you If you want me You can find me Left of center Wondering about you If you want me You can find me Left of center Wondering about you Wondering about you Wondering about you If you want me You can find me Left of center Wondering about you If you want me You can find me Left of center Wondering about you Wondering about you Wondering about you |
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from Suzanne Vega - Tired And True (2000)
My name is Luka
제 이름은 루카예요 I live on the second floor 2층에 살지요 I live upstairs from you 당신 집 바로 위층이요 Yes I think you've seen me before 그래요, 전에 한번 본 적 있어요 If you hear something late at night 밤 늦게 말썽이 생긴것 같거나 Some kind of trouble. some kind of fight 누군가 싸우는 소리가 들려도 Just don't ask me what it was 무슨 일이 있었는지는 묻지 말아주세요 Just don't ask me what it was 별 일 아니니까 Just don't ask me what it was 아무것도 묻지 말아주세요 I think it's because I'm clumsy 제가 잘못한 일이거든요 I try not to talk too loud 조용히 말해야 하는데 Maybe it's because I'm crazy 아마 제가 좀 어리석었나봐요 I try not to act too proud 주눅든 표정을 지어야 하는데 They only hit until you cry 아래층에서 소리지르면 더이상 안때려요 And after that you don't ask why 무슨 일이었는진 묻지 마세요 You just don't argue anymore 더이상 설득하려고 하지마세요 You just don't argue anymore 제가 잘못한 거니까 You just don't argue anymore 아무것도 못들은척 해주세요 Yes I think I'm okay 네, 전 괜찮아요 I walked into the door again 다시 들어가봐야 해요 Well, if you ask that's what I'll say 만약 다음에 또 물어오시면 And it's not your business anyway 당신이 참견할일이 아니라고 말할 거예요 I guess I'd like to be alone 이제 혼자 있고 싶어요 With nothing broken, nothing thrown 부러지지도 않았고 삔곳도 없어요 Just don't ask me how I am ... 더이상 괜찮은지는 묻지 마세요 |
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3:52 | ||||
from Suzanne Vega - Tired And True (2000)
My name is Luka
제 이름은 루카예요 I live on the second floor 2층에 살지요 I live upstairs from you 당신 집 바로 위층이요 Yes I think you've seen me before 그래요, 전에 한번 본 적 있어요 If you hear something late at night 밤 늦게 말썽이 생긴것 같거나 Some kind of trouble. some kind of fight 누군가 싸우는 소리가 들려도 Just don't ask me what it was 무슨 일이 있었는지는 묻지 말아주세요 Just don't ask me what it was 별 일 아니니까 Just don't ask me what it was 아무것도 묻지 말아주세요 I think it's because I'm clumsy 제가 잘못한 일이거든요 I try not to talk too loud 조용히 말해야 하는데 Maybe it's because I'm crazy 아마 제가 좀 어리석었나봐요 I try not to act too proud 주눅든 표정을 지어야 하는데 They only hit until you cry 아래층에서 소리지르면 더이상 안때려요 And after that you don't ask why 무슨 일이었는진 묻지 마세요 You just don't argue anymore 더이상 설득하려고 하지마세요 You just don't argue anymore 제가 잘못한 거니까 You just don't argue anymore 아무것도 못들은척 해주세요 Yes I think I'm okay 네, 전 괜찮아요 I walked into the door again 다시 들어가봐야 해요 Well, if you ask that's what I'll say 만약 다음에 또 물어오시면 And it's not your business anyway 당신이 참견할일이 아니라고 말할 거예요 I guess I'd like to be alone 이제 혼자 있고 싶어요 With nothing broken, nothing thrown 부러지지도 않았고 삔곳도 없어요 Just don't ask me how I am ... 더이상 괜찮은지는 묻지 마세요 |
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3:33 | ||||
from Suzanne Vega - Tired And True (2000)
My name is Luka
제 이름은 루카예요 I live on the second floor 2층에 살지요 I live upstairs from you 당신 집 바로 위층이요 Yes I think you've seen me before 그래요, 전에 한번 본 적 있어요 If you hear something late at night 밤 늦게 말썽이 생긴것 같거나 Some kind of trouble. some kind of fight 누군가 싸우는 소리가 들려도 Just don't ask me what it was 무슨 일이 있었는지는 묻지 말아주세요 Just don't ask me what it was 별 일 아니니까 Just don't ask me what it was 아무것도 묻지 말아주세요 I think it's because I'm clumsy 제가 잘못한 일이거든요 I try not to talk too loud 조용히 말해야 하는데 Maybe it's because I'm crazy 아마 제가 좀 어리석었나봐요 I try not to act too proud 주눅든 표정을 지어야 하는데 They only hit until you cry 아래층에서 소리지르면 더이상 안때려요 And after that you don't ask why 무슨 일이었는진 묻지 마세요 You just don't argue anymore 더이상 설득하려고 하지마세요 You just don't argue anymore 제가 잘못한 거니까 You just don't argue anymore 아무것도 못들은척 해주세요 Yes I think I'm okay 네, 전 괜찮아요 I walked into the door again 다시 들어가봐야 해요 Well, if you ask that's what I'll say 만약 다음에 또 물어오시면 And it's not your business anyway 당신이 참견할일이 아니라고 말할 거예요 I guess I'd like to be alone 이제 혼자 있고 싶어요 With nothing broken, nothing thrown 부러지지도 않았고 삔곳도 없어요 Just don't ask me how I am ... 더이상 괜찮은지는 묻지 마세요 |
