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[Disc 1]
1.  Colonel Fantock - Irene Worth, John Gielgud / 2. On the Vanity of Human Aspirations - Irene Worth / 3. The Sleeping Beauty: No. 8 - Irene Worth, John Gielgud / 4. Eurydice - Irene Worth / 5. Still Falls the Rain - Irene Worth, John Gielgud / 6. Dirge for the New Sunrise - Irene Worth / 7. Heart and Mind - Irene Worth, John Gielgud / 8. Poems from `Facade` - Irene Worth, John Gielgud / 9. Song: The Queen Bee Sighed - Irene Worth, John Gielgud |
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[Disc 1]
1. Vaughan-Williams : Symphony No.7 `Sinfonia Antartica` - Prelude. Andante Maestoso (본-윌리엄스 : 교향곡 7번 `남극 교향곡` - 1악장) - Adrian Boult, John Gielgud, London Philharmonic Choir, London Philharmonic Orchestra / 2. Vaughan-Williams : Symphony No.7 `Sinfonia Antartica` - II. Scherzo. Moderato (본-윌리엄스 : 교향곡 7번 `남극 교향곡` - 2악장) - Adrian Boult, John Gielgud, London Philharmonic Orchestra / 3. Vaughan-Williams : Symphony No.7 `Sinfonia Antartica` - III. Landscape. Lento (본-윌리엄스 : 교향곡 7번 `남극 교향곡` - 3악장) - Adrian Boult, John Gielgud, London Philharmonic Orchestra / 4. Vaughan-Williams : Symphony No.7 `Sinfonia Antartica` - IV. Intermezzo. Andante Sostenuto (본-윌리엄스 : 교향곡 7번 `남극 교향곡` - 4악장) - Adrian Boult, John Gielgud, London Philharmonic Orchestra / 5. Vaughan-Williams : Symphony No.7 `Sinfonia Antartica` - V. Epilogue. Alla Marcia. Moderato Ma Non Troppo (본-윌리엄스 : 교향곡 7번 `남극 교향곡` - 5악장) - Adrian Boult, John Gielgud, London Philharmonic Choir, London Philharmonic Orchestra 외 / 6. Vaughan-Williams : Symphony No.8 In D Minor - I. Fantasia. Variazioni Senza Tema (본-윌리엄스 : 교향곡 8번 라단조 - 1악장) - Adrian Boult, London Philharmonic Orchestra / 7. Vaughan-Williams : Symphony No.8 In D Minor - II. Scherzo Alla Marcia. Per Stromenti A Fiato (본-윌리엄스 : 교향곡 8번 라단조 - 2악장) - Adrian Boult, London Philharmonic Orchestra / 8. Vaughan-Williams : Symphony No.8 In D Minor - III. Cavatina. Per Stromenti Ad Arco (본-윌리엄스 : 교향곡 8번 라단조 - 3악장) - Adrian Boult, Harold Parfitt, London Philharmonic Orchestra / 9. Vaughan-Williams : Symphony No.8 In D Minor - IV. Toccata (본-윌리엄스 : 교향곡 8번 라단조 - 4악장) - Adrian Boult, London Philharmonic Orchestra |
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[Disc 1]
1. Hamlet: Act 2 - Scene 2, `How Does My Good Lord Hamlet?` (Polonius) (Part II) - John Gieldgud & John Gielgud / 2. Hamlet: Act 2 - Scene 2, `You Go to Seek the Lord Hamlet` (Polonius) - John Gieldgud & John Gielgud / 3. Hamlet: Act 2 - Scene 2, `There Are the Players` (Guildenstern) - John Gieldgud & John Gielgud / 4. Hamlet: Act 2 - Scene 2, `Y` Are Welcome Masters, Welcome All.` (Hamlet) - John Gieldgud & John Gielgud / 5. Hamlet: Act 2 - Scene 2, `Anon He Finds Him, Striking Too Short` (1 Player) - John Gieldgud & John Gielgud / 6. Hamlet: Act 2 - Scene 2, `O` What a Rogue and Peasant Slave Am I` (Hamlet) - John Gieldgud & John Gielgud / 7. Hamlet: Act 3 - Scene 1 - John Gieldgud & John Gielgud / 8. Hamlet: Act 3 - Scene 1, ` To Be or Not to Be, That is the Question` (Hamlet) - John Gieldgud & John Gielgud / 9. Hamlet: Act 3 - Scene 1, Ophelia ` Oh What a Noble Mind is Here O`erthrown!` (Ophelia) - John Gieldgud & John Gielgud / 10. Hamlet: Act 3 - Scene 2 - John Gieldgud & John Gielgud / 11. Hamlet: Act 3 - Scene 2, `They are Coming to the Play` (Hamlet) - John Gieldgud & John Gielgud / 12. Hamlet: Act 3 - Scene 2, `Full Thirty Times Hath Phoebus` (Player King) - John Gieldgud & John Gielgud / 13. Hamlet: Act 3 - Scene 2, `Thoughts Black, Hands Apt, Drugs Fit` (Lucianus) - John Gieldgud & John Gielgud / 14. Hamlet: Act 3 - Scene 2, `Oh the Recorders, Let Me See One` (Hamlet) - John Gieldgud & John Gielgud / 15. Hamlet: Act 3 - Scene 2, `Tis Now the Very Witching Time of Night.