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3:39 | ||||
from Suzanne Vega - Tired And True (2000)
Even if I am in love with you
All this to say, what's it to you? Observe the blood, the rose tattoo of the fingerprints on me from you Other evidence has shown that you and I are still alone We skirt around the danger zone and don't talk about it later Marlene watches from the wall her mocking smile says it all as she records the rise and fall of every soldier passing But the only soldier now is me I'm fighting things I cannot see I think it's called my destiny that I am changing Marlene on the wall I walk to your house in the afternoon by the butcher shop with the sawdust strewn "Don't give away the goods too soon" Is what she might have told me And I tried so hard to resist when you held me in your handsome fist and reminded me of the night we kissed and of why I should be leaving Marlene watches from the wall her mocking smile says it all as she records the rise and fall of every man who's been here But the only one here now is me I'm fighting things I cannot see I think it's called my destiny that I am changing Marlene on the wall |
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from Suzanne Vega - Tired And True (2000)
Even if I am in love with you
All this to say, what's it to you? Observe the blood, the rose tattoo of the fingerprints on me from you Other evidence has shown that you and I are still alone We skirt around the danger zone and don't talk about it later Marlene watches from the wall her mocking smile says it all as she records the rise and fall of every soldier passing But the only soldier now is me I'm fighting things I cannot see I think it's called my destiny that I am changing Marlene on the wall I walk to your house in the afternoon by the butcher shop with the sawdust strewn "Don't give away the goods too soon" Is what she might have told me And I tried so hard to resist when you held me in your handsome fist and reminded me of the night we kissed and of why I should be leaving Marlene watches from the wall her mocking smile says it all as she records the rise and fall of every man who's been here But the only one here now is me I'm fighting things I cannot see I think it's called my destiny that I am changing Marlene on the wall |
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3:43 | ||||
from Suzanne Vega - Tired And True (2000)
Even if I am in love with you
All this to say, what's it to you? Observe the blood, the rose tattoo of the fingerprints on me from you Other evidence has shown that you and I are still alone We skirt around the danger zone and don't talk about it later Marlene watches from the wall her mocking smile says it all as she records the rise and fall of every soldier passing But the only soldier now is me I'm fighting things I cannot see I think it's called my destiny that I am changing Marlene on the wall I walk to your house in the afternoon by the butcher shop with the sawdust strewn "Don't give away the goods too soon" Is what she might have told me And I tried so hard to resist when you held me in your handsome fist and reminded me of the night we kissed and of why I should be leaving Marlene watches from the wall her mocking smile says it all as she records the rise and fall of every man who's been here But the only one here now is me I'm fighting things I cannot see I think it's called my destiny that I am changing Marlene on the wall |
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from Suzanne Vega - Tired And True (2000)
No Cheap Thrill (Music & Lyrics by Suzanne Vega)
Ante up. And don’t be shy. Who is that man who is catching my eye? What’s unde eath all of the deadpan face? Sitting so pretty with a criminal grace? Lamebrain Pete wants to Spit in the Sea. He’s got a cool hand but it isn’t for me. Butcher Boy thinks he’ll be splitting the pot. But I’ve seen what he’s got and it isn’t a lot. (When deuces are wild you can follow the queen. I’d go too except I know where she’s been.) I’ll see you, I’ll call you, I’ll raise you But it’s no cheap thrill It will cost you, cost you, cost you Anything you have to pay. I limit the straddles, and you shuffle and deal. When will the dealer reveal how he feels? Is the lucky beginner just a five-card stud? Is this winning streak going to be nipped in the bud? I’ll see you, I’ll call you, I’ll raise you But it’s no cheap thrill It will cost you, cost you, cost you Anything you have to pay. I’ll match you, I’ll bet you, I’ll play you, But it’s no cheap thrill It will cost you, cost you, cost you Anything you have to pay........ |
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3:09 | ||||
from Suzanne Vega - Tired And True (2000)
No Cheap Thrill (Music & Lyrics by Suzanne Vega)
Ante up. And don’t be shy. Who is that man who is catching my eye? What’s unde eath all of the deadpan face? Sitting so pretty with a criminal grace? Lamebrain Pete wants to Spit in the Sea. He’s got a cool hand but it isn’t for me. Butcher Boy thinks he’ll be splitting the pot. But I’ve seen what he’s got and it isn’t a lot. (When deuces are wild you can follow the queen. I’d go too except I know where she’s been.) I’ll see you, I’ll call you, I’ll raise you But it’s no cheap thrill It will cost you, cost you, cost you Anything you have to pay. I limit the straddles, and you shuffle and deal. When will the dealer reveal how he feels? Is the lucky beginner just a five-card stud? Is this winning streak going to be nipped in the bud? I’ll see you, I’ll call you, I’ll raise you But it’s no cheap thrill It will cost you, cost you, cost you Anything you have to pay. I’ll match you, I’ll bet you, I’ll play you, But it’s no cheap thrill It will cost you, cost you, cost you Anything you have to pay........ |
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from Suzanne Vega - Tired And True (2000)
Do you remember how you walked with me
down the street into the square? How the women selling rosemary pressed the branches to your chest promised luck and all the rest and put their fingers in your hair? I had met you just the day before like an accident of fate in the window there behind your door How I wanted to break in to that room beneath your skin but all that would have to wait In the Carmen of the Martyrs with the statues in the courtyard whose heads and hands were taken in the burden of the sun I had come to meet you with a question in my footsteps I was going up the hillside and the journey just begun My sister says she never dreams at night there are days when I know why those possibilities within her sight with no way of coming true Some things just don't get through into this world , although they try In the Carmen of the Martyrs with the statues in the courtyard whose heads and hands were taken in the burden of the sun I had come to meet you with a question in my footsteps I was going up the hillside and the journey just begun All I know of you is in my memory All I ask is you Remember me |
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2:43 | ||||
from Suzanne Vega - Tired And True (2000)
Do you remember how you walked with me