` (Hamlet) - John Gieldgud & John Gielgud / 16. Hamlet: Act 3 - Scene 3 - John Gieldgud & John Gielgud / 17. Hamlet: Act 3 - Scene 3, `Oh My Offence is Rank, It Smells...` (Claudius) - John Gieldgud & John Gielgud / 18. Hamlet: Act 3 - Scene 3, `Now Might I Do It Pat...` (Hamlet) - John Gieldgud & John Gielgud / 19. Hamlet: Act 3 - Scene 4 - John Gieldgud & John Gielgud / 20. Hamlet: Act 3 - Scene 4, `Look Here Upon This Picture` (Hamlet) - John Gieldgud & John Gielgud / 21. Hamlet: Act 3 - Scene 4, `Save Me and Hover O`er Me...` (Hamlet) - John Gieldgud & John Gielgud / 22. Hamlet: Act 3 - Scene 4, `This is the Very Coinage` (Gertrude) - John Gieldgud & John Gielgud / 23. Hamlet: Act 4 - Scene 1 - John Gieldgud & John Gielgud / 24. Hamlet: Act 4 - Scene 2 - John Gieldgud & John Gielgud / 25. Hamlet: Act 4 - Scene 3 - John Gieldgud & John Gielgud / 26. Hamlet: Act 4 - Scene 4 - John Gieldgud & John Gielgud / 27. Hamlet: Act 4 - Scene 4, ` How All Occasions Do Inform` (Hamlet) - John Gieldgud & John Gielgud |
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[Disc 1]
1. Hamlet: Act 5 - Scene 5 / 2. Hamlet: Act 4 - Scene 5, `Where is the Beauteous Majesty` Opheila / 3. Hamlet: Act 4 - Scene 5, `O` Thou Vile King` (Laertes) / 4. Hamlet: Act 4 - Scene 5, `O` Heat Dry Up My Brains` (Laertes) / 5. Hamlet: Act 4 - Scene 6 / 6. Hamlet: Act 4 - Scene 7 / 7. Hamlet: Act 4 - Scene 7, `I Bought an Unction of a Mountebank...` (Laertes) / 8. Hamlet: Act 4 - Scene 7, `There is a Willow Grows Aslant...` (Gertrude) / 9. Hamlet: Act 5 - Scene 1 / 10. Hamlet: Act 5 - Scene 1, `In Youth When I Did Love...` (Clown) / 11. Hamlet: Act 5 - Scene 1, `Alas Poor Yorick!` (Hamlet) / 12. Hamlet: Act 5 - Scene 1, `But Soft, But Soft!` (Hamlet) / 13. Hamlet: Act 5 - Scene 2 / 14. Hamlet: Act 5 - Scene 2, `Your Lordship is Right Welcome...` (Osric) / 15. Hamlet: Act 5 - Scene 2, `Come Hamlet, Come and Take This Hand` (Claudius) / 16. Hamlet: Act 5 - Scene 2, `Where is This Sight?` (Fortinbras) |
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[Disc 1]
1. The Importance of Being Earnest - Introductions to each act (discarded from original recording): Introduction to Act I (music: Study in F sharp Op. 2 No. 6) - Anonymous, Gerald Moore / 2. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): (Schubert: Moment musical No. 3 in F minor)...Did you hear what I - Dame Edith Evans, John Gielgud / 3. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): How are you, my dear Ernest? (Algernon, Jack, Lane) - Dame Edith Evans, John Gielgud / 4. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): Old Mr Thomas Cardew, who adopted me (Jack, Algernon, Lane) - Dame Edith Evans, John Gielgud / 5. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): Good afternoon, dear Algernon (Lady Bracknell, Algernon, Gwendolen - Dame Edith Evans, John Gielgud / 6. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): Charming day it has been, Miss Fairfax (Jack, Gwendolen) - Dame Edith Evans, John Gielgud / 7. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): Mr Worthing! Rise, sir, from this semi-recumbent posture (Lady Bra - Dame Edith Evans, John Gielgud / 8. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): You can take a seat, Mr Worthing (Lady Bracknell, Jack) - Dame Edith Evans, John Gielgud / 9. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): Now to minor matters (Lady Bracknell, Jack) - Dame Edith Evans, John Gielgud / 10. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): (Mendelssohn: Wedding March)...Oh, do stop playing that ghastly tu - Dame Edith Evans, John Gielgud / 11. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff`s flat in Half-Moon Street, London W): Gwendolen, upon my word! (Algernon, Gwendolen, Jack, Lane) - Dame Edith Evans, John Gielgud[Disc 2] 1. The Importance of Being Earnest - Introductions to each act (discarded from original recording): Introduction to Act II (music: Song without Words in A flat `Duetto` Op. 38 No. 6) - Anonymous, Gerald Moore / 2. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Cecily, Cecily! (Miss Prism, Cecily) - Dame Edith Evans, John Gielgud / 3. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Dr Chasuble! This is indeed a pleasure (Miss Prism, Chasuble, Cecily) - Dame Edith Evans, John Gielgud / 4. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Mr Ernest Worthing has just driven over from the station (Merriman, Cecily, Algernon) - Dame Edith Evans, John Gielgud / 5. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): You are too much alone, dear Dr Chasuble (Miss Prism, Chasuble) - Dame Edith Evans, John Gielgud / 6. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Mr Worthing! (Chasuble, Miss Prism, Jack) - Dame Edith Evans, John Gielgud / 7. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Uncle Jack! Oh, I am pleased to see you back (Cecily, Miss Prism, Chasuble, Jack, Alge - Dame Edith Evans, John Gielgud / 8. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): You young scoundrel, Algy (Jack, Merriman, Algernon) - Dame Edith Evans, John Gielgud / 9. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Oh, I merely came back to water the roses (Cecily, Algernon, Merriman) - Dame Edith Evans, John Gielgud / 10. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Uncle Jack would be very much annoyed (Cecily, Algernon) - Dame Edith Evans, John Gielgud / 11. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): A Miss Fairfax has just called to see Mr Worthing (Merriman, Cecily, Gwendolen) - Dame Edith Evans, John Gielgud / 12. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Shall I lay tea here as usual, Miss? (Merriman, Cecily, Gwendolen) - Dame Edith Evans, John Gielgud / 13. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Ernest! My own Ernest! (Gwendolen, Jack, Cecily, Algernon) - Dame Edith Evans, John Gielgud / 14. The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): This ghastly state of things is what you call Bunburying, I suppose? (Jack, Algernon) - Dame Edith Evans, John Gielgud / 15. The Importance of Being Earnest - Introductions to each act (discarded from original recording): Introduction to Act III (music: Waltz in G flat Op. 70 No. 1) (middle section) - Anonymous, Gerald Moore / 16. The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): The fact that they did not follow us at once into the house (Gwendolen, Cecily, - Dame Edith Evans, John Gielgud / 17. The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Gwendolen! What does this mean? (Lady Bracknell, Gwendolen, Jack, Algernon, Cec - Dame Edith Evans, John Gielgud / 18. The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Pretty child! your dress is sadly simple (Lady Bracknell, Jack, Algernon, Cecil - Dame Edith Evans, John Gielgud / 19. The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Everything is quite ready for the christenings (Chasuble, Lady Bracknell, Jack) - Dame Edith Evans, John Gielgud / 20. The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): I was told you expected me in the vestry, dear Canon (Miss Prism, Lady Bracknel - Dame Edith Evans, John Gielgud / 21. The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Is this the hand-bag, Miss Prism? (Jack, Miss Prism, Lady Bracknell, Algernon, - Dame Edith Evans, John Gielgud |