down the street into the square? How the women selling rosemary pressed the branches to your chest promised luck and all the rest and put their fingers in your hair? I had met you just the day before like an accident of fate in the window there behind your door How I wanted to break in to that room beneath your skin but all that would have to wait In the Carmen of the Martyrs with the statues in the courtyard whose heads and hands were taken in the burden of the sun I had come to meet you with a question in my footsteps I was going up the hillside and the journey just begun My sister says she never dreams at night there are days when I know why those possibilities within her sight with no way of coming true Some things just don't get through into this world , although they try In the Carmen of the Martyrs with the statues in the courtyard whose heads and hands were taken in the burden of the sun I had come to meet you with a question in my footsteps I was going up the hillside and the journey just begun All I know of you is in my memory All I ask is you Remember me |
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from Suzanne Vega - Tired And True (2000)
Today I am
A small blue thing Like a marble Or an eye With my knees against my mouth I am perfectly round I am watching you I am cold against your skin You are perfectly reflected I am lost inside your pocket I am lost against Your fingers I am falling down the stairs I am skipping on the sidewalk I am thrown against the sky I am raining down in pieces I am scattering like light Scattering like light Scattering like light Today I am A small blue thing Made of china Made of glass I am cool and smooth and curious I never blink I am turning in your hand Turning in your hand Small blue thing |
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3:54 | ||||
from Suzanne Vega - Tired And True (2000)
Today I am
A small blue thing Like a marble Or an eye With my knees against my mouth I am perfectly round I am watching you I am cold against your skin You are perfectly reflected I am lost inside your pocket I am lost against Your fingers I am falling down the stairs I am skipping on the sidewalk I am thrown against the sky I am raining down in pieces I am scattering like light Scattering like light Scattering like light Today I am A small blue thing Made of china Made of glass I am cool and smooth and curious I never blink I am turning in your hand Turning in your hand Small blue thing |
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3:53 | ||||
from Suzanne Vega - Tired And True (2000)
If we had met some eastbound train
Through some black sleeping town Would you have worn your silken robes All made of royal blue? Would I have dressed in smoke and fire For you to see through? If we had met in a darkened room Where people do not stay But shadows touch and pass right through And never see the day Would you have taken me upstairs And turned the lamplight low? Would I have shown my secret self And disappeared like the snow? Oh, I could have played your little girl Or I could have played your wife I could have played your mistress Running danger down through you life I could have played your lady fair All dressed in lace like the foam from the sea I could have been your woman of the road As long as you did not come back home to me But as it is, we live in the city And everything stays in place Instead we meet on the open sidewalk And it's well I know your face We talk and talk, we tell the truth There are no shadows here But when I look into your eyes I wonder what might have been here Because if I had met you on some journey Where would we be now? |
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from Suzanne Vega - Tired And True (2000)
to moonn6pence from shootingstar(papayeverte)
Tom's Diner I am sitting in the morning At the diner on the corner I am waiting at the counter For the man to pour the coffee (아침에 길모퉁이에 있는 식당에 앉아 있어 식당 주인이 커피를 따라 주기를 기다리며 카운터에 있었지.) And he fills it only halfway And before I even argue He is looking out the window At somebody coming in (그가 커피를 반 잔밖에 따르지 않아서 따지려고 했지만^^* 그는 누군가가 들어 오는 것을 보고 그 쪽을 바라봤어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee "It is always nice to see you" Says the man behind the counter To the woman who has come in She is shaking her umbrella ("당신만 보면 기분이 좋아요" 방금 들어온 그 여인에게 카운터에서 그가 말했지. 그녀는 우산을 털고 있었어.) And I look the other way As they are kissing their hellos I'm pretending not to see them Instead, I pour the milk (그들이 서로에게 가벼운 키스로 인사를 나누고 있을 때 난 다른 쪽을 보고 있었어. 그 대신 우유를 부으면서 그들을 안 보고 있는 척 했어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee I open up the paper There's a story of an actor Who had died while he was drinking It was no one I had heard of (신문을 폈어.술 먹다가 죽은 배우에 관한 기사가 있었지. 한 번도 못 들어본 배우였어.) And I'm turning to the horoscope And looking for the funnies When I'm feeling someone watching me And so I raise my head (오늘의 운세를 보고 나서 재미있는 게 있을까 해서 뒤적거렸어. 그 때 누군가 날 보고 있는 것 같아 고개를 들었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee There's a woman on the outside Looking inside, does she see me? No she does not really see me 'Cause she sees her own reflection (밖에서 어떤 여인이 안을 들여다 보고 있었어. 날 보고 있는 걸까? 아냐, 실제로는 날 보는 게 아니었어. 창에 비친 그녀의 모습을 보는 거였지.) And I'm trying not to notice That she's hitching up her skirt And while she's straightening her stockings Her hair is getting wet (그녀가 치마를 치켜 올리는 걸 안 보는 척 했지. 그녀가 스타킹을 반듯이 하는동안 그녀의 머리는 젖고 있었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Oh, this rain, it will continue Through the morning as I'm listening To the bells of the cathedral I am thinking of your voice (성당의 종소리가 들리는 이 오전 내내 비가 계속 될거야. ) And of the midnight picnic Once upon a time before the rain began I finish up my coffee It's time to catch the train (난 당신 목소리를 떠올려. 그리고, 비가 내리기 전에 했었던 그 예전 한 때의 야간 피크닉을 생각해. 커피를 다 마셨어. 이제 기차를 탈 시간이군...) |
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3:48 | ||||
from Suzanne Vega - Tired And True (2000)
to moonn6pence from shootingstar(papayeverte)
Tom's Diner I am sitting in the morning At the diner on the corner I am waiting at the counter For the man to pour the coffee (아침에 길모퉁이에 있는 식당에 앉아 있어 식당 주인이 커피를 따라 주기를 기다리며 카운터에 있었지.) And he fills it only halfway And before I even argue He is looking out the window At somebody coming in (그가 커피를 반 잔밖에 따르지 않아서 따지려고 했지만^^* 그는 누군가가 들어 오는 것을 보고 그 쪽을 바라봤어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee "It is always nice to see you" Says the man behind the counter To the woman who has come in She is shaking her umbrella ("당신만 보면 기분이 좋아요" 방금 들어온 그 여인에게 카운터에서 그가 말했지. 그녀는 우산을 털고 있었어.) And I look the other way As they are kissing their hellos I'm pretending not to see them Instead, I pour the milk (그들이 서로에게 가벼운 키스로 인사를 나누고 있을 때 난 다른 쪽을 보고 있었어. 그 대신 우유를 부으면서 그들을 안 보고 있는 척 했어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee I open up the paper There's a story of an actor Who had died while he was drinking It was no one I had heard of (신문을 폈어.술 먹다가 죽은 배우에 관한 기사가 있었지. 한 번도 못 들어본 배우였어.) And I'm turning to the horoscope And looking for the funnies When I'm feeling someone watching me And so I raise my head (오늘의 운세를 보고 나서 재미있는 게 있을까 해서 뒤적거렸어. 그 때 누군가 날 보고 있는 것 같아 고개를 들었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee There's a woman on the outside Looking inside, does she see me? No she does not really see me 'Cause she sees her own reflection (밖에서 어떤 여인이 안을 들여다 보고 있었어. 날 보고 있는 걸까? 아냐, 실제로는 날 보는 게 아니었어. 창에 비친 그녀의 모습을 보는 거였지.) And I'm trying not to notice That she's hitching up her skirt And while she's straightening her stockings Her hair is getting wet (그녀가 치마를 치켜 올리는 걸 안 보는 척 했지. 그녀가 스타킹을 반듯이 하는동안 그녀의 머리는 젖고 있었어.) Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Dee dee dee dee, dee dee dee dee Oh, this rain, it will continue Through the morning as I'm listening To the bells of the cathedral I am thinking of your voice (성당의 종소리가 들리는 이 오전 내내 비가 계속 될거야. ) And of the midnight picnic Once upon a time before the rain began I finish up my coffee It's time to catch the train (난 당신 목소리를 떠올려. 그리고, 비가 내리기 전에 했었던 그 예전 한 때의 야간 피크닉을 생각해. 커피를 다 마셨어. 이제 기차를 탈 시간이군...) |